Halt's Peril Quotes

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A hundred people is rather a large handful for the four of us to take on," Malcolm pointed out. "Do you have any ideas about how we're going to handle that task?" "Simple," Halt told him. "We'll surround them.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
Yes, I'm back," he said, "And look who I ran into." Horace grinned at him. "i hope you ran into him hard." "As hard as I could.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
Halt regarded him. He loved Horace like a younger brother. Even like a second son, after Will. He admired his skill with a sword and his courage in battle. But sometimes, just sometimes, he felt an overwhelming desire to ram the young warrior's head against a convenient tree. "You have no sense of drama or symbolism, do you?" he asked. "Huh?" replied Horace, not quite understanding. Halt looked around for a convenient tree. Luckily for Horace, there were none in sight.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
Hunting party," Horace said Both Halt and Will looked at him sarcastically. "You think?" Will said. "Maybe they found the deer and brought him back to repair him.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
Isn't that someone we know?" asked Horace. He pointed to where a cloaked figure sat by the side of the road a few hundred meters away, arms wrapped around his knees. Close by him, a small shaggy horse cropped the grass growing at the edge of the drainage ditch that ran beside the road. "So it is," Halt replied. "And he seems to have brought Will with him.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
I'll build mine tomorrow," Horace said through a mouthful of food. "This is excellent, Will! When I have grandchildren, I'll name them all after you!
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
Fanatics," Halt said. "Don't you just love 'em?
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
Maybe we should have gone with him," he said, a few minutes after his friend was lost to sight. "Three of us would make four times the noise he will," Halt said. Horace frowned, not quite understanding the equation. "Wouldn't three of us make three times the noise?" Halt shook his head. "Will and Tug will make hardly any noise. Neither will Abelard and I. But as for you and that moving earthquake you call a horse..." He gestured at Kicker and left the rest unsaid.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
He shook his head. He didn't know. He couldn't tell when he had woken fully. He walked to the horses. They definitely seemed alarmed. But then, they would. After all, he had just leapt to his feet unexpectedly, waving his saxe knife around like a lunatic.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
You're dropping the bow hand as you release," he called, although Halt certainly wasn't. His mentor looked around, saw him, and replied pithily, "I believe your grandmother needs lessons in sucking eggs.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
Would you have done that in his place? Would you have left him and gone on?" "Of course I would!" Halt replied immediately. But something in his voice rang false and Horse looked at him, raising one eyebrow. He'd waited a long time for an opportunity to use that expression of disbelief on Halt. After a pause, the Ranger's anger subsided. "All right. Perhaps I wouldn't," he admitted. Then he glared at Horace. "And stop raising that eyebrow on me. You can't even do it properly. Your other eyebrow moves with it!
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
Does it matter?" Halt asked. Horace shrugged. "Not really, I suppose. I just wondered why you'd gone to the kitchen and why you took the trouble to remain unseen. Were you hiding from Master Chubb yourself? And Will just turned up by coincidence?" "And why would I be hiding from Master Chubb in his own kitchen?" Halt challenged. Again. Horace shrugged innocently. "Well,there was a tray of freshly made pies airing on the windowsill, wasn't there? And you're quite fond of pies, aren't you, Halt?" Halt drew himself up very straight in the saddle. "Are you accusing me of sneaking into that kitchen to steal the pies for myself? Is that it?" His voice and body language simply reeked of injured dignity. "Of course not, Halt!" Horace hurried to assure him, and Halt's stiff-shouldered form relaxed a little. "I just thought I'd give you the opportunity to confess," Horace added. This time, Malcolm couldn't conceal his sudden explosion of laughter. Halt gave them both a withering glance. "You know, Horace," he said at length, "you used to be a most agreeable young man. Whatever happened to you?" Horace turned a wide grin on him. "I've spent too much time around you, I suppose," he said. And Halt had to admit that was probably true.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
Looks like he's lost a guinea and found a farthing," Horace said, then added, unnecessarily, "Will, I mean." Halt turned in his saddle to regard the younger man and raised an eyebrow. "I may be almost senile in your eyes, Horace, but there's no need to explain the blindly obvious to me. I'd hardly have thought you were referring to Tug.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
I’m too set in my ways to start doing the right thing,” he complained. “You’re a bad influence, Horace.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
There's a tavern by the docks. He's there most evenings." "Then I'll talk to him tonight," Halt said. "You can try. But he's a hard case, Halt. I'm not sure you'll get anything out of him. He's not interested in money. I tried that." "Well, perhaps he'll do it out of the goodness of his heart. I'm sure he'll open up to me," Halt said easily. But Horace noticed a gleam in his eye. He was right: the prospect of having something to do had reawakened Halt's spirits. He had a score to settle, and Horace found himself thinking that it didn't bode well for this Black O'Malley character. Will eyes Halt doubtfully, however. "You think so." Halt smiled at him. "People love talking to me," he said. "I'm an excellent conversationalist and I have a sparkling personality. Ask Horace. I've been bending his ear all the way from Dun Kilty, haven't I?" Horace nodded confirmation. "Talking nonstop all the way, he's been," he said. "Be glad to see him turn all that chatter onto someone else.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
