Hanging Plants Quotes

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We Americans claim to be a peace-loving people. We hate bloodshed; we are opposed to violence. Yet we go into spasms of joy over the possibility of projecting dynamite bombs from flying machines upon helpless citizens. We are ready to hang, electrocute, or lynch anyone, who, from economic necessity, will risk his own life in the attempt upon that of some industrial magnate. Yet our hearts swell with pride at the thought that America is becoming the most powerful nation on earth, and that she will eventually plant her iron foot on the necks of all other nations. Such is the logic of patriotism.
Emma Goldman
I’m not complaining about Romance Being Dead - I’ve just described a happy marriage as based on talking about plants and a canceled Ray Romano show and drinking milkshakes: not exactly rose petals and gazing into each other’s eyes at the top of the Empire State Building or whatever. I’m pretty sure my parents have gazed into each other’s eyes maybe once, and that was so my mom could put eyedrops in my dad’s eyes.
Mindy Kaling (Is Everyone Hanging Out Without Me? (And Other Concerns))
You don't notice the dead leaving when they really choose to leave you. You're not meant to. At most you feel them as a whisper or the wave of a whisper undulating down. I would compare it to a woman in the back of a lecture hall or theater whom no one notices until she slips out.Then only those near the door themselves, like Grandma Lynn, notice; to the rest it is like an unexplained breeze in a closed room. Grandma Lynn died several years later, but I have yet to see her here. I imagine her tying it on in her heaven, drinking mint juleps with Tennessee Williams and Dean Martin. She'll be here in her own sweet time, I'm sure. If I'm to be honest with you, I still sneak away to watch my family sometimes. I can't help it, and sometimes they still think of me. They can't help it.... It was a suprise to everyone when Lindsey found out she was pregnant...My father dreamed that one day he might teach another child to love ships in bottles. He knew there would be both sadness and joy in it; that it would always hold an echo of me. I would like to tell you that it is beautiful here, that I am, and you will one day be, forever safe. But this heaven is not about safety just as, in its graciousness, it isn't about gritty reality. We have fun. We do things that leave humans stumped and grateful, like Buckley's garden coming up one year, all of its crazy jumble of plants blooming all at once. I did that for my mother who, having stayed, found herself facing the yard again. Marvel was what she did at all the flowers and herbs and budding weeds. Marveling was what she mostly did after she came back- at the twists life took. And my parents gave my leftover possessions to the Goodwill, along with Grandma Lynn's things. They kept sharing when they felt me. Being together, thinking and talking about the dead, became a perfectly normal part of their life. And I listened to my brother, Buckley, as he beat the drums. Ray became Dr. Singh... And he had more and more moments that he chose not to disbelieve. Even if surrounding him were the serious surgeons and scientists who ruled over a world of black and white, he maintained this possibility: that the ushering strangers that sometimes appeared to the dying were not the results of strokes, that he had called Ruth by my name, and that he had, indeed, made love to me. If he ever doubted, he called Ruth. Ruth, who graduated from a closet to a closet-sized studio on the Lower East Side. Ruth, who was still trying to find a way to write down whom she saw and what she had experienced. Ruth, who wanted everyone to believe what she knew: that the dead truly talk to us, that in the air between the living, spirits bob and weave and laugh with us. They are the oxygen we breathe. Now I am in the place I call this wide wide Heaven because it includes all my simplest desires but also the most humble and grand. The word my grandfather uses is comfort. So there are cakes and pillows and colors galore, but underneath this more obvious patchwork quilt are places like a quiet room where you can go and hold someone's hand and not have to say anything. Give no story. Make no claim. Where you can live at the edge of your skin for as long as you wish. This wide wide Heaven is about flathead nails and the soft down of new leaves, wide roller coaster rides and escaped marbles that fall then hang then take you somewhere you could never have imagined in your small-heaven dreams.
Alice Sebold (The Lovely Bones)
May I invite you to rise to the great potential within you. But don’t reach beyond your capacity. Don’t set goals beyond your capacity to achieve. Don’t feel guilty or dwell on thoughts of failure. Don’t compare yourself with others. Do the best you can, and the Lord will provide the rest. Have faith and confidence in Him, and you will see miracles happen in your life and the lives of your loved ones. The virtue of your own life will be a light to those who sit in darkness, because you are a living witness of the fulness of the gospel (see D&C 45:28). Wherever you have been planted on this beautiful but often troubled earth of ours, you can be the one to “succor the weak, lift up the hands which hang down, and strengthen the feeble knees” (D&C 81:5).
Dieter F. Uchtdorf
Plant the seed whose vine or tree may hang you.
A.R. Ammons
I rose to standing, like Lars upon the barbican, the dark city spread at my feet. Lights twinkled in tavern windows, bobbed at the Wolfstoot Bridge construction. Once I had been suspended over this vast space, hanging and helpless, at a dragon’s mercy. Once I had feared that telling the truth would be like falling, that love would be like hitting the ground, but here I was, my feet firmly planted, standing on my own. We were all monsters and bastards, and we were all beautiful.
Rachel Hartman (Seraphina (Seraphina, #1))
If you're still hanging onto a dead dream of yesterday, laying flowers on its grave by the hour, you cannot be planting the seeds for a new dream to grow today
Joyce Chapman
Every gun that is made, every warship launched, every rocket fired signifies, in the final sense, a theft from those who hunger and are not fed, those who are cold and are not clothed. This world in arms is not spending money alone. It is spending the sweat of its laborers, the genius of its scientists, the hopes of its children. The cost of one modern heavy bomber is this: a modern brick school in more than 30 cities. It is two electric power plants, each serving a town of 60,000 population. It is two fine, fully equipped hospitals. It is some fifty miles of concrete pavement. We pay for a single fighter plane with a half million bushels of wheat. We pay for a single destroyer with new homes that could have housed more than 8,000 people. This is, I repeat, the best way of life to be found on the road the world has been taking. This is not a way of life at all, in any true sense. Under the cloud of threatening war, it is humanity hanging from a cross of iron.... Is there no other way the world may live?
Dwight D. Eisenhower
How lucky country children are in these natural delights that lie ready to their hand! Every season and every plant offers changing joys. As they meander along the lane that leads to our school all kinds of natural toys present themselves for their diversion. The seedpods of stitchwort hang ready for delightful popping between thumb and finger, and later the bladder campion offers a larger, if less crisp, globe to burst. In the autumn, acorns, beechnuts, and conkers bedizen their path, with all their manifold possibilities of fun. In the summer, there is an assortment of honeys to be sucked from bindweed flowers, held fragile and fragrant to hungry lips, and the tiny funnels of honeysuckle and clover blossoms to taste.
Miss Read (Village Diary (Chronicles of Fairacre, #2))
Xhex couldn't stop herself from torturing them both. She sent him a mental scene, drilling the image right into his head : the two of them in a private bathroom, him up on the sink and leaning back, her with one foot planted on the counter, his sex deep in hers, the two of them panting. While he stared accross the crowded room, John's mouth parted, and the flush on his cheeks had nothing to do with embarrassment and everything to do with the orgasm that was no doubt pounding up his shaft. God, she wanted him. His buddy, the readhead, snapped her out of the madness. Blaylock came back to the table with three beers hanging from their necks, and as he took a look at John's hard, sexep-up face, he stopped short and glanced over at her in surprise. Shit. Xhex waved off the bouncers who were coming up to her and walked out of the VIP section so fast, she nearly bowling-pinned a waitress. Her office was the only place that was safe, and she headed there at a dead run.
J.R. Ward (Lover Avenged (Black Dagger Brotherhood, #7))
The broken branch hissed loudly, and then that wind was converted into these words: "Briefly will you be answered. When the fierce soul departs from the body from which it has uprooted itself, Minos sends it to the seventh mouth. It falls into the wood, and no place is assigned to it, but where chance hurls it, there it sprouts like a grain of spelt. It grows into a shoot, then a woody plant; the Harpies, feeding on its leaves, give it pain and a window for the pain. Like the others, we will come for our remains, but not so that any may put them on again, for it is not just to have what one has taken from oneself. Here we will drag them, and through the sad wood our corpses will hang, each on the thornbrush of the soul that harmed it.
Dante Alighieri (Inferno)
Hanging around the small minded eventually makes us small minded. The plant only grows as big as the environment it's in.
Torron-Lee Dewar (Creativity is Everything)
Most of us have had the experience of creating beauty, whether by cleaning a room, planting a bed of flowers or hanging a painting. Our first impulse is to say, “Come and see! Look what I did!” Though it may be a long time since mom or dad came to see, we still have the need to share—to be seen, acknowledged, appreciated. But it’s more than approval we seek; we want to extend the joy. We want someone to help us make it more real, to linger with us in the warmth.
Laurie A. Helgoe (Introvert Power: Why Your Inner Life Is Your Hidden Strength)
N-nothing. Just …” I panic and blurt out the first thing that comes to mind. “Just—global warming.” I’m met with a series of blank stares. Great, I think with rising despair as the silence stretches on. This is exactly why you don’t hang out with Caz’s friends. Now they’re going to wonder why he’s dating someone with the social skills of a potted plant or a potential kink for a severe climate crisis— Then Daiki nods solemnly. “It’s a pressing issue, for sure.
Ann Liang (This Time It's Real)
We’d been to Boomer and Paula’s apartment once for Friday-night pizza. Their downstairs was an obstacle course of hanging plants in Velveeta-colored macramé holders that Paula had woven. Decoupaged greeting cards and studio portraits of Ashley covered the walls. Back at our place that evening, I had turned their home—their life—into a cartoon for Dante’s entertainment, had even gotten out of bed to imitate Paula’s walk. “Jut Butt,” I nicknamed her. Dante laughed so hard, he couldn’t breathe. Then he fell asleep while I sat up in bed, horrified at how vicious I could be toward a woman who’d just fed us.
Wally Lamb (She's Come Undone)
The plant succession that had begun in March with snowdrops and early crocuses would soon flicker out in a blaze of orange chrysanthemums and show its last pinpoints of color in bittersweet and ash berries hanging like embers in the general misty brown of the world.
Jane Smiley (Moo)
We Americans claim to be a peace-loving people. We hate bloodshed; we are opposed to violence. Yet we go into spasms of joy over the possibility of projecting dynamite bombs from flying machines upon helpless citizens. We are ready to hang, electrocute, or lynch anyone, who, from economic necessity, will risk his own life in the attempt upon that of some industrial magnate. Yet our hearts swell with pride at the thought that America is becoming the most powerful nation on earth, and that it will eventually plant her iron foot on the necks of all other nations. Such is the logic of patriotism.
Emma Goldman (Anarchism and Other Essays)
Between the roof of the shed and the big plant that hangs over the fence from the house next door I could see the constellation Orion. People say that Orion is called Orion because Orion was a hunter and the constellation looks like a hunter with a club and a bow and arrow, like this: But this is really silly because it is just stars, and you could join up the dots in any way you wanted, and you could make it look like a lady with an umbrella who is waving, or the coffeemaker which Mrs. Shears has, which is from Italy, with a handle and steam coming out, or like a dinosaur. And there aren't any lines in space, so you could join bits of Orion to bits of Lepus or Taurus or Gemini and say that they were a constellation called the Bunch of Grapes or Jesus or the Bicycle (except that they didn't have bicycles in Roman and Greek times, which was when they called Orion Orion). And anyway, Orion is not a hunter or a coffeemaker or a dinosaur. It is just Betelgeuse and Bellatrix and Alnilam and Rigel and 17 other stars I don't know the names of. And they are nuclear explosions billions of miles away. And that is the truth. I stayed awake until 5:47. That was the last time I looked at my watch before I fell asleep. It has a luminous face and lights up if you press a button, so I could read it in the dark. I was cold and I was frightened Father might come out and find me. But I felt safer in the garden because I was hidden. I looked at the sky a lot. I like looking up at the sky in the garden at night. In summer I sometimes come outside at night with my torch and my planisphere, which is two circles of plastic with a pin through the middle. And on the bottom is a map of the sky and on top is an aperture which is an opening shaped in a parabola and you turn it round to see a map of the sky that you can see on that day of the year from the latitude 51.5° north, which is the latitude that Swindon is on, because the largest bit of the sky is always on the other side of the earth. And when you look at the sky you know you are looking at stars which are hundreds and thousands of light-years away from you. And some of the stars don't even exist anymore because their light has taken so long to get to us that they are already dead, or they have exploded and collapsed into red dwarfs. And that makes you seem very small, and if you have difficult things in your life it is nice to think that they are what is called negligible, which means that they are so small you don't have to take them into account when you are calculating something. I didn't sleep very well because of the cold and because the ground was very bumpy and pointy underneath me and because Toby was scratching in his cage a lot. But when I woke up properly it was dawn and the sky was all orange and blue and purple and I could hear birds singing, which is called the Dawn Chorus. And I stayed where I was for another 2 hours and 32 minutes, and then I heard Father come into the garden and call out, "Christopher...? Christopher...?
Mark Haddon (The Curious Incident of the Dog in the Night-Time)
I cross to her and cup her face in my hands. “If we were different people in different circumstances, I would get down on my knees and beg you to stay at the end of the winter. I would move heaven and earth and the Underworld itself to keep you with me.” She blinks those big hazel eyes at me and licks her lips. “If…” She sounds so hesitant, I simultaneously want to gather her into my arms and don’t want to move in case she never finishes that sentence. She doesn’t leave me hanging long. “If we were different people, you wouldn’t have to beg. I’d plant my roots right here in this house, and it would take a catastrophic event to make me walk away.
Katee Robert (Neon Gods (Dark Olympus, #1))
Eep,” Bumblebee said in an even smaller voice. “Beebuf?” “Get off my face,” Sundew snapped. “CAREFULLY. I am REALLY MAD AT YOU.” “Beebeebeebeebeebuf,” Bumblebee protested, wiggling down until she was hanging from Sundew’s snout with her tail around Sundew’s neck. She managed to scoot herself back into the sling and leaned into Sundew’s chest, patting her heart under the jade frog. “Meesnugoo.” “Goo is right,” Sundew said, studying their abductor. She was stuck on one of the towering leaves of a plant that sprawled across a small island in the lake below her. The leaf was bright lime green, with hundreds of thin red stalks poking out of it that made the entire plant look fuzzily scarlet from afar. At the tip of each stalk was a glistening drop, like a translucent murder pearl.
Tui T. Sutherland (The Poison Jungle (Wings of Fire, #13))
We are poor plants buoyed up by the air-vessels of our own conceit: alas for us, if we get a few pinches that empty us of that windy self-subsistence! The very capacity for good would go out of us. For, tell the most impassioned orator, suddenly, that his wig is awry, or his shirt-lap hanging out, and that he is tickling people by the oddity of his person, instead of thrilling them by the energy of his periods, and you would infallibly dry up the spring of his eloquence. That is a deep and wide saying, that no miracle can be wrought without faith--without the worker's faith in himself, as well as the recipient's faith in him. And the greater part of the worker's faith in himself is made up of the faith that others believe in him.m
George Eliot (Amos Barton (Hesperus Classics))
Mortals are strange creatures; they cling to life even when that life is nothing but pain and misery, yet they will throw away their lives for a word, an idea, even a flag. Wolves piss to mark their territory. Smell the stench of another pack and wolves will quietly slink away. Why risk a fight when it might maim or kill you? But humans will slash and slaughter in their thousands to plant their little piece of cloth on a hill or hang it from a battlement.
Karen Maitland (The Gallows Curse)
The still air smelled of sweetgrass hanging from the rafters. What words can capture that smell? The fragrance of your mother’s newly washed hair as she holds you close, the melancholy smell of summer slipping into fall, the smell of memory that makes you close your eyes for a moment, and then a moment longer.
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants)
They looked at each other for a moment. The moment became a longer moment, and suddenly it was a very long moment, so long one could hardly tell where all the time was coming from. For Arthur, who could usually contrive to feel self-conscious if left alone with a Swiss cheese plant, the moment was one of sustained revelation. He felt on the sudden like a cramped and zoo-born animal who wakes up one morning to find the door to his cage hanging quietly open and the savanna stretching gray and pink to the distant rising sun, while all around new sounds are waking. He wondered what the new sounds were as he gazed at her openly wondering face and her eyes that smiled with a shared surprise. He hadn't realized that life speaks with a voice to you, a voice that brings you answers to the questions you continually ask of it, had never consciously detected it or recognized its tones until it now said something it had never said to him before, which was "yes.
Douglas Adams (So Long, and Thanks for All the Fish (The Hitchhiker's Guide to the Galaxy, #4))
I hate the small looking-glass on the stairs," said Jinny. "It shows our heads only; it cuts off our heads...So I skip up the stairs past them, to the next landing, where the long glass hangs, and I see myself entire. I see my body and head in one now; for even in this serge frock they are one, my body and my head. Look, when I move my head I ripple all down my narrow body; even my thin legs rippled like a stalk in the wind. I flicker between the set face of Susan and Rhoda's vagueness; I leap like one of those flames that run between the cracks of the earth; I move, I dance, I never cease to move and dance. I move like the leaf that moved in the hedge as a child and frightened me. i dance over these streaked, these impersonal, distempered walls with their yellow skirting as firelight dances over teapots. i catch fire even from women's cold eyes. when I read, a purple rim runs around the black edge of the textbook. yet I cannot follow any word through its changes. I cannot follow any thought from present to past. I do not stand lost, like Susan, with tears in my eyes remembering home; or lie, like Rhoda, crumpled among the ferns, staining my pink cotton green, while I dream of plants that flower under the sea, and rocks through which the fish swim slowly. I do not dream.
Virginia Woolf (The Waves)
One cannot escape their fate, but their path may be altered, potentially resulting in a different outcome. Some consider it divine intervention, or a miracle. Others consider it to be coincidence or happenstance. In some cases both are true, but there are always exceptions. Mere seconds can prove to be crucial components when the result of one's fate is hanging in the balance. Often times a minute amount of influence is all it takes. Planting a seed of doubt or inspiring hope when all seems to be lost.
A.C. Heller (Fate (Sacrifice, #1))
Recently painted a deep plum color, the shutters folded back across the glass like a gentle accordion. As they did, a large bay window, framed by hanging baskets of wispy honeysuckle and Persian jasmine, revealed itself to the morning sun. The flowers in the baskets matched the dewy blossoms planted in two deep barrels directly below the ledge.
Marsha Mehran (Rosewater and Soda Bread (Babylon Café #2))
On the Term of Exile No need to drive a nail into the wall To hang your hat on; When you come in, just drop it on the chair No guest has sat on. Don’t worry about watering the flowers— In fact, don’t plant them. You will have gone back home before they bloom, And who will want them? If mastering the language is too hard, Only be patient; The telegram imploring your return Won’t need translation. Remember, when the ceiling sheds itself In flakes of plaster, The wall that keeps you out is crumbling too, As fast or faster.
BY BERTOLT BRECHT TRANSLATED FROM THE GERMAN BY ADAM KIRSCH
Like a good seed planted on a good soil it don't matter how long it get walked and stepped on, it will still grow up and see better fruits hanging on it branches
Ben Jr Grey
even the most dependable of men will stumble every now and then There are some people who insist that every time one door closes, another door opens, but this isn't always the case. There are doors that are meant to stay closed, ones that lead to rooms filled with serpents, rooms of regret, rooms that will lbind you if you dare to raise your eye to the keyhole in all innocence, simply to see what's inside Silence doesn't frighten us. We can just look at each other and recognize that there is pain in this world, even on beautiful nights when twilight settles in our backyards , sifting through the grass and the hedges you can't change what's means to be I had found if you didn't expect much, you weren't disappointed as much I'd simply have to live with the doubt hanging over me You could tell she didn't want to, she was trying with all her might to hold it back, but sometimes it's impossible to do that. I know from personal experience. You have to turn yourself cold as ice in order to stop yourself, and then if anything falls from your eyes it will only be blue ice crystals, hard and unbreakable as stone people who have faith were ao lucky, you didn't want to ruin anything for them. you didn't want to plant doubt where there was none. you had to treat such individuals tenderly and hope that some of whatever they were feeling rubs off on you everything is stupid when you really think about it. people get up everyday and they act like whatever they do is so important , but they're all just going to die in the end, so none of it matters.
Alice Hoffman (Blue Diary)
The city enchants you, then brings you right back down to reality. I’ve never been anyplace that I want to capture so much. I spend a lot of time photographing things that seem uniquely Italian – laundry hanging in the alleyway, red geraniums planted in old tomato- sauce cans – but mostly I try to capture the people. Italians are so expressive: you never have to guess what they’re feeling.
Jenna Evans Welch (Love & Gelato (Love & Gelato, #1))
What are you doing?" "I went to the woods this morning and dug these up. For her," he says. "I thought we could plant them along the side of the house." I look at the bushes, the clods of dirt hanging from their roots, and catch my breath as the word /rose/ registers. I'm about to yell vicuous things at Peeta when the full name comes to me. Not plain rose but evening primrose. The flower my sister was named for.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
Every gun that is made, every warship launched, every rocket fired signifies, in the final sense, a theft from those who hunger and are not fed, those who are cold and are not clothed. This world in arms is not spending money alone. It is spending the sweat of its laborers, the genius of its scientists, the hopes of its children. The cost of one modern heavy bomber is this: a modern brick school in more than 30 cities. It is two electric power plants, each serving a town of 60,000 population. It is two fine, fully equipped hospitals. It is some fifty miles of concrete pavement. We pay for a single fighter plane with a half million bushels of wheat. We pay for a single destroyer with new homes that could have housed more than 8,000 people. This is, I repeat, the best way of life to be found on the road the world has been taking. This is not a way of life at all, in any true sense. Under the cloud of threatening war, it is humanity hanging from a cross of iron. These plain and cruel truths define the peril and point the hope that come with this spring of 1953.
Dwight D. Eisenhower
How I met Tyler was I went to a nude beach. This was the very end of summer, and I was asleep. Tyler was naked and sweating, gritty with sand, his hair wet and stringy, hanging in his face. Tyler had been around before we met. Tyler was pulling driftwood logs out of the surf and dragging them up the beach. In the wet sand, he’d already planted a half circle of logs so they stood a few inches apart and as tall as his eyes. There were four logs, and when I woke up, I watched Tyler pull a fifth log up the beach. Tyler dug a hole under one end of the log, then lifted the other end until the log slid into the hole and stood there at a slight angle. You wake up at the beach. We were the only people on the beach. With a stick, Tyler drew a straight line in the sand several feet away. Tyler went back to straighten the log by stamping sand around its base. I was the only person watching this. Tyler called over, “Do you know what time it is?” I always wear a watch, “Do you know what time it is?” I asked, where? “Right here,” Tyler said. “Right now.” It was 4:06 P.M. After a while, Tyler sat cross-legged in the shadow of the standing logs. Tyler sat for a few minutes, got up and took a swim, pulled on a T-shirt and a pair of sweatpants, and started to leave. I had to ask. I had to know what Tyler was doing while I was asleep. If I could wake up in a different place, at a different time, could I wake up as a different person? I asked if Tyler was an artist. Tyler shrugged and showed me how the five standing logs were wider at the base. Tyler showed me the line he’d drawn in the sand, and how he’d used the line to gauge the shadow cast by each log. Sometimes, you wake up and have to ask where you are. What Tyler had created was the shadow of a giant hand. Only now the fingers were Nosferatu-long and the thumb was too short, but he said how at exactly four-thirty the hand was perfect. The giant shadow hand was perfect for one minute, and for one perfect minute Tyler had sat in the palm of a perfection he’d created himself. You wake up, and you’re nowhere. One minute was enough Tyler said, a person had to work hard for it, but a minute of perfection was worth the effort. A moment was the most you could ever expect from perfection. You wake up, and that’s enough
Chuck Palahniuk (Fight Club)
There were all shorts of dreamt lights at the Barns: fireflies in the fields, stars tangled in the trees, orbs hanging in the long barn over his work, eternal wee candles in each of the windows that faced the backyard. The one in Adam's hand was too ferociously bright to look at directly; it was a sun. Gansey had asked Ronan to keep his mint plant alive while he road-tripped, and Ronan, unsure of how to keep plants alive inside, had dreamt the outside in.
