Handwritten Quotes

The faint outlines of two packages on his front porch attracted his attention. The size of the packages matched his two packages that contained his Christmas gifts and handwritten cards for his son and daughter. Samantha wouldn’t do that, he thought.

These handwritten words in the pages of my journal confirm that from an early age I have experienced each encounter in my life twice: once in the world, and once again on the page.

To me, reading through old letters and journals is like treasure hunting. Somewhere in those faded, handwritten lines there is a story that has been packed away in a dusty old box for years.

It was a blessing and also a curse of handwritten letters that unlike email you couldn’t obsessively reread what you’d written after you’d sent it. You couldn’t attempt to un-send it. Once you’d sent it it was gone. It was an object that no longer belonged to you but belonged to your recipient to do with what he would. You tended to remember the feeling of what you’d said more than the words. You gave to object away and left yourself with the memory. That was what it was to give.

And now that I'm without your kisses, I'll be needing stitches.

A handwritten letter carries a lot of risk. It's a one-sided conversation that reveals the truth of the writer. Furthermore, the writer is not there to see the reaction of the person he writes to, so there's a great unknown to the process that requires a leap of faith. The writer has to choose the right words to express his sentences, and then, once he has sealed the envelope, he has to place those thoughts in the hands of someone else, trusting that the feelings will be delivered, and that the recipient will understand the writer's intent. How childish to think that could be easy.

By the time you read this letter, these words will be those of the past. The me of now is gone.

Derek looked at Kylie and half chuckled. "The last time I saw that look from girls, there was a handwritten note on my neighbor's tree house that read 'No boys allowed.' I'll see you. And if I get anything from my computer research, I'll let you know.

I had never before been a special fan of that great comedian Phyllis Diller, but she utterly won my heart this week by sending me an envelope that, when opened, contained a torn-off square of brown-bag paper of the kind suitable for latrine duty in an ill-run correctional facility. Duly unfurled, it carried a handwritten salutation reading as follows: Money's scarce Times are hard Here's your f****** Xmas card I could not possibly improve on the sentiment, but I don't think it ought to depend on the current austerities. Isn't Christmas a moral and aesthetic nightmare whether or not the days are prosperous?

There was, in fact, a street sign to that effect—the first I’d seen in all of Devil’s Acre. Louche Lane, it read in fancy handwritten script. Piracy discouraged. “Discouraged?” I said. “Then what’s murder? Frowned upon?” “I believe murder is ‘tolerated with reservations.’ ” “Is anything illegal here?” Addison asked. “Library late fines are stiff. Ten lashes a day, and that’s just for paperbacks.” “There’s a library?” “Two. Though one won’t lend because all the books are bound in human skin and quite valuable.

It’s handwritten,” Freddy whispered. “What is?” He pointed at the sheets of paper Coop held. Glancing down, Coop shook his head. “No, buddy. This is from a printer. It’s been typed.” “No. It hasn’t. Me, Denny, and the twins watched him do it for like an hour. He wrote out each one. By hand. We had to leave when Zoe began to cry. She was completely freaked out.” Freddy leaned in a little bit more and again whispered, “I think if she’d stayed any longer, she would have stabbed him to death. And I don’t think the rest of us would have tried to stop her.

The greatest gift you can give is your time.  Not money, not items, not food, not pretty cards with handwritten sentiment, but time.  People need your presence.  The way you can help a soul the most is to simply be there.

Lara Jean and Peter's amended contract *Peter will write a letter to Lara Jean once a week. A real handwritten letter, not an e-mail. *Lara Jean will call Peter once a day. Preferably the last call of the night, befero she goes to bed. *Lara Jean will put up a picture of Peter's choosing on her wall. *Peter will keep the scrapbook out on his desk so any interested parties will see tha he is taken. *Peter and Lara Jean will always tell each other te truth, even when it's hard. *Peter will love Lara Jean with all his heart, always.

And mental states may be inferred from actions. The tyrant rarely sends a handwritten note requesting the elimination of an enemy.

handwritten letters, direct eye contact, stolen smiles and the art of listening to your heart was the original social media...

At the opening of the paper, the edges of a delicate Deverelli silk nightgown and robe spill out with a handwritten note. For the nights I can’t sleep next to you. — X

When she opened it, she discovered a handwritten dedication on the patterned endpapers: To my beloved—may you always believe in fairy tales. Smiling, she traced her fingers over the letters, feeling the indentations they had left on the paper. This was one of the things she loved best about books. She might never know who had written the dedication, or how long ago, or to whom, but she could briefly clasp hands with them across eternity, a chance meeting of souls made possible by their shared love of a story.

Granny Weatherwax was stretched rigid on her bed. Her face was gray, her skin was cold. People had discovered her like this before, and it always caused embarrassment. So now she reassured visitors but tempted fate by always holding, in her rigid hands, a small handwritten sign which read: I ATE’NT DEAD.

Irony, we want our handwriting to look like typed fonts, and our computer fonts to look like handwritten text.

The kitchen was the bivouac of an insurgent army. Every surface had been colonised by objects that had nothing to do with cooking: a rotating globe, illustrations ripped from anatomy textbooks, toy Ambassador taxis from India, an obsolete desktop computer, a shelf of floppy disks, miscellaneous handwritten missives stuffed into folders. Making a cup of coffee was a philosophical manoeuvre. You had to take a position. You had to ask yourself, what is coffee? Why is it consumed? How far would I go for a cup?

Inrealized how valuable the art and practice of writing letters are, and how important it is to remind people of what a treasure letters--handwritten letters--can be. In our throwaway era of quick phone calls, faxes, and email, it's all to easy never to find the time to write letters. That's a great pity--for historians and the rest of us.

Emotions somehow meant more when they were handwritten on precious scraps of paper and conveyed on slow trains running out of fuel.

Do not write. I am sad, and want my light put out. Summers in your absence are as dark as a room. I have closed my arms again. They must do without. To knock at my heart is like knocking at a tomb. Do not write! Do not write. Let us learn to die, as best we may. Did I love you? Ask God. Ask yourself. Do you know? To hear that you love me, when you are far away, Is like hearing from heaven and never to go. Do not write! Do not write. I fear you. I fear to remember, For memory holds the voice I have often heard. To the one who cannot drink, do not show water, The beloved one's picture in the handwritten word. Do not write! Do not write those gentle words that I dare not see, It seems that your voice is spreading them on my heart, Across your smile, on fire, they appear to me, It seems that a kiss is printing them on my heart. Do not write!

