Harbour Love Quotes

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She is a woman of honour and smartness whose wild leaves out luck, always taking risks, and there is something in her brow now, that only she can recognize in a mirror. Ideal and idealistic in that shiny dark hair! People fall in love with her. She is a woman I don’t know well enough to hold in my wing, if writers have wings, to harbour for the rest of my life.
Michael Ondaatje (The English Patient)
For love is a celestial harmony Of likely hearts compos'd of stars' concent, Which join together in sweet sympathy, To work each other's joy and true content, Which they have harbour'd since their first descent Out of their heavenly bowers, where they did see And know each other here belov'd to be.
Edmund Spenser (Fowre Hymnes)
I have never cared for Castles or a Crown that grips too tight, Let the night sky be my starry roof and the moon my only light, My Heart was born a Hero, my storm-bound sword won't rest, I left the Harbour long ago on a Never-ending Quest, I am off to the horizon, where the wild wind blows the foam, Come get lost with me, love, and the sea shall be our home!
Cressida Cowell (How to Fight a Dragon’s Fury (How To Train Your Dragon, #12))
The soul attracts that which it secretly harbours; that which it loves, and also that which it fears;
James Allen (As a Man Thinketh)
Now suzanne takes you hand And she leads you to the river She is wearing rags and feathers From salvation army counters And the sun pours down like honey On our lady of the harbour And she shows you where to look Among the garbage and the flowers There are heroes in the seaweed There are children in the morning They are leaning out for love And they will lean that way forever While suzanne holds the mirror And you want to travel with her And you want to travel blind And you know that she will trust you For shes touched your perfect body with her mind.
Leonard Cohen (Songs of Leonard Cohen, Herewith: Music, Words and Photographs)
In the New Testament our enemies are those who harbour hostility against us, not those against whom we cherish hostility, for Jesus refuses to reckon with such a possibility. The Christian must treat his enemy as a brother, and requite his hostility with love. His behaviour must be determined not by the way others treat him, but by the treatment he himself receives from Jesus; it has only one source, and that is the will of Jesus.
Dietrich Bonhoeffer (The Cost of Discipleship)
I have never cared for castles or a crown that grips too tight, Let the night sky be my starry roof and the moon my only light, My heart was born a Hero, My storm-bound sword won't rest, I left this harbour long ago on a never-ending quest. I am off to the horizon, Where the wild wind blows the foam, Come get lost with me, love, And the sea shall be our home.
Cressida Cowell (How to Break a Dragon's Heart (How to Train Your Dragon, #8))
For he or she that harbours no fear has never truly loved anything. You can only measure true love by the thought and fear of its loss.
Chris Jirika
Forgiveness means letting go of the hope for a better past. You won't be able to forgive yourself for not doing things differently until you stop wishing things were different
Zoe York (Love on a Spring Morning (Pine Harbour, #3))
Have you ever been at sea in a dense fog, when it seemed as if a tangible white darkness shut you in, and the great ship, tense and anxious, groped her way toward the shore with plummet and sounding-line, and you waited with beating heart for something to happen? I was like that ship before my education began, only I was without compass or sounding-line, and had no way of knowing how near the harbour was. "Light! give me light!" was the wordless cry of my soul, and the light of love shone on me in that very hour.
Helen Keller (The Story of My Life)
The smell of the sea swept over the wall and in through the empty window-hole, wide and wild with a million intoxicating secrets. I don't trust that smell. It hooks us somewhere deeper than reason or civilization, in the fragments of our cells that rocked in oceans before we had minds, and it pulls till we follow mindlessly as rutting animals....It lures us to leap off high cliffs, fling ourselves on towering waves, leaves behind everyone we love and face into thousands of miles of open water for the sake of what might be on the far shore.
Tana French (Broken Harbour (Dublin Murder Squad, #4))
Respect is the lifeblood of progress, and the safe harbour of humanity's great aspirations
Bryant McGill (Voice of Reason)
She didn't feel like a girl when he kissed her, but like fire in a girl's form, burning and hungry.
Katherine Harbour (Briar Queen (Night and Nothing, #2))
At that moment not a single sad thought entered my mind; I forgot my privation and felt soothed by the sight of the harbour, which lay there lovely and peaceful in the semi-darkness.
Knut Hamsun (Hunger)
Sometimes it’s hard to grasp why it is that the answers to the present lie in the past. A simple analogy might be helpful: a leading psychiatrist in the field of sexual abuse once told me she had, in thirty years of extensive work with paedophiles, never met one who hadn’t himself been abused as a child. This doesn’t mean that all abused children go on to become abusers; but it is impossible for someone who was not abused to become an abuser. No one is born evil. As Winnicott put it: ‘A baby cannot hate the mother, without the mother first hating the baby.’ As babies, we are innocent sponges, blank slates – with only the most basic needs present: to eat, shit, love and be loved. But something goes wrong, depending on the circumstances into which we are born, and the house in which we grow up. A tormented, abused child can never take revenge in reality, as she is powerless and defenceless, but she can – and must – harbour vengeful fantasies in her imagination. Rage, like fear, is reactive in nature.
Alex Michaelides (The Silent Patient)
Now goes under, and I watch it go under, the sun That will not rise again. Today has seen the setting, in your eyes cold and senseless as the sea, Of friendship better than bread, and of bright charity That lifts a man a little above the beasts that run. That this could be! That I should live to see Most vulgar Pride, that stale obstreperous clown, So fitted out with purple robe and crown To stand among his betters! Face to face With outraged me in this once holy place, Where Wisdom was a favoured guest and hunted Truth was harboured out of danger, He bulks enthroned, a lewd, an insupportable stranger! I would have sworn, indeed I swore it: The hills may shift, the waters may decline, Winter may twist the stem from the twig that bore it, But never your love from me, your hand from mine. Now goes under the sun, and I watch it go under. Farewell, sweet light, great wonder! You, too, farewell,-but fare not well enough to dream You have done wisely to invite the night before the darkness came.
Edna St. Vincent Millay
There is nothing that makes a man grow beyond his stature than a woman telling him she loves him. and however much she might have lied to him, there will always be a part of him that is grateful to her for this, and that will harbour some love for her.
