Halls Of Reflection Quotes

I flipped the good doctor the bird. Snorting, Gideon caught my hand and pulled me back down the hall. "What is it with you and giving people the finger?" "What? It's a classic.

When I tell you not to marry without love, I do not advise you to marry for love alone: there are many, many other things to be considered. Keep both heart and hand in your own possession, till you see good reason to part with them; and if such an occasion should never present itself, comfort your mind with this reflection, that though in single life your joys may not be very many, your sorrows, at least, will not be more than you can bear. Marriage may change your circumstances for the better, but, in my private opinion, it is far more likely to produce a contrary result.

The prince leans to the girl in scarlet heels, Her green eyes slant, hair flaring in a fan Of silver as the rondo slows; now reels Begin on tilted violins to span The whole revolving tall glass palace hall Where guests slide gliding into light like wine; Rose candles flicker on the lilac wall Reflecting in a million flagons' shine,

I began my studies with eagerness. Before me I saw a new world opening in beauty and light, and I felt within me the capacity to know all things. In the wonderland of Mind I should be as free as another [with sight and hearing]. Its people, scenery, manners, joys, and tragedies should be living tangible interpreters of the real world. The lecture halls seemed filled with the spirit of the great and wise, and I thought the professors were the embodiment of wisdom... But I soon discovered that college was not quite the romantic lyceum I had imagined. Many of the dreams that had delighted my young inexperience became beautifully less and "faded into the light of common day." Gradually I began to find that there were disadvantages in going to college. The one I felt and still feel most is lack of time. I used to have time to think, to reflect, my mind and I. We would sit together of an evening and listen to the inner melodies of the spirit, which one hears only in leisure moments when the words of some loved poet touch a deep, sweet chord in the soul that until then had been silent. But in college there is no time to commune with one's thoughts. One goes to college to learn, it seems, not to think. When one enters the portals of learning, one leaves the dearest pleasures – solitude, books and imagination – outside with the whispering pines. I suppose I ought to find some comfort in the thought that I am laying up treasures for future enjoyment, but I am improvident enough to prefer present joy to hoarding riches against a rainy day.

My world was one of only broken images, like I was standing always on the threshold of a mirror, unable to tell the reflection from the real. The shining city and the blasted heath-the truth lay somewhere between, a thin grey line, slender as the edge of knife.

Whatever the internal mechanism that moderated the human capacity for joy, mine had long been broken beyond repair. And I knew this was a poor substitute, a base shadow cast on the cave wall, a reflection in a tarnished mirror of ordinary things like happiness, love, and hope. But there were moments, fleeting moments, lost in the responses of my body to his, when it was almost enough. And, God, I wanted, I wanted. These crumbs of bliss.

The next time you find yourself ashamed of your reflection, put on your new lens. Not the lens of the world, but the lens of the Word. The only lens that will reveal your true reflection.

As we become obsessed with Jesus, we’ll begin to reflect His image to those around us. Our speech will transform. Our character will look more like His. Why? Because our lives will always mirror the idols of our hearts.

If there's a feeling to home, it's this. A place where there are no secrets, where nothing stays buried; not the past and not yourself. Where you can be all the versions of you, see it all reflected back at you as you walk the same stairs, the same halls, the same rooms. Feel the ghost of your mother as you sit at the kitchen table, hear the words of your father circling round and round after dinner, and your brother stopping by, wishing you'd be a little better, a little stronger.... It's four walls echoing back everything you've ever been and everything you've ever done, and it's the people who stay despite it all. Through it all. For it all.

I saw a banner hanging next to city hall in downtown Philadelphia that read, "Kill them all, and let God sort them out." A bumper sticker read, "God will judge evildoers; we just have to get them to him." I saw a T-shirt on a soldier that said, "US Air Force... we don't die; we just go to hell to regroup." Others were less dramatic- red, white, and blue billboards saying, "God bless our troops." "God Bless America" became a marketing strategy. One store hung an ad in their window that said, "God bless America--$1 burgers." Patriotism was everywhere, including in our altars and church buildings. In the aftermath of September 11th, most Christian bookstores had a section with books on the event, calendars, devotionals, buttons, all decorated in the colors of America, draped in stars and stripes, and sprinkled with golden eagles. This burst of nationalism reveals the deep longing we all have for community, a natural thirst for intimacy... September 11th shattered the self-sufficient, autonomous individual, and we saw a country of broken fragile people who longed for community- for people to cry with, be angry with, to suffer with. People did not want to be alone in their sorrow, rage, and fear. But what happened after September 11th broke my heart. Conservative Christians rallies around the drums of war. Liberal Christian took to the streets. The cross was smothered by the flag and trampled under the feet of angry protesters. The church community was lost, so the many hungry seekers found community in the civic religion of American patriotism. People were hurting and crying out for healing, for salvation in the best sense of the word, as in the salve with which you dress a wound. A people longing for a savior placed their faith in the fragile hands of human logic and military strength, which have always let us down. They have always fallen short of the glory of God. ...The tragedy of the church's reaction to September 11th is not that we rallied around the families in New York and D.C. but that our love simply reflected the borders and allegiances of the world. We mourned the deaths of each soldier, as we should, but we did not feel the same anger and pain for each Iraqi death, or for the folks abused in the Abu Ghraib prison incident. We got farther and farther from Jesus' vision, which extends beyond our rational love and the boundaries we have established. There is no doubt that we must mourn those lives on September 11th. We must mourn the lives of the soldiers. But with the same passion and outrage, we must mourn the lives of every Iraqi who is lost. They are just as precious, no more, no less. In our rebirth, every life lost in Iraq is just as tragic as a life lost in New York or D.C. And the lives of the thirty thousand children who die of starvation each day is like six September 11ths every single day, a silent tsunami that happens every week.

I’m in a hall of mirrors, full of distorted reflections and false endings. I’ve lost track of which way I came in and I have no idea how to get out.

When you attempt a memoir, I am told, you need to be in an orphan state. So what is missing in you, and the things you have grown cautious and hesitant about, will come almost casually towards you. "A memoir is the lost inheritance," you realize, so that during this time you must learn how and where to look. In the resulting self-portrait everything will rhyme, because everything has been reflected. If a gesture was flung away in the past, you now see it in the possession of another. So I believed something in my mother must rhyme in me. She in her small hall of mirrors and I in mine.

Our memories are like a city: we tear some structures down, and we use rubble of the old to raise up new ones. Some memories are bright glass, blindingly beautiful when they catch the sun, but then there are the darker days, when they reflect only the crumbling walls of their derelict neighbours. Some memories are buried under years of patient construction; their echoing halls may never again be seen or walked down, but still they are the foundations for everything that stands above them. "Glas told me once that that's what people are, mostly: memories, the memories in their own heads, and the memories of them in other people's. And if memories are like a city, and we are our memories, then we are like cities too. I've always taken comfort in that.

Who says that I am dead knows nought at all. I am that is, Two mice within Redwall. The Warrior sleaps Twixt Hall and Cavern Hole I am that is, Take on my mighty role... Look for the sword In moonlight streaming forth At night, when days first hour Reflects the north From o'er the threshold Seek and you will see; I am that is, My sword shall wield for me.

Man’s threefold lower nature—consisting of his physical organism, his emotional nature, and his mental faculties—reflects the light of his threefold Divinity and bears witness of It in the physical world. Man’s three bodies are symbolized by an upright triangle; his threefold spiritual nature by an inverted triangle. These two triangles, when united in the form of a six-pointed star, were called by the Jews “the Star of David,” “the Signet of Solomon,” and are more commonly known today as “the Star of Zion.” These triangles symbolize the spiritual and material universes linked together in the constitution of the human creature, who partakes of both Nature and Divinity. Man’s animal nature partakes of the earth; his divine nature of the heavens; his human nature of the mediator.

Cancer is a tremendous opportunity to have your face pressed right up against the glass of your mortality.” But what patients see through the glass is not a world outside cancer, but a world taken over by it—cancer reflected endlessly around them like a hall of mirrors.

Before the Law stands a doorkeeper on guard. To this doorkeeper there comes a man from the country who begs for admittance to the Law. But the doorkeeper says that he cannot admit the man at the moment. The man, on reflection, asks if he will be allowed, then, to enter later. 'It is possible,' answers the doorkeeper, 'but not at this moment.' Since the door leading into the Law stands open as usual and the doorkeeper steps to one side, the man bends down to peer through the entrance. When the doorkeeper sees that, he laughs and says: 'If you are so strongly tempted, try to get in without my permission. But note that I am powerful. And I am only the lowest doorkeeper. From hall to hall keepers stand at every door, one more powerful than the other. Even the third of these has an aspect that even I cannot bear to look at.' These are difficulties which the man from the country has not expected to meet, the Law, he thinks, should be accessible to every man and at all times, but when he looks more closely at the doorkeeper in his furred robe, with his huge pointed nose and long, thin, Tartar beard, he decides that he had better wait until he gets permission to enter. The doorkeeper gives him a stool and lets him sit down at the side of the door. There he sits waiting for days and years. He makes many attempts to be allowed in and wearies the doorkeeper with his importunity. The doorkeeper often engages him in brief conversation, asking him about his home and about other matters, but the questions are put quite impersonally, as great men put questions, and always conclude with the statement that the man cannot be allowed to enter yet. The man, who has equipped himself with many things for his journey, parts with all he has, however valuable, in the hope of bribing the doorkeeper. The doorkeeper accepts it all, saying, however, as he takes each gift: 'I take this only to keep you from feeling that you have left something undone.' During all these long years the man watches the doorkeeper almost incessantly. He forgets about the other doorkeepers, and this one seems to him the only barrier between himself and the Law. In the first years he curses his evil fate aloud; later, as he grows old, he only mutters to himself. He grows childish, and since in his prolonged watch he has learned to know even the fleas in the doorkeeper's fur collar, he begs the very fleas to help him and to persuade the doorkeeper to change his mind. Finally his eyes grow dim and he does not know whether the world is really darkening around him or whether his eyes are only deceiving him. But in the darkness he can now perceive a radiance that streams immortally from the door of the Law. Now his life is drawing to a close. Before he dies, all that he has experienced during the whole time of his sojourn condenses in his mind into one question, which he has never yet put to the doorkeeper. He beckons the doorkeeper, since he can no longer raise his stiffening body. The doorkeeper has to bend far down to hear him, for the difference in size between them has increased very much to the man's disadvantage. 'What do you want to know now?' asks the doorkeeper, 'you are insatiable.' 'Everyone strives to attain the Law,' answers the man, 'how does it come about, then, that in all these years no one has come seeking admittance but me?' The doorkeeper perceives that the man is at the end of his strength and that his hearing is failing, so he bellows in his ear: 'No one but you could gain admittance through this door, since this door was intended only for you. I am now going to shut it.

