Hanging Baskets Quotes

I have hobbies," he says, smirking. "Physical pursuits: Base-jumping, hang-gliding, underwater basket-weaving.

Tyler knelt and rummaged through the empty waste basket.  He frowned. No glasses and no gum. “Wait a minute…” He walked up to the hanging toile and stared at it. What’s going on this looks like Aunt Meg’s wallpaper… Tyler stepped closer. He rubbed his hand over the paper and nothing happened. As he tried to pull the paper from the wall, two smaller greenish hands grabbed Tyler’s leg and pulled.

Jodie felt the lonely life hanging in her kitchen. It was there in the tiny supply of onions in the vegetable basket, the single plate drying in the rack, the cornbread wrapped carefully in a tea towel, the way an old widow might do it.

Some enterprising rabbit had dug its way under the stakes of my garden again. One voracious rabbit could eat a cabbage down to the roots, and from the looks of things, he'd brought friends. I sighed and squatted to repair the damage, packing rocks and earth back into the hole. The loss of Ian was a constant ache; at such moments as this, I missed his horrible dog as well. I had brought a large collection of cuttings and seeds from River Run, most of which had survived the journey. It was mid-June, still time--barely--to put in a fresh crop of carrots. The small patch of potato vines was all right, so were the peanut bushes; rabbits wouldn't touch those, and didn't care for the aromatic herbs either, except the fennel, which they gobbled like licorice. I wanted cabbages, though, to preserve a sauerkraut; come winter, we would want food with some taste to it, as well as some vitamin C. I had enough seed left, and could raise a couple of decent crops before the weather turned cold, if I could keep the bloody rabbits off. I drummed my fingers on the handle of my basket, thinking. The Indians scattered clippings of their hair around the edges of the fields, but that was more protection against deer than rabbits. Jamie was the best repellent, I decided. Nayawenne had told me that the scent of carnivore urine would keep rabbits away--and a man who ate meat was nearly as good as a mountain lion, to say nothing of being more biddable. Yes, that would do; he'd shot a deer only two days ago; it was still hanging. I should brew a fresh bucket of spruce beer to go with the roast venison, though . . . (Page 844)

Auntie Phyl's last months in the care home were extra pieces. Age is unnecessary. Some of us, like my mother, are fortunate enough to die swiftly and suddenly, in full possession of our faculties and our fate, but more and more of us will be condemned to linger, at the mercy of anxious or indifferent relatives, careless strangers, unwanted medical interventions, increasing debility, incontinence, memory loss. We live too long, but, like the sibyl hanging in her basket in the cave at Cumae, we find it hard to die.

Recently painted a deep plum color, the shutters folded back across the glass like a gentle accordion. As they did, a large bay window, framed by hanging baskets of wispy honeysuckle and Persian jasmine, revealed itself to the morning sun. The flowers in the baskets matched the dewy blossoms planted in two deep barrels directly below the ledge.

It was easy to imagine that other people had the fairy tale, but the truth was the shiny front doors, hanging baskets and neatly mown lawns didn't tell the whole story.

From time to time, a series of soft thumps on the back porch were not evidence of a prowler, merely one of the rocking chairs as a gust of wind bumped it against the house. And the hanging basket of trailing fuchsia swung back and forth, the friction of chain link on hook raising a creak-croak that might have been a hacksaw determinedly chewing through something as hard as bone.

Remembering Mom's Clothesline -- There is one thing that's left out. We had a long wooden pole (clothes pole) that was used to push the clotheslines up so that longer items (sheets/pants/etc.) didn't brush the ground and get dirty. I can hear my mother now... THE BASIC RULES FOR CLOTHESLINES: (If you don't even know what clotheslines are, better skip this.) 1. You had to hang the socks by the toes... NOT the top. 2. You hung pants by the BOTTOM/cuffs... NOT the waistbands. 3. You had to WASH the clothesline(s) before hanging any clothes - Walk the entire length of each line with a damp cloth around the lines. 4. You had to hang the clothes in a certain order, and always hang "whites" with "whites," And hang them first. 5. You NEVER hung a shirt by the shoulders - always by the tail! What would the neighbors think? 6. Wash day on a Monday! NEVER hang clothes on the weekend, Or on Sunday, for Heaven's sake! 7. Hang the sheets and towels on the OUTSIDE lines so you could Hide your "unmentionables" in the middle perverts & busybodies, y'know!) 8. It didn't matter if it was sub-zero weather... Clothes would "freeze-dry." 9. ALWAYS gather the clothes pins when taking down dry clothes! Pins left on the lines were "tacky"! 10. If you were efficient, you would line the clothes up so that each item. Did not need two clothes pins, but shared one of the clothes pins with the next washed item. 11. Clothes off of the line before dinner time, neatly folded in the clothes basket, and ready to be ironed. 12. IRONED??!! Well, that's a whole OTHER subject!

What they did not know was that she chafed at the never-endingness of it. No sooner had she cleaned one surface than it was dirty again. Clothes, even those barely worn, found themselves in crumpled heaps in linen baskets so that she yelled at Kitty and Thierry, hating her shrewish voice. Once, bored to within an inch of her sanity by the act of hanging out yet another lineful, she had simply turned, dropped the basket and walked straight into the lake, pausing only to remove her shoes. The water had been so shockingly cold that it had knocked the breath from her chest, and left her laughing for the sheer joy of feeling something.

Emily’s own conservatory was like fairyland at all seasons, especially in comparison with the dreary white winter cold outside. It opened from the dining-room, a tiny glass room, with white shelves running around it on which were grouped the loveliest ferns, rich purple heliotrope, the yellow jasmine, and one giant Daphne odora with its orange-bloom scent astray from the Riviera, and two majestic cape jasmines, exotics kin to her alien soul. She tolerated none of the usual variety of mongrel houseplants. A rare scarlet lily, a resurrection calla, perhaps—and here it was always summer with the oxalis dripping from hanging baskets like humble incense upon the heads of the household and its frequenters.

I made the mistake of renting a cottage in a village near Chichester. Charles had advised against it but at the time I’d thought how nice it would be to get away now and then for the weekend. He was right. I couldn’t wait to get back. I soon discovered that every time I made one friend I made three enemies and that arguments about such issues as car parking, the church bells, dog waste and hanging flower baskets dominated daily life to such an extent that everyone was permanently at each other’s throats. That’s the truth of it. Emotions which are quickly lost in the noise and chaos of the city fester around the village square, driving people to psychosis and violence. It’s a gift to the whodunnit writer.

