Hard Exterior Quotes

Yet, all armor—from a lobster’s shell to a Navy SEAL’s flak jacket—ultimately reveals the same truth. All armor highlights vulnerability. It trumpets the fact that below that hard exterior lies an interior that is soft, fragile, and in need of protection.

I hear Warner laugh. I see him smile. It's the kind of smile that transforms him into someone else entirely, the kind of smile that puts stars in his eyes and a dazzle on his lips and I realize I've never seen him like this before. I've never seen his teeth--so straight, so white, nothing less than perfect. A flawless, flawless exterior for a boy with a black, black heart. It's hard to believe there's blood on the hands of the person I'm staring at. He looks soft and vulnerable--so human. His eyes are squinting from all his grinning and his cheeks are pink form the cold. He has dimples. He's easily the most beautiful thing I've ever seen. And I wish I'd never seen it.

The abuser’s mood changes are especially perplexing. He can be a different person from day to day, or even from hour to hour. At times he is aggressive and intimidating, his tone harsh, insults spewing from his mouth, ridicule dripping from him like oil from a drum. When he’s in this mode, nothing she says seems to have any impact on him, except to make him even angrier. Her side of the argument counts for nothing in his eyes, and everything is her fault. He twists her words around so that she always ends up on the defensive. As so many partners of my clients have said to me, “I just can’t seem to do anything right.” At other moments, he sounds wounded and lost, hungering for love and for someone to take care of him. When this side of him emerges, he appears open and ready to heal. He seems to let down his guard, his hard exterior softens, and he may take on the quality of a hurt child, difficult and frustrating but lovable. Looking at him in this deflated state, his partner has trouble imagining that the abuser inside of him will ever be back. The beast that takes him over at other times looks completely unrelated to the tender person she now sees. Sooner or later, though, the shadow comes back over him, as if it had a life of its own. Weeks of peace may go by, but eventually she finds herself under assault once again. Then her head spins with the arduous effort of untangling the many threads of his character, until she begins to wonder whether she is the one whose head isn’t quite right.

Hard exteriors could hide soft hearts, a chosen family could be more important than a blood one... and even the safest of places could be made into a trap.

I was wondering how the old Silas ever broke through your hard exterior." She laughs. "What makes you think he did?" I would smile again, but I don't think I've stopped. "You saw the video, Charlie. You loved him." I pause for a second, then rephrase. "Me. You loved me." " She loved you," Charlie says, and then smiles. "I'm not even sure if I like you yet.

She didn’t know they made men like him anymore. Hard exterior and gooey marshmallow insides.

We are obliged to love one another. We are not strictly bound to 'like' one another. Love governs the will: 'liking' is a matter of sense and sensibility. Nevertheless, if we really love others it will not be too hard to like them also. If we wait for some people to become agreeable or attractive before we begin to love them, we will never begin. If we are content to give them a cold impersonal 'charity' that is merely a matter of obligation, we will not trouble to understand them or to sympathize with them at all. And in that case we will not really love them, because love implies an efficacious will not only to do good to others exteriorly but also to find some good in them to which we can respond.

It is hard that a man's exterior should tally so little sometimes with his soul.

Slowly, painfully, I realized what I had been reading from the very first words of his journal. My husband had had an inner life that went beyond his gregarious exterior, and if I had known enough to let him inside my guard, I might have understood this fact. Except I hadn’t, of course. I had let tidal pools and fungi that could devour plastic inside my guard, but not him. Of all the aspects of the journal, this ate at me the most. He had created his share of our problems—by pushing me too hard, by wanting too much, by trying to see something in me that didn’t exist. But I could have met him partway and retained my sovereignty. And now it was too late.

But I can’t say the words. This is how relationships are most like the things I collect: We build these hard exteriors. We pull ourselves inside, block off the only way in, don’t let anyone see our true selves.

What treaty is it that finally separates those two territories, the hard resolve of our exteriors and the terrible disaster on our insides?

His perfect face. His perfect body. His eyes as hard and beautiful as frozen gemstones. He repulses me. I want his exterior to match his broken black interior. I want to cripple his cockiness with the palm of my hand.

When you discover yourself lying on the ground, limp and unresisting, head in the dirt, and helpless, the earth seems to shift forward as a presence; hard, emphatic, not mere surface but a genuine force—there is no other word for it but presence. To keep in motion is to keep in time and to be stopped, stilled, is to be abruptly out of time, in another time-dimension perhaps, an alien one, where human language has no resonance. Nothing to be said about it expresses it, nothing touches it, it’s an absolute against which nothing human can be measured…Moving through space and time by way of your own volition you inhabit an interior consciousness, a hallucinatory consciousness, it might be said, so long as breath, heartbeat, the body’s autonomy hold; when motion is stopped you are jarred out of it. The interior is invaded by the exterior. The outside wants to come in, and only the self’s fragile membrane prevents it.

