Happy Pupils Quotes

We've searched our database for all the quotes and captions related to Happy Pupils. Here they are! All 40 of them:

She taught me to love by loving me, and I learned—rather slowly; I wasn’t too good a pupil, being set in my ways and lacking her natural talent. But I did learn. Learned that supreme happiness lies in wanting to keep another person safe and warm and happy, and being privileged to try.
Robert A. Heinlein (Time Enough for Love)
No,' he said. 'I don't think anyone dies happy...but you could die well.
Stephen King (Apt Pupil)
It is true that on bright days we are happy. That is true because the sun on the eyelids effects chemical changes in the body. The sun also diminishes the pupils to pinpricks, letting the light in less. When we can hardly see we are most likely to fall in love.
Jeanette Winterson (The World and Other Places: Stories)
Your eyes are a window into your soul. The way your pupils dilate when you’re happy, and restrict when you’re mad. -Ben
Melisa M. Hamling (Finding Forever (Finding Forever, #1))
These people, who had experienced on their own hides twenty-four years of Communist happiness, knew by 1941 what as yet no one else in the world knew: that nowhere on the planet, nowhere in history, was there a regime more vicious, more bloodthirsty, and at the same time more cunning and ingenious than the Bolshevik, the self-styled Soviet regime. That no other regime on earth could compare with it either in the number of those it had done to death, in hardiness, in the range of its ambitions, in its thoroughgoing and unmitigated totalitarianism—no, not even the regime of its pupil Hitler, which at that time blinded Western eyes to all else.
Aleksandr Solzhenitsyn (The Gulag Archipelago, 1918-1956: An Experiment in Literary Investigation, Books V-VII)
She gazes into her own pupils and sees the void that opened up inside of her, swallowing everything like some black hole of happiness...
Matthew Quick (Every Exquisite Thing)
Do you think, little flower, that there will ever come a day when you regret meeting me?” he asked quietly. “Yes,” she said simply. “I see,” he said tightly. “Would you like a specific date?” “You are teasing me,” he realized suddenly. “No, I’m dead serious. I have an exact date in mind.” Jacob pulled back to see her eyes, looking utterly perplexed as her pupils sparkled with mischief. “What date is that? And why are you thinking of pink elephants?” “The date is September 8, because, according to Gideon, that’s possibly the day I will go into labor. I say ‘possibly,’ because combining all this human/Druid and Demon DNA ‘may make for a longer period of gestation than usual for a human,’ as the Ancient medic recently quoted. Now, as I understand it, women always regret ever letting a man touch them on that day.” Jacob lurched to his feet, dropping her onto her toes, grabbing her by the arms, and holding her still as he raked a wild, inspecting gaze over her body. “You are pregnant?” he demanded, shaking her a little. “How long have you known? You went into battle with that monster while you are carrying my child?” “Our child,” she corrected indignantly, her fists landing firmly on her hips, “and Gideon only just told me, like, five seconds ago, so I didn’t know I was pregnant when I was fighting that thing!” “But . . . he healed you just a few days ago! Why not tell you then?” “Because I wasn’t pregnant then, Jacob. If you recall, we did make love between then and now.” “Oh . . . oh Bella . . .” he said, his breath rushing from him all of a sudden. He looked as if he needed to sit down and put a paper bag over his head. She reached to steady him as he sat back awkwardly on the altar. He leaned his forearms on his thighs, bending over them as he tried to catch his breath. Bella had the strangest urge to giggle, but she bit her lower lip to repress to impulse. So much for the calm, cool, collected Enforcer who struck terror into the hearts of Demons everywhere. “That is not funny,” he grumbled indignantly. “Yeah? You should see what you look like from over here,” she teased. “If you laugh at me I swear I am going to take you over my knee.” “Promises, promises,” she laughed, hugging him with delight. Finally, Jacob laughed as well, his arm snaking out to circle her waist and draw her back into his lap. “Did you ask . . . I mean, does he know what it is?” “It’s a baby. I told him I didn’t want to know what it is. And don’t you dare find out, because you know the minute you do I’ll know, and if you spoil the surprise I’ll murder you.” “Damn . . . she kills a couple of Demons and suddenly thinks she can order all of us around,” he taunted, pulling her close until he was nuzzling her neck, wondering if it was possible for such an underused heart as his to contain so much happiness.
Jacquelyn Frank (Jacob (Nightwalkers, #1))
What was exchanged in the language of their eyes, more perfect than their lips, the language afforded the soul so that no sound disturbs an ecstasy of feeling? In those moments, when the thought of the two happy beings meld through their pupils, words move slowly, coarsely, like the raspy, awkward noise of thunder from dazzling light that appears after the quickness of the flash. It expresses feelings previously known, ideas yet understood, and in the end, if one must use words, it is because the heart’s ambitions—which dominates one’s whole being and overflows with happiness—wishes with the whole human organism, with all its physical and psychical faculties, to embody the poem of joy that the spirit has intoned. Language has no answer to the questions of love that either shimmer or hide within a glance. The smile must respond; the kiss, the sigh.
