Hard Boiled Quotes

We've searched our database for all the quotes and captions related to Hard Boiled. Here they are! All 100 of them:

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two people can sleep in the same bed and still be alone when they close their eyes
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Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
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It is awfully easy to be hard-boiled about everything in the daytime, but at night it is another thing.
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Ernest Hemingway (The Sun Also Rises (Fiesta))
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Everyone may be ordinary, but they're not normal.
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Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
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Whiskey, like a beautiful woman, demands appreciation. You gaze first, then it's time to drink.
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Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
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From 30 feet away she looked like a lot of class. From 10 feet away she looked like something made up to be seen from 30 feet away.
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Raymond Chandler (The High Window (Philip Marlowe, #3))
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Music brings a warm glow to my vision, thawing mind and muscle from their endless wintering.
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Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
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Unclose your mind. You are not a prisoner. You are a bird in fight, searching the skies for dreams.
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Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
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Deep rivers run quiet.
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Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
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I never trust people with no appetite. It's like they're always holding something back on you.
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Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
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Only where there is disillusionment and depression and sorrow does happiness arise; without the despair of loss, there is no hope.
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Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
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Open your eyes, train your ears, use your head. If a mind you have, then use it while you can.
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Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
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Kindness and a caring mind are two separate qualities. Kindness is manners. It is superficial custom, an acquired practice. Not so the mind. The mind is deeper, stronger, and, I believe, it is far more inconstant.
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Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
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Losing you is most difficult for me, but the nature of my love for you is what matters. If it distorts into half-truth, then perhaps it is better not to love you. I must keep my mind but loose you.
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Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
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You got to know your limits. Once is enough, but you got to learn. A little caution never hurt anyone. A good woodsman has only one scar on him. No more, no less.
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Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
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Genius or fool, you don't live in the world alone. You can hide underground or you can build a wall around yourself, but somebody's going to come along and screw up the works.
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Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
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Everything, everything seemed once-upon-a-time.
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Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
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But they were not living, thought Harry: They were gone. The empty words could not disguise the fact that his parents' moldering remains lay beneath snow and stone, indifferent, unknowing. And tears came before he could stop them, boiling hot then instantly freezing on his face, and what was the point in wiping them off or pretending? He let them fall, his lips pressed hard together, looking down at the thick snow hiding from his eyes the place where the last of Lily and James lay, bones now, surely, or dust, not knowing or caring that their living son stood so near, his heart still beating, alive because of their sacrifice and close to wishing, at this moment, that he was sleeping under the snow with them.
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J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
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Life's no piece of cake, mind you, but the recipe's my own to fool with.
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Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
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I wasn't particularly afraid of death itself. As Shakespeare said, die this year and you don't have to die the next.
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Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
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I don’t mind if you don’t like my manners. They’re pretty bad. I grieve over them during the long winter evenings.
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Raymond Chandler (The Big Sleep (Philip Marlowe, #1))
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I've always liked libraries. They're quiet and full of books and full of knowledge.
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Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
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Most human activities are predicated on the assumption that life goes on. If you take that premise away, what is there left?
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Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
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Once again, life had a lesson to teach me: It takes years to build up, it takes moments to destroy.
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Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
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Truth! Freedom! Justice! And a hard-boiled egg!
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Terry Pratchett (Night Watch (Discworld, #29; City Watch, #6))
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He was a guy who talked with commas, like a heavy novel. Over the phone anyway.
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Raymond Chandler (The Long Goodbye (Philip Marlowe, #6))
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Fairness is a concept that holds only in limited situations. Yet we want the concept to extend to everything, in and out of phase. From snails to hardware stores to married life. Maybe no one finds it, or even misses it, but fairness is like love. What is given has nothing to do with what we seek.
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Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
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There was a desert wind blowing that night. It was one of those hot dry Santa Anas that come down through the mountain passes and curl your hair and make your nerves jump and your skin itch. On nights like that every booze party ends in a fight. Meek little wives feel the edge of the carving knife and study their husbands' necks. Anything can happen. You can even get a full glass of beer at a cocktail lounge.
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Raymond Chandler (Red Wind: A Collection of Short Stories)
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It's like a kid standing at the window watching the rain.
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Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
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Home is where the heart is, I thought now, gathering myself together in Betty's Luncheonette. I had no heart any more, it had been broken; or not broken, it simply wasn't there any more. It had been scooped neatly out of me like the yolk from a hard-boiled egg, leaving the rest of me bloodless and congealed and hollow. I'm heartless, I thought. Therefore I'm homeless.
