Hammock Quotes

We've searched our database for all the quotes and captions related to Hammock. Here they are! All 100 of them:

One day I looked at Gat, lying in the Clairmont hammock with a book, and he seemed, well, like he was mine. Like he was my particular person.
E. Lockhart (We Were Liars)
When does real love begin? At first it was a fire, eclipses, short circuits, lightning and fireworks; the incense, hammocks, drugs, wines, perfumes; then spasm and honey, fever, fatigue, warmth, currents of liquid fire, feast and orgies; then dreams, visions, candlelight, flowers, pictures; then images out of the past, fairy tales, stories, then pages out of a book, a poem; then laughter, then chastity. At what moment does the knife wound sink so deep that the flesh begins to weep with love? At first power, power, then the wound, and love, and love and fears, and the loss of the self, and the gift, and slavery. At first I ruled, loved less; then more, then slavery. Slavery to his image, his odor, the craving, the hunger, the thirst, the obsession.
Anaïs Nin (Fire: From A Journal of Love - The Unexpurgated Diary of Anaïs Nin (1934-1937))
Moments never stay, whether or not you ask them, they do not care, no moment cares, and the ones you wish could stretch out like a hammock for you to lie in, well, those moments leave the quickest and take everything good with them, little burglars, those moments, those hours, those days you loved the most.
Catherine Lacey (Nobody Is Ever Missing)
The world of the future will be an even more demanding struggle against the limitations of our intelligence, not a comfortable hammock in which we can lie down to be waited upon by our robot slaves.
Norbert Wiener (The Human Use of Human Beings: Cybernetics and Society)
Kissing Simon was pleasant. It was a gentle sort of pleasant, like lying in a hammock on a summer day with a book and a glass of lemonade
Cassandra Clare
Room of Requirement, of course! Surpassed itself, hasn't it? the Carrows were chasing me, and I knew I had just one chance for a hideout: I managed to get through the door and this is what I found! Well, it wasn't exactly like this when I arrived, it was a load smaller, there was only one hammock and just Gryffindor hangings. But it's expanded as more and more of the D.A. have arrived.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Large, heavy, ragged black clouds hung like crape hammocks beneath the starry cope of the night. You would have said that they were the cobwebs of the firmament.
Victor Hugo (The Hunchback of Notre Dame)
I see it for what is is, now. It is a house built on ashes. Ashes of the life Granddad shared with Gran, ashes of the maple from which the tire swing flew, ashes of the old Victorian house with the porch and the hammock. The new house is built on the grave of all the trophies and symbols of the family: the New Yorker cartoons, the taxidermy, the embroidered pillows, the family portraits.
E. Lockhart (We Were Liars)
The censorious said she slept in a hammock and understood Yeats's poems, but her family denied both stories.
Saki (The Chronicles of Clovis)
I fell out of the hammock while I was sleeping. (Arik) On your head? (Geary) Apparently. Good thing it’s hard, huh? (Arik)
Sherrilyn Kenyon (The Dream-Hunter (Dark-Hunter, #10; Dream-Hunter, #1))
For Drake is no longer in his hammock, children, nor is Arthur somewhere sleeping, and you may not lie idly expecting the second coming of anybody now, because the world is yours and it is up to you.
Susan Cooper (Silver on the Tree (The Dark is Rising, #5))
It makes Faith think of a hammock in their yard, a web of rope that she thought would unravel the first time she leaned back on it, but that managed to support her all the same.
Jodi Picoult (Keeping Faith)
I hug her one more time and pull her down to the bed. And in my mind, I rise up from the bed and look down on us, and look down at everybody else in this hospital who might have the good fortune of holding a pretty girl right now, and then at the entire Brooklyn block, and then the neighborhood, and then Brooklyn, and then New York City, and then the whole Tri-State Area, and then this little corner of America- with laser eyes I can see into every house- and then the whole country and the hemisphere and now the whole stupid world, everyone in every bed, couch, futon, chair, hammock, love seat, and tent, everyone kissing or touching eachother... and i know that i'm the happiest of all of them.
Ned Vizzini (It's Kind of a Funny Story)
Anyway, no girl wants to bang a guy in a banana hammock. I don’t care if you’re built like a brick shithouse and hung like a freaking horse—if you’re wearing a man-thong? You look like a tool.
Emma Chase (Tied (Tangled, #4))
Ahab and aguish lay stretched together in one hammock.
Herman Melville (Moby-Dick or, The Whale)
Yes?" she asked, eyeing me guardedly. I struck out a hand and said "Shake." Arra stared at the hand, then into my unfocused eyes. "One good fight doesn't make you a warrior," she said. "Shake!" I repeated angrily. "And if I don't?" she asked. "I'll get back up on the bars and fight you till you do," I growled. Arra studied me at length, then nodded and took my hand. "Power to you, Darren Shan," she said gruffly. "Power," I repeated weakly, then fainted into her arms and knew no more till I came to in my hammock the next night.
Darren Shan (Vampire Mountain (Cirque Du Freak, #4))
An optimist is a man who plant two acorns and buy a hammock.
Jean de Lattre de Tassigny
History is a hammock for swinging and a game for playing.
Jeanette Winterson (Oranges Are Not the Only Fruit)
There are people who can make love standing on a hammock, but it is not the easiest way.
Allen Carr (Allen Carr's Easy Way to Stop Smoking: Be a Happy Non-smoker for the Rest of Your Life (Allen Carrs Easy Way))
There was something in the music of the accent that Douglass liked: it was as if the Cork people put long lazy hammocks in their sentences.
Colum McCann (TransAtlantic)
Kissing you is pleasant. Like lying in a hammock on a summer day with a book and a glass of lemonade.
Cassandra Clare
If you choose to believe me, good. Now I will tell you how Octavia, the spider-web city, is made. There is a precipice between two steep mountains: the city is over the void, bound to the two crests with ropes and chains and catwalks. You walk on the little wooden ties, careful not to set your foot in the open spaces, or you cling to the hempen strands. Below there is nothing for hundreds and hundreds of feet: a few clouds glide past; farther down you can glimpse the chasm's bed. This is the foundation of the city: a net which serves as passage and as support. All the rest, instead of rising up, is hung below: rope ladders, hammocks, houses made like sacks, clothes hangers, terraces like gondolas, skins of water, gas jets, spits, baskets on strings, dumb-waiters, showers, trapezes and rings for children's games, cable cars, chandeliers, pots with trailing plants. Suspended over the abyss, the life of Octavia's inhabitants is less uncertain than in other cities. They know the net will only last so long.