There is a wide yawning black infinity. In every direction the extension is endless, the sensation of depth is overwhelming. And the darkness is immortal. Where light exists, it is pure, blazing, fierce; but light exists almost nowhere, and the blackness itself is also pure and blazing and fierce. But most of all, there is very nearly nothing in the dark; except for little bits here and there, often associated with the light, this infinite receptacle is empty. This picture is strangely frightening. It should be familiar. It is our universe. Even these stars, which seem so numerous, are, as sand, as dust, or less than dust, in the enormity of the space in which there is nothing. Nothing! We are not without empathetic terror when we open Pascal’s Pensées and read, 'I am the great silent spaces between worlds.' [From an undated, handwritten piece of text from the early 1950s which Sagan wrote when he was an undergraduate at the University of Chicago]

ERIC: What are you always writin' in that book anyway? RODNEY: Poetry. TYRONE: Poetry? Rodney stops sketching and sentimentally flips through a few dozen pages of sketches and handwritten poems and notes. RODNEY: Poetry and pictures. Snapshots of our lives developed in the darkrooms of our souls." From CENTRAL PARK SONG -- a screenplay

Be the most polite person that you know. • Be honest to a fault. • Deeply commit yourself to being a world-class listener. • Send handwritten thank you notes on a regular basis. • Seek out opportunities to do random acts of kindness.

This womens skin is shimmering and pale, her long black hair is tied with dozens of silver ribbons that fall over her shoulders. Her gown is white, covered in what to Bailey looks like looping black embroidery, but as he walks closer he sees that the black marks are actually words written across the fabric. When he is near enough to read parts of the gown, he realizes that they are love letters, inscribed in handwritten text. Words of desire and longing wrapping around her waist, flowing down the train of her gown as it spills over the platform. The statue herself is still, but her hand is held out and only then does Bailey notice the young woman with a red scarf standing in front of her, offering the love letter-clad statue a sungle crimson rose. The movement is so subtle that it is almost undetectable, but slowly, very, very slowly, the statue reaches to accept the rose. Her fingers open, and the young woman with the rose waits patiently as the statue gradually closes her hand around the stem, releasing it only when it is secure. ....The statue is lifting the rose, gradually, to her face. Her eye lids slowly close.

In a child’s cursive, beneath the crossed-out lines, Aethon’s new line is handwritten in the margin, “The world as it is is enough.

The cabin looked as warm as a handwritten love letter, with a stone fireplace that took up an entire wall and a forest of candles dangling from the ceiling.

care of my heart won’t you, Sophie? It’s a little odd having it outside my body—but I’m planning to steal yours to make up for it. —Handwritten note from Max to Sophia

Tonight I write this journal entry on my laptop. Other nights I have handwritten entries in notebooks. Sometimes I jot down notes as I ride home in the cab or wait for an appointment. I want all of this -- everything and everyone -- to stay with me.

Originally it had had two settings: Stun and Kill. These had proved inadequate against the ridiculously well-armored skin of monsters from particularly rough planets, so I'd found a way to tinker with the built-in limitations. The dial now had a third setting, labeled with the handwritten words 'Solve All Immediate Problems.

Easy” buttons are the things that appear in front of us that we want to reach for because they temporarily take us out of our pain and stress. They do not work in the long run, because what they actually do is help us abandon ourselves. “Easy” buttons take us to fake heaven. Fake heaven always turns out to be hell. You know you’ve hit an “easy” button when, afterward, you feel more lost in the woods than you did before you hit it. It has taken me forty years to decide that when I feel bad, I want to do something that makes me feel better instead of worse. I keep a handwritten poster in my office titled “Easy Buttons and Reset Buttons.” On the left are all the things I do to abandon myself. On the right are my reset buttons, the things I can do to make staying with myself a little more possible.

By my father's own handwritten definition: "Faith is the confident assurance that something we want is going to happen. It is the certainty that what we hope for is waiting for us even though we still cannot see it ahead of us.

Nothing is as endearing as a handwritten letter scribed by the person who holds your heart spellbound.

But as she lifted the candy from the box, she saw something unexpected tucked beneath it. A handwritten message. Patience, friend. They’re coming for you. She

Regrets? Oh, I should have them. I should have a handwritten, tattered-around-the-edges journal full of them. Most eighteen-year-old girls did. But I wasn’t like other girls. I wasn’t allowed to make mistakes or have regrets. Somehow, I was supposed to learn life’s lessons by being perfect.

I turn books around and around in my hands like precious jewels ... staggered that someone compiled 600 pages of tiny handwritten words in an Antwerp turret in 1751. To me, its the ultimate achievement, and when I hear of the Cancel Vultures trying to rewrite the classics ... the room goes dark.

Alex and Conner looked up and saw a large city-limits sign above them. The sign read: BIG CITY, USA POPULATION 7,654,321 Once the handwritten words finished constructing the new dimension, the twins saw that the highway led to an enormous city a couple of miles in the distance. It had the tallest and leanest skyscrapers Alex had ever seen; the skyline looked more lie a bundle of pencils and pens than a row of buildings. "Big City, USA?" Alex asked. "You couldn't come up with anything more original than that?" "It was supposed to be a placeholder until I came up with a better name, but Big City, USA, grew on me," Conner said.

Knight seemed to weigh the precision of every word he used, careful as a poet. Even his handwritten letters had gone through at least one draft, he said, mostly to remove unnecessary insults. Only necessary ones remained.

It’s a phone call in the morning to pray about our day, a text-message to say I’m thinking of her, a handwritten note, a postcard when I’m out of town on business, remembering what drink she likes when we’re at a bar, asking follow-up questions about her friends, and not hiding behind humor when it’s time for a serious conversation.

Maybe we ought to live for the small things, like handwritten love notes, the soft light at the end of the day, neck kisses, rainy days in coffee shops, or the smell of spring. Because maybe in the end that’s the stuff we’ll remember.

As I pen these words to leave a lasting record, I wonder myself where it all began.

6/17/10 My dearest Ruth—You are the only person I have loved in my life, setting aside, a bit, parents and kids and their kids, and I have admired and loved you almost since the day we first met at Cornell some 56 years ago. What a treat it has been to watch you progress to the very top of the legal world!! I will be in JH Medical Center until Friday, June 25, I believe, and between then and now I shall think hard on my remaining health and life, and whether on balance the time has come for me to tough it out or to take leave of life because the loss of quality now simply overwhelms. I hope you will support where I come out, but I understand you may not. I will not love you a jot less. Marty -- Handwritten letter from Marty to Ruth

I can honestly say that every gift I’ve ever given has brought at least as much happiness to me as it has to the person I’ve given it to. I give as I feel. Throughout the year, that may mean mailing a handwritten note to someone who didn’t expect it. Or sending a great new lotion I just discovered, or delivering a book of poetry with a pretty bow. It doesn’t matter what the thing is; what matters is how much of yourself goes into the giving, so that when the gift is gone, the spirit of you lingers. My

I wrote to expose the brutality of entitlement, gender violence, and class privilege in our society. But I would be failing you if you walked away from this book untouched by humanity, without seeing what I saw: those thousands of handwritten letters, the green-lipped fished at the bottom of the ocean, the winking court reporter. All the small miracles that sustained me. We may spend half our time wandering around, wondering what we're even doing here, why it's worth the effort. But living is an incredible thing, just to have been here, to have felt, if only briefly, the volume and depth of others' empathy. I wrote, most of all, to tell you I have seen how good the world could be.