Halt," said Horace, "I've been thinking..." Halt and Will exchanged an amused glance. "Always a dangerous pastime," they chorused. For many years, it had been Halt's unfailing response when Will had made the same statement. Horace waited patiently while they had their moment of fun, then continued. "Yes, yes. I know. But seriously, as we said last night, Macindaw isn't so far away from here..." "And?" Halt asked, seeing how Horace had left the statement hanging. "Well, there's a garrison there and it might not be a b ad idea for one of to go fetch some reinforcements. It wouldn't hurt to have a dozen knights and men-at-arms to back us up when we run into Tennyson." But Halt was already shaking his head. "Two problems, Horace. It'd take too long for one of us to get there, explain it all and mobilize a force. And even if we could do it quickly, I don't think we'd want a bunch of knights blundering around the countryside, crashing through the bracken, making noise and getting noticed." He realized that statement had been a little tactless. "No offense, Horace. Present company excepted, of course.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
What is this?" he asked. "Are you all conspiring against me? Even my horse?" It was the last three words that made Will smile. "We figured you mightn't listen to a healer, a Ranger, or a knight of the realm, "he said. "But if your horse agreed with them, you'd have no choice but to pay attention.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
The tavern keeper, a wiry man with a sharp-nosed face, round, prominent ears and a receding hairline that combined to give him a rodentlike look, glanced at him, absentmindedly wiping a tankard with a grubby cloth. Will raised an eyebrow as he looked at it. He'd be willing to bet the cloth was transferring more dirt to the tankard then it was removing. "Drink?" the tavern keeper asked. He set the tankard down on the bar, as if in preparation for filling it with whatever the stranger might order. "Not out of that," Will said evenly, jerking a thumb at the tankard. Ratface shrugged, shoved it aside and produced another from a rack above the bar. "Suit yourself. Ale or ouisgeah?" Ousigeah, Will knew, was the strong malt spirit they distilled and drank in Hibernia. In a tavern like this, it might be more suitable for stripping runt than drinking. "I'd like coffee," he said, noticing the battered pot by the fire at one end of the bar. "I've got ale or ouisgeah. Take your pick." Ratface was becoming more peremptory. Will gestured toward the coffeepot. The tavern keeper shook his head. "None made," he said. "I'm not making a new pot just for you." "But he's drinking coffee," Will said, nodding to one side. Inevitably the tavern keeper glanced that way, to see who he was talking about. The moment his eyes left Will, an iron grip seized the front of his shirt collar, twisting it into a knot that choked him and at the same time dragged him forward, off balance, over the bar,. The stranger's eyes were suddenly very close. He no longer looked boyish. The eyes were dark brown, almost black in this dim light, and the tavern keeper read danger there. A lot of danger. He heard a soft whisper of steel, and glancing down past the fist that held him so tightly, he glimpsed the heavy, gleaming blade of the saxe knife as the stranger laid it on the bar between them. He looked around for possible help. But there was nobody else at the bar, and none of the customers at the tables had noticed what was going on. "Aach...mach co'hee," he choked. The tension on his collar eased and the stranger said softly, "What was that?" "I'll...make...coffee," he repeated, gasping for breath. The stranger smiled. It was a pleasant smile, but the tavern keep noticed that it never reached those dark eyes. "That's wonderful. I'll wait here.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
This Lady Pauline,” he began, “she must be a fearful person. She sounds like a terrible sorceress.” His face was deadpan, but Will sensed the underlying amusement and replied in kind. “She’s very slim and beautiful. But she has amazing power. Some time ago, she persuaded Halt to have a haircut for their wedding.” Malcolm, who had noticed Halt’s decidedly slapdash hair styling, raised his eyebrows. “A sorceress indeed.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
And far away, as Frodo put on the Ring and claimed it for his own, even in Sammath Naur the very heart of his realm, the Power in Barad-dûr was shaken, and the Tower trembled from its foundations to its proud and bitter crown. The Dark Lord was suddenly aware of him, and his Eye piercing all shadows looked across the plain to the door that he had made; and the magnitude of his own folly was revealed to him in a blinding flash, and all the devices of his enemies were at last laid bare. Then his wrath blazed in consuming flame, but his fear rose like a vast black smoke to choke him. For he knew his deadly peril and the thread upon which his doom now hung. From all his policies and webs of fear and treachery, from all his stratagems and wars his mind shook free; and throughout his realm a tremor ran, his slaves quailed, and his armies halted, and his captains suddenly steerless, bereft of will, wavered and despaired. For they were forgotten. The whole mind and purpose of the Power that wielded them was now bent with overwhelming force upon the Mountain. At his summons, wheeling with a rending cry, in a last desperate race there flew, faster than the winds, the Nazgûl, the Ringwraiths, and with a storm of wings they hurtled southwards to Mount Doom.