Maggie Stiefvater (Call Down the Hawk (Dreamer Trilogy, #1))
On Sunday, a lambent crevice opened up in the street outside my house, By Tuesday birds were flying into it. "I probably won't miss you," my mother said, "I'm only interested in the end of the world," I replied. Many find it difficult to breath without the atmosphere but we knew how. We just stopped breathing. We're at the Moonlite All-Nite Dinner and they're serving up fruit from the plants growing out of the waitress. The CLOSED sign whispers, "Please, don't touch me." We watch bodies fall to the ground outside like deep-sea creatures surfacing. You turn to me and ask, "Do you ever think about suicide?" I look away from you and close my eyes, eat the raspberries to confuse the blood in my mouth. Now you're in the only car in the parking lot at midnight and you're watching me throw stones at the moon, which hangs low in the sky so he can look into your house. Your sister tried to touch him from her bedroom window once, and he flinched; now he and the oceans watch her with a quiet concern. The lilac sky is trying to rest her head on his shoulder, all trees gradually growing through her. A hummingbird whispers to you, "Be careful, under her dress is her skin," and then builds his nest in the middle of the highway, I look back at you, and you close your eyes.
Katherine Ciel
Well, er…it’s…well, it’s…it’s symbolic, Archchancellor.” “Ah?” The Senior Wrangler felt that something more was expected. He groped around in the dusty attics of his education. “Of…the leaves, d’y’see…they’re symbolic of…of green, d’y’see, whereas the berries, in fact, yes, the berries symbolize…symbolize white. Yes. White and green. Very…symbolic.” He waited. He was not, unfortunately, disappointed. “What of?” The Senior Wrangler coughed. “I’m not sure there has to be an of,” he said. “Ah? So,” said the Archchancellor, thoughtfully, “it could be said that the white and green symbolize a small parasitic plant?” “Yes, indeed,” said the Senior Wrangler. “So mistletoe, in fact, symbolizes mistletoe?” “Exactly, Archchancellor,” said the Senior Wrangler, who was now just hanging on. “Funny thing, that,” said Ridcully, in the same thoughtful tone of voice. “That statement is either so deep it would take a lifetime to fully comprehend every particle of its meaning, or it is a load of absolute tosh. Which is it, I wonder?
Terry Pratchett (Hogfather (Discworld, #20))
Every gun that is made, every warship launched, every rocket fired signifies, in the final sense, a theft from those who hunger and are not fed, those who are cold and are not clothed. This world in arms is not spending money alone. It is spending the sweat of its laborers, the genius of its scientists, the hopes of its children. The cost of one modern heavy bomber is this: a modern brick school in more than 30 cities. It is two electric power plants, each serving a town of 60,000 population. It is two fine, fully equipped hospitals. It is some fifty miles of concrete pavement. We pay for a single fighter with a half-million bushels of wheat. We pay for a single destroyer with new homes that could have housed more than 8,000 people. . . This is not a way of life at all, in any true sense. Under the cloud of threatening war, it is humanity hanging from a cross of iron.
Dwight D. Eisenhower
Over the course of just the last two days Mateo was clearly getting worse, wilting and going brittle, barely hanging on. If he were a plant, I could repot him in this new, chocolate-cake soil and water him, and maybe he’d take root and get a second life, but, unfortunately, Mateo was a boy, not a plant.
Dahlia Adler (That Way Madness Lies: XV of Shakespeare's Most Notable Works Reimagined)
I never gave a lock of hair away To a man, Dearest, except this to thee, Which now upon my fingers thoughtfully I ring out to the full brown length and say “Take it.”  My day of youth went yesterday; My hair no longer bounds to my foot’s glee, Nor plant I it from rose- or myrtle-tree, As girls do, any more: it only may Now shade on two pale cheeks the mark of tears, Taught drooping from the head that hangs aside Through sorrow’s trick.  I thought the funeral-shears Would take this first, but Love is justified,— Take it thou,—finding pure, from all those years, The kiss my mother left here when she died.
Elizabeth Barrett Browning (Sonnets from the Portuguese)
A YEAR OR SO AGO I READ AN ARTICLE THAT SAID in the next five years we will become a conglomerate of the people we hang out with. The article went so far as to say relationships were a greater predictor of who we will become than exercise, diet, or media consumption. And if you think about it, the idea makes sense. As much as we are independent beings, contained in our own skin, the ideas and experiences we exchange with others grow into us like vines and reveal themselves in our mannerisms and language and outlook on life. If you want to make a sad person happy, start by planting them in a community of optimists.
Donald Miller (Scary Close: Dropping the Act and Acquiring a Taste for True Intimacy)
If only humankind would soon succeed in destroying itself; true, I'm afraid : it will take a long time yet, but they'll manage it for sure. They'll have to learn to fly too, so that it will be easier to toss firebrands into cities (a pretty sight : a portly, bronze boat perhaps, from which a couple of mail-clad warriors contemptuously hurl a few flaming armored logs, while from below they shoot at the scaly beasts with howling arrows. They could also easily pour burning oil out of steel pitchers. Or poison. In the wells. By night). Well, they'll manage it all right (if I can come up with that much !). For they pervert all things to evil. The alphabet : it was intended to record timeless poetry or wisdom or memories - but they scrawl myriads of trashy novels and inflammatory pamphlets. What do they deftly make of metals ? Swords and arrow tips. - Fire ? Cities are already smoldering. And in the agora throng the pickpockets and swashbucklers, cutpurses, bawds, quacks and whores. And at best, the rest are simpletons, dandies, and brainless yowlers. And every one of them self-complacent, pretending respectability, bows politely, puffs out coarse cheeks, waves his hands, ogles, jabbers, crows. (They have many words : Experienced : someone who knows plenty of the little underhanded tricks. - Mature : has finally unlearned every ideal. Sophisticated : impertinent and ought to have been hanged long ago.) Those are the small fry; and the : every statesman, politician, orator; prince, general, officer should be throttled on the spot before he has time or opportunity to earn the title at humankind's expense. - Who alone can be great ? Artists and scientists ! And no one else ! And the least of them, if an honest man, is a thousand times greater than the great Xerxes. - If the gods would grant me 3 wishes, one of them would be immediately to free the earth of humankind. And of animals, too (they're too wicked for me as well). Plants are better (except for the insectavores) - The wind has picked up.
Arno Schmidt
I shall desire you as I desire in turn the fruit that hangs out of reach, the far-off water, and the blissful little house that I pass by. In each place where my desires have strayed, I leave thousands and thousands of shadows in my own shape, shed from me: one lies on the warm blue rocks of the ledges in my own country, another in the damp hollow of a sunless valley, and a third follows a bird, a sail, the wind and the wave. You keep the most enduring of them: a naked, undulating shadow, trembling with pleasure like a plant in the stream. But time will dissolve it like the others, and you will no longer know anything of me until the day when my steps finally halt and there will fly away from me a last small shadow.
Colette (The Vagabond)
The Paleozoic was followed by the Permian extinction, when 95 percent of all life on Earth—plants and animals on both land and sea—died. Just like that. Just when they were beginning to get the hang of it. (To be fair, the period of extinction lasted millions of years, so “just like that” is an exaggeration, but scientists still don’t know for sure why it happened.)
Caroline Taggart (I Used to Know That (Stuff You Forgot from School))
BARABAS: As for myself, I walk abroad a-nights, And kill sick people groaning under walls. Sometimes I go about and poison wells; And now and then, to cherish Christian thieves, I am content to lose some of my crowns, That I may, walking in my gallery, See 'em go pinion'd along by my door. Being young, I studied physic, and began To practice first upon the Italian; There I enrich'd the priests with burials, And always kept the sexton's arms in ure With digging graves and ringing dead men's knells. And, after that, was I an engineer, And in the wars 'twixt France and Germany, Under pretence of helping Charles the Fifth, Slew friend and enemy with my stratagems: Then, after that, was I an usurer, And with extorting, cozening, forfeiting, And tricks belonging unto brokery, I fill'd the gaols with bankrupts in a year, And with young orphans planted hospitals; And every moon made some or other mad, And now and then one hang himself for grief, Pinning upon his breast a long great scroll How I with interest tormented him. But mark how I am blest for plaguing them: I have as much coin as will buy the town.
Christopher Marlowe (The Jew of Malta)
Maybe the real is the way your palms fit against my face, or the way you hold my life inside you until it is nothing at all, the way this plant droops, this flower called Heart’s Bursting Flower, with its beads of red hanging from their delicate threads any breeze might break, any word might shatter, any hurt might crush. — Richard Jackson, Superstition Review issue 2 fall 2008
Richard Jackson
For Arthur, who could usually contrive to feel self-conscious if left alone for long enough with a Swiss cheese plant, the moment was one of sustained revelation. He felt on the sudden like a cramped and zoo-born animal who wakes one morning to find the door to his cage hanging quietly open and the savanna stretching gray and pink to the distant rising sun, while all around new sounds are waking.
Douglas Adams (The Ultimate Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide to the Galaxy #1-5))
We mark the days by chores that need to be done, the way farm families have always done. Al feeds the hens and horses and pigs, splits wood in the fall, slaughters a pig when the weather turns cold, cuts ice in the winter. I collect eggs from the laying hens and Al drives me into town to sell them. He times the planting so that by the Fourth of July we'll have new peas and by September there's a whole field of corn. Gulls lunge for a feast, ravaging the crop, so Al kills a few and hangs them from poles as warning. During haying season in midsummer, I see him from the dining room window in his visored cap, scything the hay by hand with six hired men walking abreast, forking the newly mown hay onto the hayrack. They haul the hay to the barn, where a block-and-tackle hoist lifts it into the mow.
Christina Baker Kline (A Piece of the World)
Many different kinds of sprouts lay torn. Green, purple and orange leaves lay scattered across the dark soil, and the thorn fence surrounding the bed had a fist-sized hole in it. Teacher eased himself into a squat, poked at the inside of the hole. Whatever made the hole had left blood on the thorns. The sprouts looked like wispy ghosts, pale and broken. Their delicate leaves and stems were riddled with bites. Life drained out of them like water dripping from a hanging cloth, and a breeze made them dance sadly. It felt like a funeral. Teacher picked up a gnawed berry and gently squeezed it until purple juice dripped down his thumb. He placed the berry by the plant’s roots. Chandi’s small face bunched up. “Are they dead?” “They’re dying, yes.” Yuvali took her hand. “But their bodies will help other plants grow.
B.T. Lowry (Fire from the Overworld)
Cricket asked, wide-eyed. “Then it releases its digestive juices and eats you,” Sundew said. “Obviously.” She swatted at Blue as he tried reaching for Swordtail again. “SWORDTAIL!” Cricket and Blue yelled in unison. “It’s pretty definitely figured out he’s alive by now,” Sundew said. She pointed to the long hairs along the edges of the plant’s mouth, which were starting to lock firmly together. “It won’t drop him even if he does shut up long enough to hear us. But it’s a slow process — it’ll take at least half a day before it kills him.” “Can’t we slice it open and cut him out?” Cricket asked, raising one of her talons to flex her claws. Sundew shook her head. “They’ve adapted for that. It takes forever to saw through the shell of a dragon-trap. Plus they grow in clusters like this on purpose, so if you try, another one will get you.” She pointed to the gaping pink jaws hanging from the trees all around them, particularly the one leaning over Swordtail’s plant, ready to swallow any dragon who tried to help him. Blue paced up and down the branch. “Swordtail!” he called again. “We’ll get you out, I promise!” “So what do you normally do?” Cricket asked Sundew. “Your tribe must have found a way to rescue dragons from being eaten.
Tui T. Sutherland (The Poison Jungle (Wings of Fire, #13))
After Wilmington, the daily drinking stopped. He’d go a week, sometimes two, without anything stronger than diet soda. He’d wake up without a hangover, which was good. He’d wake up thirsty and miserable—wanting—which wasn’t. Then there would come a night. Or a weekend. Sometimes it was a Budweiser ad on TV that set him off—fresh-faced young people with nary a beergut among them, having cold ones after a vigorous volleyball game. Sometimes it was seeing a couple of nice-looking women having after-work drinks outside some pleasant little café, the kind of place with a French name and lots of hanging plants. The drinks were almost always the kind that came with little umbrellas. Sometimes it was a song on the radio. Once it was Styx, singing “Mr. Roboto.” When he was dry, he was completely dry. When he drank, he got drunk. If he
Stephen King (Doctor Sleep (The Shining, #2))
These domestic accounts—which take up a lot of the nearly six-hundred-page compilation of his travel, war, and domestic diaries published in 2009—stand out in his work as records of something almost antithetical to the subjects of a political writer: places in which nothing was seriously wrong and no conflicts raged. The minor troubles—a jackdaw hanging around the chicken coops, potatoes rotted by frost, goats terrified by thunder, birds eating the strawberries, greenfly on the roses, and lots of slugs—worked against the gardener’s agenda but not against any law of nature or morality. The majority of his entries are concerned with his own activity with his domesticated plants and animals, but he makes notes as well on the agricultural fields beyond and the wild things around him. Occasional speculations and small experiments are also recorded.
Rebecca Solnit (Orwell's Roses)
He had been too busy with the autumn pruning the last few days to stop as he often did to admire the close growing hydrangea bushes, their dark glossy leaves crowned with clusters of deep blue flowers. Now to his annoyance he saw that one of the tallest and most handsome plants, in the back row, a few feet out from the wall directly below the tower, had been badly crushed and broken, the beautiful blue heads limp on their stalks.
Joan Lindsay (Picnic at Hanging Rock)
On little octagon tables candles burned in glass globes; clumps of stiff-leaved plants separated sets of cosy wicker chairs; and between the pairs of columns, whose reddish shafts caught in a long row the sheen from the tall windows, the night, glittering and sombre, seemed to hang like a splendid drapery. The riding lights of ships winked afar like setting stars, and the hills across the roadstead resembled rounded black masses of arrested thunder-clouds.
Joseph Conrad (Delphi Complete Works of Joseph Conrad)
There was a note on the table.” “Bring it here,” Van Eck barked. The boy strode down the aisle, and Van Eck snatched the note from his hand. “What does it … what does it say?” asked Bajan. His voice was tremulous. Maybe Inej had been right about Alys and the music teacher. Van Eck backhanded him. “If I find out you knew anything about this—” “I didn’t!” Bajan cried. “I knew nothing. I followed your orders to the letter!” Van Eck crumpled the note in his fist, but not before Inej made out the words in Kaz’s jagged, unmistakable hand: Noon tomorrow. Goedmedbridge. With her knives. “The note was weighted down with this.” The boy reached into his pocket and drew out a tie pin—a fat ruby surrounded by golden laurel leaves. Kaz had stolen it from Van Eck back when they’d first been hired for the Ice Court job. Inej hadn’t had the chance to fence it before they left Ketterdam. Somehow Kaz must have gotten hold of it again. “Brekker,” Van Eck snarled, his voice taut with rage. Inej couldn’t help it. She started to laugh. Van Eck slapped her hard. He grabbed her tunic and shook her so that her bones rattled. “Brekker thinks we’re still playing a game, does he? She is my wife. She carries my heir.” Inej laughed even harder, all the horrors of the past week rising from her chest in giddy peals. She wasn’t sure she could have stopped if she wanted to. “And you were foolish enough to tell Kaz all of that on Vellgeluk.” “Shall I have Franke fetch the mallet and show you just how serious I am?” “Mister Van Eck,” Bajan pleaded. But Inej was done being frightened of this man. Before Van Eck could take another breath, she slammed her forehead upward, shattering his nose. He screamed and released her as blood gushed over his fine mercher suit. Instantly, his guards were on her, pulling her back. “You little wretch,” Van Eck said, holding a monogrammed handkerchief to his face. “You little whore. I’ll take a hammer to both your legs myself—” “Go on, Van Eck, threaten me. Tell me all the little things I am. You lay a finger on me and Kaz Brekker will cut the baby from your pretty wife’s stomach and hang its body from a balcony at the Exchange.” Ugly words, speech that pricked her conscience, but Van Eck deserved the images she’d planted in his mind. Though she didn’t believe Kaz would do such a thing, she felt grateful for each nasty, vicious thing Dirtyhands had done to earn his reputation—a reputation that would haunt Van Eck every second until his wife was returned. “Be silent,” he shouted, spittle flying from his mouth. “You think he won’t?” Inej taunted. She could feel the heat in her cheek from where his hand had struck her, could see the mallet still resting in the guard’s hand. Van Eck had given her fear and she was happy to return it to him. “Vile, ruthless, amoral. Isn’t that why you hired Kaz in the first place? Because he does the things that no one else dares? Go on, Van Eck. Break my legs and see what happens. Dare him.” Had she really believed a merch could outthink Kaz Brekker? Kaz would get her free and then they’d show this man exactly what whores and canal rats could do. “Console yourself,” she said as Van Eck clutched the ragged corner of the table for support. “Even better men can be bested.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Hate is such a heavy burden to carry. There are those who can't even sleep. They can't wait to log on to their social media accounts, so they can plant the seed of hate to others. Every time you say something . Know you are planting a seed. The question is ,what seed are you planting with your social account? What are you planting when you speak to other people or what seed is planted to you by the people you follow, or the people hang around with. Luke 8: 5-18
D.J. Kyos
We opened one, store number 8 in Morrilton, Arkansas, that was really a sight. We rented this old Coca-Cola bottling plant. It was all broken up into five rooms, and we bought some old fixtures from a failing Gibson’s store for $3,000. We hung them by baling wire from the ceiling. We had clothes hanging in layers on conduit pipe all the way to the ceiling, and shelves wired into the walls. But this was really a small, small town, so number 8 was another experiment. We
Sam Walton (Sam Walton: Made In America)
The page begins with the person’s picture. A photo if we can find it. If not, a sketch or painting by Peeta. Then, in my most careful handwriting, come all the details it would be a crime to forget. Lady licking Prim’s cheek. My father’s laugh. Peeta’s father with the cookies. The color of Finnick’s eyes. What Cinna could do with a length of silk. Boggs reprogramming the Holo. Rue poised on her toes, arms slightly extended, like a bird about to take flight. On and on. We seal the pages with salt water and promises to live well to make their deaths count. Haymitch finally joins us, contributing twenty-three years of tributes he was forced to mentor. Additions become smaller. An old memory that surfaces. A late primrose preserved between the pages. Strange bits of happiness, like the photo of Finnick and Annie’s newborn son. We learn to keep busy again. Peeta bakes. I hunt. Haymitch drinks until the liquor runs out, and then raises geese until the next train arrives. Fortunately, the geese can take pretty good care of themselves. We’re not alone. A few hundred others return because, whatever has happened, this is our home. With the mines closed, they plow the ashes into the earth and plant food. Machines from the Capitol break ground for a new factory where we will make medicines. Although no one seeds it, the Meadow turns green again. Peeta and I grow back together. There are still moments when he clutches the back of a chair and hangs on until the flashbacks are over. I wake screaming from nightmares of mutts and lost children. But his arms are there to comfort me. And eventually his lips. On the night I feel that thing again, the hunger that overtook me on the beach, I know this would have happened anyway. That what I need to survive is not Gale’s fire, kindled with rage and hatred. I have plenty of fire myself. What I need is the dandelion in the spring. The bright yellow that means rebirth instead of destruction. The promise that life can go on, no matter how bad our losses. That it can be good again. And only Peeta can give me that. So after, when he whispers, “You love me. Real or not real?” I tell him, “Real.
Suzanne Collins (The Hunger Games: Four Book Collection (The Hunger Games, Catching Fire, Mockingjay, The Ballad of Songbirds and Snakes))
أعطني الناي وغني ~ جبران خليل جبران أعطني الناي وغني فالغنا سر الوجود وأنين الناي يبقى بعد أن يفنى الوجود هل إتخذت الغاب مثلي منـزلاً دون القصور فتتبعت السواقي وتسلقت الصخور هل تحممت بعطره وتنشفت بنور وشربت الفجر خمراً من كؤوس من أثير هل جلست العصر مثلي بين جفنات العنب والعناقيد تدلت كثريات الذهب هل فرشت العشب ليلاً وتلحفت الفضاء زاهداً في ما سيأتي ناسياً ما قد مضى أعطني الناي وغني وانسى داء ودواء إنما الناس سطورٌ كتبت لكن بماء. Give me the Flute and Sing Give me the flute and sing for singing is the secret of existence. And the sound of the flute remains. After the end of existence. Have you, as i did, taken the jungle. A house without limitations. Have you followed the Runnels. And climbed the rocks. have you bathed in its fragrance and dried yourself in its light. Have you tried drinking the Dawn as your wine out of divine cups. Have you, as i did, sat in the afternoon. Between the grapes plants with the clusters hanging like golden chandlers. Have you, as i did, slept on the grass at night. And used the sky as you blanket. Ascetic in what will come. Forgetting what has passed. Give me the flute and sing. Forget the disease and medication. For people are only lines. written with water.
Jubrān Khalīl Jubrān (UML para Negócios: Modelagem Do Seu Negócio Orientada a Sistemas (Portuguese Edition))
On the labour front in 1919 there was an unprecedented number of strikes involving many millions of workers. One of the lager strikes was mounted by the AF of L against the United States Steel Corporation. At that time workers in the steel industry put in an average sixty-eight-hour week for bare subsistence wages. The strike spread to other plants, resulting in considerable violence -- the death of eighteen striking workers, the calling out of troops to disperse picket lines, and so forth. By branding the strikers Bolsheviks and thereby separating them from their public support, the Corporation broke the strike. In Boston, the Police Department went on strike and governor Calvin Coolidge replaced them. In Seattle there was a general strike which precipitated a nationwide 'red scare'. this was the first red scare. Sixteen bombs were found in the New York Post Office just before May Day. The bombs were addressed to men prominent in American life, including John D. Rockefeller and Attorney General Mitchell Palmer. It is not clear today who was responsible for those bombs -- Red terrorists, Black anarchists, or their enemies -- but the effect was the same. Other bombs pooped off all spring, damaging property, killing and maiming innocent people, and the nation responded with an alarm against Reds. It was feared that at in Russia, they were about to take over the country and shove large cocks into everyone's mother. Strike that. The Press exacerbated public feeling. May Day parades in the big cities were attacked by policemen, and soldiers and sailors. The American Legion, just founded, raided IWW headquarters in the State of Washington. Laws against seditious speech were passed in State Legislatures across the country and thousands of people were jailed, including a Socialist Congressman from Milwaukee who was sentenced to twenty years in prison. To say nothing of the Espionage and Sedition Acts of 1917 which took care of thousands more. To say nothing of Eugene V. Debs. On the evening of 2 January 1920, Attorney General Palmer, who had his eye on the White House, organized a Federal raid on Communist Party offices throughout the nation. With his right-hand assistant, J. Edgar Hoover, at his right hand, Palmer effected the arrest of over six thousand people, some Communist aliens, some just aliens, some just Communists, and some neither Communists nor aliens but persons visiting those who had been arrested. Property was confiscated, people chained together, handcuffed, and paraded through the streets (in Boston), or kept in corridors of Federal buildings for eight days without food or proper sanitation (in Detroit). Many historians have noted this phenomenon. The raids made an undoubted contribution to the wave of vigilantism winch broke over the country. The Ku Klux Klan blossomed throughout the South and West. There were night raidings, floggings, public hangings, and burnings. Over seventy Negroes were lynched in 1919, not a few of them war veterans. There were speeches against 'foreign ideologies' and much talk about 'one hundred per cent Americanism'. The teaching of evolution in the schools of Tennessee was outlawed. Elsewhere textbooks were repudiated that were not sufficiently patriotic. New immigration laws made racial distinctions and set stringent quotas. Jews were charged with international conspiracy and Catholics with trying to bring the Pope to America. The country would soon go dry, thus creating large-scale, organized crime in the US. The White Sox threw the Series to the Cincinnati Reds. And the stage was set for the trial of two Italian-born anarchists, N. Sacco and B. Vanzetti, for the alleged murder of a paymaster in South Braintree, Mass. The story of the trial is well known and often noted by historians and need not be recounted here. To nothing of World War II--
E.L. Doctorow (The Book of Daniel)
I take 1 gram (1,000 mg) of NMN every morning, along with 1 gram of resveratrol (shaken into my homemade yogurt) and 1 gram of metformin.7 • I take a daily dose of vitamin D, vitamin K2, and 83 mg of aspirin. • I strive to keep my sugar, bread, and pasta intake as low as possible. I gave up desserts at age 40, though I do steal tastes. • I try to skip one meal a day or at least make it really small. My busy schedule almost always means that I miss lunch most days of the week. • Every few months, a phlebotomist comes to my home to draw my blood, which I have analyzed for dozens of biomarkers. When my levels of various markers are not optimal, I moderate them with food or exercise. • I try to take a lot of steps each day and walk upstairs, and I go to the gym most weekends with my son, Ben; we lift weights, jog a bit, and hang out in the sauna before dunking in an ice-cold pool. • I eat a lot of plants and try to avoid eating other mammals, even though they do taste good. If I work out, I will eat meat. • I don’t smoke. I try to avoid microwaved plastic, excessive UV exposure, X-rays, and CT scans. • I try to stay on the cool side during the day and when I sleep at night. • I aim to keep my body weight or BMI in the optimal range for healthspan, which for me is 23 to 25.
