Harbor Feelings Quotes

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Look at children. Of course they may quarrel, but generally speaking they do not harbor ill feelings as much or as long as adults do. Most adults have the advantage of education over children, but what is the use of an education if they show a big smile while hiding negative feelings deep inside? Children don’t usually act in such a manner. If they feel angry with someone, they express it, and then it is finished. They can still play with that person the following day.
Dalai Lama XIV
If you would hit the mark, you must aim a little above it; Every arrow that flies feels the attraction of earth.
Henry Wadsworth Longfellow (In the Harbor)
It’s hard to feel desire when you don’t feel desirable
Christine Feehan (Safe Harbor (Drake Sisters, #5))
I must learn to love the fool in me--the one who feels too much, talks too much, takes too many chances, wins sometimes and loses often, lacks self-control, loves and hates, hurts and gets hurt, promises and breaks promises, laughs and cries. It alone protects me against that utterly self-controlled, masterful tyrant whom I also harbor and who would rob me of my human aliveness, humility, and dignity but for my Fool.
Theodore Isaac Rubin
Holly frowned at her. "Glad to see you've forgiven yourself so quickly." "Harboring feelings of guilt can have a negative affect on mental health." "Child geniuses," growled Holly. "Genii," said Minerva.
Eoin Colfer (The Lost Colony (Artemis Fowl, #5))
Everything in him recoiled. The water was cold against his legs. His body had gone numb and yet he could still feel the wet give of his brother's rotting flesh beneath his hands. It's shame that eats men whole. He was drowning in it. Drowning in the Ketterdam harbor. His eyes blurred. "It isn't easy for me either." Her voice, low and steady, the voice that had once led him back from hell.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
To harbor spiteful feelings against ordinary people for not being heroes is possible only for narrow-minded or embittered man.
Anton Chekhov (Selected Stories of Anton Chekhov)
It was the kind of town that made you feel like Humphrey Bogart: you came in on a bumpy little plane, and, for some mysterious reason, got a private room with balcony overlooking the town and the harbor; then you sat there and drank until something happened.
Hunter S. Thompson (The Rum Diary)
The fog was where I wanted to be. Halfway down the path you can’t see this house. You’d never know it was here. Or any of the other places down the avenue. I couldn’t see but a few feet ahead. I didn’t meet a soul. Everything looked and sounded unreal. Nothing was what it is. That’s what I wanted—to be alone with myself in another world where truth is untrue and life can hide from itself. Out beyond the harbor, where the road runs along the beach, I even lost the feeling of being on land. The fog and the sea seemed part of each other. It was like walking on the bottom of the sea. As if I had drowned long ago. As if I was the ghost belonging to the fog, and the fog was the ghost of the sea. It felt damned peaceful to be nothing more than a ghost within a ghost.
Eugene O'Neill (Long Day’s Journey into Night)
Why must we be freaking out about the kindness and sympathy we would like to share? What could deter us so much from opening our hearts and spilling the beans? Why should we harbor suspicions about the gentleness of people who are bubbling over with enthusiasm and goodwill? Could kindness generate such a thorny challenge in people's lives and make them feel so uncomfortable as if they were wobbling on thin ice, fearing losing balance and thus losing face? (“Schengen”)
Erik Pevernagie
Let other complain that the age is wicked; my complaint is that it is paltry; for it lacks passion. Men's thoughts are thin and flimsy like lace, they are themselves pitiable like the lacemakers. The thoughts of their hearts are too paltry to be sinful. For a worm it might be regarded as a sin to harbor such thoughts, but not for a being made in the image of God. Their lusts are dull and sluggish, their passions sleepy...This is the reason my soul always turns back to the Old Testament and to Shakespeare. I feel that those who speak there are at least human beings: they hate, they love, they murder their enemies, and curse their descendants throughout all generations, they sin.
Søren Kierkegaard (Either/Or: A Fragment of Life)
Yamamoto sensed a feeling of culmination about the huge success of the first strike, and the same incisive intuition that guided his brilliant moves at the gaming tables told him what the next move on the bridge of Akagi would be. In (Vice Admiral) Nagumo he knew his man. Nagumo had never been committed to the Pearl Harbor mission. He had not been Yamamoto’s choice to command the Striking Force; his assignment was the decision of the Navy Ministry in Tokyo, based on seniority. While the exultation of the officers and sailors on his staff swirled around him, Yamamoto sat quietly. Finally, he fixed a steely gaze on his chief of staff, and in a low, intense voice: “Admiral Nagumo is going to withdraw.
Dale A. Jenkins (Diplomats & Admirals: From Failed Negotiations and Tragic Misjudgments to Powerful Leaders and Heroic Deeds, the Untold Story of the Pacific War from Pearl Harbor to Midway)
I hate you for all the years I 'll have to live without you. How can a heart hurt this much and still go on beating? How can I feel this bad without dying from it? I 've bruised my knees with praying to have you back. None of my prayers have been answered. I tried to send them up to heaven but they 're trapped here on earth, like bobwhites beneath the snow. I try to sleep and it's like I 'm suffocating. Where have you gone? Once you said that if I wasn't with you, it wouldn't be heaven. I can't let go of you. Come back and haunt me. Come back.
Lisa Kleypas (Dream Lake (Friday Harbor, #3))
I have to figure out why I worked at a job I hated for years. I have to find out why I can’t see what everyone else sees in me. I don’t feel beautiful. When I look in the mirror, I never saw beautiful. For this to happen to someone like me, it’s devastating, Jonas. I don’t want you to think it’s vanity, it isn’t. I can’t see me and I need to be able to do that. I need to find out what I’m like and what I want. I have to be comfortable in my own skin before I can be in a relationship the way you want.
Christine Feehan (Safe Harbor (Drake Sisters, #5))
If you want the naked beauty of my vulnerability, you have to have the strength to share the burden of, the private pain, that makes me feel so tender and fragile. For i am as strong, as i am, weak. If you want me to come home to you, be the safe harbor, in which, i can seek refuge.
Jaeda DeWalt
I hear there are people who actually enjoy moving. Sounds like a disease to me - they must be unstable. Though it does have it’s poetry, I’ll allow that. When an old dwelling starts looking desolate, a mixture of regret and anxiety comes over us and we feel like we are leaving a safe harbor for the rolling sea. As for the new place, it looks on us with alien eyes, it has nothing to say to us, it is cold.
Jan Neruda (Prague Tales (Central European Classics))
Be brave. Even if you're not, pretend to be. No one can tell the difference. Don't allow the phone to interrupt important moments. It's there for your convenience, not the callers. Don't be afraid to go out on a limb. That's where the fruit is. Don't burn bridges. You'll be surprised how many times you have to cross the same river. Don't forget, a person's greatest emotional need is to feel appreciated. Don't major in minor things. Don't say you don't have enough time. You have exactly the same number of hours per day that were given to Pasteur, Michaelangelo, Mother Teresa, Helen Keller, Leonardo Da Vinci, Thomas Jefferson, and Albert Einstein. Don't spread yourself too thin. Learn to say no politely and quickly. Don't use time or words carelessly. Neither can be retrieved. Don't waste time grieving over past mistakes Learn from them and move on. Every person needs to have their moment in the sun, when they raise their arms in victory, knowing that on this day, at his hour, they were at their very best. Get your priorities straight. No one ever said on his death bed, 'Gee, if I'd only spent more time at the office'. Give people a second chance, but not a third. Judge your success by the degree that you're enjoying peace, health and love. Learn to listen. Opportunity sometimes knocks very softly. Leave everything a little better than you found it. Live your life as an exclamation, not an explanation. Loosen up. Relax. Except for rare life and death matters, nothing is as important as it first seems. Never cut what can be untied. Never overestimate your power to change others. Never underestimate your power to change yourself. Remember that overnight success usually takes about fifteen years. Remember that winners do what losers don't want to do. Seek opportunity, not security. A boat in harbor is safe, but in time its bottom will rot out. Spend less time worrying who's right, more time deciding what's right. Stop blaming others. Take responsibility for every area of your life. Success is getting what you want. Happiness is liking what you get. The importance of winning is not what we get from it, but what we become because of it. When facing a difficult task, act as though it's impossible to fail.
Jackson H. Brown Jr.
We were friends and have become estranged. But this was right, and we do not want to conceal and obscure it from ourselves as if we had reason to feel ashamed. We are two ships each of which has its goal and course; our paths may cross and we may celebrate a feast together, as we did - and then the good ships rested so quietly in one harbor and one sunshine that it may have looked as if they had reached their goal and as if they had one goal. But then the mighty force of our tasks drove us apart again into different seas and sunny zones, and perhaps we shall never see each other again; perhaps we shall meet again but fail to recognize each other: our exposure to different seas and suns has changed us.
Roland Barthes (A Lover's Discourse: Fragments)
The human heart harbors two conflicting sentiments. Everyone of course sympathizes with people who suffer misfortunes. Yet when those people manage to overcome their misfortunes, we feel a certain disappointment. We may even feel (to overstate the case somewhat) a desire to plunge them back into those misfortunes. And before we know it, we come (if only passively) to harbor some degree of hostility toward them.