Then he remembered his wedding, the old times, the first pregnancy of his wife; he, too, had been very happy the day when he had taken her from her father to his home, and had carried her off on a pillion, trotting through the snow, for it was near Christmas-time, and the country was all white. She held him by one arm, her basket hanging from the other; the wind blew the long lace of her Cauchois headdress so that it sometimes flapped across his mouth, and when he turned his head he saw near him, on his shoulder, her little rosy face, smiling silently under the gold bands of her cap. To warm her hands she put them from time to time in his breast. How long ago it all was! Their son would have been thirty by now. Then he looked back and saw nothing on the road.

He imagined a town called A. Around the communal fire they’re shaping arrowheads and carving tributes o the god of the hunt. One day some guys with spears come over the ridge, perform all kinds of meanness, take over, and the new guys rename the town B. Whereupon they hang around the communal fire sharpening arrowheads and carving tributes to the god of the hunt. Some climatic tragedy occurs — not carving the correct tributary figurines probably — and the people of B move farther south, where word is there’s good fishing, at least according to those who wander to B just before being cooked for dinner. Another tribe of unlucky souls stops for the night in the emptied village, looks around at the natural defenses provided by the landscape, and decides to stay awhile. It’s a while lot better than their last digs — what with the lack of roving tigers and such — plus it comes with all the original fixtures. they call the place C, after their elder, who has learned that pretending to talk to spirits is a fun gag that gets you stuff. Time passes. More invasions, more recaptures, D, E, F, and G. H stands as it is for a while. That ridge provides some protection from the spring floods, and if you keep a sentry up there you can see the enemy coming for miles. Who wouldn’t want to park themselves in that real estate? The citizens of H leave behind cool totems eventually toppled by the people of I, whose lack of aesthetic sense if made up for by military acumen. J, K, L, adventures in thatched roofing, some guys with funny religions from the eastern plains, long-haired freaks from colder climes, the town is burned to the ground and rebuilt by still more fugitives. This is the march of history. And conquest and false hope. M falls to plague, N to natural disaster — same climatic tragedy as before, apparently it’s cyclical. Mineral wealth makes it happen for the O people, and the P people are renowned for their basket weaving. No one ever — ever — mentions Q. The dictator names the city after himself; his name starts with the letter R. When the socialists come to power they spend a lot of time painting over his face, which is everywhere. They don’t last. Nobody lasts because there’s always somebody else. They all thought they owned it because they named it and that was their undoing. They should have kept the place nameless. They should have been glad for their good fortune, and left it at that. X, Y, Z.

Wait." Walter went to the basket, taking what was a gray sleeve, drawing it out fro the middle of the heap. "Oh," He said. He held the shapeless wool sweater to his chest. Joyce had knit for months the year Daniel died, and here was the result, her handiwork, the garment that would fit a giant. It was nothing more than twelve skeins of yarn and thousands of loops, but it had the power to bring back in a flash the green-tiled walls of the hospital, the sound of an ambulance trying to cut through city traffic in the distance, the breathing of the dying boy, his father staring at the ceiling, the full greasy bucket of fried chicken on he bed table. "I'll take this one," Walter said, balling up the sweater as best he could, stuffing it into a shopping bag that was half full of the books he was taking home, that he was borrowing. "Oh, honey," Joyce said. "You don't want that old scrap." "You made it. I remember your making it." Keep it light, he said to himself, that's a boy. "There's a use for it. Don't you think so, Aunt Jeannie? No offense, Mom, but I could invade the Huns with it or strap the sleeves to my car tires in a blizzard, for traction, or protect our nation with it out in space, a shield against nuclear attack." Jeannie tittered in her usual way in spite of herself. "You always did have that sense of humor," she said as she went upstairs. When she was out of range, Joyce went to Walter's bag and retrieved the sweater. She laid it on the card table, the long arms hanging down, and she fingered the stitches. "Will you look at the mass of it," she exclaimed. "I don't even recall making it." ""'Memory -- that strange deceiver,'" Walter quoted.

Orlando, who had just dipped her pen in the ink, and was about to indite some reflection upon the eternity of all things, was much annoyed to be impeded by a blot, which spread and meandered round her pen. . . . She dipped it again. The blot increased. She tried to go on with what she was saying but no words came. Next she began to decorate the blot with wings and whiskers, till it became a round-headed monster, something between a bat and a wombat. But as for writing poetry with Basket and Bartholemew in the room, it was impossible. No sooner had she said 'impossible' than, to her astonishment and alarm, the pen began to curve and caracole with the smoothest possible fluency. Her page was written in the neatest sloping Italian hand with the most insipid verses she had ever read in her life: I am myself but a vile link Amid life's weary chain, But I have spoken hallowed words, Oh, do not say in vain! . . . . . She was so changed, the soft carnation cloud Once mantling o'er her cheek like that which eve Hangs o'er the sky, glowing with roseate hue, Had faded into paleness, broken by Bright burning blushes, torches of the tomb, but here, by an abrupt movement she spilt the ink over the page and blotted it from human sight she hoped for ever. She was all of a quiver, all of a stew. Nothing more repulsive could be imagined than to feel the ink flowing thus in cascades of involuntary inspiration.

Before she could answer, the waiter sprang at his chance to brush some crumbs from David's chair. He had been hanging around their table like a vulture, waiting for them to eat the last papadum crumb so he could take away the basket. He eyed the last piece sadly, as if it were the barrier between him and eternal happiness. Ginny grabbed it and shoved it in her mouth. The man looked relieved and took the basket but immediately returned to stare mournfully at their water glasses.

Almost one might imagine them, as they entered the drawing-room questioning and wondering, toying with the flap of hanging wall-paper, asking, would it hang much longer, when would it fall? Then smoothly brushing the walls, they passed on musingly as if asking the red and yellow roses on the wall-paper whether they would fade, and questioning (gently, for there was time at their disposal) the torn letters in the waste-paper basket, the flowers, the books, all of which were now open to them and asking, Were they allies? Were they enemies? How long would they endure?

