“
It sucks that we miss people like that. You think you've accepted that someone is out of your life, that you've grieved and it's over, and then bam. One little thing, and you feel like you've lost that person all over again.
”
”
Rachel Hawkins (Demonglass (Hex Hall, #2))
“
Never rearrange your life in order to meet Mr. Darcy half way. If he couldn’t see your worth at the moment you met then he won’t two years later. May the halls of Pemberly be filled with his regrets and your life filled with thankfulness because of this revelation.
”
”
Shannon L. Alder
“
I feel that life is divided into the horrible and the miserable. That's the two categories. The horrible are like, I don't know, terminal cases, you know, and blind people, crippled. I don't know how they get through life. It's amazing to me. And the miserable is everyone else. So you should be thankful that you're miserable, because that's very lucky, to be miserable.
”
”
Woody Allen (Annie Hall: Screenplay)
“
heal the roots, to see the tree grow vibrant.
”
”
Matthew Edward Hall (San Mateo: Proof of The Divine)
“
The tree of which we are branches on, makes choices yesterday, by the choices we make today.
”
”
Matthew Edward Hall (San Mateo: Proof of The Divine)
“
The less you eat, drink and read books; the less you go to the theatre, the dance hall, the public house; the less you think, love, theorize, sing, paint, fence, etc., the more you save-the greater becomes your treasure which neither moths nor dust will devour-your capital. The less you are, the more you have; the less you express your own life, the greater is your alienated life-the greater is the store of your estranged being.
”
”
Karl Marx
“
Roads Go Ever On
Roads go ever ever on,
Over rock and under tree,
By caves where never sun has shone,
By streams that never find the sea;
Over snow by winter sown,
And through the merry flowers of June,
Over grass and over stone,
And under mountains in the moon.
Roads go ever ever on,
Under cloud and under star.
Yet feet that wandering have gone
Turn at last to home afar.
Eyes that fire and sword have seen,
And horror in the halls of stone
Look at last on meadows green,
And trees and hills they long have known.
The Road goes ever on and on
Down from the door where it began.
Now far ahead the Road has gone,
And I must follow, if I can,
Pursuing it with eager feet,
Until it joins some larger way,
Where many paths and errands meet.
The Road goes ever on and on
Down from the door where it began.
Now far ahead the Road has gone,
And I must follow, if I can,
Pursuing it with weary feet,
Until it joins some larger way,
Where many paths and errands meet.
And whither then? I cannot say.
The Road goes ever on and on
Out from the door where it began.
Now far ahead the Road has gone.
Let others follow, if they can!
Let them a journey new begin.
But I at last with weary feet
Will turn towards the lighted inn,
My evening-rest and sleep to meet.
”
”
J.R.R. Tolkien (The Lord of the Rings (The Lord of the Rings, #1-3))
“
Change is the law of life. And those who look only to the past or the present are certain to miss the future.
[Address in the Assembly Hall at the Paulskirche in Frankfurt, June 26 1963]
”
”
John F. Kennedy
“
There's an old joke - um... two elderly women are at a Catskill mountain resort, and one of 'em says, "Boy, the food at this place is really terrible." The other one says, "Yeah, I know; and such small portions." Well, that's essentially how I feel about life - full of loneliness, and misery, and suffering, and unhappiness, and it's all over much too quickly.
”
”
Woody Allen (Annie Hall: Screenplay)
“
Man's status in the natural world is determined, therefore, by the quality of his thinking.
”
”
Manly P. Hall (The Secret Teachings of All Ages)
“
I should say upfront that I have never been in a cellar in my life. In fact, I can see no reason why anyone should ever go into a cellar unless there is wine involved.
”
”
Rachel Hawkins (Hex Hall (Hex Hall, #1))
“
The Creator lives all joy and pain.
”
”
Matthew Edward Hall (San Mateo: Proof of The Divine)
“
My heart is too thoroughly dried to be broken in a hurry, and I mean to live as long as I can.
”
”
Anne Brontë (The Tenant of Wildfell Hall)
“
Life is free, food grows on trees.
”
”
Matthew Edward Hall (San Mateo: Proof of The Divine)
“
She who reconciles the ill-matched threads
Of her life, and weaves them gratefully
Into a single cloth –
It’s she who drives the loudmouths from the hall
And clears it for a different celebration.
”
”
Rainer Maria Rilke
“
Why had my life suddenly become a Nancy Drew mystery from hell?
”
”
Rachel Hawkins (Demonglass (Hex Hall, #2))
“
Mom always liked to say that we hardly ever know the decisions we make that change our lives, mostly because they are little ones. You took this bus instead of that one and ended up meeting your soul mate, that kind of thing. But there was no doubt in my mind that this was one of those life-changing moments.
”
”
Rachel Hawkins (Demonglass (Hex Hall, #2))
“
There are times when wisdom cannot be found in the chambers of parliament or the halls of academia but at the unpretentious setting of the kitchen table.
”
”
E.A. Bucchianeri
“
You do not seek to kill me, Dumbledore?' called Voldemort, his scarlet eyes narrowed over the top of the shield. 'Above such brutality, are you?'
'We both know that there are other ways of destroying a man, Tom,' Dumbledore said calmly, continuing to walk towards Voldemort as though he had not a fear in the world, as though nothing had happened to interrupt his stroll up the hall. “Merely taking your life would not satisfy me, I admit —'
'There is nothing worse than death, Dumbledore!' snarled Voldemort.
'You are quite wrong,' said Dumbledore, still closing in upon Voldemort and speaking as lightly as though they were discussing the matter over drinks. 'Indeed, your failure to understand that there are things much worse than death has always been your greatest weakness'.
”
”
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
“
Perry," he said quietly, his fingers trailing down the side of my face, "you'll never have to save my life. You gave me life. I never lived a single day until the first day I met you.
”
”
Karina Halle (On Demon Wings (Experiment in Terror, #5))
“
Experiences are the chemicals of life with which the philosopher experiments
”
”
Manly P. Hall
“
I walked down the hall and saw that [she] was sitting on the floor next to a chair. This is always a bad sign. It's a slippery slope, and it's best just to sit in chairs, to eat when hungry, to sleep and rise and work. But we have all been there. Chairs are for people, and you're not sure if you are one.
”
”
Miranda July (No One Belongs Here More Than You)
“
Names are just words. I know that. But learning that the last name I’d used all my life was fake…
“So what should I call myself, then?” I asked. “Sophie Atherton? Sophie Brannick?” Both sounded weird and made me feel like I was wearing clothes that didn’t fit.