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Margaret Atwood (The Blind Assassin)
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Huge organizations and me don't get along. They're too inflexible, waste too much time, and have too many stupid people.
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Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
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What was lost was lost. There was no retrieving it, however you schemed, no returning to how things were, no going back.
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Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
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But didn't you say you were satisfied with your life?" "Word games," I dismissed. "Every army needs a flag.
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Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
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Even mocking people helped their face stats. In the reputation economy, the only real way to hurt anyone was to ignore them completely. And it was pretty hard to ignore someone who made your blood boil.
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Scott Westerfeld (Extras (Uglies, #4))
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True story This morning I jumped on my horse And went for a ride, And some wild outlaws chased me And shot me in the side. So I crawled into a wildcats cave To find a place to hide But some pirates found me sleeping there And soon they had me tied To a pole and built a fire Under me---I almost cried Till a mermaid came and cut me loose And begged to be my bride So I said id come back Wednesday But I must admit I lied. Then I ran into a jungle swamp But I forgot my guide And I stepped into some quicksand And no matter how hard I tried I couldn’t get out, until I met A watersnake named Clyde Who pulled me to some cannibals Who planned to have me fried But an eagle came and swooped me up And through the air we flied But he dropped me in a boiling lake A thousand miles wide And you’ll never guess what I did then--- I DIED
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Shel Silverstein
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The best musicians transpose consciousness into sound; painters do the same for color and shape.
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Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
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You're wrong. The mind is not like raindrops. It does not fall from the skies, it does not lose itself among other things. If you believe in me at all, then believe this: I promise you I will find it. Everything depends on this." "I believe you," she whispers after a moment. "Please find my mind.
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Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
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I am here, alone, at the end of the world. I reach out and touch nothing.”.
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Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
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Time is too conceptual. Not that it stops us from filling it in. So much so, we can't even tell whether our experiences belong to time or to the world of physical things.
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Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
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There had to be something wrong with my life. I should have been born a Yugoslavian shepherd who looked up at the Big Dipper every night.
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Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
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The coffee shop smell was strong enough to build a garage on.
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Raymond Chandler (Farewell, My Lovely (Philip Marlowe, #2))
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That's wrong," she declared. "Everyone must have one thing that they can excel at. It's just a matter of drawing it out, isn't it? But school doesn't know how to draw it out. It crushes the gift. It's no wonder most people never get to be what they want to be. They just get ground down.
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Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
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It takes years to build up, it takes moments to destroy.
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Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
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Remember, people will judge you by your actions not your intentions. You may have a heart of gold but so does a hard-boiled egg.
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Maya Angelou
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I'm not a young man. I'm old, tired and full of no coffee.
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Raymond Chandler (Playback (Philip Marlowe, #7))
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Death leaves cans of shaving cream half-used.
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Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
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Once, when I was younger, I thought I could be someone else. I'd move to Casablanca, open a bar, and I'd meet Ingrid Bergman. Or more realistically - whether actually more realistic or not - I'd tune in on a better life, something more suited to my true self. Toward that end, I had to undergo training. I read The Greening of America, and I saw Easy Rider three times. But like a boat with a twisted rudder, I kept coming back to the same place. I wasn't anywhere. I was myself, waiting on the shore for me to return.
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Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
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Many are the women who can take their clothes off seductively, but women who can charm as they dress?
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Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
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But like a boat with a twisted rudder, I kept coming back to the same place. I wasn't going anywhere. I was myself, waiting on the shore for me to return. Was that so depressing? Who knows? Maybe that was 'despair.' What Turgenev called 'disillusionment.' Or Dostoyevsky, 'hell.' Or Somerset Maugham, 'reality.' Whatever the label, I figured it was me.
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Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
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Having a drink in bed while listening to music and reading a book. As precious to me as a beautiful sunset or good clean air.
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Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
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You'd like Freedom, Truth, and Justice, wouldn't you, Comrade Sergeant?' said Reg encouragingly. 'I'd like a hard-boiled egg,' said Vimes, shaking the match out. There was some nervous laughter, but Reg looked offended. 'In the circumstances, Sergeant, I think we should set our sights a little higher--' 'Well, yes, we could,' said Vimes, coming down the steps. He glanced at the sheets of papers in front of Reg. The man cared. He really did. And he was serious. He really was. 'But...well, Reg, tomorrow the sun will come up again, and I'm pretty sure that whatever happens we won't have found Freedom, and there won't be a whole lot of Justice, and I'm damn sure we won't have found Truth. But it's just possible that I might get a hard-boiled egg.
