Hamilton Play Quotes

We've searched our database for all the quotes and captions related to Hamilton Play. Here they are! All 100 of them:

Neither love nor evil conquers all, but evil cheats more.
Laurell K. Hamilton (Cerulean Sins (Anita Blake, Vampire Hunter, #11))
What did they think I was going to do, steal a body? If I wanted to, I could empty the damn place and get every corpse to play follow the leader. Perhaps that was why I needed watching. Perhaps." --Anita Blake
Laurell K. Hamilton
I was caught between going yippy-skippy i get to play with them both, and running like hell.
Laurell K. Hamilton (Cerulean Sins (Anita Blake, Vampire Hunter, #11))
Turnabout is fair play. Payback is a bitch.
Laurell K. Hamilton (Circus of the Damned (Anita Blake, Vampire Hunter, #3))
Holy shit? She said yes? I had to force myself to play cool, because I was about to fist pump the sky or some shit.
J. Lynn (Trust in Me (Wait for You, #1.5))
But we were all young once. It passes, like innocence and a sense of fair play. The only thing left in the end is a good instinct for survival.
Laurell K. Hamilton (Circus of the Damned (Anita Blake, Vampire Hunter, #3))
My wife's the reason anything gets done, she nudges me towards promise by degrees. She is a perfect symphony of one our son is her most beautiful reprise. We chase the melodies that seem to find us until they're finished songs and start to play. When senseless acts of tragedy remind us that nothing here is promised--not one day. This show is proof that history remembers. We live in times when hate and fear seem stronger. We rise and fall and light from dying embers--remembrances that hope and love last longer. And love is love is love is love is love is love is love is love cannot be killed or swept aside. I sing Vanessa's symphony. Eliza tells her story. Now, fill the world with music, love, and pride.
Lin-Manuel Miranda
Richard was a riddle with no answer, and I was tired of playing a game I couldn't win.
Laurell K. Hamilton (Narcissus in Chains (Anita Blake, Vampire Hunter, #10))
This whole strike has turned into a way to fuck with people, Lissa," he snapped. "It was one thing when you were just boycotting sex, but now...Look at you. You're using sex to get what you want-playing with my feelings for your own benefit. That's why you came over, right? I'm not stupid. You're the one who's cruel, Lissa. Not me.
Kody Keplinger (Shut Out (Hamilton High, #2))
The myth of 'You have to be a tortured artist' is a myth," says Lin. "You can have a happy, healthy life and still go to all these crazy dark places in your writing, and then go play with your child and hug your wife.
Jeremy McCarter (Hamilton: The Revolution)
Anita can speak for herself," Richard said. Jean-Claude's attention flicked back to me. "That is certainly true. But I came to see how the two of you enjoyed the play." "And pigs fly," I said. "You don't believe me?" "Not hardly," I said.
Laurell K. Hamilton (The Lunatic Cafe (Anita Blake, Vampire Hunter, #4))
You know, without a doubt, that surrender is the only option to fulfill whatever you are attempting.
Jean Hamilton-Fford (Play.Create.Succeed.)
It was a bad idea to play chicken with someone who'd known you your whole life. Nobody came out a winner.
Alwyn Hamilton (Traitor to the Throne (Rebel of the Sands, #2))
He made a small sigh, as he swallowed the first blood, then his mouth closed over my earlobe, mouth working at the wound, tongue coaxing blood from the wound. He pressed his body the length of mine, one hand cupping my turned head, the other playing down the line of my body. Maybe it was just blood, but I never stroked my steak while eating it.
Laurell K. Hamilton (Obsidian Butterfly (Anita Blake, Vampire Hunter, #9))
76. David Hume – Treatise on Human Nature; Essays Moral and Political; An Enquiry Concerning Human Understanding 77. Jean-Jacques Rousseau – On the Origin of Inequality; On the Political Economy; Emile – or, On Education, The Social Contract 78. Laurence Sterne – Tristram Shandy; A Sentimental Journey through France and Italy 79. Adam Smith – The Theory of Moral Sentiments; The Wealth of Nations 80. Immanuel Kant – Critique of Pure Reason; Fundamental Principles of the Metaphysics of Morals; Critique of Practical Reason; The Science of Right; Critique of Judgment; Perpetual Peace 81. Edward Gibbon – The Decline and Fall of the Roman Empire; Autobiography 82. James Boswell – Journal; Life of Samuel Johnson, Ll.D. 83. Antoine Laurent Lavoisier – Traité Élémentaire de Chimie (Elements of Chemistry) 84. Alexander Hamilton, John Jay, and James Madison – Federalist Papers 85. Jeremy Bentham – Introduction to the Principles of Morals and Legislation; Theory of Fictions 86. Johann Wolfgang von Goethe – Faust; Poetry and Truth 87. Jean Baptiste Joseph Fourier – Analytical Theory of Heat 88. Georg Wilhelm Friedrich Hegel – Phenomenology of Spirit; Philosophy of Right; Lectures on the Philosophy of History 89. William Wordsworth – Poems 90. Samuel Taylor Coleridge – Poems; Biographia Literaria 91. Jane Austen – Pride and Prejudice; Emma 92. Carl von Clausewitz – On War 93. Stendhal – The Red and the Black; The Charterhouse of Parma; On Love 94. Lord Byron – Don Juan 95. Arthur Schopenhauer – Studies in Pessimism 96. Michael Faraday – Chemical History of a Candle; Experimental Researches in Electricity 97. Charles Lyell – Principles of Geology 98. Auguste Comte – The Positive Philosophy 99. Honoré de Balzac – Père Goriot; Eugenie Grandet 100. Ralph Waldo Emerson – Representative Men; Essays; Journal 101. Nathaniel Hawthorne – The Scarlet Letter 102. Alexis de Tocqueville – Democracy in America 103. John Stuart Mill – A System of Logic; On Liberty; Representative Government; Utilitarianism; The Subjection of Women; Autobiography 104. Charles Darwin – The Origin of Species; The Descent of Man; Autobiography 105. Charles Dickens – Pickwick Papers; David Copperfield; Hard Times 106. Claude Bernard – Introduction to the Study of Experimental Medicine 107. Henry David Thoreau – Civil Disobedience; Walden 108. Karl Marx – Capital; Communist Manifesto 109. George Eliot – Adam Bede; Middlemarch 110. Herman Melville – Moby-Dick; Billy Budd 111. Fyodor Dostoevsky – Crime and Punishment; The Idiot; The Brothers Karamazov 112. Gustave Flaubert – Madame Bovary; Three Stories 113. Henrik Ibsen – Plays 114. Leo Tolstoy – War and Peace; Anna Karenina; What is Art?; Twenty-Three Tales 115. Mark Twain – The Adventures of Huckleberry Finn; The Mysterious Stranger 116. William James – The Principles of Psychology; The Varieties of Religious Experience; Pragmatism; Essays in Radical Empiricism 117. Henry James – The American; The Ambassadors 118. Friedrich Wilhelm Nietzsche – Thus Spoke Zarathustra; Beyond Good and Evil; The Genealogy of Morals;The Will to Power 119. Jules Henri Poincaré – Science and Hypothesis; Science and Method 120. Sigmund Freud – The Interpretation of Dreams; Introductory Lectures on Psychoanalysis; Civilization and Its Discontents; New Introductory Lectures on Psychoanalysis 121. George Bernard Shaw – Plays and Prefaces
Mortimer J. Adler (How to Read a Book: The Classic Guide to Intelligent Reading)
On one side of accountability is courage, on the other is freedom.
Jean Hamilton-Fford (Play.Create.Succeed.)
Through Compassion and Care we are compelled to random acts of kindness and demonstrations of love.
Jean Hamilton-Fford (Play.Create.Succeed.)
No one recorded what those marches were, though decades later there was an apocryphal and later-debunked story the one of the songs the British played was the on-the-nose "The World Turned Upside Down.
Sarah Vowell (Lafayette in the Somewhat United States)
Each player must accept the cards life deals him or her: but once they are in hand, he or she alone must decide how to play the cards in order to win the game.” Voltaire, 1694–1778
Elizabeth Cobbs (The Hamilton Affair)
On his way offstage, the president shook hands with Lin and said, "I'm proud of you, man." (In a gesture of self-restraint, Lin had stuck to the performance calendar they had announced before learning that President Obama was coming, the one that said Javier Muñoz would play Hamilton that afternoon.)
Lin-Manuel Miranda
Some women feel loved if you do the dishes without being reminded; some men feel loved if you’ll play a video game with them, others if you buy them a collar and a nice leash and occasionally lead them around by it.
