Handwriting Related Quotes

This may interest you. A letter from my dear cousin Fouquier-Tinville.” Camille cast an eye over his relative’s best handwriting. “Squirm, flattery, abasement, squirm, dearest sweetest Camille, squirm squirm squirm … ‘the election of the Patriot Ministers … I know them all by reputation, but I am not so happy as to be known by them—

Most people don’t get (or want) to look at old news footage, but we looked at thirty years of stories relating to motherhood. In the 1970s, with the exception of various welfare reform proposals, there was almost nothing in the network news about motherhood, working mothers, or childcare. And when you go back and watch news footage from 1972, for example, all you see is John Chancellor at NBC in black and white reading the news with no illustrating graphics, or Walter Cronkite sitting in front of a map of the world that one of the Rugrats could have drawn–that’s it. But by the 1980s, the explosion in the number of working mothers, the desperate need for day care, sci-fi level reproductive technologies, the discovery of how widespread child abuse was–all this was newsworthy. At the same time, the network news shows were becoming more flashy and sensationalistic in their efforts to compete with tabloid TV offerings like A Current Affair and America’s Most Wanted. NBC, for example introduced a story about day care centers in 1984 with a beat-up Raggedy Ann doll lying limp next to a chair with the huge words Child Abuse scrawled next to her in what appeared to be Charles Manson’s handwriting. So stories that were titillating, that could be really tarted up, that were about children and sex, or children and violence–well, they just got more coverage than why Senator Rope-a-Dope refused to vote for decent day care. From the McMartin day-care scandal and missing children to Susan Smith and murdering nannies, the barrage of kids-in-jeopardy, ‘innocence corrupted’ stories made mothers feel they had to guard their kids with the same intensity as the secret service guys watching POTUS.

French listening posts learned to recognize a radio operator’s fist. Once encrypted, a message is sent in Morse code, as a series of dots and dashes, and each operator can be identified by his pauses, the speed of transmission, and the relative lengths of dots and dashes. A fist is the equivalent of a recognizable style of handwriting.

filling the form in.  She held up the photo and matched it with the wall, a tired, thinlooking girl looking out at her. It was set to the right of Oliver’s. They could have had them taken at the same time. She’d ask Mary.  Grace had said she had only been with Oliver — or at least that’s what the answers suggested. She’d have to ask her to make sure. It wasn’t unknown for homeless people to get into disagreements over love. When you’ve got nothing much to lose, the law doesn’t come into play when you’re asking yourself if you’re prepared to kill for someone.  Grace also admitted to being a regular heroin user and agreed to have an examination. She also said she didn’t have any diseases as far as she knew. She was the same age, too. Eighteen. Had they known each other before they’d become homeless? She’d have to find Grace to know the truth.  She went back to Oliver’s file and checked the date next to his signature. It said the seventh of September. Just under two months ago.  Jamie leafed to the next and only other page in the file. It was another shabbily photocopied sheet. Mary must have been doing them on her printer-scanner at home, creating them on her computer. She really did care. The sheet displayed a pixelated outline of the human body — no doubt an image pulled off the web and then stretched out to fill a page. The resolution was too low to keep any sort of detail, but the shape still came through okay. It was a human with their arms out, feet apart. At the top of the page, in Comic Sans, ‘Examination Sheet’ was written as the title.  In appropriately illegible handwriting for a doctor, notes had been jotted around the body. Parts had been circled with lines being drawn to the corresponding note. She read words like ‘graze’ and ‘lesion’. ‘Rash’ cropped up a few times. But there didn’t look to be anything sinister going on. The crooks of the elbows, as well as the ankles, were all circled several times but nothing was written at the sides. Those areas didn’t need explaining, though underneath, as if encapsulating the entire exam were the words ‘No signs of infection’. So he’d been relatively careful, then. Clean needles, at least. Under that, there was a little paragraph recommending a general blood panel, but overall, Oliver seemed to be in decent health. Nothing had been prescribed, it seemed.  She checked Grace’s and found it to be much the same, complete with triple circles around the elbows and ankles. Though her genital area had also been circled and the word ‘Rash’ had been written. At the bottom, a prescription had been written for azithromycin.  Jamie clicked her teeth together, rummaging in her brain for the name. Was it a gonorrhoea medication or chlamydia? She knew it was for an STD, she just couldn’t remember which. But that meant that where she’d put down ‘1’ for number of