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
Farmers don't nap," he said. "Knights nap." "That's where we get the expression 'a good knight's sleep,'" Will said, smiling at his own wit. Halt turned a baleful eye on him. "Horace is right. You're not funny.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
Halt regarded him. He loved Horace like a younger brother. Even like a second son, after will. He admired his skill with a sword and his courage in battle. But sometimes, just sometimes, he felt an overwhelming desire to ram the young warrior's head against a convenient tree.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
Here was intellectual life, he thought, and here was beauty, warm and wonderful as he had never dreamed it could be. He forgot himself and stared at her with hungry eyes. Here was something to live for, to win to, to fight for—ay, and die for. The books were true. There were such women in the world. She was one of them. She lent wings to his imagination, and great, luminous canvases spread themselves before him whereon loomed vague, gigantic figures of love and romance, and of heroic deeds for woman’s sake—for a pale woman, a flower of gold. And through the swaying, palpitant vision, as through a fairy mirage, he stared at the real woman, sitting there and talking of literature and art. He listened as well, but he stared, unconscious of the fixity of his gaze or of the fact that all that was essentially masculine in his nature was shining in his eyes. But she, who knew little of the world of men, being a woman, was keenly aware of his burning eyes. She had never had men look at her in such fashion, and it embarrassed her. She stumbled and halted in her utterance. The thread of argument slipped from her. He frightened her, and at the same time it was strangely pleasant to be so looked upon. Her training warned her of peril and of wrong, subtle, mysterious, luring; while her instincts rang clarion-voiced through her being, impelling her to hurdle caste and place and gain to this traveller from another world, to this uncouth young fellow with lacerated hands and a line of raw red caused by the unaccustomed linen at his throat, who, all too evidently, was soiled and tainted by ungracious existence. She was clean, and her cleanness revolted; but she was woman, and she was just beginning to learn the paradox of woman.
Jack London (Martin Eden)
I'd say," the Ranger answered after a few seconds' deliberation, "that he'll be heading south now that he has the chance. Back into Araluen." "How do you know that?" Horace asked. He was always impressed at the two Rangers' ability to read a situation and come up with the correct answer to a problem. Sometimes, he thought, they almost seemed to have divine guidance. "I'm guessing," Halt told him.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
What did he do? Your friend, I mean?” he asked. “He puked into his helmet,” Will said. “Extensively,” Horace added. The
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
Horace sniffed the pleasant smell of wood smoke from the chimney. “Hope they’re cooking something,” he said. “I’m starved.” “Who said that?” Will asked, feigning surprise and looking around in all directions. Then he pretended to relax. “Oh, it’s only you, Horace. I didn’t see you there in that cloak.” Horace favored him with a long-suffering look. “Will, if it wasn’t funny the first half-dozen times you said it, why do you think it would be funny now?” And
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
And why would I be hiding from Master Chubb in his own kitchen?" Halt challenged. Again, Horace shrugged innocently. "Well, there was a tray of freshly made pies airing on the windowsill, wasn't there? And you're quite fond of pies, aren't you, Halt?" Halt drew himself up very straight in the saddle. "Are you accusing me of sneaking into that kitchen to steal the pies for myself? Is that it?" His voice and body language simply reeked of injured dignity. "Of course not, Halt!" Horace hurried to assure him, and Halt's stiff-shouldered form relaxed a little. "I just thought I'd give you the opportunity to confess," Horace added.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
voice: Is that a bony backside I see sticking up out of the grass by that black rock? I think it is. Perhaps I should put an arrow in it if its owner doesn’t GET IT DOWN!