José Rizal (Noli Me Tángere (Touch Me Not))
While everyone was admiring the progress of my idiots, I was searching for the reasons which could keep the happy healthy children of the common schools on so low a plane that they could be equalled in tests of intelligence by my unfortunate pupils!
Maria Montessori (The Montessori Method (Illustrated))
Reconcile those who are at strife, prevent lawsuits; incline children to duty, fathers to kindness; promote happy marriages; prevent annoyances; freely use the credit of your pupil’s parents on behalf of the weak who cannot obtain justice, the weak who are oppressed by the strong. Be just, human, kindly. Do
Jean-Jacques Rousseau (Emile: Or On Education)
Look into his eyes and tell yourself he's just a man. Tell yourself he can't know the things he says he does. He can't know your fears. But he has Alfred. He has your friend. And his eyes... you have studied the human eye. There are six eye movements that reveal motive, then fifteen variations of each one. On everyone else you face - even the most hardened criminals - the pupils contract or expand depending on emotion. Happiness, laughter, affection. The pupils open. Fear, anger, hatred, the pupils close. But not his. His pupils stay fixed, tiny points of blackness, the eyes of someone who hates everything, everyone. Eyes that let in no light, that see through the darkness, stare into you, each pupil a tiny black pearl fixed in space. A bullet coming at you. Eyes that say he's more than a man, eyes that say he knows you. No... you know what he is. Tell yourself the truth. He's just a man who fell in a vat of chemical waste. He's just a man... like you, made of bone and tissue and blood.
Scott Snyder (Batman, Volume 3: Death of the Family)
Let a simple philosopher introduce these new pupils to the inscrutable but wonderful sublimities of Nature; let him prove to them that awareness of a god, often highly dangerous to men, never contributed to their happiness, and that they will not be happier for acknowledging as a cause of what they do not understand, something they well understand even less; that it is far less essential to inquire into the workings of Nature than to enjoy her and obey her laws; that these laws are as wise as they are simple; that they are written in the hearts of all men; and that it is but necessary to interrogate that heart to discern its impulse. If they wish absolutely that you speak to them of a creator, answer that things always having been what now they are, never having had a beginning and never going to have an end, it thus becomes as useless as impossible for man to be able to trace things back to an imaginary origin which would explain nothing and do not a jot of good. Tell them that men are incapable of obtaining true notions of a being who does not make his influence felt on one of our senses.
Marquis de Sade (Philosophy in the Boudoir)
It’s so cute, isn’t it?” Arianna said dreamily. “Are we seeing the same creature? It’s like a demented goat with a bone growth.” “You’re going to hurt its feelings! Now shut up and sit on the ground.” I did as I was told, sticking my ankle out. “How is it going to heal me?” I asked, suddenly nervous. I pictured it licking my ankle and gagged. I could only imagine the diseases unicorn saliva had or what it carried around in its filthy, matted beard and hair. Bleating reproachfully, it stared at me with its doleful, square-pupiled brown eyes. “Oh, fine. Great, glorious unicorn, beloved of oblivious girls everywhere, please heal me. Now, if you don’t mind.” With one last bat of its gunk-crusted eyelashes, it lowered its head and put its stubby horn against my ankle. I cringed, waiting for pain, but felt instead tingling warmth spread out, almost like having butterflies in my stomach. Only in my ankle. Butterflies . . . with rainbows. The feeling of wholeness and well-being spread up my leg and into my entire body, and I couldn’t stop grinning. The forest was beautiful! The tree branches, naked against the brightening sky, held unimaginable wonders. The hard-packed dirt beneath me was a treasure trove of unrealized potential, lovely for what it could eventually give life to. I could sit out here forever and just enjoy nature. I was so happy! And rainbows! Why did I keep thinking of rainbows? Who cared! Rainbows were totally awesome! And the unicorn! I beamed at it, reaching out my hand to stroke it. There was never a creature more beautiful, more majestic. I’d spend the rest of my life out here, and we’d prance around the forest, worship the sunlight, bathe in the moonlight, and . . . I shook my head, scattering the idiotic warm fuzzies that had invaded. “Whoa,” I said, shoving the unicorn’s head away. “That’s enough of that.” I looked down at my ankle, which was now completely healed, not even a scar left. I fixed a stern look on the unicorn. “I am not going to frolic in an eternal meadow of sunshine and moonlight with you, you rotten little fink. But thanks.” I smiled, just enough to be nice without being too encouraging, and patted it quickly on the head. I was going to soak that hand in bleach. “Okay, let’s get out of here.” I stood, testing my ankle and relieved with the utter lack of pain. I still had an irrational desire to do an interpretive dance about rainbows, but it was a small price to pay for being healed.