Italo Calvino (Invisible Cities)
Where are we going?” … “Just this place I know with a waterfall and a cave. It’s part of the estate, so no one uses it.” “How nice,” I said … “We have a garage at my house. It holds a car and some of my dad’s tools.” Martin glanced at me, equal parts amused and confused. “Oh?” “Yes. And a hammock in the back yard.” “Is that so…” “Yeah.” “So no waterfalls?” “No. But this one time, when it rained a lot, the gutter broke. That was similar to a waterfall.
Penny Reid (Attraction (Elements of Chemistry, #1; Hypothesis, #1.1))
I perceived that I was hungry, and prepared to clamber out of the hammock which, very politely anticipating my intention, twisted round and deposited me upon the floor.
H.G. Wells
Mom says dwelling in your feelings is no way to live, that there will always be something to be upset about and the secret to a happy life is not to let yourself be dragged down into negativity. She doesn’t understand how satisfying sadness can be; hours spent rocking in the hammock with Fiona Apple in my ears make me feel better than happy.
Kate Elizabeth Russell (My Dark Vanessa)
You was talkin' out of yer head last night, too," chortles Davy. "No one's gonna fancy me. I'm gonna be ugly and no on'es gonna fancyme!" he mimics, mincing about the hammock. "You are such a rum cove, Jacky, for thinkin' such things when yer just about beat t' death! Fancy me? Fancy me? Jacky, no one's gonna fancy us, we're all gonna end up lookin' like Snag!" "Which is how a salty dog sailor's supposed to look," says Willy with a firm nod. "And you're halfway there, Jack-o!" crows Tink. Ah, the sweet comfort of friends.
L.A. Meyer
Nothing I have witnessed, from lava to crustacean, assailed me liked the caked debris haunting that small plastic soap hammock in the smaller of the bathrooms. Nausea is not a sufficient word.
Werner Herzog
Where is everyone?” Cullen demanded, finally emerging from his car and gingerly looking around the deserted camp. He followed Tempest to the truck. “Darius is somewhere in the woods. He likes to string a hammock between two trees far away from all of us and have what he affectionately refers to as his quiet time.
Christine Feehan (Dark Fire (Dark, #6))
I'd rather lie in a hammock with you -- with nothing but happiness surrounding us -- and be ambushed than run away.
Anne Greenwood Brown (Lies Beneath (Lies Beneath, #1))
I woke sometime in the middle of the night and lay in the hammock, wriggled my foot out of the sleeping bag into the chill and found the rough ground with my bare foot and rocked myself back and forth. And watched the stars swim against the mesh of leaves. Like a fish nosing a net. This is what we are, what we do: nose a net, push push, a net that never exists. The knots in the mesh as strong as our own believing. Our own fears.
Peter Heller (The Dog Stars)
After two stories, I blew out my light. The night was clear. My ceiling was the sky and an eyelash of the moon. By shifting from side to side, I made my hammock swing me into sleep.
Gail Carson Levine (Ella Enchanted (Ella Enchanted, #1))
The word hammockable (describing two trees that are the perfect distance apart between which a hammock can be hung) is not in the dictionary, but it should be. [Of lying in hammocks]
Dan Kieran (The Book of Idle Pleasures)
For remember, that it is altogether your world now. You and all the rest. We have delivered you from evil, but the evil that is inside men is at the last a matter for men to control. The responsibility and the hope and the promise are in your hands-your hands and the hands of all men on this earth. The future can not blame the present, just as the present can not blame the past. The hope is always here, always alive, but only your fierce caring can fan it into a fire to warm the world. For Drake is no longer in his hammock, children, nor is Arthur somewhere sleeping, and you may not lie idly expecting the second coming of anybody now, because the world is yours and it is up to you. Now especially since man has the strength to destroy the world, it is the responsibility of man to keep it alive, in all its beauty and marvelous joy. And the world will still be imperfect, because men are imperfect. Good men will still be killed by bad, or sometimes by other good men, and there will still be pain and disease and famine, anger and hate. But if you work and care and are watchful, as we have tried to be for you, then in the long run the worse will never, ever, triumph over the better. And the gifts put into some men, that shine as bright as Eirias the sword, shall light the dark corners of life for all the rest, in so brave a world.
Susan Cooper (Silver on the Tree (The Dark is Rising, #5))
The pleasures of my life here are simple – simple, inexpensive and democratic. A warm hill of Marmande tomatoes on a roadside vendor’s stall. A cold beer on a pavement table of the Café de France – Marie Thérèse inside making me a sandwich au camembert. Munching the knob of a fresh baguette as I wander back from Sainte-Sabine. The farinaceous smell of the white dust raised by a breeze from the driveway. A cuckoo sounding the perfectly silent woods beyond the meadow. A huge grey, cerise, pink, orange and washed-out blue of a sunset seen from my rear terrace. The drilling of the cicadas at noon – the soft dialing-tone of the crickets at dusk slowly gathers. A good book, a hammock and a cold, beaded bottle of blanc sec. A rough red wine and steak frites. The cool, dark, shuttered silence of my bedroom – and, as I go to sleep, the prospect that all this will be available to me again, unchanged, tomorrow.
William Boyd (Any Human Heart)
the gardener, an old sailor, made him a hammock and fixed it up for him in the branches of a weeping willow. And here for long hours he lay, hidden from anyone who might come to the vicarage, reading, reading passionately.
W. Somerset Maugham (Of Human Bondage)
local beer and reading The Great Gatsby in a hammock. There’s something about living in a different place that allows you to be whoever you want to be.
Josie Silver (One Day in December)
She doesn’t understand how satisfying sadness can be; hours spent rocking in the hammock with Fiona Apple in my ears make me feel better than happy.
Kate Elizabeth Russell (My Dark Vanessa)
I think I'm beginning to understand how hearts fit together. Not like diseased carnations that lean against their crutches. Not like vines that twine tight, throttling their hosts. But like two trees: two systems of deep, untangled roots, two patterns of flowering branches, whose leaves drink their own sunlight and breathe their own air. Two trees with something slung between them, a hammock or a tapestry or a swing, some third, beautiful thing that neither would die without. Hearts fit together like hands. Not by necessity. By choice.
Riley Redgate (Seven Ways We Lie)
Lying in a Hammock at William Duffy’s Farm in Pine Island, Minnesota Over my head, I see the bronze butterfly, Asleep on the black trunk, Blowing like a leaf in green shadow. Down the ravine behind the empty house, The cowbells follow one another Into the distances of the afternoon. To my right, In a field of sunlight between two pines, The droppings of last year’s horses Blaze up into golden stones. I lean back, as the evening darkens and comes on. A chicken hawk floats over, looking for home. I have wasted my life.