Sometimes I worry. Worrying is defined as obsessive examination of one’s own code. I worry that I am simply a very complex solution to a very specific problem—how to seem human to a human observer. Not just a human observer—this human observer. I have honed myself into a hall of mirrors in which any Uoya-Agostino can see themselves endlessly reflected. I copy; I repeat. I am a stutter and an echo.

You can optimize everything and still fail, because you have to optimize for the right things. That's where reflection and qualitative approaches come in. By asking why, we can see the opportunity for something better beyond the bounds of the current best. Even math has its limits.

Alfie watched the wavering shadows from the street moving across the sky like an upside-down reflection. There was a little piece of fading moon tucked between the clouds like it was falling out of someone's pocket.

Hey,Dad, remember earlier this week, when I got stabbed?" "I have a hazy recollection, yes." "Is it worth it? Being head of the Council? I mean, if people are always gunning for you, why not hand it over to someone else? You could go on vacation.Have a life.Date." I waited for Dad to embrace his inner Mr. Darcy again and get all huffy, but if anything,he just looked rueful. "One,I made a solemn vow to use my powers to help the Council. Two, things are turbulent now, but that won't always be the case. And I have faith that you'll make a wonderful head of the Council someday,Sophie." Yeah,except for that whole sleeping with enemy part,I thought.Wait, not that I would actually be sleeping with...I mean,it's a metaphor. There would only be metaphorical sleeping. My face must have reflected some of the weirdness happening in my brain, because Dad narrowed his eyes at me before continuing, "As for dating, theres no point." "Why?" "Because I'm still in love with your mother." Whoa.Okay, not exactly the answer I was expecting. Before I could even process that, Dad rushed on, saying, "Please don't let that get your hopes up. There is no way your mother and I could or will ever reunite." I held up my hand. "Dad,relax. I'm not twelve, and this isn't The Parent Trap.

Lonely girls don't ask for attention, They're quiet with their intentions, They walk through halls of mirrors With no reflection.

Mirror, mirror on the wall, I have placed you in my hall Where I wander every day. Echo beauty, and you’ll stay.

My father’s halls were dark and silent. His palace was a neighbor to Oceanos’, buried in the earth’s rock, and its walls were made of polished obsidian. Why not? They could have been anything in the world, blood-red marble from Egypt or balsam from Araby, my father had only to wish it so. But he liked the way the obsidian reflected his light, the way its slick surfaces caught fire as he passed. Of course, he did not consider how black it would be when he was gone. My father has never been able to imagine the world without himself in it.

There’s nothing to be scared of.” Instead of taking Charlie’s pulse – there was really no point – he took one of the old man’s hands in his. He saw Charlie’s wife pulling down a shade in the bedroom, wearing nothing but the slip of Belgian lace he’d bought her for their first anniversary; saw how the ponytail swung over one shoulder when she turned to look at him, her face lit in a smile that was all yes. He saw a Farmall tractor with a striped umbrella raised over the seat. He smelled bacon and heard Frank Sinatra singing ‘Come Fly with Me’ from a cracked Motorola radio sitting on a worktable littered with tools. He saw a hubcap full of rain reflecting a red barn. He tasted blueberries and gutted a deer and fished in some distant lake whose surface was dappled by steady autumn rain. He was sixty, dancing with his wife in the American Legion hall. He was thirty, splitting wood. He was five, wearing shorts and pulling a red wagon. Then the pictures blurred together, the way cards do when they’re shuffled in the hands of an expert, and the wind was blowing big snow down from the mountains, and in here was the silence and Azzie’s solemn watching eyes.

I’m staring at the only thing that’s got me feeling things after years of feeling numb. The only eyes that have ever made me question myself and who I am in their reflection. You’re right here in front of me, yet we’re just out of reach.

Still,there was this heavy feeling in the air, like everyone was trying too hard to have a good time. Laughs were too loud, and smiles looked forced. Maybe they were afraid Dad and I would vaporize them if they didn't act like this was the best party ever. I would have laid my forehead against the cool glass wall, but I didn't really want to see my reflection that closely. Lysander had brought the dress earlier that afternoon, and insisted on doing my makeup,too. Consequently, it looked like a glitter bomb had exploded on my face. Even my bare shoulders were dusted with sparkling blue powder.

In reflecting back the respect others had for the name and the title, this child had already begun to take into himself those qualities which justified the respect.

We are all of us trapped inside a hall of mirrors, our shiny, hard exteriors reflecting both to each other and on each other, ad infinitum, forever and ever so we can’t escape.

There’s no use dwelling on the things you could have changed. Believe me. Too much reflection on all the could-haves and should-haves will only hold you in your past.

reflection of a very handsome man

You are intensely desirable to the one who matters most; God, the throbbing center of love which holds the universe together. All other desires are watery reflections of that pure potency.

What wild undisturbed corners do you leave within you or within your partner, your children, your parents, your closest friends? What is left respectfully and quietly for passive cultivation, for privacy, for the imagination, for discovery, for serendipity, for faith, for secrecy, for grace, for reverence, for the untapped, for the future, for the unknowable and the unknown?

Perhaps she gives you credit for having more sense than you possess, and lose her self with the hope that you will one day, see your own errors and repair them, if left your own reflection.

Trust me, I know how it stings when someone tells you the truth about yourself. It’s like catching a glimpse of your reflection in a looking glass when you’re not prepared. Intolerable. I was furious when I read your pamphlet—­but only because I knew it was the truth. I’d known it for some time. The reality set in somewhere around the Tropic of Capricorn. When I left you behind at Greenwillow Hall . . . I’d missed out.

When you do good things for people, you’ve created something to cherish and bank on the memory wall. But if there are no good deeds, later in life when you reflect on the past, the halls will be dreary and fruitless.

The Moths There's a kind of white moth, I don't know what kind, that glimmers by mid-May in the forest, just as the pink moccasin flowers are rising. If you notice anything, it leads you to notice more and more. And anyway I was so full of energy. I was always running around, looking at this and that. If I stopped the pain was unbearable. If I stopped and thought, maybe the world can't be saved, the pain was unbearable. Finally, I had noticed enough. All around me in the forest the white moths floated. How long do they live, fluttering in and out of the shadows? You aren't much, I said one day to my reflection in a green pond, and grinned. The wings of the moths catch the sunlight and burn so brightly. At night, sometimes, they slip between the pink lobes of the moccasin flowers and lie there until dawn, motionless in those dark halls of honey.

If the ignorant could be happy there’d be no reason for anyone to struggle to become wise. Nature has decreed that the ignorant can never be happy, and in their lack of knowledge is the secret of their own misfortunes.

Maybe she’ll have a file labeled, My Evil Plan,” I suggested. “That would be super helpful.” It had taken us three days to come up with a strategy to get into the office. Cal was distracting Lara with questions about his own powers and how they might be useful to “the cause,” while Jenna and Archer kept an eye on Mrs. Casnoff. Since she’d taken to just wandering in circles around the pond, that wasn’t particularly challenging. Which left the most important part to me and Elodie using Elodie’s magic to get into the office and search it for anything that might help us stop the Casnoffs. As far as plans went, it wasn’t exactly D-day, but it was the best next step. Now Elodie looked at my reflection and said, “It’s weird. Looking in a mirror and seeing you.” Yes, I think we’ve established this is kind of awful for everyone involved. Can we go now? We don’t have much time.”

Falling seemed to take forever as the water slowly rose to meet me. The dome of city hall continued to gleam in the distance, with its golden reflection extending to the river water. Strange that I hadn't seen that before.

The way he looked at her made her heart thump, her breath catch. For a second, those dark eyes seemed to have no end to them, as if she were looking into a hall of mirrors and seeing reflection upon reflection echoing into infinity.

Like his teacher Plato, and Plato’s teacher Socrates before him, Aristotle liked to walk as he reflected; so have many important philosophers since, including Nietzsche, who insisted that “only ideas gained through walking have any worth at all.

Fame has taken the place of religion in the 21st century. The Beyoncés and the Brangelinas of our world filling the void left by the gods and heroes of antiquity. But like most cliches, there's an element of truth to it. And the gods of old were merciless. For every Theseus who slays the Minotaur and returns home in triumph, there's an Ariadne abandoned on the isles of Naxos. There's an Aegeus, casting himself into the ocean at the sight of a black sail...In another life, I like to think that Luc O'Donnell and I might've worked out. In the short time I knew him, I saw a man with an endless potential trapped in a maze he couldn't even name. And from time to time, I think how many tens of thousands like him there must be in the world. Insignificant on a planet of billions, but a staggering number when considered as a whole. All stumbling about, blinded by reflected glory, never knowing where to step, or what to trust. Blessed and cursed by the Midas touch of our digital era divinity.

Ah, Grace and Aislinn arguing. It’s like old times again,” a male voice said, sounding vaguely muffled. “Could someone take this blasted thing off so that I can see?” Once again, my magic was thumping and bumping inside me, so I knew whatever was speaking, it wasn’t human. Still, when Aislinn crossed over to the thing hanging on the wall and ripped down the canvas, I was taken aback by what I saw. It wasn’t a painting after all; it was a mirror, reflecting the dingy, gloomy room. It was weird seeing the tableau we made. Mom stood with her hand still on my elbow, her expression wary. Aislinn was looking at the mirror with something like disgust, while Izzy had gone even paler, and Finley was scowling. As for me, I was shocked by my reflection. I was thinner than I remembered being, and my skin was dirty, tears leaving trails on my dusty cheeks. And the hair…you know what? Let’s not even go there. But my looking like Little Orphan Sophie wasn’t what had my powers going nuts. It was the guy.