I do not write every day. I write to the questions and issues before me. I write to deadlines. I write out of my passions. And I write to make peace with my own contradictory nature. For me, writing is a spiritual practice. A small bowl of water sits on my desk, a reminder that even if nothing is happening on the page, something is happening in the room--evaporation. And I always light a candle when I begin to write, a reminder that I have now entered another realm, call it the realm of the Spirit. I am mindful that when one writes, one leaves this world and enters another. My books are collages made from journals, research, and personal experience. I love the images rendered in journal entries, the immediacy that is captured on the page, the handwritten notes. I love the depth of ideas and perspective that research brings to a story, be it biological or anthropological studies or the insights brought to the page by the scholarly work of art historians. When I go into a library, I feel like I am a sleuth looking to solve a mystery. I am completely inspired by the pursuit of knowledge through various references. I read newpapers voraciously. I love what newspapers say about contemporary culture. And then you go back to your own perceptions, your own words, and weigh them against all you have brought together. I am interested in the kaleidoscope of ideas, how you bring many strands of thought into a book and weave them together as one piece of coherent fabric, while at the same time trying to create beautiful language in the service of the story. This is the blood work of the writer. Writing is also about a life engaged. And so, for me, community work, working in the schools or with grassroots conservation organizations is another critical component of my life as a writer. I cannot separate the writing life from a spiritual life, from a life as a teacher or activist or my life intertwined with family and the responsibilities we carry within our own homes. Writing is daring to feel what nurtures and breaks our hearts. Bearing witness is its own form of advocacy. It is a dance with pain and beauty.

Last week I placed a hand-written sign in front of my neighborhood that read, “Lost Mustache. Please do not feed. If found, contact Mouth,” and I left my phone number. Nobody’s called. Perhaps the neighborhood cat lady took it in and is petting it on her lap at this very moment. Ah, but that’s life, no?


I do three drafts handwritten and then it's typed up... They are different from each other, they are hopefully improvements in the sense you're going back over something. The first time you write it, it's the first thing that you can think. The second time you're trying to shape the dialogue, helping the characters. The third time you're doing it because you want the words to sound nice, hopefully making the prose better, making it more fun to read, making the jokes funnier and the scary bits scarier.

Inside the front flap of the book were handwritten names of the dozen or so people who had checked the book out before Naomi. Instead of writing her name, Naomi had a thin paper receipt with the due date printed on it. She could never possess this book the way those other people had. It was one of those uselessly nostalgic and sentimental thoughts that serve only our own romantic ideals, but I couldn't help believing it was true nonetheless. I took a pencil out from behind the register and handed it to her.

Where, then, is any particular gene—say, the gene for long legs in humans? This is a little like asking where is Beethoven’s Piano Sonata in E minor. Is it in the original handwritten score? The printed sheet music? Any one performance—or perhaps the sum of all performances, historical and potential, real and imagined? The quavers and crotchets inked on paper are not the music. Music is not a series of pressure waves sounding through the air; nor grooves etched in vinyl or pits burned in CDs; nor even the neuronal symphonies stirred up in the brain of the listener. The music is the information. Likewise, the base pairs of DNA are not genes. They encode genes. Genes themselves are made of bits.

One afternoon, Reeves and a colleague were having lunch in Central Park. On the way back to their Madison Avenue office, they encountered a man sitting in the park, begging for money. He had a cup for donations and beside it was a sign, handwritten on cardboard, that read: I AM BLIND. Unfortunately for the man, the cup contained only a few coins. His attempts to move others to donate money were coming up short. Reeves thought he knew why. He told his colleague something to the effect of: “I bet I can dramatically increase the amount of money that guy is raising simply by adding four words to his sign.” Reeves’s skeptical friend took him up on the wager. Reeves then introduced himself to the beleaguered man, explained that he knew something about advertising, and offered to change the sign ever so slightly to increase donations. The man agreed. Reeves took a marker and added his four words, and he and his friend stepped back to watch. Almost immediately, a few people dropped coins into the man’s cup. Other people soon stopped, talked to the man, and plucked dollar bills from their wallets. Before long, the cup was running over with cash, and the once sad-looking blind man, feeling his bounty, beamed. What four words did Reeves add?   It is springtime and   The sign now read:   It is springtime and I am blind.   Reeves won his bet. And we learned a lesson. Clarity depends on contrast.

Whenever I cut myself, I always grab a stack of stationery and write my signature on as many sheets as I can before it coagulates, because I think that in this era of text messages and emails, people still appreciate a desperate, hand-written letter signed in blood.

Handwritten in neat block letters on a page torn from a novel by Nikolay Gogol, it read: S.O.S. I NEED YOUR HELP. I AM INJURED, NEAR DEATH, AND TOO WEAK TO HIKE OUT OF HERE I AM ALL ALONE, THIS IS NO JOKE. IN THE NAME OF GOD, PLEASE REMAIN TO SAVE ME. I AM OUT COLLECTING BERRIES CLOSE BY AND SHALL RETURN THIS EVENING. THANK YOU, CHRIS MCCANDLESS. AUGUST?

The house had always been full of books, far too many for one person to get through in a lifetime. Her father didn't collect them to read, to own first editions or to keep those signed by the author; Gil collected them for the handwritten marginalia and doodles that marked the pages, for the forgotten ephemera used as bookmarks. Every time Flora came home he would show her his new discoveries: left-behind photographs, postcards and letters, bail slips, receipts, handwritten recipes and drawings, valentines and tickets, sympathy cards, excuse notes to teachers; bits of paper with which he could piece together other people's lives, other people who had read the same books he held and who had marked their place.

We don't care what them people say. We don't have to be ordinary.

Your words cut deeper than a knife.

the printers who set the books in type still depended on accurate, readable, handwritten transcriptions, often of manuscripts that were illegible to all but a few.

Do you think I’m crazy, fantasizing about a guy I’ve never met in person, Jeremiah? Hell, we haven’t even spoken on the phone or video chatted—just old-fashioned, hand-written letters.

And I fall deeper. Tumbling. But I know that they will catch me. And in the blackness there is only me, and my last, handwritten words. A poem. The last leaf falls But look close and you see The hidden buds of spring

Long handwritten note deep in our pockets Words, how little they mean when we're a little too late I stood right by the tracks, your face in my head Good girls, hopeful they'll be and long they will wait In dreams I meet you in warm conversation We both wake in lonely beds, different cities And time is taking its sweet time erasing you And you've got your demons, and, darling, they all look like me Distance, timing, breakdown, fighting Silence, the train runs off its tracks Kiss me, try to fix it, could you just try to listen? Hang up, give up and for the life of us we can't get back A beautiful magic love there What a sad beautiful tragic, beautiful tragic, beautiful love affair

With apologies to the folks in Redmond, I’ll end on another Microsoft joke because it makes the point well (a point that applies everywhere, not just at Microsoft): A helicopter was flying around above Seattle when a malfunction disabled all of its electronic navigation and communications equipment. The clouds were so thick that the pilot couldn’t tell where he was. Finally, the pilot saw a tall building, flew toward it, circled, and held up a handwritten sign that said WHERE AM I? in large letters. People in the tall building quickly responded to the aircraft, drawing their own large sign: YOU ARE IN A HELICOPTER. The pilot smiled, looked at his map, determined the route to Sea-Tac Airport, and landed safely. After they were on the ground, the copilot asked the pilot how he had done it. “I knew it had to be the Microsoft building,” he said, “because they gave me a technically correct but completely useless answer.

