Hans Holbein Quotes

I tell Frank my favorite painting is Hans Holbein's portrait of Thomas Cromewell in the Frick. There's a patch of carpet in front of it that's grown bald from the thousands of feet that have stood before it. I tell him I think that's a good thing to hope for in life, for the carpet to grow thin before you.

Peu de gens comprennent l'immense avantage qu'il y a à ne jamais hésiter et à tout oser.

Three portraits by Hans Holbein have for generations dictated the imagery of the epoch. The first shows King Henry VIII in all his swollen arrogance and finery. The second gives us Sir Thomas More, the ascetic scholar who seems willing to lay his life on a matter of principle. The third captures King Henry’s enforcer Sir Thomas Cromwell, a sallow and saturnine fellow calloused by the exercise of worldly power. The genius of Mantel’s prose lies in her reworking of this aesthetic: Look again at His Majesty and see if you do not detect something spoiled, effeminate, and insecure. Now scrutinize the face of More and notice the frigid, snobbish fanaticism that holds his dignity in place. As for Cromwell, this may be the visage of a ruthless bureaucrat, but it is the look of a man who has learned the hard way that books must be balanced, accounts settled, and zeal held firmly in check. By the end of the contest, there will be the beginnings of a serious country called England, which can debate temporal and spiritual affairs in its own language and which will vanquish Spain and give birth to Shakespeare and Marlowe and Milton.

That Holbein and enigma go hand in hand is in fact quite appropriate. Mystery is a key part of Holbein’s appeal.

But in terms of what