Kiersten White (Endlessly (Paranormalcy, #3))
The tulips are too excitable, it is winter here. Look how white everything is, how quiet, how snowed-in. I am learning peacefulness, lying by myself quietly As the light lies on these white walls, this bed, these hands. I am nobody; I have nothing to do with explosions. I have given my name and my day-clothes up to the nurses And my history to the anesthetist and my body to surgeons. They have propped my head between the pillow and the sheet-cuff Like an eye between two white lids that will not shut. Stupid pupil, it has to take everything in. The nurses pass and pass, they are no trouble, They pass the way gulls pass inland in their white caps, Doing things with their hands, one just the same as another, So it is impossible to tell how many there are. My body is a pebble to them, they tend it as water Tends to the pebbles it must run over, smoothing them gently. They bring me numbness in their bright needles, they bring me sleep. Now I have lost myself I am sick of baggage—— My patent leather overnight case like a black pillbox, My husband and child smiling out of the family photo; Their smiles catch onto my skin, little smiling hooks. I have let things slip, a thirty-year-old cargo boat stubbornly hanging on to my name and address. They have swabbed me clear of my loving associations. Scared and bare on the green plastic-pillowed trolley I watched my teaset, my bureaus of linen, my books Sink out of sight, and the water went over my head. I am a nun now, I have never been so pure. I didn’t want any flowers, I only wanted To lie with my hands turned up and be utterly empty. How free it is, you have no idea how free—— The peacefulness is so big it dazes you, And it asks nothing, a name tag, a few trinkets. It is what the dead close on, finally; I imagine them Shutting their mouths on it, like a Communion tablet. The tulips are too red in the first place, they hurt me. Even through the gift paper I could hear them breathe Lightly, through their white swaddlings, like an awful baby. Their redness talks to my wound, it corresponds. They are subtle : they seem to float, though they weigh me down, Upsetting me with their sudden tongues and their color, A dozen red lead sinkers round my neck. Nobody watched me before, now I am watched. The tulips turn to me, and the window behind me Where once a day the light slowly widens and slowly thins, And I see myself, flat, ridiculous, a cut-paper shadow Between the eye of the sun and the eyes of the tulips, And I have no face, I have wanted to efface myself. The vivid tulips eat my oxygen. Before they came the air was calm enough, Coming and going, breath by breath, without any fuss. Then the tulips filled it up like a loud noise. Now the air snags and eddies round them the way a river Snags and eddies round a sunken rust-red engine. They concentrate my attention, that was happy Playing and resting without committing itself. The walls, also, seem to be warming themselves. The tulips should be behind bars like dangerous animals; They are opening like the mouth of some great African cat, And I am aware of my heart: it opens and closes Its bowl of red blooms out of sheer love of me. The water I taste is warm and salt, like the sea, And comes from a country far away as health. --"Tulips", written 18 March 1961
Sylvia Plath (Ariel)
It is to be expected that advances in physiology and psychology will give governments much more control over individual mentality than they now have even in totalitarian countries. Fichte laid it down that education should aim at destroying free will, so that, after pupils have left school, they shall be incapable, throughout the rest of their lives, of thinking or acting otherwise than as their schoolmasters would have wished. But in his day this was an unattainable ideal: what he regarded as the best system in existence produced Karl Marx. In future such failures are not likely to occur where there is dictatorship. Diet, injections, and injunctions will combine, from a very early age, to produce the sort of character and the sort of beliefs that the authorities consider desirable, and any serious criticism of the powers that be will become psychologically impossible. Even if all are miserable, all will believe themselves happy, because the government will tell them that they are so. – Bertrand Russell; The Impact of Science on Society; 1953
Bertrand Russell (The Impact of Science on Society)
Only art matters, for each work of art is eternal. Those who claim ownership of art are of little importance in the end, since no one can outlive it. Don’t you find that to be a delicious little slice of humility? One of the reasons I love and admire you so deeply is that you have never shown even the smallest amount of pride in having works of art within your possession. Like me, you have nothing but love and respect for art and art alone, so it is high time that you reap the rewards for all you have given. “In no way should you feel indebted to me, Hanna. You have been a source of light and joy in my life, not to mention an ample source of amusement, as I’ve always delighted in your many moods—the good and the bad, your uncontrollable laughter and your fits of rage alike. One could say I’ve led a charmed life. I’ve met scores of art dealers in my time, but none have ever measured up to you, my dear. From this point forward, I wish to have your name and your name only adorning our New York gallery. The pride I have in my pupil far eclipses how proud I am to have once been her teacher. May your life always be full of all the happiness and beauty that you deserve, my dearest Hanna. Yours sincerely, John Glover.