David A. Sinclair (Lifespan: Why We Age—and Why We Don't Have To)
It is a great pleasure to enter a Cretan peasant's home. Everything about you is patriarchal: the hearth, the oil-lamp, the earthenware jars lining the wall, a few chairs, a table and, on the left as you enter, in a hole in the wall, a pitcher of fresh water. From the beams hang strings of quinces, pomegranates and aromatic plants: sage, mint, red-peppers, rosemary and savoury. At the far end of the room a ladder or a few wooden steps lead up to the raised platform, where there is a trestle-bed and, above it, the holy icons with their lamps. The house appears empty, but it contains everything needful, so few in reality are the true necessities of man.
Nikos Kazantzakis (Zorba the Greek)
Look, I fetched some Fat Hen for you.' Jem offered me a bunch of wilting greens. I reached for the plants, rubbed the leaves with a snap of my finger and thumb and sniffed. They were as fresh as spinach but not so peppery and warm. And wasn't that a faint whiff of cat's piss? Mrs G always said I could sniff a drop of honey in a pail of milk. I used my nose then and saved us all from a night of gripes. 'That's not Fat Hen, you noddle. That's Dog's Mercury. Once I knew a band of tinkers that made a soup of it and near died. If I serve that up to the new mistress I could be hanged for murder.' 'God help us. Give it back here. It's ill-omened.' He hurled the plants towards the hog's trough.
Martine Bailey (An Appetite for Violets)
At one end of the vast C bitten from the castle a sin­gle great bastion-tower stood, almost intact, five kilometres high, and casting a kilometre-wide shadow across the rum­pled ground in front of the convoy. The walls had tumbled down around the tower, vanishing completely on one side and leaving only a ridge of fractured material barely five hundred metres high on the other. The plant-mass babilia, unique to the fastness and ubiquitous within it, coated all but the smoothest of vertical surfaces with tumescent hanging forests of lime-green, royal blue and pale, rusty orange; only the heights of scarred wall closest to the more actively venting fissures and fumaroles remained untouched by the tenacious vegetation.
Iain M. Banks (Feersum Endjinn)
Surround yourself with positive influences. When I think about the times I’ve excelled the most in my life, I was always around people who were like-minded and pushed me in a positive way. In order for a plant to grow it needs to be in the right environment and it needs nourishment. My coaches and my fellow students at the studio gave that to me. Likewise, if you put a plant in the dark and you don’t ever water it, it’s going to die. And if you’re not growing, you’re dying! So be aware and cautious of your surroundings: Is this the right place for me to grow? You can’t choose your family, but you can choose your peers. Love your crazy siblings and parents, but don’t hang with people who try to distract you and pull you from your path.
Derek Hough (Taking the Lead: Lessons from a Life in Motion)
Give me the flute and sing for singing is the secret of existence And the sound of the flute remains after the end of existence. Have you, as i did, taken the jungle A house without limitations Have you followed the Runnels And climbed the rocks have you bathed in its fragrance and dried yourself in its light Have you tried drinking the Dawn as your wine out of divine cups Have you, as i did, sat in the afternoon Between the grapes plants with the clusters hanging like golden chandlers... Have you, as i did, slept on the grass at night And used the sky as you blanket Ascetic in what will come Forgetting what has passed Give me the flute and sing Forget the disease and medication For people are only lines written with water
Kahlil Gibran
Now the last age by Cumae's Sibyl sung has come and gone, and the majestic roll of circling centuries begins anew: justice returns, returns old Saturn's reign, with a new breed of men sent down from heaven. Only do thou, at the boy's birth in whom the iron shall cease, the golden race arise, befriend him, chaste Lucina; 'tis thine own apollo reigns. And in thy consulate, this glorious age, O Pollio, shall begin, and the months enter on their mighty march. Under thy guidance, whatso tracks remain of our old wickedness, once done away, shall free the earth from never-ceasing fear. He shall receive the life of gods, and see heroes with gods commingling, and himself be seen of them, and with his father's worth reign o'er a world at peace. For thee, O boy, first shall the earth, untilled, pour freely forth her childish gifts, the gadding ivy-spray with foxglove and Egyptian bean-flower mixed, and laughing-eyed acanthus. Of themselves, untended, will the she-goats then bring home their udders swollen with milk, while flocks afield shall of the monstrous lion have no fear. Thy very cradle shall pour forth for thee caressing flowers. The serpent too shall die, die shall the treacherous poison-plant, and far and wide Assyrian spices spring. But soon as thou hast skill to read of heroes' fame, and of thy father's deeds, and inly learn what virtue is, the plain by slow degrees with waving corn-crops shall to golden grow, fom the wild briar shall hang the blushing grape, and stubborn oaks sweat honey-dew. Nathless yet shall there lurk within of ancient wrong some traces, bidding tempt the deep with ships, gird towns with walls, with furrows cleave the earth. Therewith a second Tiphys shall there be, her hero-freight a second Argo bear; new wars too shall arise, and once again some great Achilles to some Troy be sent. Then, when the mellowing years have made thee man, no more shall mariner sail, nor pine-tree bark ply traffic on the sea, but every land shall all things bear alike: the glebe no more shall feel the harrow's grip, nor vine the hook; the sturdy ploughman shall loose yoke from steer, nor wool with varying colours learn to lie; but in the meadows shall the ram himself, now with soft flush of purple, now with tint of yellow saffron, teach his fleece to shine.
Virgil (The Eclogues)
She retrieved the beads she had dropped from under the sewing tables, and strung them again. She made and painted more beads, added the slimerod cores she had dried, the seed pods of this plant, tufts of long hair from cows’ tails caught in brush… she wasn’t sure what she was making, only that she liked the patterns of chunky things and thin ones, color and texture and line. When she put the construction on her body, she realized it needed a bit more here — another length of beads — and something else there to balance the weight and keep it from slipping off her shoulders. She looked in the mirror. Odd how seldom she’d done that, not since before the other landing. She had not wanted to see her expression; she had been afraid that she might frighten herself. But now the figure in the mirror hardly looked human. She stared. She felt the same — mostly the same — and in the mirror her own face scowled at her, the familiar scowl with which she had always greeted her mirror-self. Her eyebrows were thinner and whiter; her white hair a tousled bush of silver. But the inner self that had been so intent on stringing beads and feathers and wool and cows’ hair and seedpods, that had been so sure where to lace this string to that, and how to hang the tassels — that self had not imagined how she would look in anything but the old drab workshirts and skirts and bonnets of earlier years. Indecent, the old voice said. Amazing, the new voice said, with approval. Her body was old, wrinkled, sagging, splotched with the wear-marks of nearly eighty years… but hanging on it in weblike patterns were the brilliant colors and textures of her creation.
Elizabeth Moon (Remnant Population)
If our first response to the receipt of gifts is gratitude, then our second is reciprocity: to give a gift in return. What could I give these plants in return for their generosity? I could return the gift with a direct response, like weeding or bringing water or offering a song of thanks that sends appreciation out on the wind. I could make habitat for the solitary bees that fertilized those fruits. Or maybe I could take indirect action, like donating to my local land trust so that more habitat for the gift givers will be saved, speaking at a public hearing on land use, or making art that invites others into the web of reciprocity. I could reduce my carbon footprint, vote on the side of healthy land, advocate for farmland preservation, change my diet, hang my laundry in the sunshine. We live in a time when every choice matters.
Robin Wall Kimmerer (The Serviceberry: Abundance and Reciprocity in the Natural World)
A YEAR OR SO AGO I READ AN ARTICLE THAT SAID in the next five years we will become a conglomerate of the people we hang out with. The article went so far as to say relationships were a greater predictor of who we will become than exercise, diet, or media consumption. And if you think about it, the idea makes sense. As much as we are independent beings, contained in our own skin, the ideas and experiences we exchange with others grow into us like vines and reveal themselves in our mannerisms and language and outlook on life. If you want to make a sad person happy, start by planting them in a community of optimists. After I read that article I got pickier about who I spent time with. I wanted to be with people who were humble and hungry, had healthy relationships, and were working to create new and better realities in the world. THE
Donald Miller (Scary Close: Dropping the Act and Acquiring a Taste for True Intimacy)
My eye keeps escaping towards the big blue lacquered door that I've had painted in a trompe-l'oeil on the back wall. I would like to call Mrs. Cohen back and tell her there's no problem for her son's bar mitzvah, everything's ready: I would like to go through that door and disappear into the garden my mind's eye has painted behind it. The grass there is soft and sweet, there are bulrushes bowing along the banks of a river. I put lime trees in it, hornbeams, weeping elms, blossoming cherries and liquidambars. I plant it with ancient roses, daffodils, dahlias with their melancholy heavy heads, and flowerbeds of forget-me-nots. Pimpernels, armed with all the courage peculiar to such tiny entities, follow the twists and turns between the stones of a rockery. Triumphant artichokes raise their astonished arrows towards the sky. Apple trees and lilacs blossom at the same time as hellebores and winter magnolias. My garden knows no seasons. It is both hot and cool. Frost goes hand in hand with a shimmering heat haze. The leaves fall and grow again. row and fall again. Wisteria climbs voraciously over tumbledown walls and ancient porches leading to a boxwood alley with a poignant fragrance. The heady smell of fruit hangs in the air. Huge peaches, chubby-cheeked apricots, jewel-like cherries, redcurrants, raspberries, spanking red tomatoes and bristly cardoons feast on sunlight and water, because between the sunbeams it rains in rainbow-colored droplets. At the very end, beyond a painted wooden fence, is a woodland path strewn with brown leaves, protected from the heat of the skies by a wide parasol of foliage fluttering in the breeze. You can't see the end of it, just keep walking, and breathe.
Agnès Desarthe (Chez Moi: A Novel)
very nature of his ailment continues to baffle me, and baffle us all. What is the source of this abnormality? Everywhere we observe plants, animals, systems with a core. Every flower has its seed. Every animal its heart. Every masterpiece its inspiration. Yet the answers I seek elude me. There is a root somewhere in his brain, a twisted root that sprouts madness and malice. I will find it. No matter the cost, no matter the difficulty, I will find it. I will live a truly great life. My colleagues will no doubt hang me metaphorically, but I say let them hang. Legality, morality, sympathy aside, I will pull madness out by its black root, and I will leave a legacy no man, however sanctimonious, can fault. A truly great life. That is what humanity deserves. Not an average life, not even a normal one—a life in which genius is not an anomaly but an expectation. But to achieve such things
Madeleine Roux (Asylum (Asylum #1))
What’s the most frightening thing to a child? The pain of being the outsider, of looking ridiculous to others, of being teased or picked on in school. Every child burns with fear at the prospect. It’s a primal instinct: to belong. McDonald’s has surely figured this out—along with what specific colors appeal to small children, what textures, and what movies or TV shows are likely to attract them to the gray disks of meat. They feel no compunction harnessing the fears and unarticulated yearnings of small children, and nor shall I. “Ronald has cooties,” I say—every time he shows up on television or out the window of the car. “And you know,” I add, lowering my voice, “he smells bad, too. Kind of like … poo!” (I am, I should say, careful to use the word “alleged” each and every time I make such an assertion, mindful that my urgent whisperings to a two-year-old might be wrongfully construed as libelous.) “If you hug Ronald … can you get cooties?” asks my girl, a look of wide-eyed horror on her face. “Some say … yes,” I reply—not wanting to lie—just in case she should encounter the man at a child’s birthday party someday. It’s a lawyerly answer—but effective. “Some people talk about the smell, too… I’m not saying it rubs off on you or anything—if you get too close to him—but…” I let that hang in the air for a while. “Ewwww!!!” says my daughter. We sit in silence as she considers this, then she asks, “Is it true that if you eat a hamburger at McDonald’s it can make you a ree-tard? I laugh wholeheartedly at this one and give her a hug. I kiss her on the forehead reassuringly. “Ha. Ha. Ha. I don’t know where you get these ideas!” I may or may not have planted that little nugget a few weeks ago, allowing her little friend Tiffany at ballet class to “overhear” it as I pretended to talk on my cell phone.
Anthony Bourdain (Medium Raw: A Bloody Valentine to the World of Food and the People Who Cook)
Freddy and his brother Tesoro have not seen each other in five years, and they sit at the kitchen table in Freddy's house and have a jalapeno contest. A large bowl of big green and orange jalapeno peppers sit between the two brothers. A saltshaker and two small glasses of beer accompany this feast. When Tesoro nods his head, the two men begin to eat the raw jalapenos. The contest is to see which man can eat more peppers. It is a ritual from their father, but the two brothers tried it only once, years ago. Both quit after two peppers and laughed it off. This time, things are different. They are older and have to prove a point. Freddy eats his first one more slowly than Tesoro, who takes to bites to finish his and is now on his second. Neither says anything, though a close study of each man's face would tell you the sudden burst of jalapeno energy does not waste time in changing the eater's perception of reality. Freddy works on his second as Tesoro rips into his fourth. Freddy is already sweating from his head and is surprised to see that Tesoro's fat face has not shanged its steady, consuming look. Tesoro's long, black hair is neatly combed, and not one bead of sweat has popped out. He is the first to sip from the beer before hitting his fifth jalapeno. Freddy leans back as the table begins to sway in his damp vision. He coughs, and a sharp pain rips through his chest. Tesoro attempts to laugh at his brother, but Freddy sees it is something else. As Freddy finishes his third jalapeno, Tesoro begins to breathe faster upon swallowing his sixth. The contest momentarily stops as both brothers shift in their seats and the sweat pours down their faces. Freddy clutches his stomach as he reaches for his fourth delight. Tesor has not taken his seventh, and it is clear to Freddy that his brother is suffering big-time. There is a bright blue bird sitting on Tesoro's head, and Tesoro is struggling to laugh because Freddy has a huge red spider crawling on top of his head. Freddy wipes the sweat from his eyes and finishes his fourth pepper. Tesoro sips more beer, sprinkles salt on the tip of his jalapeno, and bites it down to the stem. Freddy, who has not touched his beer, stares in amazement as two Tesoros sit in front of him. They both rise hastily, their beer guts pushing the table against Freddy, who leans back as the two Tesoros waver in the kitchen light. Freddy hears a tremendous fart erupt from his brother, who sits down again. Freddy holds his fifth jalapeno and can't breathe. Tesoro's face is purple, but the blue bird has been replaced by a burning flame of light that weaves over Tesoro's shiny head. Freddy is convinced that he is having a heart attack as he watches his brother fight for breath. Freddy bites into his fifth as Tesoro flips his eighth jalapeno into his mouth, stem and all. This is it. Freddy goes into convulsions and drops to the floor as he tries to reach for his glass of beer. He shakes on the dirty floor as the huge animal that is Tesoro pitches forward and throws up millions of jalapeno seeds all over the table. The last thing Freddy sees before he passes out is his brother's body levitating above the table as an angel, dressed in green jalapeno robes, floats into the room, extends a hand to Tesoro, and floats away with him. When Freddy wakes up minutes later, he gets up and makes it to the bathroom before his body lets go through his pants. As he reaches the bathroom door, he turns and gazes upon the jalapeno plants growing healthy and large on the kitchen table, thick peppers hanging under their leaves, their branches immersed in the largest pile of jalapeno seeds Freddy has ever seen.
Ray Gonzalez
Now the last age by Cumae's Sibyl sung has come and gone, and the majestic roll of circling centuries begins anew: justice returns, returns old Saturn's reign, with a new breed of men sent down from heaven. Only do thou, at the boy's birth in whom the iron shall cease, the golden race arise, befriend him, chaste Lucina; 'tis thine own apollo reigns. And in thy consulate, this glorious age, O Pollio, shall begin, and the months enter on their mighty march. Under thy guidance, whatso tracks remain of our old wickedness, once done away, shall free the earth from never-ceasing fear. He shall receive the life of gods, and see heroes with gods commingling, and himself be seen of them, and with his father's worth reign o'er a world at peace. For thee, O boy, first shall the earth, untilled, pour freely forth her childish gifts, the gadding ivy-spray with foxglove and Egyptian bean-flower mixed, and laughing-eyed acanthus. Of themselves, untended, will the she-goats then bring home their udders swollen with milk, while flocks afield shall of the monstrous lion have no fear. Thy very cradle shall pour forth for thee caressing flowers. The serpent too shall die, die shall the treacherous poison-plant, and far and wide Assyrian spices spring. But soon as thou hast skill to read of heroes' fame, and of thy father's deeds, and inly learn what virtue is, the plain by slow degrees with waving corn-crops shall to golden grow, fom the wild briar shall hang the blushing grape, and stubborn oaks sweat honey-dew. Nathless yet shall there lurk within of ancient wrong some traces, bidding tempt the deep with ships, gird towns with walls, with furrows cleave the earth. Therewith a second Tiphys shall there be, her hero-freight a second Argo bear; new wars too shall arise, and once again some great Achilles to some Troy be sent.
Virgil (The Eclogues)
She has opened the door of the square cave where the cake of ice sits; and there it is, inches from Harry’s eyes, lopsided from melting but still big, holding within its metal-black bulk the white partition that the cakes have when they come bumping down the chute at the ice plant. He leans closer into the cold breath of the ice, a tin-smelling coldness he associates with the metal that makes up the walls of the cave and the ribs of its floor, delicate rhinoceros gray, mottled with the same disease the linoleum has. Having leaned closer he sees that under the watery skin are hundreds of clear white veins like the capillaries on a leaf, as if ice too were built up of living cells. And further inside, so ghostly it comes to him last, hangs a jagged cloud, the star of an explosion, whose center is uncertain in refraction but whose arms fly from the core of pallor as straight as long eraser-marks diagonally into all planes of the cube. The rusted ribs the cake rests on wobble through to his eyes like the teeth of a grin. Fear probes him; the cold lump is alive.
John Updike (Rabbit, Run (Rabbit Angstrom, #1))
Now the last age by Cumae's Sibyl sung has come and gone, and the majestic roll of circling centuries begins anew: justice returns, returns old Saturn's reign, with a new breed of men sent down from heaven. Only do thou, at the boy's birth in whom the iron shall cease, the golden race arise, befriend him, chaste Lucina; 'tis thine own apollo reigns. And in thy consulate, this glorious age, O Pollio, shall begin, and the months enter on their mighty march. Under thy guidance, whatso tracks remain of our old wickedness, once done away, shall free the earth from never-ceasing fear. He shall receive the life of gods, and see heroes with gods commingling, and himself be seen of them, and with his father's worth reign o'er a world at peace. For thee, O boy, first shall the earth, untilled, pour freely forth her childish gifts, the gadding ivy-spray with foxglove and Egyptian bean-flower mixed, and laughing-eyed acanthus. Of themselves, untended, will the she-goats then bring home their udders swollen with milk, while flocks afield shall of the monstrous lion have no fear. Thy very cradle shall pour forth for thee caressing flowers. The serpent too shall die, die shall the treacherous poison-plant, and far and wide Assyrian spices spring. But soon as thou hast skill to read of heroes' fame, and of thy father's deeds, and inly learn what virtue is, the plain by slow degrees with waving corn-crops shall to golden grow, fom the wild briar shall hang the blushing grape, and stubborn oaks sweat honey-dew. Nathless yet shall there lurk within of ancient wrong some traces, bidding tempt the deep with ships, gird towns with walls, with furrows cleave the earth. Therewith a second Tiphys shall there be, her hero-freight a second Argo bear; new wars too shall arise, and once again some great Achilles to some Troy be sent. Then, when the mellowing years have made thee man, no more shall mariner sail, nor pine-tree bark ply traffic on the sea, but every land shall all things bear alike: the glebe no more shall feel the harrow's grip, nor vine the hook; the sturdy ploughman shall loose yoke from steer, nor wool with varying colours learn to lie; but in the meadows shall the ram himself, now with soft flush of purple, now with tint of yellow saffron, teach his fleece to shine. While clothed in natural scarlet graze the lambs.
Virgil (The Eclogues)
Old Hubert must have had a premonition of his squalid demise. In October he said to me, ‘Forty-two years I’ve had this place. I’d really like to go back home, but I ain’t got the energy since my old girl died. And I can’t sell it the way it is now. But anyway before I hang my hat up I’d be curious to know what’s in that third cellar of mine.’ The third cellar has been walled up by order of the civil defence authorities after the floods of 1910. A double barrier of cemented bricks prevents the rising waters from invading the upper floors when flooding occurs. In the event of storms or blocked drains, the cellar acts as a regulatory overflow. The weather was fine: no risk of drowning or any sudden emergency. There were five of us: Hubert, Gerard the painter, two regulars and myself. Old Marteau, the local builder, was upstairs with his gear, ready to repair the damage. We made a hole. Our exploration took us sixty metres down a laboriously-faced vaulted corridor (it must have been an old thoroughfare). We were wading through a disgusting sludge. At the far end, an impassable barrier of iron bars. The corridor continued beyond it, plunging downwards. In short, it was a kind of drain-trap. That’s all. Nothing else. Disappointed, we retraced our steps. Old Hubert scanned the walls with his electric torch. Look! An opening. No, an alcove, with some wooden object that looks like a black statuette. I pick the thing up: it’s easily removable. I stick it under my arm. I told Hubert, ‘It’s of no interest. . .’ and kept this treasure for myself. I gazed at it for hours on end, in private. So my deductions, my hunches were not mistaken: the Bièvre-Seine confluence was once the site where sorcerers and satanists must surely have gathered. And this kind of primitive magic, which the blacks of Central Africa practise today, was known here several centuries ago. The statuette had miraculously survived the onslaught of time: the well-known virtues of the waters of the Bièvre, so rich in tannin, had protected the wood from rotting, actually hardened, almost fossilized it. The object answered a purpose that was anything but aesthetic. Crudely carved, probably from heart of oak. The legs were slightly set apart, the arms detached from the body. No indication of gender. Four nails set in a triangle were planted in its chest. Two of them, corroded with rust, broke off at the wood’s surface all on their own. There was a spike sunk in each eye. The skull, like a salt cellar, had twenty-four holes in which little tufts of brown hair had been planted, fixed in place with wax, of which there were still some vestiges. I’ve kept quiet about my find. I’m biding my time.