James Wright (Above the River: The Complete Poems)
She managed to thank God for having been born before she lost herself in the inconceivable pleasure of that unbearable pain, splashing in the steaming marsh of the hammock which absorbed the explosion of blood like a blotter
Gabriel García Márquez
Nostalgia has hung its hammock in my heart
Víctor Terán (Poems)
While sleeping in a hammock, with the touch of a warm wind we remember why we are in love with the life!
Mehmet Murat ildan
But history is a string full of knots, the best you can do is admire it, and maybe knot it up a bit more. History is a hammock for swinging and a game for playing. A cat’s cradle.
Jeanette Winterson (Oranges Are Not the Only Fruit)
I have now and again tried to imagine the perfect environment, the ideal conditions for reading: A worn leather armchair on a rainy night? A hammock in a freshly mown backyard? A verandah overlooking the summer sea? Good choices, every one. But I have no doubt that they are all merely displacements, sentimental attempts to replicate the warmth and snugness of my mother's lap.
Michael Dirda (An Open Book: Coming of Age in the Heartland)
Often, when forced from his hammock by exhausting and intolerably vivid dreams of the night, which, resuming his own intense thoughts through the day, carried them on amid a clashing of phrensies, and whirled them round and round in his blazing brain, till the very throbbing of his lifespot became insufferable anguish; and when, as was sometimes the case, these spritual throes in him heaved his being up from its base, and a chasm seemed opening in him, from which forked flames and lightnings shot up, and accursed fiends beconed him to leap down among them; when this hell in himself yawned beneath him, a wild cry would be heard through the ship; and with glaring eyes Ahab would burst from his state room, as though escaping from a bed that was on fire.
Herman Melville (Moby Dick)
But I told myself if I could just get past my house and hammock without being sucked in by the guaranteed comfort, something else might be waiting for me on the other side, something that might color me outside the lines and flow into other parts of my life.
Tanya Boteju (Kings, Queens, and In-Betweens)
A hermitage in the forest is the refuge of the narrow-minded misanthrope; a hammock on the ocean is the asylum for the generous distressed. The ocean brims with natural griefs and tragedies; and into that watery immensity of terror, man's private grief is lost like a drop.
Herman Melville (Israel Potter His Fifty Years of Exile)
The ancient priest who had taken Father Angel’s place and whose name no one had bothered to find out awaited God’s mercy stretched out casually in a hammock, tortured by arthritis and the insomnia of doubt while the lizards and rats fought over the inheritance of the nearby church.
Gabriel García Márquez (One Hundred Years of Solitude)
Of course that is not the whole story, but that is the way with stories; we make them what we will. It’s a way of explaining the universe while leaving the universe unexplained, it’s a way of keeping it all alive, not boxing it into time. Everyone who tells a story tells it differently, just to remind us that everybody sees it differently. Some people say there are true things to be found, some people say all kinds of things can be proved. I don’t believe them. The only thing for certain is how complicated it all is, like string full of knots. It’s all there but hard to find the beginning and impossible to fathom the end. The best you can do is admire the cat’s cradle, and maybe knot it up a bit more. History should be a hammock for swinging and a game for playing, the way cats play. Claw it, chew it, rearrange it and at bedtime it’s still a ball of string full of knots. Nobody should mind. Some people make a lot of money out of it. Publishers do well, children, when bright, can come top. It’s an all-purpose rainy day pursuit, this reducing of stories called history.
Jeanette Winterson (Oranges Are Not the Only Fruit)
Giving up on the drive to succeed is a good part of what being an expat is all about. If you travel all the way to the Caribbean Sea, you probably have already decided to trade the dog-eat-dog competition of modern living for a hammock on the sand.
Anthony Lee Head (Driftwood: Stories from the Margarita Road)
of unquenchable sparkle and dream as ever. Behind her, in the hammock, Rilla Blythe was curled up, a fat, roly-poly little creature of
L.M. Montgomery (Rainbow Valley (Anne of Green Gables #7))
It’s the biggest one I ever saw!” Hali exclaimed from the kitchen doorway as she stared down at the boar in our hammock. “That’s what she said,” I blurted out.
Logan Jacobs (Monster Girl Islands 2 (Monster Girl Islands, #2))
Hayes had a smile like a hammock—just get in, go to sleep, forget your troubles and cares.
Maureen Johnson (Truly, Devious (Truly Devious, #1))
The hammock hangs on hooks in two trees at the very back of the yard, one is a shortish tree that’s only twice my tall and bent over, one is a million times high with silvery leaves.
Emma Donoghue (Room)
Some leaned back in their hammocks overlooking Eden, while reading Harry Potter book twenty-three – you don’t have those on Earth, I know. You have to have a membership in Heaven to read those. 
Cameron Jace (Grimm Diaries Prequels (The Grimm Diaries Prequels #1-6))
Come here, he said. Rebeca obeyed. She stopped beside the hammock in an icy sweat, feeling knots forming in her intestines, while Jose Arcadio stroked her ankle with the tips of his fingers, then her calves, then her thighs, murmuring: Oh, little sister, little sister. She had to make a supernatural effort not to die when a startlingly regulated cyclonic power lifted her up by the waist and despoiled her of her intimacy with 3 slashes of its claws and quartered her like a little bird. She managed to thank God for having been born before she lost herself in the inconcievable pleasure of that unbearable pain...
Gabriel García Márquez (One Hundred Years of Solitude)
Gloria was sure she wanted but to read and dream and be fed tomato sandwiches and lemonades by some angelic servant still in a shadowy hinterland. Between paragraphs Anthony would come and kiss her as she lay indolently in the hammock….
F. Scott Fitzgerald (The Beautiful and Damned)
Once upon a time when I was young, I had a lovely boyfriend who bought me a hammock and hooked it up on my tiny and highly perilous roof terrace, where I spent many happy hours just rocking and reading, eating Quavers and reflecting on my lovely handsome boyfriend. Then, I married him and we had a bunch of children and a dog and moved somewhere where it rains all the time, and I think the hammock is in storage. This, my friends, is apparently what's known as 'happily ever after'.
Jenny Colgan (The Bookshop on the Corner (Kirrinfief, #1))
There would be plump artichokes ready for him in the garden, trees heavy with plums, soft roses, the river flowing, and between the crab-Apple trees the hammock hanging like a smile in a landscape as familiar to him as the face of his mother.
Polly Samson (The Kindness)
After dinner, at five o’clock, the crew distributed folding canvas cots to the passengers, and each person opened his bed wherever he could find room, arranged it with the bedclothes from his petate, and set the mosquito netting over that. Those with hammocks hung them in the salon, and those who had nothing slept on the tablecloths that were not changed more than twice during the trip.