Marc Levy (The Last of the Stanfields)
Mindy runs to the DVD player and delicately places the disk in the holder and presses play. “Will you sit in this chair, please, Princess Mindy?” I ask, bowing deeply at the waist. Mindy giggles as she replies, ”I guess so.” After Mindy sits down, I take a wide-tooth comb and start gently combing out her tangles. Mindy starts vibrating with excitement as she blurts, “Mr. Jeff, you’re gonna fix my hair fancy, ain’t you?” “We’ll see if a certain Princess can hold still long enough for me to finish,” I tease. Immediately, Mindy becomes as still as a stone statue. After a couple of minutes, I have to say, “Mindy, sweetheart, it’s okay to breathe. I just can’t have you bouncing, because I’m afraid it will cause me to pull your hair.” Mindy slumps down in her chair just slightly. “Okay Mr. Jeff, I was ascared you was gonna stop,” she whispers, her chin quivering. I adopt a very fake, very over-the-top French accent and say, “Oh no, Monsieur Jeff must complete Princess Mindy’s look to make the Kingdom happy. Mindy erupts with the first belly laugh I’ve heard all day as she responds, “Okay, I’ll try to be still, but it’s hard ‘cause I have the wiggles real bad.” I pat her on the shoulder and chuckle as I say, “Just try your best, sweetheart. That’s all anyone can ask.” Kiera comes screeching around the corner in a blur, plunks her purse on the table, and says breathlessly, “Geez-O-Pete, I can’t believe I’m late for the makeover. I love makeovers.” Kiera digs through her purse and produces two bottles of nail polish and nail kit. “It’s time for your mani/pedi ma’am. Would you prefer Pink Pearl or Frosted Creamsicle? Mindy raises her hand like a schoolchild and Kiera calls on her like a pupil, “I want Frosted Cream toes please,” Mindy answers. “Your wish is my command, my dear,” Kiera responds with a grin. For the next few minutes, Mindy gets the spa treatment of her life as I carefully French braid her hair into pigtails. As a special treat, I purchased some ribbons from the gift shop and I’m weaving them into her hair. I tuck a yellow rose behind her ear. I don my French accent as I declare, “Monsieur Jeffery pronounces Princess Mindy finished and fit to rule the kingdom.” Kiera hands Mindy a new tube of grape ChapStick from her purse, “Hold on, a true princess never reigns with chapped lips,” she says. Mindy giggles as she responds, “You’re silly, Miss Kiera. Nobody in my kingdom is going to care if my lips are shiny.” Kiera’s laugh sounds like wind chimes as she covers her face with her hands as she confesses, “Okay, you busted me. I just like to use it because it tastes yummy.” “Okay, I want some, please,” Mindy decides. Kiera is putting the last minute touches on her as Mindy is scrambling to stand on Kiera’s thighs so she can get a better look in the mirror. When I reach out to steady her, she grabs my hand in a death grip. I glance down at her. Her eyes are wide and her mouth is opening and closing like a fish. I shoot Kiera a worried glance, but she merely shrugs. “Holy Sh — !” Mindy stops short when she sees Kiera’s expression. “Mr. Jeff is an angel for reals because he turned me into one. Look at my hair Miss Kiera, there are magic ribbons in it! I’m perfect. I can be anything I want to be.” Spontaneously, we all join together in a group hug. I kiss the top of her head as I agree, “Yes, Mindy, you are amazing and the sky is the limit for you.
Mary Crawford (Until the Stars Fall from the Sky (Hidden Beauty #1))
It turns out that our perspective has a surprising amount of influence over the body’s stress response. When we turn a threat into a challenge, our body responds very differently. Psychologist Elissa Epel is one of the leading researchers on stress, and she explained to me how stress is supposed to work. Our stress response evolved to save us from attack or danger, like a hungry lion or a falling avalanche. Cortisol and adrenalin course into our blood. This causes our pupils to dilate so we can see more clearly, our heart and breathing to speed up so we can respond faster, and the blood to divert from our organs to our large muscles so we can fight or flee. This stress response evolved as a rare and temporary experience, but for many in our modern world, it is constantly activated. Epel and her colleague, Nobel Prize–winning molecular biologist Elizabeth Blackburn, have found that constant stress actually wears down our telomeres, the caps on our DNA that protect our cells from illness and aging. It is not just stress but our thought patterns in general that impact our telomeres, which has led Epel and Blackburn to conclude that our cells are actually “listening to our thoughts.” The problem is not the existence of stressors, which cannot be avoided; stress is simply the brain’s way of signaling that something is important. The problem—or perhaps the opportunity—is how we respond to this stress. Epel and Blackburn explain that it is not the stress alone that damages our telomeres. It is our response to the stress that is most important. They encourage us to develop stress resilience. This involves turning what is called “threat stress,” or the perception that a stressful event is a threat that will harm us, into what is called “challenge stress,” or the perception that a stressful event is a challenge that will help us grow. The remedy they offer is quite straightforward. One simply notices the fight-or-flight stress response in one’s body—the beating heart, the pulsing blood or tingling feeling in our hands and face, the rapid breathing—then remembers that these are natural responses to stress and that our body is just preparing to rise to the challenge. •
Dalai Lama XIV (The Book of Joy: Lasting Happiness in a Changing World)
The Principal, Miss Hartley-Jones, said that she would be very pleased to have me as a pupil, and that she was sure I would be very happy with them. She mentioned that of course all her pupils were gentlewomen. I was beginning to wonder where really common people learned to type. Maybe they just picked it up for themselves.
