Hang Your Hat Quotes

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One thousand ways to say good-bye One thousands ways to cry One thousand ways to hang your hat before you go outside I say good-bye good-bye good-bye I shout it out so loud Cause the next time that I find my voice I might not remember how.
Maggie Stiefvater (Linger (The Wolves of Mercy Falls, #2))
He's a cousin of some friends of the Lightwoods or something. He's nice. I promise." "Nice, bah. He's gorgeous." Magnus gazed dreamily in his direction. "You should leave him here. I could hang hats on him and things." "No. You can't have him." "Why not? Do you like him?" Magnus's eyes gleamed. "He seems to like you. I saw him going for your hand out there like a squirrel diving for a peanut.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
Civilized people must, I believe, satisfy the following criteria: 1) They respect human beings as individuals and are therefore always tolerant, gentle, courteous and amenable ... They do not create scenes over a hammer or a mislaid eraser; they do not make you feel they are conferring a great benefit on you when they live with you, and they don't make a scandal when they leave. (...) 2) They have compassion for other people besides beggars and cats. Their hearts suffer the pain of what is hidden to the naked eye. (...) 3) They respect other people's property, and therefore pay their debts. 4) They are not devious, and they fear lies as they fear fire. They don't tell lies even in the most trivial matters. To lie to someone is to insult them, and the liar is diminished in the eyes of the person he lies to. Civilized people don't put on airs; they behave in the street as they would at home, they don't show off to impress their juniors. (...) 5) They don't run themselves down in order to provoke the sympathy of others. They don't play on other people's heartstrings to be sighed over and cosseted ... that sort of thing is just cheap striving for effects, it's vulgar, old hat and false. (...) 6) They are not vain. They don't waste time with the fake jewellery of hobnobbing with celebrities, being permitted to shake the hand of a drunken [judicial orator], the exaggerated bonhomie of the first person they meet at the Salon, being the life and soul of the bar ... They regard prases like 'I am a representative of the Press!!' -- the sort of thing one only hears from [very minor journalists] -- as absurd. If they have done a brass farthing's work they don't pass it off as if it were 100 roubles' by swanking about with their portfolios, and they don't boast of being able to gain admission to places other people aren't allowed in (...) True talent always sits in the shade, mingles with the crowd, avoids the limelight ... As Krylov said, the empty barrel makes more noise than the full one. (...) 7) If they do possess talent, they value it ... They take pride in it ... they know they have a responsibility to exert a civilizing influence on [others] rather than aimlessly hanging out with them. And they are fastidious in their habits. (...) 8) They work at developing their aesthetic sensibility ... Civilized people don't simply obey their baser instincts ... they require mens sana in corpore sano. And so on. That's what civilized people are like ... Reading Pickwick and learning a speech from Faust by heart is not enough if your aim is to become a truly civilized person and not to sink below the level of your surroundings. [From a letter to Nikolay Chekhov, March 1886]
Anton Chekhov (A Life in Letters)
Hang on to your hat. Hang on to your hope. And wind the clock, for tomorrow is another day.
E.B. White
Move across the country and hope the Sadness won’t find you, won’t follow you like a stray dog from coast to coast. Hope the Sadness isn’t just a fog on a leash, shadowing you always. Hope the Sadness can’t be as fleet as you are, hope the Sadness is more rooted. Perhaps the Sadness has friends, a family, and can’t just pick up and go. Look at all this stuff the Sadness has here in San Jose or Chapel Hill or wherever you’re currently leaving. How’s the Sadness going to survive without all this stuff? Hope this isn’t one of those any-place-I-hang-my-hat-is-home-type situations where the Sadness hangs its hat on you. Hope that you are not the Sadness’s home, anywhere you go, no matter how far, no matter how quickly—the Sadness lives in you. Hope to God it’s not that.
Raphael Bob-Waksberg (Someone Who Will Love You in All Your Damaged Glory)
Democracy is not something you believe in or hang your hat on, but something you do. You participate. If you stop doing it, democracy crumbles and falls. If you participate, the future is yours.
Abbie Hoffman (Steal This Book (50th Anniversary Edition))
Betrayal wears a lot of different hats. You don’t have to make a show of it like Brutus did, you don’t have to leave anything visible jutting from the base of your best friend’s spine, and afterward you can stand there straining your ears for hours, but you won’t hear a cock crow either. No, the most insidious betrayals are done merely by leaving the life jacket hanging in your closet while you lie to yourself that it’s probably not the drowning man’s size. That’s how we slide, and while we slide we blame the world’s problems on colonialism, imperialism, capitalism, corporatism, stupid white men, and America, but there’s no need to make a brand name of blame. Individual self-interest: that’s the source of our descent, and it doesn’t start in the boardrooms or the war rooms either. It starts in the home.
Steve Toltz (A Fraction of the Whole)
And, of course, you assume it's true. I mean, why else would I show interest in my own flesh and blood? A heartbroken little crybaby points his finger at me, and my own brother falls in line, eager to believe it! How quickly you believe the worst, especially when it comes from her. " My big brother, so, you doubt my intentions? Well, I can't say I'm surprised, standing next to the noble Elijah, how can I be anything but the lesser brother? A liar, a manipulator, a bastard. " hat's all I am to you, isn't it? And Rebekah. And, judging by the way Hayley hangs on your every word, it's clear she feels the same way! No doubt my child will as well. " You've said all that needs to be said, Brother... I'll play the role I've been given.
Klaus Mikaelson
Vimes died. The sun dropped out of the sky, giant lizards took over the world, and the stars exploded and went out and all hope vanished and gurgled into the sinktrap of oblivion. And gas filled the firmament and combusted and behold! There was a new heaven - or possibly not. And Disc and Io and and possibly verily life crawled out of the sea - or possibly didn't because it had been made by the gods, and lizards turned to less scaly lizards - or possibly did not. And lizards turned into birds and bugs turned into butterflies and a species of apple turned into banana and a kind of monkey fell out of a tree and realised life was better when you didn't have to spend your time hanging onto something. And in only a few billion years evolved trousers and ornamental stripey hats. Lastly the game of Crocket. And there, magically reincarnated, was Vimes, a little dizzy, standing on the village green looking into the smiling countenance of an enthusiast.
Terry Pratchett (Snuff (Discworld, #39; City Watch, #8))
That's who is waiting for me: an invisible man defined by a dotted line: the shape of an absence in your place at the table, sitting across from me, eating toast and eggs as usual or walking ahead up the drive, a rustling of the fallen leaves, a slight thickening of the air. It's you in the future, we both know that. You'll be here but not here, a muscle memory, like hanging a hat on a hook that's not there any longer.
Margaret Atwood (Dearly)
Hope this isn't one of those any-place-I-hang-my-hat-is-home-type situations where the Sadness hangs its hat on you. Hope that you are not Sadness's home, anywhere you go, no matter how far, no matter how quickly - the Sadness lives in you. Hope to God it's not that.
Raphael Bob-Waksberg (Someone Who Will Love You in All Your Damaged Glory)
I shall get up on Sunday morning and wind the clock, as a contribution to order and steadfastness ... Hang on to your hat. Hang on to your hope. And wind the clock, for tomorrow is another day.
E.B. White
One thousand ways to say goodbye One thousands way to cry One thousands ways to hang your hat before you go outside I say goodbye goodbye goodbye I shout it so loud Cause the next time that i find my voice I mught not remember how
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
Live in such a way, in love and kindness, that peace and prayer and thanksgiving will be in your homes together. Do not let your homes just be a place to hang your hats at night and get your meals and then run off some place else but let your homes be the abiding place of the Spirit of the Lord.