Jacques Yonnet (Paris Noir: The Secret History of a City)
He hopes at least after pulling himself up from one branch to another he will be able to see farther, discover where the roads lead; but the foliage beneath him is dense, the ground is soon out of sight, and if he raises his eyes toward the top of the tree he is blinded by The Sun, whose piercing rays make the leaves gleam with every colour against the light. However, the meaning of those two children seen in the tarot should also be explained: they must indicate that, looking up, the young man has realized he is no longer alone in the tree; two urchins have preceeded him, scrambling up the boughs. They seem twins: identical, barefoot, golden blond. At this point the young man spoke, asked: “what are you two doing here?” or else: “how far is it to the top?” And the twins replied, indicating with confused gesticulation toward something seen on the horizon of the drawing, beneath the sun’s rays: the walls of a city. But where are these walls located, with respect to the tree? The Ace of Cups portrays, in fact, a city, with many towers and spires and minarets and domes rising above the walls. And also palm fronds, pheasants’ wings, fins of blue moonfish which certainly jut from the city’s gardens, aviaries, aquariums, among which we can imagine the two urchins, chasing each other and vanishing. And this city seems balanced on top of a pyramid, which could also be the top of a great tree; in other words, it would be a city suspended on the highest branches like a bird’s nest, with hanging foundations like the aerial roots of certain plants.
Italo Calvino (The Castle of Crossed Destinies)
Large-leafed plants at the edge of the jungle reflected the sun rather than soaking it up, their dark green surfaces sparkling white in the sunlight. Some of the smaller ones had literally low-hanging fruit, like jewels from a fairy tale. Behind them was an extremely inviting path into the jungle with giant white shells for stepping-stones. And rather than the muggy, disease-filled forests of books that seemed to kill so many explorers, here the air was cool and pleasant and not too moist- although Wendy could hear the distant tinkle of water splashing from a height. "Oh! Is that the Tonal Spring? Or Diamond Falls?" Wendy withered breathlessly. "Luna, let's go see!" She made herself not race ahead down the path, but moved at a leisurely, measured pace. Like an adventuress sure of herself but wary of her surroundings. (And yet, as she wouldn't realize until later, she hadn't thought to grab her stockings or shoes. Those got left in her hut without even a simple goodbye.) Everywhere she looked, Wendy found another wonder of Never Land, from the slow camosnails to the gently nodding heads of the fritillary lilies. She smiled, imagining John as he peered over his glasses and the snail faded away into the background in fear- or Michael getting his nose covered in honey-scented lily pollen as he enthusiastically sniffed the pretty flowers. The path continued, winding around a boulder into a delightful little clearing, sandy but padded here and there with tuffets of emerald green grass and clumps of purple orchids. It was like a desert island vacation of a perfect English meadow.
Liz Braswell (Straight On Till Morning)
He had worked damn hard and prospered. Now it was time to live. He even thought he might get it up tonight and surprise his gorgeous Maggie; then it was Israel and the Pharaohs. Stopping at his front door he took a deep intake of the free English air and smiled contentedly; England was home and so was he, this time for good. He went in the front door and called out for her as he had done so many times before, 'Maggie . . . I'm home sweetheart!' He closed the door and hesitated for a moment, she was usually in his arms by now, planting a sweet little kiss on his expectant, eager lips. She had not been her best lately, complaining of headaches and spending a lot of time down at the library; but today was different, it was retirement day. Aha! This could be a surprise, he thought hanging up his coat. Calling out again, he rubbed his hands together and started to climb the stairs to wash up before tea. This is definitely a surprise . . . no smell of any grub! His whistling stopped abruptly half way up when he saw a darkened figure appear on the landing, pointing a gun at him. A finger tightened and the weapon jolted, sending screeching Belarusian memories echoing across his subconscious. The blast lifted him off his feet sending him to the floor below. The last image of Cedric Boban's life on earth was the flash of a sawn-off shotgun; which fired from a few feet, took his life and most of his upper torso away. The slate was clean, the screeching culled. His assailant moved halfway down before jumping over the banister to avoid the bloody mess on the stairs. Maggie walked steadily into the hall from the living room. She gave a little smile and took the small sawn-off shotgun from the gloved hands of the assassin,
Anthony Vincent Bruno (SAS: Body Count (The Wicked Will Perish, #1))
Beware, and be on your guard against every form of greed; for not even when one has an abundance does his life consist of his possessions. -LUKE 12:15 One of our universal problems is the overcrowding of our homes. Whether we have an apartment or a six bedroom home, every closet, cupboard, refrigerator, and garage are all crammed with abundance. Some of us have so much that we go out and rent additional storage spaces for our possessions. Bob and I are no different than you. We buy new clothes and cram them into our wardrobes. A new antique goes in the corner, a new quilt hangs over the bed, a new potted plant gathers sunlight by the window. On and on it goes. Pretty soon we feel as though we are closed in with no room to breathe. We continually struggle to keep a balance in our attitudes regarding possessions. It is simpler to manage if you are single and live alone-it's just you. Life becomes more complicated with a spouse and children. You soon get that "bunched in" feeling. This creates more stress, and you can lose your cool and blow relationships when your calm is broken. We have made a rule in our home about abundance. Simply stated, it says, "One comes in and one goes out." After every purchase we give away or sell a like item. (We have an annual garage sale.) With a new blouse, out goes an older blouse; with a new table, out goes a table; and so on. Naturally if you're a newlywed this rule is not for you because you probably don't have an abundance of possessions. There's another strategy that's very effective. We have informed our loved ones that we don't want any more gifts that take up space or that have to be dusted; we prefer receiving consumable items. Remember-your life is not based on your possessions. Share with others what you aren't using.
Emilie Barnes
Put yourself in the way of grace,' says a friend of ours, who is a monk, and a bishop; and he smiles his floating and shining smile. And truly, can there be a subject of more interest to each of us than whether or not grace exists, and the soul? And, consequent upon the existence of the soul, a whole landscape of incorruptible forces, perhaps even a source, an almost palpably suggested second universe? A world that is incomprehensible through reason? To believe in the soul---to believe in it exactly as much and as hardily as one believes in a mountain, say, or a fingernail, which is ever in view---imagine the consequences! How far-reaching, and thoroughly wonderful! For everything, by such a belief, would be charged, and changed. You wake in the morning, the soul exists, your mouth sings it, your mind accepts it. And the perceived, tactile world is, upon the instant, only half the world! How easily I travel, about halfway, through such a scenario. I believe in the soul---in mine, and yours, and the blue-jay's, and the pilot whale's. I believe each goldfinch flying away over the coarse ragweed has a soul, and the ragweed too, plant by plant, and the tiny stones in the earth below, and the grains of earth as well. Not romantically do I believe this, nor poetically, nor emotionally, nor metaphorically except as all reality is metaphor, but steadily, lumpishly, and absolutely. The wild waste spaces of the sea, and the pale dunes with one hawk hanging in the wind, they are for me the formal spaces that, in a liturgy, are taken up by prayer, song, sermon, silence, homily, scripture, the architecture of the church itself. And as with prayer, which is a dipping of oneself toward the light, there is a consequence of attentiveness to the grass itself, and the sky itself, and to the floating bird. I too leave the fret and enclosure of my own life. I too dip myself toward the immeasurable. Now winter, the winter I am writing about, begins to ease. And what, if anything, has been determined, selected, nailed down? This is the lesson of age---events pass, things change, trauma fades, good fortune rises, fades, rises again but different. Whereas what happens when one is twenty, as I remember it, happens forever. I have not been twenty for a long time! The sun rolls toward the north and I feel, gratefully, its brightness flaming up once more. Somewhere in the world the misery we can do nothing about yet goes on. Somewhere the words I will write down next year, and the next, are drifting into the wind, out of the ornate pods of the weeds of the Provincelands. Once I went into the woods to find an almost unfindable bird, a blue grosbeak. And I found it: a rough, deep blue, almost black, with heavy beak; it was plucking one by one the humped, pale green caterpillars from the leaves of a thick green tree. Then it vanished into the shadows of the leaves and, in the same moment, from the crown of the tree flew a western bluebird---little aqua thrush of the mountains, hundreds of miles from its home. It is a moment hard to top---but, I can. Once I came upon two angels, they were standing quietly, keeping guard beside a car. Light streamed from them, and a splash of flames lay quietly under their feet. What is one to do with such moments, such memories, but cherish them? Who knows what is beyond the known? And if you think that any day the secret of light might come, would you not keep the house of your mind ready? Would you not cleanse your study of all that is cheap, or trivial? Would you not live in continual hope, and pleasure, and excitement?
Mary Oliver (Winter Hours: Prose, Prose Poems, and Poems)
Now the last age by Cumae's Sibyl sung has come and gone, and the majestic roll of circling centuries begins anew: justice returns, returns old Saturn's reign, with a new breed of men sent down from heaven. Inly do thou, at the boy's birth in whom the iron shall cease, the golden race arise, befriend him, chaste Lucina; 'tis thine own apollo reigns. And in thy consulate, this glorious age, O Pollio, shall begin, and the months enter on their mighty march. Under thy guidance, whatso tracks remain of our old wickedness, once done away, shall free the earth from never-ceasing fear. He shall receive the life of gods, and see heroes with gods commingling, and himself be seen of them, and with his father's worth reign o'er a world at peace. For thee, O boy, first shall the earth, untilled, pour freely forth her childish gifts, the gadding ivy-spray with foxglove and Egyptian bean-flower mixed, and laughing-eyed acanthus. Of themselves, untended, will the she-goats then bring home their udders swollen with milk, while flocks afield shall of the monstrous lion have no fear. Thy very cradle shall pour forth for thee caressing flowers. The serpent too shall die, die shall the treacherous poison-plant, and far and wide Assyrian spices spring. But soon as thou hast skill to read of heroes' fame, and of thy father's deeds, and inly learn what virtue is, the plain by slow degrees with waving corn-crops shall to golden grow, fom the wild briar shall hang the blushing grape, and stubborn oaks sweat honey-dew. Nathless yet shall there lurk within of ancient wrong some traces, bidding tempt the deep with ships, gird towns with walls, with furrows cleave the earth. Therewith a second Tiphys shall there be, her hero-freight a second Argo bear; new wars too shall arise, and once again some great Achilles to some Troy be sent.
Virgil (The Eclogues)
I will invest my heart's desire and the work of my hands in things that will outlive me. Although it grieves me that houses are burning, I have fallen in love with freedom regardless, and the entitlement of a woman to get a move on, equipped with boots that fit and opinions that might matter. The treasures I carry closest to my heart are things I can't own: the curve of a five-year-old's forehead in profile, and the vulnerable expectation in the hand that reaches for mine as we cross the street. The wake-up call of birds in a forest. The intensity of the light fifteen minutes before the end of day; the color wash of a sunset on mountains; the ripe sphere of that same sun hanging low in a dusty sky in a breathtaking photograph from Afghanistan. In my darkest times I have to walk, sometimes alone, in some green place. Other people must share this ritual. For some I suppose it must be the path through a particular set of city streets, a comforting architecture; for me it's the need to stare at water until my mind comes to rest on nothing at all. Then I can go home. I can clear the brush from a neglected part of the garden, working slowly until it comes to me that here is one small place I can make right for my family. I can plant something as an act of faith in time itself, a vow that we will, sure enough, have a fall and a winter this year, to be followed again by spring. This is not an end in itself, but a beginning. I work until my mind can run a little further on its tether, tugging at this central pole of my sadness, forgetting it for a minute or two while pondering a school meeting next week, the watershed conservation project our neighborhood has undertaken, the farmer's market it organized last year: the good that becomes possible when a small group of thoughtful citizens commit themselves to it...Small change, small wonders - these are the currency of my endurance and ultimately of my life.
Barbara Kingsolver
If you aren't in love, Willow Vaughn, then my name isn't Miriam Brigham." Willow started out of her daydreaming and glanced up from the laundry tub. Miriam stood before her with her fists planted on her hips. "Now, Miriam, I-" "No sense denying it, young lady. You've got that dreamy dazed glow about you. Rider Sinclair isn't much better, the way he hangs around you,like a bee drawn to honey. He's always holding your hand or throwing his arm around you when he thinks I'm not looking." "Well,even if I were in love, it wouldn't change anything. I still don't want another man to look after, and I don't need one looking out for me either. I can take care of myself!" "Course, you can!" Miriam agreed, picking the last sheet out of the rinse water and wringing it out. "Most women can. Look at me, I run a boarding house and support myself just fine. But let me tell you something. That lonely bed of mine is mighty cold on winter nights, even here in the territory." Willow blushed and concentrated on her hands where they rested on the edge of the tub. "Willow," Miriam continued, "you've been managing your pa just fine since he got home. A husband isn't any more difficult to manage than a father, unless, of course, you're married to a no-good lout." Willow dried her hands on the wide white apron around her middle. "But, Miriam, if I don't marry, then I don't have to bother finagling a man to my way of doing things. Staying single makes a hell of a lot more sense!" "Watch the cursing, young lady." Miriam slung the sheet over the line and returned to help Willow with the wash tub. They each grapped a handle and carried it a few feet before setting it down to rest their arms a moment. "Willow, use your noggin, will you? Part of the fun of being a woman is wrapping some big, handsome hunk of a man around your little finger. You do have to use your good sense, though, and realize when you're wrong and he's right. Of course"-Miriam chuckled-"that won't be too often. "And you have to be careful not to hurt a man's feelings overly much. Men are funny creatures. They seldom let their emotions show because they think it isn't manly. But you can tell when they're upset.They start pouting like a little boy.I've always thought that was rather curious.
Charlotte McPherren (Song of the Willow)
Finally, he allowed me to turn the key in the lock and the front door, with its porthole-shaped window, swung open. I don’t know what I’d expected. I’d tried not to conjure up fantasies of any kind, but what I saw left me inarticulate. The entire apartment had the feel of a ship’s interior. The walls were highly polished teak and oak, with shelves and cubbyholes on every side. The kitchenette was still located to the right where the old one had been, a galley-style arrangement with a pint-size stove and refrigerator. A microwave oven and trash compactor had been added. Tucked in beside the kitchen was a stacking washer-dryer, and next to that was a tiny bathroom. In the living area, a sofa had been built into a window bay, with two royal blue canvas director’s chairs arranged to form a “conversational grouping.” Henry did a quick demonstration of how the sofa could be extended into sleeping accommodations for company, a trundle bed in effect. The dimensions of the main room were still roughly fifteen feet on a side, but now there was a sleeping loft above, accessible by way of a tiny spiral staircase where my former storage space had been. In the old place, I’d usually slept naked on the couch in an envelope of folded quilt. Now, I was going to have an actual bedroom of my own. I wound my way up, staring in amazement at the double-size platform bed with drawers underneath. In the ceiling above the bed, there was a round shaft extending through the roof, capped by a clear Plexiglas skylight that seemed to fling light down on the blue-and-white patchwork coverlet. Loft windows looked out to the ocean on one side and the mountains on the other. Along the back wall, there was an expanse of cedar-lined closet space with a rod for hanging clothes, pegs for miscellaneous items, shoe racks, and floor-to-ceiling drawers. Just off the loft, there was a small bathroom. The tub was sunken with a built-in shower and a window right at tub level, the wooden sill lined with plants. I could bathe among the treetops, looking out at the ocean where the clouds were piling up like bubbles. The towels were the same royal blue as the cotton shag carpeting. Even the eggs of milled soap were blue, arranged in a white china dish on the edge of the round brass sink.
Sue Grafton (G is for Gumshoe (Kinsey Millhone, #7))
Jak’ri nodded toward the cliff’s edge. “Shall we?” “Not if you give me time to think about it.” He flashed his teeth in a boyish grin. “One-two-three, jump!” he called and took off running, pulling her after him. Ava’s eyes widened and her heart thudded hard in her chest as she ran alongside him. Their feet hit the edge at the same time, and together they leapt off. Jak’ri whooped as they plummeted toward the ocean, the sound so wonderfully carefree and appealing that Ava found herself grinning big even as she shrieked and squeezed the hell out of his hand. He hit the water a split second before her. Cool liquid closed over their heads. Bubbles surrounded them as if they’d just jumped into a vat of club soda. Then he looped an arm around her waist and propelled them both to the surface. “That was crazy!” she blurted, unable to stop smiling as she swiped water from her face. “Crazy but fun?” he quipped, eyes sparkling with amusement. “Maybe,” she hedged. “But not as fun at this.” Propelling her upper body out of the water, she planted her hands atop his head and dunked him. As soon as she released him, she began a lazy backstroke. Jak’ri surfaced with a sputter and a laugh. When his silver eyes found her a few yards away, they acquired a devilish glint. “Oh, you’re going to regret that, little Earthling.” Ava shrieked when he dove for her. Rolling onto her stomach, she took off, swimming in earnest. Jak’ri’s fingers closed around one of her ankles. “Caught you!” She swam harder, getting absolutely nowhere, breaking into giggles as he issued dire threats in a villainous voice. When was the last time she had honest-to-goodness giggled? She yelped when he gave her ankle a yank. Then she was in his arms and he was grinning wickedly at her. “Think you can get the best of me, do you?” he taunted. Tucking his hands under her arms, he kicked his feet. Ava laughed as he tossed her up out of the water. Through the air she flew, landing on her back several yards away. The water again closed over her head. When she surfaced, she quickly bent her head to hide her smile and rubbed her eyes. “Hang on a sec,” she mumbled. Jak’ri immediately stopped laughing and swam toward her. “I’m sorry. Did you get something in your eye?” “No.” She grinned at him. “I just needed to lure you closer.” Then she swept her arm through the water in front of him, sending a cascade over his head. Sputtering, Jak’ri dove for her. Laughter abounded as they played, even more so when he started sharing tales of his exploits with his brother. Clunk. Ava jerked awake. Damn it! She really hated to wake up. She and Jak’ri had been romping and playing like children. Having to come back to the reality of this cell and the assholes who’d put her in it sucked.
Dianne Duvall (The Purveli (Aldebarian Alliance, #3))
Successful con men are treated with considerable respect in the South. A good slice of the settler population of that region were men who’d been given a choice between being shipped off to the New World in leg-irons and spending the rest of their lives in English prisons. The Crown saw no point in feeding them year after year, and they were far too dangerous to be turned loose on the streets of London—so, rather than overload the public hanging schedule, the King’s Minister of Gaol decided to put this scum to work on the other side of the Atlantic, in The Colonies, where cheap labor was much in demand. Most of these poor bastards wound up in what is now the Deep South because of the wretched climate. No settler with good sense and a few dollars in his pocket would venture south of Richmond. There was plenty of opportunity around Boston, New York, and Philadelphia—and by British standards the climate in places like South Carolina and Georgia was close to Hell on Earth: swamps, alligators, mosquitoes, tropical disease... all this plus a boiling sun all day long and no way to make money unless you had a land grant from the King... So the South was sparsely settled at first, and the shortage of skilled labor was a serious problem to the scattered aristocracy of would-be cotton barons who’d been granted huge tracts of good land that would make them all rich if they could only get people to work it. The slave-trade was one answer, but Africa in 1699 was not a fertile breeding ground for middle-management types... and the planters said it was damn near impossible for one white man to establish any kind of control over a boatload of black primitives. The bastards couldn’t even speak English. How could a man get the crop in, with brutes like that for help? There would have to be managers, keepers, overseers: white men who spoke the language, and had a sense of purpose in life. But where would they come from? There was no middle class in the South: only masters and slaves... and all that rich land lying fallow. The King was quick to grasp the financial implications of the problem: The crops must be planted and harvested, in order to sell them for gold—and if all those lazy bastards needed was a few thousand half-bright English-speaking lackeys in order to bring the crops in... hell, that was easy: Clean out the jails, cut back on the Crown’s grocery bill, jolt the liberals off balance by announcing a new “Progressive Amnesty” program for hardened criminals.... Wonderful. Dispatch royal messengers to spread the good word in every corner of the kingdom; and after that send out professional pollsters to record an amazing 66 percent jump in the King’s popularity... then wait a few weeks before announcing the new 10 percent sales tax on ale. That’s how the South got settled. Not the whole story, perhaps, but it goes a long way toward explaining why George Wallace is the Governor of Alabama. He has the same smile as his great-grandfather—a thrice-convicted pig thief from somewhere near Nottingham, who made a small reputation, they say, as a jailhouse lawyer, before he got shipped out. With a bit of imagination you can almost hear the cranky little bastard haranguing his fellow prisoners in London jail, urging them on to revolt: “Lissen here, you poor fools! There’s not much time! Even now—up there in the tower—they’re cookin up some kind of cruel new punishment for us! How much longer will we stand for it? And now they want to ship us across the ocean to work like slaves in a swamp with a bunch of goddamn Hottentots! “We won’t go! It’s asinine! We’ll tear this place apart before we’ll let that thieving old faggot of a king send us off to work next to Africans! “How much more of this misery can we stand, boys? I know you’re fed right up to here with it. I can see it in your eyes— pure misery! And I’m tellin’ you, we don’t have to stand for it!...
Hunter S. Thompson (Fear and Loathing: On the Campaign Trail '72)
Ah? So,’ said the Archchancellor, thoughtfully, ‘it could be said that the white and green symbolize a small parasitic plant?’ ‘Yes, indeed,’ said the Senior Wrangler. ‘So mistletoe, in fact, symbolizes mistletoe?’ ‘Exactly, Archchancellor,’ said the Senior Wrangler, who was now just hanging on. ‘Funny thing, that,’ said Ridcully, in the same thoughtful tone of voice. ‘That statement is either so deep it would take a lifetime to fully comprehend every particle of its meaning, or it is a load of absolute tosh. Which is it, I wonder?’ ‘It could be both,’ said the Senior Wrangler desperately. ‘And that comment,’ said Ridcully, ‘is either very perceptive, or very trite.’ ‘It might be bo—
Terry Pratchett (Hogfather (Discworld, #20))
But no one notices, for they are all standing along the river singing a welcome, a song of praise as the food swims up the river, fin to fin. The nets stay on the shore; the spears still hang in the houses. The hook-jawed leaders are allowed to pass, to guide the others and to carry the message to their upriver relatives that the people are grateful and full of respect.
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants)
It is exactly as I have heard it described: large, white turning to orange trumpet flowers with deep rust-colored stamens, and a sweet scent.' Elizabeth had found herself able to breathe more easily. She was certain that he had not found the Devil's Trumpet. She knew this plant of which Chegwidden spoke--- her father had described it as the 'fiery trumpet', a glorious tree that featured bushels of pendulous trumpet-shaped flowers, hanging downwards, 'as if musical instruments left behind by a fairy orchestra' he had said.
Kayte Nunn (The Botanist's Daughter)
take 1 gram (1,000 mg) of NMN every morning, along with 1 gram of resveratrol (shaken into my homemade yogurt) and 1 gram of metformin.7 • I take a daily dose of vitamin D, vitamin K2, and 83 mg of aspirin. • I strive to keep my sugar, bread, and pasta intake as low as possible. I gave up desserts at age 40, though I do steal tastes. • I try to skip one meal a day or at least make it really small. My busy schedule almost always means that I miss lunch most days of the week. • Every few months, a phlebotomist comes to my home to draw my blood, which I have analyzed for dozens of biomarkers. When my levels of various markers are not optimal, I moderate them with food or exercise. • I try to take a lot of steps each day and walk upstairs, and I go to the gym most weekends with my son, Ben; we lift weights, jog a bit, and hang out in the sauna before dunking in an ice-cold pool. • I eat a lot of plants and try to avoid eating other mammals, even though they do taste good. If I work out, I will eat meat. • I don’t smoke. I try to avoid microwaved plastic, excessive UV exposure, X-rays, and CT scans. • I try to stay on the cool side during the day and when I sleep at night. • I aim to keep my body weight or BMI in the optimal range for healthspan, which for me is 23 to 25. About fifty times a day I’m asked about supplements.