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Terry Pratchett (Night Watch (Discworld, #29; City Watch, #6))
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Now for a good twelve-hour sleep, I told myself. Twelve solid hours. Let birds sing, let people go to work. Somewhere out there, a volcano might blow, Israeli commandos might decimate a Palestinian village. I couldn't stop it. I was going to sleep.
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Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
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Let your body work until it is spent, but keep your mind for yourself.
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Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
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That's evolution. Evolution's always hard. Hard and bleak. No such thing as happy evolution
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Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
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You are caught between all that was and all that must be. You feel lost. Mark my words: as soon as the bones mend, you will forget about the fracture.
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Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
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All imperfections are forced upon the imperfect, so the 'perfect' can live content and oblivious.
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Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
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I think of myself as more the non-turn-on type. so when I do get turned on, I don’t trust it, I have to investigate the source.
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Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
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Flaws in oneself open you up to others with flaws.
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Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
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Listen. I may not be much, but I'm all I've got. Maybe you need a magnifying glass to find my face in my high school graduation photo. Maybe I haven't got any family or friends. Yes, yes, I know all that. But, strange as it might seem, I'm not entirely dissatisfied with life... I feel pretty much at home with what I am. I don't want to go anywhere. I don't want any unicorns behind fences.
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Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
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Genius or fool, you don't live in the world alone.
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Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
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To think that each skull once had skin and flesh and was stuffed with gray matterβ€”in varying quantitiesβ€”teeming with thoughts of food and sex and dominance. All now vanished.
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Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
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You said that the mind is like the wind but perhaps it is we who are like the wind Knowing nothing, simply blowing through. Never aging, never dying.
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Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
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As with marathon runs and lengths of toilet paper, there had to be standards to measure up to.
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Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
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If that rank bastard comes near my baby– (Sunshine's grandmother) Grandma! (Sunshine) Well, he is. Messing with my granddaughter. I’ll boil his warts in oil and feed his head to the wolves. (Sunshine's grandmother) You know, wolves don’t really like to eat heads. Meat, yes, but heads are really hard on the jaws. Not to mention, the cranium gets caught between your teeth. (Vane)
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Sherrilyn Kenyon (Night Embrace (Dark-Hunter, #2))
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How can the mind be so imperfect?" she says with a smile. I look at my hands. Bathed in the moonlight, they seem like statues, proportioned to no purpose. "It may well be imperfect," I say, "but it leaves traces. And we can follow those traces, like footsteps in the snow." "Where do the lead?" "To oneself," I answer. "That's where the mind is. Without the mind, nothing leads anywhere." I look up. The winter moon is brilliant, over the Town, above the Wall. "Not one thing is your fault," I comfort her.
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Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
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Nobody chooses to evolve. It's like floods and avalanches and earthquakes. You never know what's happening until they hit, then it's too late.
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Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
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Properly speaking, should any individual ever have exact, clear knowledge of his own core consciousness?" "I wouldn't know," I said. "Nor would we," said the scientists.
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Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
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The unwaking world was as hushed as a deep forest.
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Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
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There are times when the understanding does not come until later, when it no longer matters. Other times I do what I must do, not knowing my own mind, and I am led astray.
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Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
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Even on Central Avenue, not the quietest dressed street in the world, he looked about as inconspicuous as a tarantula on a slice of angel food.
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Raymond Chandler (Farewell, My Lovely (Philip Marlowe, #2))
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You are an enigma, Avery Morgansten." I leaned against the counter, my eyes widening as he proceeded to eat half the loaf. "Not really. More like you are." "How so?" I gestured at him. "You just ate four hard-boiled eggs, you're eating half a loaf, and you have abs that look like they belong on a Bowflex ad." Cam looked absolutely thrilled to hear that. "You've been checking me out, haven't you? In between your flaming insults? I feel like man candy." I laughed. "Shut up." "I'm a growing boy.
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J. Lynn (Wait for You (Wait for You, #1))
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...the sun rose each morning to stare into my face with the blank but touching gaze of a lovely retarded child.
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James Crumley (The Last Good Kiss (C.W. Sughrue, #1))
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Besides being the world the kind of sadness that can not be expressed in tears. You can not explain it to anyone. Unable to take any shape, settles quietly in the bottom of the heart as snow during the windless night.