George Albert Smith
Dear Mr. Nadeau: As long as there is one upright man, as long as there is one compassionate woman, the contagion may spread and the scene is not desolate. Hope is the thing that is left to us, in a bad time. I shall get up Sunday morning and wind the clock, as a contribution to order and steadfastness. Sailors have an expression about the weather: they say, the weather is a great bluffer. I guess the same is true of our human society – things can look dark, then a break shows in the clouds, and all is changed, sometimes rather suddenly. It is quite obvious that the human race has made a queer mess of life on this planet. But as a people we probably harbor seeds of goodness that have lain for a long time waiting to sprout when the conditions are right. Man’s curiosity, his relentlessness, his inventiveness, his ingenuity have led him into deep trouble. We can only hope that these same traits will enable him to claw his way out. Hang on to your hat. Hang on to your hope. And wind the clock, for tomorrow is another day. Sincerely, E. B. White
E.B. White
On the Term of Exile No need to drive a nail into the wall To hang your hat on; When you come in, just drop it on the chair No guest has sat on. Don’t worry about watering the flowers— In fact, don’t plant them. You will have gone back home before they bloom, And who will want them? If mastering the language is too hard, Only be patient; The telegram imploring your return Won’t need translation. Remember, when the ceiling sheds itself In flakes of plaster, The wall that keeps you out is crumbling too, As fast or faster.
BY BERTOLT BRECHT TRANSLATED FROM THE GERMAN BY ADAM KIRSCH
Man’s curiosity, his relentlessness, his inventiveness, his ingenuity have led him into deep trouble. We can only hope that these same traits will enable him to claw his way out. Hang on to your hat. Hang on to your hope. And wind the clock, for tomorrow is another day.
Shaun Usher (Letters of Note: Volume 1: An Eclectic Collection of Correspondence Deserving of a Wider Audience)
Hope this isn’t one of those any-place-I-hang-my-hat-is-home-type situations where the Sadness hangs its hat on you.
Raphael Bob-Waksberg (Someone Who Will Love You in All Your Damaged Glory)
The most difficult part of positioning is selecting that one specific concept to hang your hat on. Yet you must, if you want to cut through the prospect's wall of indifference.
Al Ries (Positioning: The Battle for Your Mind)
Baltimore always seems like the kind of city you either leaving or just returning to. Ain't no kinda place to hang your hat. Even as a kid I dreamed of getting out.
Esi Edugyan
No,” said the shopkeeper, “not really. I always say home is where you hang your hat.” “Um, no,” said Twoflower, always anxious to enlighten. “Where you hang your hat is a hatstand. A home is—
Terry Pratchett (The Light Fantastic (Discworld, #2))
As long as there is one upright man, as long as there is one compassionate woman, the contagion may spread and the scene is not desolate. Hope is the thing that is left to us, in a bad time. I shall get up Sunday morning and wind the clock, as a contribution to order and steadfastness. Sailors have an expression about the weather: they say, the weather is a great bluffer. I guess the same is true of our human society—things can look dark, then a break shows in the clouds, and all is changed, sometimes rather suddenly. It is quite obvious that the human race has made a queer mess of life on this planet. But as a people we probably harbor seeds of goodness that have lain for a long time waiting to sprout when the conditions are right. Man’s curiosity, his relentlessness, his inventiveness, his ingenuity have led him into deep trouble. We can only hope that these same traits will enable him to claw his way out. Hang on to your hat. Hang on to your hope. And wind the clock, for tomorrow is another day.
Shaun Usher (Letters of Note: Correspondence Deserving of a Wider Audience)
Something else emerges from this discussion about us as human individuals: we're not fixed, stable intellects riding along peering at the world through the lenses of our eyes like the pilots of people-shaped spacecraft. We are affected constantly by what's going on around us. Whether our flexibility is based in neuroplasticity or in less dramatic aspects of the brain, we have to start acknowledging that we are mutable, persuadable and vulnerable to clever distortions, and that very often what we want to be is a matter of constant effort rather than attaining a given state and then forgetting about it. Being human isn't like hanging your hat on a hook and leaving it there, it's like walking in a high wind: you have to keep paying attention. You have to be engaged with the world.
Nick Harkaway (The Blind Giant)
Bagpipe Music' It's no go the merrygoround, it's no go the rickshaw, All we want is a limousine and a ticket for the peepshow. Their knickers are made of crêpe-de-chine, their shoes are made of python, Their halls are lined with tiger rugs and their walls with heads of bison. John MacDonald found a corpse, put it under the sofa, Waited till it came to life and hit it with a poker, Sold its eyes for souvenirs, sold its blood for whiskey, Kept its bones for dumb-bells to use when he was fifty. It's no go the Yogi-Man, it's no go Blavatsky, All we want is a bank balance and a bit of skirt in a taxi. Annie MacDougall went to milk, caught her foot in the heather, Woke to hear a dance record playing of Old Vienna. It's no go your maidenheads, it's no go your culture, All we want is a Dunlop tyre and the devil mend the puncture. The Laird o' Phelps spent Hogmanay declaring he was sober, Counted his feet to prove the fact and found he had one foot over. Mrs Carmichael had her fifth, looked at the job with repulsion, Said to the midwife 'Take it away; I'm through with overproduction'. It's no go the gossip column, it's no go the Ceilidh, All we want is a mother's help and a sugar-stick for the baby. Willie Murray cut his thumb, couldn't count the damage, Took the hide of an Ayrshire cow and used it for a bandage. His brother caught three hundred cran when the seas were lavish, Threw the bleeders back in the sea and went upon the parish. It's no go the Herring Board, it's no go the Bible, All we want is a packet of fags when our hands are idle. It's no go the picture palace, it's no go the stadium, It's no go the country cot with a pot of pink geraniums, It's no go the Government grants, it's no go the elections, Sit on your arse for fifty years and hang your hat on a pension. It's no go my honey love, it's no go my poppet; Work your hands from day to day, the winds will blow the profit. The glass is falling hour by hour, the glass will fall for ever, But if you break the bloody glass you won't hold up the weather.
Louis MacNeice
Eiffel Tower" To Robert Delaunay Eiffel Tower Guitar of the sky Your wireless telegraphy Attracts words As a rosebush the bees During the night The Seine no longer flows Telescope or bugle EIFFEL TOWER And it's a hive of words Or an inkwell of honey At the bottom of dawn A spider with barbed-wire legs Was making its web of clouds My little boy To climb the Eiffel Tower You climb on a song Do re mi fa sol la ti do We are up on top A bird sings in the telegraph antennae It's the wind Of Europe The electric wind Over there The hats fly away They have wings but they don't sing Jacqueline Daughter of France What do you see up there The Seine is asleep Under the shadow of its bridges I see the Earth turning And I blow my bugle Toward all the seas On the path Of your perfume All the bees and the words go their way On the four horizons Who has not heard this song I AM THE QUEEN OF THE DAWN OF THE POLES I AM THE COMPASS THE ROSE OF THE WINDS THAT FADES EVERY FALL AND ALL FULL OF SNOW I DIE FROM THE DEATH OF THAT ROSE IN MY HEAD A BIRD SINGS ALL YEAR LONG That's the way the Tower spoke to me one day Eiffel Tower Aviary of the world Sing Sing Chimes of Paris The giant hanging in the midst of the void Is the poster of France The day of Victory You will tell it to the stars
Vicente Huidobro (The Cubist Poets in Paris: An Anthology (French Modernist Library))
...As long as they let me just talk to the kids, about stuff like, I don't know, knife usage, field medicine for beginners. How to make the night sky your ally, with the Big Dipper a place to hang your hat, and Orion your friend to guide you home. That's what I would have wanted to hear, back then...
Terry Pratchett (The Long War (The Long Earth, #2))
I concluded that I didn’t have to find an optimum solution to Pronto’s difficulties, just a reasonable one. Trying to find an optimum solution in business is a waste of time: the factors in the equation are changing all the time. But you’ve got to have something to hang your hat on. The one core value that I chose was our high compensation policies, which I had put in place from the very start in 1958. This may sound like a strange way for polarizing a business, but I did not want to destroy the faith that Pronto Markets’ then-handful of employees had in me and in our common future. After all, they had just ponied up half the equity money needed to buy out Rexall.
Joe Coulombe (Becoming Trader Joe: How I Did Business My Way and Still Beat the Big Guys)
Witnesses can be manipulated, too. They’re not robots. They are manipulated by television, newspapers, friends, corporate interests…Who has the real truth? As far as I understand, the truth is something that’s sought out by specially trained experts: judges, scholars, priests. Everyone else is ruled by ambition and emotions. [A pause.] I’ve read your books…You shouldn’t put so much stock in what people say, in human truth…History records the lives of ideas. People don’t write it, time does. Human truth is just a nail that everybody hangs their hats on.