David A. Sinclair (Lifespan: Why We Age—and Why We Don't Have To)
I am absolutely heart broken. All my life energy completely sucked out. It is too painful to be awake. I love you. I really do. And it hurts so bad to not be able to share it or feel it. I needed a memory with you. I've had a bloody year full of isolation and loss. Lost contact with most of my extended family. Lost any chance of seeing old friends and hanging out with my coolest cousin. Why? For one, some guy planted the seed that I've been terrorizing women. It would all be worth it if I had just one day with you. I hit the sky whenever I think you're coming. This several times now. But then you never show and I crater into the dirt. I don't know what you know. Why do you think I've been trying to get in contact? I didn't even know for sure you were here. It is unthinkable to make that distance and not ask for help. There are phones everywhere. There are pay phones. There are stores with helpful employees. I spent nearly 24 hours, pacing between my PC and the porch, looking out for you. I showed you I have the money. I told you I have the money. I've done so many times. I went to you for help last year during a critical point. I was doing ok then. I'm not well now. I don't know what's real anymore. My brains turned to mush. I've not been eating. Don't know what to do anymore.
Anonymous
Hate is such a heavy burden to carry. Those who do it. Don’t want to carry it alone. They can't even sleep. They can't wait to log on to their social media accounts, so they can plant the seed of hate to others. Every time you say something . Know you are planting a seed. The question is ,what seed are you planting with your social account? What are you planting when you speak to other people or when you speak about other people. What seed is planted to you by the people you follow, or the people hang around with. Luke 8: 5-18
D.J. Kyos
Clinging to a sinking ship because you’ve already invested so much time and effort only guarantees you’ll go down with it. Hanging on only deepens the error. It's like watering a dead plant. Don’t justify the journey by the miles already traveled.
Carson Anekeya
But thirty million dollars of subsidy money from Washington had been plowed into Project Soybean—an enormous acreage in Louisiana, where a harvest of soybeans was ripening, as advocated and organized by Emma Chalmers, for the purpose of reconditioning the dietary habits of the nation. Emma Chalmers, better known as Kip’s Ma, was an old sociologist who had hung about Washington for years, as other women of her age and type hang about barrooms. For some reason which nobody could define, the death of her son in the tunnel catastrophe had given her in Washington an aura of martyrdom, heightened by her recent conversion to Buddhism. “The soybean is a much more sturdy, nutritious and economical plant than all the extravagant foods which our wasteful, self-indulgent diet has conditioned us to expect,” Kip’s Ma had said over the radio; her voice always sounded as if it were falling in drops, not of water, but of mayonnaise. “Soybeans make an excellent substitute for bread, meat, cereals and coffee—and if all of us were compelled to adopt soybeans as our staple diet, it would solve the national food crisis and make it possible to feed more people. The greatest food for the greatest number—that’s my slogan. At a time of desperate public need, it’s our duty to sacrifice our luxurious tastes and eat our way back to prosperity by adapting ourselves to the simple, wholesome foodstuff on which the peoples of the Orient have so nobly subsisted for centuries. There’s a great deal that we could learn from the peoples of the Orient.
Ayn Rand (Atlas Shrugged)
when he gazed back northwest, he caught the last embers of sunset glowing at its seam. # He’d hardly seen her since their parents split. Twenty-nine years old and he was living on American soil for the first time since boarding a flight at LAX swaddled in his mother’s arms.              As soon he unlocked the door to her studio apartment Valerie had appeared, ecstatic. She asked ten questions before his bags ever hit the sofa. He recognized the plants hanging by the windows from the last time he had visited.
YJ Jun (All the Ways We Intertwine: A Novelette)
Still magic continued, the sort of practical magic that cured and healed and helped both with love desired and love gone wrong. Everyday people had their horoscopes written out and visited fortune-tellers on Miller Street, also known as Mud Avenue after downpours in the spring. There were magical items for sale in many of the markets, often hidden behind the counter or found in a back room or kept under cloths. Most residents did not trust doctors, who were often unschooled and lost more patients than they saved, using worthless remedies: saltpeter, tinctures of distilled powdered human bone used as a cure-all, a false remedy that was called skull moss, a plant grown from the remains of violent criminals who had been hanged which was inserted into a patient’s nostrils and was said to staunch bleeding and stop fainting and fatigue. Folk medicine was far less dangerous than the work of medical doctors. Practitioners of the Nameless Art were held in high regard when it came to their talents and their knowledge of curative tonics, seeds to induce sleep or cure insomnia, packets of dried lavender and rose hips for teas that would calm the nerves.
Alice Hoffman (Magic Lessons (Practical Magic #0.1))
The other distinctive thing about them, and the reason I like to go to Hazlitt's, is that they cannot bear to admit that they don't know the location of something they feel they ought to know, like a hotel, which I think is rather sweet. to become a London cab driver you have to master something called The Knowledge--in effect, learn every street, hospital, hotel, police station, cricket ground, cemetery, and other notable landmarks in this amazingly vast and confusing city. It takes years and the cabbies are justifiably proud of their achievement. It would kill them to admit that there could exist in central London a hotel that they have never heard of. So what the cabbie does is probe. He drives in no particular direction for a block or two, then glances at you in the mirror and in an over casual voice says, “Hazlitt’s–that’s the one on Curzon Street, innit, guv? Opposite the Blue Lion?” But the instant he sees a knowing smile of demure forming on your lips, he hastily says, “No, hang on a minute, I’m thinking of Hazelbury. Yeah, Hazelbury. You want Hazlitt’s, right?” He’ll drive on a bit in a fairly random direction. “That’s this side of Shepherd’s Bush, innit?” he’ll suggest speculatively. When you tell him that it’s on Frith Street, he says, “Yeah, that’s the one. Course it is. I know it–modern place, lots of glass.” “Actually, it’s an eighteenth-century brick building.” “Course it is. I know it.” And he immediately executes a dramatic U-turn, causing a passing cyclist to steer into a lamppost (but that’s all right because he has on cycle clips and one of those geeky slip-stream helmets that all but invite you to knock him over). “Yeah you had me thinking of the Hazelbury,” the driver adds, chuckling as if to say it’s a lucky thing he sorted that one out for you, and then lunges down a little side street off the Strand called Running Sore Lane or Sphincter Passage, which, like so much else in London, you had never noticed was there before. Hazlitt’s is a nice hotel, but the thing I like about it is that it doesn’t act like a hotel. It’s been there for years, and the employees are friendly–always a novelty in a big-city hotel– but they do manage to give the slight impression that they haven’t been doing this for very long. Tell them that you have a reservation and want to check in and they get a kind of panicked look and begin a perplexed search through drawers for registration cards and room keys. It’s really quite charming. And the delightful girls who cleans the rooms–which, let me say, are always spotless and exceedingly comfortable–seldom seem to have what might be called a total command of English, so that when you ask them for a bar of soap or something you see that they are watching your mouth closely and then, pretty generally, they return after a bit with a hopeful look bearing a potted plant or a commode or something that is manifestly not soap. It’s a wonderful place. I wouldn’t go anywhere else.
Bill Bryson
In many ways, Kaua‘i is the ultimate example of what a world would look like if plants were in charge. The whole island is covered in the surreal products of total floral freedom. When plants are allowed to evolve without fear, they get scrupulously and flamboyantly specific. Take the Hibiscadelphus genus, for example. Found only in Hawai‘i, these plants have long tubular flowers, custom-made to fit the hooked beak of the honeycreeper, the precise bird that pollinates them. Then there is the vulcan palm, Brighamia insignis, or ‘Ōlulu in Hawaiian, a short tree best described by its nickname, “cabbage on a stick.” Over tens of thousands of years, it has evolved to be pollinated only by the extremely rare fabulous green sphinx moth (its real name). The vulcan palm, still critically endangered in the wild, was saved from total extinction by Perlman’s work in the early days of the extinction prevention program, when he made his own harness out of knotted ropes and used it to hang over the Nā Pali Coast cliffs. There, four thousand feet in the air, he would use a small cosmetic brush borrowed from his wife to imitate the moth, carefully transferring the pollen from the males to the females. “You’d know if you did it well,” Perlman said. “When you’d go back, there’d be fruits just bursting open with seed.” (The vulcan palm is now cultivated as a houseplant in the Netherlands, where there are greenhouses full of them. I wonder if a person with a potted Vulcan palm on their Amsterdam windowsill knows of the drama it took to get it there.)
Zoë Schlanger (The Light Eaters: How the Unseen World of Plant Intelligence Offers a New Understanding of Life on Earth)
What are those big round things hanging off the trees?” I looked up. The big round things he was referring to was the parasitic plant mistletoe. It had completely infested the trees in this area. Oh God he would ask that… “You really don’t know?” I hedged. He looked at me completely nonplussed. “Uh, no.” he said, as if I was completely nuts. “That’s why I asked.” I nodded. Of course… city boy… “Um, it’s mistletoe.” I mumbled feeling mortally embarrassed. He nodded, his lips twitched then he raised an eyebrow, an impish grin on his face, “Really?” He asked. “Well, wouldn’t you know it?” he looked back up, “And we’re stood right beneath it.
Heather Mar-Gerrison (White Water)
Create a Chocolate Factory There may be as many different types of playrooms as there are families, but every one of them should have the following design element: lots of choices. A place for drawing. A place for painting. Musical instruments. A wardrobe hanging with costumes. Blocks. Picture books. Tubes and gears. Anything where a child can be safely let loose, joyously free to explore whatever catches her fancy. Did you see the movie Willy Wonka and the Chocolate Factory? If so, you may have been filled with wonder at the chocolate plant, complete with trees, lawns, and waterfalls—a totally explorable, nonlinear ecology. That’s what I mean. I am focusing on artistic pursuits because kids who are trained in the arts
John Medina (Brain Rules for Baby: How to Raise a Smart and Happy Child from Zero to Five)
The private-equity approach can take the form of simple improvements, such as changing irrigation from antiquated dykes and canal networks to automatic spray systems: these are the equivalent of picking low-hanging fruit. Pricey robots can boost milk per cow by 10-15%. Using “big-data” analytics to plant and cultivate seeds can push crop yields up 5%. “This is an industry where the gap between the top and bottom quartile is greater than anywhere else,” says Detlef Schoen of Aquila Capital, an alternative-investment firm. And yet the 36 agriculture-focused funds, with $15 billion under management, pale in comparison to the 144 funds focused on infrastructure ($89 billion) and 473 targeting real estate ($163 billion), according to Preqin, a data provider. TIAA-CREF, an American financial group, is a market leader with $5 billion in farmland, from Australia to Brazil, and its own agricultural academic centre at the University of Illinois. Canadian pension funds and Britain’s Wellcome Trust are among those bolstering their farming savvy.
Anonymous
the all-time master of exits wanted to make his final departure from the public stage the occasion for explaining his own version of what the American Revolution meant. Above all, it meant hanging together as a united people, much as the Continental Army had hung together once before, so that those who were making foreign policy into a divisive device in domestic politics, all in the name of America’s revolutionary principles, were themselves inadvertently subverting the very cause they claimed to champion. He was stepping forward into the battle one final time, planting his standard squarely in the center of the field, inviting the troops to rally around him rather than wander off in romantic cavalry charges at the periphery, assuring them by his example that, if they could only hold the position he defined, they would again prevail.
Joseph J. Ellis (Founding Brothers)
We walk past a clown who is painting kids’ faces, and I suddenly stop, something catching my eye. “I like that unicorn,” I say, pointing to the bright pink stuffed animal hanging from the ceiling of a game booth. Travis looks from the unicorn to me. “Is that a hint?” “I didn’t think I was being subtle,” I say, batting my eyelashes at him. “How much is it?” Travis asks the man in charge of the game, reaching for his wallet. “One dart for three dollars, four for ten. You just pop a balloon with the dart and you get a prize,” he says, perking up at the prospect of a new customer. “Oh, that sounds easy!” I say, clapping my hands together. “How many times do you have to pop a balloon to get the unicorn?” Travis asks. “Five,” the man answers brightly. “I could buy you a unicorn for cheaper than that!” Travis says, turning to me. My face falls. “But that’s not the point,” I argue. Travis looks at my pout before he lifts his eyes up to the ceiling, shaking his head. “Okay, I will take five darts.” I immediately perk up again, and reach out for his arm. “You’ll do great!” I say. Travis takes the first dart from the man and throws it at the wall. It doesn’t even make it all the way and falls pitifully to the floor. “Must have been a bad dart,” I argue. He frowns, picks up the second dart and this time takes a little more aim before throwing it. This time it makes it to the wall but doesn’t manage to stick. “That’s okay, it−” Before I can finish my thought, Travis is handing me his jacket to hold so he has both hands free. He picks up the next dart, his face all business, and plants his feet, ready for action. None of the five darts pop any balloons, and before I can offer him any words of consolation he has slapped down a twenty on the ledge and rolled up his sleeves. “Travis, you don’t have to−” but I can tell he isn’t listening to a word I’m saying. He throws another dart and it actually connects to the side of a balloon, but it only serves to pin the balloon to the wall more. Is that even possible? These are like miracle balloons. “This is obviously rigged!” I argue, picking up one of the darts. I throw it at the wall, my back leg kicking up from the effort and it connects with a bright yellow balloon, popping it instantly. “We have a winner!” The operator yells. I look up at Travis who is just staring at the popped balloon. “That was just beginner’s luck,” I assure Travis, picking up another dart and trying to throw it at the wall a little higher than before, aiming for above the balloons. It quickly curves down in the air and pops a blue balloon. Honestly, I tried out for my high school’s baseball team and got laughed off the diamond. If it wasn’t so inappropriate I would have Travis take a video so I could post it on my Facebook page. That would show Shannon Winters and all her baseball friends. “Another winner!” the operator yells. “Three more, pretty lady, and you’ve got your unicorn.” I shoot my eyes to Travis, but he’s still staring at the wall in disbelief. I have no problem popping the other three balloons and I stand gleefully with my arms outstretched, waiting for my unicorn. “You have three more darts,” the operator points out. “Did you want to try and win your boyfriend something?” I clamp my lips together while Travis stands beside me, completely silent. “We’re going to try something else,” I say, holding my unicorn in one hand and grabbing Travis’s hand with the other. Travis walks away shaking his head. “I played football in university. I was on the provincial lacrosse team.” “I know,” I say, wrapping my arm around his middle as we walk away. “You were so close.” I try and hide the smile from my face. There is hardly anything I’m able to beat Travis at and now I know whenever I challenge him it should definitely include darts
Emily Harper (My Sort-of, Kind-of Hero)
The world will not be free of me who will establish religion secretly and openly in order that the proofs of God are not obliterated. They will be few in number but they will be great in honour. They will be lost openly, but their pictures will reign in hearts. God will preserve His religion through them. They will leave the religion for their successors and they will plant it in the hearts of the young. The real nature of knowledge will be disclosed with their help. They will get good news from the life of sure faith. They will make easy what the rich think difficult and they will make clear what the heedless think obscure. They will keep company with the world witht their bodies, but their souls will be kept hanging in lofty places. They are servants of God among His people, His trustees and deputies on the earth. Then he wept and said: How eager I am to meet them.
Abu Hamid al-Ghazali
The second inexpensive material is wood lath, which is sold in home improvement centers. Believe it or not, they already come 4 feet long with square ends. Sometimes they’re a little crooked, filled with knots, or break easily, so sort through them. But they’re very, very inexpensive—less than a quarter each. Once you lay them out and drill holes at the 12-inch intersections, they’re very easy to connect together with a nut and bolt or some other type of fastener. Because the wood lath is rigid, it can span from one side of the box to the other side in case your Mel’s Mix is not level with the top of the box. Otherwise, it can just lie on top of the soil. If your grid spans across the box sides, keep the grid from moving about by drilling a hole in the ends of the two center slats and screwing them to your wooden box. Some people like to take the wood lath grid up for the winter so it doesn’t get wet and rot as easily. Unscrew the four screws, fold the grid, and hang it on the garage wall. Put the screws in a plastic bag and hang it up with the grid to keep the screws safe and dry over the winter. Attach Your SFG Grid JOINING Drill holes at the intersections of all the grid lath pieces. Next, insert a pin or bolt to hold the grid together. SECURING Drill holes at ends of each lath piece, into the sides of the box. Secure the lath strips to the box with screws driven through the holes. Once the grid is attached, your SFG is ready for planting.
Mel Bartholomew (All New Square Foot Gardening: The Revolutionary Way to Grow More In Less Space)
You’re not responsible with what God gave you if you’re hanging out with time wasters who have no goals and no dreams. You have a destiny to fulfill. God has amazing things in your future. It’s critical that you surround yourself with the right people. If you’re the smartest one in your group, then your group is too small. You need to be around people who know more than you and have more talent than you. Don’t be intimidated by them; be inspired. If you take an oak tree seed and plant it in a five-gallon pot, that tree will never grow to the size it was created to be. Why? It’s restricted by the size of the pot. In the same way, God has created you to do great things. He’s put talent, ability, and skills on the inside. You don’t want to be restricted by your environment. It may be too small. Some of you are being restricted by your environment. It’s too small. The people you hang around are negative and drag you down. You need to get out of that little pot. God created you to soar. It’s fine to help people in need, but don’t spend all your time with them. You need talented and smart people in your life; winners who are farther along than you and can inspire you and challenge you to rise higher. My question for you is this: Are you doing anything strategic and intentional to keep growing? If not, you can start right now. Come up with a personal growth plan. It can be something like, “I will get up every morning and spend the first twenty minutes meditating on the scripture. I will listen to a teaching CD driving to work. I will read a book fifteen minutes every night before I go to bed. I will meet with my mentor twice a month. I will be in church every weekend.” That’s a definite plan. When you take responsibility for your growth, God will honor your efforts. Promotion, good breaks, businesses, books, and divine connections are in your future. But now is the time to prepare. Don’t get caught with destination disease. There is treasure in you, waiting to be developed. Redeem the time. Make a decision to grow in some way every day. If you keep sharpening your skills, and getting better, God promises your gifts will make room for you. Like David, because you are prepared, I believe and declare God is about to thrust you into the fullness of your destiny. He will open doors that no man can shut. You will go further than you could imagine and become the winner He’s created you to be.
Joel Osteen (You Can You Will: 8 Undeniable Qualities of a Winner)
There is, however, one natural feature of this country, the interest and grandeur of which may be fully appreciated in a single walk: it is the ‘virgin forest’. Here no one who has any feeling of the magnificent and the sublime can be disappointed; the sombre shade, scarce illumined by a single direct ray even of the tropical sun, the enormous size and height of the trees, most of which rise like huge columns a hundred feet or more without throwing out a single branch, the strange buttresses around the base of some, the spiny or furrowed stems of others, the curious and even extraordinary creepers and climbers which wind around them, hanging in long festoons from branch to branch, sometimes curling and twisting on the ground like great serpents, then mounting to the very tops of the trees, thence throwing down roots and fibres which hang waving in the air, or twisting round each other form ropes and cables of every variety of size and often of the most perfect regularity. These, and many other novel features – the parasitic plants growing on the trunks and branches, the wonderful variety of the foliage, the strange fruits and seeds that lie rotting on the ground – taken altogether surpass description, and produce feelings in the beholder of admiration and awe. It is here, too, that the rarest birds, the most lovely insects, and the most interesting mammals and reptiles are to be found. Here lurk the jaguar and the boa-constrictor, and here amid the densest shade the bell-bird tolls his peal.
Alfred Russel Wallace (My Life: A Record of Events and Opinions, Volume 1)
You want to borrow my girlfriend?” Carson shouted later that afternoon, promptly dropping the box in his hands. The cardboard smashed onto the floor of Carson and Holly’s new glorious kitchen with a resounding thunk and the distinct sound of glass shattering. “My new plates!” Holly wailed, immediately sinking to her knees. She ripped open the tape closing the two flaps together and peered into the box then looked up at Carson in horror. “You’re a monster!” Carson scowled at her. “I’ll buy you new plates.” The scowl deepened. “That is, if I decide not to break up with you. I can’t believe this was your idea. I told Garrett you and Shelby shouldn’t hang out. The two of you are trouble together.” “They’re just trying to help me out,” Will pointed out, experiencing a jolt of sympathy at the despair on Holly’s face. He swiftly knelt down and tried to pry her hands out of the box. “Quit sticking your fingers in there, Hol. It’s filled with broken glass.” Carson let out an enraged roar. “Don’t you dare console my girlfriend. My girlfriend!” Holly got to her feet, planting her hands on her hips. “Now I’m definitely going,” she shot out. “You broke my plates.” “So you’re going to play house with my lieutenant as punishment?” “He’s in love with another woman!” “Well, I’m in love with you!” Holly’s eyes softened. “Doesn’t it make you love me more, knowing I’m willing to help out one of your friends?” A sigh slid out of Carson’s mouth. “What is it with you and helping people? Didn’t we just decide you’re not going to drop everything for your family anymore?” “This isn’t my family. It’s yours.” “Will and I aren’t related.” “You’re SEALs. Of course you’re related.” Another sigh. “Yeah, you’re right.” Carson took a step forward and pulled Holly into his arms. “Fine, you can go.” “Really?” “I just said it, didn’t I?” Holly threw her arms around her boyfriend. The two proceeded to make out as if Will wasn’t in the kitchen. He shook his head to himself. He wasn’t quite certain how they’d gone from furious to calm to horny in a matter of seconds, but he wasn’t complaining. Ever since Holly and Shelby had burst into his house this morning, he’d been warming up to the plan, starting to believe it might actually work. He was glad Carson hadn’t put up more of a fight. Slipping his hands in the pockets of his khakis, he let the couple smooch a while longer, then cleared his throat. “Uh, guys?” The two pulled apart sheepishly. “Sorry,” Holly said. “Forgot you were here.” Story of his life, women forgetting he was standing right in front of them. Hopefully not for much longer, though. “So how is this going to work?” Carson asked, bending down to retrieve the fallen box. He glanced at his girlfriend. “I’m sorry about the plates, sweetheart. We’ll go out and buy some tomorrow, ’kay?” “I’m holding you to that.” With a stern look, she headed for the fridge and grabbed a can of soda. Flicking the tab, she raised the can to her lips, sipped, and then said, “Will and I are going to Hunter Ridge tomorrow. Apparently there’s some fair going on this weekend.
Elle Kennedy (Heat of the Storm (Out of Uniform, #3))
They stood on an incline in the middle of the cemetery and he stepped closer. He lifted her chin to look into her green eyes. “You lost all track of time because we were enjoying ourselves. That means the date was a success.” He leaned toward her and gave her a peck on the lips. “Now relax and I’ll take you home.” And out of nowhere, completely unplanned and unprepared, Maureen threw her arms around George’s neck and planted her lips on his. He stumbled backward a couple of steps before he came up against a large tombstone that balanced him. He was finally able to get his arms around her and hang on to her. He kissed her back, but as kisses go it wasn’t much. It was the gesture that was startling. She let him go. “Well,” he said. “You should warn me when you’re going to do that. We could have gone down the hill, then we’d have to explain a couple of broken hips. That’s more complicated than being a little late to day care.” “I don’t know what came over me,” she said. “It doesn’t matter. Just make sure it comes over you again before long. I like it.” He held out his hand. “Come on. I’ll walk you down. Slowly.” *
Robyn Carr (Angel's Peak (Virgin River #10))
Life is to be tended like these trees and those vines.' He pointed across the field to the vineyard hanging with ripened fruit. 'Be mindful of the words and deeds you plant, for they will root and grow whatever you intend. It can be a blessing or a curse. And prune away the dead and sick from your life, making way for new.
Janell Rhiannon (Rise of Princes (Homeric Chronicles, #2))
When you're camping, it’s important to be aware of what insects can harm you, what plants and berries to avoid and what paths to stay on. If you do your homework and use good judgment, you can have a great time. The same common sense applies to visiting large cities. It's good to do your homework before leaving. Be knowledgeable about what's the best time to be where, where not to go alone and what areas to avoid. In some places, what colors to wear could be an issue. If you are hanging out in an area where the turf color is red and the rival color is black, then the smart move is obviously not to wear black. The loco locals won’t know that you are ignorant to what is an acceptable or rival color. They will just see you as trouble for them, which will mean trouble for you.