Laurell K. Hamilton (Affliction (Anita Blake, Vampire Hunter, #22 ))
The comparison might strike you as farfetched. What (you might be asking) can a Broadway musical possibly add to the legacy of a Founding Father--a giant of our national life, a war hero, a scholar, a statesman? What's one little play, or even one very big play, next to all that? But there is more than one way to change the world . To secure their freedom, the polyglot American colonists had to come together, and stick together, in the face of enormous adversity. To live in a new way, they first had to think and feel in a new way. It took guns and ships to win the American Revolution, but it also required pamphlets and speeches--and at least one play.
Jeremy McCarter (Hamilton: The Revolution)
When you seek, you lead in discovery.
Jean Hamilton-Fford (Play.Create.Succeed.)
Seek to persuade the sea wave not to break. You will persuade me no more easily.
Edith Hamilton (The Greek Way)
The rest of us have to play along with God’s little game of Russian roulette, His eternal lesson to live it up while you can. And far be it for me to turn away from God—let’s get a drink.
Pamela L Hamilton (Lady Be Good Lib/E: The Life and Times of Dorothy Hale)
Maybe I could get a job in Colonial Williamsburg,” I say, trying to get into the spirit. “I could churn butter. Wear period garb. Like, a calico dress with an apron or whatever they wore in Colonial times. I’ve heard they’re not allowed to speak to each other in modern-day language, and kids are always trying to trip them up. That could be fun. The only thing is, I’m not sure if they hire Asian people because of historical accuracy…” “Lara Jean, we live in the time of Hamilton! Phillipa Soo is half-Chinese, remember? If she can play Eliza Hamilton, you can churn butter.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
Because if someone is determined to do something evil there’s really no stopping them. It’s not the music they listen to, in the television or movies they watch, or video games they play, or even the books they read.
Laurell K. Hamilton (Circus of the Damned (Anita Blake, Vampire Hunter, #3))
As it turned out, the story he told wasn’t about doping; it was about power. It was about an ordinary guy who worked his way up to the top of an extraordinary world, who learned to play a shadowy chess match of strategy and information at the outermost edge of human performance. It was about a corrupt but strangely chivalrous world, where you would take any chemical under the sun to go faster, but wait for your opponent if he happened to crash.
Tyler Hamilton (The Secret Race: Inside the Hidden World of the Tour de France)
The hero can prove what he is only by dying. The power of good is shown not by triumphantly conquering evil, but by continuing to resist evil while facing certain defeat. Such an attitude toward life seems at first sight fatalistic, but actually the decrees of an inexorable fate played no more part in the Norseman’s scheme of existence than predestination did in St. Paul’s or in that of his militant Protestant followers, and for precisely the same reason.
Edith Hamilton (Mythology: Timeless Tales of Gods and Heroes)
Wesley was playing Soulcalibur IV. And because I’m a glutton for punishment, I’d challenged him. My God, I had to find something I could beat him at! And you know, something about beating the shit out of an animated character really made me feel better. Before I knew it, I wasn’t even worried about Mom or Dad. Things would be okay. They had to be. I just had to be patient and let things happen. And in the meantime, I had to kick Wesley’s ass… or try, at least.
Kody Keplinger (The DUFF: Designated Ugly Fat Friend (Hamilton High, #1))
The end, the tale of what happened to the Trojan women when Troy fell, comes from a play by Sophocles’ fellow playwright, Euripides. It is a curious contrast to the martial spirit of the Aeneid. To Virgil as to all Roman poets, war was the noblest and most glorious of human activities. Four hundred years before Virgil a Greek poet looked at it differently. What was the end of that far-famed war? Euripides seems to ask. Just this, a ruined town, a dead baby, a few wretched women.
Edith Hamilton (Mythology)
PHOEBUS APOLLO The son of Zeus and Leto (Latona), born in the little island of Delos. He has been called “the most Greek of all the gods.” He is a beautiful figure in Greek poetry, the master musician who delights Olympus as he plays on his golden lyre;
Edith Hamilton (Mythology)
Slaveholding states wondered how their human property would be counted for congressional-apportionment purposes. Northern states finally agreed that five slaves would be counted as equivalent to three free whites, the infamous “federal ratio” that survived for another eighty years. The formula richly rewarded the southern states, artificially inflating their House seats and electoral votes and helping to explain why four of the first five presidents hailed from Virginia. This gross inequity was to play no small part in the eventual triumph of Jeffersonian Republicans over Hamiltonian Federalists.
Ron Chernow (Alexander Hamilton)
I still play in corporate America. I protect the suits that want flashy muscle. Something exotic to impress their friends about what a big shot they are." "You do the knife act on command?" I asked. He shrugged. "Sometimes." "I hope it pays well," I said. He smiled. "It either pays well or I don't do it. I may be their token Indian but I'm a rich token Indian.
Laurell K. Hamilton (Obsidian Butterfly (Anita Blake, Vampire Hunter, #9))
Maybe I'll get you a painting for Christmas," I said. "We don't buy Christmas presents for each other," Edward said. We were both staring at the fireplace as if visualizing that make-believe fire. "Maybe I'll start. One of those big-eyed children or a clown on velvet." "I won't hang it if I don't like it." I glanced at him. "Unless it's from Donna." He was very still suddenly. "Yes." "Maybe I'll tell her how much you love those pictures of dogs playing poker and she can buy you some prints." "She wouldn't believe it," he said. "No, but I bet I could come up with something that she would believe that you'd hate just as much." He stared at me. "You wouldn't." "I might." "This sounds like the opening to blackmail. What do you want?
Laurell K. Hamilton (Obsidian Butterfly (Anita Blake, Vampire Hunter, #9))
The myths record the earliest attempt at an explanation of the world and its life; the fairy tale records the free and joyful play of the imagination, opening doors through hard conditions to the spirit, which craves power, freedom, happiness; righting wrongs and redressing injuries; defeating base designs; rewarding patience and virtue; crowning true love with happiness;
Hamilton Wright Mabie (Fairy Tales Every Child Should Know)
In the year 1824, in a pleasant town located between Schenectady and Albany, stood the handsome colonial residence of Hamilton Van Rensselaer. Solemn hedges shut in the family pride and hid the family sorrow, and about the borders of its spacious gardens, where even the roses seemed subdued, there played a child. The stately house oppressed her, and she loved the sombre garden best.
Grace Livingston Hill (Dawn of the Morning)
During World War I, a play would have had short shrift here which showed up General Pershing for a coward; ridiculed the Allies’ cause; brought in Uncle Sam as a blustering bully; glorified the peace party. But when Athens was fighting for her life, Aristophanes did the exact equivalent of all these things many times over and the Athenians, pro-and anti-war alike, flocked to the theatre. The right of a man to say what he pleased was fundamental in Athens. “A slave is he who cannot speak his thought,” said Euripides. Socrates drinking the hemlock in his prison on the charge of introducing new gods and corrupting the youth is but the exception that proves the rule. He was an old man and all his life he had said what he would. Athens had just gone through a bitter time of crushing defeat, of rapid changes of government, of gross mismanagement. It is a reasonable conjecture that he was condemned in one of those sudden panics all nations know, when the people’s fears for their own safety have been worked upon and they turn cruel. Even so, he was condemned by a small majority and his pupil Plato went straight on teaching in his name, never molested but honored and sought after.
Edith Hamilton (The Greek Way)
As a member of the style committee, Hamilton showed that, for all his misgivings about the Constitution, he could be cooperative and play a serviceable part. The convention showed good judgment in choosing him, given his literary gifts and rapid pen. It is hard to believe that the Committee of Style and Arrangement took only four days to burnish syllables that were to be painstakingly explicated by future generations.
Ron Chernow (Alexander Hamilton)
You’ve spent your career inside this elite brotherhood, this family, playing the game alongside everybody else when suddenly—whoosh, you’re flushed into a world of shit, labeled “doper” in headlines, deprived of your income, and—here’s the worst part—everybody in the brotherhood pretends that you never existed. You realize you’ve been sacrificed to keep the circus going; you’re the reason they can pretend they’re clean.
Tyler Hamilton (The Secret Race: Inside the Hidden World of the Tour de France)
forces lie just outside the range of physical sight, but entirely within the range of spiritual vision, precisely as the tellers of these old stories divined; mystery and wonder enfold all things, and not only evoke the full play of the mind, but flood it with intimations and suggestions of the presence of more elusive and subtle forces, of finer and more obedient powers, as the world of fairies, magi and demons enfolded the ancient earth of daily toil and danger.