Svetlana Alexievich (Secondhand Time: The Last of the Soviets)
Oooo, what is that?” Red yelled when she saw the palace. “That’s Buckingham Palace,” Alex said. “It’s where the monarchy resides.” Red was mesmerized. “What a stylish and tasteful place! Look at that beautiful statue out front of it in the middle of the street! That looks exactly like the statue I wanted to build in celebration of Charlie’s and my wedding!” Red left the others and flew down to the gate. She peered through the bars at the palace in delight. She had to hang on to the bars tightly because the fairy dust was making her drift back to the sky. One of the palace guards on duty saw Red and stared at her in disbelief. It wasn’t every day he saw a floating woman at the gate. “Yoo-hoo!” Red called to him. “I just love your hat! Please tell the current monarch that Queen Red of the Center Kingdom says hello —” Conner flew to the gate and pulled Red’s hands off the bars. “Red, come on. You’re gonna get left behind!
Chris Colfer (Beyond the Kingdoms (The Land of Stories #4))
I THINK THE REAL TRICK to finding that sense of satisfaction is to realize you don’t need much to attain it. A window-box salad garden and a banjo hanging on the back of the door can be all the freedom you need. If it isn’t everything you want for the future, let it be enough for tonight. Don’t look at your current situation as a hindrance to living the way you want, because living the way you want has nothing to do with how much land you have or how much you can afford to spend on a new house. It has to do with the way you choose to live every day and how content you are with what you have. If a few things on your plate every season come from the work of your own hands, you are creating food for your body, and that is enough. If the hat on your head was knitted with your own hands, you’re providing warmth from string and that’s enough. If you rode your bike to work, trained your dog to pack, or just baked a loaf of bread, let it be enough. Accepting where you are today, and working toward what’s ahead, is the best you can do. You can take the projects in this book as far as your chosen road will take you. Maybe your gardens and coops will outgrow mine, and before you know it you’ll be trading in your Audi for a pickup. But the starting point is to take control of what you can and smile with how things are. Find your own happiness and dance with it.
Jenna Woginrich (Made from Scratch: Discovering the Pleasures of a Handmade Life)
Our men have aversion spells on their hats,” Gnifty continued. She was really quite talkative, now that the ice had been broken. “So that no big monsters come near, just creatures small enough to be hunted at night. When a dragon is near, they cry, ‘Hang onto your hat!
Piers Anthony (Crewel Lye (Xanth, #8))
Look, people need to conform the external reality they face daily with this subjective feeling they likewise experience constantly. To do this they have two options. First, they can achieve what passes for great things. Now the external reality matches their feeling; they really are better than the rest and maybe they'll even be remembered as such. These are the ambitious people, the overachievers. These are also, however, the people who go on these abominable talk shows where they can trade their psychoses for exposure on that box, modernity's ultimate achievement. Not that this tact, being ambitious, is not the preferred course of action. The reason is it's the equivalent of sticking your neck out which we all know is dangerous. Instead many act like they have no ambition whatsoever. Their necks come back in and they're safe. Only problem is now they're at everyone else's level, which we've seen is untenable. The remedy of course is that everyone else needs to be sunk. This helps explain racism's enduring popularity. If I myself don't appear to be markedly superior to everyone else at least I'm part of the better race, country, religion et cetera. This in turn reflects well on my individual worth. There are other options, of course. For example, you can constantly bemoan others' lack of moral worth by extension elevating yourself. Think of the average person's reaction to our clients. Do these people strike you as so truly righteous that they are viscerally pained by our clients' misdeeds or are they similarly flawed people looking for anything to hang their hat on? The latter obviously, they're vermin.
Sergio de la Pava (A Naked Singularity)
Poem for My Father You closed the door. I was on the other side, screaming. It was black in your mind. Blacker than burned-out fire. Blacker than poison. Outside everything looked the same. You looked the same. You walked in your body like a living man. But you were not. would you not speak to me for weeks would you hang your coat in the closet without saying hello would you find a shoe out of place and beat me would you come home late would i lose the key would you find my glasses in the garbage would you put me on your knee would you read the bible to me in your smoking jacket after your mother died would you come home drunk and snore would you beat me on the legs would you carry me up the stairs by my hair so that my feet never touch the bottom would you make everything worse to make everything better i believe in god, the father almighty, the maker of heaven, the maker of my heaven and my hell. would you beat my mother would you beat her till she cries like a rabbit would you beat her in a corner of the kitchen while i am in the bathroom trying to bury my head underwater would you carry her to the bed would you put cotton and alcohol on her swollen head would you make love to her hair would you caress her hair would you rub her breasts with ben gay until she stinks would you sleep in the other room in the bed next to me while she sleeps on the pull-out cot would you come on the sheet while i am sleeping. later i look for the spot would you go to embalming school with the last of my mother's money would i see your picture in the book with all the other black boys you were the handsomest would you make the dead look beautiful would the men at the elks club would the rich ladies at funerals would the ugly drunk winos on the street know ben pretty ben regular ben would your father leave you when you were three with a mother who threw butcher knives at you would he leave you with her screaming red hair would he leave you to be smothered by a pillow she put over your head would he send for you during the summer like a rich uncle would you come in pretty corduroys until you were nine and never heard from him again would you hate him would you hate him every time you dragged hundred pound cartons of soap down the stairs into white ladies' basements would you hate him for fucking the woman who gave birth to you hate him flying by her house in the red truck so that other father threw down his hat in the street and stomped on it angry like we never saw him (bye bye to the will of grandpa bye bye to the family fortune bye bye when he stompled that hat, to the gold watch, embalmer's palace, grandbaby's college) mother crying silently, making floating island sending it up to the old man's ulcer would grandmother's diamonds close their heartsparks in the corner of the closet yellow like the eyes of cockroaches? Old man whose sperm swims in my veins, come back in love, come back in pain.
Toi Derricotte
Because you’re still you, no matter where you go,” I retort. I stop and look up at him, his sweaty hair falling in his eyes and his hat hanging from his fingers. He still looks puzzled. “There are just as many happy people in Cleveland as there are in Paris,” I explain. “And just as many sad ones.
Penelope Douglas (Credence)
Exchanging Hats Unfunny uncles who insist in trying on a lady's hat, --oh, even if the joke falls flat, we share your slight transvestite twist in spite of our embarrassment. Costume and custom are complex. The headgear of the other sex inspires us to experiment. Anandrous aunts, who, at the beach with paper plates upon your laps, keep putting on the yachtsmen's caps with exhibitionistic screech, the visors hanging o'er the ear so that the golden anchors drag, --the tides of fashion never lag. Such caps may not be worn next year. Or you who don the paper plate itself, and put some grapes upon it, or sport the Indian's feather bonnet, --perversities may aggravate the natural madness of the hatter. And if the opera hats collapse and crowns grow draughty, then, perhaps, he thinks what might a miter matter? Unfunny uncle, you who wore a hat too big, or one too many, tell us, can't you, are there any stars inside your black fedora? Aunt exemplary and slim, with avernal eyes, we wonder what slow changes they see under their vast, shady, turned-down brim.
Elizabeth Bishop
Sailors have an expression about the weather: they say, the weather is a great buffer. I guess the same is true of our human society - things can look dark, then a break shows in the clouds, and all is changed, sometimes rather suddenly. It is quite obvious that the human race has made a queer mess of life on this planet. But as a people we probably harbor seeds of goodness that have lain for a long time, waiting to sprout when the conditions are right. Man's curiosity, his relentlessness, his inventiveness, his ingenuity have led him into deep trouble. We can only hope that these same traits will enable him to claw his way out. Hang on to your hat. Hang on to your hope,. And wind the clock, for tomorrow is another day.
E.B. White
A Taurus’s imagination always involves building. Whether it be a career or a lifelong love, a Taurus rejoices at the idea that if you put effort into something for a long time, you will be rewarded with something strong and solid that you can hang your hat on. This extends into expectations for everyone else around them, too. You must be a solid figure, someone dependable who also is able to spark their interests, and with your own solid sense of fire and passion. A Taurus’s imaginative landscape includes an endless sense of fire. Not a fire that would burn anything up, but one that brings warmth, that fuses things together, that solders pieces and melts things when necessary, that provokes and cajoles and pranks but is also good for lending itself to endless conversation and camaraderie. A real working fireplace. The imagination of a Taurus is a place where things get done, rather than happening on their own.