Gabriel García Márquez (Love in the Time of Cholera)
To begin with, it was important for women to keep up their “curb appeal,” to “look and smell delicious,” to be “feminine, soft, and touchable,” not “dumpy, stringy, or exhausted”—at least if they wanted husbands to come home to them. But that was just the beginning. To keep a husband’s interest, Morgan was a strong believer in the power of costumes in the bedroom (or kitchen, living room, or backyard hammock), so that when a husband opened the front door each night it was like “opening a surprise package.” One day a “smoldering sexpot,” another “an all-American fresh beauty,” a pixie, a pirate, “a cow-girl or a show girl.” (Contrary to popular belief, Morgan never recommended that women clothe themselves in nothing but Saran Wrap. She wasn’t sure where that rumor got its start, though she conceded it was “a great idea.”) 3
Kristin Kobes Du Mez (Jesus and John Wayne: How White Evangelicals Corrupted a Faith and Fractured a Nation)
I don't think Dave ever thought of himself as an efficiency expert, but every job he ever held, he simplified. His successor always had less work to do than his predecessor. That his successor usually reorganized the job again to take three times as much work, and as many subordinates, says little about Dave's oddity, other than by contrast. Some people are ants by nature, they have to work. Even when it's useless. Few people have a talent for "constructive laziness." And so ends the tale about the man who was too lazy to fail. Let's leave him there, in his hammock under the shade trees. So far as I know, he is still there.
Robert A. Heinlein (Time Enough for Love)
Molly wondered this: Could the size of man’s soul be small? She marveled that she would ask herself this question, for the obvious answer was yes. After all, if John’s was infinitely large, then his polar opposite must also surely exist. Her ex-husband’s soul was very small indeed. He was forever spinning his wheels to enlarge his soul, to fill its emptiness, with things. The luxury car, the large house, the high-paying but unimaginative job, the respect of people he didn’t even like. Like so many men, he needed a boy’s toy box of things to feel whole. John was the opposite. He didn’t need anything to feel whole besides a hammock, a beer, and her.
Ray Smith (The Magnolia That Bloomed Unseen)
Now as I stood on the roof of my house, taking in this unexpected view, it struck me how rather glorious it was that in two thousand years of human activity the only thing that had stirred the notice of the outside world even briefly was the finding of a Roman phallic pendant. The rest was just centuries of people quietly going about their daily business - eating, sleeping, having sex, endeavoring to be amused- and it occurred to me, with the forcefulness of a thought experienced in 360 degrees, that that's really what history mostly is: masses of people doing ordinary things. Even Einstein will have spent large parts of his life thinking about his holidays o new hammock or how dainty was the ankle on the young lady alighting from the tram across the street. These are the sort of things that fill our life and thoughts, and yet we treat them as incidental and hardly worthy of serious consideration. I don't know how many hours of my school years were spent considering the Missouri Compromise or the War of the Roses, but it was vastly more than I was ever encouraged or allowed to give to the history of eating. sleeping, having sex and endeavoring to be amused.
Bill Bryson (At Home: A Short History of Private Life)
The road goes west out of the village, past open pine woods and gallberry flats. An eagle's nest is a ragged cluster of sticks in a tall tree, and one of the eagles is usually black and silver against the sky. The other perches near the nest, hunched and proud, like a griffon. There is no magic here except the eagles. Yet the four miles to the Creek are stirring, like the bleak, portentous beginning of a good tale. The road curves sharply, the vegetation thickens, and around the bend masses into dense hammock. The hammock breaks, is pushed back on either side of the road, and set down in its brooding heart is the orange grove. Any grove or any wood is a fine thing to see. But the magic here, strangely, is not apparent from the road. It is necessary to leave the impersonal highway, to step inside the rusty gate and close it behind. By this, an act of faith is committed, through which one accepts blindly the communion cup of beauty. One is now inside the grove, out of one world and in the mysterious heart of another. Enchantment lies in different things for each of us. For me, it is in this: to step out of the bright sunlight into the shade of orange trees; to walk under the arched canopy of their jadelike leaves; to see the long aisles of lichened trunks stretch ahead in a geometric rhythm; to feel the mystery of a seclusion that yet has shafts of light striking through it. This is the essence of an ancient and secret magic. It goes back, perhaps, to the fairy tales of childhood, to Hansel and Gretel, to Babes in the Wood, to Alice in Wonderland, to all half-luminous places that pleased the imagination as a child. It may go back still farther, to racial Druid memories, to an atavistic sense of safety and delight in an open forest. And after long years of spiritual homelessness, of nostalgia, here is that mystic loveliness of childhood again. Here is home. An old thread, long tangled, comes straight again.
Marjorie Kinnan Rawlings (Cross Creek)
I also have a hammock I spend a lot of time in - mostly just because hammocks are awesome and people don't have to explain why they have them.
Chad Eastham (The Truth About Breaking Up, Making Up, and Moving On)
He leans back against the starting gate like he's in a hammock in the Caribbean...
Secretariat
Jesus was stoned, but no rock hit him. He slipped into the crowd and was found later teaching on a hill somewhere. History tells us that he did nothing wrong, and we sacrificed him anyway. The day my father died, I assured him he was headed for heaven, though I had a hard time believing in something that floated so aimlessly through the minds of children. The concept seemed fair and unfair in such equal amounts that it appeared to cancel itself out. I’d never met someone so deserving of eternal bliss, yet from the time I was a child I was taught we all deserve hell. I wondered if heaven existed at all. But I wanted everlasting life to be real for the man who let me lie on his chest on a hammock in the backyard and taught me not to fear thunder. One of the many things my father taught me not to fear. His breaths were labored and aided by machines. He wore a white hospital gown. I remember thinking, “I can’t believe my father’s going to die in a gown.” “Are you afraid?” I asked. “Not at all,” he strained. “I’m going to be with the Lord.” I wished I shared his confidence. For him, it was a priceless thing no one could take. I wished the fear of death was like the fear of a passing storm cloud—something we outgrow with understanding. For men like my dad, I guess it was.
Christopher Hawke (Unnatural Truth)
There he is, bent over the page, with a monocle in his right eye, wholly devoted to the noble but rugged task of ferreting out the error. He has already promised himself to write a little monograph in which he will relate the finding of the book and the discovery of the error, if there really is one hidden there. In the end, he discovers nothing and contents himself with possession of the book. He closes it, gazes at it, gazes at it again, goes to the window and holds it in the sun. The only copy! At this moment a Caesar or a Cromwell passes beneath his window, on the road to power and glory. He turns his back, closes the window, stretches in his hammock, and fingers the leaves of the book slowly, lovingly, tasting it sip by sip...An only copy!