Ryūnosuke Akutagawa (Rashōmon and Seventeen Other Stories)
Love is an activity, not a feeling…True love is not the helpless desire to possess the cherished object of one’s fervent affection; true love is the disciplined generosity we require of ourselves for the sake of another when we would rather be selfish.
Stephen L. Carter (The Emperor of Ocean Park (Elm Harbor, #1))
But dammit, she was tired. Tired of doing what was expected, tired of feeling like she was missing something.
Jill Shalvis (Lucky in Love (Lucky Harbor, #4))
To you, Mom was always Mom. It never occurred to you that she had once taken her first step, or had once been three or twelve or twenty years old. Mom was Mom. She was born as Mom. Until you saw her running to your uncle like that, it hadn’t dawned on you that she was a human being who harbored the exact same feeling you had for your own brothers, and this realization led to the awareness that she, too, had had a childhood. From then on, you sometimes thought of Mom as a child, as a girl, as a young woman, as a newlywed, as a mother who had just given birth to you.
Shin Kyung-Sook (Please Look After Mom)
What did you do with memories, feelings, needs, that didn’t belong anywhere?
Lisa Kleypas (Rainshadow Road (Friday Harbor, #2))
What would happen if a man's face could adequately express his suffering, if his entire inner agony would be objectified in his facial expression? Could we still communicate? Wouldn't we then cover our faces with our hands while talking? Life would really be impossible if the infinitude of feelings we harbor within ourselves would be fully expressed in the lines of our face. Nobody would dare look at himself in the mirror, because a grotesque, tragic image would mix in the contours of his face with stains and traces of blood, wounds which cannot be healed, and unstoppable streams of tears. I would experience a kind of voluptuous awe if I could see a volcano of blood, eruptions as red as fire and as burning as despair, burst into the comfortable and superficial harmony of everyday life, or if I could see all our hidden wounds open, making of us a bloody eruption forever. Only then would be truly understand and appreciate the advantages of loneliness, which silences our suffering and makes it inaccessible. The venom drawn out from suffering would be enough to poison the whole world in a bloody eruption, bursting out of the volcano of our being. There is so much venom, so much poison, in suffering!
Emil M. Cioran (On the Heights of Despair)
Star friendship.— We were friends and have become estranged. But this was right, and we do not want to conceal and obscure it from ourselves as if we had reason to feel ashamed. We are two ships each of which has its goal and course; our paths may cross and we may celebrate a feast together, as we did—and then the good ships rested so quietly in one harbor and one sunshine that it may have looked as if they had reached their goal and as if they had one goal. But then the almighty force of our tasks drove us apart again into different seas and sunny zones, and perhaps we shall never see one another again,—perhaps we shall meet again but fail to recognize each other: our exposure to different seas and suns has changed us! That we have to become estranged is the law above us: by the same token we should also become more venerable for each other! And thus the memory of our former friendship should become more sacred! There is probably a tremendous but invisible stellar orbit in which our very different ways and goals may be included as small parts of this path,—let us rise up to this thought! But our life is too short and our power of vision too small for us to be more than friends in the sense of this sublime possibility.— Let us then believe in our star friendship even if we should be compelled to be earth enemies.
Friedrich Nietzsche (The Gay Science: With a Prelude in Rhymes and an Appendix of Songs)
I understand you’re the reason we made it out of the harbor alive.” “I suspect there were a lot of reasons,” said Inej. “I’m a reason,” Jesper offered helpfully. “All the same,” said Matthias, ignoring him. “Thank you.” They moved on, and Jesper saw a pleased grin playing over Inej’s lips. “Surprised?” he asked. “A bit,” she admitted. “I spend so much time with Kaz. I guess—” “It’s a novelty to feel appreciated.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
The female wrapped herself around my heart like a warm blanket. It beat with the hope, with the surreal feeling, that she knew what it felt like to be me. She knew loss and grief. She too harbored a scarred soul.
Tillie Cole (Ravage (Scarred Souls, #3))
Their musings about how and why people stayed in a country under such terrible conditions were what I hated most. I knew it was ignorance, not insight that prompted these questions. they asked because they hadn't smelled the air raid smoke or the scent of singed flesh on their own balconies; they couldn't fathom that such a dangerous place could still harbor all the feelings of home.
Sara Nović (Girl at War)
I need you, Jess, with everything in me I need you, not just now or tonight, but forever. You're my North Star and Safe Harbor and all those other sappy clichés, but above all else, you are my dragon slayer. I need you tonight. I need you in my arms where I can feel your heart beating in time with mine. Just hold me and… and let me hold you in return.
Julieanne Reeves (Razing Kayne (Walking a Thin Blue Line, #1))
I crave the violence of your affection. I ache for the way it jumbles my insides and makes my heart feel like it's harboring a thunderstorm. I've never felt more alive in all my time on this earth, as I have, being underneath your touch.
LeAnne Mechelle (Write like no one is reading 2)
Sweet sixteen," Hugh said, kissing her affectionately. "Happy birthday, little bear. Your future's all ahead of you." Ursula still harbored the feeling that some of her future was also behind her but she had learned not to voice such things.
Kate Atkinson (Life After Life (Todd Family, #1))
I love ports. I love the smell of tar and sea air, and the scream of the gulls. Maybe it's years of taking the ferry to France for summer holidays, but a harbor gives me a feeling of freedom in a way that an airport never does. Airports say work and security checks and delays. Ports say... I don't know. Something completely different. Escape, maybe.
Ruth Ware (The Woman in Cabin 10)
It is a strange thing that the human species can only go three days without water and three weeks without food, before the body dies. Yet, so many people can go years hanging onto pain and feeling emotionally dead inside. I suppose if it was the other way around more people would go to school to be morticians because of the booming business, or pastors would have to hand out Valium with the sacrament, just to keep the census high.
Shannon L. Alder
What do you want? "To know you," she said without hesitation. "All of you. I want to know what makes you feel good." "Your laughter," he said without hesitation. "Feeling your hands on me. The way you look at me, whether I've been a complete dumbass, or just made you come-" With a laugh, she ducked her head, but he dipped his down until she was looking at him again. "You want to know what scared me?" he asked. "Yes" He leaned even closer and slid a hand to the nape of her neck. "The thought of never having those things with you again." -Chloe and Sawyer (Head over Heels)
Jill Shalvis (Head Over Heels (Lucky Harbor, #3))
She was like a drug. The most addicting kind, and he had a problem—he was pretty sure that she was developing feelings for him. He had no idea what to do with that, or with is own feelings, which were definitely getting in his way. This whole "no emotional attachment" thing had gone straight to shit. Because Mallory Quinn was emotionally attached to every person she ever met, and she had a way of making that contagious. He craved contact with her in a way that he wasn't experienced with.
Jill Shalvis (Lucky in Love (Lucky Harbor, #4))
Sometimes you meet a really nice guy, but no matter how you try, you can't seem to make yourself want him. But that's not nearly as bad as when you meet the wrong guy, and you can't make yourself not want him. You feel hollow inside, just waiting and wishing and dreaming. You feel like every moment is leading to something so amazing that there's no name for it, and if you could just get there with him, it would be such a...relief. It would be all you'd ever need.
Lisa Kleypas (Dream Lake (Friday Harbor, #3))
EDMUND *Then with alcoholic talkativeness You've just told me some high spots in your memories. Want to hear mine? They're all connected with the sea. Here's one. When I was on the Squarehead square rigger, bound for Buenos Aires. Full moon in the Trades. The old hooker driving fourteen knots. I lay on the bowsprit, facing astern, with the water foaming into spume under me, the masts with every sail white in the moonlight, towering high above me. I became drunk with the beauty and signing rhythm of it, and for a moment I lost myself -- actually lost my life. I was set free! I dissolved in the sea, became white sails and flying spray, became beauty and rhythm, became moonlight and the ship and the high dim-starred sky! I belonged, without past or future, within peace and unity and a wild joy, within something greater than my own life, or the life of Man, to Life itself! To God, if you want to put it that way. Then another time, on the American Line, when I was lookout on the crow's nest in the dawn watch. A calm sea, that time. Only a lazy ground swell and a slow drowsy roll of the ship. The passengers asleep and none of the crew in sight. No sound of man. Black smoke pouring from the funnels behind and beneath me. Dreaming, not keeping looking, feeling alone, and above, and apart, watching the dawn creep like a painted dream over the sky and sea which slept together. Then the moment of ecstatic freedom came. the peace, the end of the quest, the last harbor, the joy of belonging to a fulfillment beyond men's lousy, pitiful, greedy fears and hopes and dreams! And several other times in my life, when I was swimming far out, or lying alone on a beach, I have had the same experience. Became the sun, the hot sand, green seaweed anchored to a rock, swaying in the tide. Like a saint's vision of beatitude. Like a veil of things as they seem drawn back by an unseen hand. For a second you see -- and seeing the secret, are the secret. For a second there is meaning! Then the hand lets the veil fall and you are alone, lost in the fog again, and you stumble on toward nowhere, for no good reason! *He grins wryly. It was a great mistake, my being born a man, I would have been much more successful as a sea gull or a fish. As it is, I will always be a stranger who never feels at home, who does not really want and is not really wanted, who can never belong, who must always be a a little in love with death! TYRONE *Stares at him -- impressed. Yes, there's the makings of a poet in you all right. *Then protesting uneasily. But that's morbid craziness about not being wanted and loving death. EDMUND *Sardonically The *makings of a poet. No, I'm afraid I'm like the guy who is always panhandling for a smoke. He hasn't even got the makings. He's got only the habit. I couldn't touch what I tried to tell you just now. I just stammered. That's the best I'll ever do, I mean, if I live. Well, it will be faithful realism, at least. Stammering is the native eloquence of us fog people.