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
Halt looked around for a convenient tree. Luckily for Horace, there were none in sight.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
More delicious aromas rose. He sprinkled in a
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
I'll be fine. I'm a big boy now, you know.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
Don’t annoy me, little dog, Tug seemed to say. I know your mother.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
Halt regarded him. He loved Horace like a younger brother. Even like a second son, after Will. He admired his skill with a sword and his courage in battle. But sometimes, just sometimes, he felt an overwhelming desire to ram the young warrior’s head against a convenient tree.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
this?” he asked. “Are you all conspiring against me? Even my horse?” It was the last three words that made Will smile. “We figured you mightn’t listen to a healer, a Ranger or a knight of the realm,” he said. “But if your horse agreed with them, you’d have no choice but to pay attention.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
What is this?' he asked. 'Are you all conspiring against me? Even my horse?' It was the last three words that made Will smile. 'We figured you mightn't listen to a healer, a Ranger or a knight of the realm,' he said. 'But if your horse agreed with them, you'd have no choice but to pay attention.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
Pi' o' the li'er,' he said and for a moment Will frowned, trying to decipher the words. Then he had it. When he had left Shadow with Trobar, he had told the giant, 'If she ever has pups, I want the pick of the litter.' 'Pick of the litter?' he translated now and Trobar beamed, holding the little, squirming shape out to him. 'For you, Wi' Trea'y.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
Lily knew what he meant. She loved places that people had forgotten, like the old gas station rotting on the edge of the forest in Pelt, all gray wood and brown metal. She liked to walk there sometimes and imagine that during tempests the king of the forest, dry leaves swirling around his motorcycle, would skid to a halt and demand unleaded gas from shadowy attendants while a mossy-faced knight sat in his sidecar.
M.T. Anderson (Jasper Dash and the Flame-Pits of Delaware (Pals in Peril, #3))
Master Chubb?' Malcolm asked. Halt grinned at the memory of that day. 'He's the chef at Castle Redmont. A formidable man, wouldn't you say, Horace?' Horace grinned in his turn. 'He's deadly with his wooden ladle,' he said. 'Fast and accurate. And very painful. I once suggested that he should give ladle-whacking lessons to Battleschool students.' 'You were joking, of course?' Malcolm said. Horace looked thoughtful before he replied. 'You know, not entirely.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
Halt regarded him. He loved Horace like a younger brother. Even like a second son, after Will. He admired his skill with a sword and his courage in battle. But sometimes, just sometimes, he felt an overwhelming desire to ram the young warrior’s head against a convenient tree. “You have no sense of drama or symbolism, do you?” he asked. “Huh?” replied Horace, not quite understanding. Halt looked around for a convenient tree. Luckily for Horace, there were none in sight.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
According to the gospels, Christ healed diseases, cast out devils, rebuked the sea, cured the blind, fed multitudes with five loaves and two fishes, walked on the sea, cursed a fig tree, turned water into wine and raised the dead. How is it possible to substantiate these miracles? The Jews, among whom they were said to have been performed, did not believe them. The diseased, the palsied, the leprous, the blind who were cured, did not become followers of Christ. Those that were raised from the dead were never heard of again. Can we believe that Christ raised the dead? A widow living in Nain is following the body of her son to the tomb. Christ halts the funeral procession and raises the young man from the dead and gives him back to the arms of his mother. This young man disappears. He is never heard of again. No one takes the slightest interest in the man who returned from the realm of death. Luke is the only one who tells the story. Maybe Matthew, Mark and John never heard of it, or did not believe it and so failed to record it. John says that Lazarus was raised from the dead. It was more wonderful than the raising of the widow’s son. He had not been laid in the tomb for days. He was only on his way to the grave, but Lazarus was actually dead. He had begun to decay. Lazarus did not excite the least interest. No one asked him about the other world. No one inquired of him about their dead friends. When he died the second time no one said: “He is not afraid. He has traveled that road twice and knows just where he is going.” We do not believe in the miracles of Mohammed, and yet they are as well attested as this. We have no confidence in the miracles performed by Joseph Smith, and yet the evidence is far greater, far better. If a man should go about now pretending to raise the dead, pretending to cast out devils, we would regard him as insane. What, then, can we say of Christ? If we wish to save his reputation we are compelled to say that he never pretended to raise the dead; that he never claimed to have cast out devils. We must take the ground that these ignorant and impossible things were invented by zealous disciples, who sought to deify their leader. In those ignorant days these falsehoods added to the fame of Christ. But now they put his character in peril and belittle the authors of the gospels. Christianity cannot live in peace with any other form of faith. If that religion be true, there is but one savior, one inspired book, and but one little narrow grass-grown path that leads to heaven. Why did he not again enter the temple and end the old dispute with demonstration? Why did he not confront the Roman soldiers who had taken money to falsely swear that his body had been stolen by his friends? Why did he not make another triumphal entry into Jerusalem? Why did he not say to the multitude: “Here are the wounds in my feet, and in my hands, and in my side. I am the one you endeavored to kill, but death is my slave”? Simply because the resurrection is a myth. The miracle of the resurrection I do not and cannot believe. We know nothing certainly of Jesus Christ. We know nothing of his infancy, nothing of his youth, and we are not sure that such a person ever existed. There was in all probability such a man as Jesus Christ. He may have lived in Jerusalem. He may have been crucified; but that he was the Son of God, or that he was raised from the dead, and ascended bodily to heaven, has never been, and, in the nature of things, can never be, substantiated.