Strategic warriors operate much differently. They think ahead toward their long-term goals, decide which fights to avoid and which are inevitable, know how to control and channel their emotions. When forced to fight, they do so with indirection and subtle maneuver, making their manipulations hard to trace. In this way they can maintain the peaceful exterior so cherished in these political times.

In Topher's world, people are hard, polished shells, their shiny exteriors hiding the inadequacies and anxieties inside. But Topher made a mistake. He didn't understand that some people are the other way around. But Eva . . . I think Eva did understand that. And perhaps it's what killed her in the end.

Such physical matters were nice, yet to him, intelligence and passion born of living, the ability to move and be moved by the subtleties of the mind and spirit, were what really counted. That’s why he found most young woman unattractive, regardless of their exterior beauty. They had not lived long enough or hard enough to possess those qualities that interested him.

Rose was unravelling my hard exterior and helping me realize the boy I use to be was still there. I walked around like I had a death wish, taking unnecessary risks because my reason for living had vanished, but now that she was back I had to do everything I possibly could to fight for us; to fight for her.

We are all of us trapped inside a hall of mirrors, our shiny, hard exteriors reflecting both to each other and on each other, ad infinitum, forever and ever so we can’t escape.

Do you know how long it takes to charm people from Maine? They're uptight white people coated with a hard exterior made from other uptight white people.

Maybe that's why she liked all those bad boys. They were outcasts. It was like she was picking up strays and taking them in, It's like she could see past their rough exteriors and see the parts of them that hurt. Maybe she thought she could take away the hurt. She was wrong, of course. But I found it hard to fault her for her good heart.

There was something dangerous about Zev that felt exciting to me, a cold, bitter exterior I was determined to crack. He was exactly the sort of man I would avoid when I was older and knew better, but we usually learn that the hard way.

That hard exterior hides the kind of man I’m honored to be with. A man I trust enough to show every ounce of vulnerability to. A man who hears me when I gently point out a flaw and tries to alter his behavior. A man who makes me desperately happy even when I’m feeling sad.

Writers are much better behaved nowadays, for a couple of reasons. Once upon a time nobody was thinking of a career, unless you lived in New York, so there wasn’t as much pressure to present a respectable exterior. And secondly, there was no social media. So if you were found face down on the floor – people did do that quite a bit; usually men, but not always – or fell through plate glass windows or got into scrapes, it became a rumour, and rumours are hard to pin down.

I could only nod as emotions rolled in like a destructive storm. This was it. It was over. My incredible time with this beautiful talented man was up. I had to clench my teeth and swallow hard to mask the loss that threatened to overcome my calm exterior. I was holding on for dear life then he said two words with pure tranquility.

i chipped away at your exterior dodging shards of ice until you were no longer hard i cracked the surface, but your heart would not melt.

In Topher’s world, people are hard, polished shells, their shiny exteriors hiding the inadequacies and anxieties inside.

Lyndie was still something of a mystery to him. Hard to know, with an exterior that would be difficult to crack, but he wouldn't stop trying until she let him in. Something told him she would be worth the extra effort--did she see that about herself? Would she ever?

In Topher’s world, people are hard, polished shells, their shiny exteriors hiding the inadequacies and anxieties inside. But Topher made a mistake. He didn’t understand that some people are the other way around. But Eva… I think Eva did understand that. And perhaps it’s what killed her in the end.

She had a lot of empathy. Maybe that’s why she liked all those bad boys. They were outcasts. It was like she was picking up strays and taking them in. It’s like she could see past their rough exteriors and see the parts of them that hurt. Maybe she thought she could take away the hurt. She was wrong, of course. But I found it hard to fault her for her good heart.

