Handwriting Styles Quotes

I would like to read your handwriting and I would like to notice the way your eyes curve, and your wide white smile, and your simple yet personal style, and I would like to ask you the same damn questions again and again so that you wonder aloud if I do not listen but, no, I assure you without reassuring you: I have always been forgetful and it does not mean that I do not care.

The way we were first loved and the ways we have been loved ever since form our definition of what love means to us. Some people really feel loved when someone gives them a gift. Others experience it when people stand up for them. Still others feel loved when someone goes the extra mile to help them. If our mother showed love by holding us in our pain or joy, without engulfing or controlling us, that will be the behavior that always feels like love to us. We feel love now as we first received it; we give love the way others gave it to us. Thus, since love is unique to each person, we read and write love, receive and give it, in the style designed by our past experience. Yet, like good handwriting, our unique signature can be read by others.

It's a physical sickness. Etienne. How much I love him. I love Etienne. I love it when he cocks an eyebrow whenever I say something he finds clever or amusing. I love listening to his boots clomp across my bedroom ceiling. I love that the accent over his first name is called an acute accent, and that he has a cute accent. I love that. I love sitting beside him in physics. Brushing against him during lands. His messy handwriting on our worksheets. I love handing him his backpack when class is over,because then my fingers smell like him for the next ten minutes. And when Amanda says something lame, and he seeks me out to exchange an eye roll-I love that,too. I love his boyish laugh and his wrinkled shirts and his ridiculous knitted hat. I love his large brown eyes,and the way he bites his nails,and I love his hair so much I could die. There's only one thing I don't love about him. Her. If I didn't like Ellie before,it's nothing compared to how I feel now. It doesn't matter that I can count how many times we've met on one hand. It's that first image, that's what I can't shake. Under the streeplamp. Her fingers in his hair. Anytime I'm alone, my mind wanders back to that night. I take it further. She touches his chest. I take it further.His bedroom.He slips off her dress,their lips lock, their bodies press,and-oh my God-my temperature rises,and my stomach is sick. I fantasize about their breakup. How he could hurt her,and she could hurt him,and of all the ways I could hurt her back. I want to grab her Parisian-styled hair and yank it so hard it rips from her skull. I want to sink my claws into her eyeballs and scrape. It turns out I am not a nice person. Etienne and I rarely discussed her before, but she's completely taboo now. Which tortures me, because since we've gotten back from winter break, they seem to be having problems again. Like an obsessed stalker,I tally the evenings he spend with me versus the evening he spends with her. I'm winning.

How strange and unnatural destiny is. I married a man eight years younger than myself, and according to the law of nature I should have been the first to die, with Him at my side. Instead, it was my destiny to witness His death.' In speaking of Giuseppe, she always wrote Him, with a capital letter. Her style was prolix, repetitive, but with a certain academic nobility; and her handwriting was elongated, fine, even elegant. (However, in her final decline, her letters grew shorter and her written words, all shaky and twisted, groped across the page, uncertain of their direction.)

The goal for your handwritten page is not to be consistent with someone else’s style, but with your own.

The sight of my mother's handwriting on the slips of paper and in the margins of the book causes me to inhale sharply, and for a moment I smell licorice, as if the mere sight of her heavily styled penmanship has produced an olfactory hallucination. It's a delicate smell, more like anise or fresh tarragon than the sugary smell of a licorice pastille. Smell, I remember my mother once telling me, is the most powerful of the senses. Without it, there is no taste. Long ago I lost the memory of her face, the sound of her voice, the touch of her fingers. But I can still remember her smell, in the aroma of a sherry reduction, the perfume, delicate and faint, that lingers on your hands after you've run them through a hedge of rosemary, the pungent assault of a Gauloises cigarette. Any of a thousand smells are enough to conjure her memory.

At first my father's job was clearing ruins. He had filed a sharp protest, however, justifying his disability over ten pages of closely spaced handwriting, buttressed by statements from witnesses and discharge papers from clinics for nervous diseases. His arguments were irrefutable, particularly if we take into consideration--aside from the actual facts--his polemical tone and his brilliant style. 'I hereby state for the attention of the esteemed Commissarist,' he wrote in his appeal, 'in connection with Item A-2, in which I took the liberty of citing the causes of my total incapacity and proving--if in a very sensible fashion--my abnormality as well as my complete mental and physical worthlessness, the worthlessness of a neurotic and alcoholic incapable of taking care of his family or himself, I hereby state, therefore, with a view to the most specific information possible on this matter, although each and every one of the aforementioned matters is in itself a physical amputation, I am stating that I am also flat-footed, a certificate to which effect I am appending from the draft board at Zalaegerszeg, by which I am exempt from military service by virtue of 100 percent flat-footedness. . .