Robert G. Ingersoll
That was the moment Anna felt something inside her trip and fall, something come clean away from all the snares and traps and tangles of the propriety in which she’d been steeped all these years. And as he began to move, she pressed into him as he had shown her, looked up at him from beneath her lashes as he’d directed, and said, in a purring voice, “My, my, sir, how well you move us about the dance floor! One can’t help but wonder if you move as well in other, more intimate circumstances,” she said, and let her lips stretch into a soft smile. It worked. Grif’s grin faded; he slowed his step a little and blinked down at her for a moment. But that dangerous smile slowly appeared again, starting in his eyes and casually reaching his lips. “If ye were to pose such a question to me, lass, I’d say, ‘As fast or as slow, as soft or as hard as ye’d want, leannan. Pray tell, how would ye want?’” The tingling in her groin was a signal that she was on perilous ground. Anna looked into his green eyes, so dark and so deep that she couldn’t quite determine if this was a game they were playing or something far more dangerous. And her good sense, shaped and controlled from years of living among high society, quietly shut down, allowing the real Anna, the Anna who yearned to be loved, to be held and caressed and adored and know all manner of physical pleasure, to slide deeper into the circle of his arms. “I don’t rightly know how I’d want, sir, other than to say…” Her voice trailed away as she let her gaze roam his face, the perfectly tied neckcloth, the breadth of his shoulders, his thick arms. And then she lifted her gaze to his, saw something smoldering there, and recklessly whispered, “… that I’d most definitely want.” He said nothing. The muscles in his jaw bulged as if he refrained from speaking, and she realized that they had come to a halt. But then his hand spread beneath hers, his palm pressed to her palm, and he laced his fingers between hers, one by one, and with the last one, he closed his hand, gripping hers tightly. “Tha sin glè mhath,” he whispered hoarsely. Anna smiled, lifted a curious brow. “I said, that’s very good, lass. Very good indeed
Julia London (Highlander in Disguise (Lockhart Family #2))
I gave her an ultimatum. I need to know what’s happening there.” He shrugged, tapping something between his front talons. Tap. Tap. “So try a different dragon.” She wrapped her claws around the blue stone again, growling to herself. “Has to be someone I know,” she muttered, “but I don’t want those dragonets to see where I am.” After a moment, she closed her eyes. “All right. An old favorite.” It only took a minute for her to drop into Peril’s dream; as usual, it was tortured and weird, with several Queen Scarlets chasing her through the Sky Palace while corpses of burnt dragons lurched out of various doorways to attack her. Scarlet snorted. What was the point of being a glorious monster with talons of fire if you were going to agonize over it so much? Peril’s power was absolutely wasted on her. “Stop!” she roared, planting herself in Peril’s path. Peril skidded to a halt and looked frantically around; she thought Scarlet was another one of
Tui T. Sutherland (Moon Rising (Wings of Fire, #6))
Gift am I, of Ferrol’s hand these laws to halt the chaos be, No king shall die, no tyrant cleaved save by the perilous sound of me. Cursed the silent hand that strikes forever to his brethren lost, Doomed of darkness and of light so be the tally and the cost. Breath upon my lips announce the gauntlet loud so all may hear, Thine challenge for the kingly seat so all may gather none need fear. But once upon a thousand three unless by death I shall cry, No challenge, no dispute proceed a generation left to die. Upon the sound, the sun shall pass and with the rising of the new, Combat will begin and last until there be but one of two. A bond formed betwixt opponents protected by Ferrol’s hand, From all save the blade, the bone, and skill of the other’s hand. Should champion be called to fight evoked is the Hand of Ferrol, Which protects the championed from all and champion from all—save one—from peril. Battle is the end for one for the other all shall sing. For when the struggle at last is done the victor shall be king
Michael J. Sullivan (Heir of Novron (The Riyria Revelations, #5-6))