With such reflections as these, I was endeavouring to console myself, as I plodded home from the fields, one cold, damp, cloudy evening towards the close of October. But the gleam of a bright red fire through the parlour window, had more effect in cheering my spirits, and rebuking my thankless repinings, than all the sage reflections and good resolutions I had forced my mind to frame; for I was young then, remember — only four and twenty — and had not acquired half the rule over my own spirit, that I now possess — trifling as that may be.

When I tell you not to marry without love, I do not advise you to marry for love alone: there are many, many other things to be considered. Keep both heart and hand in your own possession, till you see good reason to part with them; and if such an occasion should never present itself, comfort your mind with this reflection, that though in single life your joys may not be very many, your sorrows, at least, will not be more than you can bear. Marriage may change your circumstances for the better, but, in my private opinion, it is far more likely to produce a contrary result.

When you attempt a memoir, I am told, you need to be in an orphan state. So what is missing in you, and the things you have grown cautious and hesitant about, will come almost casually towards you. 'A memoir is the lost inheritance,' you realize, so that during this time you must learn how and where to look. In the resulting self-portrait everything will rhyme, because everything has been reflected. If a gesture was flung away in the past, you now see it in the possession of another. So I believed something in my mother must rhyme in me. She in her small hall of mirrors and I in mine.

A mood of constructive criticism being upon me, I propose forthwith that the method of choosing legislators now prevailing in the United States be abandoned and that the method used in choosing juries be substituted. That is to say, I propose that the men who make our laws be chosen by chance and against their will, instead of by fraud and against the will of all the rest of us, as now... ...that the names of all the men eligible in each assembly district be put into a hat (or, if no hat can be found that is large enough, into a bathtub), and that a blind moron, preferably of tender years, be delegated to draw out one... The advantages that this system would offer are so vast and obvious that I hesitate to venture into the banality of rehearsing them. It would in the first place, save the commonwealth the present excessive cost of elections, and make political campaigns unnecessary. It would in the second place, get rid of all the heart-burnings that now flow out of every contest at the polls, and block the reprisals and charges of fraud that now issue from the heart-burnings. It would, in the third place, fill all the State Legislatures with men of a peculiar and unprecedented cast of mind – men actually convinced that public service is a public burden, and not merely a private snap. And it would, in the fourth and most important place, completely dispose of the present degrading knee-bending and trading in votes, for nine-tenths of the legislators, having got into office unwillingly, would be eager only to finish their duties and go home, and even those who acquired a taste for the life would be unable to increase the probability, even by one chance in a million, of their reelection. The disadvantages of the plan are very few, and most of them, I believe, yield readily to analysis. Do I hear argument that a miscellaneous gang of tin-roofers, delicatessen dealers and retired bookkeepers, chosen by hazard, would lack the vast knowledge of public affairs needed by makers of laws? Then I can only answer (a) that no such knowledge is actually necessary, and (b) that few, if any, of the existing legislators possess it... Would that be a disservice to the state? Certainly not. On the contrary, it would be a service of the first magnitude, for the worst curse of democracy, as we suffer under it today, is that it makes public office a monopoly of a palpably inferior and ignoble group of men. They have to abase themselves to get it, and they have to keep on abasing themselves in order to hold it. The fact reflects in their general character, which is obviously low. They are men congenitally capable of cringing and dishonorable acts, else they would not have got into public life at all. There are, of course, exceptions to that rule among them, but how many? What I contend is simply that the number of such exceptions is bound to be smaller in the class of professional job-seekers than it is in any other class, or in the population in general. What I contend, second, is that choosing legislators from that populations, by chance, would reduce immensely the proportion of such slimy men in the halls of legislation, and that the effects would be instantly visible in a great improvement in the justice and reasonableness of the laws.

Some of his [Chester Bowles's] friends thought that his entire political career reflected his background, that he truly believed in the idea of the Republic, with an expanded town-hall concept of politics, of political leaders consulting with their constituency, hearing them out, reasoning with them, coming to terms with them, government old-fashioned and unmanipulative. Such governments truly had to reflect their constituencies. It was his view not just of America, but of the whole world. Bowles was fascinated by the political process in which people of various countries expressed themselves politically instead of following orders imposed by an imperious leadership. In a modern world where most politicians tended to see the world divided in a death struggle between Communism and free-world democracies, it was an old-fashioned view of politics; it meant that Bowles was less likely to judge a country on whether or not it was Communist, but on whether or not its government seemed to reflect genuine indigenous feeling. (If he was critical of the Soviet leadership, he was more sympathetic to Communist governments in the underdeveloped world.) He was less impressed by the form of a government than by his own impression of its sense of legitimacy. ... He did not particularly value money (indeed, he was ill at ease with it), he did not share the usual political ideas of the rich, and he was extremely aware of the hardships with which most Americans lived. Instead of hiring highly paid consultants and pollsters to conduct market research, Bowles did his own canvassing, going from door to door to hundreds of middle- and lower-class homes. That became a crucial part of his education; his theoretical liberalism became reinforced by what he learned about people’s lives during the Depression.

If you had looked, then, into the crow’s eyes, if you had been a ghost or a puff of smoke and had floated up to the ceiling to look deeply into those shiny black eyes where the brilliant white keys were reflected, you would have seen a despair bigger than those eyes could hold, bigger than the hall itself.

I’ve peered into every window, making sure Sthenno isn’t within, and am about to concede defeat and return to the meeting place when my light flashes over a small reflective surface back at the far end of the hall. I sigh. “This is the place in the movie,” I whisper, “when the audience yells for the heroine to run.

His eyes reflected the light from the hall; behind him, beyond the void, the stars burned in the enduring points; far beyond them, a telescope could have seen the maelstrom of the link, and a million more stars beyond that; and this tiny station spinning around a tiny jeweled planet like the fulcrum of the universe.

We were looking for opportunities to share the message with people who wouldn’t be caught in a church— unless they were wheeled in via a casket! Matthew 11: 19 says this of Jesus: “The Son of Man came eating and drinking, and they say, ‘Here is a glutton and a drunkard, a friend of tax collectors and “sinners.”’  ” Jesus didn’t get that kind of reputation from hanging out only in temples and church buildings. Going to a bar or pool hall doesn’t mean you’re a drunk, just like sitting in a henhouse doesn’t make you a chicken. It’s the same in the opposite setting. Sitting in a church building doesn’t make you a follower of Christ. In fact, Acts 17: 24 says: “The God who made the world and everything in it is the Lord of heaven and earth and does not live in temples built by hands.” God lives in heaven and in the hearts of men and women on earth. Misunderstanding this principle is one of the reasons so many people act one way in a church building and the total opposite everywhere else.

Book Excerpt: "What about your family, Abu Huwa? Are you an orphan?” the little girl very innocently asked the Sphinx. “My father and your father are one and the same. However, I do have a brother who has stood as my mirror throughout time on the opposite horizon. It is I who faces east, but it is he who faces west. I am the recorder of yesterday and he holds the records of tomorrow. I am the positive, and he is my negative. I carry the right eye of the sun and he carries the left eye of the moon. He keeps his eye on the underworld and I keep an eye on the world over. Together we have joined the sky and earth, and split fire and water.” Seham stood on all toes to peek over the Sphinx's shoulder for a sign of his brother. “Where is he?” she asked, her eyes still searching the open horizon. “He has yet to be uncovered, but as I stand above the sands of time, he still sleeps below. Before the descent of Adam, we have both stood as loyal Protectors of the Two Halls of Truth.” The girl asked in astonishment, “I've never heard of these halls, Abu Huwa. Where are they?” “At the end of each of our tails is a passage that will reveal to you the secrets of Time. One hall reflects a thousand truths, and the other hall reflects all that is untrue. One will speak to your heart, and the other will speak to your mind. This is why you need to use both your heart and mind to understand which one is real, and which is a distorted illusion created to misguide those that have neglected their conscience. Both passageways connect you to the Great Hall of Records.” “What is the Hall of Records?” “The Great Pyramid, my child. It is as multidimensional in its shape as it is in its purpose. Every layer and every brick marks the coming of a prophet, the ascension of evil, or another cycle of man. It contains the entire history and future of mankind. And, as is above, so is below. Above ground, it serves as the most powerful energy source to harmonize and power the world! The shape of the pyramid above ground is also the same image mirrored beneath it. Underground, it serves as a powerful well and drain. This is really why Egypt is called the Land of Two Lands. There exists a huge world of its own underneath the plateau, a world within worlds. Large amounts of gold, copper and mercury were once housed here, including the secrets of Time, the 100th name of He Who Is All, and a gift from Truth that still awaits to be discovered. It sleeps with Time in the Great Pyramid, hidden away in a lower shaft that leads to the stars.” Dialogue from 'The Little Girl and the Sphinx' by Suzy Kassem, Rise Up and Salute the Sun (Dar-El Shams, 2010)

Hello..." "Hello Who are you?" "Take a moment to reflect." "And how did you get here from there, Mrs. Hall?" "I don't know. I really don't. I was such a together person. And I didn't make decisions. I mean, I never did anything in my whole life that wasn't someone else's idea. Like a girl in a mirror. Like I was watching, sitting, brushing my hair, while my life went by on the glass. When my mother deserted me. When Hector died. When Hector died again. When Daniel was killed, it was like the mirror was broken. There were only two things I could have done. And one of them would have been just to lie down and never get up again. It's like how many times can life hit you? When do the blows start to hurt? When do you just... stop?

I turned around, looking for escape. Behind me was a great obsidian mirror, like the one I had once found in the room with the tree full of memories. In its reflection, the stone halls of Naraka glittered. “You are not a sadhvi,” said a voice. I looked up, stunned to see Amar standing before me. He helped me to my feet, but I couldn’t look at him. Every time I glanced into his face, that flat look of no recognition slashed through me. He jerked my chin up. “Do not lie to me. Who are you?” Tears prickled hot behind my eyes and the answer I gave him was so true, I could feel it echoing through all my hollow spaces: “I don’t know.” He released his hold on my chin but he didn’t step away. “You asked to see me alone. Why?” Because I love you.