I began going through dozens of boxes stored away in her apartment and her art studio. They were filled with journals, and documents, and letters. She saved everything. Handwritten notes from her aunt Gertrude Vanderbilt Whitney and schoolbooks my grandfather Reginald Vanderbilt doodled in as a child. I found old wills and financial records, and as I read the contents of these files stained by time and mold, I began to hear the voices of those people I never knew.

I go up to my room to change out of my dress. Sitting on the bed is my yearbook. I flip to the back of the book, and there it is, Peter’s message to me. Only, it’s not a message, it’s a contract. Lara Jean and Peter’s Amended Contract Peter will write a letter to Lara Jean once a week. A real handwritten letter, not an e-mail. Lara Jean will call Peter once a day. Preferably the last call of the night, before she goes to bed. Lara Jean will put up a picture of Peter’s choosing on her wall. Peter will keep the scrapbook out on his desk so any interested parties will see that he is taken. Peter and Lara Jean will always tell each other the truth, even when it’s hard. Peter will love Lara Jean with all his heart, always.

I’ll be honest with you. The variables that construct my existence are confusing. Like handwritten math equations jammed together on a sloppy page of homework. They don’t make any sense. One math problem leads to another, and then another and so it goes. One day you realize that your life is one whole page of problems and nothing ever gets solved. One ongoing equation with no equal sign at the end. But it occurred to me, beneath the canopy of a starlight heaven, that I’d been looking at my life all wrong. It wasn’t a math equation. Things weren’t supposed to add up. There was no solution. In fact, there was no problem. Life’s variables and numbers and pages of chicken scratch weren’t mathematical marks. They were art. A drawing. An abstract painting. It was meant to be beautiful, not sensical. And embedded within the mess of it all were miracles. Small ones. I’d never paid attention to them because I was too busy, but it didn’t make them less real.

I wanted to tell Sam this. I wanted to tell him all of it, in beautiful handwritten letters or at least in long, rambling emails that we would later save and print out and that would be found in the attic of our house when we had been married fifty years for our grandchildren to coo over. But I was so tired those first few weeks that all I did was email him about how tired I was. I'm so tired. I miss you. Me too. No, like really, really tired. Like cry at TV advertisements and fall asleep while brushing my teeth and end up with toothpaste all over my chest tired. Okay, now you got me. I tried not to mind how little he emailed me. I tried to remind myself that he was doing a real, hard job, saving lives and making a difference, while I was sitting outside manicurists' studios and running around Central Park. His supervisor had changed the rota. He was working four nights on the trot and still waiting to be assigned a new permanent partner. That should have made it easier for us to talk but somehow it didn't. I would check in on my phone in the minutes I had free every evening but that was usually the time he was heading off to begin his shift. Sometimes I felt curiously disjointed, as if I had simply dreamt him up. One week, he reassured me. One more week. How hard could it be?

They followed through the double doors and along the narrow corridor beyond, which was lined with more portraits of famous Healers and lit by crystal bubbles full of candles that floated up on the ceiling, looking like giant soapsuds. More witches and wizards in lime-green robes walked in and out of the doors they passed; a foul-smelling yellow gas wafted into the passageway as they passed one door, and every now and then they heard distant wailing. They climbed a flight of stairs and entered the “Creature-Induced Injuries” corridor, where the second door on the right bore the words “DANGEROUS” DAI LLEWELLYN WARD: SERIOUS BITES. Underneath this was a card in a brass holder on which had been handwritten Healer-in-Charge: Hippocrates Smethwyck, Trainee Healer: Augustus Pye.

Last night I placed a handwritten note on the front door of my neighbor’s house that said, “Sorry, we’re closed. Come back tomorrow after 9 am.” I wouldn’t have done it had I known he’d knock on my door and ask to spend the night because he thought I was open.


Are you certain you’re a doctor?” I open my refrigerator, which is just as empty as I anticipated. I should have actually eaten at this morning’s brunch. “Like, was it a real medical school, or was it a strip mall with a handwritten sign out front that just said medical school?

That night, after all the guests have gone, after the chairs have been stacked back up, and the leftovers put in the fridge, I go up to my room to change out of my dress. Sitting on the bed is my yearbook. I flip to the back of the book, and there it is, Peter’s message to me. Only, it’s not a message, it’s a contract. Lara Jean and Peter’s Amended Contract Peter will write a letter to Lara Jean once a week. A real handwritten letter, not an e-mail. Lara Jean will call Peter once a day. Preferably the last call of the night, before she goes to bed. Lara Jean will put up a picture of Peter’s choosing on her wall. Peter will keep the scrapbook out on his desk so any interested parties will see that he is taken. Peter and Lara Jean will always tell each other the truth, even when it’s hard. Peter will love Lara Jean with all his heart, always.

Seattle. I’ve never seen a city so overrun with runaways, drug addicts, and bums. Pike Place Market: they’re everywhere. Pioneer Square: teeming with them. The flagship Nordstrom: have to step over them on your way in. The first Starbucks: one of them hogging the milk counter because he’s sprinkling free cinnamon on his head. Oh, and they all have pit bulls, many of them wearing handwritten signs with witticisms such as I BET YOU A DOLLAR YOU’LL READ THIS SIGN. Why does every beggar have a pit bull? Really, you don’t know? It’s because they’re badasses, and don’t you forget it. I was downtown early one morning and I noticed the streets were full of people pulling wheelie suitcases. And I thought, Wow, here’s a city full of go-getters. Then I realized, no, these are all homeless bums who have spent the night in doorways and are packing up before they get kicked out. Seattle is the only city where you step in shit and you pray, Please God, let this be dog shit. Anytime you express consternation as to how the U.S. city with more millionaires per capita than any other would allow itself to be overtaken by bums, the same reply always comes back. “Seattle is a compassionate city.” A guy named the Tuba Man, a beloved institution who’d play his tuba at Mariners games, was brutally murdered by a street gang near the Gates Foundation. The response? Not to crack down on gangs or anything. That wouldn’t be compassionate. Instead, the people in the neighborhood redoubled their efforts to “get to the root of gang violence.” They arranged a “Race for the Root,” to raise money for this dunderheaded effort. Of course, the “Race for the Root” was a triathlon, because God forbid you should ask one of these athletic do-gooders to partake in only one sport per Sunday.

When she opened my present—a set of linen tea towels, screen-printed with the handwritten recipes of my mother’s cookies and cakes and pies she loved most—she burst into tears and hugged me, saying that it was the most personal, thoughtful gift she’d received, and that she would use them every day.

Washington’s decision to forgo a third term was momentous. He wasn’t bound by term limits, and many Americans expected him to serve for life. He surrendered power in a world where leaders had always grabbed for more. Stepping down was the most majestic democratic response he could have flung at his Republican critics. Toward the end of his first term, he had asked James Madison to draft a farewell address and then stashed it away when he decided on a second term. Now, in the spring of 1796, he unearthed that draft. As at the close of the American Revolution, Washington wanted to make a valedictory statement that would codify some enduring principles in American political life. To update Madison’s draft, he turned to Hamilton. Washington no longer felt obliged to restrain his affection for his protégé and now sent Hamilton handwritten notes marked “Private.” He increasingly treated him as a peer and warm friend, and Hamilton responded with gratitude.