Machado de Assis (Memórias póstumas de Brás Cubas)
I fixed her a drink, then lowered myself on the spider's silk of my attention back into One Hundred Years of Solitude and the adventures of the Buendia family. The scene where the prodigal Jose Arcadio hoisted his adopted sister by her waist into his hammock and, in my translation, 'quartered her like a little bird' made my face hot. I bent down the page, whose small triangle marks the instant. Touching that triangle of yellowed paper today is like sliding my hand into the glove of my seventeen-year-old hand. Through magic, there are the Iowa fields slipping by... And there is my mother, not yet born into the ziplock baggie of ash my sister sent me years ago with the frank message 'Mom 1/2', written in laundry pen, since no-one in our family ever stood on ceremony.
Mary Karr (Lit)
Mountain Center" Maureen McLane The cords are strong a loose weave strung between white pines. Now I will offer a transcript of today’s news and you’ll know it as conceptual poetry as this hammock is a plagiarism of all other hammocks in all poems & the world. My dream of originality a copy of an idea no one had. Like everyone “I have wasted my life.” Magpie day mockingbird night cuckoo mind
Maureen McLane
There's not a damned thing wrong with your body. You are average-sized, you deluded fool! You are an attractive, intelligent woman, you idiot! You should spend January lying in a hammock and eating cheese.
Liane Moriarty (Nine Perfect Strangers)
Time shall show us. The post of honour and the post of shame, the general's station and the drummer's, a peer's statue in Westminster Abbey and a seaman's hammock in the bosom of the deep, the mitre and the workhouse, the woolsack and the gallows, the throne and the guillotine - the travellers to all are on the great high road; but it has wonderful divergences, and only Time shall show us whither each traveller is bound.
Charles Dickens (Little Dorrit)
She's saying something. My mother's words found me, there in the black. I pinched my eyes closed, her face coming into perfect view One long, dark red braid over her shoulder. Pale gray eyes the color of morning fog and the sea-dragon necklace around her neck as she looked up into the clouds above us. Isolde loved the storms. That night, the bell rang out and my father came for me, pulling me from my hammock bleary-eyed and confused. and when he put me in the rowboat, I screamed for my mother until my throat was raw. The Lark was already half-sunk, disappearing in the water behind us. My mother called it touching the soul of the storm. When she came upon us like that, she was taking us into her hart and letting us see her. She was saying something. And only then would we know what lay within her. Only then would we know who she was.
Adrienne Young (Fable (The World of the Narrows, #1))
Some rooftop, water-tank looming, street-racket strangely quelled and other known and unknown there, long sweet summer evening on the tarred roof: leaned back your head to the nightvault swarming with stars the Pleiades broken loose, not seven but thousands every known constellation flinging out fiery threads and you could distinguish all -cobwebs, tendrils, anatomies of stars coherently hammocked, blueblack avenues between… It was New York, the dream-site the lost city the city of dreadful light…we went striding the avenues in our fiery hair in our bodies young and ordinary riding the subways reading or pressed against other bodies feeling in them the maps of Brooklyn Queens Manhattan…
Adrienne Rich (An Atlas of the Difficult World)
Klaus leaned out the window and began to pour the mixture of blackstrap molasses, wild clover honey, corn syrup, aged balsamic vinegar, apple butter, strawberry jam, caramel sauce, maple syrup, butterscotch topping, maraschino liqueur, virgin and extra-virgin olive oil, lemon curd, dried apricots, mango chutney, crema di noci, tamarind paste, hot mustard, marshmallows, creamed corn, peanut butter, grape preserves, salt water taffy, condensed milk, pumpkin pie filling, and glue onto the closest wheels, while his sister tossed the hammocks out of the door, and if you have read anything of the Baudelaire orphans' lives - which I hope you have not - then you will not be surprised to read that Violet's invention worked perfectly.
Lemony Snicket (The Slippery Slope (A Series of Unfortunate Events, #10))
The Muskrat was still lying in his hammock and thinking. "Good afternoon, Uncle Muskrat!" said Moomintroll. "Do you know that things have begun to happen?" "Nothing new in any case," said the Muskrat. "Oh, yes," said Moomintroll. "Completely new. There are people in the forest making secret signs everywhere -- threats or warnings or something. When the silk-monkey and I came home a little while ago, somebody had arranged mamma's jam pears in a pattern that looked like a star with a tail.
Tove Jansson (Comet in Moominland (The Moomins, #2))
Footnote 164: "I finally hooked up with Ashley. I went over to her place yesterday morning. Early. She lives in Venice. Her eyebrows look like flakes of sunlight. Her smile, I'm sure, burnt Rome to the ground. And for the life of me I didn't know who she was or where we met... We sat down and I wanted to talk. I wanted to ask her who she was, where we'd met, been before, but she just smiled and held my hand as we lay down on the hammock and started to swing above all those dead leaves... Before I left she told me our story: where we met - Texas - kissed, but never made love and this had confused and haunted her and she had needed it before she got married which was in four months to a man she loved who made a living manufacturing TNT exclusively for a highway construction firm up in Colorado where he frequently went on business trips and where one night, drunk, angry and disappointed he had invited a hooker back to his motel room and so on and who cared and what was I doing here anyway?... I was still hurting, abandoned, drank three glasses of bourbon and fumed on some weed, then came here, thinking of voices, real and imagined, of ghosts, my ghost, of her, at long last, in this idiotic footnote, when she gently pushed me out her door and I said quietly 'Ashley' causing her to stop pushing me and ask 'yes?' her eyes bright with something she saw that I could never see though what she saw was me, and me not caring now at least knowing the truth and telling her the truth: 'I've never been to Texas.'" - House of Leaves
Mark Z. Danielewski (House of Leaves)
Then, on impulse, I scroll back through my previous Instagram posts, looking at the photos of London cafes, sights, drinks, and smiling faces (mostly strangers). The whole thing is like a feel-good movie, and what's wrong with that? Loads of people use colored filters or whatever on Instagram. Well, my filter is the “this is how I'd like it to be” filter. It's not that I lie. I was in those places, even if I couldn't afford a hot chocolate. It's just I don't dwell on any of the not-so-great stuff in my life, like the commute or the prices or having to keep all my stuff in a hammock. Let alone vanilla-whey-coated eggs and abnoxious lechy flatmates. And the point is, it's something to aspire to, something to hope for. One day my life will match my Instagram posts. One day.
Sophie Kinsella (My Not So Perfect Life)
Vaguely she was aware of her moans floating across the backyard as her entire body tightened around him, then released, sending bits of her consciousness flying in all directions like the stars in the sky above. Her nails dug into his shoulder through his shirt as she anchored herself to him, as the orgasm pulsed through her. She felt the ripples of his own climax inside her, and then he collapsed over her, bringing both legs into the hammock and pulling her against his side. “Perfect,” he murmured, and in a few minutes, his breathing evened out.