A young person for Monsieur Jagiello,’ said the guard, with a grin. He stood away from the door, and there was the young person, holding a cloth-covered basket, blushing and hanging her pretty head. The others walked away to the window and talked in what they meant to be a detached, natural way; but few could help stealing glances at the maiden, and none could fail to hear Jagiello cry, ‘But my dear, dear Mademoiselle, I asked for black pudding and apples, no more. And here is foie gras, a gratin of lobster, a partridge, three kinds of cheese, two kinds of wine, a strawberry tart . . . ’ ‘I made it myself,’ said the young person. ‘I am sure it is wonderfully good: but it is much more than I can ever afford.’ ‘You must keep up your strength. You can pay for it later – or in some other way – or however you like.’ ‘But how?’ asked Jagiello, in honest amazement. ‘By a note of hand, do you mean?’ ‘Pray step into the passage,’ said she, pinker still. ‘There you are again,’ said Jack, drawing Stephen into another room. ‘Yesterday it was a thundering great patty, with truffles; and tomorrow we shall see a wedding-cake for his pudding, no doubt. What they see in him I cannot conceive. Why Jagiello, and the others ignored? Here is Fenton, for example, a fine upstanding fellow with side-whiskers that are the pride of the service – with a beard as thick as a coconut – has to shave twice a day – as strong as a horse, and a very fair seaman; but there are no patties for him.

Nothing stirred in the drawing-room or in the dining-room or on the staircase. Only through the rusty hinges and swollen sea-moistened woodwork certain airs, detached from the body of the wind (the house was ramshackle after all) crept round corners and ventured indoors. Almost one might imagine them, as they entered the drawing-room questioning and wondering, toying with the flap of hanging wall-paper, asking, would it hang much longer, when would it fall? Then smoothly brushing the walls, they passed on musingly as if asking the red and yellow roses on the wall-paper whether they would fade, and questioning (gently, for there was time at their disposal) the torn letters in the wastepaper basket, the flowers, the books, all of which were now open to them and asking, Were they allies? Were they enemies? How long would they endure?

and here instead’s another version of what was happening that morning, as if from a novel in which sophia is the kind of character she’d choose to be, prefer to be, a character in a much more classic sort of story, perfectly honed and comforting, about how sombre yet bright the major-symphony of winter is and how beautiful everything looks under a high frost, how every grassblade is enhanced and silvered into individual beauty by it, how even the dull tarmac of the roads, the paving under our feet, shines when the weather’s been cold enough and how something at the heart of us, at the heart of all our cold and frozen states, melts when we encounter a time of peace on earth, goodwill to all men; a story in which there’s no room for severed heads; a work in which sophia’s perfectly honed minor-symphony modesty and narrative decorum complement the story she’s in with the right kind of quiet wisdom-from-experience ageing-female status, making it a story that’s thoughtful, dignified, conventional in structure thank god, the kind of quality literary fiction where the slow drift of snow across the landscape is merciful, has a perfect muffling decorum of its own, snow falling to whiten, soften, blur and prettify even further a landscape where there are no heads divided from bodies hanging around in the air or anywhere, either new ones, from new atrocities or murders or terrorisms, or old ones, left over from old historic atrocities and murders and terrorisms and bequeathed to the future as if in old french revolution baskets, their wickerwork brown with the old dried blood, placed on the doorsteps of the neat and central-heating-interactive houses of now with notes tied to the handles saying please look after this head thank you, well, no, thank you, thank you very much:

I look at the one red smile. The red of the smile is the same as the red of the tulips in Serena Joy’s garden, towards the base of the flowers where they are beginning to heal. The red is the same but there is no connection. The tulips are not tulips of blood, the red smiles are not flowers, neither thing makes a comment on the other. The tulip is not a reason for disbelief in the hanged man, or vice versa. Each thing is valid and really there. It is through a field of such valid objects that I must pick my way, every day and in every way. I put a lot of effort into making such distinctions. I need to make them. I need to be very clear, in my own mind. I feel a tremor in the woman beside me. Is she crying? In what way could it make her look good? I can’t afford to know. My own hands are clenched, I note, tight around the handle of my basket. I won’t give anything away. Ordinary, said Aunt Lydia, is what you are used to. This may not seem ordinary to you now, but after a time it will. It will become ordinary.

don’t want to pick saskatoons ever again,” she said in a small, fearful voice. “Now, honey, don’t you worry none,” Nick told her in an exaggerated drawl. “You’ve been picking berries here for years and never saw any ole bears until today.” He winked at her. “Besides, I don’t think that grizzly was after Miss Elizabeth. I think it was more interested in her basket of berries.” “Then why’d you kill it?” Sara asked, looking a little less fearful. “I saw that there grizzly, and I thought to myself, bear steaks! I sure do love bear steaks. And since your pa don’t let me keep any bears in the barn, I rarely get to eat any.” Sara laughed, and color returned to her cheeks. “Silly Nick. You can’t keep bears in the barn!” “Well, maybe not. But I couldn’t let an ole bear frighten a pretty little lady like Miss Elizabeth, now could I?” Elizabeth’s heart lightened at the compliment, but she pretended not to hear. As Nick reassured the child, she could feel the strain inside her ease. “We’ll get that bear’s head stuffed and mounted,” Nick continued. “Then Miss Elizabeth can hang it in her bedroom.” “Don’t you dare,” Elizabeth exclaimed in mock horror. “I’d never be able to sleep!

Tonight Ray will tape the the drenched oasis inside of the silver bowl that sits on the top of the candelabra and fill it with the pale green hydrangeas, pink English garden roses, lilies of the valley, and extravagant lavender sweet peas that R.L., the local florist/antique dealer, delivered a few hours ago. The flowers are all soaking in their respective sugar water jugs in her kitchen- out of the direct sunlight, of course- as is the oasis which she'll mold into every bowl and vase in the house with a similar arrangement. She's even going to make an arrangement in a flat sweetgrass basket to hang on the front door and a round little pomander of pale green hydrangea with a sheer white ribbon for Little Hilda to hold as she greets the guests in the foyer. Ray is tempted to snip the last blossoms of gardenias growing secretly behind Cousin Willy's shed. In her estimation they are the quintessential wedding flower, with their intoxicating fragrance and their delicate cream petals surrounded by those dark, waxy leaves. She bought the seedlings when R.L. and the gals weren't looking at the Southern Gardener's Convention in Atlanta four years ago, and no one has any idea she's been growing them. Sometimes she worries that the fragrance will give her away, but they bloom the same time as the confederate jasmine, which grows along the lattice work of the shed, and she can always blame the thick smell on them. It would take a truly trained nose to pick the gardenias out, and Ray possesses the trained nose of the bunch.