Jo Nesbø
Yet,'said Maturin, pursuing his own thought, 'there is a quality in dogs, I must confess, rarely to be seen elsewhere and that is affection: I do not mean the violent possessive protective love for their owner but rather that mild, steady attachment to their friends that we see quite often in the best sort of dog. And when you consider the rarity of plain disinterested affection among our own kind, once we are adult, alas - when you consider how immensely it enhances daily life and how it enriches a man's past and future, so that he can look backward and forward with complacency - why, it is a pleasure to find it in brute creation.
Patrick O'Brian (Treason's Harbour (Aubrey/Maturin, #9))
It's a wonder they can sit down at all, and when they walk, nothing touches their legs under the billowing skirts, except their shifts and stockings. They are like swans, drifting along on unseen feet; or else like the jellyfish in the waters of the rocky harbour near our house, when I was little, before I ever made the long sad journey across the ocean. They were bell-shaped and ruffled, gracefully waving and lovely under the sea; but if they washed up on the beach and dried out in the sun there was nothing left of them. And that is what the ladies are like: mostly water.
Margaret Atwood (Alias Grace)
One of the reasons I love Murder is that victims are, as a general rule, dead... I don't make a habit of sharing this, in case people take me fore a sicko or- worse-a wimp, but give me a dead child, any day, over a child sobbing his heart out while you make him tell you what the bad man did next. Dead victims don't show up outside HQ to beg for answers, you never have to nudge them into reliving every hideous moment, and you never have to worry, and you never have to worry about what it'll do to their lives if you fuck up. They stay put in the morgue, light-years beyond anything I can do right or wrong, and leave me free to focus on the people who sent them there.
Tana French (Broken Harbour (Dublin Murder Squad, #4))
Don’t cry over me, Liv, I’m not worth it.” “You like to pretend you’re so tough.” She smiled, a delicate, shaky curl of her lips. “How about you don’t cry over me, okay?” He lifted their hands, still gripped together, and kissed her knuckles. “You’re totally worth my tears, baby.
Zoe York (Love in a Small Town (Pine Harbour, #1))
I was obsessed with him. I wasn't quite in love, nor was I simply harbouring a mild crush. I was never not thinking of him. Everything he said intrigued me, everything he did fascinated. I revered even the parts in him I knew cerebrally would have frustrated me were I not in such a foolheartedly, dreamy plight.
Tali Sara (Screaming into Pillows)
I never told you about the trip to Portugal 3 years ago when I read Fernando Pessoa at 1 a.m. outside a small family-run restaurant by the harbour. If I close my eyes I can still smell the salt water and the fish, some sort of cleaning powder scent from the kitchen, can still feel the heat, a soft wind and me sitting with wide open eyes on my own at 1 a.m. writing what I thought was profound and excellent. I felt like a writer then. I was not a girlfriend or a daughter or a songwriter who never got signed—I was a writer in the truest sense and I lived in my own flames.
Charlotte Eriksson (He loved me some days. I'm sure he did: 99 essays on growth through loss)
And Hana moves possibly in the company that is not her choice. She, at even this age, thirty-four, has not found her own company, the ones she wanted. She is a woman of honor and smartness whose wild love leaves out luck, always taking risks, and there is something in her brow now that only she can recognize in a mirror. Ideal and idealistic in that shiny dark hair! People fall in love with her. She still remembers the lines of poems the Englishman read out loud to her from his commonplace book. She is a woman I don't know well enough to hold in my wing, if writers have wings, to harbour for the rest of my life.
Michael Ondaatje (The English Patient)
Why, sir, what's all this? Surely you have not forgot you are entertaining the Captain?' 'And how am I supposed to entertain the Captain, for all love?' asked Stephen. 'Am I to grin at him through a horse-collar, propose riddles and conundrums, cut capers?' 'Come, sir,' said Calamy, 'the gunroom is entertaining the Captain to dinner, and you have only ten minutes to change. There is not a moment to be lost.
Patrick O'Brian (Treason's Harbour (Aubrey & Maturin, #9))
Yet those Sundays, when I was seven, marked the beginning of my exile from the world I loved. Like a ship that leaves a port for the vast expanse of sea, those much looked forward to days took me away from the safe harbour of childhood towards the precarious waters of adult life.
Shyam Selvadurai (Funny Boy)
the first riddle of the universe: asking, when is a man not a man?: telling them take their time, yungfries, and wait till the tide stops (for from the first his day was a fortnight) and offering the prize of a bittersweet crab, a little present from the past, for their copper age was yet un-minted, to the winner. One said when the heavens are quakers, a second said when Bohemeand lips, a third said when he, no, when hold hard a jiffy, when he is a gnawstick and detarmined to, the next one said when the angel of death kicks the bucket of life, still another said when the wine's at witsends, and still another when lovely wooman stoops to conk him, one of the littliest said me, me, Sem, when pappa papared the harbour, one of the wittiest said, when he yeat ye abblokooken and he zmear he zelf zo zhooken, still one said when you are old I'm grey fall full wi sleep, and still another when wee deader walkner, and another when he is just only after having being semisized, another when yea, he hath no mananas, and one when dose pigs they begin now that they will flies up intil the looft. All were wrong, so Shem himself, the doctator, took the cake, the correct solution being — all give it up? — when he is a — yours till the rending of the rocks, — Sham.
James Joyce
If you're good at this job, and I am, then every step in a murder case moves you in one direction: towards order. We get thrown shards of senseless wreckage, and we piece them together until we can lift the picture out of the darkness and hold it up to the white light of day, solid, complete, clear. Under all the paperwork and the politics, this is the job; this is its cool shining heart that I love with every fiber of mine. This case was different. It was running backwards, dragging us with it on some ferocious ebb tide. Every step washed us deeper in black chaos, wrapped us tighter in tendrils of crazy and pulled us downwards.
Tana French (Broken Harbour (Dublin Murder Squad, #4))
It is better to be wise for one day than to be intelligent for a thousand. It is better to know yourself than to understand your enemies. It is better to find yourself than to find a thousand pots of gold. It is better to rule your mind than to rule the world. It is better to fight for justice than to give into tyranny. It is better to live in a pure mind than to reside in a darkened soul. It is better to be remembered as a coward than as a fool. It is better to study yourself than to examine your enemies. It is better to teach young children than to instruct old fools. It is better to strengthen your weaknesses than to celebrate your strengths. It is better to fight your fears than to harbour your anxieties. It is better to win hearts than to ruin souls. It is better to think your highest than to act your lowest. It is better to learn from fools than to ignore the wise. It is better to learn from your mistakes than to celebrate your success. It is better to think for yourself than to allow intellectuals to think for you. It is better to be wise and poor than to be rich and ignorant.  It is better to learn from children than to teach the wise. It is better to learn truth from your enemies than lies from your friends. It is better to be ostracized for who you are than to be embraced for who you are not. It is better to be hated for your virtues than to be loved for your vices. It is better to learn from the wise than to teach the foolish. It is better to discover your weaknesses than to glorify your strengths. It is better to heal yourself than to harm your enemies. It is better to love your enemies than to harm your friends. It is better to help the weak than to conquer the strong.