The guy smiled at me, and I glanced at him again just in time to look directly into his eyes. My mistake. Sight was a common Talent, but my magic went beyond seeing the world with crystal clarity or being able to navigate through the dark like it was daylight. Because I could also see into people. All I had to do was stare into someone’s eyes, and I knew exactly what they were feeling at that moment, whether it was love, hate, anger, or something else. Not only that, but I could actually feel the emotion in my own heart, just like the person who was experiencing it. Soulsight, it was called. A major Talent and one that I could have done without. Most people didn’t have a lot of nice thoughts, feelings, or emotions, not even toward their own so-called friends and family. But this guy . . . he radiated cold sorrow, as though he was carrying around a heavy burden that he could never, ever be free from. Still, there was a rock-hard strength mixed in with his sorrow, along with a flicker of something else buried deep, deep down . . . a hot spark that I couldn’t quite identify. I knew in an instant that he was the sort of guy who was exceedingly loyal to his friends. Who felt responsible for others. Who tried to help people as much as he could even if they didn’t deserve it, and he ended up being the one who got hurt instead. The sort of guy that others saw as a leader and naturally flocked to. The sort of guy who was just so disgustingly fascinating that you couldn’t help wanting to know more about him. The guy kept smiling, although his expression grew thinner and fainter the longer I stared. But I couldn’t help it. For the first time in a long time, I was completely captivated by another person. In that moment, all I wanted to do was peel back the cool exterior of his emotions and see what really lay beneath—and especially see what would happen when that hot spark inside him flared to life and he finally let out his true feelings. But there was also something disturbingly . . . familiar about him. As though I’d met him someplace before, although I couldn’t quite remember where. I kept staring into his green eyes, hoping that my soulsight would kick in a tiny bit more and bring the knowledge, the memory, along with it . . .

It was not perhaps my business to observe the mystery of his bearing, or search out its origin or aim; but, placed as I was, I could hardly help it. He laid himself open to my observation, according to my presence in the room just that degree of notice and consequence a person of my exterior habitually expects: that is to say, about what is given to unobtrusive articles of furniture, chairs of ordinary joiner's work, and carpets of no striking pattern.

The parable that Rembrandt painted might well be called “The Parable of the Lost Sons.” Not only did the younger son, who left home to look for freedom and happiness in a distant country, get lost, but the one who stayed home also became a lost man. Exteriorly he did all the things a good son is supposed to do, but, interiorly, he wandered away from his father. He did his duty, worked hard every day, and fulfilled all his obligations but became increasingly unhappy and unfree.

The color is yet another variant in another dimension of variation, that of its relations with the surroundings: this red is what it is only by connecting up from its place with other reds about it, with which it forms a constellation, or with other colors it dominates or that dominate it, that it attracts or that attracts it, that it repels or that repel it. In short, it is a certain node in the woof of the simultaneous and the successive. It is a concretion of visibility, it is not an atom. The red dress a fortiori holds with all its fibers onto the fabric of the visible, and thereby onto a fabric of invisible being. A punctuation in the field of red things, which includes the tiles of roof tops, the flags of gatekeepers and of the Revolution, certain terrains near Aix or in Madagascar, it is also a punctuation in the field of red garments, which includes, along with the dresses of women, robes of professors, bishops, and advocate generals, and also in the field of adornments and that of uniforms. And its red literally is not the same as it appears in one constellation or in the other, as the pure essence of the Revolution of 1917 precipitates in it, or that of the eternal feminine, or that of the public prosecutor, or that of the gypsies dressed like hussars who reigned twenty-five years ago over an inn on the Champs-Elysées. A certain red is also a fossil drawn up from the depths of imaginary worlds. If we took all these participations into account, we would recognize that a naked color, and in general a visible, is not a chunk of absolutely hard, indivisible being, offered all naked to a vision which could be only total or null, but is rather a sort of straits between exterior horizons and interior horizons ever gaping open, something that comes to touch lightly and makes diverse regions of the colored or visible world resound at the distances, a certain differentiation, an ephemeral modulation of this world—less a color or a thing, therefore, than a difference between things and colors, a momentary crystallization of colored being or of visibility. Between the alleged colors and visibles, we would find anew the tissue that lines them, sustains them, nourishes them, and which for its part is not a thing, but a possibility, a latency, and a flesh of things.

She had seen Southern men, soft voiced and dangerous in the days before the war, reckless and hard in the last despairing days of the fighting. But in the faces of the two men who stared at each other across the candle flame so short a while ago there had been something that was different, something that heartened her but frightened her — fury which could find no words, determination which would stop at nothing. For the first time, she felt a kinship with the people about her, felt one with them in their fears, their bitterness, their determination. No, it wasn’t to be borne! The South was too beautiful a place to be let go without a struggle, too loved to be trampled by Yankees who hated Southerners enough to enjoy grinding them into the dirt, too dear a homeland to be turned over to ignorant people drunk with whisky and freedom. As she thought of Tony’s sudden entrance and swift exit, she felt herself akin to him, for she remembered the old story how her father had left Ireland, left hastily and by night, after a murder which was no murder to him or to his family. Gerald’s blood was in her, violent blood. She remembered her hot joy in shooting the marauding Yankee. Violent blood was in them all, perilously close to the surface, lurking just beneath the kindly courteous exteriors. All of them, all the men she knew, even the drowsy-eyed Ashley and fidgety old Frank, were like that underneath — murderous, violent if the need arose. Even Rhett, conscienceless scamp that he was, had killed a man for being “uppity to a lady.