Mom smiled and brushed my hair away from my face. “You can call yourself whatever you want.”
“Okay. Sophie Awesome Sparkle-Princess it is.
”
”
Rachel Hawkins (Spell Bound (Hex Hall, #3))
“
You are all mine, even if you run. I will find you because a soul needs its other half to truly live.
”
”
Karina Halle (On Every Street (The Artists Trilogy, #0.5))
“
Do you think she’ll catch him before he gets to the hall?”
“My mom’s spent her whole life chasing me around,” Clary said. “She moves fast.
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
Where lies the strangling fruit that came from the hand of the sinner I shall bring forth the seeds of the dead to share with the worms that gather in the darkness and surround the world with the power of their lives while from the dimlit halls of other places forms that never were and never could be writhe for the impatience of the few who never saw what could have been. In the black water with the sun shining at midnight, those fruit shall come ripe and in the darkness of that which is golden shall split open to reveal the revelation of the fatal softness in the earth. The shadows of the abyss are like the petals of a monstrous flower that shall blossom within the skull and expand the mind beyond what any man can bear, but whether it decays under the earth or above on green fields, or out to sea or in the very air, all shall come to revelation, and to revel, in the knowledge of the strangling fruit—and the hand of the sinner shall rejoice, for there is no sin in shadow or in light that the seeds of the dead cannot forgive. And there shall be in the planting in the shadows a grace and a mercy from which shall blossom dark flowers, and their teeth shall devour and sustain and herald the passing of an age. That which dies shall still know life in death for all that decays is not forgotten and reanimated it shall walk the world in the bliss of not-knowing. And then there shall be a fire that knows the naming of you, and in the presence of the strangling fruit, its dark flame shall acquire every part of you that remains.
”
”
Jeff Vandermeer (Annihilation (Southern Reach, #1))
“
Somehow, my whole existence had become a really complicated word problem.
I'd always sucked at those.
”
”
Rachel Hawkins
“
You know how you're always trying to get things to come out perfect in art because it's real difficult in life
”
”
Woody Allen (Annie Hall: Screenplay)
“
I have known many gods. He who denies them is as blind as he who trusts them too deeply. I seek not beyond death. It may be the blackness averred by the Nemedian skeptics, or Crom's realm of ice and cloud, or the snowy plains and vaulted halls of the Nordheimer's Valhalla. I know not, nor do I care. Let me live deep while I live; let me know the rich juices of red meat and stinging wine on my palate, the hot embrace of white arms, the mad exultation of battle when the blue blades flame and crimson, and I am content. Let teachers and philosophers brood over questions of reality and illusion. I know this: if life is illusion, then I am no less an illusion, and being thus, the illusion is real to me. I live, I burn with life, I love, I slay, and am content.
”
”
Robert E. Howard (Queen of the Black Coast)
“
I cleared my throat and spoke into his kiss. “Sorry, it’s been a while.”
“You should expect to hear the same thing from me in about five minutes,” he murmured.
“Five minutes, huh?”
“I’ll make it the best five minutes of your life.”
I bit his lip, hard, then released him and looked into those intense blues. “Clock’s ticking.
”
”
Karina Halle (Sins & Needles (The Artists Trilogy, #1))
“
I should have gone through life half awake if you'd had the decency to leave me alone. Awake intellectually, yes, and emotionally in a way; but here--" He pointed with his pipe stem to his heart; and both smiled. "Perhaps we woke up one another. I like to think that anyway.
”
”
E.M. Forster
“
I can’t get forensics over here to dig up the yard because my friend here, and her dog, didn’t hear a single thing. I don’t think they’ll go for it, Valerie.
”
”
Alyssa Hall (And Then I Heard the Quiet)
“
In the past few hours, I’ve been possessed, nearly had my head caved in, and found out my mom is secretly a Prodigium hunter. And before that, I lost just about everyone else I care about, and discovered that people I trusted are secretly demon-raising creeps. My life sucks pretty hard right now. So, yeah. I’m making jokes.
”
”
Rachel Hawkins (Spell Bound (Hex Hall, #3))
“
I have to live with my mistakes, but I don’t have to regret them. I regret my actions but I can’t regret the consequences. We all make our own paths in life. Everyone we meet, everything we do, it changes us. It makes us who we are. And, if we’re lucky, we’re given the chance to make things right again.
”
”
Karina Halle (Sins & Needles (The Artists Trilogy, #1))
“
One of the most effective ways to learn about oneself is by taking seriously the cultures of others. It forces you to pay attention to those details of life which differentiate them from you.
”
”
Edward T. Hall (The Silent Language)
“
...I felt fear enter the halls of my mind, but I didn't give it the keys to every room.
”
”
Dean Koontz (Life Expectancy)
“
As long as you do things for God, you are a Hall of Famer in heaven's list.
”
”
Rick Warren (The Purpose Driven Life: What on Earth Am I Here for?)
“
Most people want to be circled by safety, not by the unexpected. The unexpected can take you out. But the unexpected can also take you over and change your life. Put a heart in your body where a stone used to be.
”
”
Ron Hall
“
It's hard for me to understand why anyone wouldn't want you in their life.
”
”
Alexis Hall (Boyfriend Material (London Calling, #1))
“
The officer looked at her. “So, to recap, you carried a package of, you don’t know what, for a girl you’ve never seen before and gave it to a man you don’t know. Or so you say. Who does that?
”
”
Alyssa Hall (And Then I Heard the Quiet)
“
One minute we were a memory in the making, and in the next we were just a memory. Something to haunt me for the rest of my life.
”
”
Karina Halle (Love, in English (Love, in English, #1))
“
I'd be there no matter what she chose, even if she wanted another lover, another life, I would still be there when she fell. When she wanted to run. When she wanted to come home.
”
”
Karina Halle (Shooting Scars (The Artists Trilogy, #2))
“
Laugh, and the world laughs with you;
Weep, and you weep alone;
For the sad old earth must borrow its mirth,
But has trouble enough of its own.
Sing, and the hills will answer;
Sigh, it is lost on the air;
The echoes bound to a joyful sound,
But shrink from voicing care.
Rejoice, and men will seek you;
Grieve, and they turn and go;
They want full measure of all your pleasure,
But they do not need your woe.