Palmer produced some pseudo-scientific truths and some truly gruelling exercises to enable the student to enter into his prescribed style. Far more than any previous handwriting entrepreneur, he examined the movements necessary to writing. He concluded that handwriting was an athletic activity, which involved much more than the hand.

This is just the way that I draw; it's how I've always drawn. [...] I think of it like handwriting.

Handwriting everything, for me, is psychologically useful because it keeps my writing economical. I think there are word processor styles emerging. Something does seem to happen to a writer's style when he works on a word processor. When you hand write a thing the size of Weaveworld (584 pages) you want to make sure every word counts because it's such a huge labour to get it down.

Brushing a pile of papers aside, Keelin sat at her table and looked at the package. Rectangular-shaped and wrapped in butcher paper, it wasn't the typical international envelope found at the post office. Twine wove around the package and what looked like an honest-to-God wax seal closed the twine. Keelin's name and address were written in a deep brown ink, the handwriting a beautiful old calligrapher style. Keelin squinted at the return address and remembered her reading glasses tucked in her shirt.

It was all too easy for errors in transcription to creep into manuscripts. To produce new copies, scribes needed to decipher handwriting that was sometimes several hundred years old and in a style very different from the one they knew.

After a couple of hours she breathlessly put aside her palette knife and asked, ‘Did you ever experiment with your handwriting?’ I thought about this as Jacinta poured herself a glass of milk from a carton. ‘I suppose so. Once I wasn’t being forced to use joined up writing with a fountain pen any more. Why?’ ‘You sent me a few of my old exercise books from school after you cleared out Mum’s place a few years ago. Do you remember?’ I told her I didn’t. Maybe David had posted them to her. ‘When I was at primary school I wrote using the whole wide line. The capitals touched the top and everything was balloony, you know, round and chipper. But my handwriting in the later exercise books, I think I must have been fourteen or so, was completely truncated like inky footprints made by ants. I could hardly make out what I’d written. I don’t know how the teachers deciphered it. I still don’t quite know what comes naturally when I write. I don’t have a style. It changes. Sometimes it’s all swallowed up and at other times I write using tall, spindly letters. Maybe it’s the pen and paper I’m using. That makes a difference.’ ‘Yeah, it does,’ I agreed. ‘I hate thin-ruled paper.’ She took a gulp from her milk. The light was behind her. I couldn’t see her features. Her hair was pulled back into a low ponytail like the one she wore to school for years. I hated Mum. I hated Pete. I hated Gavin. I hated myself. Jacinta said, ‘When I paint I have a signature. It’s my own and I don’t have to be afraid.’ ‘I’m sorry, Jacinta. I’m so sorry. I didn’t know what to do.’ ‘I don’t blame you. But I thought you’d forgotten. Or forgiven. Or a bit of both.’ ‘A bit of both,’ I admitted. She was quiet, began to clean up. I didn’t help. I just watched. And eventually she turned back to me and said, ‘How’s Zoey?

It proves nothing against inspiration, as some have asserted, that the writers of the Bible have each a different style. Isaiah does not write like Jeremiah, and Paul does not write like John. This is perfectly true,—and yet the works of these men are not a whit less equally inspired. The waters of the sea have many different shades. In one place they look blue, and in another green. And yet the difference is owing to the depth or shallowness of the part we see, or to the nature of the bottom. The water in every case is the same salt sea.—The breath of a man may produce different sounds, according to the character of the instrument on which he plays. The flute, the pipe, and the trumpet, have each their peculiar note. And yet the breath that calls forth the notes, is in each case one and the same.—The light of the planets we see in heaven is very various. Mars, and Saturn, and Jupiter, have each a peculiar colour. And yet we know that the light of the sun, which each planet reflects, is in each case one and the same. Just in the same way the books of the Old and New Testaments are all inspired truth, and yet the aspect of that truth varies according to the mind through which the Holy Ghost makes it flow. The handwriting and style of the writers differ enough to prove that each had a distinct individual being; but the Divine Guide who dictates and directs the whole is always one. All is alike inspired. Every chapter, and verse, and word, is from God.

Sometimes people escape from childhood traumas by splitting into a whole spectrum of different, fully functioning identities, a condition known as Multiple Personality Disorder (MPD). So distinct are these personalities that MPD victims will have not only different handwriting styles, artistic talents, and knowledge of foreign languages, but even different allergies, illnesses, and reactions to drugs, depending upon which personality they are “using” at the moment.

French listening posts learned to recognize a radio operator’s fist. Once encrypted, a message is sent in Morse code, as a series of dots and dashes, and each operator can be identified by his pauses, the speed of transmission, and the relative lengths of dots and dashes. A fist is the equivalent of a recognizable style of handwriting.

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