Elizabeth Eliot (Alice)
ANGER: Eyebrows squeezed together, brows knitted, eyes squinty, pupils flared, lowered head, nostrils flared, looking upward through a scrunched brow, tight facial muscles, flat lips, flaring nostrils, or an penetrating gaze. CONTEMPT: Squinty eyes, mouth snapped shut, mouth set in a hard line, or lips pressed together, grinding teeth, muscle in jaw twitching, face turns crimson, ears red or hot, or hardened expression. EXCITEMENT: Smile shows teeth, eyes wide, flushed cheeks, eyebrows high, twinkle in eyes, tears in eyes, dimples showing, or raised eyebrows. FEAR: Pale skin, eyebrows are drawn together, trembling mouth, brows furrowed creased forehead, eyes wide and huge, blinking rapidly, mouth opening and closing, or tense, white lips. FRUSTRATION: Slanting eyebrows, jaw tightened, face reddened, chin raised, deep frowning, gnashed teeth, tense eyebrows, squinty eyes, lips pulled back, or mouth twisted to one side. REVULSION: Frowning, gritted teeth, lips drew back in a snarl, lowered head, tense lips, eyebrows drawn together, wrinkled forehead, or pursed lips. SURPRISE: Wide eyes, mouth hanging open, huge smile, flushed face, gaping, raised eyebrows, pupils are huge, and head held back, intense gaze, and eyebrows lifted. SADNESS: Pale face, lower lip quivered, tears shimmered in eyes, frowning of lips, head hangs low, pouty expression, or gaze downcast. HAPPINESS: Smiling big with teeth visible, flushed cheeks, crinkle at corners of the eyes, the corners of mouth turned upward, eyes lit up, tears shone in eyes, face glowing. ***
Sherry J. Soule (The Writer's Guide to Character Expression: 2022 Second-Edition (Fiction Writing Tools Book 2))
Although she missed the singing by the children from the school opposite her apartment, she didn't teach her own pupils to sing 'We Shall Overcome' in any language, because she wasn't sure that Overcoming was anywhere on anyone's horizon.
Arundhati Roy (The Ministry of Utmost Happiness)
It’s going to be okay. It might not feel like it right now, but pain eventually subsides as time goes on. Your heart will resurrect from the sadness. You will start seeing in color. You will smile ear to ear again. Music will awaken your soul. The sun will give you strength, and the stars will remind you that miracles continue to exist. Joy always returns, so please hang on. You will feel goosebumps on your arms, and shivers down your spine. Your pupils will dilate, and your heart will race a million miles a minute. Be patient. The good fortune of happiness will flow through your veins again.
Nida Awadia (Not Broken, Becoming.: Moving from Self-Sabotage to Self-Love.)
The best known of the Cynics was Diogenes, a pupil of Antisthenes, who reputedly lived in a barrel and owned nothing but a cloak, a stick, and a bread bag. (So it wasn't easy to steal his happiness from him!) One day while he was sitting beside his barrel enjoying the sun, he was visited by Alexander the Great. The emperor stood before him and asked if there was anything he could do for him. Was there anything he desired? ´Yes´ Diogenes replied. ´Stand to one side. You're blocking the sun.´
Jostein Gaarder (Sophie’s World)
I seriously doubt that the smile is our species’s “happy” face, as is often stated in books about human emotions. Its background is much richer, with meanings other than cheeriness. Depending on the circumstances, the smile can convey nervousness, a need to please, reassurance to anxious others, a welcoming attitude, submission, amusement, attraction, and so on. Are all these feelings captured by calling them “happy”? Our labels grossly simplify emotional displays, like the way we give each emoticon a single meaning. Many of us now use smiley or frowny faces to punctuate text messages, which suggests that language by itself is not as effective as advertised. We feel the need to add nonverbal cues to prevent a peace offer from being mistaken for an act of revenge, or a joke from being taken as an insult. Emoticons and words are poor substitutes for the body itself, though: through gaze direction, expressions, tone of voice, posture, pupil dilation, and gestures, the body is much better than language at communicating a wide range of meanings.