Sitting between the two professors, I enjoyed their contradictory advice. I sat there smiling, thinking of the first message I received from John Berger. It was a beautiful handwritten letter, from a writer who had been my hero for years: 'Your fiction and nonfiction—they walk you around the world like your two legs.' That settled it for me.

Following her instructions, I joined her in the chopping and mixing. The magical smell of pickling spices wound around us and it wasn't long before we were in another world. I was suddenly immersed in the hand-written recipes Mother resurrected from the back of the Hoosier cabinet--in the cheesecloth filled with mustard seed and pungent dill. As we followed the recipes her mother had followed and her mother before that, we talked--as the afternoon wore on I was listening to preserve the stories in my mind. 'I can remember watching my grandmother and mother rushing around this same old kitchen, putting up all kinds of vegetables--their own hand-sown, hand-picked crops--for the winter. My grandmother would tell her stories about growing up right here, on this piece of land--some were hilarious and some were tragic.' Pots still steamed on the stove, but Mother's attention seemed directed backwards as she began to speak about the past. She spoke with a slow cadence, a rhythm punctuated (or maybe inspired) by the natural symphony around us.

By age seventeen he’d convinced himself that every human he saw was a parasite, captive to the dictates of consumption. But as he reconstructs Zeno’s translation, he realizes that the truth is infinitely more complicated, that we are all beautiful even as we are all part of the problem, and that to be a part of the problem is to be human. He cries at the end. Aethon steals into the garden in the center of the cloud city, talks to the gigantic goddess, and opens the Super Magical Extra Powerful Book of Everything. The academic articles among Zeno’s papers suggest that translators arrange the folios in such a way that leaves Aethon in the garden, inducted into the secrets of the gods, finally freed of his mortal desires. But evidently the children have decided at the last moment that the old shepherd will look away and not read to the end of the book. He eats the rose proffered by the goddess and returns home, to the mud and grass of the Arkadian hills. In a child’s cursive, beneath the crossed-out lines, Aethon’s new line is handwritten in the margin, “The world as it is is enough.

This woman's skin is shimmering and pale, her long black hair is tied with dozens of silver ribbons that fall over her shoulders. Her gown is white, covered in what to Bailey looks like looping black embroidery, but as he walks closer he sees that the black marks are actually words written across the fabric. When he is near enough to read parts of the gown, he realizes that they are love letters, inscribed in handwritten text. Words of desire and longing wrapping around her waist, flowing down the train of her gown as it spills over the platform. The statue herself is still, but her hand is held out, and only then does Bailey notice the young woman with a red scarf standing in front of her, offering the love-letter clad statue a single crimson rose.

Maulana Rumi was reading under the shade of a tree by a river, a pile of books besides him—according to one variation he was teaching a group of his students with a pile of hand-written notes next to him— when Shams Tabriz (rah) came by. He asked Maulana what was going on and he replied ‘This is qaal (words), something you cannot understand’. Shams Tabriz then took Maulana’s precious books and threw them in the water. Maulana was aghast. Shams Tabriz then recited Bismillah and pulled the books out of the water and dusted the water off them as if he was dusting sand; the pages thus dried and Maulana saw that the ink on them had not run despite having been soaked in water. Maulana was amazed and asked incredulously, what is this. ‘This is haal (spiritual state) something you cannot understand’ replied Shams Tabriz (rah).

Kya touched the words as if they were a message, as though Ma had underlined them specifically so her daughter would read them someday by this dim kerosene flame and understand. It wasn’t much, not a handwritten note tucked in the back of a sock drawer, but it was something. She sensed that the words clinched a powerful meaning, but she couldn’t shake it free. If she ever became a poet, she’d make the message clear.

That evening, Hope wrote a letter to her MP, Jack Crow. She found no difficulty at all in composing it, but quite a bit in writing it. She hadn't hand-written an entire page since primary school. In the end she found an app on her glasses that sampled her handwriting and turned it into a font that looked like her handwriting would if it had been regular, and printed it off. There was even an app for the printer that indented the paper a little, and an ink that looked like ballpoint ink.

Yes, we've been spoiled by technology. We can't accept doing without loudspeakers or rotary presses. Handwritten placards and whispered proclamations just don't carry the same weight. Technology has devalued the impact of our own speech and writing. In the old days one man's call to arms was enough to set off an uprising - a few hand-printed leaflets, ninety-five theses nailed to a church door in Wittenberg. But today we need more, we need bigger and better, wider repercussions, mass-produced by machines and multiplied exponentially.

There was a little sketch pad with a pink paper cover, a packet of handwritten notes in what looked like my grandmother's handwriting, a silk scarf of water lilies on a blue background, a black fountain pen with an ornate silver hand on it, a book of poems by American poets with a number of pages dog-eared (I made a mental note to see if "Mending Wall" was in there), a magnifying glass with a carved wooden handle, a book called 'Native Flowers of New England' with a ragged cloth binding, another clothbound book called the 'Berry Farmer's Companion', and a stack of twenty faded black-and-white photographs.

Wine talks; ask anyone. The oracle at the street corner; the uninvited guest at the wedding feast; the holy fool. It ventriloquizes. It has a million voices. It unleashes the tongue, teasing out secrets you never meant to tell, secrets you never knew. It shouts, rants, whispers. It speaks of great plans, tragic loves and terrible betrayals. It screams with laughter. It chuckles softly to itself. It weeps in front of its own reflection. It revives summers long past and memories best forgotten. Every bottle a whiff of other times, other places, every one- from the commonest Liebfraumilch to the imperious Vueve Clicquot- a humble miracle. Everyday magic, Joe had called it. The transformation of base matter into the stuff of dreams. Layman's alchemy. Take these six in Jay's cellar, for instance. The Specials. Not wines really meant for keeping, but he kept them all the same. For nostalgia's sake. For a special, yet-to-be-imagined occasion. Six bottles, each with its own small handwritten label and sealed with candle wax. Each had a cord of a different color knotted around its neck; raspberry red, elderflower green, blackberry blue, rose hip yellow, damson black. The last bottle was tied with a brown cord. Specials '75, said the label, the familiar writing faded to the color of old tea.