I work as fast as I can. Binah will come soon looking for me. It’s Mother, however, who descends the back steps into the yard. Binah and the other house slaves are clumped behind her, moving with cautious, synchronized steps as if they’re a single creature, a centipede crossing an unprotected space. I sense the shadow that hovers over them in the air, some devouring dread, and I crawl back into the green-black gloom of the tree. The slaves stare at Mother’s back, which is straight and without give. She turns and admonishes them. “You are lagging. Quickly now, let us be done with this.” As she speaks, an older slave, Rosetta, is dragged from the cow house, dragged by a man, a yard slave. She fights, clawing at his face. Mother watches, impassive. He ties Rosetta’s hands to the corner column of the kitchen house porch. She looks over her shoulder and begs. Missus, please. Missus. Missus. Please. She begs even as the man lashes her with his whip. Her dress is cotton, a pale yellow color. I stare transfixed as the back of it sprouts blood, blooms of red that open like petals. I cannot reconcile the savagery of the blows with the mellifluous way she keens or the beauty of the roses coiling along the trellis of her spine. Someone counts the lashes—is it Mother? Six, seven. The scourging continues, but Rosetta stops wailing and sinks against the porch rail. Nine, ten. My eyes look away. They follow a black ant traveling the far reaches beneath the tree—the mountainous roots and forested mosses, the endless perils—and in my head I say the words I fashioned earlier. Boy Run. Girl Jump. Sarah Go. Thirteen. Fourteen . . . I bolt from the shadows, past the man who now coils his whip, job well done, past Rosetta hanging by her hands in a heap. As I bound up the back steps into the house, Mother calls to me, and Binah reaches to scoop me up, but I escape them, thrashing along the main passage, out the front door, where I break blindly for the wharves. I don’t remember the rest with clarity, only that I find myself wandering across the gangplank of a sailing vessel, sobbing, stumbling over a turban of rope. A kind man with a beard and a dark cap asks what I want. I plead with him, Sarah Go. Binah chases me, though I’m unaware of her until she pulls me into her arms and coos, “Poor Miss Sarah, poor Miss Sarah.” Like a decree, a proclamation, a prophecy. When I arrive home, I am a muss of snot, tears, yard dirt, and harbor filth. Mother holds me against her, rears back and gives me an incensed shake, then clasps me again. “You must promise never to run away again. Promise me.” I want to. I try to. The words are on my tongue—the rounded lumps of them, shining like the marbles beneath the tree. “Sarah!” she demands. Nothing comes. Not a sound. I remained mute for a week. My words seemed sucked into the cleft between my collar bones. I rescued them by degrees, by praying, bullying and wooing. I came to speak again, but with an odd and mercurial form of stammer. I’d never been a fluid speaker, even my first spoken words had possessed a certain belligerent quality, but now there were ugly, halting gaps between my sentences, endless seconds when the words cowered against my lips and people averted their eyes. Eventually, these horrid pauses began to come and go according to their own mysterious whims. They might plague me for weeks and then remain away months, only to return again as abruptly as they left.
Sue Monk Kidd (The Invention of Wings)
Maybe they’re napping,” Horace suggested. Halt glanced sidelong at him. “Farmers don’t nap,” he said. “Knights nap.” “That’s where we get the expression ‘a good knight’s sleep,’ ” Will said, smiling at his own wit. Halt turned a baleful eye on him. “Horace is right. You’re not funny. Come on.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
You know, Horace,” he said at length, “you used to be a most agreeable young man. Whatever happened to you?” Horace turned a wide grin on him. “I’ve spent too much time around you, I suppose,” he said. And Halt had to admit that was probably true.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
He’d just walked into a lion’s den, found the head lion and tweaked his tail. And now he sat opposite, cool as a cucumber.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
Malcolm doesn’t know everything,” he said shortly. Will couldn’t help grinning. “And you do?” “Of course I do,” Halt replied. “ That’s a well-known fact.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
Is that a bony backside I see sticking up out of the grass by that black rock? I think it is. Perhaps I should put an arrow in it if its owner doesn’t GET IT DOWN!