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Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
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It was hard to live through the early 1940s in France and not have the war be the center from which the rest of your life spiraled. Marie-Laure still cannot wear shoes that are too large, or smell a boiled turnip, without experiencing revulsion. Neither can she listen to lists of names. Soccer team rosters, citations at the end of journals, introductions at faculty meetings – always they seem to her some vestige of the prison lists that never contained her father’s name.
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Anthony Doerr (All the Light We Cannot See)
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Had I done the right thing by not telling her? Maybe not. Who on earth wanted the right thing anyway? Yet what meaning could there be if nothing was right? If nothing was fair? Fairness is a concept that holds only in limited situations. Yet we want the concept to extend to everything, in and out of phase.
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Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
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Think it over carefully. This is very important," I say, "because to believe something, whatever it might be, is the doing of the mind. Do you follow? When you say you believe, you allow the possibility of disappointment. And from disappointment or betrayal, there may come despair. Such is the way of the mind.
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Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
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When microorganisms die, they make oil; when huge timbers fall, they make coal. But everything here was pure, unadulterated rubbish that didn't make anything. Where does a busted videodeck get you?
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Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
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You bastard.” The words were out before she even had time to consider them, but after spoken she hardly regretted them. β€œWhat did you say?” Prince Aldrik snarled. β€œYou, my prince ,” she sneered in kind. β€œYou are a self-centered, egotistical, self-absorbed, narrow-sighted, vain, self-important,” she felt her anger finally reach its boiling point, β€œconceited bastard !” Vhalla cried out.
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Elise Kova (Air Awakens (Air Awakens, #1))
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As the autumn deepens, the fathomless lakes of their eyes assume an ever more sorrowful hue. The leaves turn color, the grasses wither; the beasts sense the advance of a long, hungry season. And bowing to their vision, I too know a sadness.
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Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
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This was Brett that I had felt like crying about. Then I thought of her walking up the street and stepping into the car, as I had last seen her, and of course in a little while I felt like hell again. It is awfully easy to be hard-boiled about everything in the daytime, but at night is another thing.
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Ernest Hemingway (The Sun Also Rises (Fiesta))
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Were the stars out when I left the house last evening? All I could remember was the couple in the Skyline listening to Duran Duran. Stars? Who remembers stars? Come to think of it, had I even looked up at the sky recently? Had the stars been wiped out of the sky three months ago, I wouldn’t have known.
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Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
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I’m not that kind of Indian,” Shanti said, her practiced smile never leaving her face, though it faltered just a bit, and in that slight wobble was something hard and angry, something that looked like centuries of colonial oppression boiling up into an I’m-going-to-kick-your-ass-in-this-pageant-and-then-take-over-all-your-beauty-out-sourcing-needs hatred.
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Libba Bray (Beauty Queens)
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You tell me there is no fighting or hatred or desire in the Town. That is a beautiful dream, and I do want your happiness. But the absence of fighting or hatred or desire also means the opposites do not exist either. No joy, no communion, no love. Only where there is disillusionment and depression and sorrow does happiness arise; without despair or loss, there is no hope.
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Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
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Soon they were all sitting on the rocky ledge, which was still warm, watching the sun go down into the lake. It was the most beautiful evening, with the lake as blue as a cornflower and the sky flecked with rosy clouds. They held their hard-boiled eggs in one hand and a piece of bread and butter in the other, munching happily. There was a dish of salt for everyone to dip their eggs into. β€˜I don’t know why, but the meals we have on picnics always taste so much nicer than the ones we have indoors,’ said George.
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Enid Blyton (Five Go Off in a Caravan (Famous Five, #5))
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-You're pretty hard-boiled, Tinker Bell. -Call me that name again and you'll be wondering how your bollocks wound up lodged in your windpipe--from below. Just because we don't get to your side of things much anymore doesn't mean we don't know anything. 'If you believe in fairies, clap your hands!' If you believe in fairies, kiss my rosy pink arse is more like it. Now are you going to shut your gob or not?
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Tad Williams (The War of the Flowers)
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Sure, I knew the differences between a space opera and a hard-boiled detective story and a historical novel...but I never cared about such differences. It seemed to me, then as now, that there are good stories and bad stories, and that was the only distinction that truly mattered.