Alex Dimitrov (Astro Poets: Your Guides to the Zodiac)
Now that is a sword,” Freddy said in awe as he went to look at an impressive saber hanging from the hat rack near the door. “Stay away from it,” she cautioned. “I’m sure it’s sharper than yours.” As usual, Freddy ignored her. “Just think what I could do with this,” he said as he lifted it off its hook. “So far I haven’t seen you do anything with a sword, my boy,” Oliver remarked dryly. “Though I shudder to think what your cousin would attempt.” Maria glared at Oliver, which only made him laugh. Meanwhile, Freddy unsheathed the saber with a flourish. “Curse it, Freddy, put it back,” Maria ordered. “What a fine piece of steel.” Freddy swished it through the air. “Even the one Uncle Adam gave me isn’t near so impressive.” Maria appealed to Oliver. “Do something, for pity’s sake. Make him stop.” “And get myself skewered for the effort? No, thank you. Let the pup have his fun.” Freddy cast him a belligerent glance. “You wouldn’t call me a pup if I came at you with this.” “No, I’d call you insane,” Oliver drawled. “But you’re welcome to try and see what happens.” Don’t encourage him,” Maria told Oliver. The door opened suddenly, and Freddy whirled with the sword in hand, knocking a lamp off the desk. As the glass chimney shattered, spilling oil in a wide arc, the wick lit the lot, and fire sprang to life. Maria jumped back with a cry of alarm while Oliver leaped out of his chair to stamp it out, first with his boots and then with his coat. A string of curses filled the air, most of them Oliver’s, though Freddy got in a few choice ones as the fire licked at his favorite trousers. When at last Oliver put the flames out and nothing was left but a charred circle on the wood floor, dotted with shards of glass, the three of them turned to the door to find a dark-haired man observing the scene with an expression that gave nothing away. “If you hoped to catch my attention,” he remarked, “you’ve succeeded.” “Mr. Pinter, I presume?” Oliver said, tossing his now ruined coat and singed gloves into a nearby rubbish pail. “I hope you’ll forgive us for the dramatic intrusion. I’m Stonevi-“ “I know who you are, my lord,” he interrupted. “It’s what you’re doing here setting fire to my office that I’m not certain of.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
her power now that she had lost the hair. So when the bride had finished drinking, and would have got upon Falada again, the maid said, "I shall ride upon Falada, and you may have my horse instead;" so she was forced to give up her horse, and soon afterwards to take off her royal clothes, and put on her maid's shabby ones. At last, as they drew near the end of the journey, this treacherous servant threatened to kill her mistress if she ever told anyone what had happened. But Falada saw it all, and marked it well. Then the waiting-maid got upon Falada, and the real bride was set upon the other horse, and they went on in this way till at last they came to the royal court. There was great joy at their coming, and the prince hurried to meet them, and lifted the maid from her horse, thinking she was the one who was to be his wife; and she was led upstairs to the royal chamber, but the true princess was told to stay in the court below. However, the old king happened to be looking out of the window, and saw her in the yard below; and as she looked very pretty, and too delicate for a waiting-maid, he went into the royal chamber to ask the bride whom it was she had brought with her, that was thus left standing in the court below. "I brought her with me for the sake of her company on the road," said she. "Pray give the girl some work to do, that she may not be idle." The old king could not for some time think of any work for her, but at last he said, "I have a lad who takes care of my geese; she may go and help him." Now the name of this lad, that the real bride was to help in watching the king's geese, was Curdken. Soon after, the false bride said to the prince, "Dear husband, pray do me one piece of kindness." "That I will," said the prince. "Then tell one of your slaughterers to cut off the head of the horse I rode upon, for it was very unruly, and plagued me sadly on the road." But the truth was, she was very much afraid lest Falada should speak, and tell all she had done to the princess. She carried her point, and the faithful Falada was killed; but when the true princess heard of it she wept, and begged the man to nail up Falada's head against a large dark gate in the city through which she had to pass every morning and evening, that there she might still see him sometimes. Then the slaughterer said he would do as she wished, so he cut off the head and nailed it fast under the dark gate. Early the next morning, as the princess and Curdken went out through the gate, she said sorrowfully— "Falada, Falada, there thou art hanging!" and the head answered— "Bride, bride, there thou are ganging! Alas! alas! if thy mother knew it, Sadly, sadly her heart would rue it." Then they went out of the city, driving the geese. And when they came to the meadow, the princess sat down upon a bank there and let down her waving locks of hair, which were all of pure gold; and when Curdken saw it glitter in the sun, he ran up, and would have pulled some of the locks out; but she cried— "Blow, breezes, blow! Let Curdken's hat go! Blow breezes, blow! Let him after it go! "O'er hills, dales, and rocks, Away be it whirl'd, Till the golden locks Are all comb'd and curl'd!" Then there came a wind, so strong that it blew off Curdken's hat, and away it flew over the hills, and he after it; till, by the time he came back, she had done combing and curling her hair, and put it up again safely. Then he was very angry and sulky, and would not speak to her at all; but they watched the geese until it grew dark in the evening, and then drove them homewards. The next morning, as they were going through the dark gate, the poor girl looked up at Falada's head, and cried— "Falada, Falada, there thou art hanging!" and it answered— "Bride, bride, there thou are ganging! Alas! alas! if thy mother knew it, Sadly, sadly her heart would rue it." Then she drove on the geese and sat down again in the meadow, and began to comb
Jacob Grimm (Grimm's Fairy Stories)
What if I’m in Slytherin?” The whisper was for his father alone, and Harry knew that only the moment of departure could have forced Albus to reveal how great and sincere that fear was. Harry crouched down so that Albus’s face was slightly above his own. Alone of Harry’s three children, Albus had inherited Lily’s eyes. “Albus Severus,” Harry said quietly, so that nobody but Ginny could hear, and she was tactful enough to pretend to be waving to Rose, who was now on the train, “you were named for two headmasters of Hogwarts. One of them was a Slytherin and he was probably the bravest man I ever knew.” “But just say--” “--then Slytherin House will have gained an excellent student, won’t it? It doesn’t matter to us, Al. But if it matters to you, you’ll be able to choose Gryffindor over Slytherin. The Sorting Hat takes your choice into account.” “Really?” “It did for me,” said Harry. He had never told any of his children that before, and he saw the wonder in Albus’s face when he said it. But now the doors were slamming all along the scarlet train, and the blurred outlines of parents were swarming forward for final kisses, last-minute reminders. Albus jumped into the carriage and Ginny closed the door behind him. Students were hanging from the windows nearest them. A great number of faces, both on the train and off, seemed to be turned toward Harry. “Why are they all staring?” demanded Albus as he and Rose craned around to look at the other students. “Don’t let it worry you,” said Ron. “It’s me. I’m extremely famous.” Albus, Rose, Hugo, and Lily laughed. The train began to move, and Harry walked alongside it, watching his son’s thin face, already ablaze with excitement.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Or when you keep a sex-addiction meeting under surveillance because they’re the best places to pick up chicks.” Serge looked around the room at suspicious eyes. “Okay, maybe that last one’s just me. But you should try it. They keep the men’s and women’s meetings separate for obvious reasons. And there are so many more opportunities today because the whole country’s wallowing in this whiny new sex-rehab craze after some golfer diddled every pancake waitress on the seaboard. That’s not a disease; that’s cheating. He should have been sent to confession or marriage counseling after his wife finished chasing him around Orlando with a pitching wedge. But today, the nation is into humiliation, tearing down a lifetime of achievement by labeling some guy a damaged little dick weasel. The upside is the meetings. So what you do is wait on the sidewalk for the women to get out, pretending like you’re loitering. And because of the nature of the sessions they just left, there’s no need for idle chatter or lame pickup lines. You get right to business: ‘What’s your hang-up?’ And she answers, and you say, ‘What a coincidence. Me, too.’ Then, hang on to your hat! It’s like Forrest Gump’s box of chocolates. You never know what you’re going to get. Most people are aware of the obvious, like foot fetish or leather. But there are more than five hundred lesser-known but clinically documented paraphilia that make no sexual sense. Those are my favorites . . .” Serge began counting off on his fingers. “This one woman had Ursusagalmatophilia, which meant she got off on teddy bears—that was easily my weirdest three-way. And nasophilia, which meant she was completely into my nose, and she phoned a friend with mucophilia, which is mucus. The details on that one are a little disgusting. And formicophilia, which is being crawled on by insects, so the babe bought an ant farm. And symphorophilia—that’s staging car accidents, which means you have to time the air bags perfectly