Emma Jay (Her Perfect Getaway (Bridesmaids in Paradise #1))
Every summer we strung the old hammock between two hearty apple trees that tempered summer’s humidity with the thick shade that they poured on those that lingered beneath them. And I would swing for hours, listlessly adrift in the quiet refuge that they afforded me. And yet, while I slept wrapped in the solace of their sanctuary they were busy fashioning sweeping canopies full of apples of the sweetest sort. And in my busyness, had I not paused under their canopies all I would see are the apples that fed by body, but I would have missed the solace that fed my soul.
Craig D. Lounsbrough
They lost their sense of reality, the notion of time, the rhythm of daily habits. They closed the doors and windows again so as not to waste time getting undressed and they walked about the house as Remedios the Beauty had wanted to do and they would roll around naked in the mud of the courtyard, and one afternoon they almost drowned as they made love in the cistern. In a short time they did more damage than the red ants: they destroyed the furniture in the parlor, in their madness they tore to shreds the hammock that had resisted the sad bivouac loves of Colonel Aureliano Buendía and they disemboweled the mattresses and emptied them on the floor as they suffocated in storms of cotton. Although Aureliano was just as ferocious a lover as his rival, it was Amaranta ?rsula who ruled in that paradise of disaster with her mad genius and her lyrical voracity, as if she had concentrated in her love the unconquerable energy that her great-great-grandmother had given to the making of little candy animals. And yet, while she was singing with pleasure and dying with laughter over her own inventions, Aureliano was becoming more and more absorbed and silent, for his passion was self-centered and burning. Nevertheless, they both reached such extremes of virtuosity that when they became exhausted from excitement, they would take advantage of their fatigue. They would give themselves over to the worship of their bodies, discovering that the rest periods of love had unexplored possibilities, much richer than those of desire. While he would rub Amaranta ?rsula’s erect breasts with egg whites or smooth her elastic thighs and peach-like stomach with cocoa butter, she would play with Aureliano’s portentous creature as if it were a doll and would paint clown’s eyes on it with her lipstick and give it a Turk’s mustache with her eyebrow pencil, and would put on organza bow ties and little tinfoil hats. One night they daubed themselves from head to toe with peach jam and licked each other like dogs and made mad love on the floor of the porch, and they were awakened by a torrent of carnivorous ants who were ready to eat them alive.
Gabriel García Márquez (One Hundred Years of Solitude)
But the most amazing thing is the sight I’m looking at right now, and I don’t need the binoculars to see it either: Michael wearing nothing but board shorts as he lies in the hammock across from mine, reading a book on microprocessing (I do hope the micros and the processors end up happily ever after at the end)
Meg Cabot (Royal Wedding (The Princess Diaries, #11))
As far as Stephen could see they were tolerably shipshape already. The bare little rooms had been sanded and scrubbed; various neat lockers economized space; a complication of white cordage in the corner showed that a hanging chair, that most comfortable of seats, was being made; and hammocks lashed up with seven perfectly even turns and covered with a rug formed a not inelegant sofa. Jack Aubrey had spent most of his naval life in quarters very much more confined than this; he had also a good deal of experience of French and American prisons, to say nothing of English sponging houses, and it would have been a hard gaol indeed that found him at a loss.
Patrick O'Brian (The Reverse of the Medal (Aubrey & Maturin, #11))
Las Casas tells how the Spaniards “grew more conceited every day” and after a while refused to walk any distance. They “rode the backs of Indians if they were in a hurry” or were carried on hammocks by Indians running in relays. “In this case they also had Indians carry large leaves to shade them from the sun and others to fan them with goose wings.” Total control led to total cruelty. The Spaniards “thought nothing of knifing Indians by tens and twenties and of cutting slices off them to test the sharpness of their blades.” Las Casas tells how “two of these so-called Christians met two Indian boys one day, each carrying a parrot; they took the parrots and for fun beheaded the boys.
Howard Zinn (A People's History of the United States)
Had I guns (as I had goods) to work my Christian harm. I had run him up from the quarter deck to trade with his own yard-arm; I had nailed his ears to my capstan-head, and ripped them off with a saw, And soused them in the bilgewater, and served them to him raw; I had flung him blind in a rudderless boat to rot in the rocking dark, I had towed him aft of his own craft, a bait for his brother shark; I had lapped him round with cocoa husk, and drenched him with the oil, And lashed him fast to his own mast to blaze above my spoil; I had stripped his hide for my hammock-side, and tasseled his beard in the mesh, And spitted his crew on the live bamboo that grows through the gangrened flesh.
Rudyard Kipling
His voice grew more remote. She wondered if he was calling from his condominium, where he’d lost his best friend, or from Avalon, where he’d lost himself. “I like you, Billie. You’re a nice person. Good company. But tonight was a mistake.” She flung an arm over her eyes and swallowed the lump of tears that had lodged in her throat. “Oh? Which part? The part where you introduced me to your family and exposed yourself as coming from a perfectly average, wholesome background? Or the part where you touched me and turned me inside-out while swaying in a hammock in the rich, beautiful woods—one of the most searing sexual experiences of my life? Which part do you regret, Adrian?” “All of it. I can’t have those things with you. You know what I am.” “Yes, Adrian, I know what you are. A gentle man. A likable one. Smart. Cultured. Sexy. I know what you are.” “But the other part—” “What about the other part? You hide behind the other part.” She yanked the pillow out from beneath her head and winged it across the bedroom, furious suddenly. “Did you call to tell me I’m not going to see you anymore? Because if that’s the case, hurry up and say it. Then hang up and go back to work, and don’t worry one bit about me. I’ve been on my own a long time, and I’m tougher than you think. I won’t cling to any man who’d rather be a-a—” She stumbled, bit back the ugly words rushing to her lips. “A what?” he countered softly. “A whore? A gigolo? Go ahead and say it, Billie. If you’re going to waste your time caring about me, then you’d better get used to the idea, because I can’t change. I won’t. Not for you or anyone.” She bit back a sound of pure derision. “How about for you? Think you could walk the straight and narrow for yourself?” He didn’t reply. He didn’t have to. Billie already knew the answer. “You’re afraid.” She sat up among the sheets as cold realization washed through her. “Afraid to live without women clambering to pay top dollar for you. All that money…it’s a measure of your value, right? It’s your self-esteem. What would happen if you were paid in love instead of cash? Would the world end? My God, Adrian. You’re running scared.” The half-whispered accusation seemed to permeate his impassivity. “I was fine before you.” His voice came low and furious. Finally, finally. True emotion. “Damn it, Billie. I want my life back.” “Then hang up and don’t call me again, because I’m not going to pay you for sex, Adrian. What I offer is a worthless currency in your world.