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George R.R. Martin (Warriors 1)
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But how do you see you?" she asked. "Ever read The Brothers Karamazov?" I asked. "Once, a long time ago." "Well, toward the end, Alyosha is speaking to a young student named Kolya Krasotkin. And he says, Kolya, you're going to have a miserable future. But overall, you'll have a happy life." Two beers down, I hesitated before opening my third. "When I first read that, I didn't know what Alyosha meant," I said. "How was it possible for a life of misery to be happy overall? But then I understood, that misery could be limited to the future." "I have no idea what you're talking about." "Neither do I," I said. "Not yet.
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Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
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No two human beings are alike; it's a question of identity. And what is identity? The cognitive system arisin' from the aggregate memories of that individual's past experiences. The layman's word for this is the mind. Not two human beings have the same mind. At the same time, human beings have almost no grasp of their own cognitive systems. I don't, you don't, nobody does. All we knowβ€”or think we knowβ€”is but a fraction of the whole cake. A mere tip of the icing.
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Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
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I was always reaching for love, but it turns out love doesn't involve reaching. I was always dreaming of the big love, the ultimate love, the love that would sweep me off my feet or 'break open the hard shell of my lesser self' (Daisaku Ikeda). The love that would bring on my surrender. The love that would inspire me to give everything. As I lay there, it occurred to me that while I had been dreaming of this big love, this ultimate love, I had, without realizing it, been giving and receiving love for most of my life. As with the trees that were right in front of me, I had been unable to value what sustained me, fed me, and gave me pleasure. And as with the trees, I was so busy waiting for and imagining and reaching and dreaming and preparing for this huge big love that I had totally missed the beauty and perfection of the soft-boiled eggs and Bolivian quinoa.
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V (formerly Eve Ensler) (In the Body of the World)
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I always sayβ€”a prejudice on my part, I'm sureβ€”you can tell a lot about a person's character from his choice of sofa. Sofas constitute a realm inviolate unto themselves. This, however, is something that only those who have grown up sitting on good sofas will appreciate. It's like growing up reading good books or listening to good music. One good sofa breeds another good sofa; one bad sofa breeds another bad sofa. That's how it goes. There are people who drive luxury cars, but have only second- or third-rate sofas in their homes. I put little trust in such people. An expensive automobile may well be worth its price, but it's only an expensive automobile. If you have the money, you can buy it, anyone can buy it. Procuring a good sofa, on the other hand, requires style and experience and philosophy. It takes money, yes, but you also need a vision of the superior sofa. That sofa among sofas.
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Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
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You're Nash's brother. And a grim reaper?" She blinked again, and I readied myself for hysterics, or fear, or laughter. But knowing emma, I should have known better. "So you, what? Kill people? Did you kill me that day in the gym?" She clenched the headrest, her expression an odd mix of anger, awe, and confusion. But there was no disbelief. She'd seen and heard enough of the bizarre following her own temporary death that Tod's admission obviously didn't come as that much of a surprise. Or maybe Nash's Influence was still affecting her a little. "No," Tod shook his head firmly, but the corners of his mouth turned up in amusement. "I had nothing to do with that. I do kill people, then I reap their souls and take them to be recycled. But only people who are on my list." "So, you're not...dangerous?" His pouty grin deepened into something almost predatory, like the Tod I'd first met two months earlier. "Oh, I'm dangerous...." "Tod..." I warned, as Nash punched his brother in the arm, hard enough to actually hurt. "Just not to you," the reaper finished, shrugging at Emma. "I see you all the time, but you've never seen me, because Kaylee said if I got too close to you, I'd suffer eternity without my balls." "Jeez, Tod!" I shouted, my anger threatening to boil over and scald us all. The reaper leaned closer to Emma and spoke in a stage whisper. "She's not as scary as she thinks she is, but I respect her intent.
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Rachel Vincent (My Soul to Save (Soul Screamers, #2))
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The Quitter When you're lost in the Wild, and you're scared as a child, And Death looks you bang in the eye, And you're sore as a boil, it's according to Hoyle To cock your revolver and . . . die. But the Code of a Man says: "Fight all you can," And self-dissolution is barred. In hunger and woe, oh, it's easy to blow... It's the hell-served-for-breakfast that's hard. "You're sick of the game!" Well, now, that's a shame. You're young and you're brave and you're bright. "You've had a raw deal!" I know β€” but don't squeal, Buck up, do your damnedest, and fight. It's the plugging away that will win you the day, So don't be a piker, old pard! Just draw on your grit; it's so easy to quit: It's the keeping-your-chin-up that's hard. It's easy to cry that you're beaten β€” and die; It's easy to crawfish and crawl; But to fight and to fight when hope's out of sight β€” Why, that's the best game of them all! And though you come out of each gruelling bout, All broken and beaten and scarred, Just have one more try β€” it's dead easy to die, It's the keeping-on-living that's hard.