Be glad, and your friends are many;
Be sad, and you lose them all,—
There are none to decline your nectared wine,
But alone you must drink life’s gall.
Feast, and your halls are crowded;
Fast, and the world goes by.
Succeed and give, and it helps you live,
But no man can help you die.
There is room in the halls of pleasure
For a large and lordly train,
But one by one we must all file on
Through the narrow aisles of pain.
”
”
Ella Wheeler Wilcox
“
When I tell you not to marry without love, I do not advise you to marry for love alone: there are many, many other things to be considered. Keep both heart and hand in your own possession, till you see good reason to part with them; and if such an occasion should never present itself, comfort your mind with this reflection, that though in single life your joys may not be very many, your sorrows, at least, will not be more than you can bear. Marriage may change your circumstances for the better, but, in my private opinion, it is far more likely to produce a contrary result.
”
”
Anne Brontë (The Tenant of Wildfell Hall)
“
You only get one life. Well, two lives. The second one starts the moment you realize you only have one.
”
”
Karina Halle (The Play)
“
After that, we were like flies stuck in honey, alive but not really living.
”
”
Martha Hall Kelly (Lilac Girls (Woolsey-Ferriday, #1))
“
I was head over heels in love with her. No, that didn’t describe it. I was tear my fucking heart out and throw it at her, beg her to take it into hers. I was falling from the greatest heights with no safety net below. I was giving everything of my own life for hers, giving up every inch of my soul so she could wear it proudly. I was a former king on my knees in front of the queen. A jester begging for a chance. I was powerless, helpless and at her mercy.
”
”
Karina Halle (The Dex-Files (Experiment in Terror, #5.6))
“
Wisdom fears no thing, but still bows humbly to its own source, with its deeper understanding, loves all things, for it has seen the beauty, the tenderness, and the sweetness which underlie Life's mystery
”
”
Manly P. Hall
“
I fucked up. More than I have ever fucked up before. I had the love of my life in my hands for one beautiful, exquisite moment before I ripped her apart and my heart bore the paper cuts.
”
”
Karina Halle (And With Madness Comes the Light (Experiment in Terror, #6.5))
“
If I should die, and leave you here awhile
Be not like others sore undone, who keep
Long vigils by the silent dust and weep.
For my sake, turn again to life, and smile,
Nerving thy heart and trembling hand to do
Something to comfort weaker hearts than thine.
Complete these dear unfinished tasks of mine,
And I, perchance, may therein comfort you!
”
”
Mary Lee Hall
“
People who harbor strong convictions without evidence belong at the margins of our societies, not in our halls of power. The only thing we should respect in a person’s faith is his desire for a better life in this world; we need never have respected his certainty that one awaits him in the next.
”
”
Sam Harris
“
How do you explain it when you find in someone what you’ve been waiting for your whole life? Do you call it fate? It feels lazy to call it fate. It’s more like finding your way home—where home is a place you secretly hoped for, a place you imagined, but where you’d never before been. Home. When you weren’t sure you’d ever get to have one.
”
”
Laura Dave (The Last Thing He Told Me (Hannah Hall, #1))
“
If I had made another choice that night, would
my life have been less pursued by ghosts? Or just
significantly shorter?
”
”
Katie Hall-May (Puck's Legacy)
“
Life leaves scars. Sometimes you don’t see them until later. Sometimes you don’t know where they’ve come from. Sometimes they fade before your eyes. But the world leaves its mark on us.
”
”
Karina Halle (The Pact (The McGregor Brothers, #1))
“
I have written books and I cannot unwrite them. I cannot unbelieve what I believe. I cannot unlive my life.
”
”
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
“
Though the modern world may know a million secrets, the ancient world knew one - and that was greater than the million; for the million secrets breed death, disaster, sorrow, selfishness, lust, and avarice, but the one secret confers life, light, and truth.
”
”
Manly P. Hall (The Secret Teachings of All Ages)
“
No one in life can ever match fiction
”
”
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
“
A soulmate will never leave you. They will always be apart of your life until one day the chance is given for them to become your life. It is then you will become one.
”
”
Faye Hall
“
Sometimes you can only understand why things happen when you see them in the rearview mirror.
”
”
Ron Hall
“
I'd wasted so much of my life. So many of my days, and all of my promise, all of my dreams, lost to hospitals, to depression, to wanting to die. This wasn't how it was supposed to be. This is not who I am.
Except, of course, it was. It was all there was left to be.
”
”
Alexis Hall (Glitterland (Spires, #1))
“
She had watched other women with infants and eventually understood what she craved: the boundless permission-no, the absolute necessity- to hold and kiss and stroke this tiny person. Cradling a swaddled infant in their arms, mothers would distractedly touch their lips to their babies' foreheads. Passing their toddlers in a hall, mothers would tousle their hair even sweep them up in their arms and kiss them hard along their chins and necks until the children squealed with glee. Where else in life, Mabel wondered, could a woman love so openly and with such abandon?
”
”
Eowyn Ivey (The Snow Child)
“
I love you today. I will love you tomorrow. I will love you always. Because when we are reborn, I will fall in love with you again and again and again."
- Faye Hall, from an untitled script
”
”
Faye Hall
“
Never presume to know a person based on the one dimensional window of the internet. A soul can’t be defined by critics, enemies or broken ties with family or friends. Neither can it be explained by posts or blogs that lack facial expressions, tone or insight into the person’s personality and intent. Until people “get that”, we will forever be a society that thinks Beautiful Mind was a spy movie and every stranger is really a friend on Facebook.
”
”
Shannon L. Alder
“
I've waited my whole life to sleep with you, Ellie Watt. I can't just pick you up from Safeway.
”
”
Karina Halle (Sins & Needles (The Artists Trilogy, #1))
“
But a voice inside her whispered, There are no heroes, and she remembered what Lord Petyr had said to her, here in this very hall. 'Life is not a song, sweetling,' he'd told her, 'You may learn that one day to your sorrow.' In life, the monsters win, she told herself.
”
”
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
“
I'm back, motherfuckers.", i say quietly as we pass the town hall. "And i'm going to make your life hell before i paint your town red.
”
”
S.T. Abby (Mindf*ck Series (Mindf*ck, #1-5))
“
A homosexual is for life, not just for Christmas.
”
”
Alexis Hall (Glitterland (Spires, #1))
“
Who is good and who is bad? Life isn’t black and white, Javier. You and I, we’re just trying to live in all the grey. Isn’t that what you’ve done? Isn’t that what you want? To live?