Matshona Dhliwayo
No relationship is ever truly equal in the strength of its clutches on the other. If she could admit the truth, she always knew that Shane’s love for her was the stronger knot than hers to him. And this would kill him. In some dim corner of her heart, Tilda had always harboured a cold suspicion that she needed Shane more than she actually loved him.
Tim McGregor (Old Flames, Burned Hands)
He was never very good at talking about feelings. He'd been on his own for so long that it was as if he'd had to learn a new language
Ann Cleeves (Harbour Street (Vera Stanhope, #6))
them, together, in an orgasm-fest for the ages. What happened Friday morning could not be repeated. Not when she’d made up her mind
Zoe York (Love in a Small Town (Pine Harbour, #1))
morning a week with her ex-mother-in-law. So she couldn’t fault Rafe for keeping his regular stool at the diner she worked at, even if it
Zoe York (Love in a Small Town (Pine Harbour, #1))
mornings…well, that wasn’t great either. But Rafe worked two jobs and lived in a tiny one-room apartment.
Zoe York (Love in a Small Town (Pine Harbour, #1))
I harbour your love tight between the walls of my heart I will not let go, but treasure your gift.
Paraschiva Florescu
...Hope is a ridiculous failing that we need to harbour in order to lead a serene life…
Janvier Chouteu-Chando (The Union Moujik)
Harbour no hatred in your heart against anyone. People who do this have placed their influence on the risky line.
Israelmore Ayivor (Leaders' Frontpage: Leadership Insights from 21 Martin Luther King Jr. Thoughts)
The more tenuous the ties that hold us together, the easier it is to say goodbye. [Julia, 'Harbour of Love']
Rosamunde Pilcher (A Place Like Home: Short Stories)
Money isn’t everything. Happiness is more important. So is love.
Emily Harvale (Dreams and Schemes at The Seahorse Inn (Seahorse Harbour #5))
McNeil harboured fantasies of his own physical deterioration, about making love to the great wound of the universe, coalescing with.
Chris Kelso (Voidheads)
No matter how safe and lovely your harbour is, leave it to see the insecure and the ugly one; only then you can reach the truth!
Mehmet Murat ildan
week. That she looked forward to those mornings…well, that wasn’t great either. But Rafe worked two jobs and lived in a tiny one-room apartment. And the other option for eggs and bacon
Zoe York (Love in a Small Town (Pine Harbour, #1))
I did not harbour intelligent doubts about whether Hartley would go on loving me, naturally I knew that she was mine forever. But as we closed our eyes upon tears of joy there was cosmic dread.
Iris Murdoch (The Sea, the Sea)
I didn’t know you were my everything. I didn’t know I could have the worst day possible on the job and my only thought be of you. You deserve someone else, someone who’s smart enough to know all of that from day one, but I’m selfish. I want you all to myself, forever. And I’ll do whatever it takes to show you every single day that I love you more than anything else in the world. More than my job. More than my pride.
Zoe York (Love in a Small Town (Pine Harbour, #1))
Perfect Timing" The night I fell in love with you I lost my watch: stripping off at the sea’s edge, it fell into the dark as I swam out into a night thick with stars, with fisherman calling from one lit boat to another of their catches and harbours, leaving for the dawn. Imagine it now, plunged deep in cool sand, still hidden years later, grains ticking over it one by one— as your hands slide into me and I move to their pulse.
Sarah Maguire (Spilt milk)
One of those awfully simple and beautiful days with you that makes me afraid of dying, makes me afraid of not being. When the soft 6 o’clock sun is slowly sinking behind the harbour, and your smile, effortless and tidy, makes time take flight. You save me from death but also from lifeless living. With you, nothing's wasted on me. The music of the breeze, the colours of children’s footsteps, the dancing trees—I drink them all and, what’s more, you drink these with me. One of those insignificant days when we do nothing and achieve nothing, and yet, chasing the ducks and sharing my last stick of gum with you is everything.
Kamand Kojouri
I’m lying on the ground looking up at the branches of an oak tree. Dappled light is shining through the canopy, the leaves whisper ancient incantations. This tree, in its living stage, rooted in sights and sounds that I’ll never know, has witnessed extinctions and wars, loves and losses. I wish we could translate the language of trees – hear their voices, know their stories. They host such an astonishing amount of life – there are thousands of species harbouring in and on and under this mighty giant. And I believe trees are like us, or they inspire the better parts of human nature. If only we could be connected in the way this oak tree is connected with its ecosystem.
Dara McAnulty (Diary of a Young Naturalist)
You play because you have a guilty attraction to supernatural beasts and harlequin love stories, but you harbour the secret presumption that you could write them way better yourself. Good. This is your opportunity to prove it.
Avery Alder (Monsterhearts (Monsterhearts #1))
Fireworks made of glass. An explosion of dew. Crescendo. Diminuendo. Silence. There are drugs that work the same, and while I am not suggesting that our founder purchased the glassworks to get more drops, it is clear that she had the seed planted, not once, but twice, and knew already the lovely contradictory nature of glass and she did not have to be told, on the day she saw the works at Darling Harbour, that glass is a thing in disguise, an actor, is not solid at all, but a liquid, that an old sheet of glass will not only take on a royal and purplish tinge but will reveal its true liquid nature by having grown fatter at the bottom and thinner at the top, and that even while it is as frail as the ice on a Parramatta puddle, it is stronger under compression than Sydney sandstone, that it is invisible, solid, in short, a joyous and paradoxical thing, as good a material as any to build a life from.
Peter Carey
If she be a woman, and love me, I shall surely catch her once tripping: for love was ever a traitor to its harbourer: and Love within, and I without, she will be more than a woman, as the poet says, or I less than man, if I succeed not.
Samuel Richardson (Clarissa, or, The History of a Young Lady)
The soul attracts that which it secretly harbours; that which it loves, and also that which it fears; it reaches the height of its cherished aspirations; it falls to the level of its unchastened desires,—and circumstances are the means by which the soul receives its own.