The Common Perch, _Perca flavescens_, which name describes well the gleaming, golden reflections of its scales as it is drawn out of the water, its red gills standing out in vain in the thin element, is one of the handsomest and most regularly formed of our fishes, and at such a moment as this reminds us of the fish in the picture which wished to be restored to its native element until it had grown larger; and indeed most of this species that are caught are not half grown. In the ponds there is a light-colored and slender kind, which swim in shoals of many hundreds in the sunny water, in company with the shiner, averaging not more than six or seven inches in length, while only a few larger specimens are found in the deepest water, which prey upon their weaker brethren. I have often attracted these small perch to the shore at evening, by rippling the water with my fingers, and they may sometimes be caught while attempting to pass inside your hands. It is a tough and heedless fish, biting from impulse, without nibbling, and from impulse refraining to bite, and sculling indifferently past. It rather prefers the clear water and sandy bottoms, though here it has not much choice. It is a true fish, such as the angler loves to put into his basket or hang at the top of his willow twig, in shady afternoons along the banks of the stream. So many unquestionable fishes he counts, and so many shiners, which he counts and then throws away. Old Josselyn in his "New England's Rarities," published in 1672, mentions the Perch or River Partridge.

Bruno reappeared with two baskets swathed in white linen napkins and a ramekin of something bright yellow. Thatcher unveiled one basket. "Pretzel bread," he said. He held up a thick braid of what looked to be soft pretzel, nicely tanned, sprinkled with coarse salt. "This is served with Fee's homemade mustard. So right away the guest knows this isn't a run-of-the-mill restaurant. They're not getting half a cold baguette here, folks, with butter in the gold foil wrapper. This is warm pretzel bread made on the premises, and the mustard ditto. Nine out of ten tables are licking the ramekin clean." He handed the bread basket to a waiter with a blond ponytail (male- everyone at the table was male except for Adrienne, Caren, and the young bar back who was hanging on to Duncan's arm). The ponytailed waiter- name?- tore off a hunk of bread and dipped it in the mustard. He rolled his eyes like he was having an orgasm. The appropriate response, Adrienne thought. But remembering her breakfast she guessed he wasn't faking it. "The other basket contains our world-famous savory doughnuts," Thatcher said. He whipped the cloth off like a magician, revealing six golden-brown doughnuts. Doughnuts? Adrienne had been too nervous to think about eating all day, but now her appetite was roused. After the menu meeting, they were going to have family meal. The doughnuts were deep-fried rings of a light, yeasty, herb-flecked dough. Chive, basil, rosemary. Crisp on the outside, soft on the inside. Savory doughnuts. Who wouldn't stand in line for these? Who wouldn't beg or steal to access the private phone line so that they could make a date with these doughnuts?

Activities to Develop the Proprioceptive System Lifting and Carrying Heavy Loads—Have the child pick up and carry soft-drink bottles to the picnic; laundry baskets upstairs; or grocery bags, filled with nonbreakables, into the house. He can also lug a box of books, a bucket of blocks, or a pail of water from one spot to another. Pushing and Pulling—Have the child push or drag grocery bags from door to kitchen. Let him push the stroller, vacuum, rake, shove heavy boxes, tow a friend on a sled, or pull a loaded wagon. Hard muscular work jazzes up the muscles. Hanging by the Arms—Mount a chinning bar in a doorway, or take your child to the park to hang from the monkey bars. When she suspends her weight from her hands, her stretching muscles send sensory messages to her brain. When she shifts from hand to hand as she travels underneath the monkey bars, she is developing upper-body strength. Hermit Crab—Place a large bag of rice or beans on the child’s back and let her move around with a heavy “shell” on her back. Joint Squeeze—Put one hand on the child’s forearm and the other on his upper arm; slowly press toward and away from his elbow. Repeat at his knee and shoulder. Press down on his head. Straighten and bend his fingers, wrists, elbows, knees, ankles, and toes. These extension and flexion techniques provide traction and compression to his joints and are effective when he’s stuck in tight spaces, such as church pews, movie theaters, cars, trains, and especially airplanes where the air pressure changes. Body Squeeze—Sit on the floor behind your child, straddling him with your legs. Put your arms around his knees, draw them toward his chest, and squeeze hard. Holding tight, rock him forward and back.

You can use annuals To fill an entire flowerbed (this popular use is why some places call annuals bedding plants) In container displays — in pots, windowboxes, patio planter boxes, and more To fill a hanging basket To edge a walkway To “spot” color in a perennial bed In edging and as decoration for a vegetable or herb garden To cover over or at least distract from a fading spring bulb display

She also knows that a matching set of opaque baskets might be pretty, but it in no way aids us in storing, and may even hinder us in locating, our gloves. To keep things neat, provide an acceptable and convenient method for her to store her coat next to the door. A hook on the wall or a coatrack next to the door where she usually drops her coat might be convenient enough to induce her to hang it up. A low table with a shallow basket next to the coat rack will provide a handy target in which to drop her keys and gloves. None of this will look as neat as a closed closet door, but it creates a system that might actually get used, and

even in Hawick, with its floral competitions and empty hanging baskets, waiting for the spring; its monument to the soldier-children who drove back English invaders, its betting shops and quietly churning textile mills, its pride in being itself – even here.

She was always fearful the profusion of flowers decorating her front porch might irritate her neighbors and draw unwanted attention. Bright, fragrant petunias cascaded down like waterfalls from huge hanging baskets attached to the porch railing. Massive planters held ferns the size of ceiling fan blades; the ferns stood sentry over mounds of multicolored impatiens in such abundance they resembled the vibrant blur of a Monet landscape.

Josefina had grown up hearing tales of treasures hidden by thieves, gold mines with secret entrances, jars of coins buried by old men afraid of being robbed. She’d always enjoyed these legends, shared by good storytellers when shadows were long and imaginations ran high. She’d never heard of anyone actually finding lost treasure. But she’d never seen a map marked with landmarks and strange sketches, either. Josefina tried to push the image of the map from her mind so that she could go to sleep, but it was no use. Finally, afraid she might wake her sisters, she got up. Wrapping her rebozo around her shoulders against the cool night breeze, she tiptoed out of the sala. She lit a candle and crept to the storeroom where she and Teresita kept their remedios and dyes. Josefina loved the musty-spicy smells of the plant bundles hanging from poles overhead. She loved seeing bins and gourds and baskets filled with supplies that might help ward off illness or cure disease. Sitting on a banco, she savored the peaceful stillness. She could feel her muscles relaxing. Soon she would be ready for sleep. Then an unexpected sound jerked Josefina upright. The candle fell to the hard earthen floor and snuffed out. In the sudden darkness, Josefina strained to hear the sound that had disturbed her. There it was again! A faint crying sound. Was one of her sisters awake? Was Francisca in the courtyard, weeping for Ramón? Josefina cocked her head, but when she heard the sound again, she was sure it came from outside the house. Josefina stepped closer to the window, carefully avoiding a basket of pumpkin stems. Pressing a palm against the wall, she held her breath. And the sound came again, drifting through the open window above her head—a woman’s sob, low and full of anguish. Josefina’s bones turned to ice. Only one woman roamed at night, weeping and wailing: the ghost, La Llorona!