”
”
Karina Halle (On Every Street (The Artists Trilogy, #0.5))
“
He always liked learning. Loved it, really. If he could have spent his whole life sitting in a lecture hall, taking notes, could have drifted from department to department, haunting different studies, soaking up language and history and art, maybe he would have felt full, happy.
”
”
Victoria Schwab (The Invisible Life of Addie LaRue)
“
There is no living being on earth at this moment except myself. I could walk down the halls, and empty rooms would yawn mockingly at me from every side. God, but life is loneliness, despite all the opiates, despite the shrill tinsel gaiety of 'parties' with no purpose, despite the false grinning faces we all wear. And when at last you find someone to whom you feel you can pour out your soul, you stop in shock at the words you utter — they are so rusty, so ugly, so meaningless and feeble from being kept in the small cramped dark inside you so long. Yes, there is joy, fulfillment and companionship — but the loneliness of the soul in it's appalling self-consciousness, is horrible and overpowering.
”
”
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
“
I do what I have to do to survive because that’s all I know. I don’t make excuses, I own it. This is me, this is who I am, this is my life. It shames me but not enough to stop.
”
”
Karina Halle (On Every Street (The Artists Trilogy, #0.5))
“
I detest what you write, but I would give my life to make it possible for you to continue to write.
”
”
Evelyn Beatrice Hall (The Friends of Voltaire)
“
I'm not sure how I feel about you 'handling my life energy,' Cal."
He grinned, and I was taken aback by how different it made him look. Cal spent so much time being stoic and solemn that it was easy to forget he even had teeth. "I'll buy you dinner first next time, I promise."
Okay, the grin was one thing, but that had definitely been flirting.
”
”
Rachel Hawkins (Demonglass (Hex Hall, #2))
“
Watching my parents I've learnt a lesson many do not recognize. True love is not signaled by romantic, candle light dinners, red roses glistening with dew, or even Valentine's day celebrations. While these things may accompany our feelings, love is truly more than all those! Love is being with your spouse even when its not pleasing. Sometimes, love is walking down the hall, with your spouse hanging onto your shoulders and walking at a turtle's pace down the hall, just because surgery made life a burden. Love is patient, love is kind, love is Jesus! May we always remember love is not always tied in bows!
”
”
NOT A BOOK
“
Life isn’t a linear journey. Sometimes it’s one step backwards, two steps forward and then a jump out to the side. It’s kind of like the “Time Warp”, when you think about it.
Life follows many directions and hopefully, eventually, your mind and body and life and love, all catch up with each other.
”
”
Karina Halle (The Pact)
“
Hope was a dangerous thing, I knew, but it didn’t stop your heart from latching on to it like a life raft.
”
”
Karina Halle (Love, in English (Love, in English, #1))
“
Loafing is the most productive part of a writer's life.
”
”
James Norman Hall
“
Let's say I will rip your life apart. Me and my banker friends."
How can he explain that to him? The world is not run from where he thinks. Not from border fortresses, not even from Whitehall. The world is run from Antwerp, from Florence, from places he has never imagined; from Lisbon, from where the ships with sails of silk drift west and are burned up in the sun. Not from the castle walls, but from counting houses, not be the call of the bugle, but by the click of the abacus, not by the grate and click of the mechanism of the gun but by the scrape of the pen on the page of the promissory note that pays for the gun and the gunsmith and the powder and shot.
”
”
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
“
If you never put your life in someone else's hands, then you can't really expect them to put theirs in yours. In the long run, never trusting anyone is a hard way to live.
”
”
Sabrina Jeffries (How to Woo a Reluctant Lady (Hellions of Halstead Hall, #3))
“
Nothing is random, nor will anything ever be, whether a long string of perfectly blue days that begin and end in golden dimness, the most seemingly chaotic political acts, the rise of a great city, the crystalline structure of a gem that has never seen the light, the distributions of fortune, what time the milkman gets up, the position of the electron, or the occurrence of one astonishing frigid winter after another. Even electrons, supposedly the paragons of unpredictability, are tame and obsequious little creatures that rush around at the speed of light, going precisely where they are supposed to go. They make faint whistling sounds that when apprehended in varying combinations are as pleasant as the wind flying through a forest, and they do exactly as they are told. Of this, one is certain.
And yet, there is a wonderful anarchy, in that the milkman chooses when to arise, the rat picks the tunnel into which he will dive when the subway comes rushing down the track from Borough Hall, and the snowflake will fall as it will. How can this be? If nothing is random, and everything is predetermined, how can there be free will? The answer to that is simple. Nothing is predetermined, it is determined, or was determined, or will be determined. No matter, it all happened at once, in less than an instant, and time was invented because we cannot comprehend in one glance the enormous and detailed canvas that we have been given - so we track it, in linear fashion piece by piece. Time however can be easily overcome; not by chasing the light, but by standing back far enough to see it all at once. The universe is still and complete. Everything that ever was is; everything that ever will be is - and so on, in all possible combinations. Though in perceiving it we image that it is in motion, and unfinished, it is quite finished and quite astonishingly beautiful. In the end, or rather, as things really are, any event, no matter how small, is intimately and sensibly tied to all others. All rivers run full to the sea; those who are apart are brought together; the lost ones are redeemed; the dead come back to life; the perfectly blue days that have begun and ended in golden dimness continue, immobile and accessible; and, when all is perceived in such a way as to obviate time, justice becomes apparent not as something that will be, but something that is.
”
”
Mark Helprin (Winter's Tale)
“
I sit with Shakespeare, and he winces not. Across the color line I move arm and arm with Balzac and Dumas, where smiling men and welcoming women glide in gilded halls. From out of the caves of evening that swing between the strong-limbed Earth and the tracery of stars, I summon Aristotle and Aurelius and what soul I will, and they come all graciously with no scorn nor condescension. So, wed with Truth, I dwell above the veil. Is this the life you grudge us, O knightly America? Is this the life you long to change into the dull red hideousness of Georgia? Are you so afraid lest peering from this high Pisgah, between Philistine and Amalekite, we sight the Promised Land?