James Allen (As a Man Thinketh)
The fascination of [Joseph Conrad’s] writing lies in a singular blending of reality with romance – he paints a world of strange skies and seas, rivers, forests, men, stranger harbours and ships, all, to our tamed understanding, touched a little by the marvelous. Beyond all modern writers he had lived romance; lived it for many years with a full unconscious pulse, the zest of a young man loving adventure, and before ever he thought to become a writer. How many talents among us are spoiled by having no store of experience and feeling, unconsciously amassed, to feed on! How many writers, without cream inside the churn, are turning out butter!
John Galsworthy (Candelabra: Selected Essays and Addresses)
I replied that I did not quite know what my ailment had been, but that I had certainly suffered a good deal especially in mind. Further, on this subject, I did not consider it advisable to dwell, for the details of what I had undergone belonged to a portion of my existence in which I never expected my godmother to take a share. Into what a new region would such a confidence have led that hale, serene nature! The difference between her and me might be figured by that between the stately ship cruising safe on smooth seas, with its full complement of crew, a captain gay and brave, and venturous and provident; and the life-boat, which most days of the year lies dry and solitary in an old, dark boat-house, only putting to sea when the billows run high in rough weather, when cloud encounters water, when danger and death divide between them the rule of the great deep. No, the "Louisa Bretton" never was out of harbour on such a night, and in such a scene: her crew could not conceive it; so the half-drowned life-boat man keeps his own counsel, and spins no yarns.
Charlotte Brontë (Villette)
Must've been off my head, wandering around the harbour so long. Didn't even get the nightgowns. Are the kids okay? Damn, I wish I didn't always have to be home at the right time. At the Day of Judgement, God will say Stacy MacAindra, what have you done with your life? And I'll say, Well, let's see, Sir, I think I loved my kids. And He'll say, Are you certain of that? And I'll say, God, I'm not certain about anything any more. So He'll say, To hell with you, then. We're all positive thinkers up here. Then again, maybe He wouldn't. Maybe He'd say, Don't worry, Stacy, I'm not all that certain, either. Sometimes I wonder if I even exist. And I'd say, I know what you mean, Lord. I have the same trouble with myself.
Margaret Laurence (The Fire-Dwellers)
I flash to the picture on my dresser, the red glass heart encased safely in its bottle, and then to all of Colton's ships in theirs, and that's when I realise the truth in the words scrawled over the wall above them: "A ship is safe in harbour, but that is not what ships are meant for". This is what they're meant for, this feeling right here. And maybe... maybe it's what hearts are meant for too.
Jessi Kirby (Things We Know by Heart)
I had never even thought of Edith as a member of the opposite sex; it had never even so much as crossed my mind that her crippled body was possessed of the same organs, that her soul harboured the same urgent desires, as those of other women. It was only from this moment that I began to have an inkling of the fact (suppressed by most writers) that the outcasts, the branded, the ugly, the withered, the deformed, the despised and rejected, desire with a more passionate, far more dangerous avidity than the happy; that they love with a fanatical, a baleful, a black love, and that no passion on earth rears its head so greedily, so desperately, as the forlorn and hopeless passion of these step-children of God, who feel that they can only justify their earthly existence by loving and being loved.
Stefan Zweig (Beware of Pity (New York Review Books Classics))
I was born and raised on steel river I see it all like it was yesterday The ships and bridges they were all delivered From Sydney harbour to the Cisco bay And I met my love down on steel river We served our dreams and spent our childhood days In rainy streets we'd kiss away the shivers And hide from fear inside the latest craze Dancing to Motown Making love with Carole King record playing And oh how I loved you Say goodbye steel river
Chris Rea
He’s talking about his childhood, how he grew up knowing he could never match the expectations his parents harboured for him and how he sensed their disappointment, even from an early age. How did you find the confidence then to do what you wanted? the interviewer asks. And Murakami replies that he always had it because he always knew what he loved. He lists reading, listening to music and cats. He says, ‘I know what I love, still, now. That’s a confidence.
Sarah Henshaw (The Bookshop That Floated Away)
Everything was so beautiful in this magical moment before sunrise. The wild blue irises around the pond, the violet shadows in the curves of the dunes, the white, filmy mist hanging over the buttercup valley across the pond, the cloth of gold and silver thtat was called a field of daisies, thye cool, delicious gulf breeze, the blue of far lands beyond the harbour, plumes of purple and mauve smoke going up on the still, golden air from the chimneys of Stovepipe Town where the fishermen rose early. And Teddy lying at her feet, his slim brown hands clasped behind his head. Again she felt thye magnetic attraction of his personality. Felt it so strongly that she dared not meet his eyes. Yet she was admitting to herself with a secret cadour which would have horrified Aunt Elizabeth that she wanted to run her fingers through his sleek black hair- feel his arms about her- press her face against his dark tender ne- feel his lips on her lips- Teddy took one of his hands from under his head and put it over hers.
L.M. Montgomery
And on the day we left, ‘It’s heart-breaking. To go away from this, the one place that I love. Everything is covered in dust-sheets, windows shuttered, it reminds me of the last act of The Cherry Orchard. I go over the whole place before we leave—visit every corner of the garden and gaze for a long while at the sea. I tell them all that I shall be back soon and they understand. It all belongs to me now. One last trip in Cora Ann down-harbour before we go. Then the train.… Oh God, to exchange this for dreary bloody London.…
Daphne du Maurier (Myself When Young)
Deafening the swallow's twitter, came a thrill Of trumpets—Lycius started—the sounds fled, But left a thought, a buzzing in his head. For the first time, since first he harbour'd in That purple-lined palace of sweet sin, His spirit pass'd beyond its golden bourn Into the noisy world almost forsworn. The lady, ever watchful, penetrant, Saw this with pain, so arguing a want Of something more, more than her empery Of joys; and she began to moan and sigh Because he mused beyond her, knowing well That but a moment's thought is passion's passing bell.
John Keats (Lamia)
but it is impossible for someone who was not abused to become an abuser. No one is born evil. As Winnicott put it: ‘A baby cannot hate the mother, without the mother first hating the baby.’ As babies, we are innocent sponges, blank slates – with only the most basic needs present: to eat, shit, love and be loved. But something goes wrong, depending on the circumstances into which we are born, and the house in which we grow up. A tormented, abused child can never take revenge in reality, as she is powerless and defenceless, but she can – and must – harbour vengeful fantasies in her imagination.