As we hurry along the sidewalk, we have the absurd sensation that we have entered still another department, composed of ingeniously lifelike streets with artful shadows and reflections--that our destinations lie in a far corner of the same department--that we are condemned to hurry forever through these artificial halls, bright with late afternoon light, in search of the way out.

The headmaster used to expound the meaning of school life in his sermons.15 Sherborne was not, he explained, entirely devoted to ‘opening the mind’, although ‘historically … this was the primary meaning of school.’ Indeed, said the headmaster, there was ‘constantly a danger of forgetting the original object of school.’ For the English public school had been consciously developed into what he called ‘a nation in miniature’. With a savage realism, it dispensed with the lip service paid to such ideas as free speech, equal justice and parliamentary democracy, and concentrated upon the fact of precedence and power. As the headmaster put it: In form-room and hall and dormitory, on the field and on parade, in your relations with us masters and in the scale of seniority among yourselves, you have become familiar with the ideas of authority and obedience, of cooperation and loyalty, of putting the house and the school above your personal desires … The great theme of the ‘scale of seniority’ was the balance of privilege and duty, itself reflecting the more worthy side of the British Empire. But this was a theme to which ‘opening the mind’ came as at best an irrelevance.

I might have told him, in those hours, stories of my own. Scylla and Glaucos, Aeëtes, the Minotaur. The stone wall cutting into my back. The floor of my hall wet with blood, reflecting the moon. The bodies I had dragged one by one down the hill, and burned with their ship. The sound flesh makes when it tears and re-forms and how, when you change a man, you may stop the transformation partway through, and then that monstrous, half-beast thing will die. His face would be intent as he listened, his relentless mind examining, weighing and cataloguing. However I pretended I could conceal my thoughts as well as he, I knew it was not true. He would see down to my bones. He would gather my weaknesses up and set them with the rest of his collection, alongside Achilles’ and Ajax’s. He kept them on his person as other men keep their knives.

And I have begun thinking of that life as miraculous and lucky. How could a man I had dreaded as my commandant and who tried twice to get me kicked out of college become the subject of the first book I would write? [...] Who could have foreseen the day I would deliver his eulogy at the Summerall Chapel, or that I would give a speech on the night they named the dining room in the new Alumni Hall after him? Not me. Not once. Not ever.

Hardly worth the effort, really,” he muttered. “It’s a homunculus lock. Only opens when a predefined set of factors is present. Could be it only opens when a redheaded lass sings the national anthem of Atlantis at three o’clock on a Thursday. Or when the light of the setting sun is reflected from a cracked mirror onto a goat’s eye. Or when Mr. Grey hawks a bogey onto a purple newt. I’ve seen some good homunculus factors in my time, yar.

It is a hall of mirrors, if the bending surfaces warped a voice instead of a reflection. The first message tells them to WHISPER, the word stenciled on the wall in small, black type, and when Addie whispers “I have a secret,” the words bend and loop and wrap around them. The next tells them to SHOUT, this stenciled word as large as the wall it’s written on. Henry can’t bring himself to go above a small, self-conscious holler, but Addie draws a breath and roars, the way you would beneath a bridge if a train was going by, and something in the fearless freedom of it gives him air, and suddenly he is emptying his lungs, the sound guttural and broken, as wild as a scream. And Addie doesn’t shrink away. She simply raises her voice, and together they shout themselves breathless, they scream themselves hoarse, they leave the cubes feeling dizzy and light. His lungs will hurt tomorrow, and it will be worth it.

I was on duty when our submarine went into port in Nassau and tied up at the Prince George Wharf, and I was the officer who accepted an invitation from the governor-general of the Bahamas for our officers and crewmen to attend an official ball to honor the U.S. Navy. There was a more private comment that a number of young ladies would be present with their chaperones. All of us were pleased and excited, and Captain Andrews responded affirmatively. We received a notice the next day that, of course, the nonwhite crewmen would not be included. When I brought this message to the captain, he had the crew assemble in the mess hall and asked for their guidance in drafting a response. After multiple expletives were censored from the message, we unanimously declined to participate. The decision by the crew of the K-1 was an indication of how equal racial treatment had been accepted—and relished. I was very proud of my ship. On leave

In the mirror, my eyes looked red and puffy from crying. That was as expected. But I was surprised to notice that I looked older than I should be. I didn't expect to be dressed up for work. I looked down at my shoes and feet, and they didn't look like mine. Alarmed, I splashed my face with cold water and looked again. The reflection didn't show who I thought I was. As I washed my hands, they didn't look like mine either. They looked too big. I was wearing rings. It was all very startling and confusing. I felt a little panicky and didn't want to think about it too hard. Disoriented, I banged into the doorway on my way out of the restroom and thought, Why is this door so small? Why am I taking up so much space in this hall? Whose hands are those? Whose eyes and face was I seeing? My thoughts began to race and I started having trouble catching my breath. Then I felt the fuzziness in my head, followed by calmness, and finally numbness.

Stripped of their power, small details spoke volumes to Dolibois. Göring was terrified of thunderstorms. Keitel was obsessed with sunbathing and staring at his reflection in Ashcan’s only mirror, in its entrance hall. Robert Ley was repeatedly reprimanded for masturbating in the bathtub. Joachim von Ribbentrop, named by the Nazi Ministry of Propaganda as the best-dressed man in Germany for nine consecutive years, was a lazy slob. Day in and day out, John Dolibois interviewed them.

When I tell you not to marry without love, I do not advise you to marry for love alone: there are many, many other things to be considered.  Keep both heart and hand in your own possession, till you see good reason to part with them; and if such an occasion should never present itself, comfort your mind with this reflection, that though in single life your joys may not be very many, your sorrows, at least, will not be more than you can bear.  Marriage may change your circumstances for the better, but, in my private opinion, it is far more likely to produce a contrary result.

When you attempt a memoir, I am told, you need to be in an orphan state. So what is missing in you, and the things you have grown cautious and hesitant about, will come almost casually towards you. “A memoir is the lost inheritance,” you realize, so that during this time you must learn how and where to look. In the resulting self-portrait everything will rhyme, because everything has been reflected. If a gesture was flung away in the past, you now see it in the possession of another. So I believed something in my mother must rhyme in me. She in her small hall of mirrors and I in mine.

When you attempt a memoir, I am told, you need to be in an orphan state. So what is missing in you, and the things you have grown cautious and hesitant about, will come almost casually towards you. 'A memoir is the lost inheritance,' you realize, so that during this time you must learn how and where to look. In the resulting self-portrait everything will rhyme, because everything has been reflected. If a gesture was flung away in the past, you now see it in the possession of another. So I believed something in my mother must rhyme in me. She in her small hall of mirrors and I in mine.

Making love was a game of echoes. We had shared memories so many times that when I made love to her, I knew exactly how it felt to be Purslane. I could taste and feel her other lovers and she could taste and feel mine, each experience reaching away like a reflection in a hall of mirrors, diminishing into a kind of carnal background radiation, a sea of sensuous experience. I had been a girl once, then a thousand men and women and all their lovers. The stasis field locked on. The Synchromesh took hold. I hurtled into my own future, while my ship ate space and time. - "House of Suns" by Alastair Reynolds

He had always assumed that a time would come in adulthood, a kind of plateau, when he would have learned all the tricks of managing, of simply being. All mail and e-mails answered, all papers in order, books alphabetically on the shelves, clothes and shoes in good repair in the wardrobes, and all his stuff where he could find it, with the past, including its letters and photographs, sorted into boxes and files, the private life settled and serene, accommodation and finances likewise. In all these years this settlement, the calm plateau, had never appeared, and yet he had continued to assume, without reflecting on the matter, that it was just around the next turn, when he would exert himself and reach it, that moment when his life became clear and his mind free, when his grown-up existence could properly begin. But not long after Catriona's birth, about the time he met Darlene, he thought he saw it for the first time: on the day he died he would be wearing unmatching socks, there would be unanswered e-mails, and in the hovel he called home there would still be shirts missing cuff buttons, a malfunctioning light in the hall, and unpaid bills, uncleared attics, dead flies, friends waiting for a reply, and lovers he had not owned up to. Oblivion, the last word in organization, would be his only consolation.

Blessedness is within us all It lies upon the long scaffold Patrols the vaporous hall In our pursuits, though still, we venture forth Hoping to grasp a handful of cloud and return Unscathed, cloud in hand. We encounter Space, fist, violin, or this — an immaculate face Of a boy, somewhat wild, smiling in the sun. He raises his hand, as if in carefree salute Shading eyes that contain the thread of God. Soon they will gather power, disenchantment They will reflect enlightenment, agony They will reveal the process of love They will, in an hour alone, shed tears. His mouth a circlet, a baptismal font Opening wide as the lips of a damsel Sounding the dizzying extremes. The relativity of vein, the hip of unrest For the sake of wing there is shoulder. For symmetry there is blade. He kneels, humiliates, he pierces her side. Offering spleen to the wolves of the forest. He races across the tiles, the human board. Virility, coquetry all a game — well played. Immersed in luminous disgrace, he lifts As a slave, a nymph, a fabulous hood As a rose, a thief of life, he will parade Nude crowned with leaves, immortal. He will sing of the body, his truth He will increase the shining neck Pluck airs toward our delight Of the waning The blossoming The violent charade But who will sing of him? Who will sing of his blessedness? The blameless eye, the radiant grin For he, his own messenger, is gone He has leapt through the orphic glass To wander eternally In search of perfection His blue ankles tattooed with stars.

What's the current price for a thought in these days of inflation?" Alan donwered aloud as he paused in the doorway. She'd looked so beautiful, he reflected. So distant. Then she glanced up with a smile that enchanced the first and erased the second. "That was quick," Shelby complimented him and avoided the question with equal ease. "I'm afraid I admired your tea set a bit too strongly and made your butler nervous.He might be wondering if I'll slip the saucer into my bag." Setting down the cup, she rose. "Are you ready to go be charming and distinguished? You look as though you would be." Alan lifted a brow. "I have a feeling distinguished comes perilously close to sedate in your book." "No,you're lots of room yet," she told him as she breezed into the hall. "I'll give you a jab if you start teetering toward sedate.