Eugene O'Neill (Long Day’s Journey into Night)
My son used to believe that he could look at a plane in flight and make it explode in midair by simply thinking it. He believed, at thirteen, that the border between himself and the world was thin and porous enough to allow him to affect the course of events. An aircraft in flight was a provocation too strong to ignore. He’d watch a plane gaining altitude after taking off from Sky Harbor and he’d sense an element of catastrophe tacit in the very fact of a flying object filled with people. He was sensitive to the most incidental stimulus and he thought he could feel the object itself yearning to burst. All he had to do was wish the fiery image into his mind and the plane would ignite and shatter. His sister used to tell him, Go ahead, blow it up, let me see you take that plane out of the sky with all two hundred people aboard, and it scared him to hear someone talk this way and it scared her too because she wasn’t completely convinced he could not do it. It’s the special skill of an adolescent to imagine the end of the world as an adjunct to his own discontent. But Jeff got older and lost interest and conviction. He lost the paradoxical gift for being separate and alone and yet intimately connected, mind-wired to distant things.
Don DeLillo (Underworld)
Afflicted with relentless humanity, we view the world with person-eyes, then project what we see onto the flawless creator of the universe, assuming he operates as we do. We trick ourselves into thinking God is just a holier version of us-- our brain, our worldview, none of the sinfulness. We forget that while we bear his image and harbor all his love, we can't comprehend the scope of eternal reality from our anthill vantage point. We say we trust God's will but feel so much better if we run ahead of him with our dustpan and broom, doing what we can to eliminate pain and minimize risk.
Shannan Martin (Falling Free: Rescued from the Life I Always Wanted)
if something made a man feel bad then he must determine what about it troubled him, and eliminate that. Simply to suffer the discomforts of guilt did not indicate a man had improved himself, only that he suspected he harbored a fault.
Robin Hobb (Ship of Magic (Liveship Traders, #1))
Live a life abundant in love and rich in spirit, these are the seeds of a fulfilling existence. Be the safe harbor you seek in the world. Follow your dreams, not your fear. Go into the New Year with an open mind and hopeful heart. Don't let the chains of unforgiveness weigh you down. Life is too short to live in a prison of past hurts. The futures is yours for the taking and creating. Life is bittersweet, when we can let darkness and light co-exist as illumination, we can live in true happiness. When we live life at its best, it is a symphony of feelings, of high and low notes, of tragedy and comedy, love and loss, magic and the sublime. It can be quite a spectacular journey when we fully embrace and accept it.
Jaeda DeWalt
We stared at each other for a long moment. His hand smoldered against my skin. In my face, I knew there was nothing but wistful sadness―I didn't want to have to say goodbye now, no matter for how short a time. At first his face reflected mine, but then, as neither of us looked away, his expression changed. He released me, lifting his other hand to brush his fingertips along my cheek, trailing them down to my jaw. I could feel his fingers tremble―not with anger this time. He pressed his palm against my cheek, so that my face was trapped between his burning hands. "Bella," he whispered. I was frozen. No! I hadn't made this decision yet. I didn't know if I could do this, and now I was out of time to think. But I would have been a fool if I thought rejecting him now would have no consequences. I stared back at him. He was not my Jacob, but he could be. His face was familiar and beloved. in so many real ways, I did love him. He was my comfort, my safe harbor. Right now, I could choose to have him belong to me. Alice was back for the moment, but that changed nothing. True love was forever lost. The prince was never coming back to kiss me awake from my enchanted sleep. I was not a princess, after all. So what was the fairy-tale protocol for other kisses? The mundane kind that didn't break any spells? Maybe it would be easy―like holding his hand or having his arms around me. Maybe it would feel nice. Maybe it wouldn't feel like betrayal. Besides, who was I betraying, anyway? Just myself. Keeping his eyes on mine, Jacob began to bend his face toward me. And I was still absolutely undecided.
Stephenie Meyer (New Moon (The Twilight Saga, #2))
Anger, resentment, and bitterness stunt our spiritual growth. Would you bathe in impure water? Then why do we bathe our spirits with negative and bitter thoughts and feelings? You can cleanse your heart. You don’t have to harbor thoughts and feelings that drag you down and destroy your spirit.
Joseph B. Wirthlin
I harbor ill feelings toward a society, and a clergy, that allows marriage partners to split over the smallest incompatibility, where divorce comes in a multitude of flavors, like Baskin Robbins ice cream, where men and women can blame one another and everything except themselves for matrimony's mess. They look for externals over which they have no control and, fingering them, take no responsibility.
Robert Dykstra (She Never Said Good-Bye)
The emptiness of the narcissist often means that they are only focused on whatever is useful or interesting to them at the moment. If at that moment it is interesting for them to tell you they love you, they do. It’s not really a long game to them, and when the next interesting issue comes up, they attend to that. The objectification of others—viewing other people as objects useful to his needs—can also play a role. When you are the only thing in the room, or the most interesting thing in the room, then the narcissist’s charisma and charm can leave you convinced that you are his everything. The problem is that this is typically superficial regard, and that superficiality results in inconsistency, and emotions for the narcissistic person range from intense to detached on a regular basis. This vacillation between intensity and detachment can be observed in the narcissist’s relationships with people (acquaintances, friends, family, and partners), work, and experiences. A healthy relationship should feel like a safe harbor in your life. Life throws us enough curve balls in the shape of money problems, work issues, medical issues, household issues, and even the weather. Sadly, a relationship with a narcissist can be one more source of chaos in your life, rather than a place of comfort and consistency.
Ramani Durvasula (Should I Stay or Should I Go?: Surviving a Relationship with a Narcissist)
Because spite could be a slow poison to the heart. If there was a lesson to be learned from Hattie, it was that forgiveness was a blessing. It would be a hard, stubborn thing to harbor ill feelings forever, even toward those who deserved it...
Jessica Lawson (Nooks & Crannies)
I do not want simple. I do not want easy or small or uncomplicated. I want my life to be messy and ugly and wicked and wild, and I want to feel it all. All those things that women are made to believe they are strange for harboring in their hearts. And I want to surround myself with those same strange, wicked women who throw themselves open to all the wondrous things this world has to offer. Perhaps I’m spiraling into sentimental prose, but at this moment, I feel that I could swallow the world whole.
Mackenzi Lee (The Lady's Guide to Petticoats and Piracy (Montague Siblings, #2))
You want listeners to smell the lavender, to feel the point of those knitting needles in a handbag of the granny who happens to harbor a loyalty to Madame Defarge. You want the listener to know the wood's burning in the stove when they walk into the song with me. Music is about all of your senses, not just hearing.
Tori Amos (Tori Amos: Piece by Piece: A Memoir)
It's hard. Wanting the tea, but also not wanting the tea, but feeling like you should want the tea, but knowing you should protest the tea, so you put the protest on the teapot and throw all the tea in the harbor, and the teapot I guess. . . stays empty?
Katherine Locke (Out Now: Queer We Go Again!)
I felt, watching Jim Morrison, that I could do that. I can’t say why I thought this. I had nothing in my experience to make me think that would ever be possible, yet I harbored that conceit. I felt both kinship and contempt for him. I could feel his self-consciousness as well as his supreme confidence. He exuded a mixture of beauty and self-loathing, and mystic pain, like a West Coast Saint Sebastian. When
Patti Smith (Just Kids)
I do not know much about matters of the heart. But I know what it is like to harbor feelings for a man people greatly disapprove of. Who people regard as wrong, unsalvageable or sinful.” Maddie blushed. “But I also know what it is like when you are in their arms. In their hearts. It is different. You can make them different . . . you can show them that they too can be saved, even when they believe they are a lost cause.
Tillie Cole (Deep Redemption (Hades Hangmen, #4))
First, friends who are attached have a desire to see a lot of each other and know what’s going on in each other’s lives. Second, the friends provide a secure base for each other—meaning the friendship allows them to go out and explore other friendships, romantic relationships, new jobs, anything that might feel scary but ultimately positive, because they can look over their shoulder and know their friend is there for them. And third, they offer each other a safe harbor. When things go wrong for one friend, the other loyally and dependably steps up to offer support.