Hamilton Wright Mabie (Fairy Tales Every Child Should Know)
At first glance, young John Adams’s obsession with recognition seems odd. In contrast to the great mass of his contemporaries, his yearning was exceptional. Yet when Adams is compared to other high achievers of his generation, his behavior appears more normal. Young Washington sought recognition just as fervently, and he impatiently pursued a commission in the British army during the French and Indian War as the most rapid means of procuring attention. The youthful Thomas Jefferson dreamed of someday sitting on the King’s Council in Virginia, while Alexander Hamilton, born too late to soldier in the war in the 1750s, announced: “I contemn the grovling and condition of a Clerk or the like, to which my Fortune, &c., contemns me.” He wished for war, through which he could be catapulted into notoriety; his hero was James Wolfe, the British general who died in the assault on Quebec in 1759. Benjamin Franklin, who grew up earlier in Boston, exhibited the same industriousness and ambition that Adams would evince. He mapped out an extensive regimen of self-improvement, as did Adams, and found his role models in Jesus and Socrates. Adams, and many others who would subsequently play an important role in the affairs of early America, were the sort of men that historian Douglass Adair aptly describes as “passionately selfish and self-interested,” men who shared a common attribute, a love of fame.23
John Ferling (John Adams: A Life)
Hamlet' dwarfs 'Hamilton' - it dwarfs pretty much everything - but there's a revealing similarity between them. Shakespeare's longest play leaves its audience in the dark about some basic and seemingly crucial facts. It's not as if the Bard forgot, in the course of all those words, to tell us whether Hamlet was crazy or only pretending: He wanted us to wonder. He forces us to work on a puzzle that has no definite answer. And this mysteriousness is one reason why we find the play irresistible. 'Hamilton' is riddled with question marks. The first act begins with a question, and so does the second. The entire relationship between Hamilton and Burr is based on a mutual and explicit lack of comprehension: 'I will never understand you,' says Hamilton, and Burr wonders, 'What it is like in his shoes?' Again and again, Lin distinguishes characters by what they wish they knew. 'What'd I miss?' asks Jefferson in the song that introduces him. 'Would that be enough?' asks Eliza in the song that defines her. 'Why do you write like you're running out of time?' asks everybody in a song that marvels at Hamilton's drive, and all but declares that there's no way to explain it. 'Hamilton', like 'Hamlet', gives an audience the chance to watch a bunch of conspicuously intelligent and well-spoken characters fill the stage with 'words, words, words,' only to discover, again and again, the limits to what they can comprehend.
Lin-Manuel Miranda
When Hamilton, debilitated from illness, rejoined his comrades at Valley Forge in January 1778, he must have shuddered at the mud and log huts and the slovenly state of the men who shivered around the campfires. There was a dearth of gunpowder, tents, uniforms, and blankets. Hideous sights abounded: snow stained with blood from bare, bruised feet; the carcasses of hundreds of decomposing horses; troops gaunt from smallpox, typhus, and scurvy. Washington’s staff was not exempt from the misery and had to bolt down cornmeal mush for breakfast. “For some days past there has been little less than a famine in the camp,” Washington said in mid-February. Before winter’s end, some 2,500 men, almost a quarter of the army, perished from disease, famine, or the cold. 1 To endure such suffering required stoicism reminiscent of the ancient Romans, so Washington had his favorite play, Addison’s Cato, the story of a self-sacrificing Roman statesman, staged at Valley Forge to buck up his weary men. That
Ron Chernow (Alexander Hamilton)
The Ulfric had waded into the pack with my blood in his hands. They surrounded him, touching him, caressing, begging for him to share. He dipped his lingers in the nearly empty cup and held them down for the wolves to lick. Edward came to stand near me. He said nothing, just helped me put pressure on the wound, got more napkins from under the bar and a clean cloth to tie it tight. Our eyes met, and he just shook his head, the faintest of smiles playing on his face. "Most people pay money for information.
Laurell K. Hamilton (Obsidian Butterfly (Anita Blake, Vampire Hunter, #9))
Not fair,” I muttered. “Your sword was bigger than mine.” “My sword is bigger than everyone’s.” I lobbed my controller at his head, but of course he ducked and made me miss. Damn it. “Perv.” “Oh, come on,” he laughed. “You walked right into that one, Duffy.” I scowled at him for a moment, but I could feel the aggravation slipping away. Finally, I just shook my head… and smiled. “Okay, you’re right. I did leave that one wide open. But you know, boys that talk big never are.” Wesley frowned. “We both know that isn’t true. I’ve proved it to you plenty of times.” He smirked, then leaned against me, letting his lips brush against my ear. “But I can prove it again if you want me to… and you know you want me to.” “I… I don’t think that’s necessary,” I managed. His lips were moving down my neck, sending an electric current up my spine. “Oh,” he growled playfully. “I do.” I laughed as he shoved me to the floor, one of his hands perfectly catching the space above my left hip where I was most ticklish. He’d discovered that spot a couple of weeks ago, and I was furious with myself for letting him use it against me. Now he could make me squirm and laugh uncontrollably whenever he wanted, and I could tell that he totally got off on it. Jerk. His fingers probed the sensitive spot over my hip as his mouth moved from my collarbone to my ear. I was laughing so hard I could barely breathe. Not fair. So not fair. I made a halfhearted attempt to kick him away, but he trapped my leg between his and proceeded to tickle me harder.
Kody Keplinger (The DUFF: Designated Ugly Fat Friend (Hamilton High, #1))
The ancient priests had said, “Thus far and no farther. We set the limits to thought.” The Greeks said, “All things are to be examined and called into question. There are no limits set to thought.” It is an extraordinary fact that by the time we have actual, documentary knowledge of the Greeks there is not a trace to be found of that domination over the mind by the priests which played such a decisive part in the ancient world. The priest plays no real part in either the history or the literature of Greece.
Edith Hamilton (The Greek Way)
What would you do without me?” he asked one night. We were tangled in the silky sheets of his gigantic bed. My heart was still pounding as I came down from the high of what we’d just done, and he wasn’t helping matters by putting his lips so close to my ear. “Live a happy… happy life,” I murmured. “I might even… be an optimist… if you weren’t around.” “Liar.” He bit my earlobe playfully. “You’d be absolutely miserable. Admit it, Duffy. I’m the wind beneath your wings.” I bit my lip, but I still couldn’t hold back the laughter-and just as I was finally catching my breath, too. “You just referenced Bette Midler… in bed. I’m starting to question your sexuality, Wesley.” Wesley looked at me with a defiant glint in his eye. “Oh, really?” He grinned before moving his mouth back to my ear and whispering, “We both know that my manhood has never been in question… I think you’re just changing the subject because you know it’s true. I’m the light of your life.” “You…” I struggled for words as Wesley pressed his mouth into the crook of my neck. The tip of his tongue moved down to my shoulder and made my brain get all fuzzy. How was I supposed to argue under these conditions? “You wish. I’m just using you, remember?” His laughter was muffled against my skin. “That’s amusing,” he said, his lips still grazing my collarbone. “Because I’m pretty sure your ex is out of town by now.” One of his hands slid between my knees. “Yet you’re still here, aren’t you?” His fingers began gliding up and down my inner thigh, making it difficult for me to think of a retort. He seemed to like this, because he laughed again. “I don’t think you hate me, Duffy. I think you like me a lot.
Kody Keplinger (The DUFF: Designated Ugly Fat Friend (Hamilton High, #1))
He looked behind me to Bernardo. "Can you think of anything else she needs to know?" "Only that he brags about the rape and what he did to her." "All right," I said, "you've both made your point. I only have one question." Edward just looked at me expectantly, Bernardo said, "Shoot." "If I kill another one of your backups, do I owe you another favor?" "Not if he deserves it." I dumped the bag on the doorsill. "Shit, Edward, if you keep putting me together with fucking crazies and I keep having to defend myself, I'll be owing you favors until we're in our graves." Bernardo said, "You're serious. You really killed his last backup." I glanced at him. "Yeah, I'm serious. And I want permission to off Olaf if he gets out of hand, without having to owe Edward another pound of flesh." "Who'd you kill?" Bernardo asked. "Harley," Edward said. "Shit, really?" I walked up to Edward, invading his space, trying to read past the blank blue of his eyes. "I want permission to kill Olaf if he gets out of hand, without owing you another favor." "And if I don't give it?" he asked, voice low. "Drive me to a hotel because I'm not staying in a house with a bragging rapist if I can't kill him." Edward looked at me for a long slow moment, then gave a small nod. "Done, as long as he's in this house. Outside the house, play nice.