”
”
W.E.B. Du Bois (The Souls of Black Folk)
“
The present life of man upon earth, O King, seems to me in comparison with that time which is unknown to us like the swift flight of a sparrow through the mead-hall where you sit at supper in winter, with your Ealdormen and thanes, while the fire blazes in the midst and the hall is warmed, but the wintry storms of rain or snow are raging abroad. The sparrow, flying in at one door and immediately out at another, whilst he is within, is safe from the wintry tempest, but after a short space of fair weather, he immediately vanishes out of your sight, passing from winter to winter again. So this life of man appears for a little while, but of what is to follow or what went before we know nothing at all.
”
”
Bede (Ecclesiastical History of the English People)
“
You're neither unnatural, nor abominable, nor mad; you're as much a part of what people call nature as anyone else; only you're unexplained as yet--you've not got your niche in creation. But some day that will come, and meanwhile don't shrink from yourself, but face yourself calmly and bravely. Have courage; do the best you can with your burden. But above all be honourable. Cling to your honour for the sake of those others who share the same burden. For their sakes show the world that people like you and they can be quite as selfless and fine as the rest of mankind. Let your life go to prove this--it would be a really great life-work, Stephen.
”
”
Radclyffe Hall (The Well of Loneliness)
“
You don't really fall in love with a house. You fall in love with the life you could have in it.
”
”
Alexis Hall (Waiting for the Flood (Spires, #2))
“
This is the story of my life: standing on the edges of things and worrying, when I'm supposed to just walk through them.
”
”
Alexis Hall (Waiting for the Flood (Spires, #2))
“
My own life is a fairy tale story—one that has already been written by the hands of God.
”
”
Tessa Emily Hall (Purple Moon)
“
Then there was that other strange feeling that pushed and pulled at her, making her reply the scene in the mess hall again and again.
She had never known regret-not true regret, anyway.
But she regretted not knowing the Crochan's name. She regretted not knowing who the new cloak on her shoulders had belonged to-where she had come from, how she had lived.
Somehow, even though her long life had been gone for ten years...
Somehow, that regret made her feel incredibly, heavily mortal.
”
”
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
“
Too late, too late, your love gave me life. Here am I the creature you made through your loving; by your passion you created the thing that I am. Who are you to deny me the right to love? But for you I need never have known existence.
”
”
Radclyffe Hall (The Well of Loneliness)
“
Nothing mattered at that moment except for the fact that the love of my life was in emotional and physical pain.
”
”
Karina Halle (And With Madness Comes the Light (Experiment in Terror, #6.5))
“
Life is full of hard choices.
I chose you.
”
”
Karina Halle (Love, in Spanish (Love, in English, #1.5))
“
But it was a happy and beautiful bride who came down the old, homespun-
carpeted stairs that September noon - the first bride of Green Gables, slender and shining-eyed, in the mist of her maiden veil, with her arms full of roses. Gilbert, waiting for her in the hall below, looked up at her with adoring eyes. She was his at last, this evasive, long-sought Anne, won after years of patient waiting. It was to him she was coming in the sweet surrender of the bride. Was he worthy of her? Could he make her as happy as he hoped? If he failed her - if he could not measure up to her standard of manhood - then, as she held out her hand, their eyes met and all doubt was swept away in a glad certainty. They belonged to each other; and, no matter what life might hold for them, it could never alter that. Their happiness was in each other’s keeping and both were unafraid.
”
”
L.M. Montgomery (Anne's House of Dreams (Anne of Green Gables, #5))
“
Life is never going to be smooth sailing, but I've learned to roll with the punches.
”
”
Marie Hall (A Moment (Moments, #1))
“
Research" is a wonderful word for writers. It serves as excuse for EVERYTHING
”
”
Rayne Hall
“
You made me who I am today, Nanni. Wherever I go, everyone I see and crave is ultimately measured by the glow of your light. If my life were a boat, you were the one who stepped on board, turned on its running lights, and was never heard from again. All this might as well be in my head, and in my head it stays. But I've lived and loved by your light alone. In a bus, on a busy street, in class, in a crowded concert hall, once or twice a year, whether for a man or a woman, my heart still jolts when I spot your look-alike. We love only once in our lives, my father had said, sometimes too early, sometimes too late; the other times are always a touch deliberate.
”
”
André Aciman (Enigma Variations)
“
The tapestry of my life was a ruin of unravelling threads. The brightest parts were a nonsensical madman's weaving. And now every day was a grey stitch, laid down with an outpatient's patience, one following the next following the next, a story in lines, like a railway track to nowhere, telling absolutely nothing.
”
”
Alexis Hall (Glitterland (Spires, #1))
“
Wait a minute, I thought all girls liked those tragic love stories?" Isaac asked as we turned down another hall.
"I guess I'm weird." I shrugged. "I prefer a good happy ending to a story, there are enough tragic ones in real life.
”
”
B.L. Brunnemer (Trying to Live With the Dead (The Veil Diaries #1))
“
Life is so full of rough edges - small tasks and expectations that scratch you bloody and remind you that you're naked and alone.
”
”
Alexis Hall (Waiting for the Flood (Spires, #2))
“
It was the sound of Elide's weeping-that girl of quiet steel and quick-silver wit who had not wept for herself or her sorry life, only faced it with grim determination-that made Manon snap entirely.
She killed those guards in the hall.
She saw what they had been laughing at: the girl gripped between two other guards, her robe tugged opened to reveal her nakedness, the full extent of that ruined leg-
Her grandmother had sold them to these people.
She was a Blackbeak; she was no one's slave. No one's prize horse to breed.
Neither was Elide.
”
”
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
“
I began my studies with eagerness. Before me I saw a new world opening in beauty and light, and I felt within me the capacity to know all things. In the wonderland of Mind I should be as free as another [with sight and hearing]. Its people, scenery, manners, joys, and tragedies should be living tangible interpreters of the real world. The lecture halls seemed filled with the spirit of the great and wise, and I thought the professors were the embodiment of wisdom... But I soon discovered that college was not quite the romantic lyceum I had imagined. Many of the dreams that had delighted my young inexperience became beautifully less and "faded into the light of common day." Gradually I began to find that there were disadvantages in going to college. The one I felt and still feel most is lack of time. I used to have time to think, to reflect, my mind and I. We would sit together of an evening and listen to the inner melodies of the spirit, which one hears only in leisure moments when the words of some loved poet touch a deep, sweet chord in the soul that until then had been silent. But in college there is no time to commune with one's thoughts. One goes to college to learn, it seems, not to think. When one enters the portals of learning, one leaves the dearest pleasures – solitude, books and imagination – outside with the whispering pines. I suppose I ought to find some comfort in the thought that I am laying up treasures for future enjoyment, but I am improvident enough to prefer present joy to hoarding riches against a rainy day.