Aminatou Sow (Big Friendship: How We Keep Each Other Close)
Keep my soul safe. Phantom Lagoon is my home; my safe harbor. I no longer belong to a family; I am a loner. I feel no pain here, because it does not exist; nor will I let it exist. My soul is concealed in this stone; it is my life. I must let go, forget, and never look back. The blame shall be none but my own, for I was born of only half, to be reunited later in life. I am an Essence.
Mandi Lynn (Essence)
This country was founded on principles of equality and fairness, and you would do well to remember that. I don’t think it would help your business to have people think you harbor negative feelings toward any one group.” “I certainly will remember
Martha Hall Kelly (Lilac Girls (Lilac Girls, #1))
When John left the band, I resented him for not being my friend and for abandoning our musical comradeship. But all the time that he was out of the band and going through his anguish, I prayed for him constantly. From going to meetings I'd learned that one of the reasons that alcoholics get loaded is because they harbor resentments. One of the techniques they teach to get rid of a resentment toward somebody is to pray for him or her to get everything that you want for yourself in life-to be loved, to be successful, to be healthy, to be rich, to be wonderful, to be happy, to be alive with the light and the love of the universe. It's a paradox, but it works. You sit there and pray for the person you can't stand to get everything on earth that you would want for yourself, and one day you're like 'I don't feel anything bad toward this person.
Anthony Kiedis (Scar Tissue)
Petey," I whisper, his ear maybe an inch away from my mouth. "It...it feels like...wicked like...home when I'm with you. Home
J.G. Hayes (Map of the Harbor Islands)
I hate going home, but guilt compels me. It’s not that I hate my family or anything. I just feel very uncomfortable around them and harbor the vague suspicion that they hate me, which isn’t entirely unfounded given that while they’ve been supportive in a material and financial sense, they mostly seem to find my personality, affect, choices, and demeanor to be unpleasant at best.
Anna Dorn (Perfume & Pain)
I’ve always done as I pleased without a single regret. This isn’t for atonement, much less something as laughable as guilt. You don’t need to feel indebted to me, or go as far as to harbor some self-serving, wishful thoughts about the meaning of it all. That would only make me want to throw up.
Meng Xi Shi (Thousand Autumns: Qian Qiu (Novel) Vol. 3)
It is all right to feel fear. There is a duality to nature, a balance. Water gives life, but it can pierce through stone and carve mountains. The wind ushers your sails, but it can destroy the boats in your harbor. Earth is the foundation for growth but when it is corrupted, life cannot find a way. Fire may kill, yet, in destruction, there is rebirth and a new beginning. You can choose to protect.
June C.L. Tan (Jade Fire Gold)
Sometimes, people avoid recognizing how they feel because they believe the feelings are a part of them, and admitting to harboring anger or jealousy feels like admitting to a physical flaw. So certain feelings are denied. Which is something like believing your house is clean as long as you don’t peek under the beds.
Augusten Burroughs (This Is How: Surviving What You Think You Can't)
Years ago, I told myself that one day I would stop feeling this quiet but abiding rage about the things I have been through at the hands of others. I would wake up and there would be no flashbacks. I wouldn't wake up and think about my histories of violence. I wouldn't smell the yeasty aroma of beer and for a second, for several minutes, for hours, forget where I was. And on and on and on. That day never came, or it hasn't come, and I am no longer waiting for it. A different day has come, though. I flinch less and less when I am touched. I don't always see gentleness as the calm before the storm because, more often than not, I can trust that no storm is coming. I harbor less hatred toward myself. I try to forgive myself for my trespasses.
Roxane Gay (Hunger: A Memoir of (My) Body)
Oh, grassy glades! oh ever vernal endless landscapes in the soul; in ye,—though long parched by the dead drought of the earthly life,— in ye, men yet may roll, like young horses in new morning clover; and for some few fleeting moments, feel the cool dew of the life immortal on them. Would to God these blessed calms would last. But the mingled, mingling threads of life are woven by warp and woof: calms crossed by storms, a storm for every calm. There is no steady unretracing progress in this life; we do not advance through fixed gradations, and at the last one pause:— through infancy’s unconscious spell, boyhood’s thoughtless faith, adolescence’ doubt (the common doom), then scepticism, then disbelief, resting at last in manhood’s pondering repose of If. But once gone through, we trace the round again; and are infants, boys, and men, and Ifs eternally. Where lies the final harbor, whence we unmoor no more? In what rapt ether sails the world, of which the weariest will never weary? Where is the foundling’s father hidden? Our souls are like those orphans whose unwedded mothers die in bearing them: the secret of our paternity lies in their grave, and we must there to learn it.
Herman Melville (Moby-Dick or, The Whale)
Dish said no more, and Augustus decided not to tease him. Occasionally the very youngness of the young moved him to charity- they had no sense of the swiftness of life, nor of its limits. The years would pass like weeks, and loves would pass too, or else grow sour. Young Dish, skilled cowhand that he was, might not live to see the whores of Ogallala, and the tender feelings he harbored for Lorena might be the sweetest he would ever have.
Larry McMurtry (Lonesome Dove (Lonesome Dove, #1))
I feel only sorrow that I have failed to please. Sorrow-and not resentment-for my mother says that resentment is the most readily visible of all the sinful emotions, but sorrow can enhance one's sweetness and appeal. Resentment, the empress says, is like a snake that nests in the bosom, and it can turn and strike her who harbors it.
Sena Jeter Naslund (Abundance)
THE UNION between Sōsuke and Oyone had dyed their existence a somber hue and reduced their presence, they felt, to mere wraiths that barely cast a shadow on the world. From one year to the next each lived with the sensation of harboring deep inside a frightening moral contagion, though neither one of them ever acknowledged this feeling to the other.
Natsume Sōseki (The Gate)
I do not want simple. I do not want easy or small or uncomplicated. I want my life to be messy and ugly and wicked and wild, and I want to feel it all. All those things that women are made to believe they are strange for harboring in their hearts. And I want to surround myself with those same strange, wicked women who throw themselves open to all the wondrous things this world has to offer.
Mackenzi Lee (The Lady's Guide to Petticoats and Piracy (Montague Siblings, #2))
Freud was fascinated with depression and focused on the issue that we began with—why is it that most of us can have occasional terrible experiences, feel depressed, and then recover, while a few of us collapse into major depression (melancholia)? In his classic essay “Mourning and Melancholia” (1917), Freud began with what the two have in common. In both cases, he felt, there is the loss of a love object. (In Freudian terms, such an “object” is usually a person, but can also be a goal or an ideal.) In Freud’s formulation, in every loving relationship there is ambivalence, mixed feelings—elements of hatred as well as love. In the case of a small, reactive depression—mourning—you are able to deal with those mixed feelings in a healthy manner: you lose, you grieve, and then you recover. In the case of a major melancholic depression, you have become obsessed with the ambivalence—the simultaneity, the irreconcilable nature of the intense love alongside the intense hatred. Melancholia—a major depression—Freud theorized, is the internal conflict generated by this ambivalence. This can begin to explain the intensity of grief experienced in a major depression. If you are obsessed with the intensely mixed feelings, you grieve doubly after a loss—for your loss of the loved individual and for the loss of any chance now to ever resolve the difficulties. “If only I had said the things I needed to, if only we could have worked things out”—for all of time, you have lost the chance to purge yourself of the ambivalence. For the rest of your life, you will be reaching for the door to let you into a place of pure, unsullied love, and you can never reach that door. It also explains the intensity of the guilt often experienced in major depression. If you truly harbored intense anger toward the person along with love, in the aftermath of your loss there must be some facet of you that is celebrating, alongside the grieving. “He’s gone; that’s terrible but…thank god, I can finally live, I can finally grow up, no more of this or that.” Inevitably, a metaphorical instant later, there must come a paralyzing belief that you have become a horrible monster to feel any sense of relief or pleasure at a time like this. Incapacitating guilt. This theory also explains the tendency of major depressives in such circumstances to, oddly, begin to take on some of the traits of the lost loved/hated one—and not just any traits, but invariably the ones that the survivor found most irritating. Psychodynamically, this is wonderfully logical. By taking on a trait, you are being loyal to your lost, beloved opponent. By picking an irritating trait, you are still trying to convince the world you were right to be irritated—you see how you hate it when I do it; can you imagine what it was like to have to put up with that for years? And by picking a trait that, most of all, you find irritating, you are not only still trying to score points in your argument with the departed, but you are punishing yourself for arguing as well. Out of the Freudian school of thought has come one of the more apt descriptions of depression—“aggression turned inward.” Suddenly the loss of pleasure, the psychomotor retardation, the impulse to suicide all make sense. As do the elevated glucocorticoid levels. This does not describe someone too lethargic to function; it is more like the actual state of a patient in depression, exhausted from the most draining emotional conflict of his or her life—one going on entirely within. If that doesn’t count as psychologically stressful, I don’t know what does.