Alex Michaelides (The Silent Patient)
People with the Moon in hard aspect to Mars, Saturn, Uranus, Neptune or Pluto may still harbour a deep fear that they will destroy or lose those they love. They may have—way in the back of their minds—the idea that if they love something they will destroy it. It could be that as children they felt angry towards the mother and then the next day she fell ill or had to go away for some reason, and the children are left thinking that they have caused that. Or sometimes this pattern is there for children who have been breast fed and then for some reason they lose the breast—the milk dries up or the mother becomes ill. These children may be left feeling that their greed exhausted the breast. Later in life, they still have a nebulous fear that those they love will die, or leave them, or be driven away.
Liz Greene (The Development of Personality: Seminars in Psychological Astrology (Seminars in Psychological Astrology ; V. 1))
Directly Mr Pye stepped ashore he heard her voice. 'The name is Dredger,' it said. Mr Pye lifted his head again, his thorn-shaped nose veering towards her and the rest of his round face following it, as a ship must follow its bowsprit. His little mouth continued to smile gently but it gave nothing away. As he remained silent, Miss Dredger raised her voice as though to establish the fact of her forthright nature from the outset. 'Mr Pye, I imagine!' Her new acquaintance removed his glasses, wiped them carefully, and re-set them on his nose. 'Who else?' he murmured. 'Who else, dear lady?' As Miss Dredger could not think 'who' else could possibly be Mr Pye, and had no wish to follow so foolish a train of conjecture, she blew some smoke out of her nostrils. Mr Pye watched the smoke-jets with interest, ad then, as though he were suggesting an alternative attitude to life, he drew a little box from his waistcoat pocket and helped himself to a fruit-drop. At this, Miss Dredger raised one of her black eyebrows, and as she did so she caught sight of young Pépé - and seeing him reminded her of Mr Pye's luggage. She turned to Mr Pye, her scrubbed hands on her tweed hips. 'What have you brought with you?' she said. Mr Pye turned his gaze upon her. 'Love,' he said. 'Just ... Love ...' and then he transferred the fruit-drop from one cheek to the other with a flick of his experience tongue. His fat little hands that held the lapels of his coat were quite green with the light reflected from the harbour water. Miss Dredger's face had turned the most dreadful colour and she had shut her eyes. The smoke drifted out of her nostrils with no enthusiasm. There were some things that simply are not mentioned - unless one wishes to be offensive and embarrassing. Religion, Art, and now this new horror - Love. What on earth did the man mean?
Mervyn Peake (Mr Pye)
During the Second World War there was an interrogator for Army Counter-Intelligence by the name of Lieutenant Colonel Oreste Pinto. It was his task to break the cover of enemy spies, and he’s one of my weirder heroes. In 1942 Pinto had a man at the other side of his desk who instinct told him had to be an enemy agent. Before arriving at the Colonel’s office (just off The Strand in central London), this suspect had been through many searing investigations and survived them all. Notwithstanding that, the authorities continued to harbour suspicions; but nobody could break him. So what did Pinto think? Pinto interrogated his man over a period of days. The suspect had an impeccable Oxford accent, excellent socio-geographic knowledge, backed up by documentation that was as good as it gets. Down to the last little parochial nuance, he had an answer for everything, and seemed totally and utterly kosher. Even so, Pinto was convinced he was dealing with an exceptionally talented spy whose true provenance was Berlin. But he couldn’t crack him, so he invited him out to lunch. Ten minutes later they were walking up The Strand, about to cross it to go to the chosen restaurant when, as they stepped off the kerb, Pinto screamed, ‘Look out!’ – and he got his German because the bastard looked the wrong way. ‘We drive on the left in England, old boy.
Bruce Robinson (They All Love Jack: Busting the Ripper)
Waste not what remains of life in consideration about others, when it makes not for the common good. Be sure you are neglecting other work if you busy yourself with what such a one is doing and why, with what he is saying, thinking, or scheming. All such things do but divert you from the steadfast guardianship of your own soul. It behoves you, then, in every train of thought to shun all that is aimless or useless, and, above all, everything officious or malignant. Accustom yourself so, and only so, to think, that, if any one were suddenly to ask you, Of what are you thinking-now? you could answer frankly and at once, Of so and so. Then it will plainly appear that you are all simplicity and kindliness, as befits a social being who takes little thought for enjoyment or any phantom pleasure; who spurns contentiousness, envy, or suspicion; or any passion the harbouring of which one would blush to own. For such a man, who has finally determined to be henceforth among the best, is, as it were, a priest and minister of the Gods, using the spirit within him, which preserves a man unspotted from pleasure, unwounded by any pain, inaccessible to all insult, innocent of all evil; a champion in the noblest of all contests—the contest for victory over every passion. He is penetrated with justice; he welcomes with all his heart whatever befalls, or is appointed by Providence. He troubles not often, or ever without pressing public need, to consider what another may say, or do, or design. Solely intent upon his own conduct, ever mindful of his own concurrent part in the destiny of the Universe, he orders his conduct well, persuaded that his part is good. For the lot appointed to every man is part of the law of all things as well as a law for him. He forgets not that all rational beings are akin, and that the love of all mankind is part of the nature of man; also that we must not think as all men think, but only as those who live a life accordant with nature. As for those who live otherwise, he remembers always how they act at home and abroad, by night and by day, and how and with whom they are found in company. And so he cannot esteem the praise of such, for they enjoy not their own approbation.
Marcus Aurelius (Meditations)
Harbour love, not hate - don't let it contaminate your heart and conceal your beauty.