Farther down the road, a hatchback was wrapped around a lamppost, a hanging basket embedded in its windshield. In the other direction was the desolate cricket field. There were no signs of human life. I

storage bedroom closet (walk-in or standard) dresser armoire underbed storage boxes trunk or storage ottoman nightstand supplies needed trash bags/recycling bin, donation box, relocation box, fix-it box spray cleaner and cleaning cloth broom and dust pan and/or vacuum storage containers label maker and/or tags to hang from containers/baskets time commitment 4–10 hours quick assessment questions What are the main categories of clothing? What items could be placed in off-season storage? What

behind the facades of conformity and mass consumerism, the smart lawns, the polished cars, and the colorful hanging baskets, everyone had their own personal demons to fight. Nobody escaped life. Everyone was screwed up.

laundry rules 1. Laundry baskets go in bedrooms Laundry baskets go everywhere. They go in every room even and especially in the kitchen and living room. 2. Wash clothes when the bins are full Wash only on Mondays and wash everything on Monday. Eventually this day will become synonymous with laundry and it will be easier to remember. 3. Sort darks and whites Load everything together. Do not sort. Wash on cold. 4. Transfer from washer to dryer quickly Set a timer once the washer starts. Set timer again once dryer starts. 5. Fold clothes Create multiple bins/baskets for clothes and toss them in unfolded. Hang a few shirts. 6. Put away in everyone’s different closets in their room All clothes are stored in one room, which is the en suite closet off the laundry area. It makes no sense to take clothes to three different closets when I am the person dressing all three of those people. Sit on butt and put away every family member’s laundry in under eight minutes without moving. making laundry serve you Laundry does not have to be done the way you have always been taught to do it.

Meditation # 3 Writing Coffee! Today there are so many cafes to choose from. I’m in NYC now and have a choice of 5 ‘coffee shops’ within a 2-block radius. When I lived here over 20 years ago that would have looked more like 1 cafe in a 12-block radius. Not including Bodegas! Find your way to a cafe—by yourself. You’re allowed a newspaper, book or digital device of your choice but also bring along a pen and paper. Get your favorite hot beverage. Teas are nice, too! And relax. Mindfulness training reminds you to pause. To be observant. To not only look but to see. Try that now—if you are in a cafe. Notice everything! The walls—their color and texture, what’s hanging on them. Is there a theme? I.e. Do you notice photos of bread being made? Flowers in baskets? Coffee beans being harvested? What are the sounds? Do you hear a cappuccino machine frothing fresh milk? People talking? Music being streamed in the background? What are the smells? Are they heavenly? Breads? Dark roasts? What do you feel? Are there people around? Do you feel comfortable? Are you self-conscious? Take out your paper and write your responses down. All of them. Without judgment. You have just been creative!

You can smash a snow globe with a ball-peen hammer and be disappointed that the glass is actually plastic and the snow actually ground-up Styrofoam. • You can laminate anything by winding it in plastic wrap before a five-minute tumble on Cotton in the dryer. • You can microwave a lightbulb for nearly twenty beautiful seconds as it turns in there like a pink comet before it finally goes supernova. • You can safely remove your Helmet and whack your head repeatedly on the drywall, weaving an orange velvet into your vision, before you manage to leave a dent. • You can cover a wall dent by hanging a masterpiece over it and claiming that you need the work at eye level to properly appreciate it. • You can simulate immortality by sticking a rubberhandled flathead screwdriver directly into the outlet and only trip a breaker. • You can ride the laundry basket down the carpeted stairs like a mine cart four times until it catches and ejects you to the bottom, where you strike your elbow and it swells red as a hot-water bottle. • You can safely light the fluff on your sweatpants with a barbecue lighter and send flame rolling over your legs like poured blue water, leaving a crispy black stubble. • You can halt a fan if you thrust your hand into the blades bravely—only when you hesitate will your knuckles be rapped. • You can stick the chilly steel tube of the vacuum to your belly and generate a hideous yet painless bruise, and these pulsating circles when placed carefully can form an Olympic symbol that lasts well into a second week. Of course his mother’s catching wind of any of

Some items from your home that you might consider your child having access to include.   Cheese grater.  A good starting activity for a four or five year-old is grating bars of soap. Real scissors. Children’s safety scissors are often clumsy to handle and can be difficult to maneuver. Teaching a child to cut with pointed scissors allows them to more quickly master fine motor skills. Utensils for cutting soft fruit and a cutting board. Make sure they are not too sharp, but not so dull that they are ineffective. Always supervise your child. Pots and pans, dishes, etc. for pretend play. Cleaning supplies such as a gentle vinegar and water (50/50) cleaning solution, sponges, dish soap, towels, short broom, dust pan, etc. Plants for daily care. Coat hanging racks placed at shoulder level of the child allow them to not only take responsibility for their own outerwear but to offer to take care of others as well. Sturdy, non-skid step stool or a handy learning tower (the one in the picture actually folds for easy storage). Accessible linens, including those that can be used for play. Encourage your child to make their own bed, even if it might be a bit messy by your standards. Always keep a few towels and washcloths where they can reach them as needed. A big basket that holds a few blankets and pillows allows a child to take some responsibility for their own level of comfort.     This list is by no means all-inclusive, nor are you required to use what is on it. The point is to take a look around your home and think about ways to implement many of your own household items into your routine. It is also meant to point out that even the youngest of children are often ready for a bit more responsibility than we give them credit for.