A.J. Harper (Zombie Television A Tale of Urban Horror)
it grows. When a larva pops out of its last skin, it becomes a pupa. The pupa stage is a short "rest stop" before it becomes an adult. Pupas don't eat, they just rest. Maybe they're saving up energy to fly. The complete change from larva to adult happens while it is a pupa. When a butterfly caterpillar sheds its last skin, its inner skin hardens into a chrysalis. A moth caterpillar doesn't make a chrysalis. It makes a cocoon. First, it hooks a silk strand to the top of twig. Next, it fastens that same thread to the bottom of the twig. Then it hangs head-down and spins threads across for the rest of the cocoon. Find a chrysalis or cocoon and watch the new butterfly or moth emerge! What It Looks Like The cabbage caterpillar is green or tan. Its skinny body grows no longer than your thumb. It looks like a tiny cucumber, so it can easily hide on a plant, and is hard to find. It is the first bug of spring, and can be found in any garden cabbage patch. What It Eats The cabbage caterpillar was named for its favorite food. It also eats broccoli,
Mel Boring (Caterpillars, Bugs and Butterflies: Take-Along Guide (Take Along Guides))
Biodiesel Plants In recent years, SRS International Biodiesel, biodiesel washing, factory automation services, turnkey biodiesel refineries and commissioning services, including hanging the biodiesel plants machine is a category launched. SRS International Biodiesel trade scope project consulting and services, process design, equipment manufacture and supply, engineering tools, establishment and after sales service are also included. It's a huge Biodiesel Plants in Temecula, CA. Machinery manufacturing plant and engineering companies: mainly grain, oil, engaged in general contracting of engineering warehouse, storage, Machinery and equipment manufacturing and oil equipment and grain purchases; By deep processing of oil products; Owners turnkey projects realized.
SRS International Biodiesel
And that’s when she noticed the freakiest thing. “Oh, my fucking god, you’ve been neutered!” “What?” he barked, planting his hands on his hips which drew even more attention to his crotch area—his ball-less crotch area. “Neutered, spayed or whatever the hell you call it when you’ve had your balls chopped off. Dear god, don’t tell me that’s how you aliens practice birth control?” Megan couldn’t help the horror that seeped into her voice. And he called humans barbaric. Wider and wider, his eyes grew, his throat working soundlessly. When he finally managed to utter something, it emerged a cross between a snort and laughter. “You are absolutely insane. What are you talking about?” “Your balls. You know, the two round things that hang under your dick. What happened to them?
Eve Langlais (Alien Abduction (Alien Abduction, #1-3))
ant to spruce up your bathroom? Don't hesitate to hang pictures in there. Plaques, posters, framed magazine covers-whatever strikes your fancy. Mirrors and clocks are naturals too. Flowers are always a plus. Seashells are also at home in the bathroom. Put them in a bowl, hang them, or glue them to a frame. Add favorite bathroom accessories such as lamps and scented candles. Potpourri gives everything a special ambience. Put in a few unexpected touches to make your bathroom unique. A guaranteed hope-producer is spending time with children. Get down on the floor and talk to them. And listen to them. Let their youth and enthusiasm rub off on you. And here's the best tip of all, taken from Psalm 39:7: "But now, Lord, what do I look for? My hope is in you." May the God of hope fill you with all joy and peace as you trust in Him. ey, if little things can drag you down, then little things can also pick you up! Here are a few ideas. • Always keep something green in a little vase or pot by your kitchen sink. And I'm not talking about cash-I'm talking plants.
Emilie Barnes (365 Things Every Woman Should Know)
agave. Any of several southwestern plants with tough, spiny sword-shaped leaves. Named for Agave, daughter of the legendary Cadmus, who introduced the Greek alphabet, the large Agave genus includes the remarkable century plant (Agave americana), which blooms once and dies (though anytime after 15 years, not after 100 years, as was once believed). Introduced to Europe from America in the 16th century, this big agave is often used there for fences. It is regarded as a religious charm by pilgrims to Mecca, who hang a leaf of it over their doors to ward off evil spirits and indicate that they have made the pilgrimage.
Robert Hendrickson (The Facts on File Encyclopedia of Word and Phrase Origins)
I'll never see Ivy alive again. But she's still everywhere. In every drop of bubbling swamp water. In every leaf hanging from every tree. In every speck of swamp mud. In every blade of grass. In every gift she left behind for me: two sacks of miscellaneous objects, a grass bracelet, her home, her love, and my life. A swamp angel named Ivy lived in my backyard. And now she doesn't. But wherever she is, I know she's watching me. Just like the angel she's always been.
Colleen Boyd (Swamp Angel)
He couldn't believe it! He knew her intent before she dove for her sgian dubh. But he couldn't react quickly enough. He wasn't about to allow her to arm herself again. He dropped his sword, needing both hands free and lunged for her, only with his body this time. Tackling her, he took her down, her back cushioned by the wealth of leaves, and planted his body on top of hers. She grew very still then, and he smiled a little at her. "If you had done just as I asked, we wouldna be like this, now would we lassie?" Sorcha was fuming mad and scared witless as the braw Highlander pressed his body on top of hers. She felt his staff growing against her belly the longer he remained between her legs. He was beautiful, his dark brown eyes swimming with lust, his long brown hair hanging about her face as she looked up at him, panting for breath, trembling, despite wishing to show he didn't frighten her one bit. But he did.
Terry Spear (Kissing the Highlander)
When Diana was unable to visit, she telephoned the apartment to check on her friend’s condition. On her 30th birthday she wore a gold bracelet which Adrian had given to her as a sign of their affection and solidarity. Nevertheless, Diana’s quiet and longstanding commitment to be with Adrian when he died almost foundered. In August his condition worsened and doctors advised that he should be transferred to a private room at St Mary’s Hospital, Paddington where he could be treated more effectively. However Diana had to go on a holiday cruise in the Mediterranean with her family on board a yacht owned by the Greek millionaire John Latsis. Provisional plans were made to fly her from the boat by helicopter to a private plane so that she could be with her friend at the end. Before she left, Diana visited Adrian in his home. “I’ll hang on for you,” he told her. With those words emblazoned on her heart, she flew to Italy, ticking off the hours until she could return. As soon as she disembarked from the royal flight jet she drove straight to St Mary’s Hospital. Angela recalls: “Suddenly there was a knock on the door. It was Diana. I flung my arms around her and took her into the room to see Adrian. She was still dressed in a T-shirt and sporting a sun tan. It was wonderful for Adrian to see her like that.” She eventually went home to Kensington Palace but returned the following day with all kinds of goodies. Her chef Mervyn Wycherley had packed a large picnic hamper for Angela while Prince William walked into the room almost dwarfed by his present of a large jasmine plant from the Highgrove greenhouses. Diana’s decision to bring William was carefully calculated. By then Adrian was off all medication and very much at peace with himself. “Diana would not have brought her son if Adrian’s appearance had been upsetting,” says Angela. On his way home, William asked his mother: “If Adrian starts to die when I’m at school will you tell me so that I can be there.
Andrew Morton (Diana: Her True Story in Her Own Words)
Steve drove the next morning as we made the turn for the Burdekin River. The single-lane dirt road, as small as it was, ended there--but we had another two or three hours of four-wheel driving to go. We navigated through deep ravines carved by the area’s repeated cyclone-fed floods, occasionally balancing on three wheels. “Hang out the window, will you?” Steve shouted as we maneuvered around the edge of a forty-foot drop. “I need to you to help counterbalance the truck.” You’ve got to be kidding me, I thought. But there I was, hanging off the side of the bull bar while Steve threaded his way over the eroding track. As we pounded and slammed our way deep into the bush, Steve talked about the area’s Aborigines. He pointed out a butte where European colonists massacred a host of the Aboriginal population in Victorian times. The landscape was alive to him, not only with human history, but with the complex interrelatedness of plants, animals, and the environment. He pointed out giant 150-year-old eucalypts, habitats for insectivorous bats, parrots, and brush-tailed possums. After hours of bone-jarring terrain, we reached the Burdekin, a beautiful river making its way through the tea trees. It was a breathtaking place. We set up camp--by which I mean Steve did--at a fork in the river, where huge black boulders stood exposed in the middle of the water. I tried to help, but I felt completely out of my depth. He unpacked the boat and the motor, got it tied and moored on the river, rolled out the swags, and lined up containers of fuel, water, and food. Then he started stringing tarps. What a gift Steve had for setting up camp. He had done it countless times before, month in and month out, all by himself, with only Sui for company. I watched him secure ropes, tie knots, and stretch canvas like he was expecting that we’d have to withstand a cyclone. It was hot, more than a hundred degrees Fahrenheit, but Steve didn’t seem to notice. Sui found a little shallow place at the edge of the river and immediately plopped herself in. I saw Steve look over at her as if calculating her chances of being snatched by a croc. Crocodiles are the ultimate camouflage attack predators, striking from the water’s edge. There would never be “down time” for Steve. No time to sit down and unwind. We were off in an instant. We grabbed Sui, jumped in the boat, and headed upstream. White Burdekin ducks startled up in front of our boat, their dark neck-rings revealed as they flew over us. Cormorants dried their feathers on the mid-river boulders, wings fully open. It was magical and unspoiled, as if we were the first people ever to travel there.
Terri Irwin (Steve & Me)
Josefina had grown up hearing tales of treasures hidden by thieves, gold mines with secret entrances, jars of coins buried by old men afraid of being robbed. She’d always enjoyed these legends, shared by good storytellers when shadows were long and imaginations ran high. She’d never heard of anyone actually finding lost treasure. But she’d never seen a map marked with landmarks and strange sketches, either. Josefina tried to push the image of the map from her mind so that she could go to sleep, but it was no use. Finally, afraid she might wake her sisters, she got up. Wrapping her rebozo around her shoulders against the cool night breeze, she tiptoed out of the sala. She lit a candle and crept to the storeroom where she and Teresita kept their remedios and dyes. Josefina loved the musty-spicy smells of the plant bundles hanging from poles overhead. She loved seeing bins and gourds and baskets filled with supplies that might help ward off illness or cure disease. Sitting on a banco, she savored the peaceful stillness. She could feel her muscles relaxing. Soon she would be ready for sleep. Then an unexpected sound jerked Josefina upright. The candle fell to the hard earthen floor and snuffed out. In the sudden darkness, Josefina strained to hear the sound that had disturbed her. There it was again! A faint crying sound. Was one of her sisters awake? Was Francisca in the courtyard, weeping for Ramón? Josefina cocked her head, but when she heard the sound again, she was sure it came from outside the house. Josefina stepped closer to the window, carefully avoiding a basket of pumpkin stems. Pressing a palm against the wall, she held her breath. And the sound came again, drifting through the open window above her head—a woman’s sob, low and full of anguish. Josefina’s bones turned to ice. Only one woman roamed at night, weeping and wailing: the ghost, La Llorona!
Kathleen Ernst (Secrets in the Hills: A Josefina Mystery (American Girl))
That night the wind came and carried Kelsang’s mat away. The next morning, the painter shambled out to water his plants. Kelsang had never existed, he was sure of it. While there was still a hazy image of a dog lingering in the back of his mind, he thought of it as he did one of his tanka paintings that had been taken away and was now hanging in a temple somewhere.
Gerelchimeg Blackcrane (Black Flame)
Daily" These shriveled seeds we plant, corn kernel, dried bean, poke into loosened soil, cover over with measured fingertips These T-shirts we fold into perfect white squares These tortillas we slice and fry to crisp strips This rich egg scrambled in a gray clay bowl This bed whose covers I straighten smoothing edges till blue quilt fits brown blanket and nothing hangs out This envelope I address so the name balances like a cloud in the center of sky This page I type and retype This table I dust till the scarred wood shines This bundle of clothes I wash and hang and wash again like flags we share, a country so close no one needs to name it The days are nouns: touch them The hands are churches that worship the world
Naomi Shihab Nye
This is Epipremnum aureum... commonly known as devil's ivy. It's nearly impossible to kill. Its heart-shaped leaves stay green, growing to surprising lengths, even when it's kept in the dark. This species climbs by clinging to the surfaces. It's been known to cover entire forest floors, suffocating entire ecosystems. And its leaves, deceptively harmless in appearance, are deadly to weaker species. So you see," she says with a menacing smile, "she doesn't need you to COMMAND her. She's perfectly capable of hanging you, suffocating you, or sickening you all on her own, with or without your consent or participation.
Elle Cosimano (Seasons of Chaos (Seasons of the Storm, #2))
Good airflow is the most important factor when drying herbs. Use racks, screens, or bags, or hang bundles upside down. I generally use a dehydrator only for very moist plant parts like berries. Keep the drying herbs out of direct sunlight.
Scott Kloos (Pacific Northwest Medicinal Plants: Identify, Harvest, and Use 120 Wild Herbs for Health and Wellness)
If I say your name now and you turn your head and you do not recognize me then fuck, I don’t know. Then I am dreaming of you dreaming of me, again. Then I’ll wait here till you’re ready and while I’m waiting I’ll make my home here, in this undefinable space I can try to name and then try to name again until I give up on names altogether, just let them go through my fingers like water, like trying to remember the freakiest moments of a nightmare, but it’s too late—I’m already awake and the day is about to start and I have to set up a bird feeder and propagate more plants today. I have to hang up signs. I have to open up the windows. I have to look far out to see that line where the water becomes air
Melissa Lozada-Oliva (Dreaming of You: A Novel in Verse)
That fall, they moved in a greyhound named Target, a lapdog named Ginger, the four cats, and the birds. They threw out all their artificial plants and put live plants in every room. Staff members brought their kids to hang out after school; friends and family put in a garden at the back of the home and a playground for the kids. It was shock therapy.
Atul Gawande (Being Mortal: Medicine and What Matters in the End)
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Sage and Twine
The Kratky method has no moving parts. It requires no electricity (so long as natural light can be provided), and it is the most inexpensive system to build and run. ✓    The Kratky method is achieved by hanging plants in net pots above a nutrient solution. As the plants drain the solu- tion, more room for oxygen is created to provide plenty of air to the roots. ✓    Since there are no moving parts and little maintenance, the Kratky method can be thought of as a “set it and forget it” approach to gardening.
Demeter Guides (Hydroponics: The Kratky Method: The Cheapest And Easiest Hydroponic System For Beginners Who Want To Grow Plants Without Soil)
There is no story. There is just the truth. Look around you. Everything you see, and far beyond, all of it was once green. Where you see buildings, thousand-year-old trees once stood. Above, where those aircar cables hang? That was once the crisscross of leafy vines. That cracked asphalt that scalds your paws? It was once rich earth, protected by a blanket of grass. And our kind did not look into glass windows to find our skinny reflections; we saw our faces mirrored in fresh streams—not one of them toxic. It was a paradise. Then the men came. They pulled up every plant. They drove off every animal. They paved over each patch of dirt. They built towers higher than the tallest tree trunks. They pumped smoke from factory chimneys, driving away the clouds. They replaced all that was green with shades of gray—steel and iron and concrete. But with time, mutations occur. Nature begins to adapt. If you don’t adapt, you don’t stand a chance in this world. And if you don’t have friends by your side, alerting you to danger and sharing their good food, it’s a very lonely world, indeed. So stick together, little ones. Stay close to your littermates, and help each other adapt. Make the world greener through your dreams. Build your own paradise.
Devon Hughes (Unnaturals #2: Escape from Lion's Head: An Action-Packed Sequel About Lab Hybrids and Survival for Children (Ages 8-12))
When will women learn? Maggie was always swanning about with her herbal remedies and healing balms, making it known she understands plant magic. And then she’s foolish enough to use poison? Amateur mistake. The first person they blame for poisoning is the local wise woman. I guess she’ll have plenty of time to ruminate on that error while they’re leading her to the witch-hanging tree. Now, if she’d had the audacity to bludgeon him with a rock, then she wouldn’t be in this mess.
Steffanie Holmes (You're So Dead to Me (Grimdale Graveyard Mysteries, #1))
How do I get past that? “How did you?” the therapist asks. “You tell me.” I point to the spider plant hanging from the ceiling. “Like the baby plant on the tip of the leaves. I moved to California and grew a new one of myself. I left the other me behind. She hurt too much,” I say. “She wasn't any fun. She was dark. Unhappy. Always crying and sad. She spoiled everything for everyone. I had to leave her behind. She ruined Minnesota for me. She would have wrecked California too.” “Do you think you could come and get her now?” she asks. “Take her with you?” “Only if she'll behave and stop crying all the time.
Melody Beattie (The Grief Club: The Secret to Getting Through All Kinds of Change)
So why, every year, do we hang a damn great bunch of mistletoe up there?” The Senior Wrangler turned in a circle, still staring upward. “Well, er . . . it’s . . . well, it’s . . . it’s symbolic, Archchancellor.” “Ah?” The Senior Wrangler felt that something more was expected. He groped around in the dusty attics of his education. “Of . . . the leaves, d’y’see . . . they’re symbolic of . . . of green, d’y’see, whereas the berries, in fact, yes, the berries symbolize . . . symbolize white. Yes. White and green. Very . . . symbolic.” He waited. He was not, unfortunately, disappointed. “What of?” The Senior Wrangler coughed. “I’m not sure there has to be an of,” he said. “Ah? So,” said the Archchancellor, thoughtfully, “it could be said that the white and green symbolize a small parasitic plant?” “Yes, indeed,” said the Senior Wrangler. “So mistletoe, in fact, symbolizes mistletoe?
Terry Pratchett (Hogfather (Discworld, #20))
The universal justification for torture is the ticking-time-bomb excuse. As the columnist Charles Krauthammer put it, "A terrorist has planted a nuclear bomb in New York City. It will go off in one hour. A million people will die. You capture the terrorist. He knows where it is. He's not talking. Question: If you have the slightest belief that hanging this man by his thumbs will get you the information to save a million people, are you permitted to do it?" Yes, says Krauthammer, and not only are you permitted to, it's your moral duty. You don't have time to call the Geneva Convention people and ask them if it's okay; you will do whatever you can to get the terrorist to tell you the bomb's location. Few deny that the ticking-time-bomb justification for torture would be reasonable under those circumstances. The trouble is that those circumstances are very rare, so the "saving lives" excuse starts being used even when there is no ticking and there is no bomb.
Carol Tavris (Mistakes Were Made (But Not by Me): Why We Justify Foolish Beliefs, Bad Decisions, and Hurtful Acts)
A tree that is five, six, eight, or fifteen feet across, the champions we are cloning, is what the size of all the trees in our forests once was, that all of America was covered with, not just one lone, last solider standing. When we look at the trees around us, we're looking at the runts, the leftovers. The whole country should be forested coast to coast with these giants, not with the puny, scraggly, miserable mess we call our forests. We don't realize what we've lost. The champions do their best in communities that are hundreds or thousands of acres. They're struggling in little pockets to hang on... We're in the fifty-ninth minute of the last hour.
Jim Robbins (The Man Who Planted Trees: Lost Groves, Champion Trees, and an Urgent Plan to Save the Planet)
Diego and I spent the next few hours extracting the podlike nuts of the chocolate tree, Theobroma cacao. He climbed the tree, which was about fifteen feet high and quite slender, and shook it until the ripe nuts fell to the ground. It was one of the strangest-looking trees I'd ever laid eyes on- tall and skinny, with huge multicolored pods hanging down off its main branches. It looked like a long brown stick with orange, yellow, red, green, pink, and purple footballs glued onto it. It was difficult for me to connect this tree and its weird pods to Nestlé Crunch bars and double-fudge ice cream on a hot summer day.
Margot Berwin (Hothouse Flower and the Nine Plants of Desire)
You could go [along the river] where you wanted and homestead—the forest gives you all kinds of fruit and animals, the river gives you fish and plants. That was very important to societies like Marajó. They had to be much less coercive, much more hang-loose, much more socially fluid, or people wouldn’t stay there.” Compared with much of the rest of the world at that time, people in the Amazon “were freer, they were healthier, they were living in a really wonderful civilization.
Charles C. Mann (1491: New Revelations of the Americas Before Columbus)
YOU Tip: Rock Your Guac. Food fact of the day: The avocado is known as the testicle plant—not just because it’s shaped like the lovely sperm holders, but because it grows in pairs, and one side hangs lower than the other (really, we’re not kidding about the plant). The other reason why it could be named after the sacred scrotum: The healthy fat in avocado has also been shown to decrease BPH. Saw palmetto has the same fat as avocados and should decrease prostate growth as well. The major benefit: smaller prostate size, less BPH, fewer nighttime awakenings for urinating.
Michael F. Roizen (You: Staying Young: The Owner's Manual for Extending Your Warranty)
The ruins were no longer ruins. On the cliffs, at the highest point of the island, white towers rose to breathtaking points. As they thundered up the slope, the rest was revealed: a vast fortress, almost a citadel, its jumble of solid buildings and soaring parapets ringed by pale walls. It was clean and shining and new-made, entwined with climbing plants and trees and dark moss. In the darkness it glowed with a hundred hanging lights. She was seeing the island as it had been thousands of years ago, under an ancient moon. This was the lost civilization of Hy-Brasil.
H.G. Parry (The Magician’s Daughter)
holster, and Ridge let him. “Yes, sir.” He waited for Bockenhaimer to point out that neither pilots nor colonels had the experience necessary to command army installations, but the general merely leaned forward to squint at the papers. “Retirement?” He leaned closer, a delighted smile stretching his lips. “Retirement!” Ridge resisted the urge to roll his eyes. He wondered if the general had been a drunk before they shipped him out here—could this place have been a punishment for him as well?—or if commanding a remote prison full of felons had driven him to drink. “Yes, sir,” Ridge said. “If you could tell me about the S.O.P. here and give me a few—” Bockenhaimer jumped to his feet, wobbled—Ridge caught him and held him upright despite being surprised—and lunged for the window. “Is that my flier? I can leave today?” “Yes, sir. But I’d appreciate it if you—” The general threw open the window and waved to the pilot. “Wait for me, son. I’m already packed!” Oddly, the wobbling didn’t slow Bockenhaimer down much when he ran around the desk and out the door. Ridge’s mouth was still hanging open when the general appeared in the courtyard below, a bag tucked under his arm as he raced along the cleared sidewalks. “That’s… not exactly how the change-of-command ceremonies I’ve seen usually go.” Ridge hadn’t been expecting a parade and a marching band, not in this remote hole, but a briefing would have been nice. He removed his fur cap and pushed a hand through his hair, surveying his new office. He wondered how long it would take to get rid of the alcohol odor. He also wondered how long that poor potted plant in the corner had been dead. Hadn’t that young captain been the general’s aide? He couldn’t have had some private come in to make sure the place was cleaned? Maybe the staff was too busy guarding the prisoners, and the officers had to wield their own brooms here. Ridge was looking for the fort’s operations manuals when a knock came at the door. “Sir?” Captain Heriton, the officer who had met him at the flier, leaned in, an apprehensive look on his face. His pale hair and pimples made him look about fifteen instead of the twenty-five or more he must be. “Yes?” “It’s about that woman… she said she was dropped off yesterday—we got a big load of new convicts—and that she doesn’t remember the number she was issued.” “The number?” “Yes, sir. The prisoners are issued numbers instead of being called by name. Keeps down the in-fighting. Some of them are prisoners of war and pirates, and there are a few former soldiers, and some of those clansmen from up in the north hills. It’s easier if they start out with new identities here. The general didn’t brief you?” The captain glanced toward the window—the flier had already taken off. “I guess he did leave abruptly.” “Abruptly, yes, that’s a word.” Not the word Ridge would have used, but he couldn’t bring himself to badmouth the general yet, not until he had spent a couple of weeks here and gotten a true feel for where he had landed. “You don’t happen to know where the operations manuals are, do you?” “They should be in here somewhere, sir.” The captain started to lean back into the hall. “The woman’s report, Captain,” Ridge said dryly. He knew the man hadn’t found it, but wasn’t ready to let some prisoner wander around without
Lindsay Buroker (The Dragon Blood Collection, Books 1-3)
Douglas Pavlicek works a clear-cut as big as downtown Eugene, saying goodbye to his plants as he tucks each one in. Hang on. Only ten or twenty decades. Child’s play, for you guys. You just have to outlast us. Then no one will be left to fuck you over.