When I turned toward the hurt in the silence, I entered a kind of tenderness that was not sore, not wounded, but rather powerfully present.I sat up straight. The silence had tilled hard ground into soft soil. I sunk deep into the soft ground, where the source of life was revealed--wordless, nameless, without form, completely indescribable. And then--I dare to say it--I was 'completely tender.' To ease below the surface of my embodiment--my face, my flesh, my skin, my name--I needed to first see it reflected back at me. I had to look at it long enough to see the soft patches, the openings, the soft, tender ground. Would I survive the namelessness--without my body, without my heart--while engaging the beautiful, floral exterior of my life? Fear and caution were attempting to shut down the experience of uncoupling my heart from mistreatment and discrimination--from the disregard, hurt, and separation that I experienced and accepted as my one-sided life. I was going back to the moment before I was born, when I was connected to something other than my parents or my people.

Disgust is a boundary psychology. Disgust marks objects as exterior and alien. The second the saliva leaves the body and crosses the boundary of selfhood it is foul, it is “exterior,” it is Other. And this, I realized, is the same psychological dynamic at the heart of the conflict in Matthew 9. Specifically, how are we to draw the boundaries of exclusion and inclusion in the life of the church? Sacrifice— the purity impulse— marks off a zone of holiness, admitting the “clean” and expelling the “unclean.” Mercy, by contrast, crosses those purity boundaries. Mercy blurs the distinction, bringing clean and unclean into contact. Thus the tension. One impulse - holiness and purity - erects boundaries, while the other impulse - mercy and hospitality - crosses and ignores those boundaries. And it’s very hard, and you don’t have to be a rocket scientist to see this, to both erect a boundary and dismantle that boundary at the very same time. One has to choose. And as Jesus and the Pharisees make different choices in Matthew 9 there seems little by way of compromise. They stand on opposite sides of a psychological (clean versus unclean), social (inclusion versus exclusion), and theological (saints versus sinners) boundary.

She knew the effort it took to keep one’s exterior self together, upright, when everything inside was in pieces, broken beyond repair. One touch, one warm, compassionate hand, could shatter that hard-won perfect exterior. And then it would take years and years to restore it. This tiny, effeminate creature dressed in velvet suits, red socks, an absurdly long scarf usually wrapped around his throat, trailing after him like a coronation robe. He who pronounced, after dinner, “I’m going to go sit over here with the rest of the girls and gossip!” This pixie who might suddenly leap into the air, kicking one foot out behind him, exclaiming, “Oh, what fun, fun, fun it is to be me! I’m beside myself!” “Truman, you could charm the rattle off a snake,” Diana Vreeland pronounced. Hemingway - He was so muskily, powerfully masculine. More than any other man she’d met, and that was saying something when Clark Gable was a notch in your belt. So it was that, and his brain, his heart—poetic, sad, boyish, angry—that drew her. And he wanted her. Slim could see it in his hungry eyes, voraciously taking her in, no matter how many times a day he saw her; each time was like the first time after a wrenching separation. How to soothe and flatter and caress and purr and then ignore, just when the flattering and caressing got to be a bit too much. Modesty bores me. I hate people who act coy. Just come right out and say it, if you believe it—I’m the greatest. I’m the cat’s pajamas. I’m it! He couldn’t humiliate her vulnerability, her despair. Old habits die hard. Particularly among the wealthy. And the storytellers, gossips, and snakes. Is it truly a scandal? A divine, delicious literary scandal, just like in the good old days of Hemingway and Fitzgerald? The loss of trust, the loss of joy; the loss of herself. The loss of her true heart. An amusing, brief little time. A time before it was fashionable to tell the truth, and the world grew sordid from too much honesty. In the end as in the beginning, all they had were the stories. The stories they told about one another, and the stories they told to themselves. Beauty. Beauty in all its glory, in all its iterations; the exquisite moment of perfect understanding between two lonely, damaged souls, sitting silently by a pool, or in the twilight, or lying in bed, vulnerable and naked in every way that mattered. The haunting glance of a woman who knew she was beautiful because of how she saw herself reflected in her friend’s eyes. The splendor of belonging, being included, prized, coveted. What happened to Truman Capote. What happened to his swans. What happened to elegance. What truly was the price they paid, for the lives they lived. For there is always a price. Especially in fairy tales.