Robert M. Sapolsky (Why Zebras Don't Get Ulcers: The Acclaimed Guide to Stress, Stress-Related Diseases, and Coping)
Afterward (or, The Bridge) Because desire always exceeds its object. Because the energy you gave me feels big enough to birth wings. Because I want you to push into the wetness and I know it. Because of the salt and the wind. Because everything that is supposed to happen will happen, is happening, or has already happened. Because ambivalence is more beautiful than justice. Because my heart is shooting ahead, and I have no choice but to follow it. Because I want you to be happy, with or without me. Because of the birds fleeing the storm. Because the harbor is permeable and shining. Because it felt like that last night of my life but it wasn't. Because a web of cables is there to catch me if I blow sideways, and always will be. Because I walked across the bridge and was free.
Maggie Nelson (Something Bright, Then Holes)
It was different with Seth," Anna went on. "Right from the first minute, everything about him pulled at me. I couldn't stop it. I tried, but I couldn't. I've thought about that, and I believe, sincerely, that my feelings for him were there, just there, even before I met him. We were meant to be part of each other's lives. He was meant to be part of this family, and this family was meant to be mine.
Nora Roberts (Inner Harbor (Chesapeake Bay Saga, #3))
I've had the words all my life and they meant nothing. I thought love was in the showing." He let out a low laugh and shook his head. "But then you came out of nowhere. I didn't expect you, Becca." "I know, I--" He put a finger to her lips. "I'm still getting past the surprise that I was willing to go there with you at all." "There," she said, needing a translation. "Here. You've become a part of me," he said. "As important and basic as breathing. I feel things for you that I can't even name." His lips twitched. "And a few that I can.
Jill Shalvis (It's in His Kiss (Lucky Harbor, #10))
THE POWER TO CHOOSE Choice implies consciousness — a high degree of consciousness. Without it, you have no choice. Choice begins the moment you disidentify from the mind and its conditioned patterns, the moment you become present. Until you reach that point, you are unconscious, spiritually speaking. This means that you are compelled to think, feel, and act in certain ways according to the conditioning of your mind. Nobody chooses dysfunction, conflict, pain. Nobody chooses insanity. They happen because there is not enough presence in you to dissolve the past, not enough light to dispel the darkness. You are not fully here. You have not quite woken up yet. In the meantime, the conditioned mind is running your life. Similarly, if you are one of the many people who have an issue with their parents, if you still harbor resentment about something they did or did not do, then you still believe that they had a choice — that they could have acted differently. It always looks as if people had a choice, but that is an illusion. As long as your mind with its conditioned patterns runs your life, as long as you are your mind, what choice do you have? None. You are not even there. The mind-identified state is severely dysfunctional. It is a form of insanity. Almost everyone is suffering from this illness in varying degrees. The moment you realize this, there can be no more resentment. How can you resent someone's illness? The only appropriate response is compassion. If you are run by your mind, although you have no choice you will still suffer the consequences of your unconsciousness, and you will create further suffering. You will bear the burden of fear, conflict, problems, and pain. The suffering thus created will eventually force you out of your unconscious state.
Eckhart Tolle (Practicing the Power of Now)
And thank God, because I do not want simple. I do not want easy or small or uncomplicated. I want my life to be messy and ugly and wicked and wild, and I want to feel it all. All those things that women are made to believe they are strange for harboring in their hearts. And I want to surround myself with those same strange, wicked women who throw themselves open to all the wondrous things this world has to offer.
Mackenzi Lee (The Lady's Guide to Petticoats and Piracy (Montague Siblings, #2))
The more we commit to knowing and accepting ourselves, the more we are able to surrender to loving another person because we have nothing to hide and nothing to feel ashamed of. Our spiritual commitment to truth and integrity creates a safe harbor within us- a mooring, a home to return to when the journey gets rough, This is immensely important in the dating process because new love can resurrect our most primitive feelings of fear, dependency, and emptiness. If we know how to soothe our pain and relax into or emptiness, we won't be afraid to be open and honest, regardless of the outcome.
Charlotte Kasl (If the Buddha Dated: A Handbook for Finding Love on a Spiritual Path)
I learned about anger and resentment, about harboring your feelings toward people. I also had to learn that I have no control over my life. I want control, but I don’t have any. I must have faith in the Masters. They will guide me throughout. But I did not have the faith. I felt like I was doomed from the beginning. I never looked at things very pleasantly. We must have faith … we must have faith. And I doubt. I choose to doubt instead of believe.
Brian L. Weiss (Many Lives, Many Masters: The True Story of a Prominent Psychiatrist, His Young Patient, and the Past-Life Therapy That Changed Both Their Lives)
Julia had no trouble believing that, but she suspected his challenging demeanor was his way of keeping people at a distance. Sadly it was a strategy she understood all too well.Trusting by nature, she'd learned the hard way that when you let someone too close, they discovered all kinds of things about you. That kind of intimate knowledge gave them the chance to hurt you so deeply, it took all your strength just to put one foot in front of the other.
Mia Ross (Jingle Bell Romance (Holiday Harbor #2))
Approaching the Williamsburg Bridge - not really certain of how he had managed to find himself there - he experienced an extraordinary moment of buoyancy, of grace. There was a lot more traffic now, but his shifting was smooth and the sturdy little car was adroit at changing lanes. He launched himself out over the East River. He could feel the bridge humming underneath his wheels and all around him could sense the engineering of it, the forces and tensions and rivets that were all conspiring to keep him aloft. To the south, he glimpsed the Manhattan Bridge, with its Parisian air, refined, elegant, its skirts hiked to reveal tapered steel legs, and, beyond, the Brooklyn Bridge, like a great ropy strand of muscle. In the other direction lay the Queensboro Bridge, like two great iron tsarinas linking hands to dance. And before him, the city that had sheltered him and swallowed him and made him a modest fortune loomed, gray and brown, festooned with swags and boas of some misty gray stuff, a compound of harbor fog and spring dew and its own steamy exhalations. Hope had been his enemy, a frailty that he must at all costs master, for so long now that it was a moment before he was willing to concede that he had let it back into his heart.
Michael Chabon (The Amazing Adventures of Kavalier & Clay)
In the past few decades quite a few people have suggested -- citing most often the offence of impossible proportions -- that Barbie dolls teach young girls to hate themselves. But the opposite may be true. British researchers recently found that girls between the ages of seven and eleven harbor surprisingly strong feelings of dislike for their Barbie dolls, with no other toy or brand name inspiring such a negative response from the children. The dolls "provoked rejection, hatred, and violence" and many girls preferred Barbie torture -- by cutting, burning, decapitating, or microwaving -- over other ways of playing with the doll. Reasons that the girls hated their Barbies included, somewhat poetically, the fact that they were 'plastic.' The researchers also noted that the girls never spoke of one single, special Barbie, but tended to talk about having a box full of anonymous Barbies. 'On a deeper level Barbie has become inanimate,' one of the researchers remarked. 'She has lost any individual warmth that she might have possessed if she were perceived as a singular person. This may go some way towards explaining the violence and torture.
Eula Biss (The Best American Nonrequired Reading 2009)
Codependents confuse caretaking and sacrifice with loyalty and love. Although they are proud of their unwavering dedication to the person they love, they end up feeling unappreciated and used. Codependents yearn to be loved, but because of their choice of dance partner, find their dreams unrealized. With the heartbreak of unfulfilled dreams, codependents silently and bitterly swallow their unhappiness. Codependents are essentially stuck in a pattern of giving and sacrificing, without the possibility of ever receiving the same from their partner. They pretend to enjoy the dance, but secretly harbor feelings of anger, bitterness, and sadness for not taking a more active role in their dance experience. They are convinced they will never find a dance partner who will love them for who they are, as opposed to what they can do for them. Their low self-esteem and pessimism manifests as a form of learned helplessness that ultimately keeps them on the dance floor with their narcissistic partner.
Ross Rosenberg (The Human Magnet Syndrome: The Codependent Narcissist Trap)
ONE OF THE STURDIEST PRECEPTS of the study of human delusion is that every golden age is either past or in the offing. The months preceding the Japanese attack on Pearl Harbor offer a rare exception to this axiom. During 1941, in the wake of that outburst of gaudy hopefulness, the World’s Fair, a sizable portion of the citizens of New York City had the odd experience of feeling for the time in which they were living, at the very moment they were living in it, that strange blend of optimism and nostalgia which is the usual hallmark of the aetataureate delusion.
Michael Chabon (The Amazing Adventures of Kavalier & Clay)
M. and I have plagued each other with our differences for more than forty years. But it is also a tonic. Along with the differences that abide in each of us, there is also in each of us the maverick, the darling stubborn one who won’t listen, who insists, who chooses preference or the spirited guess over yardsticks or even history. I suspect this maverick is somewhat what the soul is, or at least that the soul lives close by and companionably with its agitating and inquiring force. And of course all of it, the differences and the maverick uprisings, are part of the richness of life. If you are too much like myself, what shall I learn of you, or you of me? I bring home sassafras leaves and M. looks and admires. She tells me how it feels to float in the air above the town and the harbor, and my world is sweetened by her description of those blue miles. The touch of our separate excitements is another of the gifts of our life together.