Laurell K. Hamilton (Obsidian Butterfly (Anita Blake, Vampire Hunter, #9))
Before he could say my name, I closed the space between us. Quickly, my lips moved against his. The mental and emotional emptiness took over instantly, but physically, I was more alert than ever. Wesley’s surprise didn’t last as long as it had before, and his hands were on me in seconds. My fingers tangled in his soft hair, and Wesley’s tongue darted into my mouth and became a new weapon in our war. Once again, my body took complete control of everything. Nothing existed at the corners of my mind; no irritating thoughts harassed me. Even the sounds of Wesley’s stereo, which had been playing some piano rock I didn’t recognize, faded away as my sense of touch heightened. I was fully conscious of Wesley’s hand as it slid up my torso and moved to cup my breast. With an effort, I pushed him away from me. His eyes were wide as he leaned back. “Please don’t slap me again,” he said. “Shut up.” I could have stopped there. I could have stood up and left the room. I could have let that kiss be the end of it. But I didn’t. The mind-numbing sensation I got from kissing him was so euphoric-such a high-that I couldn’t stand to give it up that fast. I might have hated Wesley Rush, but he held the key to my escape, and at that moment I wanted him… I needed him. Without speaking, without hesitating, I pulled my T-shirt over my head and threw it onto Wesley’s bedroom floor. He didn’t have a chance to say anything before I put my hands on his shoulders and shoved him onto his back. A second later, I was straddling him and we were kissing again. His fingers undid the clasp on my bra, and it joined my shirt on the floor. I didn’t care. I didn’t feel self-conscious or shy. I mean, he already knew I was the Duff, and it wasn’t like I had to impress him. I unbuttoned his shirt as he pulled the alligator clip from my hair and let the auburn waves fall around us. Casey had been right. Wesley had a great body. The skin pulled tight over his sculpted chest, and my hands drifted down his muscular arms with amazement. His lips moved to my neck, giving me a moment to breathe. I could only smell his cologne this close to him. As his mouth traveled down my shoulder, a thought pushed through the exhilaration. I wondered why he hadn’t shoved me-Duffy-away in disgust. Then again, I realized, Wesley wasn’t known for rejecting girls. And I was the one who should have been disgusted. But his mouth pressed into mine again, and that tiny, fleeting thought died. Acting on instinct, I pulled on Wesley’s lower lip with my teeth, and he moaned quietly. His hands moved over my ribs, sending chills up my spine. Bliss. Pure, unadulterated bliss. Only once, as Wesley flipped me onto my back, did I seriously consider stopping. He looked down at me, and his skilled hand grasped the zipper on my jeans. My dormant brain stirred, and I asked myself if things had gone too far. I thought about pushing him away, ending it right where we were. But why would I stop now? What did I stand to lose? Yet what could I possibly gain? How would I feel about this in an hour… or sooner? Before I could come up with any answers, Wesley had my jeans and underwear off. He pulled a condom from his pocket (okay, now that I’m thinking about it, who keeps condoms in their pockets? Wallet, yes, but pocket? Pretty presumptuous, don’t you think?), and then his pants were on the floor, too. All of a sudden, we were having sex, and my thoughts were muted again.
Kody Keplinger (The DUFF: Designated Ugly Fat Friend (Hamilton High, #1))
When Nietzsche made his famous definition of tragic pleasure he fixed his eyes, like all the other philosophers in like case, not on the Muse herself but on a single tragedian. His “reaffirmation of the will to live in the face of death, and the joy of its inexhaustibility when so reaffirmed” is not the tragedy of Sophocles nor the tragedy of Euripides, but it is the very essence of the tragedy of Æschylus. The strange power tragedy has to present suffering and death in such a way as to exalt and not depress is to be felt in Æschylus’ plays as in those of no other tragic poet. He was the first tragedian; tragedy was his creation, and he set upon it the stamp of his own spirit. It was a soldier-spirit. Æschylus was a Marathon-warrior, the title given to each of the little band who had beaten back the earlier tremendous Persian onslaught.
Edith Hamilton (The Greek Way)
It is true, perhaps, that your beauty is not a flashy beauty, as is Asher's, or Jean-Claude's, or even your Nathaniel's, but it is beauty nonetheless. Perhaps the more precious, for it grows not at the first sight of the eye, but a little more each time one speaks with you or watches you move so commandingly into a situation, or watches the truth in your eyes when you say that you are not beautiful, and I realize that you mean it. That you are not being humble, or playing silly games, you simply do not see yourself." "See, that's not beauty, that's pretty with a personality that you like." "But do you not see, Anita, that there is beauty that hits the eye like a bolt of lighting, that burns and sears and blinds. It is more disaster than pleasure. But yours, yours is a beauty that lulls one into comfort, into not protecting one's eyes from the light, then one night you realize that the moon, too, has its beauty.
Laurell K. Hamilton (Incubus Dreams (Anita Blake, Vampire Hunter, #12))
The Greeks were the first people in the world to play, and they played on a great scale. All over Greece there were games, all sorts of games; athletic contests of every description: races—horse-, boat-, foot-, torch-races; contests in music, where one side out-sung the other; in dancing—on greased skins sometimes to display a nice skill of foot and balance of body; games where men leaped in and out of flying chariots; games so many one grows weary with the list of them. They are embodied in the statues familiar to all, the disc thrower, the charioteer, the wrestling boys, the dancing flute players. The great games—there were four that came at stated seasons—were so important, when one was held, a truce of God was proclaimed so that all Greece might come in safety without fear. There “glorious-limbed youth”—the phrase is Pindar’s, the athlete’s poet—strove for an honor so coveted as hardly anything else in Greece. An Olympic victor—triumphing generals would give place to him. His crown of wild olives was set beside the prize of the tragedian. Splendor attended him, processions, sacrifices, banquets, songs the greatest poets were glad to write. Thucydides, the brief, the severe, the historian of that bitter time, the fall of Athens, pauses, when one of his personages has conquered in the games, to give the fact full place of honor. If we had no other knowledge of what the Greeks were like, if nothing were left of Greek art and literature, the fact that they were in love with play and played magnificently would be proof enough of how they lived and how they looked at life. Wretched people, toiling people, do not play. Nothing like the Greek games is conceivable in Egypt or Mesopotamia. The life of the Egyptian lies spread out in the mural paintings down to the minutest detail. If fun and sport had played any real part they would be there in some form for us to see. But the Egyptian did not play. “Solon, Solon, you Greeks are all children,” said the Egyptian priest to the great Athenian.
Edith Hamilton (The Greek Way)
If we had no other knowledge of what the Greeks were like, if nothing were left of Greek art and literature, the fact that they were in love with play and played magnificently would be proof enough of how they lived and how they looked at life. Wretched people, toiling people, do not play. Nothing like the Greek games is conceivable in Egypt or Mesopotamia. The life of the Egyptian lies spread out in the mural paintings down to the minutest detail. If fun and sport had played any real part they would be there in some form for us to see. But the Egyptian did not play. “Solon, Solon, you Greeks are all children,” said the Egyptian priest to the great Athenian. At any rate, children or not, they enjoyed themselves. They had physical vigor and high spirits and time, too, for fun. The witness of the games is conclusive. And when Greece died and her reading of the great enigma was buried with her statues, play, too, died out of the world. The brutal, bloody Roman games had nothing to do with the spirit of play. They were fathered by the Orient, not by Greece. Play died when Greece died and many and many a century passed before it was resurrected. To rejoice in life, to find the world beautiful
Edith Hamilton (The Greek Way)
You're afraid that you'll live like those things in the hospital. You're afraid of ending up like them." "Aren't you?" His voice was almost too soft to hear, but somehow it carried over the rush of wheels and the expensive purr of the engine. "I'm trying not to think about it," I said. "How can you not think about it?" he asked. "Because if you start thinking about the bad things, worrying about them, then it makes you slow, makes you afraid. Neither of us can afford that." "Two years ago, I'd have been giving you the pep talk," he said, and there was something in his voice, not anger, but close. "You were a good teacher," I said. His hands gripped the wheel. "I haven't taught you all I know, Anita. You are not a better monster than I am." I watched the side of his face, trying to read that expressionless face. There was a tightness at the jaw, a thread of anger down the neck and into his shoulders. "Are you trying to convince me or yourself... Ted?" I made the name light and mocking. I didn't usually play with Edward just to get a rise out of him, but today, he was unsure, and I wasn't. Part of me was enjoying the hell out of that. He slammed on the brakes and screeched to a stop on the side of the road. I had the Browning pointed at the side of his head, close enough that pulling the trigger would paint his brains all over the windows. He had a gun in his hand. I don't know where in the car it had come from, but the gun wasn't pointed at me. "Ease down, Edward." He stayed motionless but didn't drop the gun. I had one of those moments when you see into another person's soul like looking into an open window. "Your fear makes you slow, Edward, because you'd rather die here, like this, than survive like those poor bastards. You're looking for a better way to die." My gun was very steady, finger on the trigger. But this wasn't for real, not yet. "If you were really serious, you'd have had the gun in your hand before you pulled over. You didn't invite me here to hunt monsters. You invited me here to kill you if it works out wrong." He laid the gun very, very slowly on the floorboard hump between the seats. He looked at me, hands spread on the steering wheel. I took the offered gun without taking either my eyes or my gun off of him. "Like I believe that's the only gun you've got hidden in this car. But I do appreciate the gesture." He laughed then, and it was the most bitter sound I'd ever heard from Edward.