Tim Dorsey (Pineapple Grenade (Serge Storms #15))
North Brooklin, Maine 30 March 1973 Dear Mr. Nadeau: As long as there is one upright man, as long as there is one compassionate woman, the contagion may spread and the scene is not desolate. Hope is the thing that is left to us, in a bad time. I shall get up Sunday morning and wind the clock, as a contribution to order and steadfastness. Sailors have an expression about the weather: they say, the weather is a great bluffer. I guess the same is true of our human society—things can look dark, then a break shows in the clouds, and all is changed, sometimes rather suddenly. It is quite obvious that the human race has made a queer mess of life on this planet. But as a people we probably harbor seeds of goodness that have lain for a long time waiting to sprout when the conditions are right. Man's curiosity, his relentlessness, his inventiveness, his ingenuity have led him into deep trouble. We can only hope that these same traits will enable him to claw his way out. Hang on to your hat. Hang on to your hope. And wind the clock, for tomorrow is another day. Sincerely, [Signed, 'E. B. White']
E.B. White
Top Dog" If I could, I would take your grief, dig it up out of the horseradish field and grate it into something red and hot to sauce the shellfish. I would take the lock of hair you put in the locket and carry it in my hand, I would make the light strike everything the way it hit the Bay Bridge, turning the ironwork at sunset into waffles. If I could, I would blow your socks off, they would travel far, always in unison, past the dead men running, past the cranes standing in snow, beyond the roads we rode, so small in our little car, it was like riding in a miner's helmet. If I could I would make everyone vote and call their public servants to say, “No one was meant for this.” I would go back to the afternoon we made love in the tall grass under the full sun not far from the ravine where the old owner had flung hundreds of mink cages. I would memorize gateways to the afterworld, the electric third rail, the blond braid our girl has hanging down her back, the black guppy we killed at our friends’ when we unplugged the bubbler and the fish floated to the top, one eye up at the ceiling, the other at the blue gravel on the bottom of the tank. I would beg an audience with Sister Lucia, the last living of the children visited by Our Lady of Fatima, I would ask her about the weight of secrets, if they let her sleep or if she woke at night with a body on her body, if the body said, “Let's play top dog, first I'll lie on you, then you lie on me.” I would ask how she lived with revelation, the normal state of affairs amplified beyond God, bumped up to the Virgin Mother, who no doubt knew a few things, passed them on, quietly, and I would ask Lucia how she lived with knowing, how she could keep it under her hat, under wraps, button up, zip her lip, play it close to the vest, never telling, never using truth as a weapon.
Barbara Ras (Bite Every Sorrow: Poems (Walt Whitman Award of the Academy of American Poets))
Zap. Sports channel. Normal is nine innings, four balls, three strikes, somebody wins, somebody loses, there’s no such thing as a tie. Zap. Normal is unreal people, mostly rich unreal people, having sex with rappers and basketball players and thinking of their unreal family as a real-world brand, like Pepsi or Drano or Ford. Zap. News channels. Normal is guns and the normal America that really wants to be great again. Then there’s another normal if your skin color is the wrong color and another if you’re educated and another if you think education is brainwashing and there’s an America that believes in vaccines for kids and another that says that’s a con trick and everything one normal believes is a lie to another normal and they’re all on TV depending where you look, so, yeah, it’s confusing. I’m really trying to understand which this is America now. Zap zap zap. A man with his head in a bag being shot by a man without a shirt on. A fat man in a red hat screaming at men and women also fat also in red hats about victory, We’re undereducated and overfed. We’re full of pride over who the f*ck knows. We drive to the emergency room and send Granny to get our guns and cigarettes. We don’t need no stinkin’ allies cause we’re stupid and you can suck our dicks. We are Beavis and Butt-Head on ’roids. We drink Roundup from the can. Our president looks like a Christmas ham and talks like Chucky. We’re America, bitch. Zap. Immigrants raping our women every day. We need Space Force because Space ISIS. Zap. Normal is Upside-Down Land. Our old friends are our enemies now and our old enemy is our pal. Zap, zap. Men and men, women and women in love. The purple mountains’ majesty. A man with an oil painting of himself with Jesus hanging in his living room. Dead schoolkids. Hurricanes. Beauty. Lies. Zap, zap, zap. “Normal doesn’t feel so normal to me,” I tell him. “It’s normal to feel that way,” he replies.
Salman Rushdie (Quichotte)
She went with the Red Hats over to Tunica early this morning. I think my mom has developed a gambling problem since her trip to Vegas.” “Yeah, so you’re alone, then?” “No, smartass. I’m sitting with the pool boy. We’re getting ready to go skinny-dipping.” “Lucky pool boy. Does he know you like to be tied up?” “Jaime, don’t start that.” “Pepper, I love when you get all defensive like that. Makes me think of bad things to do to you.” “I’m going to hang up now.” “Don’t you want to know what kind of bad things?” “I know your idea of bad. You like to dominate me.
Mercy Celeste (Wicked Game)
Here, supposing that neither Harry Perkins nor the servants nor some outsider called ‘X’ had killed Stephen Anthony, was a murderer. He or she was drinking with the rest, talking with the rest casually, remembering little family jokes with the rest and saying with them, ‘Remember when we all—’ and laughing when they laughed. And perhaps the murderer, sitting there with the others, almost forgot at times he was a murderer, because even a murderer cannot always remember, as the grief-stricken cannot always remember grief. But it must come back again and again, that sense of being a murderer. Sometimes it must come in the middle of speech, confusing a thought already formulated—it must go round and round in the head, the knowledge of murder and of pursuit. The thought that shrewd men and clumsy men, intelligent men and dogged men, men in blue uniforms and men in slouch hats, were everywhere after you must make a coldness in your mind. Here a man was talking to somebody, and perhaps a word would give you away. Here a man was peering through a comparison microscope at tiny scratches on a piece of metal, and perhaps some scratch would give you away. Here a man was sifting through papers, steadily, unwearingly, looking for some written word that would give you away. And when he was tired, another man would look. And somewhere men in white uniforms were probing with knives into the body of the man you had killed, looking for something which would give you away. All over the city, you would think, men would be searching for you—in words and in metal, in scraps of paper, in the things you did yesterday and the things your victims had planned to do tomorrow—and there would be no stopping them. Because, whatever they tolerated, the police did not tolerate murder, or ever give up looking for a murderer.
Richard Lockridge (Hanged for a Sheep (Mr. and Mrs. North #5))
[46] “I have called myself Grim, I have called myself Wanderer, Warrior and Helmet-Wearer, Famed One and Third One, Thunder and Wave, Hel-Blind and One-Eye, [47] “Truth, and Swift, and True Father, Battle-Merry, Battle-Stirrer, Curse-Eye and Fire-Eye, Evildoer, Spellcaster, Masked and Shadowed-Face, Fool and Wise Man, {70} [48] “Long-Hat and Long-Beard, Victory-Father and War-Ready, Allfather, War-Father, Rope-Rider and Hanged-God. I have never been known by just one name since I first walked among men. [49] “They called me Shadowed-Facehere at Geirroth’s place,but Gelding at Asmund’s,they called me Driverwhen I pulled the sleds,and Mighty at the assembly.Among the gods I’m called Wish-Granter, Speaker, Just-as-High, Shield-Shaker, Wand-Bearer, Graybeard. [50] “Wise and Wisdom-Granter were my names at Sokkmimir’s hall, when I deceived that old giant and I killed his famous son. I was his killer. [51] “You are drunk, Geirroth! You have drunk too much. You have lost too much when you have lost my favor; you’ve lost the favor of Odin and all the Einherjar. [52] “I’ve told you much, and you’ll remember little— your friends will deceive you— I see the sword of my friend dripping with blood. {71} [53] “Now Odin will have a weapon-killed man— I know your life has ended. Your guardian spirits are anxious, they see Odin here before you. Approach me, if you can. [54] “Odin is my name. But before they called me Terror, and Thunder before that, and Waker and Killer, and Confuser and Orator-God, Heat-Maker, Sleep-Maker, both Gelding and Father! I think all these names were used for me alone.