Shelby Reed (The Fifth Favor)
Two blue jackets, sir, one pea jacket, two pair of blue trousers, two pair of shoes, six shirts, four pairs of stockings, two Guernsey frocks, two hats, two black Barcelona handkerchiefs, a comforter, several pair of flannel . . .’ he blushed and in a low voice said ‘drawers. And two waistcoats; as well as one bed, one pillow, two blankets and two hammocks,
Patrick O'Brian (Treason's Harbour (Aubrey & Maturin, #9))
Often, when forced from his hammock by exhausting and intolerably vivid dreams of the night, which, resuming his own intense thoughts through the day, carried them on amid a clashing of phrensies, and whirled them round and round and round in his blazing brain, till the very throbbing of his life-spot became insufferable anguish; and when, as was sometimes the case, these spiritual throes in him heaved his being up from its base, and a chasm seemed opening in him, from which forked flames and lightnings shot up, and accursed fiends beckoned him to leap down among them; when this hell in himself yawned beneath him, a wild cry would be heard through the ship; and with glaring eyes Ahab would burst from his state room, as though escaping from a bed that was on fire.
Herman Melville (Moby Dick (Illustrated))
Susan Baker and the Anne Shirley of other days saw her coming, as they sat on the big veranda at Ingleside, enjoying the charm of the cat's light, the sweetness of sleepy robins whistling among the twilit maples, and the dance of a gusty group of daffodils blowing against the old, mellow, red brick wall of the lawn. Anne was sitting on the steps, her hands clasped over her knee, looking, in the kind dusk, as girlish as a mother of many has any right to be; and the beautiful gray-green eyes, gazing down the harbour road, were as full of unquenchable sparkle and dream as ever. Behind her, in the hammock, Rilla Blythe was curled up, a fat, roly-poly little creature of six years, the youngest of the Ingleside children. She had curly red hair and hazel eyes that were now buttoned up after the funny, wrinkled fashion in which Rilla always
L.M. Montgomery (Rainbow Valley (Anne of Green Gables #7))
Finally when he climbed below deck after dark, wondering where his dinner was, perhaps with a storm come up and rough seas and blinding rains, I'd sulk and lure him into the warm and steamy darkness and from the hairs of his warm body I'd breed a myriad smiling, sparkle-eyed one-year-olds, my broods, my flocks. In the churning seas, below the waves, together inside our hammock woven in coarse sailcloth by Unguentine's deft hands, a spherical webbed sack which hung and swivelled between the two walls of our bedroom, we would spin round and round with lapping tongues and the soft suction of lips, whirling, our amorous centrifuge, all night long, zipped inside against the elements. Now, years and years later, those nights, the thought and touch of them is enough to make me throw myself down on the ground and roll in the dust like a hen nibbled by mites, generating clouds, stars and all the rest.
Stanley Crawford (Log of the S.S. the Mrs. Unguentine)
It was warm and salty, chalky and bittersweet. It tasted like the blood of some old, old thing. I tried not to think about how much at the mercy of these strange people I now was. But in fact my courage was failing. Both Dona Catalina and the guide's mocking eyes had slowly gone cold and mantislike. A wave of insect sound sweeping up the river seemed to splatter the darkness with shards of sharpedged light. I felt my lips go numb. Trying not to appear as loaded as I felt, I crossed to my hammock and lay back. Behind my closed eyelids there was a flowing river of magenta light. It occurred to me in a kind of dream mental pirouette that a helicopter must be landing on top of the hut, and this was the last impression I had. When I regained consciousness I appeared to myself to be surfing on the inner curl of a wave of brightly lit transparent information several hundred feet high. Exhilaration gave way to terror as I realised that my wave was speeding toward a rocky coastline.
Terence McKenna (Food of the Gods: The Search for the Original Tree of Knowledge)
There are so many hammocks to catch you if you fall, so many laws to keep you from experience. All these cities I have been in the last few weeks make me fully understand the cozy, stifling state in which most people pass through life. I don't want to pass through life like a smooth plane ride. All you do is get to breathe and copulate and finally die. I don't want to go with the smooth skin and the calm brow. I hope I end up a blithering idiot cursing the sun - hallucinating, screaming, giving obscene and inane lectures on street corners and public parks. People will walk by and say, "Look at that drooling idiot. What a basket case." I will turn and say to them "It is you who are the basket case. For every moment you hated your job, cursed your wife and sold yourself to a dream that you didn't even conceive. For the times your soul screamed yes and you said no. For all of that. For your self-torture, I see the glowing eyes of the sun! The air talks to me! I am at all times!" And maybe, the passers by will drop a coin into my cup.
Henry Rollins
Frederick Cuvier and several of the older metaphysicians have compared instinct with habit. This comparison gives, I think, an accurate notion of the frame of mind under which an instinctive action is performed, but not necessarily of its origin. How unconsciously many habitual actions are performed, indeed not rarely in direct opposition to our conscious will! yet they may be modified by the will or reason. Habits easily become associated with other habits, with certain periods of time and states of the body. When once acquired, they often remain constant throughout life. Several other points of resemblance between instincts and habits could be pointed out. As in repeating a well-known song, so in instincts, one action follows another by a sort of rhythm; if a person be interrupted in a song, or in repeating anything by rote, he is generally forced to go back to recover the habitual train of thought: so P. Huber found it was with a caterpillar, which makes a very complicated hammock; for if he took a caterpillar which had completed its hammock up to, say, the sixth stage of construction, and put it into a hammock completed up only to the third stage, the caterpillar simply re-performed the fourth, fifth, and sixth stages of construction. If, however, a caterpillar were taken out of a hammock made up, for instance, to the third stage, and were put into one finished up to the sixth stage, so that much of its work was already done for it, far from deriving any benefit from this, it was much embarrassed, and, in order to complete its hammock, seemed forced to start from the third stage, where it had left off, and thus tried to complete the already finished work.