Tell me about your home.” “My home?” It took me a moment to realize he didn’t mean here. When had I come to think of this place as home? I shook away my shock. “Downington.” He nodded and kept working. “It’s not much different than Prater’s Junction, really.” “I guess you miss your friends there.” “Friends?” He’d edged closer to me now, the basket resting at the far end of the line. I scooted toward the porch, eased down on the step, leaving him to hang the last few things. “I didn’t have any close friends there.” “Really? I imagined you to be in the center of the social whirlwind.” “That would be Mama. Not me.” I sighed. “I thought maybe if I were in a bigger place, with more to do, more people to meet, life would be more exciting. Without Mama to direct everything. But it’s likely that’s not meant to be.” “I’m sure you’re appreciated wherever you are.” His gaze captured mine, held it even as he picked up the empty basket.

The flower display continued through the town. Window boxes adorned the shop fronts, hanging baskets hung from patent black lampposts, trees grew tall in the main street. Each building was painted a different refreshing color and the main street, the only street, was a rainbow of mint greens, salmon pinks, lilacs, lemons, and blues. The pavements were litter free and gleaming as soon as you averted your gaze above the gray slate roofs you found yourself surrounded by majestic green mountains.

Climbing Mountains The LORD is my light and my salvation—whom shall I fear? The LORD is the stronghold of my life—of whom shall I be afraid? PSALM 27:1 NIV The Meteora in Greece is a complex of monastic structures high atop a mountain. Access to the structures was deliberately difficult. Some of these “hanging monasteries” were accessible only by baskets lowered by ropes and winches, and to take a trip there required a leap of faith. An old story associated with the monasteries said that the ropes were only replaced “when the Lord let them break.” While the vast majority of us will probably never scale the mountain to visit these monasteries, we often feel that we have many steep mountains of our own to climb. Maybe it’s too much month at the end of the money. Or, perhaps we are suffering with health or relationship troubles. Whatever the reason we are hurting, angry, or feeling despair or hopelessness, God is ready to help us, and we can place all our hope in He who is faithful. We can do that because we are connected to Him and have seen His faithfulness in the past. Lord, I will stay strong in You and will take courage. I can trust and rest in You. Whatever I am feeling now, whatever emotions I have, I give them to You, for You are my hope and salvation. You are good all the time, of which I can be supremely confident. Amen.

A Twig to Rest On This is what the LORD says: “Stand at the crossroads and look; ask for the ancient paths, ask where the good way is, and walk in it, a nd you will find rest for your souls.” JEREMIAH 6:16 NIV The day was so long and stressful that Tracey didn’t get out to her front porch until late at night to water her flowers. Recent days had been so unusually hot and dry in the Midwest, draining both Tracey and her once-luscious hanging petunia baskets into a weary state. She breathed a calming sigh to be out in the cool of the evening, hearing a few last birds coo while the crickets took the next singing shift. But as she reached up to water one thirsty pot, something fluttered furiously out through the stream of water. Frightened, Tracey jumped back and tried to determine what it was. The small creature flew directly into a rose of sharon bush next to the porch, where Tracey could now see it was a baby sparrow. Maybe it’s injured, she thought, as it fell asleep on the tiny twig, swaying with the gentle breeze of the night. In the morning she found the bird still resting in the same place and slowly approached it. The sparrow flew off with strength into the sunshine. Lord, thank You for giving me the rest I need along the journey. Just like You do for the tiny sparrow, so much more You do for me. Amen.

Climbing Mountains The LORD is my light and my salvation—whom shall I fear? The LORD is the stronghold of my life—of whom shall I be afraid? PSALM 27:1 NIV The Meteora in Greece is a complex of monastic structures high atop a mountain. Access to the structures was deliberately difficult. Some of these “hanging monasteries” were accessible only by baskets lowered by ropes and winches, and to take a trip there required a leap of faith. An old story associated with the monasteries said that the ropes were only replaced “when the Lord let them break.” While the vast majority of us will probably never scale the mountain to visit these monasteries, we often feel that we have many steep mountains of our own to climb. Maybe it’s too much month at the end of the money. Or, perhaps we are suffering with health or relationship troubles. Whatever the reason we are hurting, angry, or feeling despair or hopelessness, God is ready to help us, and we can place all our hope in He who is faithful. We can do that because we are connected to Him and have seen His faithfulness in the past. Lord, I will stay strong in You and will take courage. I can trust and rest in You. Whatever I am feeling now, whatever emotions I have, I give them to You, for You are my hope and salvation. You are good all the time, of which I can be supremely confident.

Hanging from the proud adandara’s mouth was a big basket. It was a gift from me to Ciel, since it must’ve been really hard to carry all that prey in its mouth. The basket was full of wild rabbits and field mice.

When I heard the ear-piercing scream tonight, I figured someone in the Fourth was having a nightmare of the impending-danger variety. Then I realized the shrieks weren’t coming from the barracks but from inside the bathhouse. For our safety, nobody is supposed to be in the baths after eleven, because there are no lifeguards on duty. Janice says the real reason the doors are locked is to thwart romantically inclined legionnaires from getting up to shenanigans in there. That thwarting can be thwarted, though, if you know about the secret entrance to the main pool. Which everybody does, although not many people use it, because you have to swim underwater through a narrow concrete pipe, then squeeze through a small mesh gate that leads into the pool. You’d better hope you’re an underwater-breathing descendent of Neptune if you get stuck in there. Apparently, a girl and a boy from the First Cohort thought the risk was worth it, because they sneaked in via the not-so-secret entrance tonight. I’m thinking their lovey-dovey mood evaporated when they surfaced, though. Because dead rats. Hundreds of them. Floating in the pool. Blocking the hot-springs water supply. Clogging the drains. Even hanging from the basket for used towels. I can’t imagine anything more totally, completely, scream-inducingly disgusting. And mysterious, too, because no one can explain how so many rats got in there so quickly. The filtration system is shut off when the baths close, so they weren’t pumped in with the water. And the lifeguard swears the place was clean when he locked up at eleven. The couple sneaked in around eleven fifteen. Could someone have broken in and distributed all those rats in just fifteen minutes? Didn’t seem likely.