”
”
Helen Keller (The Story of My Life: With Her Letters (1887 1901) and a Supplementary Account of Her Education Including Passages from the Reports and Letters of Her Teacher Anne Mansfield Sullivan by John Albert Macy)
“
I want to feel like this for the rest of my life.
”
”
Karina Halle (Into the Hollow (Experiment in Terror, #6))
“
I don't think writers need to be insane. Just crazy.
”
”
Rayne Hall
“
I trust my characters. They know their stories better than I do.
”
”
Rayne Hall
“
You know I want you. You know all this foreplay is in hope that one day I get to lay you down and love you. I think about it at least ten times a day, every day. I'm jealous as fuck of every feeling you have for Evan. I want you to tell him once and for all you're with me and never leave my arms, my life or my bed again. But for now, I'll settle for watching a movie and falling asleep with you in my arms.
”
”
S.E. Hall (Emerge (Evolve, #1))
“
There had been a subtle realignment of the spheres. The world was somehow a place I could endure again. If life was a grey corridor lined with doors, it was now within my power to open some of them.
”
”
Alexis Hall (Glitterland (Spires, #1))
“
My lovers suffocate me! Crowding my lips, and thick in the pores of my skin, Jostling me through streets and public halls...coming naked to me at night, Crying by day Ahoy from the rocks of the river...swinging and chirping over my head, Calling my name from flowerbeds or vines or tangled underbrush, Or while I swim in the bath....or drink from the pump on the corner....or the curtain is down at the opera.....or I glimpse at a woman’s face in the railroad car; Lighting on every moment of my life, Bussing my body with soft and balsamic busses, Noiselessly passing handfuls out of their hearts and giving them to be mine
”
”
Walt Whitman
“
Watch it, minx," he warned with a lift of his brow. "If you intend to taunt me for every foolish statement I've made in my life, you'll force me to play Rockton and lock you up in my dark, forbidding manor while I have my wicked way with you."
That sounds perfectly awful,"she said gazing at the man she loved. "How soon can we start?
”
”
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
“
All my life I had longed for a straightforward fight. To
stride out with confidence, and slay a dragon. But there
were no dragons, and the only thing I had ever met
which barely approached one, I had loved.
”
”
Katie Hall-May (Puck's Legacy)
“
He knows different now. It's the living that chase the dead. The long bones and skulls are tumbled from their shrouds, and words like stones thrust into their rattling mouths: we edit their writings, we rewrite their lives. Thomas More had spread the rumor that Little Bilney, chained to the stake, had recanted as the fire was set. It wasn't enough for him to take Bilney's life away; he had to take his death too.
”
”
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
“
For the eternity that Lux Lisbon looked at him, Trip Fontaine looked back, and the love he felt at that moment, truer than all subsequent loves because it never had to survive real life, still plagued him, even now in the desert, with his looks and health wasted. 'You never know what'll set the memory off,' he told us. 'A baby's face. A bell on a cat's collar. Anything.'
They didn't exchange a single word. But in the weeks that followed, Trip spent his days wandering the halls, hoping for Lux to appear, the most naked person with clothes on he had ever seen.
”
”
Jeffrey Eugenides (The Virgin Suicides)
“
And now was acknowledged the presence of the Red Death. He had come like a thief in the night. And one by one dropped the revelers in the blood-bedewed halls of their revel, and died each in the despairing posture of his fall. And the life of the ebony clock went out with that of the last of the gay. And the flames of the tripods expired. And Darkness and Decay and the Red Death held illimitable dominion over all.
”
”
Edgar Allan Poe
“
I feel now as though I’ve been sitting all my life inside a box, and suddenly someone is lifting the lid and I can look up and see the stars.
”
”
Lois Duncan (Down a Dark Hall)
“
If you would have a boy to despise his mother, let her keep him at home, and spend her life in petting him up, and slaving to indulge his follies and caprices.
”
”
Anne Brontë (The Tenant of Wildfell Hall)
“
Each night, I close my eyes and dream. In the morning, I open my eyes again, but the dreaming doesn't stop.
”
”
Christy Hall (The Little Silkworm)
“
No matter how much you change, some people will always view you as you were at a certain time of your life.
”
”
Karina Halle (The Offer (The McGregor Brothers, #2))
“
You was the onlyest person that looked past my skin and past my meanness and saw that there was somebody on the inside worth savin...We all has more in common than we think. You stood up with courage and faced me when I was dangerous, and it changed my life. You loved me for who I was on the inside, the person God meant for me to be, the one that had just gotten lost for a while on some ugly roads in life.
”
”
Ron Hall (Same Kind of Different as Me: A Modern-Day Slave, an International Art Dealer, and the Unlikely Woman Who Bound Them Together)
“
You're alive. Do something. The directive in life, the moral imperative was so uncomplicated. It could be expressed in single words, not complete sentences. It sounded like this: Look. Listen. Choose. Act.
”
”
Barbara Hall
“
I want you to be wise for your own sake, Stephen, because at the best life requires great wisdom. I want you to learn to make friends of your books; someday you may need them, because – ’ He hesitated, ‘because you mayn’t find life at all easy, we none of us do, and books are good friends.
”
”
Radclyffe Hall (The Well of Loneliness)
“
Life's not all beer and skittles
”
”
Radclyffe Hall (The Well of Loneliness)
“
The criers of the Mysteries speak again, bidding all men welcome to the House of Light. The great institution of materiality has failed. The false civilization built by man has turned, and like the monster of Frankenstein, is destroying its creator. Religion wanders aimlessly in the maze of theological speculation. Science batters itself impotently against the barriers of the unknown. Only transcendental philosophy knows the path. Only the illumined reason can carry the understanding part of man upward to the light. Only philosophy can teach man to be born well, to live well, to die well, and in perfect measure be born again. Into this band of the elect--those who have chosen the life of knowledge, of virtue, and of utility--the philosophers of the ages invite YOU.
”
”
Manly P. Hall (The Secret Teachings of All Ages)
“
They envy your youth. You two are like exotic creatures from the land of the young.’
I’ve never understood all that these-are-the-best-years-of-your-life crap. If this is as good as it gets then I might as well quit now. Let me get to the shimmery oasis of adulthood.