Part of what kept him standing in the restive group of men awaiting authorization to enter the airport was a kind of paralysis that resulted from Sylvanshine’s reflecting on the logistics of getting to the Peoria 047 REC—the issue of whether the REC sent a van for transfers or whether Sylvanshine would have to take a cab from the little airport had not been conclusively resolved—and then how to arrive and check in and where to store his three bags while he checked in and filled out his arrival and Post-code payroll and withholding forms and orientational materials then somehow get directions and proceed to the apartment that Systems had rented for him at government rates and get there in time to find someplace to eat that was either in walking distance or would require getting another cab—except the telephone in the alleged apartment wasn’t connected yet and he considered the prospects of being able to hail a cab from outside an apartment complex were at best iffy, and if he told the original cab he’d taken to the apartment to wait for him, there would be difficulties because how exactly would he reassure the cabbie that he really was coming right back out after dropping his bags and doing a quick spot check of the apartment’s condition and suitability instead of it being a ruse designed to defraud the driver of his fare, Sylvanshine ducking out the back of the Angler’s Cove apartment complex or even conceivably barricading himself in the apartment and not responding to the driver’s knock, or his ring if the apartment had a doorbell, which his and Reynolds’s current apartment in Martinsburg most assuredly did not, or the driver’s queries/threats through the apartment door, a scam that resided in Claude Sylvanshine’s awareness only because a number of independent Philadelphia commercial carriage operators had proposed heavy Schedule C losses under the proviso ‘Losses Through Theft of Service’ and detailed this type of scam as prevalent on the poorly typed or sometimes even handwritten attachments required to explain unusual or specific C-deductions like this, whereas were Sylvanshine to pay the fare and the tip and perhaps even a certain amount in advance on account so as to help assure the driver of his honorable intentions re the second leg of the sojourn there was no tangible guarantee that the average taxi driver—a cynical and ethically marginal species, hustlers, as even their smudged returns’ very low tip-income-vs.-number-of-fares-in-an-average-shift ratios in Philly had indicated—wouldn’t simply speed away with Sylvanshine’s money, creating enormous hassles in terms of filling out the internal forms for getting a percentage of his travel per diem reimbursed and also leaving Sylvanshine alone, famished (he was unable to eat before travel), phoneless, devoid of Reynolds’s counsel and logistical savvy in the sterile new unfurnished apartment, his stomach roiling in on itself in such a way that it would be all Sylvanshine could do to unpack in any kind of half-organized fashion and get to sleep on the nylon travel pallet on the unfinished floor in the possible presence of exotic Midwest bugs, to say nothing of putting in the hour of CPA exam review he’d promised himself this morning when he’d overslept slightly and then encountered last-minute packing problems that had canceled out the firmly scheduled hour of morning CPA review before one of the unmarked Systems vans arrived to take him and his bags out through Harpers Ferry and Ball’s Bluff to the airport, to say even less about any kind of systematic organization and mastery of the voluminous Post, Duty, Personnel, and Systems Protocols materials he should be receiving promptly after check-in and forms processing at the Post, which any reasonable Personnel Director would expect a new examiner to have thoroughly internalized before reporting for the first actual day interacting with REC examiners, and which there was no way in any real world that Sylvanshine could expect

I'd like to make you an offer." An offer? I was suddenly reminded of who I was dealing with here. Lillian Taft wasn't a powder puff. She was the merciless, dictatorial matriarch who'd kicked my pregnant mother out of her house at the ripe old age of seventeen. I stalked to the front door and retrieved the Post-it I'd placed next to the doorbell when our house had been hit with door-to-door evangelists two weeks in a row. I turned and offered the hand-written notice to the women who'd raised my mother. Her perfectly manicured fingertips plucked the Post-it from my grasp. "'No soliciting,'" my grandmother read. "Except for Girl Scout cookies," I added helpfully. I'd gotten kicked out of the local Scout troop during my morbid true-crime and facts-about-autopsies phase, but I still had a weakness for Thin Mints. Lillian pursed her lips and amended her previous statement. "'No soliciting except for Girl Scout cookies.'" I saw the precise moment that she registered what I was saying: I wasn't interested in her offer. Whatever she was selling, I wasn't buying.

I was greeted by the Ulmers’ eleven-year-old daughter, a girl of remarkable poise. Mrs. Ulmer was busily typing a manuscript that needed to make the evening mail and after welcoming me, in a very friendly manner, she returned to work. There were two other children and Mr. Ulmer, who was writing the manuscript just as his wife was typing it. The youngest child, who could have been no more than five or six, had the task of relaying the handwritten pages from his father to his eldest sister, who would quickly scan them for errors, and from her to his mother. The middle child, a little girl of seven or eight, lay on the floor with a large dictionary and would look up words when called upon by her parents or sister.

While on a fourteen-day leave from Los Alamos, Hall boarded a train to New York City and simply walked into a Soviet trade office and gave a Soviet official a handwritten report on Los Alamos. It described the laboratory’s purpose and listed the names of the leading scientists working on the bomb project. In the months that followed, Hall managed to pass the Soviets much additional information, including critical information on the design for the implosion bomb. Hall was the perfect “walk-in” spy; he knew what the Russians needed to know about the atomic bomb project; he needed nothing himself and expected nothing. His sole purpose was to “save the world” from a nuclear war that he believed was inevitable if the United States emerged from the war with an atomic monopoly.

Caslon or Garamond or Baskerville is shouted as the compositors search for as many cases of these types as can be found. But never is there enough of those metal letters. The apprentice is charged to clean the ones just used so he can distribute a constant supply, lest a compositor be forced into some fancy spelling for the want of Es. With his uppercase upper and his lowercase lower, the compositor, standing at his frame with his stick held in his hand, like an artist with his palette, looks first to the handwritten copy, before click, click, clicking metal letters into a line. Then, line by line, each page is built up upon a form and the metal words are banged home with a mallet, tightened and spaced with slugs of wood, then locked within this frame by the teeth of quoins. And when the page is set, 'Proof" is yelled at the door.

I push through the door of the market into the fragrance of Stargazer lilies and roses, then coffee brewing and briny oysters fresh from the coast. I stroll the aisles as if in a museum, looking at every item, loading work recipe ingredients into the wire handbasket along with the odd little goodie: Cozy Shock flan, Scharffenberger chocolate. What I'd really like is ice cream: Tillamook Brown Cow or a Dove dark chocolate on chocolate ice cream bar- heaven on a stick- but it would melt long before I could get home. I grab another Scharffenberger bar to compensate. Inside the gourmet deli case, white plastic tags poke out of luscious mounds of cheese, each with handwritten names bordering on the orgasmic: BURRATA WITH TRUFFLES, EVORA, BRESCIANELLA, BLEU D'AUVERGNE. I can almost feel the creamy sensation against my tongue, smell the musk of perfect aging, taste its tang,

The writing, in huge insular majuscule script, is flawless in its regularity and utter control. One can only marvel at the penmanship. It is calligraphic and as exact as printing, and yet it flows and shapes itself into the space available. It sometimes swells and seems to take breath at the ends of lines. The decoration is more extensive and more overwhelming than one could possibly imagine. Virtually every line is embellished with color or ornament.

The following morning, Tuesday, November 19—the first morning of the summit—tragedy struck. The president went into the boy’s bedroom to sprinkle fish food into the bowl and one of the goldfish was belly up. Obviously it wasn’t the president’s fault, but he felt terrible about it and was genuinely upset. After all, he’d given his word that he would take care of the little boy’s goldfish, and now one of them was dead on his watch. He kept telling us how he felt responsible, which didn’t surprise any of us, because that’s the way he was. So he summoned a few people on his staff and told them that he needed to replace the goldfish. He sent a staffer to find a replacement goldfish, but it had to be one that looked just like the dead one. Later, he penned a handwritten note to the little boy, apologizing for what had happened, and put it in the boy’s room, himself. With all the other things he had on his mind, he was forever an old-school gentleman.