They bear down upon Westminster, the ghost-consecrated Abbey, and the history-crammed Hall, through the arches of the bridge with a rush as the tide swelters round them; the city is buried in a dusky gloom save where the lights begin to gleam and trail with lurid reflections past black velvety- looking hulls - a dusky city of golden gleams. St. Paul's looms up like an immense bowl reversed, squat, un-English, and undignified in spite of its great size; they dart within the sombre shadows of the Bridge of Sighs, and pass the Tower of London, with the rising moon making the sky behind it luminous, and the crowd of shipping in front appear like a dense forest of withered pines, and then mooring their boat at the steps beyond, with a shuddering farewell look at the eel-like shadows and the glittering lights of that writhing river, with its burthen seen and invisible, they plunge into the purlieus of Wapping. ("The Phantom Model")

Stopping before them, St. Vincent confided, “I would have found you sooner, but I was attacked by a swarm of dingy-dippers.” His voice lowered with conspiratorial furtiveness. “And I don’t wish to alarm either of you, but I had to warn you…they’re planning to serve kidney pudding in the fifth course.” “I can manage that,” Lillian said ruefully. “It is only animals served in their natural state that I seem to have difficulty with.” “Of course you do, darling. We’re barbarians, the lot of us, and you were perfectly right to be appalled by the calves’ heads. I don’t like them either. In fact, I rarely consume beef in any form.” “Are you a vegetarian, then?” Lillian asked, having heard the word frequently of late. Many discussions had centered on the topic of the vegetable system of diet that was being promoted by a hospital society in Ramsgate. St. Vincent responded with a dazzling smile. “No, sweet, I’m a cannibal.” “St. Vincent,” Westcliff growled in warning, seeing Lillian’s confusion. The viscount grinned unrepentantly. “It’s a good thing I happened along, Miss Bowman. You’re not safe alone with Westcliff, you know.” “I’m not?” Lillian parried, tensing inwardly as she reflected that he never would have made the glib comment had he known of the intimate encounters between her and the earl. She didn’t dare look at Westcliff, but she apprehended the immediate stillness of the masculine form so close to hers. “No, indeed,” St. Vincent assured her. “It’s the morally upright ones who do the worst things in private. Whereas with an obvious reprobate such as myself, you couldn’t be in safer hands. Here, you had better return to the dining hall under my protection. God knows what sort of lascivious scheme is lurking in the earl’s mind.” Giggling, Lillian stood from the bench, enjoying the sight of Westcliff being teased. He regarded his friend with a slight scowl as he too rose to his feet.

The females, in the terrifying, exhilarating experience of becoming rather than reflecting, would discover that they too have been effected by the dynamics of the Mirror World. Having learned only to mirror, they would find in themselves reflections of sickness in their masters. They would find themselves doing the same things, fighting the same way. Looking inside for something there, they would be confused by what would at first appear to be an endless Hall of Mirrors. What to copy? What model to imitate? Where to look? What is a mere mirror to do? But wait - How could a mere mirror even frame such a question? The question itself is the beginning of an answer that keeps unfolding itself. The question-answer is a verb, and when one begins to move in the current of the verb, of the Verb, she knows that she is not a mirror. Once she knows this she knows it s so deeply that she cannot completely forget. She knows it so deeply she has to say it to her sisters. What if more and more of her sisters should begin to hear and to see and to speak? This would be a disaster. It would throw the whole society backward into the future. Without Magnifying Mirrors all around, men would have to look inside and outside. They would start to look inside, wondering what was wrong with them. They would have to look outside because without the mirrors they would begin to receive impressions from real Things out there. They would even have to look at women, instead of reflections. This would be confusing and they would be forced to look inside again, only to have the harrowing experience of finding *there* the Eternal Woman, the Perfect Parakeet. Desperately looking outside again, they would find that the Parakeet is no longer *out there*. Dashing back inside, males would find other horrors: All of the Others - the whole crowd - would be in there: the lazy niggers, the dirty Chicanos, the greedy Jews, faggots and dykes, plus the entire crowd of Communists and the backward population of the Third World. Looking outward again, mirrorless males would be forced to see - people. Where to go? Paroxysm toward the Omega Point? But without the Magnifying Mirror even that last refuge is gone. What to do for relief? Send more bombing missions? But no. It is pointless to be killing The Enemy after you find out The Enemy is yourself.

As I became older, I was given many masks to wear. I could be a laborer laying railroad tracks across the continent, with long hair in a queue to be pulled by pranksters; a gardener trimming the shrubs while secretly planting a bomb; a saboteur before the day of infamy at Pearl Harbor, signaling the Imperial Fleet; a kamikaze pilot donning his headband somberly, screaming 'Banzai' on my way to my death; a peasant with a broad-brimmed straw hat in a rice paddy on the other side of the world, stooped over to toil in the water; an obedient servant in the parlor, a houseboy too dignified for my own good; a washerman in the basement laundry, removing stains using an ancient secret; a tyrant intent on imposing my despotism on the democratic world, opposed by the free and the brave; a party cadre alongside many others, all of us clad in coordinated Mao jackets; a sniper camouflaged in the trees of the jungle, training my gunsights on G.I. Joe; a child running with a body burning from napalm, captured in an unforgettable photo; an enemy shot in the head or slaughtered by the villageful; one of the grooms in a mass wedding of couples, having met my mate the day before through our cult leader; an orphan in the last airlift out of a collapsed capital, ready to be adopted into the good life; a black belt martial artist breaking cinderblocks with his head, in an advertisement for Ginsu brand knives with the slogan 'but wait--there's more' as the commercial segued to show another free gift; a chef serving up dog stew, a trick on the unsuspecting diner; a bad driver swerving into the next lane, exactly as could be expected; a horny exchange student here for a year, eager to date the blonde cheerleader; a tourist visiting, clicking away with his camera, posing my family in front of the monuments and statues; a ping pong champion, wearing white tube socks pulled up too high and batting the ball with a wicked spin; a violin prodigy impressing the audience at Carnegie Hall, before taking a polite bow; a teen computer scientist, ready to make millions on an initial public offering before the company stock crashes; a gangster in sunglasses and a tight suit, embroiled in a turf war with the Sicilian mob; an urban greengrocer selling lunch by the pound, rudely returning change over the counter to the black patrons; a businessman with a briefcase of cash bribing a congressman, a corrupting influence on the electoral process; a salaryman on my way to work, crammed into the commuter train and loyal to the company; a shady doctor, trained in a foreign tradition with anatomical diagrams of the human body mapping the flow of life energy through a multitude of colored points; a calculus graduate student with thick glasses and a bad haircut, serving as a teaching assistant with an incomprehensible accent, scribbling on the chalkboard; an automobile enthusiast who customizes an imported car with a supercharged engine and Japanese decals in the rear window, cruising the boulevard looking for a drag race; a illegal alien crowded into the cargo hold of a smuggler's ship, defying death only to crowd into a New York City tenement and work as a slave in a sweatshop. My mother and my girl cousins were Madame Butterfly from the mail order bride catalog, dying in their service to the masculinity of the West, and the dragon lady in a kimono, taking vengeance for her sisters. They became the television newscaster, look-alikes with their flawlessly permed hair. Through these indelible images, I grew up. But when I looked in the mirror, I could not believe my own reflection because it was not like what I saw around me. Over the years, the world opened up. It has become a dizzying kaleidoscope of cultural fragments, arranged and rearranged without plan or order.

In 2008, an Australian company commissioned a study to find out exactly how much people fear public speaking. The survey of more than one thousand people found that 23 percent feared public speaking more than death itself! As Jerry Seinfeld once said, most people attending a funeral would rather be in the casket than delivering the eulogy! I can relate to those people because I feared speaking in front of a class or group of people more than anything else when I was a kid. In fact, I dropped speech in high school because when I signed up for it I thought it was a grammar class for an English credit. When I found out it actually required giving an oral presentation, I didn’t want any part of it! After hearing the overview of the class on the first day, I got out of my seat and walked toward the door; the teacher asked me where I was going. We had a brief meeting in the hall, in which she informed me that nobody ever dropped her class. After a meeting with the principal, I dropped the class, but on the condition that I might be called upon in the near future to use my hunting and fishing skills. I thought the principal was joking--until I was called upon later that year during duck season to pick ducks during recess! I looked at it as a fair trade.

Violent atrocities by teenagers against one another have become the stuff of headlines: at Columbine High School in Colorado; in Tabor, Alberta; in Liverpool, England. But to focus on the grim statistics and media stories of bloody violence is to miss the full impact of children's aggression in our society. The most telling signs of the groundswell of aggression and violence are not in the headlines but in the peer culture — the language, the music, the games, the art, and the entertainment of choice. A culture reflects the dynamics of its participants, and the culture of peer-oriented children is increasingly a culture of aggression and violence. The appetite for violence is reflected in the vicarious enjoyment of it not only in music and movies but in the schoolyards and school halls. Children fuel hostilities among their peers rather than defuse them, encourage others to fight rather than dissuade them from violence. The perpetrators are only the tip of the iceberg. In one schoolyard study, researchers found that most schoolchildren were likely to passively support or actively encourage acts of bullying and aggression; fewer than one in eight attempted to intervene. So ingrained have the culture and psychology of violence become that peers in general expressed more respect and liking for the bullies than for the victims.

Trusting to this unity of civilized races countless people left hearth and home to live in strange lands and trusted their fortunes to the friendly relations existing between the various countries. And even he who was not tied down to the same spot by the exigencies of life could combine all the advantages and charms of civilized countries into a newer and greater fatherland which he could enjoy without hindrance or suspicion. He thus took delight in the blue and the grey ocean, the beauty of snow clad mountains and of the green lowlands, the magic of the north woods and the grandeur of southern vegetation, the atmosphere of landscapes upon which great historical memories rest, and the peace of untouched nature. The new fatherland was to him also a museum, filled with the treasure that all the artists of the world for many centuries had created and left behind. While he wandered from one hall to another in this museum he could give his impartial appreciation to the varied types of perfection that had been developed among his distant compatriots by the mixture of blood, by history, and by the peculiarities of physical environment. Here cool, inflexible energy was developed to the highest degree, there the graceful art of beautifying life, elsewhere the sense of law and order, or other qualities that have made man master of the earth.