Frans de Waal (Mama's Last Hug: Animal Emotions and What They Tell Us about Ourselves)
When a Single Glance Can Cost a Million Dollars Under conditions of stress, the human body responds in predictable ways: increased heart rate, pupil dilation, perspiration, fine motor tremors, tics. In high-pressure situations, such as negotiating an employment package or being cross-examined under oath, no matter how we might try to play it cool, our bodies give us away. We broadcast our emotional state, just as Marilyn Monroe broadcast her lust for President Kennedy. We each exhibit a unique and consistent pattern of stress signals. For those who know how to read such cues, we’re essentially handing over a dictionary to our body language. Those closest to us probably already recognize a few of our cues, but an expert can take it one step further, and closely predict our actions. Jeff “Happy” Shulman is one such expert. Happy is a world-class poker player. To achieve his impressive winnings, he’s spent much of his life mastering mystique. At the highest level of play, winning depends not merely on skill, experience, statistics, or even luck with the cards, but also on an intimate understanding of human nature. In poker, the truth isn’t written just all over your face. The truth is written all over your body. Drops of Sweat, a Nervous Blink, and Other “Tells” Tournament poker is no longer a game of cards, but a game of interpretation, deception, and self-control. In an interview, Happy says that memorizing and recognizing your opponent’s nuances can be more decisive than luck or skill. Imperceptible gestures can reveal a million dollars’ worth of information. Players call these gestures “tells.” With a tell, a player unintentionally exposes his thoughts and intentions to the rest of the table. The ability to hide one’s tells—and conversely, to read the other players’ tells—offers a distinct advantage. At the amateur level, tells are simpler. Feet and legs are the biggest moving parts of your body, so skittish tapping is a dead giveaway. So is looking at a hand of cards and smiling, or rearranging cards with quivering fingertips. But at the professional level, tells would be almost impossible for you or me to read. Happy spent his career learning how to read these tells. “If you know what the other player is going to do, it’s easier to defend against it.” Like others competing at his level, Happy might prepare for a major tournament by spending hours reviewing tapes of his competitors’ previous games in order to instantly translate their tells during live competition.
Sally Hogshead (Fascinate: Your 7 Triggers to Persuasion and Captivation)
Your child utters a piercing scream, and you rush into his room. He appears wild-eyed, anxious, frightened. His pupils are dilated, sweat is covering his forehead, and as you pick him up to hug him you notice his heart is pounding and his chest heaving. He is inconsolable. Your heart is full of dread, and it almost seems as if some evil spirit has gripped your child. After five to fifteen minutes, the agitation and confused state finally subside. This is night terror.
Marc Weissbluth (Healthy Sleep Habits, Happy Child)
a person down. Her dark eyes would then seem a frightening shade of black, making the pupil almost indistinguishable from the iris. Her black hair was slowly becoming streaked with gray, an effect which now gave her a villainous appearance. Mid step, her mother paused and caught Isabella off guard. “You will regret this decision, Isabella. Mark my words. You are happy now. You think this new life is going
Emma Nichols (Dreams Come True Boxed Set)
I need to ask you a question, and you have to give me a straight answer.” He breathes in shallow pants, his pupils huge. “I know what you’re going to ask, and yes, I do have a condom. Also, I’d be more than happy to risk being arrested so I can fuck you against this wall.” “That’s not it.” “You sure? That’s the vibe I was getting.
Leisa Rayven (Wicked Heart (Starcrossed, #3))
Develop flourishing schools … The purpose of the education system should be to create capable and emotionally well-rounded young people who are happy and motivated. At its heart, education policy must acknowledge that the best way of enabling people to realize their potential is to value them for who they are rather than their measuring their performance against exams and targets. Children have multiple intelligences and all schools should have a strategy to develop pupils’ overall well-being. The curriculum needs to be broadened to include more opportunities around sports, arts, creativity and other engaging activities. An education system which promotes flourishing would lead to higher productivity, a more entrepreneurial society and greater active citizenship.
Nic Marks (The Happiness Manifesto)
Maybe everyone was pretending something. Maybe every teacher and pupil at this school was pretending something. Maybe Shakespeare was right. Maybe all the world was a stage. Maybe without the act everything would fall apart. The key to happiness wasn’t being yourself, because what did that even mean? Everyone had many selves. No. The key to happiness is finding the lie that suits you best.