This project may be preceeded or followed by the clothing organization steps found in the next section of this book. ORGANIZE CLOTHING examples of storage bedroom closet (walk-in or standard) dresser armoire underbed storage boxes trunk or storage ottoman nightstand supplies needed trash bags/recycling bin, donation box, relocation box, fix-it box spray cleaner and cleaning cloth broom and dust pan and/or vacuum storage containers label maker and/or tags to hang from containers/baskets time commitment 4–10 hours quick assessment questions What are the main categories of clothing? What items could be placed in off-season storage? What types of things need quick and instant access? potential goals for this space make getting ready in the morning a snap make it easier to put away clothing in the evening and on laundry day get rid of clothing that no longer fits create a new wardrobe make the closet visually appealing quick-toss list any clothing that is stained or ripped shoes that are past their prime clothing left over from the high school years (unless, of course, you’re still in high school) souvenir t-shirts broken jewelry socks without mates underwear that has lost its elasticity dry-cleaner hangers and plastic bags storage containers bins/boxes/baskets that are open-top bins/boxes/baskets with lids

discover it was impossible, but what if they got close enough to see all the lasers and the tiny cameras in the hanging baskets? He will leave a comments book outside the pagoda, and he can spend Monday looking through it. Will people write their names? Perhaps he will leave a space for people’s addresses too. If anyone leaves an unpleasant comment he can send someone to pay them a visit. Lomax sips at his coffee, noticing a couple of cookie crumbs floating on the surface. The coffee is Colombian,

You can disrupt a behavior you don’t want by removing the prompt. This isn’t always easy, but removing the prompt is your best first move to stop a behavior from happening. A few years ago I went to the South by Southwest conference in Austin, Texas. I walked into my hotel room and threw my bag on the bed. When I scanned the room, I saw something on the bureau. “Oh nooooo,” I said out loud to absolutely no one. There was an overflowing basket of goodies. Pringles. Blue chips. A giant lollipop. A granola bar. Peanuts. I try to eat healthy foods, but salty snacks are delicious. I knew the goody bin would be a problem for me at the end of every long day. It would serve as a prompt: Eat me! I knew that if the basket sat there I would eventually cave. The blue chips would be the first to go. Then I would eat those peanuts. So I asked myself what I had to do to stop this behavior from happening. Could I demotivate myself? No way, I love salty snacks. Can I make it harder to do? Maybe. I could ask the front desk to raise the price on the snacks or remove them from the room. But that might be slightly awkward. So what I did was remove the prompt. I put the beautiful basket of temptations on the lowest shelf in the TV cabinet and shut the door. I knew the basket was still in the room, but the treats were no longer screaming EAT ME at full volume. By the next morning, I had forgotten about those salty snacks. I’m happy to report that I survived three days in Austin without opening the cabinet again. Notice that my one-time action disrupted the behavior by removing the prompt. If that hadn’t worked, there were other dials I could have adjusted—but prompts are the low-hanging fruit of Behavior Design. Teaching the Behavior Model Now that you’ve seen how my Behavior Model applies to various types of behavior, I’ll show you more ways to use this model in the pages that follow.

Refrain (by Jan Warren) Pick up your clothes, make your bed, is that a basket of ironing stuffed into your closet? How can you find anything in there? Clean it out, you´re not going to the park until it's done and I want you to take your sister with you, don't give me that look, just wait until your father comes home; I've never seen such a lazy kid, how did I ever get lucky enough to have you to deal with, you've got a chip on your shoulder; no, you can´t spend the night, because I said so, straighten that bedspread; wake up, you´ll be late for school, come right home after, I need you to go to the store and don't take forever, dinner has to be sometime tonight; set the table, make the salad, clean out the wastepaper basket, feed the dogs, sweep the floor, don't let the flies in, close that door, do you think money grows on trees, don't give me that look, just wait till your father gets home; who was that on the phone, why is he calling here? don´t talk to strangers, who was that walking with you, you better not have them hanging around, because I said so, you're too young, he's a boy, that's different, because I said so, that skirt is too short, take off that makeup, you look like a hussy in those fishnet stockings, where did you get that, you'll have to take it back, don't give me that look, just wait till your father gets home; the store called me today--you've taken practically nude pictures, you better stop or I'll tell your father, you're getting too big for your britches young lady, nice girls don't do things like that, keep going and you'll see what happens... don't give me that look...

Refrain (by Jan Warren) Pick up your clothes, make your bed, is that a basket of ironing stuffed into your closet? How can you find anything in there? Clean it out, you're not going to the park until it's done and I want you to take your sister with you, don't give me that look, just wait until your father comes home; I've never seen such a lazy kid, how did I ever get lucky enough to have you to deal with, you've got a chip on your shoulder; no, you can't spend the night, because I said so, straighten that bedspread; wake up, you'll be late for school, come right home after, I need you to go to the store and don't take forever, dinner has to be sometime tonight; set the table, make the salad, clean out the wastepaper basket, feed the dogs, sweep the floor, don't let the flies in, close that door, do you think money grows on trees, don't give me that look, just wait till your father gets home; who was that on the phone, why is he calling here? don't talk to strangers, who was that walking with you, you better not have them hanging around, because I said so, you're too young, he's a boy, that's different, because I said so, that skirt is too short, take off that makeup, you look like a hussy in those fishnet stockings, where did you get that, you'll have to take it back, don't give me that look, just wait till your father gets home; the store called me today--you've taken practically nude pictures, you better stop or I'll tell your father, you're getting too big for your britches young lady, nice girls don't do things like that, keep going and you'll see what happens...don't give me that look...

It’s going out:  remove everything except what is attached to the floor or imbedded in the wall.  Whatever can be washed outside or in the kitchen, do it now and leave it to dry.  We’re talking baskets, floral arrangement, shelves and stuff.  Everything else is set outside the room on the floor and this includes the roll of toilet paper that’s hanging off the side of the vanity.  “Everything else” = towels, rugs (maybe you want to wash them now) toothbrush, tissue box, make-up, hair brush, dryer, blah, blah, blah, get my drift?

medical playroom she was now intimately acquainted with, there was a room with floor-to-ceiling mirrors covering every wall, a suspension rack hanging from the ceiling, a cache of impact toys nearby. Another room contained a tall, narrow slave cage and a hanging leather sex sling, along with a bin of sex toys, each in its own presumably sterile plastic bag. Yet another room had a polished wooden St. Andrew’s cross, a full rack of more beautiful impact toys waiting at the ready. There was a tiled room, a converted bathroom, with a suspension rig hung over the tub. There was a stack of plump towels on the nearby counter, along with a basket of ear and nose plugs. Next to that was a room filled with doorless wardrobes stuffed with gowns, lingerie and high heeled shoes in various sizes, including some clearly meant for a man’s larger foot. Along a counter beneath a large mirror there were wig stands with wigs of varying lengths and colors, as well as a tray filled with makeup, creams and powders. There were several more playrooms with numerous and varied restraint devices, plenty of impact toys and lots of delicious rope and chain.