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Torn grain Torn grain occurs when the unsupported fibers of the wood are lifted away from the surface and ripped off or pulled out. You can usually see this effect on the exterior of a cross-grain bowl at the end grain area. The trailing edge of the end grain cuts well and the leading edge does not since the fibers are unsupported. (Drawings 8 and 9) There are many causes of torn grain: dull tools, pushing the tool too hard or too fast, turning at a lathe speed that is too slow, the tendency of some soft-fiber wood to easily fray, and just bad luck. 7. Support the scrapers on top of your arm to assure the safest cutting angle. 8. The trailing edge of the end grain with supported fibers being cut. 9. The unsupported leading edge of the end grain leads to potential tear out. Addressing torn grain issues Sanding is not a solution to torn grain; recutting the torn grain area with adjustments must be done. •Resharpen your tool and take a lighter cut with a faster lathe speed. •Use a smaller diameter gouge to bring the cutting edge closer to the supporting bevel. •Change the tool geometry to allow the bevel to move closer to the cutting edge providing more support to the cut. Try shortening the bevel length by grinding some of the heel away. •Stiffen the fibers to hold them in place while the tool cuts by applying a coat of shellac before the final cut. •If possible, reverse the lathe direction and recut with the opposite rotation. This may or may not help, as now the grain in the opposite direction is a risk!

Mrs. Brown, I hurried over as soon as I heard..." Ollie Clark ducked through the low front door and removed his hat as he noticed Lily sitting in the old rocker she had brought with her from Mississippi. His gaze stopped at the child at her feet. "Come in, Mr. Clark, have a seat. You've had word of Jim?" Lily’s breath caught in her lungs as she waited for the words she didn't want to hear. Ollie took the overlarge wing chair that had once decorated a bedroom parlor and wrung his hat between his hands. "No, ma'am, I didn't mean to get your hopes up none. I was talkin' 'bout Cade. The boys were just funnin' about him the other day. He's a drunken half-breed, Mrs. Brown. You don't want the likes of him about the place. Let me explain things to him and send him on his way. It ain't right for a respectable lady like yourself to have to deal with a man like that." "I can't dismiss a man without giving him a chance, Mr. Clark. Even drunk, he's showed more sense than some sober men I could name. If Colonel Martin could use him, I don't see why I can't." He took a deep breath. "He ain't even white, Lily. You'll give me permission to call you Lily?" When she didn't reply, Ollie hurried on. "He's half-Indian, half-Mexican. You'd be better off hiring one of your father's slaves. At least they listen when you whip them. Cade's more likely to turn and kill you. He's done it before. You've got to get him out of here." Ollie was speaking sense from his own point of view. Beneath his placid exterior. Cade undoubtedly had a violent temper. Lily had seen evidence of that already. And Ralph had told her he'd been in prison for killing another man. So Ollie was speaking the truth, but only one side of the truth. Lily knew all about that kind of lie. "I'll give Cade his chance, Mr. Clark. Jim would want it that way." Lily watched gleefully as she used this two-edged sword to make Clark squirm. How many times had she resentfully heard those words when the men wouldn't listen to her? Clark scowled and rose. "Jim wouldn't have taken on a drunken Indian. I'll set about finding you a decent man to help out. You'll be needing him soon enough." He gave the child on the floor another glance, one of puzzlement, but he didn't ask the question that obviously was on his mind. And Lily didn't answer it. Sweetly, she held out her hand and offered her best Southern-belle smile. "I'm so grateful for your concern, Mr. Clark. Please do come and visit sometime. Perhaps you could bring Miss Bridgewater. I'd be happy for the company." The name of the young girl whom the town gossip had Clark courting only brought a milder frown to his handsome face. "That's mighty kind of you, Mrs. Brown. I hope you hear from Jim soon." Lily watched him go with a sigh of relief and a small sense of triumph. She didn't know why Ollie Clark was suddenly so all-fired concerned with her welfare, but surely she had set him properly in his place. Now,

When school is not a good fit for a boy, when his normal expressions of energy and action routinely meet with negative responses from teachers and classmates, he stews in feelings of failure—feelings of sadness, shame, and anger, which can be very hard to detect beneath that brash exterior. Unable to “talk out” the emotional pressure, boys typically act out through verbal or physical aggression that walls them off emotionally from others, straining or severing emotional connections to the people and circumstances they find painful. And the worse a boy behaves, the more he invites negative reactions from teachers and other adults.