Nishant Agrawal
I’m not moving on…. I’ve tried. I can’t do it. You’re it for me
Zoe York (Love in a Small Town (Pine Harbour, #1))
who you want to meet and we’ll bring him to you.’ ‘Abraham is a hostage,’ Satyrus said. ‘You can’t bring him out of Athens, and I need to see him.’ His captains looked at him with something like suspicion. ‘I’m going to Athens,’ he insisted. ‘Without your fleet?’ Sandokes asked. ‘Haven’t you got this backward, lord? If you must go, why not lead with a show of force?’ ‘Can you go three days armed and ready to fight?’ Satyrus asked. ‘In the midst of the Athenian fleet? No. Trust me on this, friends. And obey – I pay your wages. Go to Aegina and wait.’ Sandokes was dissatisfied and he wasn’t interested in hiding it. ‘Lord, we do obey. We’re good captains and good fighters, and most of us have been with you a few years. Long enough to earn the right to tell you when you are just plain wrong.’ He took a breath. ‘Lord, you’re wrong. Take us into Athens – ten ships full of fighting men, and no man will dare raise a finger to you. Or better yet, stay here, or you go to Aegina and we’ll sail into Athens.’ Satyrus shrugged, angered. ‘You all feel this way?’ he asked. Sarpax shook his head. ‘No,’ he said. ‘Aekes and Sandokes have a point, but I’ll obey you. I don’t know exactly what your relationship with Demetrios is, and you do.’ He looked at the other captains. ‘We don’t know.’ Sandokes shook his head. ‘I’ll obey, lord – surely I’m allowed to disagree?’ Satyrus bit his lip. After a flash of anger passed, he chose his words carefully. ‘I appreciate that you are all trying to help. I hope that you’ll trust that I’ve thought this through as carefully as I can, and I have a more complete appreciation of the forces at work than any of you can have.’ Sandokes didn’t back down. ‘I hope that you appreciate that we have only your best interests at heart, lord. And that we don’t want to look elsewhere for employment while your corpse cools.’ He shrugged. ‘Our oarsmen are hardening up, we have good helmsmen and good clean ships. I wager we can take any twenty ships in these waters. No one – no one with any sense – will mess with you while we’re in the harbour.’ Satyrus managed a smile. ‘If you are right, I’ll happily allow you to tell me that you told me so,’ he said. Sandokes turned away. Aekes caught his shoulder. ‘There’s no changing my mind on this,’ Satyrus said. Sandokes shrugged. ‘We’ll sail for Aegina when you tell us,’ Aekes said. Satyrus had never felt such a premonition of disaster in all his life. He was ignoring the advice of a god, and all of his best fighting captains, and sailing into Athens, unprotected. But his sense – the same sense that helped him block a thrust in a fight – told him that the last thing he wanted was to provoke Demetrios. He explained as much to Anaxagoras as the oarsmen ran the ships into the water. Anaxagoras just shook his head. ‘I feel like a fool,’ Satyrus said. ‘But I won’t change my mind.’ Anaxagoras sighed. ‘When we’re off Piraeus, I’ll go off in Miranda or one of the other grain ships. I want you to stay with the fleet,’ Satyrus said. ‘Just in case.’ Anaxagoras picked up the leather bag with his armour and the heavy wool bag with his sea clothes and his lyre. ‘Very well,’ he said crisply. ‘You think I’m a fool,’ Satyrus said. ‘I think you are risking your life and your kingdom to see Miriam, and you know perfectly well you don’t have to. She loves you. She’ll wait. So yes, I think you are being a fool.’ Satyrus narrowed his eyes. ‘You asked,’ Anaxagoras said sweetly, and walked away.         3           Attika appeared first out of the sea haze; a haze so fine and so thin that a landsman would not even have noticed how restricted was his visibility.
Christian Cameron (Force of Kings (Tyrant #6))
WAR CHILD is the true story of Magdalena (Leni) Janic whose name appears on The Welcome Wall at Sydney's Darling Harbour. The story spans 100 years starting in pre WWII Nazi Germany and ends in the suburbs of Adelaide. It's a window into what life was like for a young illegitimate German girl growing up in poverty, coping with ostracism, bullying, abuse and dispossession as society was falling down around her and she becomes a refugee. But it's also a story of a woman's unconditional love for her family, the sacrifices she made and secrets she kept to protect them. Her ultimate secret was only revealed in a bizarre twist after her death and much to her daughter's (and author) surprise involved her. A memorable tear-jerker! A sad cruel story told with so much love.
Annette Janic (War Child: Survival. Betrayal. Secrets)
So who is the woman who excites Diana’s feelings? From the moment photographs of Camilla fluttered from Prince Charles’s diary during their honeymoon to the present day, the Princess of Wales has understandably harboured every kind of suspicion, resentment and jealousy about the woman Charles loved and lost during his bachelor days. Camilla is from sturdy county stock with numerous roots in the aristocracy. She is the daughter of Major Bruce Shand, a well-to-do wine merchant, Master of Fox Hounds and the Vice Lord Lieutenant of East Sussex. Her brother is the adventurer and author Mark Shand, who was once an escort of Bianca Jagger and model Marie Helvin, and is now married to Clio Goldsmith, niece of the grocery millionaire. Camilla is related to Lady Elspeth Howe, wife of the former Chancellor of the Exchequer, and the millionaire builder, Lord Ashcombe. Her great-grandmother was Alice Keppel who for many years was the mistress of another Prince of Wales, Edward VII. She was married to a serving Army officer and once said that her job was to “curtsey first--and then leap into bed.
Andrew Morton (Diana: Her True Story in Her Own Words)
He slid into the booth with a sigh.
Zoe York (Love in a Small Town (Pine Harbour, #1))
Rafe wasn’t the oldest son. That privilege fell to his older brother Zander, who’d gotten the hell out of Dodge at eighteen.
Zoe York (Love in a Small Town (Pine Harbour, #1))
Hey, sister-of-mine, can we get two coffees to go?” They even looked like sisters, Dani taller and lankier, Liv shorter and curvy in all the right places. Her endearment
Zoe York (Love in a Small Town (Pine Harbour, #1))
They hadn’t had much of a chance to talk about work before Jake and Matt showed up. That led to a re-cap of Thursday night’s trip to Lion’s Head. Matt’s version of events cast Rafe in the weeniest of lights, of course. “This dude had a hot chick crawling all over him, and he couldn’t even get it up.” “Fuck you, asshole, see if I’m ever willing to be your wingman again.” Rafe flipped his friend the bird before grabbing another handful of chips. They were on Dean’s deck, in his backyard, which overlooked Rafe’s old backyard. Now just Liv’s. After the kiss-that-wasn’t-a-kiss-but-was-a-whole-lot-more yesterday, Rafe had a plan. Well, more of a pipe dream than a plan. He wanted Liv back. She was working tonight. Otherwise he’d just hop the fence and try again. And even though he’d had a nap, he wasn’t truly well rested, which he’d need, because he figured that between him admitting he wanted her back and actually getting her back
Zoe York (Love in a Small Town (Pine Harbour, #1))
oceans don’t boast about their love to earth yet their love runs deep, deep, deep. stretching out to every shore, and coast and harbour. - so deep, so wide.
f.farai
NOTHING said unnecessary
Zoe York (Love in a Snow Storm (Pine Harbour, #2))
Jake Foster gave his brother Matt a scathing glare. If one of them needed to do anything, it was Matt, and the thing was grow up. “Let’s just get Sean and drag him home before
Zoe York (Love in a Snow Storm (Pine Harbour, #2))
He returned her gaze, yearning for sentimental solace; love which emanated from a familiar source, mattered little how bedevilling. They shared an intimate moment, a silent tête-à-tête, which seemed to confront doubts each harboured.