Laurell K. Hamilton (Obsidian Butterfly (Anita Blake, Vampire Hunter, #9))
What the “geniuses [who] went to Philadelphia” wanted remains the subject of endless debate—a debate fueled by the real differences among them and the very real ambiguities of the compromises they forged. But James Madison did not go to Philadelphia seeking gridlock. Quite the opposite: The Virginian who played such a critical role in the nation’s founding led the charge for a powerful national government. He pushed for a new constitution specifically because its predecessor, the Articles of Confederation, adopted in 1777, had been a catastrophe—a decentralized arrangement too weak to hold the country together or confront pressing problems that needed collective solutions. Madison arrived at the convention with one firm conviction: Government needed the authority to govern.29 In the deliberations that followed, Madison stayed true to that cause. He argued tirelessly for the power of the federal government to be understood broadly and for it to be decisively superior to the states. He even supported an absolute federal veto over all state laws, likening it to “gravity” in the Newtonian framework of the new federal government.30 Most of the concessions to state governments in the final document were ones that Madison had opposed. He was a practical politician, and he ultimately defended these compromises in the public arena—the famed Federalist Papers Madison penned with his colleagues Alexander Hamilton and John Jay are an advertisement, not a blueprint—but he did so because he saw them as necessary, not because he saw them as ideal.31 Throughout, Madison kept his eyes on the prize: enactment of the more vital and resilient government he regarded as a national imperative.
Jacob S. Hacker (American Amnesia: How the War on Government Led Us to Forget What Made America Prosper)
She felt the electric tickle of Finn behind her. He must have come from the hallway. She turned. Standing on the first step, she was almost eye level with him. He’d carried the irresistible smell of the morning in with him, caught in his hair and clothes. “Good morning, beautiful,” he said. Teagan leaned closer. “What are you doing?” Aiden asked. Sniffing Finn. How weird would that sound? She changed the sniff into a kiss on the cheek, but Finn turned just before her lips met his face. She felt a shock as their lips touched, the wild inside her exploding like fireworks, rocketing through her to Finn. He swayed, and she managed to get her arms around him before his knees gave way. “Wa,” he gasped. “Could you steer me toward the couch, girl?” “Oh, my god,” Abby said from behind her. “The couch? Are you going to let them do that in your living room, Mr. Wylltson?” “Do what?” Finn flushed red. “Oh. I just meant . . . I need to sit down. The girl’s that good a kisser.” Thomas and Mr. Wylltson were staring. Aiden’s mouth was hanging open. “What are you doing, Tea?” Abby asked. “You totally lunged at him.” “I did not lunge.” I was just sniffing him. That would sound worse than lunging. “I just . . . caught him.” “Then why don’t you let him go?” Because he wasn’t steady on his feet yet. Finn’s electronics had gone haywire. “Well played.” Thomas winked at Finn and grinned at Teagan. “And well caught.” Finn groped for the banister. “I’m telling you I never meant to kiss her. Not in front of her da, that is—” “Unhand the young man, Teagan, and step away,” Mr. Wylltson said. “You are befuddling him.” “By that”—Finn found the banister and Teagan let go and backed up a stair—“I did not mean that I intended to carry on behind your back. This whole thing isn’t what it looks like”—his eyes lifted to Teagan. “Is it?
Kersten Hamilton (When the Stars Threw Down Their Spears (Goblin Wars, #3))
Then she cried quickly, "Stay, brother, stay! do not drink, or you will become a wild beast, and tear me to pieces." Thirsty as he was, the brother conquered his desire to drink at her words, and said, "Dear sister, I will wait till we come to a spring." So they wandered farther, but as they approached, she heard in the bubbling spring the words— "Who drinks of me, a wolf will be." "Brother, I pray you, do not drink of this brook; you will be changed into a wolf, and devour me." Again the brother denied himself and promised to wait; but he said, "At the next stream I must drink, say what you will, my thirst is so great." Not far off ran a pretty streamlet, looking clear and bright; but here also in its murmuring waters, the sister heard the words— "Who dares to drink of me, Turned to a stag will be." "Dear brother, do not drink," she began; but she was too late, for her brother had already knelt by the stream to drink, and as the first drop of water touched his lips he became a fawn. How the little sister wept over the enchanted brother, and the fawn wept also. He did not run away, but stayed close to her; and at last she said, "Stand still, dear fawn; don't fear, I must take care of you, but I will never leave you." So she untied her little golden garter and fastened it round the neck of the fawn; then she gathered some soft green rushes, and braided them into a soft string, which she fastened to the fawn's golden collar, and then led him away into the depths of the forest. After wandering about for some time, they at last found a little deserted hut, and the sister was overjoyed, for she thought it would form a nice shelter for them both. So she led the fawn in, and then went out alone, to gather moss and dried leaves, to make him a soft bed. Every morning she went out to gather dried roots, nuts, and berries, for her own food, and sweet fresh grass for the fawn, which he ate out of her hand, and the poor little animal went out with her, and played about as happy as the day was long. When evening came, and the poor sister felt tired, she would kneel down and say her prayers, and then lay her delicate head on the fawn's back, which was a soft warm pillow, on which she could sleep peacefully. Had this dear
Hamilton Wright Mabie (Fairy Tales Every Child Should Know)
newer marshals,” Newman added. “I was glad when they invited them to teach you new guys. That much field experience shouldn’t go to waste.” “A lot of them are stake-and-hammer guys though,” Newman said. “Old-fashioned doesn’t begin to cover their methods.” “The hunter that taught me the ropes was like that.” “I thought Forrester was your mentor. He’s known for his gun knowledge,” Livingston said. “You get that off his Wikipedia page?” I asked. “No, he worked a case that a buddy of mine was on. My friend is a gun nut, and he loved Forrester’s arsenal. He said that Forrester even used a flamethrower.” “Yep, that’s Ted,” I said, shaking my head. “So, he wasn’t your first mentor?” “No, Manny Rodriguez was. He taught me how to raise zombies and how to kill vampires.” “What happened to him?” Newman asked. “His wife thought he was getting too old and forced him to retire from the hunting side of things.” “It is not a job for old men,” Olaf said. “I guess it isn’t, but I wasn’t ready to fly solo when Manny retired. I was lucky I didn’t get killed doing jobs on my own at first.” “When did Forrester start training you?” Livingston asked. “Soon enough to help me stay alive.” “Ted spoke highly of you from the beginning,” Olaf said. “He does not give unearned praise. Are you being humble?” “No, I don’t . . . I really did have some close calls when Manny first retired, or maybe I just missed having backup.” Hazel brought our coffee and my Coke. “I’ll be back to fill those waters up, and with the juice,” she said before she left again. I so wanted to start questioning her, but this was Newman’s warrant and everyone else besides Olaf was local. They knew Hazel. I didn’t. I’d let them play it for now. The coffee was fresh and hot and surprisingly good for a mass-produced cup. I did add sugar and cream, so it wasn’t great coffee, but I didn’t add much, so it wasn’t bad either. Olaf put in way more sugar than I did, so his cup would have been too sweet for me. He didn’t take cream. I guessed we could be snobby about each other’s coffee habits later. “But it was Forrester who taught you how to fight empty hand?” Livingston asked. “I had some martial arts when we met, but he started me on more real-world training that worked outside of a judo mat or a martial arts tournament.” “I thought he was out of New Mexico,” Livingston said. “He is.” “And you’re in St. Louis, Missouri.” “I am.” “Hard to train long-distance.” “I have people I train with at home.” “How often do you train?” Kaitlin asked. “At least three times a week in hand-to-hand and blade.” “Really that often?” Newman asked. “Yeah. How often do you train?” “I go to the range two, three times a month.” “Any martial arts?” I asked. “I go to the gym three times a week.