Richard Powers (The Overstory)
In those days, the ancient rainforests spread from Northern California to southeastern Alaska in a band between the mountains and the sea. Here is where the fog drips. Here is where the moisture-laden air from the pacific rises against the mountains to produce upward of one hundred inches of rain a year, watering an ecosystem rivaled nowhere else on earth. The biggest trees in the world. Trees that were born before Columbus sailed. And trees are just the beginning. The numbers of species of mammals, birds, amphibians, wildflowers, ferns, mosses, lichens, fungi, and insects are staggering. It's hard to write without running out of superlatives, for these were among the greatest forests on earth, forests peopled with centuries of past lives, enormous logs and snags that foster more life after their death than before. The canopy is a multi-layered sculpture of vertical complexity from the lowest moss on the forest floor to the wisps of lichen hanging high in the treetops, raggedy and uneven from the gaps produced by centuries of windthrow, disease, and storms. This seeming chaos belies the tight web of inter-connections between them all, stitched with filaments of fungi, silk of spiders, and silver threads of water. Alone is a word without meaning in this forest.
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants)
Buy a really large and striking pot, or put a much larger plant on the floor so that it stands out from all the other potted plants. Or hang an unexpected little picture.
Frida Ramstedt (The Interior Design Handbook: Furnish, Decorate, and Style Your Space)
There is a certain place called Baaras, which produces a root of the same name. its color is like to that of flame, and towards the evenings it sends out a certain ray like lightning. It is not easily taken by such as would do it, but recedes from their hands, nor will yield itself to be taken quietly, until either the urine of a woman, or her menstrual blood, be poured upon it; nay, even then it is certain death to those that touch it, unless any one take and hang the root itself down from his hand, and so carry it away. It may also be taken another way, without danger, which is this: they dig a trench quite round about it, till the hidden part of the root be very small, they then tie a dog to it, and when the dog tries hard to follow him that tied him, this root is easily plucked up, but the dog dies immediately, as if it were instead of the man that would take the plant away; nor after this need any one be afraid of taking it into their hands. Yet, after all this pains in getting, it is only valuable on account of one virtue it hath, that if it be only brought to sick persons, it quickly drives away those called demons, which are no other than the spirits of the wicked, that enter into men that are alive and kill them, unless they can obtain some help against them.
Flavius Josephus (The Jewish War)
Introduce hanging plants... Bringing high planting into your home recreates what we would experience in a jungle or forest habitat.
Oliver Heath (Design A Healthy Home: 100 ways to transform your space for physical and mental wellbeing)
I hook an arm around his neck and start to administer an epic noogie. Bastien starts laughing and screaming “my hair, my hair” in a high-pitched overly feminine voice. I’m laughing so hard I can’t hang on when he grabs my knee and swings me around to his front. Satisfaction with my new position sweeps through me, and my rational side clutches its pearls at the scandalous thought. Bastien plants a raspberry on my neck, which makes me squeal and wiggle to get away from him.
Ivy Asher (The Lost and the Chosen (The Lost Sentinel, #1))
...why was I hanging about with this child who walked beside me taking greedy licks at a big red sticky gobstopper while bursting into the odd skip and jump that was no longer the silly skipping of a carefree young creature, I’d ripped that carefreeness out from between your bones while I’d have liked nothing better than to preserve it, but you grew out of my clutches and into my heart’s desires, and I realised then that I’d never skipped as a little boy, I’d been born an adult and adults didn’t skip, they walked upright and in step, but with you, my prize animal, with you I did long to skip, you made me feel young, and I was certain things had been allowed to get this far because of my mother, she’d planted an insatiable longing in me, a permanent hurt that I tried to heal with you, hoping it would help me forget the cold years of my childhood, inside me there was a small needy boy who really wanted to play, who just wanted to have fun with you, but my suffocating lust got in the way; every time I smelled the soft sweet odour of your body I was transported to the far limits of my sanity, to my bliss, how could I resist?
Lucas Rijneveld (My Heavenly Favourite)
Camu was left with his jaw hanging open for a moment. The frozen jet kept coming and reaching a greater distance. Lasgol noticed it froze the ground where it touched it, leaving a mark. Considering that the ground was already snow-covered and very cold, this meant the jet had a very low temperature. Camu shut his mouth and stopped the frozen jet. Wow… Lasgol transmitted, very impressed. I manage skill! Camu messaged excitedly. Yeah, you did it, and it’s most spectacular. I powerful. I freeze everything. Yeah, but let me remind you that it wasn’t the skill you were going to develop. Not matter. I new skill. I’m not sure I can concede victory… Lasgol was teasing Camu. Of course, the new skill counted, but he was not going to admit it so readily. He would let the creature fight for it a little. Be good! That was ice instead of fire… No matter. I Ice Breath now. I win bet. Hmm…. I don’t know about that… Camu leapt in place and planted his four legs firmly in the snow. I win! Seeing that Camu was getting really angry, Lasgol decided to concede victory. Fine. You won the bet. Yes! I winner! He messaged gleefully and began to do his happy dance, flexing his legs, moving his body up and down, and wagging his long tail. No need to rub it in my face so. Little yes, Camu messaged, smiling broadly as he continued dancing.
Pedro Urvi (Rise of the Immortal (Path of the Ranger, #15))
placed Narahdarn, the bat, to watch over the honey which is for the bees. Narahdarn will be drawn forth if the honey is taken by you and then you will have to deal with Death.”     “What is death?” asked Ber-rook-boorn.”     “You mean to ask, who is Death,” replied Baiame. “Death has the power to take your life if my laws should be broken, and there is nothing I can do about it. This tree belongs to Death; he is trapped within it which is why it is sacred. Do not allow him to escape. So the tree belongs to him, as the honey belongs to the bees, all of this in the same way that the name Ber-rook-boorn now belongs to you. Do not touch the honey,” said Baiame once more and then disappeared from view.     It was several days later when the woman could stand it no more. The honey from the hive, hanging within the branches of the yarran tree, were dripping upon the ground and seemingly going to waste. It looked so delightful. So she grabbed her digging stick and pushed it into the hive, twirling the stick as she did so. The stick was soon covered in honey and she drew it out. Now placing it into her mouth her face lit up with a great expression of joy and as it did so there was a terrible screeching sound from atop the yarran tree.     Down came Narahdarn who planted himself upon a branch and hung there up-side-down.     “Who are you to take that which is sacred?” asked Narahdarn with a note of sarcasm attached.     “I am the wife of Ber-rook-boorn,” she replied, nervously.
Nigel Clayton (Dreamtime: An Aboriginal Odyssey)
The knife I took from Shaselle didn’t belong to Baelic.” “Oh?” I looked up to meet his disconcerting eyes. If he wouldn’t let me in, I wouldn’t let him in. “Alera, it was Sarteradan. You lied for her. Why?” “And what of Steldor’s dagger?” I asked, ignoring his inquiry. “Hytanican. No doubt he managed to keep one of his own from my troops.” “What were you and he arguing about?” “That’s of no importance. But you needn’t worry--I’m not going to arrest him.” He scrutinized me, and I squirmed like a bug under a magnifying glass. “What is important, Alera, is the question you’re trying to avoid--why did you lie for Shaselle?” I sighed, stepping around my desk. “She’s a hurt and confused young woman.” “A hurt and confused young woman who got her hands on a weapon someone in her family planted. I needed to know where it was hidden.” I frowned, drawing significance from his use of the word I in place of we. “How do you know Baelic didn’t own a Sarteradan blade? How do you know this wasn’t innocent? Are you so determined to suspect these men whose comrades you killed?” “What did you say?” His tone was chilled. “That’s not what I meant,” I said, appalled at my word choice. “That just…came out wrong. I know you saved the lives you could.” Narian’s gaze was sharp, and my heart thudded as I prayed he would believe me. I spoke the truth--he was not a murderer. “Do you know where the dagger came from, Alera?” he finally asked, ice hanging off his words. He sounded so accusatory that I bristled. “Of course not.” “Do you know where London is?” “No!” I exclaimed, in awe of the fact that he was interrogating me. “Narian, what is wrong with you? If I were aware of anything that might threaten our goals, I would tell you. If I knew London to be up to something, I wouldn’t keep it a secret. But I’m happy to believe he’s free and safe. Lord only know he’s suffered enough at Cokyrian hands. And I lied for Shaselle because, no matter how she came across that weapon, none of those men would have armed her, and you know it.” He broke eye contact, stunned into silence, and his visage softened. “You’re right, I shouldn’t have accused you. I’m sorry.” “Don’t,” I murmured, walking over to him. I swept his hair away from his face, and he closed his eyes at my touch. “Just hold me.” He obliged, wrapping me in his arms and his love, and I wished all disagreements could be so quickly forgotten.
Cayla Kluver (Sacrifice (Legacy, #3))
Modern biomimicry is far more than just copying nature's shapes. It includes systematic design and problem-solving processes, which are now being refined by scientists and engineers in universities and institutes worldwide. The first step in any of these processes is to clearly define the challenge we're trying to solve. Then we can determine whether the problem is related to form, function, or ecosystem. Next, we ask what plant, animal, or natural process solves a similar problem most effectively. For example, engineers trying to design a camera lens with the widest viewing angle possible found inspiration in the eyes of bees, which can see an incredible five-sixths of the way, or three hundred degrees, around their heads. The process can also work in reverse, where the exceptional strategies of a plant, animal, or ecosystem are recognized and reverse engineered. De Mestral's study of the tenacious grip of burrs on his socks is an early example of reverse engineering a natural winner, while researchers' fascination at the way geckos can hang upside down from the ceiling or climb vertical windows has now resulted in innovative adhesives and bandages. Designs based on biomimicry offer a range of economic benefits. Because nature has carried out trillions of parallel, competitive experiments for millions of years, its successful designs are dramatically more energy efficient than the inventions we've created in the past couple of hundred years. Nature builds only with locally derived materials, so it uses little transport energy. Its designs can be less expensive to manufacture than traditional approaches, because nature doesn't waste materials. For example, the exciting new engineering frontier of nanotechnology mirrors nature's manufacturing principles by building devices one molecule at a time. This means no offcuts or excess. Nature can't afford to poison itself either, so it creates and combines chemicals in a way that is nontoxic to its ecosystems. Green chemistry is a branch of biomimicry that uses this do-no-harm principle, to develop everything from medicines to cleaning products to industrial molecules that are safe by design. Learning from the way nature handles materials also allows one of our companies, PaxFan, to build fans that are smaller and lighter while giving higher performance. Finally, nature has methods to recycle absolutely everything it creates. In natures' closed loop of survival on this planet, everything is a resource and everything is recycled-one of the most fundamental components of sustainability. For all these reasons, as I hear one prominent venture capitalist declare, biomimicry will be the business of the twenty-first century. The global force of this emerging and fascinating field is undeniable and building on all societal levels.
Jay Harman (The Shark's Paintbrush: Biomimicry and How Nature is Inspiring Innovation)
Bailey sat on the edge of the couch and fed Maddy grapes. The very swollen mommy-to-be initially complained about being fed like a pet. Eventually, she gave in and enjoyed the attention. Not to be outdone, Sawyer turned a fan towards Maddy and was painting her nails. I watched them baby her and wondered about when I would be that big and uncomfortable. “I’m in no hurry to have a baby,” Tawny said, maybe for the tenth time since arriving. “Not in any hurry at all.” Farah grinned from where she was cutting carrots into little perfect sticks for dipping. “Coop is obsessed with getting me pregnant. First, his little brother is about to have a baby then his best friend. I swear whenever we’re alone, he’s inside me,” she said then her smile grew. “It’s awesome.” “Huh,” Tawny muttered. “Judd is in me all the time too and not because he’s trying to plant his flag or lay his seed or whatever.” “Jealous?” Farah asked and Tawny fake glared at her. “Sometimes, my sister irritates me too,” I said and they both laughed. “I’m going to brush the baby’s hair,” Bailey announced to no one in particular. “When she’s old enough, I’m going to put those little barrettes in her hair and make her wear headbands and turn her into a doll. Then when she cries, I’m giving her back to Maddy.” “Yeah for me,” Maddy whispered with her eyes closed. “Are you suffering?” Bailey asked. “Like should I do more for you to ease away the horror of how huge you’ve become?” Opening her eyes a crack, Maddy muttered, “Stop charming me.” Bailey grinned. “Seriously, you look pretty miserable today.” “I’ve been having those Braxton Hicks contractions since yesterday.” “Is that bad?” Sawyer asked, looking up from her meticulous work on Maddy’s toes. “Is it like hemorrhoids?” When we laughed, Sawyer beamed, even though she likely had no idea what was funny. “They’re like practice contractions,” Maddy explained. “They don’t hurt much, but they’re uncomfortable.” Bailey frowned. “How do you know all this stuff?” “I read a book.” “Yeah, I did that once. Not a fan.” “You guys don’t have to hang out here,” Maddy said. “The guys are out having fun and you’re pampering me. You could go to the movies if you want.” “No,” Bailey said quickly. “I need to be super nice because I had a dream that being nice will lead to a handsome awesome guy who is the fucker. I want that guy. He belongs to me and I’m sick of waiting, so shut up and let me be nice to you.” “Sure,” Maddy said, sighing. “This is nice, but I’m going to have to pee soon.” “Do you need me to carry you?” Bailey asked. “Maybe. Ask me in a few minutes.
Bijou Hunter (Damaged and the Cobra (Damaged, #3))
Some items from your home that you might consider your child having access to include.   Cheese grater.  A good starting activity for a four or five year-old is grating bars of soap. Real scissors. Children’s safety scissors are often clumsy to handle and can be difficult to maneuver. Teaching a child to cut with pointed scissors allows them to more quickly master fine motor skills. Utensils for cutting soft fruit and a cutting board. Make sure they are not too sharp, but not so dull that they are ineffective. Always supervise your child. Pots and pans, dishes, etc. for pretend play. Cleaning supplies such as a gentle vinegar and water (50/50) cleaning solution, sponges, dish soap, towels, short broom, dust pan, etc. Plants for daily care. Coat hanging racks placed at shoulder level of the child allow them to not only take responsibility for their own outerwear but to offer to take care of others as well. Sturdy, non-skid step stool or a handy learning tower (the one in the picture actually folds for easy storage). Accessible linens, including those that can be used for play. Encourage your child to make their own bed, even if it might be a bit messy by your standards. Always keep a few towels and washcloths where they can reach them as needed. A big basket that holds a few blankets and pillows allows a child to take some responsibility for their own level of comfort.     This list is by no means all-inclusive, nor are you required to use what is on it. The point is to take a look around your home and think about ways to implement many of your own household items into your routine. It is also meant to point out that even the youngest of children are often ready for a bit more responsibility than we give them credit for.
A.M. Sterling (Montessori at Home Guide: A Short Guide to a Practical Montessori Homeschool for Children Ages 2-6)
Terrible cultural struggle is kindled by the demand that that which is great shall be eternal. For everything else that lives exclaims 'No!' The customary, the small, and the common fill up the crannies of the world like a heavy atmosphere which we are all condemned to breathe. Hindering, suffocating, choking, darkening, and deceiving: it billows around what is great and blocks the road which it must travel towards immortality. This road leads through human brains — through the brains of miserable, short-lived creatures who, ever at the mercy of their restricted needs, emerge again and again to the same trials and with difficulty avert their own destruction for a little time. They desire to live, to live a bit at any price. Who could perceive in them that difficult relay race by means of which only what is great survives? And yet again and again a few persons awaken who feel themselves blessed in regard to that which is great, as if human life were a glorious thing and as if the most beautiful fruit of this bitter plant is the knowledge that someone once walked proudly and stoically through this existence, while another walked through it in deep thoughtfulness and a third with compassion. But they all bequeathed one lesson: that the person that lives life most beautifully is the person who does not esteem it. Whereas the common man takes this span of being with such gloomy seriousness, those on their journey to immortality knew how to treat it with Olympian laughter, or at least with lofty disdain. Often they went to their graves ironically — for what was there in them to bury? The boldest knights among these addicts of fame, those who believe that they will discover their coat of arms hanging on a constellation, must be sought among philosophers. Their efforts are not dependent upon a 'public,' upon the excitation of the masses and the cheering applause of contemporaries. It is their nature to wander the path alone. Their talent is the rarest and in a certain respect most unnatural in nature, even shutting itself off from the hostile towards similar talents. The wall of their self-sufficiency must be made of diamond if it is not to be demolished and shattered. For everything in man and nature is on the move against them. Their journey towards immortality is more difficult and impeded than any other, and yet no one can be more confident than the philosopher that he will reach his goal. Because the philosopher knows not where to stand, if not on the extended wings of all ages. For it is the nature of philosophical reflection to disregard the present and momentary. He possesses the truth: let the wheel of time roll where it will, it will never be able to escape from the truth.
Friedrich Nietzsche
What we had been doing many times was turning a nonbottleneck into a temporary bottleneck. This was forcing other work centers downstream from it to be idle, which reflected poorly on efficiencies. Now, even though we’ve recognized that non-bottlenecks have to be idle periodically, there is actually less idle time than before. Since we cut batch sizes, work is flowing through the plant more smoothly than ever. And it’s weird, but the idle time we do have is less noticeable. It’s spread out in shorter segments. Instead of people hanging around with nothing to do for a couple of hours, now they’ll have maybe a few tento twenty-minute waits through the day for the same volume of work. From everybody’s standpoint, that’s much better.
Eliyahu M. Goldratt (The Goal: A Process of Ongoing Improvement)
One of the chairs in particular is unsettling to them. Made to look like an electric chair, it has leather straps and chains and wires hooked to a car battery. A dead rose wilts on the seat. The artist says the chair isn’t about physical death but about “how lying to each other kills beauty.” One chair is covered in bling, another in barbed wire and sculpted burnt and screaming faces. Two chairs are concealed in boxes. Another has a hole cut into the seat and a potted plant growing up from beneath. One chair is outfitted with fishbowls filled with live fish. Reassembled and painted to look like a black widow spider, one chair hangs from the wall.
Yvonne Wakefield (Suitcase Filled with Nails)
Everything must be traced up to the root of human nature: if it has sprung from thence, it has an undoubted worth of its own; but if, without possessing a living germ, it is merely externally attached thereto, it will never thrive nor acquire a proper growth. Many productions which appear at first sight dazzling phenomena in the province of the fine arts, and which as a whole have been honoured with the appellation of works of a golden age, resemble the mimic gardens of children: impatient to witness the work of their hands, they break off here and there branches and flowers, and plant them in the earth; everything at first assumes a noble appearance: the childish gardener struts proudly up and down among his showy beds, till the rootless plants begin to droop, and hang their withered leaves and blossoms, and nothing soon remains but the bare twigs, while the dark forest, on which no art or care was ever bestowed, and which towered up towards heaven long before human remembrance, bears every blast unshaken, and fills the solitary beholder with religious awe.
August Wilhelm von Schlegel (Lectures on Dramatic Art and Literature)
But Paul somehow managed to be ‘immersed in tears and yet always filled with deep joy’ (2 Corinthians 6:10 MSG). How did that happen?” “I planted real hope deep in Paul’s heart, the kind of hope that I wired him to long for more than any other kind. ‘With this kind of hope to excite us,’ Paul wrote, ‘nothing holds us back’ (2 Corinthians 3:12 MSG).” “Father, what is that kind of hope? Plant it in me!” “If you were discussing with C. S. Lewis what that kind of hope is and if you wondered out loud how you could become fertile soil in which My Spirit could plant that hope, you would have heard him reply in these words that he once wrote: ‘Christianity tells people to repent and promises them forgiveness. It therefore has nothing (as far as I know) to say to people who do not know that they have anything to repent of and who do not feel that they need forgiveness. It is after you have realized that there is a real Moral Law, and a Power behind that law, and that you have broken that law and put yourself wrong with that Power—it is after all this, and not a moment sooner, that Christianity begins to talk.’ “My Spirit is telling My story to your psychological culture, a culture that actually believes woundedness—how others treat you— is a more serious problem than selfishness—how you treat others. Wounded people need healing, so the culture says, and a nicer group of people to hang out with. But according to the story I’m telling, selfish people need forgiveness, and they need the power to love those by whom they have been most wounded.
Larry Crabb (66 Love Letters: A Conversation with God That Invites You into His Story)
I am not super-attached to my career,' Audrey Tautou says in that sultry, Gallic voice of hers, a glint of recklessness in her big brown eyes. 'I have several plan Bs: I want to become a sailor; I like to draw; I would love to learn many things, but I don’t have time…' She trails off, leaving an uncertain silence hanging over the Kensington hotel room where we’ve met to discuss her latest film, a delightful comic confection called Beautiful Lies. 'That is the problem, you know,' she continues, more carefully. 'That is the reason why I will quit acting very soon.' She lets out a strange little laugh, a creaky exhalation, as if her own admission has taken her by surprise... 'I didn’t want to have this power,' she says, with a shrug. 'I would rather have freedom; and to find that you have to stop being in big, exposed movies. I don’t surf on the big waves. When I see them coming, I take my board and go straight back to the beach.'... 'I am always surprised to be chosen by a director for a role because I never understand why they like me,' she says. Surely, I suggest, that is false modesty, coming from one of Europe’s most bankable stars. 'Oh no, really, I am serious,' she says, leaning forward and planting her feet back on the carpet. 'I am always surprised to be cast.' Does her track record – in Jeunet’s hits; or in Stephen Frears’s acclaimed Dirty Pretty Things, or as a compellingly self-possessed Coco Chanel in Anne Fontaine’s 2009 biopic – not give her at least a little confidence? 'No,' she says with a scowl, 'pas du tout.' 'A few months ago, I watched one of my old movies and I thought to myself, 'Oh, Jesus!’ Thank God that at the point I made that film I didn’t realise the extent to which I was terrible. Oh, mon dieu! Mon dieu!' But surely, I say, she can take from that the reassurance that she has only improved as an actress. 'Or,' she says, jabbing a finger in the air, 'I say to myself, does it simply mean that if in another 10 years I rewatch the films I am making today I will say, 'Oh mon dieu, how terrible I was then.’ She laughs that odd, breathy laugh again and then looks me dead in the eye. 'You have to be very careful in this life.
Benjamin Secher
A water-bearer in India had two large pots hanging at the ends of a pole that he carried across his neck. One of the pots was perfect and always delivered a full portion of water at the end of the long walk from the stream to the master’s house. The other pot had a crack in it, and by the time it reached its destination, it was only half full. Every day for two years the water-bearer delivered only one and one-half pots of water to the master’s house. Of course, the perfect pot was proud of its accomplishments—perfect to the end for which it was made. The poor little cracked pot was ashamed of its imperfections and miserable that it could accomplish only half of what it had been designed to do. After two years of what the imperfect pot perceived to be a bitter failure, it spoke to the water-bearer and said, “I am ashamed of myself and I want to apologize to you.” “Why?” asked the water-bearer. “What are you ashamed of?” “Well, for these past two years, I have been able to deliver only half a load of water each day because this crack in my side allows water to leak out the whole way back to the master’s house. Because of my flaws, you have to do all this work without getting the full value of your efforts,” the pot said. The water-bearer felt sorry for the old cracked pot, and in his compassion he said, “As we return to the master’s house, I want you to notice the beautiful flowers along the path.” Indeed, as they went up the hill, the old cracked pot noticed the beautiful wildflowers on the side of the path. But at the end of the trail, it still felt bad because half of its load had leaked out once again. Then the water-bearer said to the pot, “Did you notice that there were flowers only on your side of the path and not on the other pot’s side? That’s because I’ve always known about your flaw and took advantage of it by planting flower seeds on your side of the path. Every day as we walked back from the stream, you watered those seeds, and for two years I have picked these beautiful flowers to decorate my master’s table. Without you being just what you are, he would not have had this beauty to grace his house.”1 Like that cracked pot, you too can accomplish wonderful things. It doesn’t matter that you have flaws and limitations. Don’t let what you perceive to be a weakness keep you from taking bold steps inspired by hope. 2 Corinthians 12:10 says: “… When I am weak [in human strength], then am I [truly] strong (able, powerful in divine strength).” Isn’t that comforting to know? Even when you’re weak, you’re strong because God is with you. He is using every part of your life—even the cracks—to create something beautiful. Get Your Hopes Up!
