Hands Occupied With Blessings Quotes

The Job Application Esteemed gentlemen, I am a poor, young, unemployed person in the business field, my name is Wenzel, I am seeking a suitable position, and I take the liberty of asking you, nicely and politely, if perhaps in your airy, bright, amiable rooms such a position might be free. I know that your good firm is large, proud, old, and rich, thus I may yield to the pleasing supposition that a nice, easy, pretty little place would be available, into which, as into a kind of warm cubbyhole, I can slip. I am excellently suited, you should know, to occupy just such a modest haven, for my nature is altogether delicate, and I am essentially a quiet, polite, and dreamy child, who is made to feel cheerful by people thinking of him that he does not ask for much, and allowing him to take possession of a very, very small patch of existence, where he can be useful in his own way and thus feel at ease. A quiet, sweet, small place in the shade has always been the tender substance of all my dreams, and if now the illusions I have about you grow so intense as to make me hope that my dream, young and old, might be transformed into delicious, vivid reality, then you have, in me, the most zealous and most loyal servitor, who will take it as a matter of conscience to discharge precisely and punctually all his duties. Large and difficult tasks I cannot perform, and obligations of a far-ranging sort are too strenuous for my mind. I am not particularly clever, and first and foremost I do not like to strain my intelligence overmuch. I am a dreamer rather than a thinker, a zero rather than a force, dim rather than sharp. Assuredly there exists in your extensive institution, which I imagine to be overflowing with main and subsidiary functions and offices, work of the kind that one can do as in a dream? --I am, to put it frankly, a Chinese; that is to say, a person who deems everything small and modest to be beautiful and pleasing, and to whom all that is big and exacting is fearsome and horrid. I know only the need to feel at my ease, so that each day I can thank God for life's boon, with all its blessings. The passion to go far in the world is unknown to me. Africa with its deserts is to me not more foreign. Well, so now you know what sort of a person I am.--I write, as you see, a graceful and fluent hand, and you need not imagine me to be entirely without intelligence. My mind is clear, but it refuses to grasp things that are many, or too many by far, shunning them. I am sincere and honest, and I am aware that this signifies precious little in the world in which we live, so I shall be waiting, esteemed gentlemen, to see what it will be your pleasure to reply to your respectful servant, positively drowning in obedience. Wenzel

SCENE 24 “Tiens, Ti Jean, donne ce plat la a Shammy,” my father is saying to me, turning from the open storage room door with a white tin pan. “Here, Ti Jean, give this pan to Shammy.” My father is standing with a peculiar French Canadian bowleggedness half up from a crouch with the pan outheld, waiting for me to take it, anxious till I do so, almost saying with his big frowning amazed face “Well my little son what are we doing in the penigillar, this strange abode, this house of life without roof be-hung on a Friday evening with a tin pan in my hand in the gloom and you in your raincoats—” “II commence a tombez de la neige” someone is shouting in the background, coming in from the door (“Snow’s startin to fall”)—my father and I stand in that immobile instant communicating telepathic thought-paralysis, suspended in the void together, understanding something that’s always already happened, wondering where we were now, joint reveries in a dumb stun in the cellar of men and smoke … as profound as Hell … as red as Hell.—I take the pan; behind him, the clutter and tragedy of old cellars and storage with its dank message of despair–mops, dolorous mops, clattering tear-stricken pails, fancy sprawfs to suck soap suds from a glass, garden drip cans–rakes leaning on meaty rock–and piles of paper and official Club equipments– It now occurs to me my father spent most of his time when I was 13 the winter of 1936, thinking about a hundred details to be done in the Club alone not to mention home and business shop–the energy of our fathers, they raised us to sit on nails– While I sat around all the time with my little diary, my Turf, my hockey games, Sunday afternoon tragic football games on the toy pooltable white chalkmarked … father and son on separate toys, the toys get less friendly when you grow up–my football games occupied me with the same seriousness of the angels–we had little time to talk to each other. In the fall of 1934 we took a grim voyage south in the rain to Rhode Island to see Time Supply win the Narragansett Special–with Old Daslin we was … a grim voyage, through exciting cities of great neons, Providence, the mist at the dim walls of great hotels, no Turkeys in the raw fog, no Roger Williams, just a trolley track gleaming in the gray rain– We drove, auguring solemnly over past performance charts, past deserted shell-like Ice Cream Dutchland Farms stands in the dank of rainy Nov.—bloop, it was the time on the road, black tar glisten-road of thirties, over foggy trees and distances, suddenly a crossroads, or just a side-in road, a house, or bam, a vista gray tearful mists over some half-in cornfield with distances of Rhode Island in the marshy ways across and the secret scent of oysters from the sea–but something dark and rog-like.— J had seen it before … Ah weary flesh, burdened with a light … that gray dark Inn on the Narragansett Road … this is the vision in my brain as I take the pan from my father and take it to Shammy, moving out of the way for LeNoire and Leo Martin to pass on the way to the office to see the book my father had (a health book with syphilitic backs)— SCENE 25 Someone ripped the pooltable cloth that night, tore it with a cue, I ran back and got my mother and she lay on it half-on-floor like a great poolshark about to take a shot under a hundred eyes only she’s got a thread in her mouth and’s sewing with the same sweet grave face you first saw in the window over my shoulder in that rain of a late Lowell afternoon. God bless the children of this picture, this bookmovie. I’m going on into the Shade.