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Robert W. Service (Rhymes of a Rolling Stone)
β€œ
We're all on our own, aren't we? That's what it boils down to. We come into this world on our own- in Hawaii, as I did, or New York, or China, or Africa or Montana- and we leave it in the same way, on our own, wherever we happen to be at the time- in a plane, in our beds, in a car, in a space shuttle, or in a field of flowers. And between those times, we try to connect along the way with others who are also on their own. If we're lucky, we have a mother who reads to us. We have a teacher or two along the way who make us feel special. We have dogs who do the stupid dog tricks we teach them and who lie on our bed when we're not looking, because it smells like us, and so we pretend not to notice the paw prints on the bedspread. We have friends who lend us their favorite books. Maybe we have children, and grandchildren, and funny mailmen and eccentric great-aunts, and uncles who can pull pennies out of their ears. All of them teach us stuff. They teach us about combustion engines and the major products of Bolivia, and what poems are not boring, and how to be kind to each other, and how to laugh, and when the vigil is in our hands, and when we have to make the best of things even though it's hard sometimes. Looking back together, telling our stories to one another, we learn how to be on our own.
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Lois Lowry
β€œ
Love is an afternoon of fishing when I'd sooner be at the ballet. Love is eating burnt toast and lumpy graving with a big smile. Love is hearing the words 'You're beautiful' as I fail to squeeze into my fat jeans. Love is refusing to bring up the past, even if doing so would be a slam dunk to prove your point. Love is your hand wiping away my tears, trying to erase streaks of mascara. Love is the warm hug that extinguishes an argument. Love is a humbly-uttered apology, even if not at fault. Love is easy to recognize but so hard to define; however, I think it boils down to this... Love is caring so much about the feelings of someone else, you sacrifice whatever it takes to help him or her feel better. In other words, love is my heart being sensitive to yours.
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Richelle E. Goodrich (Making Wishes: Quotes, Thoughts, & a Little Poetry for Every Day of the Year)
β€œ
Have you ever tried really hard not to love somebody too much?” β€œWhy?” β€œIt’s simple, really. If I love her too much, it’s painful. I can’t take it. I don’t think my heart can stand it, which is why I’m trying not to fall in love with her.” β€œWhat are you doing, exactly, so that you don’t love her too much?” β€œI’ve tried all kinds of things,” he said. β€œBut it all boils down to intentionally thinking negative thoughts about her as much as I can. I mentally list as many of her defects as I can come up withβ€”her imperfections, I should say. And I repeat these over and over in my head like a mantra, convincing myself not to love this woman more than I should.” β€œHas it worked?” β€œNo, not so well.
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Haruki Murakami (Hombres sin mujeres)
β€œ
It was Joss Whedon's Buffy the Vampire Slayer (the television series, 1997-2003, not the lackluster movie that preceded it) that blazed the trail for Twilight and the slew of other paranormal romance novels that followed, while also shaping the broader urban fantasy field from the late 1990s onward. Many of you reading this book will be too young to remember when Buffy debuted, so you'll have to trust us when we say that nothing quite like it had existed before. It was thrillingly new to see a young, gutsy, kick-ass female hero, for starters, and one who was no Amazonian Wonder Woman but recognizably ordinary, fussing about her nails, her shoes, and whether she'd make it to her high school prom. Buffy's story contained a heady mix of many genres (fantasy, horror, science-fiction, romance, detective fiction, high school drama), all of it leavened with tongue-in-cheek humor yet underpinned by the serious care with which the Buffy universe had been crafted. Back then, Whedon's dizzying genre hopping was a radical departure from the norm-whereas today, post-Buffy, no one blinks an eye as writers of urban fantasy leap across genre boundaries with abandon, penning tender romances featuring werewolves and demons, hard-boiled detective novels with fairies, and vampires-in-modern-life sagas that can crop up darn near anywhere: on the horror shelves, the SF shelves, the mystery shelves, the romance shelves.