”
”
Leanne Hall (This Is Shyness (This Is Shyness, #1))
“
Should I stay in Greenville, teach my students, or work for Mike Espy (in Washington, DC)….Capitol Hill had many more men than women walking the halls, whether they were members of Congress or congressional and committee staff or lobbyists. The receptionist was usually a woman, and the chief of staff, a man. Sometimes I wondered why anyone in Washington would want to listen to what a girl from Soso, Mississippi, had to say.
”
”
Karen Hinton (Penis Politics: A Memoir of Women, Men and Power)
“
Frank Churchill was waiting for her when she arrived. He had now been a convenient sixth with their party on multiple occasions, escorting Jane following the Campbells and Dixons, and it seemed so natural as he greeted them and slipped into place as they entered the hall. “Have a care, you are sparkling tonight,” he murmured under his breath. “Almost as if you had recently become engaged to the love of your life.”
Jane did not dare look at him as she smiled. If she did, the entire world would know their secret.
”
”
Jeanette Watts (My Dearest Miss Fairfax)
“
You don't notice the dead leaving when they really choose to leave you. You're not meant to. At most you feel them as a whisper or the wave of a whisper undulating down. I would compare it to a woman in the back of a lecture hall or theater whom no one notices until she slips out.Then only those near the door themselves, like Grandma Lynn, notice; to the rest it is like an unexplained breeze in a closed room.
Grandma Lynn died several years later, but I have yet to see her here. I imagine her tying it on in her heaven, drinking mint juleps with Tennessee Williams and Dean Martin. She'll be here in her own sweet time, I'm sure.
If I'm to be honest with you, I still sneak away to watch my family sometimes. I can't help it, and sometimes they still think of me. They can't help it....
It was a suprise to everyone when Lindsey found out she was pregnant...My father dreamed that one day he might teach another child to love ships in bottles. He knew there would be both sadness and joy in it; that it would always hold an echo of me.
I would like to tell you that it is beautiful here, that I am, and you will one day be, forever safe. But this heaven is not about safety just as, in its graciousness, it isn't about gritty reality. We have fun.
We do things that leave humans stumped and grateful, like Buckley's garden coming up one year, all of its crazy jumble of plants blooming all at once. I did that for my mother who, having stayed, found herself facing the yard again. Marvel was what she did at all the flowers and herbs and budding weeds. Marveling was what she mostly did after she came back- at the twists life took.
And my parents gave my leftover possessions to the Goodwill, along with Grandma Lynn's things.
They kept sharing when they felt me. Being together, thinking and talking about the dead, became a perfectly normal part of their life. And I listened to my brother, Buckley, as he beat the drums.
Ray became Dr. Singh... And he had more and more moments that he chose not to disbelieve. Even if surrounding him were the serious surgeons and scientists who ruled over a world of black and white, he maintained this possibility: that the ushering strangers that sometimes appeared to the dying were not the results of strokes, that he had called Ruth by my name, and that he had, indeed, made love to me.
If he ever doubted, he called Ruth. Ruth, who graduated from a closet to a closet-sized studio on the Lower East Side. Ruth, who was still trying to find a way to write down whom she saw and what she had experienced. Ruth, who wanted everyone to believe what she knew: that the dead truly talk to us, that in the air between the living, spirits bob and weave and laugh with us. They are the oxygen we breathe.
Now I am in the place I call this wide wide Heaven because it includes all my simplest desires but also the most humble and grand. The word my grandfather uses is comfort.
So there are cakes and pillows and colors galore, but underneath this more obvious patchwork quilt are places like a quiet room where you can go and hold someone's hand and not have to say anything. Give no story. Make no claim. Where you can live at the edge of your skin for as long as you wish. This wide wide Heaven is about flathead nails and the soft down of new leaves, wide roller coaster rides and escaped marbles that fall then hang then take you somewhere you could never have imagined in your small-heaven dreams.
”
”
Alice Sebold (The Lovely Bones)
“
Of all the things I've ever done, perhaps none was more difficult than turning away from my beautiful girl and walking away, leaving her there, never to look back. But my friend Tom, my ever-faithful good friend Tom said, pointing down the hall away from Cec's room, 'Life's that way. Let's go home.'
And so we did.
”
”
Jim Beaver (Life's That Way)
“
You shine brighter than the sun"
"But even the sun goes away every night"
"But it is hte sun's absence that makes us feel its power. We know the loss, the beauty and the life that the moon can't replace. That is why we hang on to each day we are given.
”
”
Karina Halle (Love, in English (Love, in English, #1))
“
Survive long enough and you get to a far point in life where nothing else of particular interest is going to happen. After that, if you don’t watch out, you can spend all your time tallying your losses and gains in endless narrative. All you love has fled or been taken away. Everything fallen from you except the possibility of jolting and unforewarned memory springing out of the dark, rushing over you with the velocity of heartbreak. May walking down the hall humming an old song—“The Girl I Left Behind Me”—or the mere fragrance of clove in spiced tea can set you weeping and howling when all you’ve been for weeks on end is numb.
”
”
Charles Frazier (Thirteen Moons)
“
Art is not like other culture because its success is not made by its audience. The public fill concert halls and cinemas every day, we read novels by the millions, and buy records by the billions. 'We the people'--affect the making and quality of most of our culture, but not our art.
”
”
Banksy
“
I think adults must get sort of worn away over time, like rocks out at sea, but remain who they are, just slower and grayer with those funny vertical wrinkles in front of their ears. But the young are a different shape from one week to the next. To know us is to run alongside us, like someone trying to shout through the window of a moving train.
”
”
Eve Chase (Black Rabbit Hall)
“
I’ll come back,” she promised. “I’ll always come back to you.”
“I know,” he said with cold, calm arrogance. “If I didn’t believe that, I wouldn’t let you go.”
“Believe it. It’s true.” She took a step back. Then another. “Always.”
“Eleanor, if you have any mercy in that dark heart of yours, when you leave right now, you will
walk and not run.”
... ...
crawl and she didn’t fly.
She ran. Down the hall she ran as if the hounds of hell nipped at her heels. She ran as if God
himself had ordered her to. She ran as if her life depended on it and in that moment she might
have sworn that it did.
She didn’t know why she ran. She didn’t know who or what waited for her in the White Room.
She only knew she had to get there as fast as she could and whoever it was, he was worth
running to.