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
No. I want you to invite him to dinner. Of course I want you to knock him out! Use your strikers.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
Thought maybe you’d gone,” Halt said. Then, with a trace of his sardonic grin, he added, “Thought maybe I’d gone.” Then the grin faded as he remembered what he had been saying. “He could be the greatest of us all, you know.” Horace bowed his head but he knew he had to answer. He had to keep Halt talking. If he was talking, he was alive. That was all Horace knew. “He had a great teacher, Halt,” Horace said, his voice breaking. Halt waved a weary hand in dismissal. “Didn’t need to teach him. Just needed to point the way.” There was a long pause, then he added, “Horace too. Another good one there. Watch over him. He and Will together . . . They could be the future of this Kingdom.” This time Horace couldn’t talk. He felt a numbing wave of sadness, but at the same time, a glow of pride was in his heart—pride that Halt would talk about him in such terms. Unable to speak, he squeezed the Ranger’s hand once more. Halt made another effort to raise his head and managed to get it a few centimeters off his pillow. “One more thing . . . Tell Pauline . . .” He hesitated and Horace was about to prompt him when he managed to continue. “Oh . . . never mind. She knows there’s never been anyone else for me.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
You go ahead and enjoy yourselves. I’ll keep an eye on her.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
A sorceress indeed.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
It took years of training to achieve the level of silence with which a Ranger could move.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
The faintest hint of a smile touched Halt's pale face.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
The light sprang up again, and there on the brink of the chasm, at the very Crack of Doom, stood Frodo, black against the glare, tense, erect, but still as if he had been turned to stone. 'Master!' cried Sam. Then Frodo stirred and spoke with a clear voice, indeed with a voice clearer and more powerful than Sam had ever heard him use, and it rose above the throb and turmoil of Mount Doom, ringing in the roof and walls. 'I have come,' he said. 'But I do not choose now to do what I came to do. I will not do this deed. The Ring is mine!' And suddenly, as he set it on his finger, he vanished from Sam's sight. [...] And far away, as Frodo put on the Ring and claimed it for his own, even in Sammath Naur the very heart of his realm, the power in Barad-dúr was shaken, and the Tower trembled from its foundations to its proud and bitter crown. The Dark Lord was suddenly aware of him, and his Eye piercing all shadows looked across the plain to the door of that he had made; and the magnitude of his own folly was revealed to him in a blinding flash, and all the devices of his enemies were at last laid bare. Then his wrath blazed in consuming flame, but his fear rose like a vast black smoke to choke him. For he knew his deadly peril and the thread upon which his doom was hung. From all his policies and webs of fear and treachery, from all his stratagems and wars his mind shook free; and throughout his realm a tremor ran, his slaves quailed, and his armies halted, and his captains suddenly steerless, bereft of will, wavered and despaired. For they were forgotten. The whole mind and purpose of the Power that wielded them was now bent with overewhelming force upon the Mountain. At his summons, wheeling with a rending cry, in a last desperate race there flew, faster than the winds, the Nazgúls, the Ringwraiths, and with a storm of wings they hurtled southwards to Mount Doom...
J.R.R. Tolkien (The Lord of the Rings)
What is this?” he asked. “Are you all conspiring against me? Even my horse?” It was the last three words that made Will smile. “We figured you mightn’t listen to a healer, a Ranger or a knight of the realm,” he said. “But if your horse agreed with them, you’d have no choice but to pay attention.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
he might be wrong.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
Always a dangerous pastime,
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
Behind him, in the darkness, the ancient, invisible presence that inhabited the hill slipped silently back to its resting place, satisfied that another interloper had moved on.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
stay-with-me vine.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
Are you sure you won’t lose track of me? I could just disappear in the dark . . .” “I’ll do my best,” Will said. Just for a moment, he wished his friend would disappear.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
Who said that?” Will asked, feigning surprise and looking around in all directions. Then he pretended to relax. “Oh, it’s only you, Horace. I didn’t see you there in that cloak.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
That’s where we get the expression ‘a good knight’s sleep,’ ” Will said, smiling at his own wit. Halt turned a baleful eye on him. “Horace is right. You’re not funny. Come on.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
Ik dacht van niet" - dat waren de laatste woorden van heel wat onvoorzichtige reizigers. - Halt
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
Natuurlijk stond Will daar klaar. Want Halt had hem daar nodig. Will zou er zijn, omdat hij Will was - en Will had Halt nog nooit in de steek gelaten.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
Weet je, Arnaut,' zei hij na enige tijd, 'vroeger was je zo'n onschuldige, vriendelijke knaap. Je deed geen vlieg kwaad. Wat is er de laatste tijd toch met je aan de hand?' Arnaut grijnsde breed. 'Wie met pek omgaat, wordt zwart!' riep hij. En dat kon Halt niet ontkennen.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
Een tijd geleden wist ze Halt zelfs zover te krijgen dat hij een keer naar de kapper ging. Voor hun trouwen.' Malcolm, die zich al menigmaal verwonderd had over Halts haardos, boog het hoofd. 'Dus inderdaad - een toverheks!' - over Vrouwe Pauline
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