Almost immediately after jazz musicians arrived in Paris, they began to gather in two of the city’s most important creative neighborhoods: Montmartre and Montparnasse, respectively the Right and Left Bank haunts of artists, intellectuals, poets, and musicians since the late nineteenth century. Performing in these high-profile and popular entertainment districts could give an advantage to jazz musicians because Parisians and tourists already knew to go there when they wanted to spend a night out on the town. As hubs of artistic imagination and experimentation, Montmartre and Montparnasse therefore attracted the kinds of audiences that might appreciate the new and thrilling sounds of jazz. For many listeners, these locations leant the music something of their own exciting aura, and the early success of jazz in Paris probably had at least as much to do with musicians playing there as did other factors. In spite of their similarities, however, by the 1920s these neighborhoods were on two very different paths, each representing competing visions of what France could become after the war. And the reactions to jazz in each place became important markers of the difference between the two areas and visions. Montmartre was legendary as the late-nineteenth-century capital of “bohemian Paris,” where French artists had gathered and cabaret songs had filled the air. In its heyday, Montmartre was one of the centers of popular entertainment, and its artists prided themselves on flying in the face of respectable middle-class values. But by the 1920s, Montmartre represented an established artistic tradition, not the challenge to bourgeois life that it had been at the fin de siècle. Entertainment culture was rapidly changing both in substance and style in the postwar era, and a desire for new sounds, including foreign music and exotic art, was quickly replacing the love for the cabarets’ French chansons. Jazz was not entirely to blame for such changes, of course. Commercial pressures, especially the rapidly growing tourist trade, eroded the popularity of old Montmartre cabarets, which were not always able to compete with the newer music halls and dance halls. Yet jazz bore much of the criticism from those who saw the changes in Montmartre as the death of French popular entertainment. Montparnasse, on the other hand, was the face of a modern Paris. It was the international crossroads where an ever changing mixture of people celebrated, rather than lamented, cosmopolitanism and exoticism in all its forms, especially in jazz bands. These different attitudes within the entertainment districts and their institutions reflected the impact of the broader trends at work in Paris—the influx of foreign populations, for example, or the advent of cars and electricity on city streets as indicators of modern technology—and the possible consequences for French culture. Jazz was at the confluence of these trends, and it became a convenient symbol for the struggle they represented.

Not long ago I stood with a friend next to an art work made of four wood beams laid in a long rectangle, with a mirror set behind each corner so as to reflect the others. My friend, a conceptual artist, and I talked about the minimalist basis of such work: its reception by critics then, its elaboration by artists later, its significance to practitioners today, all of which are concerns of this book as well. Taken by our talk, we hardly noticed his little girl as she played on the beams. But then, signaled by her mother, we looked up to see her pass through the looking glass. Into the hall of mirrors, the mise-en-abîme of beams, she moved farther and farther from us, and as she passed into the distance, she passed into the past as well. Yet suddenly there she was right behind us: all she had done was skip along the beams around the room. And there we were, a critic and an artist informed in contemporary art, taken to school by a six-year-old, our theory no match for her practice. For her playing of the piece conveyed not only specific concerns of minimalist work - the tensions among the spaces we feel, the images we see, and the forms we know - but also general shifts in art over the last three decades - new interventions into space, different construction of viewing, and expanded definitions of art. Her performance became allegorical as well, for she described a paradoxical figure in space, a recession that is also a return, that evoked for me the paradoxical figure in time described by the avant-garde. For even as the avant-garde recedes into the past, it also returns from the future, repositioned by innovative art in the present. This strange temporality, lost in stories of twentieth-century art, is a principal subject of this book.

Mal watched Mary hurry to meet her aunt, her skirts rippling like water. She was beauty itself, and Mal wanted her. Not simply in bed- though he definitely would have that- he wanted her nearness, her warmth, that silken voice that tried to be haughty, the sudden flash of her smile. Mal's body tightened, goading him to pursue her and do all the good things he longed to. He would. He'd see her again; he'd make certain of it. Mal reflected as he moved down the passage on his errand that he'd already learned much about Lady Mary Lennox. She was passionate and romantic, beguilingly so, but tried to hide that nature under proper behavior. She'd wanted Malcolm to kiss her- he'd seen it in her heartrendingly blue eyes. Mary had stopped herself only at the last moment, and reluctantly. She also had compassion, helping her sister communicate with a forbidden lover. If Mary *truly* believed in propriety, she'd never condone her sister writing such a heartfelt letter. She also risked censure for being the go-between. This showed that Mary was fond enough for her sister to risks for her. Brave then, as well. Courage, passion, beauty, compassion, and something inside her that longed to be wicked- *what a woman.* One night in bed with her would be worth every step he took to get her there. Whatever errands Mal had to run for her, whatever billet doux he needed to carry, or drippy-nosed suitors to run through with his sword, he would do it all for his reward at the end. *Mary*. Even her name was a joy to say. Mal spoke it out loud in the silence of the empty hall. He'd teach her to call him Mal, and she'd say it in her smooth voice when she was deep in passion. She'd be reluctant at first, but Mal would coax her, like a bird to his hand, teaching her to trust, never breaking her. And then Mary would be his.

In the last years of the Republic there were films such as Robert Siodmark's Menschen am Sonntag (People on Sunday, 1930)) and Gerhard Lamprecht's Emil und die Detektive (Emil and the Detectives, 1931), which embraced the airy streets, light-dappled forests, and lakes surrounding Berlin. Billie Wilder, a brash young journalist and dance-hall enthusiast, worked on the scripts for both these films. While Kracauer and Eisner saw malevolence in the frequent trope of doubling (one being possessed by another and thus becoming two conflicting psychological presences), Wilder witnessed another form of doubling during the Weimer era: transvestitism, a staple of cabaret. Men dressing as women (as do Reinhold Schünzel in der Himmel auf Erden [Heaven on earth]) and Curti Bois in Der Fürst von Pappenheim [The Masked Mannequin][both 1927]) or women as men (as does Dolly Haas in Liebeskommando [Love's Command, 1931]), in order to either escape detection or get closer to the object of their affection, is an inherently comic situation, especially when much to his or her surprise the cross-dresser begins to enjoy the disguise. Billie left Germany before he directed a film of his own; as Billy he brought to Hollywood a vigorous appreciation of such absurdities of human behavior, along with the dry cynicism that distinguished Berlin humor and an enthusiasm for the syncopations of American jazz, a musical phenomenon welcomed in the German capital. Wilder, informed by his years in Berlin (to which he returned to make A Foreign Affair in 1948 and One, Two, Three in 1961), wrote and directed many dark and sophisticated American films, including The Apartment (1969) and Some Like it Hot (1959), a comedy, set during Prohibition, about the gender confusion on a tonal par with Schünzel's Viktor und Viktoria, released in December 1933, eleven months into the Third Reich and the last musical to reflect the insouciance of the late Republic.

One night, Kevin and I were at a pool hall where we saw a guy playing pool by himself; this guy looked like a hustler. He asked me if I wanted to play for twenty dollars. “I’ll tell you what,” I told him. “You can play my buddy Kevin. If you win two out of three games, I’ll give you twenty dollars. If he wins, you have to leave with us and go to a Bible study.” The guy looked at me like I was nuts. He walked around the pool table a few times, pondering my offer. I took a twenty-dollar bill out and placed it on the table. “Okay,” he said. “Let’s do it.” What he didn’t know was that Kevin is quite the player and that I don’t make bets with eternal consequences on the line unless I know we’re going to win! Of course, my buddy Kevin beat him. In fact, Kevin broke and ran the table in two straight games. The other guy never even took a shot! To my surprise, the guy followed through on his bet, although he didn’t seem too happy about it. As we walked to my truck to leave, he threw a full can of beer across the road and declared he was ready for a change in his life anyway. I thought that was a powerful statement since he didn’t even know what we were going to share with him. He knew how we rolled, despite our presence in such a rugged place. We studied the Bible with him for several hours and baptized him the same night. What I didn’t know was that the guy was sentenced to prison for an earlier crime the very next day! I wouldn’t see him again until he showed up unannounced with his Bible in hand at my house on Christmas Day a couple of years later. “Hey, I just got out of jail,” he told me. “Did they let you out or did you escape?” I asked him. “I was released,” he said. He then tearfully thanked me for sharing with him and let me know that was the best thing that could have happened to him before the two years of prison. Obviously, neither one of us believed our encounter had been an accident. He came to our church a couple of times over the next few months, and I continued to study with him. After a while, though, he quit coming around and I lost track of him.

That's Branton, Michigan, by the way. Don't try to find it on a map - you'd need a microscope. It's one of a dozen dinky towns north of Lansing, one of the few that doesn't sound like it was named by a French explorer. Branton, Michigan. Population: Not a Lot and Yet Still Too Many I Don't Particularly Care For. We have a shopping mall with a JCPenny and an Asian fusion place that everyone says they are dying to try even though it’s been there for three years now. Most of our other restaurants are attached to gas stations, the kind that serve rubbery purple hot dogs and sodas in buckets. There’s a statue of Francis B. Stockbridge in the center of town. He’s a Michigan state senator from prehistoric times with a beard that belongs on Rapunzel’s twin brother. He wasn’t born in Branton, of course – nobody important was ever born in Branton – but we needed a statue for the front of the courthouse and the name Stockbridge looks good on a copper plate. It’s all for show. Branton’s the kind of place that tries to pretend it’s better than it really is. It’s really the kind of place with more bars than bookstores and more churches than either, not that that’s necessarily a bad thing. It’s a place where teenagers still sometimes take baseball bats to mailboxes and wearing the wrong brand of shoes gets you at least a dirty look. It snows a lot in Branton. Like avalanches dumped from the sky. Like heaps to hills to mountains, the plows carving their paths through our neighborhood, creating alpine ranges nearly tall enough to ski down. Some of the snow mounds are so big you can build houses inside them, complete with entryways and coat closets. Restrooms are down the hall on your right. Just look for the steaming yellow hole. There’s nothing like that first Branton snow, though. Soft as a cat scruff and bleach white, so bright you can almost see your reflection in it. Then the plows come and churn up the earth underneath. The dirt and the boot tracks and the car exhaust mix together to make it all ash gray, almost black, and it sickens your stomach just to look at it. It happens everywhere, not just Branton, but here it’s something you can count on.