Laurell K. Hamilton (Sucker Punch (Anita Blake, Vampire Hunter #27))
And then it sends a signal to turn off the system.” “So the universe with the wallet in the chamber waiting to be sent still exists,” added Allen. “But the universe from which it is actually sent never does.”  “That is just so messed up,” said Blake in exasperation, and Jenna, Walsh, and Soyer nodded their agreement. “Here is my advice to all of you,” said Cargill. “The best thing to do is ignore time travel, and don’t think about the paradoxes too hard. If you do, your head really will explode,” he added with a wry smile. “Just think of it as duplication and teleportation. But always keep in mind that the universe seems to go out of its way to ensure that infinite alternate timelines aren’t allowed. So no matter what, we only ever get this one universe.” He sighed. “So we’d better make sure we don’t screw it up.”     48   Brian Hamilton hated Cheyenne Mountain. Sure, it was one of the most interesting places in the world to visit, but living there only worked if you were a bat. The Palomar facility had also been underground, but nothing like this. It had a much larger security perimeter, so trips to the surface were easier to make happen. Not that it really mattered. Soon enough he would be traveling on another assignment anyway, living in a hotel room somewhere. But what he really wanted was to work side by side with Edgar Knight, toward their common goal. He was tired of being Knight’s designated spy, having to watch Lee Cargill squander Q5’s vast resources and capabilities. Watching him crawl like a wounded baby when he could be soaring. Cargill was an idiot. He could transform the world, but he was too weak to do it. He could wipe out the asshole terrorists who wanted nothing more than to butcher the helpless. If you have the ultimate cure for cancer, you use it to wipe out the disease once and for all. You don’t wield your cure only as a last resort, when the cancer has all but choked the life out of you. Edgar Knight, on the other hand, was a man with vision. He was able to make the tough decisions. If you were captain of a life raft with a maximum capacity of ten people, choosing to take five passengers of a sinking ship on board was an easy decision, not a heroic one. But what about when there were fifty passengers? Was it heroic to take them all, dooming everyone to death? Or was the heroic move using force, if necessary, to limit this number, to ensure some would survive? Sure, from the outside this looked coldhearted, while the converse seemed compassionate. But watching the world circle the drain because you were too much of a pussy to make the hard decisions was the real crime. Survival of the fittest was harsh reality. In the animal kingdom it was eat or be eaten. If you saw a group of fuck-nuts just itching to nuke the world back into the Dark Ages—who believed the Messiah equivalent, the twelfth Imam, would only come out to play when Israel was destroyed, and worldwide Armageddon unleashed—you wiped them out. To a man. Or else they’d do the same to you. It had been three days since Cargill had reported that he was on the verge of acquiring Jenna Morrison and Aaron Blake.
Douglas E. Richards (Split Second (Split Second, #1))
Chapter 1 A lot of people lounge by pools in L.A., but few of them are truly immortal, no matter how hard they pretend with plastic surgery and exercise. Doyle was truly immortal and had been for over a thousand years. A thousand years of wars, assassinations, and political intrigue, and he’d been reduced to being eye candy in a thong bathing suit by the pool of the rich and famous. He lay at the edge of the pool, wearing almost nothing. Sunlight glittered across the blue, blue water of the pool. The light broke in a jagged dance across his body, as if some invisible hand stirred the light, turning it into a dozen tiny spotlights that coaxed Doyle’s dark body into colors I’d never known his skin could hold. He wasn’t black the way a human being is black, but more the way a dog is black. Watching the play of light on his skin, I realized I’d been wrong. His skin gleamed with blue highlights, a shine of midnight blue along the long muscular sweep of his calf, a flare of royal blue like a stroke of deep sky touched his back and shoulder. Purple to shame the darkest amethyst caressed his hip. How could I ever have thought his skin monochrome? He was a miracle of colors and light, strapped across a body that rippled and moved with muscles honed in wars fought centuries before I was born.
Laurell K. Hamilton (Seduced by Moonlight (Meredith Gentry, #3))
To endure such suffering required stoicism reminiscent of the ancient Romans, so Washington had his favorite play, Addison’s Cato, the story of a self-sacrificing Roman statesman, staged at Valley Forge to buck up his weary men.
Ron Chernow (Alexander Hamilton)
One lady remembered seeing them together that summer “turn and laugh and play with a monkey that was climbing in a neighbor’s yard.
Ron Chernow (Alexander Hamilton)
Haven’t you yet learned?” scolded King. “Lying and flattering, using their ignorance and playing upon their emotions are the proven ways to win popular elections. Successful politics has nothing to do with Reason, or—God help us—with Truth.” The
Juliet Waldron (Alexander Hamilton and Elizabeth Schuyler Hamilton: A Master Passion)
You do throw the best parties.’ It was Edward in his most cheerful Ted voice walking across the grass toward us. He had two SWAT officers with him, too. ‘If you didn’t bring your flamethrower, I’m going to be disappointed,’ I said, smiling. ‘It’s in the car, Anita; you know I never tease unless I’m planning to come across.’ I smiled at him and gave a small eye flick behind him. He made the smallest eye-slide to the side Paris was standing on, which meant Paris was the guy who had been giving Edward enough grief about our supposed love affair that he’d begun to play with him. ‘I know you’re always good for anything you promise, Ted.’ I put a smile to go with the teasing tone.
Laurell K. Hamilton (Affliction (Anita Blake, Vampire Hunter, #22))
Humans are so fascinating, aren’t we? If ten of us are each given our own piano, we’ll play eleven different tunes.
Peter F. Hamilton (Salvation Lost (Salvation Sequence, #2))
The Mercantilism represented by the Hamilton-Clay tradition transcends the history of the American political economy in its significance. Prior to the Industrial Revolution, France stood out for state commitment to internal improvements: in 1666, Colbert had convinced Louis XIV to finance the Canal du Midi as one aspect of the generations-long campaign to establish centralized state authority over the still-feudal French nation. Since time immemorial however, the public credit of the state had been predominantly devoted to the financing of war, whether the state was in the hands of a feudal king, an absolute monarch, a republican city-state, or the conflation of royal power circumscribed by parliamentary representatives of the propertied classes and tempered by "the mob" that emerged in Britain from 1688. The game between the financial markets and the state was played out over the terms on which the owners of liquid capital would fund the state's armies relative to the problematic likelihood of their being repaid.
BIll Janeway
The issue was so explosive that the word slavery did not appear in the Constitution, replaced by the euphemism of people “held to service or labor.” Slaveholding states wondered how their human property would be counted for congressional-apportionment purposes. Northern states finally agreed that five slaves would be counted as equivalent to three free whites, the infamous “federal ratio” that survived for another eighty years. The formula richly rewarded the southern states, artificially inflating their House seats and electoral votes and helping to explain why four of the first five presidents hailed from Virginia. This gross inequity was to play no small part in the eventual triumph of Jeffersonian Republicans over Hamiltonian Federalists.
Ron Chernow (Alexander Hamilton)
I met his gaze with my own empty one. I was tired of games. Just because I could play them, and play them fairly well, didn’t mean I enjoyed them.
Laurell K. Hamilton (A Caress of Twilight (Meredith Gentry, #2))
IN DISQUISITIONS of every kind, there are certain primary truths, or first principles, upon which all subsequent reasonings must depend. These contain an internal evidence which, antecedent to all reflection or combination, commands the assent of the mind. Where it produces not this effect, it must proceed either from some defect or disorder in the organs of perception, or from the influence of some strong interest, or passion, or prejudice. Of this nature are the maxims in geometry, that “the whole is greater than its part; things equal to the same are equal to one another; two straight lines cannot enclose a space; and all right angles are equal to each other.” Of the same nature are these other maxims in ethics and politics, that there cannot be an effect without a cause; that the means ought to be proportioned to the end; that every power ought to be commensurate with its object; that there ought to be no limitation of a power destined to effect a purpose which is itself incapable of limitation. And there are other truths in the two latter sciences which, if they cannot pretend to rank in the class of axioms, are yet such direct inferences from them, and so obvious in themselves, and so agreeable to the natural and unsophisticated dictates of common-sense, that they challenge the assent of a sound and unbiased mind, with a degree of force and conviction almost equally irresistible. The objects of geometrical inquiry are so entirely abstracted from those pursuits which stir up and put in motion the unruly passions of the human heart, that mankind, without difficulty, adopt not only the more simple theorems of the science, but even those abstruse paradoxes which, however they may appear susceptible of demonstration, are at variance with the natural conceptions which the mind, without the aid of philosophy, would be led to entertain upon the subject. The infinite divisibility of matter, or, in other words, the infinite divisibility of a finite thing, extending even to the minutest atom, is a point agreed among geometricians, though not less incomprehensible to common-sense than any of those mysteries in religion, against which the batteries of infidelity have been so industriously leveled. But in the sciences of morals and politics, men are found far less tractable. To a certain degree, it is right and useful that this should be the case. Caution and investigation are a necessary armor against error and imposition. But this untractableness may be carried too far, and may degenerate into obstinacy, perverseness, or disingenuity. Though it cannot be pretended that the principles of moral and political knowledge have, in general, the same degree of certainty with those of the mathematics, yet they have much better claims in this respect than, to judge from the conduct of men in particular situations, we should be disposed to allow them. The obscurity is much oftener in the passions and prejudices of the reasoner than in the subject. Men, upon too many occasions, do not give their own understandings fair play; but, yielding to some untoward bias, they entangle themselves in words and confound themselves in subtleties.