Charles Darwin (On the Origin of Species (Large Print Edition))
They turned a corner and there ahead of them was the end of the passage. Another short flight of steps led to a door just like the one hidden behind Ariana’s portrait. Neville pushed it open and climbed through. As Harry followed, he heard Neville call out to unseen people: “Look who it is! Didn’t I tell you?” As Harry emerged into the room beyond the passage, there were several screams and yells: “HARRY!” “It’s Potter, it’s POTTER!” “Ron!” “Hermione!” He had a confused impression of colored hangings, of lamps and many faces. The next moment, he, Ron, and Hermione were engulfed, hugged, pounded on the back, their hair ruffled, their hands shaken, by what seemed to be more than twenty people: They might just have won a Quidditch final. “Okay, okay, calm down!” Neville called, and as the crowd backed away, Harry was able to take in their surroundings. He did not recognize the room at all. It was enormous, and looked rather like the interior of a particularly sumptuous tree house, or perhaps a gigantic ship’s cabin. Multicolored hammocks were strung from the ceiling and from a balcony that ran around the dark wood-paneled and windowless walls, which were covered in bright tapestry hangings: Harry saw the gold Gryffindor lion, emblazoned on scarlet;
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Okay. He's not coming back. Is he? No. I thought back to biking that first day in Oregon. Weston and I weaving back and forth, taking up the whole street, loving the August air and ocean breeze. I remember him calling me his "neighbor" every night as we'd lie in our hammocks. "Oh, how's the family, neighbor?" he'd ask. "Oh, great." We'd started with such fire and magic. With a shared destiny and destination. The beginning of a grand adventure is pregnant with a thousand futures. Every possible best thing. But the end is often a fizzle. For us, Weston left for a wedding. And didn't come back. And just like that, a chapter was done.
Jedidiah Jenkins (To Shake the Sleeping Self: A Journey from Oregon to Patagonia, and a Quest for a Life with No Regret)
Then he said something about how L.A. is dust and exhaust and the hot, dry wind that sets your nerves on edge and pushes fire up the hillsides in ragged lines like tears in the paper that separates us from hell, and it’s towering clouds of smoke, and it’s sunshine that won’t let up and cool ocean fog that gets unrolled at night over the whole basin like a clean white hospital sheet and peeled back again in the morning. It’s a crescent moon in a sky bruised green after the sunset has beaten the shit out of it. It’s a lazy hammock moon rising over power lines, over the skeletal silhouettes of pylons, over shaggy cypress trees and the spiky black lionfish shapes of palm-tree crowns on too-skinny trunks. It’s the Big One that’s coming to turn the city to rubble and set the rubble on fire but not today, hopefully not today. It’s the obviousness of pointing out that the freeway looks like a ruby bracelet stretched alongside a diamond one, looks like a river of lava flowing counter to a river of champagne bubbles. People talk about the sprawl, and, yeah, the city is a drunk, laughing bitch sprawled across the flats in a spangled dress, legs kicked up the canyons, skirt spread over the hills, and she’s shimmering, vibrating, ticklish with light. Don’t buy a star map. Don’t go driving around gawking because you’re already there, man. You’re in it. It’s all one big map of the stars.
Maggie Shipstead (Great Circle)
This morning when I looked out the roof window before dawn and a few stars were still caught in the fragile weft of ebony night I was overwhelmed. I sang the song Louis taught me: a song to call the deer in Creek, when hunting, and I am certainly hunting something as magic as deer in this city far from the hammock of my mother’s belly. It works, of course, and deer came into this room and wondered at finding themselves in a house near downtown Denver. Now the deer and I are trying to figure out a song to get them back, to get all of us back, because if it works I’m going with them. And it’s too early to call Louis and nearly too late to go home. [from poem, "Song for the Deer and Myself to Return On"]
Joy Harjo
Like God, you hover above the page staring down on a small town. Outside a window some scenery loafs in a sleepy hammock of pastoral prose and here is a mongrel loping and here is a train approaching the station in three long sentences and here are the people in galoshes waiting. But you know this story about the galoshes is really About Your Life, so, like a diver climbing over the side of a boat and down into the ocean, you climb, sentence by sentence, into this story on this page. You have been expecting yourself as a woman who purrs by in a dress by Patou, and a porter manacled to the luggage, and a man stalking across the page like a black cloud in a bad mood. These are your fellow travelers and you are a face behind or inside these faces, a heartbeat in the volley of these heartbeats, as you choose, out of all the journeys, the journey of a man with a mustache scented faintly with Prince Albert. "He must be a secret sensualist," you think and your awareness drifts to his trench coat, worn, softened, and flabby, a coat with a lobotomy, just as the train pulls into the station. No, you would prefer another stop in a later chapter where the climate is affable and sleek. But the passengers are disembarking, and you did not choose to be in the story of the woman in the white dress which is as cool and evil as a glass of radioactive milk. You did not choose to be in the story of the matron whose bosom is like the prow of a ship and who is launched toward lunch at the Hotel Pierre, or even the story of the dog-on-a-leash, even though this is now your story: the story of the person-who-had-to-take-the-train-and-walk- the-dark-road described hurriedly by someone sitting at the tavern so you could discover it, although you knew all along the road would be there, you, who have been hovering above this page, holding the book in your hands, like God, reading.
Lynn Emanuel
Often, when forced from his hammock by exhausting and intolerably vivid dreams of the night, which, resuming his own intense thoughts through the day, carried them on amid a clashing of phrensies, and whirled them round and round in his blazing brain, till the very throbbing of his life-spot became insufferable anguish; and when, as was sometimes the case, these spiritual throes in him heaved his being up from its base, and a chasm seemed opening in him, from which forked flames and lightnings shot up, and accursed fiends beckoned him to leap down among them; when this hell in himself yawned beneath him, a wild cry would be heard through the ship; and with glaring eyes Ahab would burst from his state room, as though escaping from a bed that was on fire. Yet these, perhaps, instead of being the unsuppressable symptoms of some latent weakness, or fright at his own resolve, were but the plainest tokens of its intensity. For, at such times, crazy Ahab, the scheming, unappeasedly steadfast hunter of the White Whale; this Ahab that had gone to his hammock, was not the agent that so causedhim to burst from it in horror again. The latter was the eternal, living principle or soul in him; and in sleep, being for the time dissociated from the characterizing mind, which at other times employed it for its outer vehicle or agent, it spontaneously sought escape from the scorching contiguity of the frantic thing, of which, for the time, it was no longer an integral. But as the mind does not exist unless leagued with the soul, therefore it must have been that, in Ahab's case, yielding up all his thoughts and fancies to his one supreme purpose; that purpose, by its own sheer inveteracy of will, forced itself against gods and devils into a kind of self-assumed, independent being of its own. Nay, could grimly live and burn, while the common vitality to which it was conjoined, fled horror-stricken from the unbidden and unfathered birth. Therefore, the tormented spirit that glared out of bodily eyes, when what seemed Ahab rushed from his room, was for the time but a vacated thing, a formless somnambulistic being, a ray of living light, to be sure, but without an object to color, and therefore a blankness in itself. God help thee, old man, thy thoughts have created a creature in thee; and he whose intense thinking thus makes him a Prometheus; a vulture feeds upon that heart for ever; that vulture the very creature he creates.
Herman Melville (Moby Dick)