Vivien felt at peace with the world as she walked away from the tattered, run down orphanage. The donation of the female robots, gifts and money she'd donated would enhance and change the children's lives, futures and provide them witj opportunities. She wasn't a Saint or a martyr but she concluded, perhaps somewhere below her hard exterior, formed through the necessity of hustling to provide for herself, perhaps there was a compassionate, unselfish person with a deep empathetic nature, that had never truly been allowed to exist or realized until this moment in time.

the more the world around her grew dark and burdensome, the more her exterior freedom was stifled, so much the more did she find herself a peaceful space, of freedom, an immense love of life, of God, of every creature. Here is one of the many passages that testifies to this: This morning, in going by bicycle along the Stadionkade, I was enchanted by the vast horizon you find at the edge of the city and I was breathing the fresh air that hasn’t yet been rationed for us. There were notices all over forbidding Jews from using the little paths that lead into nature. But at this end of the road that was left open to us the sky spread out entirely. They couldn’t do anything about this, really nothing. They could make life rather hard for us, deprive us of certain good products, take away from us a certain freedom of exterior movement, but we’re the ones who deprive ourselves of our best forces by a disastrous psychological attitude, by feeling ourselves persecuted, humiliated, oppressed. By feeling hate.

What kind of male swears at a woman?” “Well, sir,” murmured Tiller after a discreet cough, “in fiction it is the—ah—Dashiell Hammett type, sir.” “Ah. Heart of gold beneath hardboiled exterior?” “Yes, sir. Blasphemy, the use of violence…” “Let’s restrict ourselves to life as it is lived, Tiller. By the way, I infer you’re an addict of detective fiction.” “Oh, yes, sir! And I’ve read many of your own, sir, and—” “Hmm,” said Ellery hastily. “Let that pass. In real life, Tiller?” “I fear,” said the valet in a sad murmur, “that there are few hearts of gold in real life, sir. Hard exteriors, certainly. I should say, sir, that there are two general types of woman-abusing men. Confirmed misogynists, sir, and—husbands.

I was going to shatter the notorious ice queen. I was going to break that hard exterior into tiny pieces that melted into puddles. She was the ultimate challenge, the Mount Everest of women. I wanted her, craved her. And this time she couldn't avoid me.

Consider the peculiarities of the Dixie cup test. Few of us feel disgust swallowing the saliva within our mouths. We do it all the time. But the second the saliva is expelled from the body it becomes something foreign and alien. It is no longer saliva—it is spit. Consequently, although there seems to be little physical difference between swallowing the saliva in your mouth versus spiting it out and quickly drinking it, there is a vast psychological difference between the two acts. And disgust regulates the experience, marking the difference. We don’t mind swallowing what is on the “inside.” But we are disgusted by swallowing something that is “outside,” even if that something was on the “inside” only a second ago. In short, disgust is a boundary psychology. Disgust marks objects as exterior and alien. The second the saliva leaves the body and crosses the boundary of selfhood it is foul, it is “exterior,” it is Other. And this, I realized, is the same psychological dynamic at the heart of the conflict in Matthew 9. Specifically, how are we to draw the boundaries of exclusion and inclusion in the life of the church? Sacrifice—the purity impulse—marks off a zone of holiness, admitting the “clean” and expelling the “unclean.” Mercy, by contrast, crosses those purity boundaries. Mercy blurs the distinction, bringing clean and unclean into contact. Thus the tension. One impulse—holiness and purity—erects boundaries, while the other impulse—mercy and hospitality—crosses and ignores those boundaries. And it’s very hard, and you don’t have to be a rocket scientist to see this, to both erect a boundary and dismantle that boundary at the very same time. One has to choose. And as Jesus and the Pharisees make different choices in Matthew 9 there seems little by way of compromise. They stand on opposite sides of a psychological (clean versus unclean), social (inclusion versus exclusion), and theological (saints versus sinners) boundary.

She met Bonnie's eyes with her own surge of admiration. Everything she knew or suspected about the girl was swamped by a sense that here was a very special person, with talents in abundance. Her understanding of human complications had doubtless been gained through hard experience, giving her a core of steel beneath her fragile exterior. At the same time, this was balanced by an alarming tendency to ignore authority, to march into situations that she couldn't control and to lie her way out of trouble if it suited her.