Matt Haig (How to Stop Time)
What do you want?" I demanded finally. He tilted his head. "What do you want?" His face was pale and composed, his pupils narrowed to threadlike slits; there was no hint of hesitation in his body. It came over me again, the knowledge of how little he was human. He had clung to me in the night. He had saved my life twice. He had seen me, in all my ugliness, and never hated me; and in that moment, nothing else mattered. "I want my world to be free." I stepped toward him. "I want my sister never to have been hurt by me." I took his hands. "And I want you to say that you love me again." His hands tightened around mine. "I love you," he said. "I love you more than any other creature, because you are cruel, and kind, and alive. Nyx Triskelion, will you be my wife?" I knew it was insane to be happy, to feel this desperate exultation at his words. But I felt like I had been waiting all my life to hear them. I had been waiting, all my life, for someone undeceived to love me. And now he did, and it felt like walking into the dazzling sunlight of the Heart of the Earth. Except that the sunlight was false, and his love was real. It was real. Very deliberately, I pulled my hands out of his. "You're a demon," I said, staring at the ground. "Most likely." "I know what you've done." "The exciting parts, anyway." "And I still don't know your name." My hands trembled as I undid my belt, then started to unclasp the brooches. It seemed forever since that first day when I had ripped my bodice open so easily. "But I know you're my husband." The dress slid down to land on the ground about my feet. Ignifex touched my cheek very gently, as if I were a bird that might be startled into flight. Finally I met his eyes. "And," I said. "I suppose I do love you." Then he pulled me in his arms.
Rosamund Hodge (Cruel Beauty)
The Self is not conscious in the ordinary sense of the word. However, it is also not unconscious. It is, rather, pure Awareness or Superconsciousness (cit). All other attributes are simply superimpositions, projections of the mind. For the Self to reveal itself in its native splendor, all these projections must be withdrawn, or pierced through. This is achieved by means of the via negativa of the neti neti method. This approach of negation is succinctly illustrated in the Nirvāna-Shatka (Six [Stanzas] on Extinction), which is one of the many didactic poems attributed to Shankara. The full text reads as follows: I am not the mind or the wisdom faculty (buddhi), the I-sense, or thought; neither hearing nor the tongue; neither the nose nor the eyes; nor am I ether, earth, fire, or air. I am Shiva in the form of Awareness (cit) and Bliss (ānanda). I am Shiva. I am not what is called the life force (prāna), nor am I the five airs [circulating in the body]; nor the seven [bodily] constituents; nor the five [bodily] sheaths. I am also not mouth, hands, feet, genitals, and anus. I am Shiva in the form of Awareness and Bliss. I am Shiva. I am Shiva. I have neither hatred nor passion, neither greed nor delusion; neither exhilaration nor the mood of envy. I am without virtue or prosperity, without lust or liberation. I am Shiva in the form of Awareness and Bliss. I am Shiva. [In me there is] neither good nor evil, neither happiness nor suffering, neither mantra nor pilgrimage, neither the Vedas nor sacrifices. I am not food, the eater, or eating. I am Shiva in the form of Awareness and Bliss. I am Shiva. I am not [subject to] death, fear, or category of birth. I have no father or mother; [in fact, I have] no birth. I have no relatives or friends, no teacher or pupils. I am Shiva in the form of Awareness and Bliss. I am Shiva I am undifferentiated, of formless form. Due to [my] omnipresence I am everywhere [present for the benefit of all the senses. I am neither in bondage nor in liberation. [I am] immeasurable. I am Shiva in the form of Awareness and Bliss. I am Shiva.
Georg Feuerstein (The Deeper Dimension of Yoga: Theory and Practice)
methods of education that would bring out pupils’ individuality and equip them to understand the world around them.
Ritchie Robertson (The Enlightenment: The Pursuit of Happiness, 1680-1790)
You have no idea what you’ve just brought upon yourself,” I said, giving her a look of mock sympathy. “It will be my pleasure,” Father said, bowing his head slightly. Stran semi-rudely pushed my father out of the way to park himself in front of my woman. His dark scales shone under the overhead lights while he lifted his flat, lizard face towards Liena. She grinned, reaching to scratch the leathery skin beneath his chin. He purred, the sound closer to a growl, his widening pupils swallowing the dark blue of his large eyes. The long, scaly tail of the Crekel—underneath which vicious spikes protruded—wagged left and right with a slight scraping sound. “Hello, beautiful,” Liena said. “His name is Stran,” I said, happy that the Crekel had instinctively recognized Liena as my mate, just like he had with my mother when he first found and rescued her during the battle for Earth. “Hello, Stran,” she repeated, caressing the sharp horns on top of his head, careful not to cut herself. Stran licked her hand with his long, lizard tongue. Turning into a ball again, the Crekel rolled around Liena and me, the same way he had with my parents. Although he couldn’t speak, the intelligent creature had thus given us his blessing and acknowledged us as mates. Thanks to his thick scales, this form all but made him invincible to almost any type of damage and even allowed him to break through walls when he launched himself on them at high speed. With a final nod towards us, Father rejoined Legion and the other Warriors who patiently waited their turn to greet him. Stran, his
Regine Abel (Raven (Xian Warriors, #3))
By preaching foolish pupils, looking after a wicked woman or keeping company of worried persons, even scholars will suffer. Therefore, foolish persons should never be encouraged to undertake any good deed. One must stay away from a characterless woman, otherwise his image will be tarnished. Similarly, an unhappy person can never give happiness, so stay away from him.