A.H. Septimius (Crowns Of Amara: The Return Of The Oracle)
She drew him down against her, and his sinewy strength and the softness of the bed became the safest place in the world.
Katherine Harbour (Briar Queen (Night and Nothing, #2))
Silence harbours the seed to destroy love
Tami Egonu (The Hourglass)
Buddhist quote. ‘Forgiveness means letting go of the hope for a better past.’ You won’t be able to forgive yourself for not doing things differently until you stop wishing things were different.
Zoe York (Love on a Spring Morning (Pine Harbour #3))
Africa’s coastline? great beaches, really, really lovely beaches, but terrible natural harbours. Rivers? Amazing rivers, but most of them are rubbish for actually transporting anything, given that every few miles you go over a waterfall. These are just two in a long list of problems which help explain why Africa isn’t technologically or politically as successful as Western Europe or North America. There are lots of places that are unsuccessful, but few have been as unsuccessful as Africa, and that despite having a head start as the place where Homo sapiens originated about 200,000 years ago. As that most lucid of writers, Jared Diamond, put it in a brilliant National Geographic article in 2005, ‘It’s the opposite of what one would expect from the runner first off the block.’ However, the first runners became separated from everyone else by the Sahara Desert and the Indian and Atlantic oceans. Almost the entire continent developed in isolation from the Eurasian land mass, where ideas and technology were exchanged from east to west, and west to east, but not north to south.
Tim Marshall (Prisoners of Geography: Ten Maps That Tell You Everything You Need to Know About Global Politics)
Hate crime and violent crime is something reprehensible perpetrated by other people, a small deviant class, mainly men – this, at least, is the commonly held view. But Miles (2003) argues that we must reckon fully and realistically with our barbaric evolutionary heritage; and Buss (2006) uses case study research to suggest that fantasising harm and death to others is extremely common. Freud would have agreed with such assessments of human nature, acknowledging that unconsciously, ‘safely’ repressed, we sometimes harbour destructive and taboo-breaking wishes not only towards enemies but also towards loved-ones and ourselves. Today’s ascendant coalition of groups opposing racism, sexism, homophobia and anti-religious views, and championing equality and human rights, want to abolish not only outward physical violence and its verbal scaffolding but also vocal and mental hatred. This amounts to an unrealistic and dangerous totalitarian agenda for the fantasised good, the mechanism for which is suppression not understanding. That we all have a barbarous dark side that can be triggered in certain circumstances is a thesis denied or ignored by many but recognised by so-called misanthropes, anthropathologists and DRs. Ironically, opponents of the concept of (often dark) human nature unwittingly force a mental illness status upon those who notice weird and hateful thoughts in their own heads and conclude that they are uniquely perverse and unacceptable individuals. In other words, denial breeds another layer of depression in the same way that sin-focused puritanical religions have caused inauthentic behaviour and created neurotic minds.
Colin Feltham (Depressive Realism: Interdisciplinary perspectives (Explorations in Mental Health))
Navia is one of the leading scholars of ancient Cynicism, yet for all their wide-ranging and detailed scholarship, his writings are not simply academic, but glow with the passionate conviction of a believer. Ancient Cynicism is not for Navia an object of “scientific” curiosity only. It is important for him as the closest approximation to the true ethical philosophy, and the salutary outlook that we in our technological culture now need most. One idea that surfaces regularly in Navia’s work is the fear that contemporary human beings have become too dependent – on a system that creates and then panders to unnecessary desires and that increasingly establishes itself as the sole reality. Worse, this system of endless acquisition and consumption harbours terrible violence, both to the natural environment whose dwindling resources support it, and to human beings who are progressively dehumanized, continuously pumped with ideas, beliefs and desires from the outside, and blinded by the swirling typhos of media images, advertisements, plastic celebrities and political cant. The only solution is to wage “war” on this system, like an Antisthenes or Diogenes, and thus not in the spirit of mere renunciation. For Navia, the true Cynic criticizes out of a deep moral idealism, and the interpretation of ancient Cynicism as wholly negative is itself a sad reflection on our own moral impoverishment. We have, Navia argues through his scholarship, taken too little thought of the wisdom of the ancient Cynics: live simply, scorn unnecessary desires, do not follow the slavish crowd but speak the truth clearly in righteous war against untruth and, most of all, cultivate the virtue of philanthrōpia and learn to love others now, for it is from this that everything else will follow.
William Desmond (Cynics (Volume 3) (Ancient Philosophies))
Well, if you really want to know, I’m basically in love with a boy who is totally wrong for me in every way but I just can’t forget about him or give him up even though I should because he did something that really hurt me and he may have even lied to me but I don’t even seem to care that he did so and now he’s just made it harder for me to dislike him because he said a really nice apology and told me everything that I wanted to hear and so I forgave him even though I still deep down harbour some resentment towards him but I’m sure he saw it in my eyes and heard it in my words that I’m still completely pathetically madly head over heels for him and would still love him even if he did it all over again and broke my heart into a thousand pieces.
H.C. Roberts (Harp and the Lyre: Exposed)
And now,” said the Duke, “there’s something very unpleasant on the loose. We may pretend that it isn’t; we may deny it, but we know that there are more and more people who hate those whom they used not to hate. And there are even some who encourage this hate, who harbour that hate within themselves and are happy to see it flourish in the breasts of others.
Alexander McCall Smith (A Time of Love and Tartan (44 Scotland Street #12))
The soul attracts that which it secretly harbours; that which it loves, and also that which it fears; it reaches the height of its cherished aspirations; it falls to the level of its unchastened desires—and circumstances are the means by which the soul receives its own.
James Allen (As a Man Thinketh (AmazonClassics Edition))
If she’d asked me to swim naked three times round the island, I’d have said yes. I loved her.