Poetic Edda
Maybe home is a choice; wherever you hang your hat, wherever you feel respected and secure, engaged in life and appreciated for who you are is a place you can call “home.
Bernice Ende (Lady Long Rider: Alone Across America on Horseback)
Not a problem. Just annoying,” I grumble, shoving my gear back in my cubby and hanging my jersey on the hook. “I understand Matt being a bitch about getting bunny pussy, but what’s your deal? You a virgin or something?” Braden asks me, his brows lifted. “The fact you just referred to it as ‘getting bunny pussy’ is exactly why I’m not discussing this topic with you.” He scoffs. “Oh, come on. Even Tyler sleeps around.” “What is that supposed to mean?” Tyler grunts. “You’re the most introverted person I’ve ever met. I would have expected you to be the virgin.
Hannah Cowan (Lucky Hit (Swift Hat-Trick Trilogy, #1))
As long as there is one upright man, as long as there is one compassionate woman, the contagion may spread and the scene is not desolate. Hope is the thing that is left to us in a bad time. I shall get up Sunday morning and wind the clock, as a contribution to order and steadfastness. Sailors have an expression about the weather: they say, the weather is a great bluffer. I guess the same is true of our human society — things can look dark, then a break shows in the clouds, and all is changed, sometimes rather suddenly. It is quite obvious that the human race has made a queer mess of life on this planet. But as a people we probably harbor seeds of goodness that have lain for a long time waiting to sprout when the conditions are right. Man’s curiosity, his relentlessness, his inventiveness, his ingenuity have led him into deep trouble. We can only hope that these same traits will enable him to claw his way out. Hang on to your hat. Hang on to your hope. And wind the clock, for tomorrow is another day.
EB White
As it turns out, skiing trips are pretty bloody annoying anyway. It’s mostly about queuing, skiing. You queue to get your breakfast in the stupid wooden hotel, you queue to get on the minibus or find a taxi to take you to the stupid skiing place at the bottom of the stupid hill. You queue to buy a pass, which you lose later in the day and then you get down to the serious queuing, at the point where you get on the lift at the bottom of the mountain to take you to the top. This, technically, isn’t queuing, it’s something more akin to fighting, so I preferred this bit. You hang around in a big crowd on a sort of train platform. Except there are no tracks, just a big wire overhead. Eventually, the cable car device lumbers into view and disgorges a load of really annoying people with stupid smiles under their stupid hats on to the other side of the platform. The car never stops; it just swings around the bottom of the platform on a huge, horizontal wheel until it comes up the side on which you and several million Germans are loitering, ready to get on board. Then there is a really massive fight, lots of shouting, some vicious pushing and, the next thing you know, you’re on the cable car, face pressed to the frosted glass, staring through it at crying kids back on the platform, disappointed mothers and bereft lovers waving mournfully as the other half of their life is transported away on the carriage that someone, usually you, prevented them from getting on by elbowing them in the face and jabbing a ski pole into their groin. It’s really rather good fun. But only that part is fun; the rest of it is terrible.
Richard Hammond (As You Do: Adventures With Evel, Oliver, and The Vice-President Of Botswana)
HOME “HOME IS MORE THAN JUST A BUILDING                               BOUNDED BY FOUR WALLS.   IT IS A FEELING OF WELL-BEING     WHERE COMFORT AND SAFETY CALLS.   YOU CAN HANG YOUR HAT AND COAT   UPON ALMOST ANY CHAIR,   OR TOSS IT TO THE COUCH OR FLOOR;    DOES ANYBODY CARE?   KICK OFF YOUR SHOES AND WALK     AROUND IN YOUR BARE FEET;  THOUGH IF YOU WANT, GOING NAKED     IS ALSO KIND OF NEAT!  IT DOESN’T REALLY MATTER,  IT IS YOUR PLACE WHERE YOU CAN DO THE THINGS YOUR HEART DESIRES,    BUT THAT, YOU ALWAYS KNEW. SO, SETTLE BACK, ENJOY THE DAY,    PICK OUT A GARDEN GNOME. ENJOY ANOTHER MOUNTAIN DEW…    THERE IS NO PLACE LIKE HOME!
F.J. Sconzo Sr. (A Witch, in Time, Saves...)
It is quite obvious that the human race has made a queer mess of life on this planet. But as a people we probably harbor seeds of goodness that have lain for a long time waiting to sprout when the conditions are right. Man’s curiosity, his relentlessness, his inventiveness, his ingenuity have led him into deep trouble. We can only hope that these same traits will enable him to claw his way out. Hang on to your hat. Hang on to your hope. And wind the clock, for tomorrow is another day.
Shaun Usher (Letters of Note: Volume 1: An Eclectic Collection of Correspondence Deserving of a Wider Audience)
I’ve got something you can hang your hat on: my erection.
Jarod Kintz (This Book Has No Title)
Home is where you hang your hat, but it's no place for a lynch mob.
Frank Balara
I reach into the hat and pull out a little white slip of paper. I open it slowly while I bite my lower lip in anticipation. In bold letters I read HAND WARMERS. “Hand warmers?” I question. Alex leans over and reads the paper with a confused look on his face. “What the fuck are hand warmers?” Mrs. Peterson shoots Alex a warning glare. “If you’d like to stay after school, I have another blue detention slip on my desk with your name already on it. Now, either ask the question again without using foul language or join me after school.” “That’d be cool to hang with you, Mrs. P., but I’d rather spend the time studyin’ with my chem partner,” Alex responds, then has the nerve to wink at Colin, “so I’ll rephrase the question. What exactly are hand warmers?” “Thermal chemistry, Mr. Fuentes. We use them to warm our hands.” Alex has this big, cocky grin as he turns to me. “I’m sure we can find other things to warm.” “I hate you,” I say loud enough for Colin and the rest of the class to hear. If I sit here and let him get the best of me, I’ll probably hear my mom tsk’ing in my head about reputation meaning everything. I know the class is watching out interaction, even Isabel, who thinks Alex isn’t as bad as everyone thinks he is. Can’t she see him for what he is, or is she blinded by his chiseled face and popular status among their friends? Alex whispers, “There’s a thin line between love and hate. Maybe you’re confusing your emotions.” I scoot away from him. “I wouldn’t bet on it.” “I would.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
It’s my turn. The only one I’m likely to get. I’ve got a month, Starfish.” Her eyebrows narrowed a bit at his use of her nickname, and he relaxed further as they eased into a far more familiar back and forth. Lord, but he’d missed her. “Like I said, let’s take the time we have now and find out what we find out. Then, when it’s your turn, we’ll already be that much closer to knowing what we know.” Her eyes remained narrowed, his feisty Kerry fully back at the fore. “Why is it that I feel like I just got played?” His grin got bigger. “Oh, we haven’t begun to play, love. There was nothing playful about that kiss. But next time?” He let that statement linger with no immediate follow-up. Instead, he dug the keys to his rental from the pocket of his Daks and unlocked the door to the sleek black roadster. At least he’d walked to the correct side this time. Took some getting used to, the whole wrong side of the road thing. Still, the little two-door BMW was a beauty. And about as far away from anything he’d ever driven on the station as it was possible to get. Which was exactly why he’d rented it. He looked back over to where she stood, arms folded now, defenses fully back up and battle ready. Good, he thought. Do what you need to do. Be sure of yourself, of me. Of us. Just remember, I know how to get you to lower those defenses. And he was looking forward to finding out how she’d come apart for him when he melted them completely. “Thirty days,” he said, opening the door. He tugged at the sunglasses that had been hanging down his back on a pair of Croakies and slid them around, putting them on before popping his hat back on his head. He rested folded forearms on the top of the open door, his grin still in place. “And I don’t know about you, but I’m really liking how Day One has worked out.” He tucked his long, rangy frame into the low-slung car and lowered the window as the sport engine purred to life. “Can’t wait to see what Day Two holds in store. G’day, Starfish.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
Hang on to your hats and get ready for the "read of your life", as you have your basic suppositions about your existence on earth challenged. This book will definitely "rock your boat" and expand your thinking about future events. - Paul Theo (PhD) (Author of "Journey to Tricon", and "Journey to Gragau")
Paul Theo
Hang on to your hat. Hang on to your hope. And wind the clock, for tomorrow is another day.