SCENE 24 “Tiens, Ti Jean, donne ce plat la a Shammy,” my father is saying to me, turning from the open storage room door with a white tin pan. “Here, Ti Jean, give this pan to Shammy.” My father is standing with a peculiar French Canadian bowleggedness half up from a crouch with the pan outheld, waiting for me to take it, anxious till I do so, almost saying with his big frowning amazed face “Well my little son what are we doing in the penigillar, this strange abode, this house of life without roof be-hung on a Friday evening with a tin pan in my hand in the gloom and you in your raincoats—” “II commence a tombez de la neige” someone is shouting in the background, coming in from the door (“Snow’s startin to fall”)—my father and I stand in that immobile instant communicating telepathic thought-paralysis, suspended in the void together, understanding something that’s always already happened, wondering where we were now, joint reveries in a dumb stun in the cellar of men and smoke … as profound as Hell … as red as Hell.—I take the pan; behind him, the clutter and tragedy of old cellars and storage with its dank message of despair–mops, dolorous mops, clattering tear-stricken pails, fancy sprawfs to suck soap suds from a glass, garden drip cans–rakes leaning on meaty rock–and piles of paper and official Club equipments– It now occurs to me my father spent most of his time when I was 13 the winter of 1936, thinking about a hundred details to be done in the Club alone not to mention home and business shop–the energy of our fathers, they raised us to sit on nails– While I sat around all the time with my little diary, my Turf, my hockey games, Sunday afternoon tragic football games on the toy pooltable white chalkmarked … father and son on separate toys, the toys get less friendly when you grow up–my football games occupied me with the same seriousness of the angels–we had little time to talk to each other. In the fall of 1934 we took a grim voyage south in the rain to Rhode Island to see Time Supply win the Narragansett Special–with Old Daslin we was … a grim voyage, through exciting cities of great neons, Providence, the mist at the dim walls of great hotels, no Turkeys in the raw fog, no Roger Williams, just a trolley track gleaming in the gray rain– We drove, auguring solemnly over past performance charts, past deserted shell-like Ice Cream Dutchland Farms stands in the dank of rainy Nov.—bloop, it was the time on the road, black tar glisten-road of thirties, over foggy trees and distances, suddenly a crossroads, or just a side-in road, a house, or bam, a vista gray tearful mists over some half-in cornfield with distances of Rhode Island in the marshy ways across and the secret scent of oysters from the sea–but something dark and rog-like.— J had seen it before … Ah weary flesh, burdened with a light … that gray dark Inn on the Narragansett Road … this is the vision in my brain as I take the pan from my father and take it to Shammy, moving out of the way for LeNoire and Leo Martin to pass on the way to the office to see the book my father had (a health book with syphilitic backs)— SCENE 25 Someone ripped the pooltable cloth that night, tore it with a cue, I ran back and got my mother and she lay on it half-on-floor like a great poolshark about to take a shot under a hundred eyes only she’s got a thread in her mouth and’s sewing with the same sweet grave face you first saw in the window over my shoulder in that rain of a late Lowell afternoon. God bless the children of this picture, this bookmovie. I’m going on into the Shade.

Thank you, no,” Zoe said, speaking with an effort. “If I have something to occupy my hands, perhaps my heart won’t hurt quite so much.

The Horned Master governs the generative powers of the kingdom of the beasts, the raw forces of life, death and renewal which sustains the natural world.” Nigel A Jackson. The Call of the Horned Piper: 38 The Art and Craft of the Witches is found at the crossroad, where this world and the other side meets and all possibility become reality. This simple fact is often forgotten as one rushes to the Sabbath or occupies oneself with formalities of ritual. The cross marks the four quarters, the four elements, the path of Sun, Moon and Stars. The cross was fused or confused with the Greek staurus, meaning ‘rod’, ‘rood’ or ‘pole’. Various forms of phallic worship are simply, veneration for the cosmic point of possibility and becoming. It is at the crossroads we will gain all or lose all and it is natural that it is at the crossroads we gain perspective. The crossroad is a place of choice, the spirit-denizens of the crossroads are said to be tricky and unreliable and it is of course where we find the Devil. One of the most famous legends of recent times concerns the blues-man Robert Johnson (1911– 1938). He claimed that, one night, just before midnight he had gone to the crossroads. He took out his guitar and played, whereupon a big black guy appeared, tuned his guitar, played a song backwards and handed it back.2 This incident altered Johnson’s playing and his finest and most everlasting compositions were the fruit of the few years of life left to him. This legend tells us how he needed to bury himself at the crossroads, offering himself to the powers dwelling there. Business done with the Devil is said to give him the upper hand. The ill omens and malefica associated with such deals is present in Johnson’s story. He got fame and women, but he died less than three years later before he reached thirty. His body was found poisoned at a crossroads, the murderer’s identity a mystery. Around the Mississippi no less than three tombs carry the name of Robert Leroy Johnson. The image of the Devil remains one of threat, blessing, beauty and opportunity. Where we find the Devil we find danger, unpredictability and chaos. If he offers a deal we know we are in for a complicated bargain. The Devil says that change is good, that we need movement in order to progress. His world is about cunning and ordeal entwined like the serpents of past and future on the pole of ascent. It is to the crossroads we go to make decisions. It is at the crossroads we set the course for the journey. It is at the crossroads we confront ourselves and realize our