I brought a coconut cream pie, Mom's favorite. Coconut's hard, dirty, shaggy exterior didn't promise much. But when you cracked it open and then cleaned it up, it surprised you with the smooth white riches inside. In a coconut shell, this was my mother's mission in life- to tackle the litter, the dust, the stains, the residue of life and tidy them all up. Her sweet reward was that exotic state of everything-in-its-clean-place, always a mirage in the distance while she was living with Helen. Coconut cream pie fed her soul.

HIDDEN ME! Exterior hard as a rock. Interior soft like butter. With a look like mine, no one would imagine that I am affected by stressors. The words I've spoken, often comforted many, but to me they are worth less than a penny. Shocking, I know this is to many. My heart is weak and my mind is exploding from the pressure of being on the pedestals of many. I hate that I can't be myself, without disappointing any. What am I to do, when the praises are so many? This is a constant battle I have to fight within; while many look on, with envy. But if I should put my life on display, I wonder who would trade places with me for even a day.

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...I think you’re a girl who wants to make a wish. You want to have a hopeful quality about yourself but can’t find a way to fit it into that hard exterior of yours....You’ve got a façade, Kid. We all do...

I think you’re a girl who wants to make a wish. You want to have a hopeful quality about yourself but can’t find a way to fit it into that hard exterior of yours...You’ve got a façade, Kid. We all do...

Name: Alya Fall Storm Age: 16 Gender: Female DOB: September 13 Sexuality: Straight Description: Black hair and dark blue eyes - the hidden beauty you have to discover Long Brown hair, navy blue eyes. Fair skin, 5'6. Has a small scar at the top of her left cheek from an incident in training. Style: Wears mostly black and combat boots because she is a knight and always needs to be ready. When she's off duty she wears leggings and fitted t-shirts and a flannel around her waist. Always wears tennis shoes or her fuzzy socks. Personality/ history: She's fierce and has the hard outside personality of a guard as she was trained to. But under the knight exterior she misses the family that she never had and the reason she became a knight was so that she could prevent others from getting hurt like she was when she was kicked out of the orphanage at the age of 12. She began her training at 14 and graduated at 16. She doesn't have many friends she keeps to herself spending her free time reading, drawing, or training. Likes: Reading, drawing, running, puppies, horses, riding, cheesecake, sugar cookies. Dislikes: Green beans, being underestimated. Fears: Snakes Occupation: Knight

Name: Alya Fall Storm Age: 16 Gender: Female DOB: September 13 Sexuality: Straight Description: Black hair and blue eyes - the hidden beauty you have to discover Long Brown hair, navy blue eyes. Fair skin, 5'6. Has a small scar at the top of her left cheek from an incident in training. Style: Wears mostly black and combat boots because she is a knight and always needs to be ready. When she's off duty she wears leggings and fitted t-shirts and a flannel around her waist. Always wears tennis shoes or her fuzzy socks. Personality/ history: She's fierce and has the hard outside personality of a guard as she was trained to. But under the knight exterior she misses the family that she never had and the reason she became a knight was so that she could prevent others from getting hurt like she was when she was kicked out of the orphanage at the age of 12. She began her training at 14 and graduated at 16. She doesn't have many friends she keeps to herself spending her free time reading, drawing, or training. Likes: Reading, drawing, running, puppies, horses, riding, cheesecake, sugar cookies. Dislikes: Green beans, being underestimated. Fears: Snakes Occupation: Knight

Name: Alya Fall Storm Age: 18 Gender: Female DOB: September 13 Sexuality: Straight Description: Black hair and dark blue eyes - the hidden beauty you have to discover Long Brown hair, navy blue eyes. Fair skin, 5'6. Has a small scar at the top of her left cheek from an incident in training. Style: Wears mostly black and combat boots because she is a knight and always needs to be ready. When she's off duty she wears leggings and fitted t-shirts and a flannel around her waist. Always wears tennis shoes or her fuzzy socks. Personality/ history: She's fierce and has the hard outside personality of a guard as she was trained to. But under the knight exterior she misses the family that she never had and the reason she became a knight was so that she could prevent others from getting hurt like she was when she was kicked out of the orphanage at the age of 12. She began her training at 14 and graduated at 16. She doesn't have many friends she keeps to herself spending her free time reading, drawing, or training. Likes: Reading, drawing, running, puppies, horses, riding, cheesecake, sugar cookies. Dislikes: Green beans, being underestimated. Fears: Snakes Occupation: Knight

But I guess evil doesn't have a telling exterior, so it's hard to judge.