Alexander Hamilton (The Federalist Papers)
he yells, you run like the wind. That lad plays you like an old piano – and you know it.’ ‘But he’s only four months old—’ Edie nodded briskly.
Ruth Hamilton (With Love From Ma Maguire)
Each year Hamilton’s largest public events—Confederate Memorial Day, General Robert E. Lee’s birthday, and numerous gatherings of the United Confederate Veterans’ Williams Camp Meeting, made up of every old veteran still living in the county—drove home these messages, at the heart of which was the eternal crusade for white superiority. With whites unwilling to face up to the wrong their leaders had wrought by starting and continuing a hopeless war, or to bring their economy in line with reality, or to democratize their system after the war to welcome blacks and poor whites alike, the main thrust of southern life became the preservation of its traditions and the creation of myths. For fifty years they’d carried their propaganda north, laced with lurid tales of black inferiority, disease, and criminality. They’d been enormously successful in this. Since the early 1900s, mainstream, even liberal, magazines like Harpers, the Atlantic Monthly, and Good Housekeeping often played their tune.
Karen Branan (The Family Tree: A Lynching in Georgia, a Legacy of Secrets, and My Search for the Truth)
You killed him, Anita. You killed him without thinking about it. Even now, there’s no regret in you, no doubt.” He was right. I didn’t feel bad about it. Scary, but true. “So you invited me to come play because I’m now as much of a sociopath as you are.” “Oh, I’m a much better sociopath,” he said. “I’d never let a vampire sink his fangs into my neck. And I wouldn’t date the terminally furry.” “Do you date anyone, ever?” He just smiled that irritating smile that meant he wasn’t going to answer. But he did. “Even Death has needs.” Edward dating? That was something I had to see.
Laurell K. Hamilton (The Killing Dance (Anita Blake, Vampire Hunter, #6))
Smith Hamilton was my older brother’s best friend. And come tomorrow night, he wouldn’t know what him him. The feminist inside me beat on her chest and let out a battle cry. I was doing this. I would make Smith my bitch. And zero fucks would be given.
Kendall Ryan (The Play Mate (Roommates, #2))
Lance called the process “unconstitutional,” complained about access to evidence, and issued what might rank as one of the most ironic tweets of all time: “It’s time to play by the rules.
Tyler Hamilton (The Secret Race: Inside the Hidden World of the Tour de France)
So are the governor’s plans to run for president on a family conservative ticket. You can’t have your son being an adulterer with a vampire’s wife, and even worse marrying a vampire, and have it play well in the press.
Laurell K. Hamilton (Blood Noir (Anita Blake, Vampire Hunter, #16))
I began a new career studying the psychology of stress and the psychology of success. My mission was to learn all I could about playing under pressure. I wanted to find out why, under pressure, some athletes break through, as Hamilton did, while others break down.
Gary Mack (Mind Gym: An Athlete's Guide to Inner Excellence)
Blakely Hamilton
Cassie-Ann L. Miller (Playing House (The Playboys of Sin Valley, #1))
Wilbur Ross, the new commerce secretary, had extensive investments in China, and one of his companies was partnered with a state-owned Chinese corporation (under pressure, Ross appears to have divested in 2019).42 While in China in 2017 he talked up a partnership between Goldman Sachs and the state-owned investment fund China Investment Corp, to provide up to $5 billion to buy into US manufacturers, including sensitive assets.43 (Readers might consult this book’s index to grasp the outsized role Goldman Sachs plays in Beijing’s influence operations.) Trump’s director of the National Economic Council, Gary Cohn, had been president of Goldman Sachs, which was heavily involved with Chinese banks, giving Cohn a personal stake in their success. Among his financial interests in China before his appointment was a multimillion-dollar stake in a huge Party-controlled bank, the Industrial and Commercial Bank of China, which he helped to buy assets in the US.
Clive Hamilton (Hidden Hand: Exposing How the Chinese Communist Party is Reshaping the World)
From the outset, the BRI has been presented as a model of ‘inclusive globalisation’ and aimed at those who feel shut out. The language plays to the dream of global harmony through trade and cultural exchange. When Xi Jinping uses the phrase ‘community of shared future’, the subtext is that China’s new world order will replace the postwar American hegemony. The BRI can be seen as the CCP’s principal vehicle for promoting and entrenching the Party’s alternative discourse system for the world. To the outside world, Xi and other leaders talk about ‘win-win cooperation’, and ‘a big family of harmonious co-existence’ and ‘a bridge for peace and East-West cooperation’, but in discussions at home, the talk is of achieving global discursive and geostrategic dominance.
Clive Hamilton (Hidden Hand: Exposing How the Chinese Communist Party is Reshaping the World)
Effortless AND creative. Listen to the “Hamilton” soundtrack. I know it’s a high bar, but learn from how Lin-Manuel Miranda wrote an entire musical in tight, creative rhyme full of variety and rhythm changes and surprises and cleverness and word-play delights. Internal rhymes, humorous rhymes, break-outs into a different rhythm altogether. A surprise around every corner. Now imagine if all two hours and forty-five minutes of “Hamilton” had been “dah-duh dah-duh dah-duh, dah-dah.” That’s not a ticket you’d have paid $300 for."  Frances Gilbert On Rhyming Picture Books in Goodreads 
Frances Gilbert
The rest of us have to play along with God’s little game of Russian roulette, His eternal lesson to live it up while you can. And far be it for me to turn away from God—let’s get a drink.
Pamela Hamilton (Lady Be Good: The Life and Times of Dorothy Hale)
Mary Magdalene is recorded in the Gospels as present at the Crucifixion and at Christ’s burial, and to have gone, with other women, to the tomb on Easter morning. She is the first to have learned the tomb was empty. She heard from an angel that Christ had been raised. She is the first person to have seen Jesus after his resurrection. She is the first to have proclaimed Jesus was raised from the dead. She plays a central place in Jesus’s ministry.
Adam Hamilton (Luke: Jesus and the Outsiders, Outcasts, and Outlaws)
instinctive perception of the fact that while immense toil lies behind the artist's skill, the soul of the creation came from beyond the world of work and the making of it was a bit of play. The man of creative spirit is often a tireless worker, but in his happiest hours he is at play; for all work, when it rises into freedom and power, is play.
Hamilton Wright Mabie (Fairy Tales Every Child Should Know)
Now Savi was playing her part in making sure no other innocents got hurt by psychotic ideologues who believed they had an absolute right to use force to achieve their goal.
Peter F. Hamilton (Salvation (Salvation Sequence, #1))
I suppose I was quite intimidating, and that was because I was probably quite intimidated. ‘Do You Really Want to Hurt Me?’ got played on Gary Crowley and by David Hamilton on Radio 2, and then we got on Top of the Pops by accident. We were in the low forties, and so we weren’t eligible for Top of the Pops, but then there were two stories about why we got it: one was that Elton John wanted to play his video, and they wanted him to play live; and the other was that Shakin’ Stevens wasn’t well. So whether it was Elton or Shakin’, we got their slot. So the night before, I got a phone call from my manager, saying, ‘Do you want to do Top of the Pops?’ And we were just like, ‘Aaaaaagggghhh.’ We knew that was going to be the beginning of everything. I stayed up all night doing my hair and working out what I was going to wear, and literally from that performance on my life was never the same.
Dylan Jones (Sweet Dreams: The Story of the New Romantics)
Greg weighed up her personality, figuring how to make his play.
Peter F. Hamilton (The Mandel Files, Volume 1: Mindstar Rising & A Quantum Murder (Greg Mandel))
Used to be, he recalled, that Menotaur would play house music on nights like tonight. Now, that was his groove. Now, it seemed like they only played house on the fifth week in February.
Casey Hamilton
In seven days they found 306 bodies, far more than they had anticipated, and 116 of these were buried at sea because of lack of identification. All of the bodies were numbered, were cataloged by description and personal effects, and had tags attached to their toes. Only three of the musicians were found and, although their numbers are close together, suggesting they were found near each other, they would appear to have been picked up on three consecutive days—Hume on April 23, a day that Hamilton described as full of “rain and fog”; Clarke on April 24, which was “cold, wet, miserable and comfortless”; and Hartley on April 25.
Steve Turner (The Band That Played On: The Extraordinary Story of the 8 Musicians Who Went Down with the Titanic)
When at rest, it rather a severe or thoughtful expression, but when engaged in conversation, it easily assumed an attractive smile. This mixture of the grave and the playful was the very essence of his nature. Hamilton's personality was a mixture of aggressive force and infinite tenderness and amiability.
Ron Chernow (Alexander Hamilton)
Mrs. Hamilton approved her her performance. Nodding sagely at the couple she whispered, "Knows what she's doing that one. Always best to play coy at first. Gentlemen like the chase, you know.