Stella turned through the pages and saw the pikelets, pea-and-ham soup and the boiled mutton and capers of her childhood. Here was her mother's wimberry pie, her damson jam and her gooseberry fool. Where recipes came from relatives and friends, her mother's handwriting noted the case: the method for hot-water pastry had been handed down from her grandmother; the parsley in her suet dumplings came from her cousin; the parkin was her great-aunt's recipe. Stella remembered how she and her mother would always share the first slice of roast lamb at the stove and the secret glass of sherry they'd drink as they made a trifle.

For instance, there was the word loneliness and the word loveliness. In English, one mere letter apart, and in her handwriting, the words looked almost identical, certainly related. This she found consoling, and sometimes even true.

Career inflection points are commonplace. A story comes to mind. It so happens that it was related to me by a business journalist who had interviewed me when this book was first published. This man used to be a banker. He was happily and productively employed until one day he went to work and learned that his employer had been acquired by another, larger bank. In short order he was out of a job. He decided to change careers and become a stockbroker. He knew that he would have to pay his dues. While he was comfortable with financial matters, he knew that a banker’s skills are not the same as those required of a stockbroker. So he went to stockbroker school and eventually started working as a full-fledged broker. For a while, things went well and the future looked promising. However, a short time before we met, on-line brokerage firms started to appear. Several of this man’s clients left him, preferring to do their business with low-cost on-line firms. The handwriting was on the wall. This time, our man decided to make his move early. He had always had an interest in, and aptitude for, writing. Building on the financial knowledge that he had first acquired as a banker, and that was reinforced

If it was her diary, it would be wrong to open it. More wrong than leaving her dead in the hallway for the better part of a day? I shrugged my shoulders as I opened the black cardboard cover. It was all relative. It wasn’t a diary—not really. Carefully pasted onto the pages of notebook paper were magazine pictures of different houses. There was a picture of a wide, green lawn with a house perched way off in the distance and a family having a picnic on a postage-stamp-sized blanket. There were dining rooms with long tables where people could linger after a meal and talk about politics or sports. A bedroom with a white canopy bed big enough for a mom and kids to curl up on a Sunday morning and read the newspaper. Every now and then on the page would be something written very carefully in her sprawling handwriting.

Worst of all, the release of the Pentagon Papers and the Watergate scandal had demonstrated that a cynical mentality of advertising and public relations—so central in persuading Americans to desire more and more in a nightmarish pattern of meaningless consumerism—had invaded the realm of politics like some lethal disease. For government officials, the falsity of image-making was now taking precedence over actual facts, problem solving, and a genuine attention to the public welfare, leading first to lying and then, inevitably, to criminality. Politics was becoming theater, and theater had no place in politics. Arendt reached for an analogy familiar to her. Totalitarian governments, she said, were willing to kill millions to conceal unpleasant facts. The United States was a long way from that: the manipulation of public opinion, not terror, was Washington’s way of hiding the truth. But the signs were not good; the country was on a road to perdition. A “stab-in-the-back” theory, used so effectively by the Nazis to vanquish their enemies, was already developing with regard to Vietnam. And unless the docile, materialist-minded citizenry woke up to the true realities and demanded real solutions to real problems, instead of trying to escape into “images, theories and sheer follies,” far greater troubles lay in store. She believed the country might be at a turning point in its history. The handwriting was on the wall. The chickens were coming home to roost.