Shaun Usher (Letters of Note: Volume 1: An Eclectic Collection of Correspondence Deserving of a Wider Audience)
ESTRAGON: You say we have to come back tomorrow? VLADIMIR: Yes. ESTRAGON: Then we can bring a good bit of rope. VLADIMIR: Yes. Silence. ESTRAGON: Didi? VLADIMIR: Yes. ESTRAGON: I can't go on like this. VLADIMIR: That's what you think. ESTRAGON: If we parted? That might be better for us. VLADIMIR: We'll hang ourselves tomorrow. ( Pause. ) Unless Godot comes. ESTRAGON: And if he comes? VLADIMIR: We'll be saved. Vladimir takes off his hat (Lucky's), peers inside it, feels about inside it, shakes it, knocks on the crown, puts it on again. ESTRAGON: Well? Shall we go? VLADIMIR: Pull on your trousers. ESTRAGON: What? VLADIMIR: Pull on your trousers. ESTRAGON: You want me to pull off my trousers? VLADIMIR: Pull ON your trousers. ESTRAGON: ( realizing his trousers are down) . True. He pulls up his trousers. VLADIMIR: Well? Shall we go? ESTRAGON: Yes, let's go. They do not move. Curtain.
Anonymous
Hang on to your hat, miss!
Tamzin Merchant (The Hatmakers (Cordelia Hatmaker, #1))
Big ideas are often big precisely because they defy categorization. But blame it on our human tendency to want some kind of peg to hang our hat on. So before you blow up the category, what your editors, copywriters and marketing department might want to know is, what’s the niche?
Anaik Alcasas (Sending Signals: Amplify the Reach, Resonance and Results of Your Ideas)
Why—if your church is based on the Jesus who spoke incessantly about orphans and widows, demilitarization, immigrants, the sick, the outcast, and the poor—are you choosing abortion and gayness to hang your hat upon?
Glennon Doyle (Untamed)
I don’t know about you, but I can’t wait to get my hands on some fucking gourds and arrange them in a horn-shaped basket on my dining room table. That shit is going to look so seasonal. I’m about to head up to the attic right now to find that wicker fucker, dust it off, and jam it with an insanely ornate assortment of shellacked vegetables. When my guests come over it’s gonna be like, BLAMMO! Check out my shellacked decorative vegetables, assholes. Guess what season it is—fucking fall. There’s a nip in the air and my house is full of mutant fucking squash. I may even throw some multi-colored leaves into the mix, all haphazard like a crisp October breeze just blew through and fucked that shit up. Then I’m going to get to work on making a beautiful fucking gourd necklace for myself. People are going to be like, “Aren’t those gourds straining your neck?” And I’m just going to thread another gourd onto my necklace without breaking their gaze and quietly reply, “It’s fall, fuckfaces. You’re either ready to reap this freaky-assed harvest or you’re not.” Carving orange pumpkins sounds like a pretty fitting way to ring in the season. You know what else does? Performing an all-gourd reenactment of an episode of Diff’rent Strokes—specifically the one when Arnold and Dudley experience a disturbing brush with sexual molestation. Well, this shit just got real, didn’t it? Felonies and gourds have one very important commonality: they’re both extremely fucking real. Sorry if that’s upsetting, but I’m not doing you any favors by shielding you from this anymore. The next thing I’m going to do is carve one of the longer gourds into a perfect replica of the Mayflower as a shout-out to our Pilgrim forefathers. Then I’m going to do lines of blow off its hull with a hooker. Why? Because it’s not summer, it’s not winter, and it’s not spring. Grab a calendar and pull your fucking heads out of your asses; it’s fall, fuckers. Have you ever been in an Italian deli with salamis hanging from their ceiling? Well, then you’re going to fucking love my house. Just look where you’re walking or you’ll get KO’d by the gauntlet of misshapen, zucchini-descendant bastards swinging from above. And when you do, you’re going to hear a very loud, very stereotypical Italian laugh coming from me. Consider yourself warned. For now, all I plan to do is to throw on a flannel shirt, some tattered overalls, and a floppy fucking hat and stand in the middle of a cornfield for a few days. The first crow that tries to land on me is going to get his avian ass bitch-slapped all the way back to summer. Welcome to autumn, fuckheads!
Colin Nissan (It's Decorative Gourd Season, Motherfuckers)
Somewhere beyond the ridgetop, Col Oaks was plowing tobacco with a single mule, old Red, and a walking plow. The air smelled of vegetation and stirred earth. Beside me, R.T. was filing his hoe. Standing there in the brilliance with my ears sticking out under the brim of my straw hat and my mouth probably hanging open (somebody was always telling me, "Shut your mouth, Andy!"), I saw how beautiful the field was, how beautiful our work was. And it came to me all in a feeling how everything fitted together, the place and ourselves and the animals and the tools and how the sky held us.
Wendell Berry
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Sage and Twine
He tilted her chin upward. Softly, he pressed his lips to hers. Reaching up into her bonnet, he buried one of his hands in her hair. Without breaking the embrace, she yanked the hat from her head. Luca’s grasp tightened on her hair, and pleasure raced through her body. He tried to pull her into his lap using only his good arm, but ended up half dragging her across the wooden crate. The medicinal ointments went flying onto the floor, the containers rolling across the wet stones with a clatter. Cass pulled back. She wanted to kiss him harder, to melt into his arms. “We need to go,” she said instead, raising one hand to her face to blot the sweat from her cheeks. “Once we have taken down the Order, there will be time for…everything else.” Luca started to protest, but then they heard the sound of the key in the lock and Narissa slipped into the room with a tray of food. Cass blushed furiously as she finger-combed her hair. She and Luca laughed nervously. “Breakfast. We were just commenting on how hungry we were,” Cass said brightly. Narissa surveyed the salves and ointments strewn about on the floor and Cass’s hair hanging free. Her brown eyes narrowed knowingly. “Were you now?” she asked, her voice a bit shrill. “I’ll just leave this food for you and retrieve the tray later.” She hurriedly shuffled across the room and back to the door. Cass blushed again. “Thank you, Narissa,” she said. When the handmaid closed the door, Cass and Luca both burst into giggles. Luca struggled to hold a straight face. He imitated Narissa’s nasal voice. “Signorina Cassandra,” he said. “You are a wicked and depraved woman, and I should appreciate it if you do not further sully my dusty storage room.” Cass laughed aloud. She poked Luca in his chest. “Me, wicked? You tried to attack me. I’m just your victim.” “Willing victim?” Luca looked hopefully at her. “Well,” Cass said, trying to look extra thoughtful as she positioned the food tray between the two of them. “I suppose there are a few worse ways to spend my time.” Luca’s eyes softened. “I love you, Cassandra,” he said, stroking her face gently. “And I love you,” she replied, almost without thinking. For once there was no hesitation.