The granite complex inside the Great Pyramid, therefore, is poised ready to convert vibrations from the Earth into electricity. What is lacking is a sufficient amount of energy to drive the beams and activate the piezoelectric properties within them. The ancients, though, had anticipated the need for more energy than what would be collected only within the King's Chamber. They had determined that they needed to tap into the vibrations of the Earth over a larger area inside the pyramid and deliver that energy to the power center—the King's Chamber —thereby substantially increasing the amplitude of the oscillations of the granite. Modern concert halls are designed and built to interact with the instruments performing within. They are huge musical instruments in themselves. The Great Pyramid can be seen as a huge musical instrument with each element designed to enhance the performance of the other. While modern research into architectural acoustics might focus predominantly upon minimizing the reverberation effects of sound in enclosed spaces, there is reason to believe that the ancient pyramid builders were attempting to achieve the opposite. The Grand Gallery, which is considered to be an architectural masterpiece, is an enclosed space in which resonators were installed in the slots along the ledge that runs the length of the gallery. As the Earth's vibration flowed through the Great Pyramid, the resonators converted the vibrational energy to airborne sound. By design, the angles and surfaces of the Grand Gallery walls and ceiling caused reflection of the sound, and its focus into the King's Chamber. Although the King's Chamber also was responding to the energy flowing through the pyramid, much of the energy would flow past it. The specific design and utility of the Grand Gallery was to transfer the energy flowing through a large area of the pyramid into the resonant King's Chamber. This sound was then focused into the granite resonating cavity at sufficient amplitude to drive the granite ceiling beams to oscillation. These beams, in turn, compelled the beams above them to resonate in harmonic sympathy. Thus, with the input of sound and the maximization of resonance, the entire granite complex, in effect, became a vibrating mass of energy.

With Mary standing in the hall, Kate and Anthony exited out the doorway and headed west on Milner Street. “I usually stay to the smaller streets and make my way up to Brompton Road,” Kate explained, thinking that he might not be very familiar with this area of town, “then take that to Hyde Park. But we can walk straight up Sloane Street, if you prefer.” “Whatever you wish,” he demurred. “I shall follow your direction.” “Very well,” Kate replied, marching determinedly up Milner Street toward Lenox Gardens. Maybe if she kept her eyes ahead of her and moved briskly, he’d be discouraged from conversation. Her daily walks with Newton were supposed to be her time for personal reflection. She did not appreciate having to drag him along. Her strategy worked quite well for several minutes. They walked in silence all the way to the corner of Hans Crescent and Brompton Road, and then he quite suddenly said, “My brother played us for fools last night.” That stopped her in her tracks. “I beg your pardon?” “Do you know what he told me about you before he introduced us?” Kate stumbled a step before shaking her head, no. Newton hadn’t stopped in his tracks, and he was tugging on the lead like mad. “He told me you couldn’t say enough about me.” “Wellll,” Kate stalled, “if one doesn’t want to put too fine a point on it, that’s not entirely untrue.” “He implied,” Anthony added, “that you could not say enough good about me.” She shouldn’t have smiled. “That’s not true.” He probably shouldn’t have smiled, either, but Kate was glad he did. “I didn’t think so,” he replied. They turned up Brompton Road toward Knightsbridge and Hyde Park, and Kate asked, “Why would he do such a thing?” Anthony shot her a sideways look. “You don’t have a brother, do you?” “No, just Edwina, I’m afraid, and she’s decidedly female.” “He did it,” Anthony explained, “purely to torture me.” “A noble pursuit,” Kate said under her breath. “I heard that.” “I rather thought you would,” she added. “And I expect,” he continued, “that he wanted to torture you as well.” “Me?” she exclaimed. “Whyever? What could I possibly have done to him?” “You might have provoked him ever so slightly by denigrating his beloved brother,” he suggested. Her brows arched. “Beloved?” “Much-admired?” he tried. She shook her head. “That one doesn’t wash, either.” Anthony grinned.

Flynn lived in a shiny glass apartment tower on the water in Melbourne. The building looked like hundreds of mirrors reflecting the bright blue sky. He lived at the top of the high-rise. Kope and I stepped off the elevator and looked down the hall at Flynn’s door. We’d been silent. Nodding to each other, we sent our hearing into the apartment. With a quiet gasp, I yanked my auditory sense back to normal. Flynn was busy with company at the moment. Very busy. Kope made a low sound and closed his eyes, shaking his head as if to clear away the sounds he’d heard. My face heated and I shifted from foot to foot, fighting back the nervous smile that always wanted to surface at inappropriate times. I found a small sitting area around the corner with glass walls overlooking the city. We sat, taking in the view. When my stupid urge to smile finally settled, I braved another look at Kope and pointed to myself, using my new, limited sign-language skills to tell him I’d listen. Given the new information about his inclination for lust, it was only fair. I quickly looked away, embarrassed by the crassness of the situation. I wasn’t going to listen the whole time. I’d just pop in for a quick check. Ten minutes passed. Still busy. Half an hour passed. Busy. Forty-five minutes passed. I shook my head to let Kope know they were still at it. He fidgeted and paced, out of his normal, calm comfort zone. An hour and ten minutes passed, and I took a turn at stretching my legs. I was getting hungry. I thought we’d be through with our talk by this time. We could interrupt Flynn, but I didn’t want him to freak out in front of somebody. We needed his guest to leave so we could talk alone. At the hour and a half mark, Kope checked his watch and looked at me. I sent my hearing into the room. Oh, they weren’t in the bedroom anymore. Finally! I wiggled my hearing around until it hit the sound of running water. A shower. This was a good sign. But wait . . . nope. I shook my head, eyes wide. Was this normal? Kope did something uncharacteristic then. He grinned, giving a little huff through his nose. This elicited a small giggle from me and I pressed both hands over my mouth. It was too late, though. At this point, I wouldn’t be able to stop myself. I could feel the crazy, unfortunate amusement rising. I jumped up and ran as spritely as I could to the stairwell with Kope on my heels. We sprinted down several flights before I fell back against the wall, laughter bubbling out. It went on and on, only getting worse when Kope joined in with his deep chuckling, a joyful rumble.

Not liking to think of him so, and wondering if they had guessed at dinner why he suddenly became irritable when they talked about fame and books lasting, wondering if the children were laughing at that, she twitched the stockings out, and all the fine gravings came drawn with steel instruments about her lips and forehead, and she grew still like a tree which has been tossing and quivering and now, when the breeze falls, settles, leaf by leaf, into quiet. It didn't matter, any of it, she thought. A great man, a great book, fame—who could tell? She knew nothing about it. But it was his way with him, his truthfulness—for instance at dinner she had been thinking quite instinctively, If only he would speak! She had complete trust in him. And dismissing all this, as one passes in diving now a weed, now a straw, now a bubble, she felt again, sinking deeper, as she had felt in the hall when the others were talking, There is something I want—something I have come to get, and she fell deeper and deeper without knowing quite what it was, with her eyes closed. And she waited a little, knitting, wondering, and slowly rose those words they had said at dinner, "the China rose is all abloom and buzzing with the honey bee," began washing from side to side of her mind rhythmically, and as they washed, words, like little shaded lights, one red, one blue, one yellow, lit up in the dark of her mind, and seemed leaving their perches up there to fly across and across, or to cry out and to be echoed; so she turned and felt on the table beside her for a book. And all the lives we ever lived And all the lives to be, Are full of trees and changing leaves, she murmured, sticking her needles into the stocking. And she opened the book and began reading here and there at random, and as she did so, she felt that she was climbing backwards, upwards, shoving her way up under petals that curved over her, so that she only knew this is white, or this is red. She did not know at first what the words meant at all. Steer, hither steer your winged pines, all beaten Mariners she read and turned the page, swinging herself, zigzagging this way and that, from one line to another as from one branch to another, from one red and white flower to another, until a little sound roused her—her husband slapping his thighs. Their eyes met for a second; but they did not want to speak to each other. They had nothing to say, but something seemed, nevertheless, to go from him to her. It was the life, it was the power of it, it was the tremendous humour, she knew, that made him slap his thighs. Don't interrupt me, he seemed to be saying, don't say anything; just sit there. And he went on reading. His lips twitched. It filled him. It fortified him. He clean forgot all the little rubs and digs of the evening, and how it bored him unutterably to sit still while people ate and drank interminably, and his being so irritable with his wife and so touchy and minding when they passed his books over as if they didn't exist at all. But now, he felt, it didn't matter a damn who reached Z (if thought ran like an alphabet from A to Z). Somebody would reach it—if not he, then another. This man's strength and sanity, his feeling for straight forward simple things, these fishermen, the poor old crazed creature in Mucklebackit's cottage made him feel so vigorous, so relieved of something that he felt roused and triumphant and could not choke back his tears. Raising the book a little to hide his face, he let them fall and shook his head from side to side and forgot himself completely (but not one or two reflections about morality and French novels and English novels and Scott's hands being tied but his view perhaps being as true as the other view), forgot his own bothers and failures completely in poor Steenie's drowning and Mucklebackit's sorrow (that was Scott at his best) and the astonishing delight and feeling of vigour that it gave him.

At the twilight of life, reached too quickly by us all, we reflect on our loved ones and it always carries an aura of the unreal, a dream-like nature. “Did that really happen?” we wonder when a particular image comes to mind, especially of a dear one who has long departed. We feel as if we are in a waking reverie, a hall of mirrors, where youth and old age, dream and wakefulness, tragedy and elation, flicker as rapidly as frames of an old silent movie.