When it came to "getting away from it all," there really weren’t many places quite like the top of the tallest mountain in the world. He glanced around the summit, noting the other reason why he enjoyed coming up here. It was tradition for every expedition to the top of Everest to leave something behind—a small token or marker indicating their successful climb to the famous peak. Each one was different and each one seemed to reflect the personality of the party it represented: small flags and banners with the hand-written names of climbers past, a used oxygen canister, a spare glove, even a small metal lunchbox with (Clark noted with a small smile) a picture of Superman on the cover. To Clark, each of these markers indicated the pinnacle of human achievement, the fulfilled promise of the best the human race had to offer. And today, it represented something else as well: man’s ability to conquer the harsh reality of nature… a point in stark contrast to the previous night’s activities. This set were Sherpa prayer flags, each displaying a symbol, not of a distant god or mythological beast, but denoting some aspect of the enlightened human mind: compassion, perfect action, fearlessness. His thoughts turned to another example of the peak of human achievement, of what one man with drive, desire and dedication could accomplish without the benefit of superpowers or metagene enhancement. One that held a much more personal meaning to Clark. Bruce.

Miss Rudy, the former Harmony librarian, had single-handedly held off a siege of the town council bent on cutting her funds. She had locked the library doors and hid the only key in her bra, living on water from the toilet tank after the town had shut off water to the building to drive her out. She ate paste to keep up her strength. Oh, they had underestimated her. On the fourth day, the men of the council had capitulated, apologizing for cutting the funds, begging her to open the doors and come out. But she had stayed in the library an extra day, just to show them one could live on books, then marched out at noon on the fifth day, her head held high, and three pounds heavier. She had gained weight! When word got out, her picture made the cover of American Libraries magazine. Admiring letters poured in from librarians around the world – beaten down, beleaguered librarians who had drawn strength from her bravery. She answered each one in flowing, Palmer-method, handwritten script.

make me see red.’” I stop, arching a brow. “This is hardly flattering,” I whisper over to her. The assembly laughs again. Faye’s own giggle is the brightest, warm and sweet. Even the priest is chuckling. “Keep reading,” she says. Amused, I cock my head and continue, following the bold, handwritten strokes in blue ink. “‘But every time I want to strangle you –” more laughter, “‘I remember the most important thing. Red is the color of my heart. Red is the color of love, and I love you more than anything. There’s not enough ink in this pen to tell you how much I love you...or how happy I am to be starting our life together. I’m proud to call you my husband. I'm proud to become your wife.’” On the last word, everyone sighs blissfully, while I can only smile. Smile in ways that I never let anyone see, and yet she brings it out in me, all of this emotion. Lifting my head from the note, I meet her eyes, feeling my heart turn hot as flame. “A bit more verbose than a wink and a ‘made you look.

The bottom drawer. Last chance. Camping equipment. Vuarnet sunglasses, three pairs without cases. She had three, six, ten of everything. Except! Except! And there it was. There it was. The gold. His gold. At the bottom of the bottom drawer, where he should have begun in the first place, in among a jumble of old schoolbooks and more teddy bears, a simple Scotties box, design of white, liliac, and pale green flowers on a lemony-white background "Each box of Scotties offers the softness and strength you want for your family..." You're no fool, D. Handwritten label on the box read, "Recipes." You cunning girl. I love you. Recipes. I'll give you teddy bears up the gazoo! Inside the Scotties box were her recipes - "Deborah's Sponge Cake," "Deborah's Brownies", "Deborah's Chocolate Chip Cookies," "Deborah's Divine Lemon Cake" - neatly written in blue ink in her hand. A fountain pen. The last kid in America to write with a fountain pen. You won't last five minutes in Bahia. A short, very stout woman was standing in the doorway of Deborah's bedroom screaming.

The night before, Um-Nadia came over with her small wooden box stuffed with handwritten recipes, dishes Um-Nadia hadn't prepared or eaten in the thirty-five years since she and Mireille had left Lebanon. Some were recipes for simple, elegant dishes of rice pilafs and roasted meats, others were more exotic dishes of steamed whole pigeons and couscous or braised lambs' brains in broth. And they discussed ingredients and techniques until late in the night. Um-Nadia eventually fell asleep on the hard couch in the living room, while Sirine's uncle dozed across from her in his armchair. But Sirine stayed up all night, checking recipes, chopping, and preparing. She looked up Iraqi dishes, trying to find the childhood foods that she'd heard Han speak of, the sfeehas- savory pies stuffed with meat and spinach- and round mensaf trays piled with lamb and rice and yogurt sauce with onions, and for dessert, tender ma'mul cookies that dissolve in the mouth. She stuffed the turkey with rice, onions, cinnamon, and ground lamb. Now there are pans of sautéed greens with bittersweet vinegar, and lentils with tomato, onion, and garlic on the stove, as well as maple-glazed sweet potatoes, green bean casserole, and pumpkin soufflé.

We are accustomed to thinking of Ernest Hemingway as a boozy, undisciplined genius who got through a quart of whiskey a day for the last twenty years of his life but nevertheless had the muse upon him. He was indeed an alcoholic driven by complex passions.2 But when it came to writing, he was the quintessence of discipline! His early writing was characterized by obsessive literary perfectionism as he labored to develop his economy of style, spending hours polishing a sentence, or searching for the mot juste—the right word. It is a well-known fact that he rewrote the conclusion to his novel A Farewell to Arms seventeen times in an effort to get it right. This is characteristic of great writers. Dylan Thomas made over two hundred handwritten(!) manuscript versions of his poem “Fern Hill.”3 Even toward the end, when Hemingway was reaping the ravages of his lifestyle, while writing at his Finca Vigia in Cuba he daily stood before an improvised desk in oversized loafers on yellow tiles from 6:30 A.M. until noon every day, carefully marking his production for the day on a chart. His average was only two pages — five hundred words.4 It was discipline, Ernest Hemingway’s massive literary discipline, which transformed the way his fellow Americans, and people throughout the English-speaking world, expressed themselves.