I don’t know about you, but I can’t wait to get my hands on some fucking gourds and arrange them in a horn-shaped basket on my dining room table. That shit is going to look so seasonal. I’m about to head up to the attic right now to find that wicker fucker, dust it off, and jam it with an insanely ornate assortment of shellacked vegetables. When my guests come over it’s gonna be like, BLAMMO! Check out my shellacked decorative vegetables, assholes. Guess what season it is—fucking fall. There’s a nip in the air and my house is full of mutant fucking squash. I may even throw some multi-colored leaves into the mix, all haphazard like a crisp October breeze just blew through and fucked that shit up. Then I’m going to get to work on making a beautiful fucking gourd necklace for myself. People are going to be like, “Aren’t those gourds straining your neck?” And I’m just going to thread another gourd onto my necklace without breaking their gaze and quietly reply, “It’s fall, fuckfaces. You’re either ready to reap this freaky-assed harvest or you’re not.” Carving orange pumpkins sounds like a pretty fitting way to ring in the season. You know what else does? Performing an all-gourd reenactment of an episode of Diff’rent Strokes—specifically the one when Arnold and Dudley experience a disturbing brush with sexual molestation. Well, this shit just got real, didn’t it? Felonies and gourds have one very important commonality: they’re both extremely fucking real. Sorry if that’s upsetting, but I’m not doing you any favors by shielding you from this anymore. The next thing I’m going to do is carve one of the longer gourds into a perfect replica of the Mayflower as a shout-out to our Pilgrim forefathers. Then I’m going to do lines of blow off its hull with a hooker. Why? Because it’s not summer, it’s not winter, and it’s not spring. Grab a calendar and pull your fucking heads out of your asses; it’s fall, fuckers. Have you ever been in an Italian deli with salamis hanging from their ceiling? Well, then you’re going to fucking love my house. Just look where you’re walking or you’ll get KO’d by the gauntlet of misshapen, zucchini-descendant bastards swinging from above. And when you do, you’re going to hear a very loud, very stereotypical Italian laugh coming from me. Consider yourself warned. For now, all I plan to do is to throw on a flannel shirt, some tattered overalls, and a floppy fucking hat and stand in the middle of a cornfield for a few days. The first crow that tries to land on me is going to get his avian ass bitch-slapped all the way back to summer. Welcome to autumn, fuckheads!

At midmorning the next day, she stood out by the line, hanging the laundry up to dry. But when she reached into the basket for the last item, a worn, moss-green shirt, she found it empty. Looking up, she saw the little fox holding the shirt in its mouth. It leapt, dropping the shirt, then picked it up again.

He orders an expensive bottle of Rioja and we begin our tapas extravaganza with plates of dates wrapped in bacon, langoustines in garlic and butter, chorizo in a tomatoey sauce, and a miniature Spanish tortilla (potato, egg, and onion). Our medium-rare steaks are set before us along with a basket of thinly sliced, golden crisped fries. I'm happy to see that Frank enjoys food- with no mention of any weird hang-ups or allergies. "I was hoping they'd have sweetbreads on the menu," Frank says. "You like sweetbreads?" I ask, my heart expanding at the mention of calf thymus. "I'm an organ man," Frank says, taking a sip of wine. "I know a place where they make great sautéed sweetbreads," I say. "You?" he asks, a look of pleased astonishment spreading across his face. "Love 'em," I say. This mutual infatuation with organs bodes well. Cutting into the steaks with sharp knives, we put morsels in our mouths, close our eyes as if we've died and gone to heaven, chew, and groan, the salty, bloody juices trickling down the backs of our throats.

I keep getting drunk. There’s no more interesting way to say it. Only drunk does the volume crank down. Liquor no longer lets me bullshit myself that I’m taller, faster, funnier. Instead, it shrinks me to a plodding zombie state in which one day smudges into every other—it blurs time. Swaying on the back landing in the small hours, I stare at the boxy garage and ghostly replicas of it multiplying along either side, like playing cards spread against the slate sky. Though this plural perspective is standard, I’m surprised by my own shitfaced state. The walkman sends punk rock banging across the tiny bones of my ears. And with the phonebook-sized stack of papers on my lap still unmarked, I—once more, with feeling—take the pledge to quit drinking. Cross my heart. Pinky swear to myself. This is it, I say, the last night I sit here. Okay, I say in my head. I give. You’re right. (Who am I talking to? Fighting with?) By the next afternoon, while I’m lugging the third armload of groceries up the back stairs, Dev, who’s bolted ahead to the living room, shrieks like he’s been stabbed, and I drop the sack on the kitchen floor, hearing as it hits what must be a jar of tomato sauce detonating. In the living room, I find Dev has leaped—illicitly, for the nine hundredth time—off the sofa back, trying to land in the clothes basket like a circus diver into a bucket of water. He’s whapped his noggin on the coffee table corner. Now dead center on his pale, formerly smooth forehead, there’s a blue knot like a horn trying to break through. I gather him up and rush to the kitchen, aiming to grab a soothing bag of frozen peas. But I step on a shard of tomato sauce jar, gash my instep, slide as on a banana peel, barely hanging on to Dev till we skid to a stop. I tiptoe across the linoleum, dragging a snail of blood till I can plop him in a kitchen chair, instructing him to hold the peas to his head and not move an inch while I bunny-hop upstairs to bandage my foot. Coming back, I find he’s dragged the formerly white laundry into the kitchen to mop up the tomato sauce. I’m helping, he says, albeit surrounded by gleaming daggers of glass while on his forehead the blue Bambi horn seems to throb. Minutes later, my hand twists off a beer cap as I tell myself that a beer isn’t really a drink after all. So I have another after that to speed preparing the pot roast, and maybe even a third. Before we head to the park, I tuck two more beer bottles in my coat pocket, plus one in my purse alongside a juice box.

It sits off the kitchen, and the sun slants through the windows, illuminating the rows of dried herbs that hang from the ceiling. Shelves filled with bottles and little linen sacks—each carefully labeled—line one wall. There are boxes and baskets everywhere. A long workbench littered with other concoctions from my garden in various stages of fermentation and dehydration. A mortar and pestle. Rolls of twine. Bits and bobs. Corks. A scale. And there, on the hearth, a small kettle for boiling roots. There is a rectangular wooden box with leather hinges—long since brittle and cracked with age—sitting in the middle of the worktable. Sharp, slender knives; and smooth, round stones. This is my apothecary, my sanctuary, and it smells of lavender and woodsmoke, basil and vetiver.