Mary Oliver
I lay down and started to feel a little depressed about prom. I refused to feel any kind of sadness over the fact that I wasn't going to prom, but I had - stupidly, embarrassingly - thought of finding Margo, and getting her to come home with me just in time for prom, like late on Saturday night, and we'd walk into the Hilton ballroom wearing jeans and ratty T-shirts, and we'd be just in time for the last dance, and we'd dance while everyone pointed at us and marveled at the return of Margo, and then we'd fox-trot the hell out of there and go get ice cream at Friendly's. So yes, like Ben, I harbored ridiculous prom fantasies. But at least I didn't say mine out loud.
John Green (Paper Towns)
Of course, active alcoholics love hearing about the worst cases; we cling to stories about them. Those are the true alcoholics: the unstable and the lunatic; the bum in the subway drinking from the bottle; the red-faced salesman slugging it down in a cheap hotel. Those alcoholics are always a good ten or twenty steps farther down the line than we are, and no matter how many private pangs of worry we harbor about our own drinking, they always serve to remind us that we’re okay, safe, in sufficient control. Growing up, whatever vague definition of alcoholism I had centered around the crazy ones—Eliza’s mother, Lauren’s father’s ex-wife, the occasional drunken parent of a friend. Alcoholics like that make you feel so much better: you can look at them and think, But my family wasn’t crazy; I’m not like that; I must be safe. When you’re drinking, the dividing line between you and real trouble always manages to fall just past where you stand.
Caroline Knapp (Drinking: A Love Story)
His mom realized, of course, that her son was shouting out of fear and concern, so she replied the way she often did: “Boats that stay in the harbor are safe, sweetheart, but that’s not what boats were built for.” Jack said something he instantly regretted: “Do you think God’s going to protect you against knives just because you’re a priest?” She may have been sitting in a hospital on the other side of the world, but she could still feel his bottomless terror. So her whispers were half washed away by tears when she replied: “God doesn’t protect people from knives, sweetheart. That’s why God gave us other people, so we can protect each other.” It was impossible to argue with such a stubborn woman. Jack hated how much he admired her sometimes. Jim, in turn, loved her so much he could hardly breathe. But she didn’t travel so much after that, and never went so far away again. Then she got sick, and they lost her, and the world lost a bit more of its protection.
Fredrik Backman
I'll fix things up with George soon as she gets here," Anthony mumbled. "You may depend upon it." "Oh,I know you will, but you'll have to hie yourself back to London to do so, since she ain't coming here. Didn't want to inflict her dour mood on the festivities, so decided it ould be best to absent herself." Anthony looked appalled now and complained, "You didn't say she was that mad." "Didn't I? Think you're wearing that black eye just because she's a mite annoyed?" "That will do," Jason said sternly. "This entire situation is intolerable.And frankly, I find it beyond amazing that you have both utterly lost your finesse in dealing ith women since you married." That,of course, hit quite below the belt where these two ex[rakes were concerned. "Ouch," James muttered, then in his own defense, "American women are an exception to any known rule, and bloody stubbron besides." "So are Scots,for that matter," Anthony added. "They just don't behave like normal Enlgishwomen,Jason,indeed they don't." "Regardless.You know my feelings on the entire family gathering here for Christmas.This is not the time for anyone in the family to be harboring any ill will of any sort.You both should have patched this up before the holidays began. See that you do so immediately, if you both have to return to London to do so." Having said his peace, Jason headed for the door to leave his brothers to mull over their conduct,or rather, misconduct, but added before he left, "You both look like bloody panda bears.D'you have any idea what kind of example that sets for the children?" "Panda bears indeed," Anthony snorted as soon as the door closed. James looked up to reply drolly, "Least the roof is still intact.
Johanna Lindsey (The Holiday Present)
As a songwriter, I'm gathering clues and possibilities all the time, whether I see a piano that day or not. I've tried to explain to people how I collect these dispatches, because I think anybody can do what I'm talking about. Once I do plug in, I might get only one line and two bar phrases of the melody. I always have elements of songs around that may never ever get recorded. As far back as Little Earthquakes, I began to realize that I needed to have a library of notes, phrases, words, things that might prove useful at any given time. Within a few months' time I'll gather hundreds of those fragments. Half won't be used. And then the craft comes in, the part that is about painting a world. You want listeners to smell the lavender, to feel the point of those knitting needles in a handbag of the granny who happens to harbor a loyalty to Madame Defarge. You want the listener to know the wood's burning in the stove when they walk into the song with me. Music is about all of your senses, not just hearing.
Tori Amos
He held no illusions. Lazarevo was not going to come again, neither for him nor for her. Tatiana held those illusions. And he thought—it was better to have them. Look at him. And look at her. Tatiana so ceaselessly and happily did for him, so constantly smiled and touched him and laughed—even as their twenty-nine moon-cycle days spun faster around the loop of grief—that Alexander had to wonder if she ever even thought about the future. He knew she sometimes thought about the past. He knew she thought about Leningrad. She had a stony sadness around her edges that she had not had before. But for the future, Tatiana seemed to harbor a rosy hope, or at the very least a sense of humming unconcern. What are you doing? she would ask him when he was sitting on the bench and smoking. Nothing, Alexander would reply. Nothing but growing my pain. He smoked and wished for her. It was like wishing for America when he was a few years younger. Wishing for a life with her, a life that was full of nothing else but her, a simple, long, married life of being able to smell her and taste her, to hear the lyre of her voice and see the honey of her hair. To feel her staggering comfort. All of it, every day. Could he find a way to turn his back on Tatiana and have her faithful face free him? Would she forgive him? For leaving her, for dying, for killing her? He felt punched in the gut when he watched her skip stark naked out of the cabin in the morning, and throw herself squealing into the river, and then get out and head across the clearing to him, sitting on his stump of a heart. Watching her nipples hard from the cold, her flawless body trembling to be held by him, Alexander gritted his teeth and smiled and thanked God that when he pressed her to him, she could not see his contorted face. Alexander smoked and watched her from his tree stump bench. What are you doing? she would ask him. Nothing, he would reply. Nothing but growing my pain into madness.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
I feel obliged to explain that I thought for quite a few years that I had lost my daughter to pirates during the Phoenix incident," she said. "The first thing anyone knew, the legitimate colony was gone and heavyworlders had moved in. I harbored a very deep resentment that they were living on that bright and shiny new planet while I grieved for my daughter. It's affected my good judgment somewhat ever since." Lunzie swallowed. "I apologize for indulging myself with such a shockingly biased generalization. It's the pirates I should hate, and I do." [...] "But I'm learning. I'm learning. I'm especially learning [...] I'm gradually learning to accept each person as an individual, and not as just a representative of their subgroup or species. Each one is individual to his, her, itself and can't be lumped in with his, her or its peer group.
Anne McCaffrey (The Death of Sleep (Planet Pirates, #2))
Book, when I close you life itself opens. I hear broken screams in the harbor. The copper slugs cross the sandy areas, descending to Tocopilla. It is night. Between the islands our ocean palpitates with fish. It touches the feet, the thighs, the chalky ribs of my homeland. Night touches the shoreline and rises while singing at daybreak like a guitar awakening. I feel the irresistible force of the ocean's call. I am called by the wind, and called by Rodriguez, José Antonio, I received a telegram from the "Mina" worker's union and the one I love (I won't tell you her name) waits for me in Bucalemu. Book, you haven't been able to enwrap me, you haven't covered me with typography, with celestial impressions, you haven't been able to trap my eyes between covers, I leave you so I can populate groves with the hoarse family of my song, to work burning metals or to eat grilled meat at the fireside in the mountains. I love books that are explorers, books with forest and snow, depth and sky, but I despise the book of spiders that employs thought to weave its venomous wires to trap the young and unsuspecting fly. Book, free me. I don't want to be entombed like a volume, I don't come from a tome, my poems don't eat poems, they devour passionate events, they're nurtured by the open air and fed by the earth and by men. Book, let me wander the road with dust in my low shoes and without mythology: go back to the library while I go into the streets. I've learned to take life from life, to love after a single kiss, and I didn't teach anything to anyone except what I myself lived, what I shared with other men, what I fought along with them: what I expressed from all of us in my song.
Pablo Neruda (All the Odes)
In the beginning, adults operating somewhere between concern and nosiness had asked questions about the war, and I spoke truthfully about the things I'd seen. But my descriptions were often met with an uncomfortable shining of eyes, as if they were waiting for me to take things back, to say that war or genocide was actually no big deal. They'd offer their condolences, as they'd been taught, then wade through a polite amount of time before presenting an excuse to end the conversation. Their musings about how and why people stayed in a country under such terrible conditions were what I hated most. I knew it was ignorance, not insight that prompted these questions. They asked because they hadn't smelled the air raid smoke or the scent of signed flesh on their own balconies; they couldn't fathom that such a dangerous place could still harbor all the feelings of home.