No American or East Anglian can think seriously about B-17s today without feeling the tug of their great purpose and destiny: They were the two-fisted tin cans that tore the roof off a deranged empire. When they swarmed over occupied Europe, people blessed them. One day, when several hundred of them roared across Holland, a little girl cried out in fear. Her father put his arm around her, took her hand, and looked up. “Listen to it, Helene,” he told her. “It’s the music of angels.

Ivo Andric, Bosnian chronicle (Quote about nostalgia, free translation from Bosnian lenguage) More than three hundred years ago, brought us from our homeland, a unique Andalusia, a terrible, foolish, fratricidal whirlwind, which we can not understand even today, and who has not understood it to this day, scattered us all over the world and made us beggars to which gold does not help. Now, threw us on the East, and life on the East is not easy for us or blessed, and the as much man goes further and gets closer to the sun's birth, it is worse, because the land is younger and more raw and people are from the land. And our trouble is that we could not fully love this country, to which we owe becouse it has received us, accept us and provided us with shelter, nor could we hate the one who has unjustly took us away and expelled us as an unworthly sons. We do not know is it more difficult that we are here or that we are not there. Wherever we were outside of Spain, we would suffer because we would have two homelands, I know, but here life is too much pressed us and humiliated us. I know that we have been changed for a long time,we do not remember anymore how we were, but surely we remember that we were different. We left and road up long time ago and we traveled hard and we unluckily fell down and stopped at this place, and that is why we are no longer even a shadow of what we were. As a powder on a fruit that goes hand-to-hand, from man first fall of what is finest on him. That's why we are like this. But you know us, us and our life, if we can call this life. We live between "occupiers" and commonalty, miserable commonalty and terrible Turkish. Cutted away completely from our loved ones, we are careful to look after and keep everything Spanish, songs and meals and customs, but we feel that everything changes in us, spoils and forgets. We remember the language of our land, the lenguage we did take and carried three centuries ago, the lenguage which even do not speak there anymore, and we ridiculously speak with stumbling the language of the comonalty with which we suffer and the Turkish who rules over us. So it may not be a long day when we will be purely and humanly able to express ourselves only in prayer, and which actually does not need any words. This so lonely and few, we marry between us and see that our blood is paling and fainting. We bend and shred in front of everyone, we mourn, suffer and contrive, as people said: on the ice we make campfire, we work, we gain, we save, not only for ourselves and for our children, but for all those who are stronger and more insolent, impudent than us and strike on our life , on the dignity, and on the wealth. So we preserved the faith for which we had to leave our beautiful country, but lost almost everything else. Luckily, and to our sorrow, we did not lose from our memory reminiscence of our dear country, as it was, before she drive away us like stepmother; just as it will never extinguish in us the desire for a better world, the world of order and humanity in which you goes stright, watches calmly and speaks openly. We can not free ourselves from that feeling, nor feeling that, in addition to everything, we belong to such a world, though, we are expelled and unhappy, otherwise we live. That's what we would like to know there. That our name does not die in that brighter and higher world that is constantly darkening and destroying, iconstantly moves and changes, but never collapses, and always for somebody exists, that that world knows that we are carrying him in our soul, that even here we serve him on our way, and we feel one with him, even though we are forever and hopelessly separated from him.

That is why you must above all lovingly study the holy scriptures, why your soul must be illuminated by divine utterances, why the dark shadows of the devil have to be dispersed by the flash of God’s word; for the devil is quick to flee from the soul which is illuminated by divine speech, which is always occupied with heavenly thoughts, in which God’s word, whose force the evil spirit is unable to endure, is constantly present. For that reason the blessed apostle compared it to a sword when listing the arms for use in the war of the spirit (Eph.6.17). It is perfectly safe, however, for the mind to become accustomed to differentiating between one thought and another - always subject, of course, to careful and watchful control - and, at the first stirring of the mind, either to approving or to disapproving of what it is thinking, so that it either nourishes good thoughts or immediately destroys bad ones. In this lie the source of good and the origin of sin, and thought is the beginning of every great offense in the heart, painting every single deed on the tablet of the heart, as it were, before doing it; for every deed and every word, whichever it may be, is laid out for inspection in advance and its future is decided by thoughtful consideration. You can see what a brief moment sometimes separates a man’s thinking each thought and his putting that thought into action, nor is anything at all done by the tongue or the hand or other limbs, unless thoughts have previously dictated it; hence the Lord also says in the gospel: Out of the heart of man come evil thoughts, adultery, fornication, murder, theft, false witness, greed, evil, trickery, unchastity, the evil eye, blasphemy, pride, folly. These are what defile men (Mt.15.19,20)