He stared at her in insolent silence, unable to believe the alluring, impulsive girl he remembered had become this coolly aloof, self-possessed young woman. Even with her dusty clothes and the smear of dirt on her cheek, Elizabeth Cameron was strikingly beautiful, but she’d changed so much that-except for the eyes-he scarcely recognized her. One thing hadn’t changed: She was still a schemer and a liar. Straightening abruptly from his stance in the doorway, Ian walked forward. “I’ve had enough of this charade, Miss Cameron. No one invited you here, and you damn well know it.” Blinded with wrath and humiliation, Elizabeth groped in her reticule and snatched out the handwritten letter her uncle had received inviting Elizabeth to join Ian there. Marching up to him, she slapped the invitation against his chest. Instinctively he caught it but didn’t open it. “Explain that,” she commanded, backing away and then waiting. “Another note, I’ll wager,” he drawled sarcastically, thinking of the night he’d gone to the greenhouse to meet her and recalling what a fool he’d been about her. Elizabeth stood beside the table, determined to have the satisfaction of hearing his explanation before she left-not that anything he said could make her stay. When he showed no sign of opening it, she turned furiously to Jake, who was sorely disappointed that Ian was deliberately chasing off two females who could surely be persuaded to do the cooking if they stayed. “Make him read it aloud!” she ordered the startled Jake. “Now, Ian,” Jake said, thinking of his empty stomach and the bleak future that lay ahead for it if the ladies went away, “why don’t you jes’ read that there little note, like the lady asked?” When Ian Thornton ignored the older man’s suggestion, Elizabeth lost control of her temper. Without thinking what she was actually doing, she reached out and snatched the pistol off the table, primed it, cocked it, and leveled it at Ian Thornton’s broad chest. “Read that note!” Jake, whose concern was still on his stomach, held up his hands as if the gun were pointed at him. “Ian, it could be a misunderstanding, you know, and it’s not nice to be rude to these ladies. Why don’t you read it, and then we’ll all sit down and have a nice”-he inclined his head meaningfully to the sack of provisions on the table-“supper.” “I don’t need to read it,” Ian snapped. “The last time I read a note from Lady Cameron I met her in a greenhouse and got shot in the arm for my trouble.” “Are you implying I invited you into that greenhouse?” Elizabeth scoffed furiously. With an impatient sigh Ian said, “Since you’re obviously determined to enact a Cheltenham tragedy, let’s get it over with before you’re on your way.” “Do you deny you sent me a note?” she snapped. “Of course I deny it!” “Then what were you doing in the greenhouse?” she shot back at him. “I came in response to that nearly illegible note you sent me,” he said in a bored, insulting drawl. “May I suggest that in future you devote less of your time to theatrics and some of it to improving your handwriting?” His gaze shifted to the pistol. “Put the gun down before you hurt yourself.

Give us an idea of…” Noya Baram rubs her temples. “Oh, well.” Augie begins to stroll around again. “The examples are limitless. Small examples: elevators stop working. Grocery-store scanners. Train and bus passes. Televisions. Phones. Radios. Traffic lights. Credit-card scanners. Home alarm systems. Laptop computers will lose all their software, all files, everything erased. Your computer will be nothing but a keyboard and a blank screen. “Electricity would be severely compromised. Which means refrigerators. In some cases, heat. Water—well, we have already seen the effect on water-purification plants. Clean water in America will quickly become a scarcity. “That means health problems on a massive scale. Who will care for the sick? Hospitals? Will they have the necessary resources to treat you? Surgical operations these days are highly computerized. And they will not have access to any of your prior medical records online. “For that matter, will they treat you at all? Do you have health insurance? Says who? A card in your pocket? They won’t be able to look you up and confirm it. Nor will they be able to seek reimbursement from the insurer. And even if they could get in contact with the insurance company, the insurance company won’t know whether you’re its customer. Does it have handwritten lists of its policyholders? No. It’s all on computers. Computers that have been erased. Will the hospitals work for free? “No websites, of course. No e-commerce. Conveyor belts. Sophisticated machinery inside manufacturing plants. Payroll records. “Planes will be grounded. Even trains may not operate in most places. Cars, at least any built since, oh, 2010 or so, will be affected. “Legal records. Welfare records. Law enforcement databases. The ability of local police to identify criminals, to coordinate with other states and the federal government through databases—no more. “Bank records. You think you have ten thousand dollars in your savings account? Fifty thousand dollars in a retirement account? You think you have a pension that allows you to receive a fixed payment every month?” He shakes his head. “Not if computer files and their backups are erased. Do banks have a large wad of cash, wrapped in a rubber band with your name on it, sitting in a vault somewhere? Of course not. It’s all data.” “Mother of God,” says Chancellor Richter, wiping his face with a handkerchief.

to look at Louisa, stroked her cheek, and was rewarded by a dazzling smile. She had been surprised by how light-skinned the child was. Her features were much more like Eva’s than Bill’s. A small turned-up nose, big hazel eyes, and long dark eyelashes. Her golden-brown hair protruded from under the deep peak of her bonnet in a cascade of ringlets. “Do you think she’d come to me?” Cathy asked. “You can try.” Eva handed her over. “She’s got so heavy, she’s making my arms ache!” She gave a nervous laugh as she took the parcel from Cathy and peered at the postmark. “What’s that, Mam?” David craned his neck and gave a short rasping cough. “Is it sweets?” “No, my love.” Eva and Cathy exchanged glances. “It’s just something Auntie Cathy’s brought from the old house. Are you going to show Mikey your flags?” The boy dug eagerly in his pocket, and before long he and Michael were walking ahead, deep in conversation about the paper flags Eva had bought for them to decorate sand castles. Louisa didn’t cry when Eva handed her over. She seemed fascinated by Cathy’s hair, and as they walked along, Cathy amused her by singing “Old MacDonald.” The beach was only a short walk from the station, and it wasn’t long before the boys were filling their buckets with sand. “I hardly dare open it,” Eva said, fingering the string on the parcel. “I know. I was desperate to open it myself.” Cathy looked at her. “I hope you haven’t built up your hopes, too much, Eva. I’m so worried it might be . . . you know.” Eva nodded quickly. “I thought of that too.” She untied the string, her fingers trembling. The paper fell away to reveal a box with the words “Benson’s Baby Wear” written across it in gold italic script. Eva lifted the lid. Inside was an exquisite pink lace dress with matching bootees and a hat. The label said, “Age 2–3 Years.” Beneath it was a handwritten note:   Dear Eva, This is a little something for our baby girl from her daddy. I don’t know the exact date of her birthday, but I wanted you to know that I haven’t forgotten. I hope things are going well for you and your husband. Please thank him from me for what he’s doing for our daughter: he’s a fine man and I don’t blame you for wanting to start over with him. I’m back in the army now, traveling around. I’m due to be posted overseas soon, but I don’t know where yet. I’ll write and let you know when I get my new address. It would be terrific if I could have a photograph of her in this little dress, if your husband doesn’t mind. Best wishes to you all, Bill   For several seconds they sat staring at the piece of paper. When Eva spoke, her voice was tight with emotion. “Cathy, he thinks I chose to stay with Eddie!” Cathy nodded, her mind reeling. “Eddie showed me the letter he sent. Bill wouldn’t have known you were in Wales, would he? He would have assumed you and Eddie had already been reunited—that he’d written with your consent on behalf of you both.” She was afraid to look at Eva. “What are you going to do?” Eva’s face had gone very pale. “I don’t know.” She glanced at David, who was jabbing a Welsh flag into a sand castle. “He said he was going to be posted overseas. Suppose they send him to Britain?” Cathy bit her lip. “It could be anywhere, couldn’t it? It could be the other side of the world.” She could see what was going through Eva’s mind. “You think if he came here, you and he could be together without . . .” Her eyes went to the boys. Eva gave a quick, almost imperceptible nod, as if she was afraid someone might see her. “What about Eddie?” “I don’t know!” The tone of her voice made David look up. She put on a smile, which disappeared the