Sara Nović (Girl at War)
Amory Blaine inherited from his mother every trait, except the stray inexpressible few, that made him worth while. His father, an ineffectual, inarticulate man with a taste for Byron and a habit of drowsing over the Encyclopedia Britannica, grew wealthy at thirty through the death of two elder brothers, successful Chicago brokers, and in the first flush of feeling that the world was his, went to Bar Harbor and met Beatrice O'Hara. In consequence, Stephen Blaine handed down to posterity his height of just under six feet and his tendency to waver at crucial moments, these two abstractions appearing in his son Amory. For many years he hovered in the background of his family's life, an unassertive figure with a face half-obliterated by lifeless, silky hair, continually occupied in "taking care" of his wife, continually harassed by the idea that he didn't and couldn't understand her.
F. Scott Fitzgerald (This Side of Paradise)
At his age, it can be overwhelming and painful to harbor a thought accompanied by too much nostalgia. Not that he wanted to. Mabel, in her final years, had stopped listening to music. The songs of her teenage years brought her back to people and feelings of that time - people she could never see again and sensations that were no longer coming. It was too much for her. There are people who can manage such things. There are those of us who can no longer walk, but can close our eyes and remember a summer hike through a field, or the feeling of cool grass beneath our feet, and smile. Who still have the courage to embrace the past, and give it life and a voice in the present. But Mabel was not one of those people. Maybe she lacked that very form of courage. Or maybe her humanity was so complete, so expansive, that she would be crushed by her capacity to imagine the love that was gone.
Derek B. Miller (Norwegian by Night (Sheldon Horowitz #2))
Every disciple is a believer, but not every believer is necessarily a disciple. Anything short of discipleship, however, is settling for less than what God really desires for us. Loving God more than anyone or anything else is the very foundation of being a disciple. If you want to live your Christian life to its fullest, then love Jesus more than anyone or anything else. Either you will have harmony with God and friction with people, or you will have harmony with people and friction with God. You become a disciple in the biblical sense only when you are totally and completely committed to Jesus Christ and His Word. As a true disciple, your life won’t only be characterized by practical results and a hunger for Scripture, but you also will have love for others — especially fellow believers. Without all of these characteristics, you can’t really claim to be His disciple. A person who has been with Jesus will boldly share his or her faith. A person who has been with Jesus will be a person of prayer. A person who has been with Jesus will be persecuted. If for you, the Christian life is all about feeling good and having everything go your way, then you won’t like being a disciple. Being a follower of Christ is the most joyful and exciting life there is. But it also can be the most challenging life there is. It’s a life lived out under the command of someone other than yourself. Most prayers are not answered because they are outside the will of God. Once we have discovered God’s will, we can then pray aggressively and confidently for it. We can pray, believing it will happen, because we know it is not something we have dreamed. A forgiven person will be a forgiving person. A true disciple will harbor no grudge toward another. The disciple knows it will hinder his or her prayer life and walk with God. It is far better to sit down for an hour and talk genuinely with one person than to rattle off trite clichés to scores of people. Attending more Bible studies, more prayer meetings, reading more Christian books, and listening to more teaching without an outlet for the truth will cause us to spiritually decay. We need to take what God has given us and use it constructively in the lives of others. You were placed on earth to know God. Everything else is secondary. The more we know God, the more we should want to make Him known to a lost world. Your life belongs to God. You don’t share your time and talents with Him; He shares them with you! He owns you and everything about you. You need to recognize and acknowledge that fact.
Greg Laurie (Start! To Follow: How to Be a Successful Follower of Jesus Christ)
Friendship is a crucible of positive and negative feelings that are in a permanent state of ebullition. There’s an expression: with friends God is watching me, with enemies I watch myself. In the end, an enemy is the fruit of an oversimplification of human complexity: the inimical relationship is always clear, I know that I have to protect myself, I have to attack. On the other hand, God only knows what goes on in the mind of a friend. Absolute trust and strong affections harbor rancor, trickery, and betrayal. Perhaps that’s why, over time, male friendship has developed a rigorous code of conduct. The pious respect for its internal laws and the serious consequences that come from violating them have a long tradition in fiction. Our friendships, on the other hand, are a terra incognita, chiefly to ourselves, a land without fixed rules. Anything and everything can happen to you, nothing is certain. Its exploration in fiction advances arduously, it is a gamble, a strenuous undertaking. And at every step there is above all the risk that a story’s honesty will be clouded by good intentions, hypocritical calculations, or ideologies that exalt sisterhood in ways that are often nauseating.
Elena Ferrante
Soon after this incident the court rose. As I was being taken from the courthouse to the prison van, I was conscious for a few brief moments of the once familiar feel of a summer evening out-of-doors. And, sitting in the darkness of my moving cell, I recognized, echoing in my tired brain, all the characteristic sounds of a town I'd loved, and of a certain hour of the day which I had always particularly enjoyed. The shouts of newspaper boys in the already languid air, the last calls of birds in the public garden, the cries of sandwich vendors, the screech of streetcars at the steep corners of the upper town, and that faint rustling overhead as darkness sifted down upon the harbor—all these sounds made my return to prison like a blind man's journey along a route whose every inch he knows by heart. Yes, this was the evening hour when—how long ago it seemed!—I always felt so well content with life. Then, what awaited me was a night of easy, dreamless sleep. This was the same hour, but with a difference; I was returning to a cell, and what awaited me was a night haunted by forebodings of the coming day. And so I learned that familiar paths traced in the dusk of summer evenings may lead as well to prisons as to innocent, untroubled sleep.
Albert Camus (L'étranger)
In the same vein, the problem in economic life is supposedly greed, both outside ourselves in the form of all those greedy people and within ourselves in the form of our own greedy tendencies. We like to imagine that we ourselves are not so greedy—maybe we have greedy impulses, but we keep them under control. Unlike some people! Some people don’t keep their greed in check. They are lacking in something fundamental that you and I have, some basic decency, basic goodness. They are, in a word, Bad. If they can’t learn to restrain their desires, to make do with less, then we’ll have to force them to. Clearly, the paradigm of greed is rife with judgment of others, and with self-judgment as well. Our self-righteous anger and hatred of the greedy harbor the secret fear that we are no better than they are. It is the hypocrite who is the most zealous in the persecution of evil. Externalizing the enemy gives expression to unresolved feelings of anger. In a way, this is a necessity: the consequences of keeping them bottled up or directed inward are horrific. But there came a time in my life when I was through hating, through with the war against the self, through with the struggle to be good, and through with the pretense that I was any better than anyone else. I believe humanity, collectively, is nearing such a time as well. Ultimately, greed is a red herring, itself a symptom and not a cause of a deeper problem. To blame greed and to fight it by intensifying the program of self-control is to intensify the war against the self, which is just another expression of the war against nature and the war against the other that lies at the base of the present crisis of civilization.
Charles Eisenstein (Sacred Economics: Money, Gift, and Society in the Age of Transition)
Rachel came carefully downstairs one morning, in a dressing gown that wasn't quite clean, and stood at the brink of the living room as though preparing to make an announcement. She looked around at each member of the double household - at Evan, who was soberly opening the morning paper, at Phil, who'd been home from Costello's for hours but hadn't felt like sleeping yet, and at her mother, who was setting the table for breakfast - and then she came out with it. "I love everybody," she said, stepping into the room with an uncertain smile. And her declaration might have had the generally soothing effect she'd intended if her mother hadn't picked it up and exploited it for all the sentimental weight it would bear. "Oh Rachel," she cried, "What a sweet, lovely thing to say!" and she turned to address Evan and Phil as if both of them might be too crass or numbskulled to appreciate it by themselves. "Isn't that a wonderful thing for this girl to say, on a perfectly ordinary Friday morning? Rachel, I think you've put us all to shame for our petty bickering and our selfish little silences, and it's something I'll never forget. You really do have a marvelous wife, Evan, and I have a marvelous daughter. Oh, and Rachel, you can be sure that everybody in this house loves you, too, and we're all tremendously glad to have you feeling so well." Rachel's embarrassment was now so intense that it seemed almost to prevent her from taking her place at the table; she tried two quick, apologetic looks at her husband and her brother, but they both missed the message in her eyes. And Gloria wasn't yet quite finished. "I honestly believe that was a moment we'll remember all our lives," she said. "Little Rachel coming downstairs - or little big Rachel, rather - and saying 'I love everybody.' You know what I wish though Evan? I only wish your father could've been here this morning to share it with us." But by then even Gloria seemed to sense that the thing had been carried far enough. As soon as she'd stopped talking the four of them took their breakfast in a hunched and businesslike silence, until Phil mumbled "Excuse me" and shoved back his chair. "Where do you think you're going, young man?" Gloria inquired. "I don't think you'd better go anywhere until you finish up all of that egg.