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Ellen Datlow (Teeth: Vampire Tales)
β€œ
There were people who escaped Hiroshima and rushed to Nagasaki to see that their loved ones were safe. Arriving just in time to be incinerated. He went there after the war with a team of scientists. My father. He said that everything was rusty. Everything looked covered with rust. There were burnt-out shells of trolleycars standing in the streets. The glass melted out of the sashes and pooled on the bricks. Seated on the blackened springs the charred skeletons of the passengers with their clothes and hair gone and their bones hung with blackened strips of flesh. Their eyes boiled from their sockets. Lips and noses burned away. Sitting in their seats laughing. The living walked about but there was no place to go. They waded by the thousands into the river and died there. They were like insects in that no one direction was preferable to another. Burning people crawled among the corpses like some horror in a vast crematorium. They simply thought that the world had ended. It hardly even occurred to them that it had anything to do with the war. They carried their skin bundled up in their arms before them like wash that it not drag in the rubble and ash and they passed one another mindlessly on their mindless journeyings over the smoking afterground, the sighted no better served than the blind. The news of all this did not even leave the city for two days. Those who survived would often remember these horrors with a certain aesthetic to them. In that mycoidal phantom blooming in the dawn like an evil lotus and in the melting of solids not heretofore known to do so stood a truth that would silence poetry a thousand years. Like an immense bladder, they would say. Like some sea thing. Wobbling slightly on the near horizon. Then the unspeakable noise. They saw birds in the dawn sky ignite and explode soundlessly and fall in long arcs earthward like burning party favors. p.116
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Cormac McCarthy (The Passenger (The Passenger #1))
β€œ
I'm staying right here," grumbled the rat. "I haven't the slightest interest in fairs." "That's because you've never been to one," remarked the old sheep . "A fair is a rat's paradise. Everybody spills food at a fair. A rat can creep out late at night and have a feast. In the horse barn you will find oats that the trotters and pacers have spilled. In the trampled grass of the infield you will find old discarded lunch boxes containing the foul remains of peanut butter sandwiches, hard-boiled eggs, cracker crumbs, bits of doughnuts, and particles of cheese. In the hard-packed dirt of the midway, after the glaring lights are out and the people have gone home to bed, you will find a veritable treasure of popcorn fragments, frozen custard dribblings, candied apples abandoned by tired children, sugar fluff crystals, salted almonds, popsicles,partially gnawed ice cream cones,and the wooden sticks of lollypops. Everywhere is loot for a rat--in tents, in booths, in hay lofts--why, a fair has enough disgusting leftover food to satisfy a whole army of rats." Templeton's eyes were blazing. " Is this true?" he asked. "Is this appetizing yarn of yours true? I like high living, and what you say tempts me." "It is true," said the old sheep. "Go to the Fair Templeton. You will find that the conditions at a fair will surpass your wildest dreams. Buckets with sour mash sticking to them, tin cans containing particles of tuna fish, greasy bags stuffed with rotten..." "That's enough!" cried Templeton. "Don't tell me anymore I'm going!
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E.B. White (Charlotte’s Web)
β€œ
Brewster Place became especially fond of its colored daughters as they milled like determined spirits among its decay, trying to make it home. Nutmeg arms leaned over windowsills, gnarled ebony legs carried groceries up double flights of steps, and saffron hands strung out wet laundry on backyard lines. Their perspiration mingled with the steam from boiling pots of smoked pork greens, and it curled on the edges of the aroma of vinegar douches and Evening in Paris cologne that drifted through the street where they stood together - hands on hips, straight-backed, round-bellied, high-behinded women who threw their heads back when they laughed and exposed strong teeth and dark gums. They cursed, badgered, worshiped, and shared their men. Their love drove them to fling dishcloths in someone else's kitchen to help him make the rent, or to fling hot lye to help him forget that bitch behind the counter at the five-and-dime. They were hard-edged, soft-centered, brutally demanding, and easily pleased, these women of Brewster Place. They came, they went, grew up, and grew old beyond their years. Like an ebony phoenix, each in her own time and with her own season had a story.