R.P. Jain (Complete Chanakya Neeti)
Will told his rival that "if you ever do that again, I'll hurt you." The next day Will had a third playhouse almost two-thirds constructed when Steve once again pushed it over. The fight that followed found Will once again on his back, pinned down by Steve Gobel. This time he resorted to a small pocket knife he carried and slashed Steve on the thigh. It was not a serious wound by any means, but it did draw blood, as well as Steve's anguished cry that he had been "killed." The other pupils and the teacher came running, and Will decided he'd better make himself scarce. He fled to a wagon train led by John R. Willis, for whom he had herded cattle. When he told Willis what had happened, the wagon master hid the boy in one of his wagons. Soon Steve, his father, an elder brother, and the local constable came to arrest Will Cody. Willis, a Philadelphia lawyer at heart, demanded to see a warrant. When the constable admitted he didn't have one, Willis told him that he thought it was overdoing it to arrest a boy for what was only play. Will was safe-for the moment-but he was afraid to return to school. Willis suggested that young Cody accompany him on the wagon train, which was headed for Fort Kearny, a trip of some forty days, by which time the excitement ought to have cooled down. Will's mother consented to the trip, not without some foreboding; she feared that her son might be attacked by Indians. Cody wrote of this first trip across the plains that "it proved a most enjoyable one for me, although no incidents worthy of note occurred along the way." John Willis disagreed with Cody about the lack of incidents. Forty years later Buffalo Bill's Wild West played Memphis on October 4, 1897, and Willis, now a judge in Harrisburg, Arkansas, wanted to see it. Unfortunately, he missed the show, but he wrote Cody the following letter: "Dear Old Friend it has been a long time since I have herd from you.... I would like very much to shake your hand, Billy, and talk over the old grand hours you rode at my heels on the little gray mule while I was killing Buffalo. oh them were happy days. of course you recollect the time the Buffalo ran through the train and stampeded the teams and you stoped the stampede.
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
But an ordinary life is not a guarantee of happiness. And, of course, this – being a teacher – was just a pretence. Maybe everyone was pretending something. Maybe every teacher and pupil at this school was pretending something. Maybe Shakespeare was right. Maybe all the world was a stage. Maybe without the act everything would fall apart. The key to happiness wasn’t being yourself, because what did that even mean? Everyone had many selves. No. The key to happiness is finding the lie that suits you best.
Matt Haig (How to Stop Time)
The sun at that altitude is an enormous ball of light so powerful that it can burn the inside of your mouth and the inside of your nose. If you take off those protective glasses, within ten minutes your retinas will be seared to total blindness. Hence, I expected that, once the sun was fully out, even behind my jet-black lenses my pupils would clamp down to pinpoints and everything would be infinitely focused. I was certain I was right. It had to work. In the predawn darkness, however, I was too blind to climb. So I stepped out of line and let everyone pass, going from fourth out of thirty-some climbers to absolutely dead last. It wasn’t unpleasant, really, watching everybody traipse past me. I basically stood there chatting and acting like a Wal-Mart greeter until the sun began to illuminate the summit face. As I expected, my vision did begin to clear, and I was able to dig in the front knives on my boots, move across, and head on up to the summit ridge. Then I compounded my problem by reaching to wipe my face with an ice-crusted glove. A crystal painfully lacerated my right cornea, leaving that eye completely blurred. That meant I had no depth perception, and that’s not good in that environment. My left eye was a little blurry but basically okay. But I knew that I could not climb above this point, a living-room size promontory called the Balcony, about fifteen hundred feet below the summit, unless my vision improved. Still believing it would, I said to Rob, “You guys go ahead and boogie on up the hill. At a point that I can see, I’ll just wander up after you.” It was about 7:30 A.M. “Beck,” he answered in that unmistakable Kiwi accent, “I don’t like that idea. You’ve got thirty minutes. If you can see in thirty minutes, climb on. If you cannot see in thirty minutes, I don’t want you climbing.” “Okay.” I hesitated. “I’ll accept that.” This was not a willing and happy answer; I had come too far to quit so close to the summit. But I also recognized the common sense in what Hall said.
Beck Weathers (Left for Dead: My Journey Home from Everest)
Our gazes met, and she hit me like a ton of bricks. My body’s reaction to her was instantaneous. I could almost feel my pupils dilate as I took her in. She was a woman who would have frozen me dead in my tracks anywhere. Absolutely showstopping.
Abby Jimenez (The Happy Ever After Playlist (The Friend Zone, #2))
No matter what the stars had to say on the subject, Darius Acrux had made my life a living hell. I wouldn’t give him a moment of happiness in payment for that. He didn’t deserve it. He didn’t deserve me. And that was how it had to be.  My gaze locked with his just as a black ring formed around his pupils. His eyes widened in horror and I guessed the same thing had happened to me too. That was it. We were marked. Star Crossed.
Caroline Peckham (Shadow Princess (Zodiac Academy, #4))