Joyce Meyer (Get Your Hopes Up!: Expect Something Good to Happen to You Every Day)
Sunday, January 25 God ’s Word Accomplishes His Purposes “As the rain and the snow come down from heaven, and do not return. . . without watering the earth and making it bud and flourish, so that it yields seed for the sower and bread for the eater, so is my word that goes out from my mouth: It will not return to me empty, but will accomplish what I desire and achieve the purpose for which I sent it.” ISAIAH 55:10-11 NIV Farmers and ranchers settled this country, especially in the move to the West. Many immigrants came into the country looking for land, which was plentiful here. With a general population shift to the cities where people can find jobs, farming and ranching isn’t as prominent. For many the experience of planting a field with seed, waiting on God to send the rain at the right times, giving the plants the moisture they need to bud and flourish, and seeing the crop through harvest is only something they read about. The Lord uses this analogy to describe what happens when God’s Word goes out in a sermon, in verses memorized, or in the written word. God promises that when His Word is planted in someone, it doesn’t go to waste. It may take a long time to see it take root and grow and be harvested, but it will. For it will not return to God until it has achieved the purpose for which He sent it. So moms of wayward children, take heart. God is still working. Father, thank You for the promises of Your Word that we can hang on to when life gets hard.
Various (Daily Wisdom for Women 2015 Devotional Collection - January (None))
His hand came up, forefinger flicking the corroded ball-chain that dangled from the zip-tab at the neck of Skinner’s jacket. “Those VL glasses. Virtual light.” She’d heard of it, but she wasn’t sure what it was. “They expensive, Sammy Sal?” “Shit, yes. ’Bout as much as a Japanese car. Not all that much more, though. Got these little EMP-drivers around the lenses, work your optic nerves direct. Friend of mine, he’d bring a pair home from the office where he worked. Landscape architects. Put ’em on, you go out walking, everything looks normal, but every plant you see, every tree, there’s this little label hanging there, what its name is, Latin under that …
William Gibson (Virtual Light (Bridge, #1))
Douglas Pavlick works a clear-cut as big as downtown Eugene, saying goodbye to his plants as he tucks each one in. 'Hang on. Only ten or twenty decades. Child's play, for you guys. You just have to outlast us. Then no one will be left to fuck you over.
Richard Powers
The area that I call my home is the kind of place that people walk in and out of it all day and night, but that’s mostly stupid teens who like to dare one another. It hasn’t got a sign hanging outside saying a designated number, a nice plot of freshly planted flowers or a chimney amongst other furnishings. It hasn’t even got a ‘crash pad’, although how you can define one of those is subjective I know. Most importantly, the place I call my home doesn’t exactly evoke happy emotions. Truthfully, it has a ‘gloom and doom’ atmosphere attached to it – not the best description to advertise on ‘Rightmove’.
Adele Rose (Damned (The Devil’s Secret #1))
Madam Psuka shut the door behind us, and I had to squint as I looked around. Very little light filtered through the windows, which were all covered in multi-colored panels of fabric. Tapestries, paintings, and blankets covered the walls, and the floors were covered with faded rugs as well. She had no couch or chairs, but large pillows in every hue lined the walls or sat in heaps in the corners. It was sort of like being in a very colorful padded cell. She had stacks of books everywhere, beaded rope hanging from corner to corner, and several giant green plants. How they survived with so little natural light, I had no idea.
Melanie Harlow (Only Him (One and Only, #2))
We're sick of this shit," said Michael. "News people, the mayor and his wife, television shows, the goddamn president of the United States - they're all going on and on about this airplane that went down in Paris, France, on Plant Earth. They jabber on and on about the movers and the shakers, about all the important folks we lost that day. The Reverend himself comes on the radio and tells us that we better behave, that we should hang our heads in sadness at our loss. You know what, though? It isn't our loss. You understand? It isn't our loss at all. It's their loss. We have losses. Every day. Every single day we suffer losses. But no one talks about those. We get no letters of sympathy. We get nothing. Just ignored.
Hannah Pittard (Visible Empire)
When Ashley walked out on the porch, Parker gave a loud, shrill whistle that echoed clear across the parking lot. “Parker Wilmington!” Ashley hissed. Trying to ignore the offended stares of onlookers, she marched over and planted her feet angrily in front of him. “What on earth has gotten into you? I am so sorry, Miranda.” Parker grinned. He lunged for Ashley, grabbed her around the waist, and pulled her close. “I’m leaving. You staying or going?” “Go,” Miranda insisted. “This thing’s almost over. There’s no reason for you guys to hang around.” Ashley didn’t seem convinced. “Are you sure? The others are leaving, too, but I can stay. I can always walk home--” “No walking home,” Parker ordered. “I can always get a ride later with Etienne--” “No riding with Etienne!” Parker’s hands went up in despair. “Dammit, I’ll be competing with that guy for the rest of my life!” “And Gage, don’t forget,” Ashley teased. “And Gage.” Wrapping her in a hug, Parker steered Ashley toward the steps. “I’ll be competing with Etienne and Gage for the rest of my life!” Ashley gave Miranda a see-what-I-put-up-with sigh.
Richie Tankersley Cusick (Walk of the Spirits (Walk, #1))
You can use annuals To fill an entire flowerbed (this popular use is why some places call annuals bedding plants) In container displays — in pots, windowboxes, patio planter boxes, and more To fill a hanging basket To edge a walkway To “spot” color in a perennial bed In edging and as decoration for a vegetable or herb garden To cover over or at least distract from a fading spring bulb display
Steven A. Frowine (Gardening Basics For Dummies)
Every gun that is made, every warship launched, every rocket fired signifies, in the final sense, a theft from those who hunger and are not fed, those who are cold and are not clothed. This world in arms is not spending money alone. It is spending the sweat of its laborers, the genius of its scientists, the hopes of its children. The cost of one modern heavy bomber is this: a modern brick school in more than 30 cities. It is two electric power plants, each serving a town of 60,000 population. It is two fine, fully equipped hospitals. It is some 50 miles of concrete highway. We pay for a single fighter plane with a half million bushels of wheat. We pay for a single destroyer with new homes that could have housed more than 8,000 people. This, I repeat, is the best way of life to be found on the road the world has been taking. This is not a way of life at all, in any true sense. Under the cloud of threatening war, it is humanity hanging from a cross of iron.4
Adam Hamilton (Making Sense of the Bible: Rediscovering the Power of Scripture Today)
Ten Things I Need to Know" The brightest stars are the first to explode. Also hearts. It is important to pay attention to love’s high voltage signs. The mockingbird is really ashamed of its own feeble song lost beneath all those he has to imitate. It’s true, the Carolina Wren caught in the bedroom yesterday died because he stepped on a glue trap and tore his wings off. Maybe we have both fallen through the soul’s thin ice already. Even Ethiopia is splitting off from Africa to become its own continent. Last year it moved 10 feet. This will take a million years. There’s always this nostalgia for the days when Time was so unreal it touched us only like the pale shadow of a hawk. Parmenedes transported himself above the beaten path of the stars to find the real that was beyond time. The words you left are still smoldering like the cigarette left in my ashtray as if it were a dying star. The thin thread of its smoke is caught on the ceiling. When love is threatened, the heart crackles with anger like kindling. It’s lucky we are not like hippos who fling dung at each other with their ridiculously tiny tails. Okay, that’s more than ten things I know. Let’s try twenty five, no, let’s not push it, twenty. How many times have we hurt each other not knowing? Destiny wears her clothes inside out. Each desire is a memory of the future. The past is a fake cloud we’ve pasted to a paper sky. That is why our dreams are the most real thing we possess. My logic here is made of your smells, your thighs, your kiss, your words. I collect stars but have no place to put them. You take my breath away only to give back a purer one. The way you dance creates a new constellation. Off the Thai coast they have discovered a new undersea world with sharks that walk on their fins. In Indonesia, a kangaroo that lives in a tree. Why is the shadow I cast always yours? Okay, let’s say I list 33 things, a solid symbolic number. It’s good to have a plan so we don’t lose ourselves, but then who has taken the ladder out of the hole I’ve dug for myself? How can I revive the things I’ve killed inside you? The real is a sunset over a shanty by the river. The keys that lock the door also open it. When we shut out each other, nothing seems real except the empty caves of our hearts, yet how arrogant to think our problems finally matter when thousands of children are bayoneted in the Congo this year. How incredible to think of those soldiers never having loved. Nothing ever ends. Will this? Byron never knew where his epic, Don Juan, would end and died in the middle of it. The good thing about being dead is that you don’t have to go through all that dying again. You just toast it. See, the real is what the imagination decants. You can be anywhere with the turn of a few words. Some say the feeling of out-of-the-body travel is due to certain short circuits in parts of the brain. That doesn’t matter because I’m still drifting towards you. Inside you are cumulous clouds I could float on all night. The difference is always between what we say we love and what we love. Tonight, for instance, I could drink from the bowl of your belly. It doesn’t matter if our feelings shift like sands beneath the river, there’s still the river. Maybe the real is the way your palms fit against my face, or the way you hold my life inside you until it is nothing at all, the way this plant droops, this flower called Heart’s Bursting Flower, with its beads of red hanging from their delicate threads any breeze might break, any word might shatter, any hurt might crush. Superstition Reviews issue 2 fall 2008
Richard Jackson
sunflower Sunflowers (Helianthus annuus) are a garden classic that produce tasty, nutritious seeds for you and your flock. With many varieties to choose from, this annual plant is easy to grow in just about any garden. Be sure to plant them in an area with full sun and well-drained soil. And remember that many varieties will grow very tall, creating shade to the north of them, so plant them in the northernmost part of your garden or where you need to create shade. Chickens love to eat sunflowers straight from the heads. If you want to save them for your family, when the leaves turn brown simply cut the head with a few inches of stem so you can hang them in a dry place like the garage, much like you would for garlic or onions. You can leave them on the stem in the garden, but you may need to put netting around the heads as protection since wild birds and squirrels also love sunflower seeds. Oil can also be rendered from the seeds, and the stalks and leaves can be used as chicken bedding or composted into mulch.
Jessi Bloom (Free-Range Chicken Gardens: How to Create a Beautiful, Chicken-Friendly Yard)
On those nights the water was very calm, so silvery it looked like mercury, and the fish in it, violet-colored, unable to resist the Moon's attraction, rose to the surface, all of them, and so did the octopuses and the saffron medusas. There was always a flight of tiny creatures -- little crabs, squid, and even some weeds, light and filmy, and coral plants -- that broke from the sea and ended up on the Moon, hanging down from that lime-white ceiling, or else they stayed in midair, a phosphorescent swarm we had to drive off, waving banana leaves at them.
Italo Calvino
Once established, jasmine grows well in this garden, and there are three, no, four varieties now. A soft yellow, like clotted cream, that hangs loosely from the window boxes, shifting in the breeze. A pink variety, Jasminum stephanense, clambers up the brittle, naked stems of a much older plant, using its relative as a trellis. White stars of Jasminum grandiflorum cover the tendrils that have woven a canopy over the courtyard, a fragrant white parasol whose petals fall like snowflakes each autumn.
Nigel Slater (A Thousand Feasts: Small Moments of Joy… A Memoir of Sorts)
Io, Saturnalia!” Agnes chimes in, jumping up and down. The pair of them are wearing fir-and-ivy garlands on their heads, clearly constructed by CJ. I picture her researching which plants are traditional and why. Tea lights flicker on the surfaces that are high enough to be out of Agnes’s reach. A series of sun-and-star drawings that appear to have been a group effort hang around the doorframe.
Lana Schwartz (Set Piece)
Although Harriet found fulfillment in the vegetable patch and the food it provided them, she discovered that she was most drawn to the small mounds of untended earth that sat around the grounds. Nearer to the house and along the rock wall, Harriet could feel traces of flowers too--- more intentionally planted at some point in this home's history. Whenever she placed her palms on the earth, she was both reading its vibrations and giving something of herself to it. It was an exchange that she was beginning to understand more, certain now that it started with her. She had a unique touch that somehow awakened an urgent attentiveness in flowers and other plants, and then, once they blossomed, they became whatever she needed them to be. A sort of call-and-response. Here, she could be her full self, and the plants responded beautifully to that. She supposed she'd never been her full self anywhere before, which was why she hadn't understood the depth of her own abilities. This morning, she could feel the presence of once-grown peonies and lily of the valley in the earth beneath her. Her heart leapt as she watched the peony stems grow to life and then the layers of pink peel open before her eyes--- an offering, a blessing, a study in delicate beauty. It was more like a dream than her reality, especially as it was still not yet spring. With another touch, she prepared the way for the wispy, hanging flower bells, but she did not stop there. She moved her way around the stone wall, sensing which flowers wanted to grow here, and she gave them life. Growing these flowers gave Harriet something tangible to focus on, and she hoped the fragrances and colors cheered Eunice and Lewis as much as they cheered her.
Chelsea Iversen (The Peculiar Garden of Harriet Hunt)
Knowing that cyanobacteria have the capacity to see opens the possibility that perhaps the plant kingdom, which evolved from cyanobacteria, never actually discarded it. In the world of light and shadow, where all potential friends and enemies use visual cues to hunt and feed and hide, there's evolutionary reason to believe that once an organism has an eyespot, it would hang onto it. After all, human and all other modern eyes likely evolved from ancient eyespots much like the cyanobacteria's. Of course, evolution does not always tell such a linear story. Plenty of features across all kingdoms of life have emerged and been dropped over many millions of years, only to pop up again, evolving back into being. But although scientists have not yet located ocelli in plant leaves, that doesn't mean they aren't there. As Baluška and Mancuso argue, no one has yet properly looked.
Zoë Schlanger (The Light Eaters: How the Unseen World of Plant Intelligence Offers a New Understanding of Life on Earth)
I firmly believe God never wastes an experience, and He has you where you are for a reason. You may not be exactly where you hoped you’d be. But that doesn’t mean you don’t have a purpose exactly where God has planted you. Whether you feel you’re in a dead-end job or a career lacking purpose, a stay-at-home mom wondering what meaning you can find in the mound of laundry you’re folding, or still single after years of praying for a spouse, stop and look around. Chances are there is opportunity at every corner. Who in your world can you influence for good? What problems can you solve? You have no idea what hangs in the balance if you’d just be willing to be used, willing to show up where God has planted you right now.
Demi-Leigh Tebow (A Crown that Lasts: You Are Not Your Label)
Eshmun means “Eight”. In Neo-Platonist lore, Eshmun was the 8th Son born of Sadyk (an ancient Phoenician god of justice), this healing god is recognized as the Greek Asclepius. Semyaza taught spells and the cutting of roots. The name of Semyaza is another aspect of Azazel, the Deific Mask reveals different energies and power than Azazel within our context of magickial lore. As the leader of the Watchers, the knowledge of that which grows from the green earth and the uses of herbs in sorcery is what Semyaza inspires. The Watcher Amezarak is thought to be an inner-Ethiopic corruption of Semyaza. In Jewish legend, Semyaza is an alternate name to Samael and Mastema as Abezi Thibod ("father devoid of counsel"). Semyaza is described as a Seraph who was tempted by the maiden Ishtahar to reveal to her the Name of Power (of El) which allowed her to ascend to the skies. In the Hebrew myths, Semyaza is said to hang upside down between heaven and earth as the constellation Orion (the Hunter). Semyaza had among others two Nephilim sons, Hiwa and Hiya. Semyaza is the patron Watcher of magicians and sorcerers, an inspiring spirit to the Witch or Warlock who seeks the Elphame path of hidden light of which to cast shadow. Visualize Semyaza, Shemyaza or Amezarak in your invocations and meditations. For further healing meditations and spells, Eshmun may also be invoked with incense and libation offerings. His inspiration of healing comes from both plants, herbs and pharmacological inventions of modern times. Semyaza is presented here in two forms. The first is the Watcher united and partially composed of the earthly green and fertile vines and the witch-cult knowledge of our sorceries. The second is Semyaza, crowned in radiance of divine power, instructing cultists of the Hellenistic Pan and Dionysos with the rites of health, lust and renewal much like the temple-cults associated with Mt Hermon.
Michael W. Ford (Fallen Angels: Watchers and the Witches Sabbat)
Pangea may have been a united landmass, but its treacherous weather and extreme climates gave it a dangerous unpredictability. It wouldn’t have been a particularly safe or pleasant place to call home. But the very first dinosaurs had no choice. They entered a world still recovering from the terrible mass extinction at the end of the Permian, a land subject to the violent whims of storms and the blight of blistering temperatures. So did many other new types of plants and animals that were getting their start after the mass extinction cleared the planet. All of these newbies were thrust onto an evolutionary battlefield. It was far from certain that dinosaurs were going to emerge triumphant. After all, they were small and meek creatures, nowhere near the top of the food chain during their earliest years. They were hanging around with lots of other species of small-to-midsize reptiles, early mammals, and amphibians in the middle of the food pyramid, fearful of the crocodile-line archosaurs, who held the throne. Nothing was handed to the dinosaurs. They were going to have to earn it.
Steve Brusatte (The Rise and Fall of the Dinosaurs: A New History of a Lost World)
No. They’re not… not friends. It’s just that Mike teaches at the high school like me. He coaches hockey and baseball, plays golf, and runs the kids all over to their activities. Gunther, on the other hand, works at the explosives plant out west of town. He is divorced, has no kids, and hunts and fishes, so they don’t have that much in common anymore. Gunther still hangs around with Eddie Mannion, though. They’re tight, I guess. They both were in the service, went to Iraq, and I think they bonded over that.
Roger Stelljes (Silenced Girls (Agent Tori Hunter, #1))
believe that the best home décor promotes physical and emotional well-being. There is no better way to do this than through the principles of biophilic design, which seek to satisfy an innate human yearning for connection with nature through the use of sunlight, fresh air, plants, and other natural forms and materials in our living spaces. The concept of “biophilia” was popularized by biologist E. O. Wilson in 1984, but architects have been building according to its principles, whether consciously or not, since at least the Hanging Gardens of Babylon.
Justina Blakeney (Jungalow: Decorate Wild: The Life and Style Guide)
I believe that the best home décor promotes physical and emotional well-being. There is no better way to do this than through the principles of biophilic design, which seek to satisfy an innate human yearning for connection with nature through the use of sunlight, fresh air, plants, and other natural forms and materials in our living spaces. The concept of “biophilia” was popularized by biologist E. O. Wilson in 1984, but architects have been building according to its principles, whether consciously or not, since at least the Hanging Gardens of Babylon.
Justina Blakeney (Jungalow: Decorate Wild: The Life and Style Guide)
Do you see the amount of dust around? Our leaves help in keeping the air and the surroundings clean. We trap most of the dust on our leaves. But, as our numbers dwindle in today's urban spaces, nature is being pushed away from humans. You see, it was not always like this. I have heard from my ancestors that your ancestors loved designing and maintaining gardens. Gardens were not just something that would comprise of hanging a few pots here and there. It was very different then. Trees, plants and shrubs were planted after much planning. Gardening was never a new concept to humans. It was probably a cohabiting relationship for humans with nature. And your ancestors knew it.
Kalyani Majumdar (The Peepal, The Girl and The City)
I went to the woods this morning and dug these up. For her,” he says. “I thought we could plant them along the side of the house.” I look at the bushes, the clods of dirt hanging from their roots, and catch my breath as the word rose registers. I’m about to yell vicious things at Peeta when the full name comes to me. Not plain rose but evening primrose. The flower my sister was named for.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
The garden stretches out before us, every leaf a promise, every flower a quiet rebellion. I remember when we planted the first seed, its smallness fragile like hope. Now, the tomatoes hang heavy, bright with the fullness of summer, and I wonder if we’re not so different from them. How many seasons of patience did we need. How many days did we water the soil with regret until love finally bloomed.
Maimoona Abidi (A Shelf of Things I Never Said)
Our home,” he growls into my collarbone, planting violent kisses along it. “The yacht, baby. Hang your stolen clothes up in my closet, make your god-awful lasagnas in my oven. Light your girly candles in every room. I want all of it, all of you. Just come home.
Somme Sketcher (Sinners Consumed (Sinners Anonymous, #3))
Plant yourself and see how close the person comes to you. If they come right into your personal zone, they likely feel very comfortable with you and are excited to connect. If they stand or sit farther back, hanging out in the social zone (or even just waving or nodding from the public zone), then they likely need more time to warm up. If they come into your intimate zone, take note! They probably want to get very close physically or emotionally. In one study, researchers directed a negative comment—something like “Your handwriting is messy”—toward a participant.22 They found that negative comments caused participants to pick seats farther away from the researcher who had insulted them. Not too shocking, right?
Vanessa Van Edwards (Cues: Master the Secret Language of Charismatic Communication)
A lush clematis vine, its sweet vanilla scent calming and comforting, climbs over tented bamboo poles to form her reading fort. White jasmine flowers along the fence, as bright as stars in a night sky. A flower bed brims with chocolate cosmos, lemon balm, and spearmint, lending the air the aroma of a candy shop, with leaves ready to be plucked for cooking and teas an imaginative play. Throughout the garden: lily of the valley, its fresh, hopeful scent inspiring a return to happiness, its blooms as light and pretty as fairy bells. Fuzzy lamb's ear plants burst with the purple flowers that hummingbirds love. Frothy drifts of yarrow fill the air with their healing fragrance, their flat sprays of blossoms the perfect resting spot for butterflies. On the yard's upper terrace, a white gravel path glows in the moonlight, cutting through feathery stalks of fennel and happy purple globes of blooming chives that are both edible and playful. A wooden swing hangs from the oak tree, rainbows of ribbons fluttering from its knots. California poppies glow golden even in the shadows, their citrus scent carrying a message of hope.
Meg Donohue (The Memory Gardener)
Those who aren't scared of us are crazier then we are.
GENEVIÈVE PLANTE
Several years had passed since the Battle of Solas. Eva Nine, now in her late teens, tied up her long white hair and adjusted her brightly patterned clothing. She dashed past the marked-up maps and naturalistic drawings of plants and animals that hung on the walls of her home. Stepping out onto the planked walkway that connected her hut with all the rest in her tower at Lacus, she spotted Rovender adjusting the cable that stretched across the round bowl shape of the village. Fringed multicolored pennants and flags caught the light of the late-day sun as they hung from the cable. “Is it on there?” Eva asked. “It is.” Rovender pointed to the string of flags flapping about in the breeze. “See?” Eva’s eyes followed the cable. Among images and words sewn onto the flags was a familiar robotic face. “Hostia did a great job painting these. She got Muthr’s face just right.” “She did. I might like it better than the one she did of Arius.” Rovender smiled. “I’m glad Muthr is hanging next to your father.” Eva watched the flags. “I wish she could have met him. I think they would have had a lot to talk about.” “Who’s to say they haven’t met?” Rovender put his arm around Eva’s shoulder. “Who knows what the next journey holds?” Eva nodded in agreement, her mind filled with reflection. “You’ll have to let Hostia know how much you like it tonight at dinner.
Tony DiTerlizzi (The Battle for WondLa)