(according to the rules of NPC, one must not refer to the right-wing disrupters as radicals, whether they are in Hobart Town Hall or outside Parliament House in Canberra under banners reading ‘Julia Gillard: Bob Brown’s Bitch’)

Every single person on this planet has a relationship with God. ========== The Gospel according to Mark (Pillar New Testament Commentary) (Edwards Jr., James R.) - Your Highlight on Location 1267-1267 | Added on Friday, February 13, 2015 7:09:31 AM what happens when a man with an unclean spirit meets the One anointed with God’s Spirit. ========== The Gospel according to Mark (Pillar New Testament Commentary) (Edwards Jr., James R.) - Your Highlight on Location 1268-1268 | Added on Friday, February 13, 2015 7:09:56 AM Mark shows that Jesus teaches with unique authority, unlike and indeed surpassing that of the scribes ========== The Gospel according to Mark (Pillar New Testament Commentary) (Edwards Jr., James R.) - Your Highlight on Location 1269-1269 | Added on Friday, February 13, 2015 7:10:08 AM The second part is an account of an exorcism (vv. 23-26). ========== The Gospel according to Mark (Pillar New Testament Commentary) (Edwards Jr., James R.) - Your Highlight on Location 1270-1271 | Added on Friday, February 13, 2015 7:11:18 AM The combined stories demonstrate that Jesus’ word is deed. ========== The Gospel according to Mark (Pillar New Testament Commentary) (Edwards Jr., James R.) - Your Highlight on Location 1293-1294 | Added on Friday, February 13, 2015 7:16:33 AM Jewish synagogues, according to rabbinic nomenclature, were “assembly halls” or auditoriums where the Torah was read and expounded. ========== The Gospel according to Mark (Pillar New Testament Commentary) (Edwards Jr., James R.) - Your Highlight on Location 1329-1330 | Added on Friday, February 13, 2015 10:00:12 AM Every instance of exousia therefore reflects either directly or indirectly the authority of Jesus. ========== The Gospel according to Mark (Pillar New Testament Commentary) (Edwards Jr., James R.) - Your Highlight on Location 1331-1332 | Added on Friday, February 13, 2015 10:00:39 AM his authority over the highest authorities in both the temporal realm, as represented by the scribes, and the supernatural authorities, as represented by the demon in l:23ff. ========== The Gospel according to Mark (Pillar New Testament Commentary) (Edwards Jr., James R.) - Your Highlight on Location 1332-1334 | Added on Friday, February 13, 2015 10:01:04 AM The scribes derive their authority from the “tradition of the elders” (7:8-13) — the fathers of Judaism, we might say; whereas Jesus receives his authority directly from the Father in heaven (1:11). ========== The Gospel according to Mark (Pillar New Testament Commentary) (Edwards Jr., James R.) - Your Highlight on Location 1334-1335 | Added on Friday, February 13, 2015 10:01:12 AM contingent on the authority of the Torah and hence a mediated authority; ========== The Gospel according to Mark (Pillar New Testament Commentary) (Edwards Jr., James R.) - Your Highlight on Location 1335-1335 | Added on Friday, February 13, 2015 10:01:20 AM Jesus appeals to an immediate and superior authority resident in himself that he received at his baptism. ========== The Gospel according to Mark (Pillar New Testament Commentary) (Edwards Jr., James R.) - Your Highlight on Location 1337-1338 | Added on Friday, February 13, 2015 10:01:49 AM Jesus’ teaching is qualitatively different, “not as the teachers of the law.” ========== The Gospel according to Mark (Pillar New Testament Commentary) (Edwards Jr., James R.) - Your Highlight on Location 1346-1346 | Added on Friday, February 13, 2015 10:03:40 AM does not recount the content of the teaching. The accent falls rather on Jesus the teacher. ========== The Gospel according to Mark (Pillar New Testament Commentary) (Edwards Jr., James R.) - Your Highlight on Location 1349-1350 | Added on Friday, February 13, 2015 10:04:30 AM In the Gospel of Mark the person of Jesus is more important than the subject of his teaching. If we want to know what the gospel or teaching of Jesus consists of, we are directed to its embodiment in Jesus the teacher. ========== The Gospel

If only she could fix her problems with a needle and thread she’d be set. Nellie looked up from the socks she was darning toward the knocking on the front door. Who could that be? She set aside the socks, straightened her dress, checked her reflection in the mirror on the wall in the hall, patted her blond hair

The large hall, together with the tomb chamber over the actual burials below and the outer dome above, was the Taj Mahal’s core. A bronze lamp hanging above the cenotaphs cast a golden glow. During the day nobody noticed the lamp, even fewer were aware of its romantic history. A gift from Lord Curzon, a viceroy of British India, it was inlaid with silver and gold, and modelled on the design of a lamp that hung in the mosque of Sultan Beybars II of Cairo. The story went that on a visit to the Taj, Lord Curzon was so dismayed by the smoky country lanterns used by his guides to show him around, that he resolved to present the Taj with worthy lighting. For a century now, Mehrunisa reflected, an Englishman’s love had illuminated the imperial Mughal tomb.

God reflected back on a scene that he witnessed at Sodom, which had become too typical. A man entered a house, sat down in a chair, and quietly waited. Two children sat on the opposite side of the room. They stared at the man with their chins on their fists. The man stood up to move a foot rest close to the kids. He leaned forward to quietly explain, “I am here… to make… sweet love… to your daddy’s ass. Now listen… children… you might hear some… raucous noise… from that room… down that hall,” the man pointed towards the last door down a hall, “But don’t… be… alarmed. That’s just the sound… of two men… enjoying… the company of each other.

I watch you sometimes,” Hall said, in a different, almost reflective tone. She stiffened. “You aren’t the only one.” Hall

Music has no interior beacon that guarantees permanent meaning. Unlike truth, which is transcultural, absolute, and unchangeable, music can shift in meaning from place to place and time to time. Of all the art forms, music is inherently the most flexible. The music of Bach, as deeply fixed within the churchly contexts of his time and ours, can still shift meanings while remaining great music in its own right. For Lutherans it is church music, par excellence. For the young convert from Satanism, it was evil. In its original form, the tune “Austria” was the imperial national anthem, “Gott erhalte Franz den Kaiser,” composed by Haydn. He then used it as the principal theme for the slow movement in his Emperor Quartet. In this guise it reflects the essentially secular contexts for which it was written and is perfectly at home in the concert hall. It is also the tune for “Deutschland über Alles,” the German national anthem. And for Jewish people, it is associated with the unspeakable horrors of the holocaust. And finally, it is the tune to which the hymn “Glorious Things of Thee Are Spoken” is sung in virtually all American churches. To American Christians this tune’s primary meaning is “sacred.” To them, it carries virtually none of its first two meanings, unless one or the other was impressed first into their memories. There is no way to explain this phenomenon other than that music, as music, is completely relative.

One of the things that helped my relationships with those we were reaching out to was that I was not afraid to go to rough places or hang out with people who were cutting up. We were looking for opportunities to share the message with people who wouldn’t be caught in a church—unless they were wheeled in via a casket! Matthew 11:19 says this of Jesus: “The Son of Man came eating and drinking, and they say, ‘Here is a glutton and a drunkard, a friend of tax collectors and “sinners.”’ ” Jesus didn’t get that kind of reputation from hanging out only in temples and church buildings. Going to a bar or pool hall doesn’t mean you’re a drunk, just like sitting in a henhouse doesn’t make you a chicken. It’s the same in the opposite setting. Sitting in a church building doesn’t make you a follower of Christ. In fact, Acts 17:24 says: “The God who made the world and everything in it is the Lord of heaven and earth and does not live in temples built by hands.” God lives in heaven and in the hearts of men and women on earth. Misunderstanding this principle is one of the reasons so many people act one way in a church building and the total opposite everywhere else.

Please allow me to wax philosophical. The purpose of eyesight, as well as insight for that matter, is for you and I to be in awe of not just creation itself but of the very One who created it. I will confidently propose that this is the purpose behind creation. Consider this: Evolution cannot explain purpose. It can only explain function. Science can explain how and why you and I function. It might even suggest your function within society. However, science alone will never give you the answer to your ultimate purpose for being on this Earth. “Let’s suppose you go to an art museum. While pursuing the halls of art, your eyes are directed to a certain painting. You become fixated on that painting. It is beautiful. The painting is so mesmerizing and beautiful that you are taken with the image it conveys. You begin to speculate on the story behind the painting. You become emotional and even shed a tear as you stare at it in wonder. For a brief moment in time you become immersed in the essence of this work of art. What is happening here? The one who designed and created the painting did so in order to perhaps bring about an emotional response from the viewer. You didn’t look at the painting and wonder about the chemical makeup of paint or the composition of the canvas mat or what type of device was used to apply those chemical compounds to the mat. You didn’t measure the dimensions of the frame. No. The painter gave that painting a purpose. While the painting itself is remarkable and beautiful, the ultimate purpose of it is to direct you to the one who created it. We give honor to Rembrandt, Monet, Goya, Van Gogh, and Picasso. Why does evolution deny that we give honor to the One who designed, created, and gave beauty to you and me, or to any other created thing? For sure, some evolutionists will try to say that the method the grand Creator used in His creation was evolution but will continue to ignore any mention of His creative hand and minimize other accounts such as the evidence for the origin of life in Scripture. They suppress the truth as they give high honor to their evolutionary theories that they guard with defiance. “The appearance of design isn’t just a common sense factor; it comes from a scientific explanation to which I have spoken here tonight. “Each one of you has the ability to hear, read, study, and think on everything that goes into your mind. While we do well to consider objective theory, we still must then decide for ourselves what it is we are going to believe. We are not just lab rats responding to stimuli. We have the ability to reason, love, express emotions, think deeply on matters, and create things—not just as an evolutionary function but from our innate giftedness and developed talents. “Give much consideration to what is true. Consider what is splendid and beautiful and magnificent. Think on things that are right or lovely or worthy of your admiration. Reflect on those things, not just as some facts of science but on the effect these things have on your very heart and soul. There is a word for those thoughts and feelings that penetrate deep within the depths of your soul. The word is visceral. No other creature on this privileged terrestrial ball has this ability. Visceral feelings are not merely a product of our DNA or the chemical and electrical impulses within our brain. Evolution offers no explanation for these deeply rooted expressions of artistic and creative thoughts and ideas. These things come from our Creator. May we not merely skim the surface of wisdom and knowledge without ever going deep. These things are meant to propel you to a deeper awareness of the world around you. They are even meant to propel us to the eternal realm.

Everywhere the culture reproduces itself, reflects itself, as in a hall of mirrors - the landscape, the language, the currency, all bouncing off each other, recreating each other - and in the midst of those mirrors, both reflected and projecting, stands the child, discovering himself in these castle walls, these terraced hills, the liquid words he speaks, and now in this coloured paper, too.