Fiona Paul (Starling (Secrets of the Eternal Rose, #3))
When you’re in need of a rescue the approaching thump-thump-thump of rapidly rotating blades is a joyous sound. To give the helicopter rescue the greatest chance of success, a suitable landing zone will have to be found. The ideal landing zone should not require a completely vertical landing or takeoff, both of which reduce the pilot’s control. The ground should slope away on all sides, allowing the helicopter to immediately drop into forward flight when it’s time to take off. Landings and liftoffs work best when the aircraft is pointed into the wind because that gives the machine the greatest lift. The area should be as large as possible, at least 60 feet across for most small rescue helicopters, and as clear as possible for obstructions such as trees and boulders. Clear away debris (pine needles, dust, leaves) that can be blown up by the wash of air, with the possibility of producing mechanical failure. Light snow can be especially dangerous if it fluffs up dramatically to blind the pilot. Wet snow sticks to the ground and adds dangerous weight. If you have the opportunity, pack snow flat well before the helicopter arrives—the night before would be ideal—to harden the surface of the landing zone. Tall grass can be a hazard because it disturbs the helicopter’s cushion of supporting air and hides obstacles such as rocks and tree stumps. To prepare a landing zone, clear out the area as much as possible, including removing your equipment and all the people except the one who is going to be signaling the pilot. Mark the landing zone with weighted bright clothing or gear during the day or with bright lights at night. In case of a night rescue, turn off the bright lights before the helicopter starts to land—they can blind the pilot. Use instead a low-intensity light to mark the perimeter of the landing area, such as chemical light sticks, or at least turn the light away from the helicopter’s direction. Indicate the wind’s direction by building a very small smoky fire, hanging brightly colored streamers, throwing up handfuls of light debris, or signaling with your arms pointed in the direction of the wind. The greatest danger to you occurs while you’re moving toward or away from the helicopter on the ground. Never approach the rear and never walk around the rear of a helicopter. The pilot can’t see you, and the rapidly spinning tail rotor is virtually invisible and soundless. In a sudden shift of the aircraft, you can be sliced to death. Don’t approach by walking downhill toward the helicopter, where the large overhead blade is closest to the ground. It is safest to come toward the helicopter from directly in front, where the pilot has a clear field of view, and only after the pilot or another of the aircraft’s personnel has signaled you to approach. Remove your hat or anything that can be sucked up into the rotors. Stay low because blades can sink closer to the ground as their speed diminishes. Make sure nothing is sticking up above your pack, such as an ice ax or ski pole. In most cases someone from the helicopter will come out to remind you of the important safety measures. One-skid landings or hovering while a rescue is attempted are solely at the discretion of the pilot. They are a high risk at best, and finding a landing zone and preparing it should always be given priority.
Buck Tilton (Wilderness First Responder: How to Recognize, Treat, and Prevent Emergencies in the Backcountry)
Strap yourself into the jump-seat, make sure your harnesses are pulled really tightly, and let Scott ‘Sunshine’ Gibson give you the flight of your life. Join him as he meets up with some old and new comrades, Ryan ‘shut-eye’ Davis, Lawrence ‘sticky’ LaBelle, Jack ‘crackerjack’ McCleary, Carson ‘sleepy’ Sandmann, John Edward ‘long john’ Silver, and Sebastian ‘Atlas’ Williams, aboard a Beech 18, Boeing B-29 Superfortress, Boeing 314 Clipper, and a Scottish Aviation Twin Pioneer and share in his adventures from Newfoundland to Mexico to Malaysia in the late 1960’s. Hang on to your hats boys. It’s time to fly. Extract from 'Short Finals
B.H. McKechnie
The word reliable has its origins in relier, Old French for “fasten” or “attach”; the reliable man is an immovable pillar of strength — someone you can hang your hat on, lean and depend on, trust implicitly. The pointed end of a compass around which everything turns. Being reliable means keeping your promises, managing expectations, following through on obligations, acting consistently, pulling your weight, and showing up. Always showing up.
Brett McKay (The 33 Marks of Maturity)
is based on the Jesus who spoke incessantly about orphans and widows, demilitarization, immigrants, the sick, the outcast, and the poor—are you choosing abortion and gayness to hang your hat upon?” After many circular arguments, he looked at me, sighed, and smiled. He said, “You are a smart woman. What you say makes sense—in the ways of the world. But God’s ways are not our ways. You must not lean on your own understanding. You seem to have a good heart; but the heart is fickle. Faith is about trusting.” Do not think. Do not feel. Do not know. Mistrust your own heart and mind, and trust us. That is faith. He wanted me to believe that trusting him was trusting God. But he was not my connection to God. My heart and mind were my connections to God. If I shut those down, I’d be trusting the men who led this church instead of trusting God. I’d be relying on their understanding.
Glennon Doyle (Untamed)
Hang on to your hats, everyone. We have a Christmas crisis on our hands." - Milk, Cookies, and Murder
Misty Spellman (Milk, Cookies, and Murder: Whispering Lake Book 2 (Whispering Lake Paranormal Cozy Mysteries))
(Verse 1) Well, Santa traded in his sleigh for a horse named Jingle Bell, Riding through the prairie, spreading cheer and tales to tell. With a lasso made of tinsel and a hat of red and white, He’s the jolliest cowboy, bringing joy on Christmas night. (Chorus) Yeehaw, Santa’s a cowboy, riding under the stars so bright, Delivering gifts and laughter, on this magical night. With his boots and spurs a-jingling, and a heart so full of cheer, Santa the cowboy’s coming, spreading joy to far and near. (Verse 2) He’s got a sack of presents, slung across his saddle horn, With candy canes and toys, for every girl and boy. From the deserts to the mountains, through the snow and rain, Santa the cowboy’s riding, on his merry Christmas train. (Chorus) Yeehaw, Santa’s a cowboy, riding under the stars so bright, Delivering gifts and laughter, on this magical night. With his boots and spurs a-jingling, and a heart so full of cheer, Santa the cowboy’s coming, spreading joy to far and near. (Bridge) Around the campfire, he tells stories of the North Pole, Of reindeer and elves, and a sleigh that’s mighty old. But now he’s a cowboy, with a spirit wild and free, Bringing Christmas to the range, for all the world to see. (Chorus) Yeehaw, Santa’s a cowboy, riding under the stars so bright, Delivering gifts and laughter, on this magical night. With his boots and spurs a-jingling, and a heart so full of cheer, Santa the cowboy’s coming, spreading joy to far and near. (Outro) So hang your stockings by the fire, and listen for his call, Santa the cowboy’s riding, Merry Christmas to all!
James Hilton-Cowboy
Mr. Jamison pulled off his hat and ran his fingers through his hair, damp against his forehead. ... “folks thinking that lightning struck that fence of yours and started the fire….” ... Papa had found a way, as Mama had asked, to make Mr. Granger stop the hanging: He had started the fire. And it came to me that this was one of those known and unknown things, something never to be spoken, not even to each other.
Mildred D. Taylor (Roll of Thunder, Hear My Cry (Logans, #4))
Two starving kids and tree-hugging vegetarians. I’m going to kill Chase.” Phoebe didn’t blame him. Despite her lack of experience in the cattle-drive department, even she could see the potential for trouble. Then a familiar figure standing beside the driver caught her attention, and she waved. Maya grinned and waved back. “It’s Maya,” Phoebe said. Zane turned and followed her gaze. “Just perfect,” he muttered as his ex-stepsister walked toward them. “You’re looking grim, Zane,” Maya said cheerfully when she joined them. “Who died?” She smiled. “Oh, I forgot. You’re just being your usual charming self.” She squeezed his arm. “You’ve missed me, I know.” Zane’s eyes narrowed. “Like foot fungus.” She laughed and turned to Phoebe. “You’re still alive. I see Zane didn’t bore you to death.” “Not even close.” Phoebe hugged her friend. Maya waved forward the bus driver, a pretty woman in her fifties. “Phoebe, this is Elaine Mitchell.” “You’re the one Maya worked for in high school?” Phoebe asked. “I am.” Maya put her arm around Phoebe’s shoulders. “And this is my BFF, Phoebe.” “Welcome to Fool’s Gold,” Elaine said with a smile. Instead of her usual suit and high heels, Maya wore jeans, a long-sleeved shirt and boots. Her blond hair was pulled back in a braid. “You look like a local,” Phoebe said. “Speaking of locals,” Maya began, a note of warning in her voice. “Oh, shit,” Zane said before she could continue. Phoebe looked toward the bus and immediately saw why Zane’s face had gone a little ashen. The two crazy old women who had cornered her at his truck in town had just gotten off the bus. Eddie and Gladys, if she remembered right. The skinny one was wearing stiff, dark blue jeans and a plaid Western shirt with pearly snaps along the front. The plump one, who still looked as if she had asked for one of everything at the cosmetic counter, was wearing jeans, too, and leather chaps with fringe along the sides. They both had cowboy hats perched atop their white curls. Besides her Zane muttered under his breath. She caught a handful of words. Something about being old, broken bones and a reference to hanging Chase from the lightning rod in the middle of a storm.
Susan Mallery (Kiss Me (Fool's Gold, #17))