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Gloria Naylor (The Women of Brewster Place)
β€œ
Where's my sister?" "She's setting up the island we found tonight." Galen shakes his head. "You slithering eel. You might have told me what you were up to." Toraf laughs. "Oh sure. 'Hey, Galen, I need to borrow Emma for a few minutes so I can kiss her, okay?' Didn't see that going over very well." "You think your surprise attack went over better?" Toraf shrugs. "I'm satisfied." "I could have killed you today." "Yeah." "Don't ever do that again." "Wasn't planning on it. Thought it was real sweet of you to defend your sister's honor. Very brotherly." Toraf snickers. "Shut up." "I'm just saying." Galen runs a hand through his hair. "I only saw Emma. I forgot all about Rayna." "I know, idiot. That's why I let you hit me fifty-eight times. That's what I would do if someone kissed Rayna." "Fifty-nine times." "Don't get carried away, minnow. By the way, was Emma boiling mad or just a little heated? Should I keep my distance for a while?" Galen snorts. "She laughed so hard I thought she'd pass out. I'm the one in trouble." "Shocker. What'd you do?" "The usual." Hiding his feelings. Blurting out the wrong thing. Acting like a territorial bull shark. Toraf shakes his head. "She won't put up with that forever. She already thinks you only want to change her so she can become another of your royal subjects." "She said that?" Galen scowls. "I don't know what's worse. Letting her think that, or telling her the truth about why I'm helping her to change." "In my opinion, there's nothing to tell her unless she can actually change. And so far, she can't." "You don't think she's one of us?" Toraf shrugs. "Her skin wrinkles. It's kind of gross. Maybe she's some sort of superhuman. You know, like Batman." Galen laughs. "How do you know about Batman?" "I saw him on that black square in your living room. He can do all sorts of things other humans can't do. Maybe Emma is like him." "Batman isn't real. He's just a human acting like that so other humans will watch him." "Looked real to me." "They're good at making it look real. Some humans spend their whole lives making something that isn't real look like something that is." "Humans are creepier than I thought. Why pretend to be something you're not?" Galen nods. To take over a kingdom, maybe? "Actually, that reminds me. Grom needs you." Toraf groans. "Can it wait? Rayna's getting all cozy on our island right about now." "Seriously. I don't want to know." Toraf grins. "Right. Sorry. But you can see my point, right? I mean, if Emma were waiting for you-" "Emma wouldn't be waiting for me. I wouldn't have left." "Rayna made me. You've never hit me that hard before. She wants us to get along. Plus, there's something I need to tell you, but I didn't exactly get a change to." "What?" "Yesterday when we were practicing in front of your house, I sensed someone. Someone I don't know. I made Emma get out of the water while I went to investigate." "And she listened to you?" Toraf nods. "Turns out, you're the only one she disobeys.
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Anna Banks (Of Poseidon (The Syrena Legacy, #1))
β€œ
Then Hermione’s voice came out of the blackness for the third time, sharp and clear from a few yards away. β€œHarry, they’re here…right here.” And he knew by her tone that it was his mother and father this time: He moved toward her, feeling as if something heavy were pressing on his chest, the same sensation he had had right after Dumbledore had died, a grief that had actually weighed on his heart and lungs. The headstone was only two rows behind Kendra and Ariana’s. It was made of white marble, just like Dumbledore’s tomb, and this made it easy to read, as it seemed to shine in the dark. Harry did not need to kneel or even approach very close to it to make out the words engraved upon it. JAMES POTTER BORN 27 MARCH 1960 DIED 31 OCTOBER 1981 LILY POTTER BORN 30 JANUARY 1960 DIED 31 OCTOBER 1981 The last enemy that shall be destroyed is death. Harry read the words slowly, as though he would have only one chance to take in their meaning, and he read the last of them aloud. β€œβ€˜The last enemy that shall be destroyed is death’…” A horrible thought came to him, and with it a kind of panic. β€œIsn’t that a Death Eater idea? Why is that there?” β€œIt doesn’t mean defeating death in the way the Death Eaters mean it, Harry,” said Hermione, her voice gentle. β€œIt means…you know…living beyond death. Living after death.” But they were not living, though Harry: They were gone. The empty words could not disguise the fact that his parents’ moldering remains lay beneath snow and stone, indifferent, unknowing. And tears came before he could stop them, boiling hot then instantly freezing on his face, and what was the point in wiping them off or pretending? He let them fall, his lips pressed hard together, looking down at the thick snow hiding from his eyes the place where the last of Lily and James lay, bones now, surely, or dust, not knowing or caring that their living son stood so near, his heart still beating, alive because of their sacrifice and close to wishing, at this moment, that he was sleeping under the snow with them.
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J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))