Even if I really am squishy on the insides, I don’t know how to live without my shell, and how can I expect that anyone—particularly, anyone like Steele—could find their way past the hard exterior and want to stay?

I was shaking so hard and trying to keep my body slightly bowed so my erection wouldn’t bump his hip. But my cock knew what it wanted and it strained for touch. For him. The Burn turned my vision to rose and obsidian. My mind became red glass and shattered. I could hardly take a breath. Thorne’s clean Alpha scent flooded my senses, along with his calm exterior, and his relaxed energy. I wanted to cling to him. Thorne. The man of the house. The Alpha who could keep me safe, dangerous or not.

She was beautiful, brilliant on stage, and refreshingly different from any woman I’d met. She had zero fucks to give about most things. Except for the stage. And her students. It made me want her even more. She was an artwork of contrasts. Her flaming red hair and hard exterior against silky, ivory skin and a sweep of freckles across her nose softened her. She rattled me. And attracted me. Unnervingly so.

I closed my eyes, grief spilling up through me. You’d think that after all these years of hurting, of saying goodbye to her over and over in my head, that this moment would be easier. Yet it wasn’t. Because for a few brief weeks, I’d thought I’d be able to have my little sister back. That I could heal up some of the gaping wounds in my soul I’d pasted over with brash words and a hard exterior.

she knew the effort it took to keep one’s exterior self together, upright, when everything inside was in pieces, broken beyond repair. One touch, one warm, compassionate hand, could shatter that hard-won perfect exterior. And then it would take years and years to restore it. So

Important Personal Development Tips For Everyone Many people may appear to have it all together, but the exterior only shows just what is visible. Inside may still need development. If you are lacking confidence, self-assurance, self-discipline, willpower, and/or happiness, keep reading. This article focuses on tips to heighten your personal development and help you achieve a greater self-worth. You are about to be well on our way to a greater, more satisfied self. Learning a new skill is a great way to stretch yourself and improve the quality of your character. What's more, perfecting a hobby, technical skill or artistic form may be challenging at first, but if you master it, you will gain a sense of accomplishment, purpose and enjoyment. What's more, you add to your pool of leisure activities and make yourself a more rounded human being. A great self help tip is to try stopping yourself whenever you're thinking negative thoughts. We all have the ability to rewire our thinking patterns. By stopping yourself when you think a negative thought, you'll be more aware of your thoughts and you'll find yourself feeling much better. Personal development is hard work, so remember to recharge your personal battery. Take time to be with yourself. Exercising is an excellent way to clear your mind of the stress of day to day life, and allows you to practice self-discipline. You'll feel better about yourself and build greater endurance to get through your day! Exercising regularly is important. Regular exercise not only gets your body healthy and strong but it can also boost your self confidence. People who work out feel a sense of accomplishment afterward and thus tend to be happier afterward. Working out does not mean that you have to work out for hours in the gym. It is as easy as taking a walk. Treatment Prepare yourself for the inevitable day when someone chooses to bully you or try to put you down. There is a good chance that you certainly do not deserve this kind of treatment, but it happens to everyone. Think about how you could respond to their jabs in a rational, polite, and reasonable way that will avoid conflict but will let that person know that he or she is out of line. This will help you to rise above the hurt that always accompanies this type of negative interaction. Feeling better already? Great! Remember, even though you may appear to have it all together does not mean that you truly do. The tips previously mentioned in this article focus on helping you personally develop your inner self. Once you reach that high level of personal development, you will feel like a new person! For more detail visit opustreatment.com

Have you ever noticed how we humans alter our behaviour around cameras? It is almost a natural tendency to be more cautious, almost pretentious, when we know we are being watched. After all, being scrutinised by the public eye is not easy. So I like to think of us as coconuts, protecting what is inside by creating a hard shell on the exterior.

The scents bring us back. That’s what Mr. Agrawal says. He says the scents of summer are the most potent, the most enduring. The sun beats hard in Duxton, Massachusetts, in late July. It shrivels soft things: flower petals, the worms that struggle up through the ground after a midday shower. The sun here cares nothing for exteriors. It is interested only in essences, the soft middles. Mr. Agrawal doesn’t bother to pick the ripening tomatoes in the garden, infested with rangy weeds and fat iridescent beetles. He says he likes the smell of the flesh once the heat has sizzled the peel. --from "Wayward," a short story by Chandra Prasad in MIXED: An Anthology of Short Fiction on the Multiracial Experience