Ann Cleeves (Harbour Street (Vera Stanhope #6))
there was something about a man, or a woman, a loved one, turning up and being present in your life. Someone who was willing to walk beside you as you did the work, because maybe, just maybe, their persistent subliminal message of love, of acceptance, of need and desire, but most of all, of respect, could provide you with a buffer from a cruel and unusual world, creating a safe harbour in which you could decide to love yourself.
Sam Hall (Billion Dollar Pack (The Wolfverse, #3))
Humans had turned out to be selfish, much more than Vyasa had ever imagined. They lived for themselves, loved themselves more than others, and often harboured envy, jealousy, greed and lust. In fact, Vibhishan felt that many asuras of yesteryears were more righteous than some humans of today’s generation. The horrors humans committed on one another was beyond forgiveness.
Gunjan Porwal (Ashwatthama vs Parashuram: The Immortal Force)
the newly arrived Ivets being hunted down and killed. Beaten into the mud with makeshift clubs, or gored by baying sayce to the sound of cheers. If they looked through the window at an angle they would be able to see boats of all sizes sailing hurriedly out of the circular polyp harbours for the safety of the water. I hate Adamists, Lori said. Only Adamists could do this to one another. They do it because they don’t know one another. They don’t love, they can only lust and fear.
Peter F. Hamilton (The Reality Dysfunction (Night's Dawn, #1))
XIII. I Have Gone Marking" I have gone marking the atlas of your body with crosses of fire. My mouth went across: a spider, trying to hide. In you, behind you, timid, driven by thirst. Stories to tell you on the shore of evening, sad and gentle doll, so that you should not be sad. A swan, a tree, something far away and happy. The season of grapes, the ripe and fruitful season. I who lived in a harbour from which I loved you. The solitude crossed with dream and with silence. Penned up between the sea and sadness. Soundless, delirious, between two motionless gondoliers. Between the lips and the voice something goes dying. Something with the wings of a bird, something of anguish and oblivion. The way nets cannot hold water. My toy doll, only a few drops are left trembling. Even so, something sings, something climbs to my ravenous mouth. Oh to be able to celebrate you with all the words of joy. Sing, burn, flee, like a belfry at the hands of a madman. My sad tenderness, what comes over you all at once? When I have reached the most awesome and the coldest summit my heart closes like a nocturnal flower.
Pablo Neruda (Twenty Love Poems and a Song of Despair)
Thus ended Beleg Strongbow, truest of friends, greatest in skill of all that harboured in the woods of Beleriand in the Elder Days, at the hand of him whom he most loved; and that grief was graven on the face of Túrin and never faded.
J.R.R. Tolkien (The Silmarillion)
May I assure you that I harbour no matrimonial design on you whatsoever? You may exercise your wit on us with impunity; you are in no danger from me.
Amy D'Orazio (The Best Part of Love)
The Poised Edge of Chaos Sand sifts down, one grain at a time, forming a small hill. When it grows high enough, a tiny avalanche begins. Let sand continue to sift down, and avalanches will occur irregularly, in no predictable order, until there is a tiny mountain range of sand. Peaks will appear, and valleys, and as sand continues to descend, the relentless sand, piling up and slipping down, piling up and slipping down, piling up - eventually a single grain will cause a catastrophe, all the hills and valleys erased, the whole face of the landscape changed in an instant. Walking yesterday, my heels crushed chamomile and released intoxicating memories of home. Earlier this week, I wrote an old love, flooded with need and desire. Last month I planted new flowers in an old garden bed - one grain at a time, a pattern is formed, one grain at a time, a pattern is destroyed, and there is no way to know which grain will build the tiny mountain higher, which grain will tilt the mountain into avalanche, whether the avalanche will be small or catastrophic, enormous or inconsequential. We are always dancing with chaos, even when we think we move too gracefully to disrupt anything in the careful order of our lives, even when we deny the choreography of passion, hoping to avoid earthquakes and avalanches, turbulence and elemental violence and pain. We are always dancing with chaos, for the grains sift down upon the landscape of our lives, one, then another, one, then another, one then another. Today I rose early and walked by the sea, watching the changing patterns of the light and the otters rising and the gulls descending, and the boats steaming off into the dawn, and the smoke drifting up into the sky, and the waves drumming on the dock, and I sang. An old song came upon me, one with no harbour nor dawn nor dock, no woman walking in the mist, no gulls, no boats departing for the salmon shoals. I sang, but not to make order of the sea nor of the dawn, nor of my life. Not to make order at all. Only to sing, clear notes over sand. Only to walk, footsteps in sand. Only to live.
Patricia Monaghan
When I looked into her eyes I recognised what I had never fully understood before, something that could no longer be disguised: The desire that each of us harbours, even if seemingly sunk like a Spanish galleon on the ocean floor, to love and be loved.
E.S. Alexander (Lies that Blind: A Novel of Late 18th Century Penang)
All friendly feelings for others,’ he wrote, ‘are extensions of a man’s feelings for himself.’ The message was that when you like yourself and feel secure in yourself, then you will have plenty of love to give. Similarly, if you know what makes you happy, then you will be in a stronger position to find a way of extending that happiness to those around you. If, on the other hand, you are uncomfortable with who you are, or harbour some self-loathing, then you will have little love to offer others.
Roman Krznaric (How Should We Live?: Great Ideas from the Past for Everyday Life)
Your words are powerful containers, carrying blessings or curses depending on what is inside of you. If you harbour bitterness in you, you will speak spitefully and create hurt and hatred in those you speak with. If there is love inside of you, you will release pleasant and caring words that create appreciation, gratitude and warmth in those around you.
Archibald Marwizi (Making Success Deliberate)
monstrosities of tall "monuments" and draped urns. One of the latter, the biggest and ugliest in the graveyard, was sacred to the memory of a certain Alec Davis who had been born a Methodist but had taken to himself a Presbyterian bride of the Douglas clan. She had made him turn Presbyterian and kept him toeing the Presbyterian mark all his life. But when he died she did not dare to doom him to a lonely grave in the Presbyterian graveyard over-harbour. His people were all buried in the Methodist cemetery; so Alec Davis went back to his own in death and his widow consoled herself by erecting a monument which cost more than any of the Methodists could afford. The Meredith children hated it, without just knowing why, but they loved the old, flat, bench-like stones with the tall grasses growing rankly about them. They made jolly seats for one thing. They were all sitting on one now. Jerry, tired of leap frog, was playing on
L.M. Montgomery (Rainbow Valley (Anne of Green Gables #7))