Tot zijn grote vreugde zag hij dat ze ook de ogen van haar moeder geërfd had - één blauw, één bruin. Vooral het blauwe oog straalde een zeker fanatisme uit. - over Ebben
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
Jammer - ik begon net weer aan mijn oude vertrouwde baard te wennen.' 'Die heerlijke wildernis,' flapte Will eruit.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
Silence replaces conversation. Turning away replaces turning towards. Dismissiveness replaces receptivity. And contempt replaces respect. Emotional withholding is, I believe, the toughest tactic to deal with when trying to create and maintain a healthy relationship, because it plays on our deepest fears—rejection, unworthiness, shame and guilt, the worry that we’ve done something wrong or failed or worse, that there’s something wrong with us. ♦◊♦ But Sara’s description is more accurate and compelling than mine. Her line, “quietly sucks out your integrity and self-respect” is still stuck in my head three days later. It makes me think of those films where an alien creature hooks up a human to some ghastly, contorted machine and drains him of his life force drop by drop, or those horrible “can’t watch” scenes where witches swoop down and inhale the breath of children to activate their evil spells of world domination. In the movies, the person in peril always gets saved. The thieves are vanquished. The deadly transfusion halted. And the heroic victim recovers. But in real life, in real dysfunctional relationships, there’s often no savior and definitely no guarantee of a happy ending. Your integrity and self-respect can indeed be hoovered out, turning you into an emotional zombie, leaving you like one of the husks in the video game Mass Effect, unable to feel pain or joy, a mindless, quivering animal, a soulless puppet readily bent to the Reapers’ will. Emotional withholding is so painful because it is the absence of love, the absence of caring, compassion, communication, and connection. You’re locked in the meat freezer with the upside-down carcasses of cows and pigs, shivering, as your partner casually walks away from the giant steel door. You’re desperately lonely, even though the person who could comfort you by sharing even one kind word is right there, across from you at the dinner table, seated next to you at the movie, or in the same bed with you, back turned, deaf to your words, blind to your agony, and if you dare to reach out, scornful of your touch. When you speak, you might as well be talking to the wall, because you’re not going to get an answer, except maybe, if you’re lucky, a dismissive shrug.
Thomas G. Fiffer (Why It Can't Work: Detaching from dysfunctional relationships to make room for true love)
He halted his words, sinking into a chair, trying very hard to get past the fact that he was perilously close to tears. Right here, in John’s study, with this damnable little man who didn’t seem to understand that a man had died, not just an earl, but a man, Michael wanted to cry. And he would, he suspected. As soon as Lord Winston left, and Michael could lock the door and make sure that no one could see him, he would probably bury his face in his hands and cry.
Julia Quinn (When He Was Wicked (Bridgertons, #6))
Halt smiled at him. 'People love talking to me,' he said. 'I'm an excellent conversationalist and I have a sparkling personality. Ask Horace, I've been bending his ear all the way from Dun Kilty, haven't I?
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
With your newfound camouflage skills, I'd probably lose you in there.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
Let me know when we start having fun,
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
he held up a piece of the bread that Horace had cooked in the coals. “Did you make this?” he asked. Horace, with some pleasure in his new skill, assured him that he had. It didn’t take long for Halt to burst his bubble. “What is it?” he asked. Horace eyed him for a long second. “I think I preferred you when you were sick.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
Sighing, Will would pretend to search for him, thinking that his friend, the foremost knight in the Kingdom of Araluen, a warrior who would be feared and respected on any battlefield, was behaving like an overgrown child with a new toy.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
He walked to the horses. They definitely seemed alarmed. But then, they would. After all, he had just leapt to his feet unexpectedly, waving his saxe knife around like a lunatic.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
Oh yes. Very amusing, Halt. Very amusing,” he said. But he did wonder how the bearded Ranger had known that his hair had done just that.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
He was conscious of a dull thud as Horace forgot to duck under the doorway.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
Horace snorted disparagingly. “Fancy word for a guess.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
Maybe they’re napping,” Horace suggested. Halt glanced sidelong at him. “Farmers don’t nap,” he said. “Knights nap.” “That’s where we get the expression ‘a good knight’s sleep,’ ” Will said, smiling at his own wit. Halt turned a baleful eye on him.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
Now that he’s gone,” Horace said as he extinguished the breakfast cooking fire, “I almost miss him.” “That’s not how you felt last night,” Will said, grinning. He made his eyes wide and staring and waved his hands in mock fright. “Ooooh, Will! Help! There’s a big bad raven come to carry me away.” Horace shook his head, somewhat shamefaced. “Well, I suppose I was a little startled,” he said. “But it took me by surprise, that’s all.” “I’m glad I was here to protect you,” Will said, with a slightly superior tone. Halt, watching them as he rolled his pack, thought his former apprentice was pushing it too far. “You know,” he said quietly, “just after you first heard the raven, Will, I actually heard a strange crackling noise as well.” Will regarded him curiously. “You did? I didn’t notice it. What do you think it was?” “I couldn’t be sure,” the Ranger said thoughtfully, “but I suspect it was the sound of your hair standing on end in fright.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
waving his saxe knife around like a lunatic.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))