Darcie Rochester (Confessions of the Scandalous Mrs. Darcy: A Pride and Prejudice Variation)
He had just reached the high-rise apartment building called Hamilton House, with the US flag and the Union Jack fluttering in the open windows, when a parade came in his direction. Trumpets, horns, and drums were playing “The Stars and Stripes Forever,” a familiar tune he had heard the American sailors whistle in the bar. It was a relief, a boost of confidence, to see the armed forces. So Miriam was right. With the Fourth Marines, the Americans were protected at least. He rushed to the sidewalk, stood behind three businessmen carrying file cases, a girl carrying a violin case, and an old woman walking with a cocker spaniel, and watched. The leading man in the parade wore an olive officer visor. Ernest recognized him; it was Colonel William Ashurst. He was singing, his face pale and etched with worries. Behind him were the Fourth Marines, all fitted in their jackets with utility pouches tucked snugly around their waists. As they marched, they each pulled the strap aslant across their chests, holding what could be a semiautomatic Garand rifle or maybe a Thompson submachine. The rhythm of the trumpets, the drums, and the singing lifted Ernest’s spirits. He walked along, following the parade, waving at the colonel, who didn’t pay him attention. When the regiment reached the wharf at the river, the singing stopped. The colonel saluted and shouted, and the regiment jumped into a large white liner behind the cruiser USS Wake. Someone in the crowd cried out, followed by a string of sobs. Someone else shouted, “God bless you! Goodbye!” It was a farewell parade. Ernest overheard someone say that the Americans were to sail for the Philippines. His heart dropped.
Weina Dai Randel (The Last Rose of Shanghai)
Midwest Book Full Review It's unusual to find a political and supernatural thriller so intrinsically woven into current issues about the fabric of American society that its fiction bleeds into a cautionary nonfiction tale, but Robert Hamilton's Crux: A Country That Cannot Feed Its People and Its Animals Will Fall represents such an achievement. Its saga of race, food security, violence and prejudice from religious and social circles alike, and the vulnerability of the American food supply chain provides a powerful story that holds many insights, perspectives, and warnings for modern-day readers concerned about this nation's trajectory. Readers who choose the story for its political and supernatural thriller elements won't be disappointed. The tale adopts a nonstop staccato, action-filled atmosphere as a series of catastrophes force veterinarian Dr. Thomas Pickett to move beyond his experience and objectives to become an active force in effecting change in America. How (and why) does a vet become involved in political scenarios? As Dr. Pickett becomes entangled in pork issues, kill pens, and a wider battle than that against animal cruelty, readers are carried into a thought-provoking scenario in which personal and environmental disasters change his upward trajectory with his new wife and their homestead. As Dr. Pickett is called on stage to testify about his beliefs and the Hand of God indicates his life and involvements will never be the same, readers receive a story replete in many social, spiritual, and political inquiries that lead to thought-provoking reflections and insights. True miracles and false gods are considered as he navigates unfamiliar territory of the heart, soul, and mind, coming to understand that his unique role as a vet and a caring, evolving individual can make a difference in the role America plays both domestically and in the world. From the Vice President's involvement in a national security crisis to the efforts to return the country to "its true Christian foundations," Robert Hamilton examines the crux of good intentions and beliefs gone awry and the true paths of those who link their personal beliefs with a changing political scenario. Whose side is God on, anyway? These and other questions make Crux not just a highly recommended read for its political thriller components, but a powerful social and spiritual examination that contains messages that deserve to be inspected, debated, and absorbed by book clubs and a broad audience of concerned American citizens. How do you reach hearts and minds? By producing a story that holds entertainment value and educational revelations alike. That's why libraries need to not only include Crux in their collections, but highlight it as a pivot point for discussions steeped in social, religious, and political examination. There is a bad storm coming. Crux is not just a riveting story, but a possible portent of a future America operating in the hands of a dangerous, attractive demagogue.
Robert Hamilton
Now go raise zombies like the kickass necromancer we all know you are.’ Edward actually petted me on the head, which he knew I hated. ‘Don’t pet me,’ I said. ‘Sorry, but if you need to stroke off, I can help you; otherwise do your job so that the evil necromancer’s undead army doesn’t eat all the nice people in Boulder.’ ‘Does that make me the good necromancer, or just the other evil one?’ ‘It makes you our necromancer; now go play with the vampires and raise us some zombies.
Laurell K. Hamilton (Affliction (Anita Blake, Vampire Hunter, #22))
Who you going to call when it looks like you’re really going to have to survive the zombie apocalypse? I knew exactly who to call. ‘Ted, you know how you complained that I had a zombie apocalypse and didn’t invite you?’ ‘Yeah.’ ‘Consider yourself invited.’ He gave a small chuckle, the way some men will do when you say something sexy. ‘You’re excited. After what we saw in the hospital and the basement you’re excited about this,’ I said. ‘Yeah, I am.’ ‘There’s something wrong with you, you do know that, right?’ I said, and laughed. ‘Yeah, I do know.’ ‘And, Ted?’ ‘Yes, Anita.’ ‘Bring your flamethrower.’ He gave that excited sex chuckle again. ‘For real, you’re not just teasing this time?’ ‘Zombie reports from all over the area and it’s still daylight. It’s just going to get worse after dark.’ He gave that low, deep laugh again. ‘You say the best things.’ ‘Conversations like this is one of the reasons people think we’re doing each other.’ ‘Maybe,’ he said. ‘Someone on your end of the phone said something you didn’t like about us, or me, and you’re rubbing their face in it.’ ‘Would I do that?’ The words were innocent; the tone was not. Someone must have done something that truly pissed him off for him to play into it like this, because he knew it hurt my reputation worse than his. ‘Get here as soon as you can, and let me know which of the guys with you pissed you off and I’ll help you play with him, between killing zombies.’ ‘You sweet-talking thing, you,’ he said. That made me laugh. We hung up with both of us laughing. There were so many reasons that Edward and I were friends.
Laurell K. Hamilton (Affliction (Anita Blake, Vampire Hunter, #22))
Max was fascinated by the woman and more than a little curious about what she might be up to. Sarah Johnson had come from a two-parent, affluent home with a squeaky-clean past. She'd been the golden girl, high school cheerleader, valedictorian and had apparently glided through college without making a ripple, coming out with a bachelor of arts degree in literature. She'd married well, had six children and then one winter night, for some unknown reason, she'd driven her car into the Yellowstone River. Her body was never found. Because there were no skid marks on the highway, it had looked like a suicide. Foul play had never been suspected. That was twenty-two years ago. Now she was back - with no memory of those years or why she'd apparently tried to take her own life. Max wanted this story more than he wanted a hot cup of coffee this morning.
B.J. Daniels (Lucky Shot (The Montana Hamiltons, #3))
Eliza’s laughter died abruptly when Hamilton dropped down by her side and, for some unknown reason, began to play with the fabric of her skirt that was billowed out around her even as he continued bantering with his brother. She shot a look to Gloria and groaned. Of course the woman would have noticed her son’s actions. She scrambled to her feet, made a circle around the blanket, and dropped back down on the other side of Agatha, far from Hamilton’s reach. “Didn’t like where you were sitting?” Agatha muttered. “I thought I’d get closer to you so we could chat,” Eliza said.
Jen Turano (A Change of Fortune (Ladies of Distinction, #1))
Part of me wanted to run away, but the other small part of me that usually saves me from being a total pain in the ass was wondering if they made those white frilly aprons wide enough to fit over Nathaniel’s shoulders. I mean if he was going to play Suzy Homemaker, didn’t he need an apron, and maybe a string of pearls? The thought made me giggle, and I couldn’t stop it, and I couldn’t share it. I ended up having to excuse myself from the table to let the laughter have its way with me.
Laurell K. Hamilton (Incubus Dreams (Anita Blake, Vampire Hunter, #12))
What do you want?’ 'I want to play,’ he said. I stared at him. 'Just like that. You don’t know what I’m involved in, but you want a piece of it.’ 'Following you around lets me kill a lot of people.
Laurell K. Hamilton (The Lunatic Cafe (Anita Blake, Vampire Hunter, #4))
Ella had no idea that she was dispensing mental or spiritual states. She had no knowledge of the potency of drink, which she personally detested: she had no knowledge that she played a notable and curious part in the uproar and excitation of civilization: she had no knowledge of the oddity of her station behind that bar – a virtuous, homely, and simple-minded young woman, set up for five hours on end to withstand and feed the accumulating strength of the behaviour of scores upon scores of strange men manifestly out, or going out, of their minds. She did not even have any conscious knowledge of the nightmare variety of her geographical surroundings.
Patrick Hamilton (Twenty Thousand Streets Under the Sky (Twenty Thousand Streets Under the Sky, #1-3))