Richard Yates (Cold Spring Harbor)
I have always loved quitting jobs. Whether because the job itself was repugnant or the people working at it with me, I have always held my right to quit my job as one of my most sacred privileges. An entire ritual surrounds this shedding of employment. First, there is the glorious moment when, after the unpleasantness of my position and my general unhappiness become overwhelmingly apparent to me, I say to myself (and I quote), “Fuck this. I don’t have to take this shit anymore. They think they can make me do what they want, but I’m out of here.” Ah, there it is, the almost orgasmic release I feel when I first make the profane declaration to myself, the feeling of reclaimed power coursing invisibly through me. But not just that: this singular moment, this coveted private knowledge is formed into a golden kernel and popped into existence again in my mind as a reaction to every unfortunate work-related moment I’m forced to endure before I make my destined departure. It’s such a glorious thing, the harboring of this secret knowledge, that in itself it has kept me at many a job even longer than I had originally intended, because just knowing that I would soon be free was the most effective of panaceas. So much so that there were times when even though it was impossible for me to quit I would say the same words to myself and mercifully delude my conscious mind that I could get the hell out of there if I wanted to.
Mat Johnson (Pym)
As the third evening approached, Gabriel looked up blearily as two people entered the room. His parents. The sight of them infused him with relief. At the same time, their presence unlatched all the wretched emotion he'd kept battened down until this moment. Disciplining his breathing, he stood awkwardly, his limbs stiff from spending hours on the hard chair. His father came to him first, pulling him close for a crushing hug and ruffling his hair before going to the bedside. His mother was next, embracing him with her familiar tenderness and strength. She was the one he'd always gone to first whenever he'd done something wrong, knowing she would never condemn or criticize, even when he deserved it. She was a source of endless kindness, the one to whom he could entrust his worst thoughts and fears. "I promised nothing would ever harm her," Gabriel said against her hair, his voice cracking. Evie's gentle hands patted his back. "I took my eyes off her when I shouldn't have," he went on. "Mrs. Black approached her after the play- I pulled the bitch aside, and I was too distracted to notice-" He stopped talking and cleared his throat harshly, trying not to choke on emotion. Evie waited until he calmed himself before saying quietly, "You remember when I told you about the time your f-father was badly injured because of me?" "That wasn't because of you," Sebastian said irritably from the bedside. "Evie, have you harbored that absurd idea for all these years?" "It's the most terrible feeling in the world," Evie murmured to Gabriel. "But it's not your fault, and trying not to make it so won't help either of you. Dearest boy, are you listening to me?" Keeping his face pressed against her hair, Gabriel shook his head. "Pandora won't blame you for what happened," Evie told him, "any more than your father blamed me." "Neither of you are to blame for anything," his father said, "except for annoying me with this nonsense. Obviously the only person to blame for this poor girl's injury is the woman who attempted to skewer her like a pinioned duck." He straightened the covers over Pandora, bent to kiss her forehead gently, and sat in the bedside chair. "My son... guilt, in proper measure, can be a useful emotion. However, when indulged to excess it becomes self-defeating, and even worse, tedious." Stretching out his long legs, he crossed them negligently. "There's no reason to tear yourself to pieces worrying about Pandora. She's going to make a full recovery." "You're a doctor now?" Gabriel asked sardonically, although some of the weight of grief and worry lifted at his father's confident pronouncement. "I daresay I've seen enough illness and injuries in my time, stabbings included, to predict the outcome accurately. Besides, I know the spirit of this girl. She'll recover." "I agree," Evie said firmly. Letting out a shuddering sigh, Gabriel tightened his arms around her. After a long moment, he heard his mother say ruefully, "Sometimes I miss the days when I could solve any of my children's problems with a nap and a biscuit." "A nap and a biscuit wouldn't hurt this one at the moment," Sebastian commented dryly. "Gabriel, go find a proper bed and rest for a few hours. We'll watch over your little fox cub.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
Separated from everyone, in the fifteenth dungeon, was a small man with fiery brown eyes and wet towels wrapped around his head. For several days his legs had been black, and his gums were bleeding. Fifty-nine years old and exhausted beyond measure, he paced silently up and down, always the same five steps, back and forth. One, two, three, four, five, and turn . . . an interminable shuffle between the wall and door of his cell. He had no work, no books, nothing to write on. And so he walked. One, two, three, four, five, and turn . . . His dungeon was next door to La Fortaleza, the governor’s mansion in Old San Juan, less than two hundred feet away. The governor had been his friend and had even voted for him for the Puerto Rican legislature in 1932. This didn’t help much now. The governor had ordered his arrest. One, two, three, four, five, and turn . . . Life had turned him into a pendulum; it had all been mathematically worked out. This shuttle back and forth in his cell comprised his entire universe. He had no other choice. His transformation into a living corpse suited his captors perfectly. One, two, three, four, five, and turn . . . Fourteen hours of walking: to master this art of endless movement, he’d learned to keep his head down, hands behind his back, stepping neither too fast nor too slow, every stride the same length. He’d also learned to chew tobacco and smear the nicotined saliva on his face and neck to keep the mosquitoes away. One, two, three, four, five, and turn . . . The heat was so stifling, he needed to take off his clothes, but he couldn’t. He wrapped even more towels around his head and looked up as the guard’s shadow hit the wall. He felt like an animal in a pit, watched by the hunter who had just ensnared him. One, two, three, four, five, and turn . . . Far away, he could hear the ocean breaking on the rocks of San Juan’s harbor and the screams of demented inmates as they cried and howled in the quarantine gallery. A tropical rain splashed the iron roof nearly every day. The dungeons dripped with a stifling humidity that saturated everything, and mosquitoes invaded during every rainfall. Green mold crept along the cracks of his cell, and scarab beetles marched single file, along the mold lines, and into his bathroom bucket. The murderer started screaming. The lunatic in dungeon seven had flung his own feces over the ceiling rail. It landed in dungeon five and frightened the Puerto Rico Upland gecko. The murderer, of course, was threatening to kill the lunatic. One, two, three, four, five, and turn . . . The man started walking again. It was his only world. The grass had grown thick over the grave of his youth. He was no longer a human being, no longer a man. Prison had entered him, and he had become the prison. He fought this feeling every day. One, two, three, four, five, and turn . . . He was a lawyer, journalist, chemical engineer, and president of the Nationalist Party. He was the first Puerto Rican to graduate from Harvard College and Harvard Law School and spoke six languages. He had served as a first lieutenant in World War I and led a company of two hundred men. He had served as president of the Cosmopolitan Club at Harvard and helped Éamon de Valera draft the constitution of the Free State of Ireland.5 One, two, three, four, five, and turn . . . He would spend twenty-five years in prison—many of them in this dungeon, in the belly of La Princesa. He walked back and forth for decades, with wet towels wrapped around his head. The guards all laughed, declared him insane, and called him El Rey de las Toallas. The King of the Towels. His name was Pedro Albizu Campos.
Nelson A. Denis (War Against All Puerto Ricans: Revolution and Terror in America's Colony)
Camille heard the rustle of grass. She opened one eye and saw Oscar settling down beside her. “We can spare a few minutes,” he said. She sat up and cradled her knees in her arms. He plucked a blade of grass and commenced peeling it down the center. They heard the Australian snoring from his spot a few yards away, completely hidden in a blanket of green. “I guess we can spare more than a few minutes.” Oscar smiled and met her gaze, holding it a moment. She suddenly realized how horrible she must look-her hair, her clothes, her skin. “Do you miss him?” he asked, not seeming to notice any of those things. Camille uprooted a purple flower and a white daisy near it. “Of course I do. But I’m hoping with the stone I won’t have to very long.” “Not your father, Camille. Randall.” She took a deep breath, shocked she hadn’t thought of her fiancé for so long. How many days had it been? A full week, maybe more. “Oh. Well…I suppose I do.” Oscar raised an eyebrow and laughed at her clear lack of conviction. Camille shrugged. “What? A lot has happened and right now getting back to San Francisco isn’t something I’m concerned about.” Oscar nodded and chewed on the tip of his blade of grass. “It’s not that Randall isn’t a perfectly good man,” she said, fiddling with the flowers in her hands. The roots crumbled dirt onto her lap. “He’s kind and caring and handsome and an excellent businessman.” Oscar continued to nod. “And he’ll make a fine husband, I’m sure,” she added, knowing he really was all those things. If only all of them combined could make up for what she didn’t feel while with him. “I’m sure,” Oscar repeated. Had he been mocking her? She thought she had caught a trace of sarcasm. All this talk about Randall had her itching. “Why do you ask?” “Just wondered if you missed home,” Oscar answered and threw the mangled blade of grass behind him. “Do you?” she asked, ashamed to her Oscar know how little she desired to return. He thought for a moment, tugging up another switch of grass and rolling it between his fingers. “No,” he answered with stark certainty. “I have everything I’d miss right here.” Every inch of Camille’s body smoldered under Oscar’s gentle, and so very forward, gaze. He’d miss her. She looked into his gray-blue eyes, rimmed by thick, honey-colored lashes-had they always been so full? The bridge of his nose crooked to the left slightly, perhaps broken in a fight after he’d moved from her father’s carriage house to a small apartment along the San Francisco harbor front. She’d never noticed the charming imperfection before. She watched as his eyes traveled over her own features, touching on the wound by her temple and settling on the heart-shaped fullness of her lips. Oscar held his piercing stare. “We probably won’t arrive home in time for your wedding.
Angie Frazier (Everlasting (Everlasting, #1))