”
”
Tiffany Reisz (The Angel (The Original Sinners, #2))
“
Books, music, painting are not life, can never be as full, rich, complex, surprising or beautiful, but the best of them can catch an echo of that, can turn you back to look out the window, go out the door aware that you’ve been enriched, that you have been in the company of something alive that has caused you to realise once again how astonishing life is, and you leave the book, gallery or concert hall with that illumination, which feels I’m going to say holy, by which I mean human raptness. So
”
”
Niall Williams (This Is Happiness)
“
Ian cupped her chin and turned her face up to his. Then he did what he’d been practicing since the night on the train – he looked her fully in the eyes.
He couldn’t always do it. Sometimes his gaze simply refused to obey, and he’d turn away with a growl. But more and more he’d been able to focus directly on her. Ian’s eyes were beautiful, even more so when his pupils widened with desire. “Have I told you today that I love you?” he asked. “A few dozen times. Not that I mind.”
As a young woman who’d been starved for love much of her life, Beth lapped up Ian’s generous outpouring of the words. He’d surprise her with them, catching her as she walked down the hall, pushing her up against a wall, breathing, “I love you.” Or he’d tickle her awake and tell her while she tried to hit him with a pillow. The best was when he lay against her in the dark, fingers tracing her body. She treasured his whispered, “I love you.
”
”
Jennifer Ashley (The Madness of Lord Ian Mackenzie (Mackenzies & McBrides, #1))
“
In AP Bio, I learned that the cells in our body are replaced every seven years, which means that one day, I'll have a body full of cells that were never sick. But it also means that parts of me that knew and loved Sadie will disappear. I'll still remember loving her, but it'll be a different me who loved her. And maybe this is how we move on. We grow new cells to replace the grieving ones, diluting our pain until it loses potency.
The percentage of my skin that touched hers will lessen until one day my lips won't be the same lips that kissed hers, and all I'll have are the memories. Memories of cottages in the woods, arranged in a half-moon. Of the tall metal tray return in the dining hall. Of the study tables in the library. The rock where we kissed. The sunken boat in Latham's lake, Sadie, snapping a photograph, laughing the lunch line, lying next to me at the movie night in her green dress, her voice on the phone, her apple-flavored lips on mine. And it's so unfair.
All of it.
”
”
Robyn Schneider (Extraordinary Means)
“
Look, I don't know who has been telling you over the years that you aren't worthy of love and happiness, but they're idiots. We all deserve it. And if people get hurt along the way, that's life. We've all been hurt. Doesn't that make love more crucial to our lives?
”
”
Karina Halle (Love, in English (Love, in English, #1))
“
Kayla…you’re my girl. You’re my beautiful world. And I’m whatever you want me to be, just as long as you know that I have never, ever felt this way about someone in my entire life.” He lowers his face, eyes focused intently on my lips. “I’m losing myself in you. Every day. And it’s the most wonderful, terrifying feeling in the world.
”
”
Karina Halle (The Play)
“
..., and I went back to my old habit of walking the halls looking down most of the time. It was different now, though—before I’d done it without thinking, because I didn’t know another way. Now I was actively avoiding a life I knew might be out there. But it was my choice.
”
”
Michelle Falkoff (Playlist for the Dead)
“
I love you, Minerva. I love that you believe in me no matter what. I love how you take whatever you see and distill it into your books. I love your clever mind and your generous heart and every inch of your beautiful body. I love you even when you give me heart failure, by risking your life before my very eyes." He smiled tenderly. "I only hope in time I can prove worthy of your love.
”
”
Sabrina Jeffries (How to Woo a Reluctant Lady (Hellions of Halstead Hall, #3))
“
The grass is full of ghosts tonight.' 'The whole campus is alive with them.' They paused by Little and watched the moon rise, to make silver of the slate roof of Dodd and blue the rustling trees. 'You know,' whispered Tom, 'what we feel now is the sense of all the gorgeous youth that has rioted through here in two hundred years.' ...
And what we leave here is more than class; it's the whole heritage of youth. We're just one generation-- we're breaking all the links that seemed to bind us her to top-booted and high-stocked generations. We've walked arm and arm with Burr and Light-Horse Harry Lee through half these deep-blue nights.' 'That's what they are,' Tom tangented off, 'deep-blue-- a bit of color would spoil them, make them exotic.' Spries, against a sky that's a promise of dawn, and blue light on the slate roofs-- it hurts... rather--' 'Good-by, Aaron Burr,' Amory called toward deserted Nassau Hall, 'you and I knew strange corners of life.
”
”
F. Scott Fitzgerald (This Side of Paradise)
“
I believe in that goodly mansion, his heart, he kept one little place under the skylights where Lucy might have entertainment, if she chose to call. It was not so handsome as the chambers where he lodged his male friends; it was not like the hall where he accommodated his philanthropy, or the library where he treasured his science, still less did it resemble the pavilion where his marriage feast was splendidly spread; yet, gradually, by long and equal kindness, he proved to me that he kept one little closet, over the door of which was written " Lucy's Room." I kept a place for him, too—a place of which I never took the measure, either by rule or compass: I think it was like the tent of Peri-Banou. All my life long I carried it folded in the hollow of my hand—yet, released from that hold and constriction, I know not but its innate capacity for expanse might have magnified it into a tabernacle for a host.
”
”
Charlotte Brontë (Villette)
“
There’s a lot of repetition in my life. No real routine or narrative, just a lot of repetition, and before I know it, I’m sitting in the break room drinking a cup of coffee (it doesn’t taste good) and staring at my phone again, scrolling, waiting for the motivation to get up and go to my desk.
”
”
Halle Butler (The New Me)
“
I understand that you are an accomplished swords-man,” she finally said.
He eyed her curiously. Where was she going with this? “I like to fence, yes,” he replied.
“I have always wanted to learn.”
“Good God,” Gregory grunted.
“I would be quite good at it,” she protested.
“I’m sure you would,” her brother replied, “which is why you should never be allowed within thirty feet of a sword.” He turned to Gareth. “She’s quite diabolical.”
“Yes, I’d noticed,” Gareth murmured, deciding that maybe there might be a bit more to Hyacinth’s brother than he had thought.
Gregory shrugged, reaching for a piece of shortbread. “It’s probably why we can’t seem to get her married off.”
“Gregory!” This came from Hyacinth, but that was only because Lady Bridgerton had excused herself and followed one of the footmen into the hall.
“It’s a compliment!” Gregory protested. “Haven’t you waited your entire life for me to agree that you’re smarter than any of the poor fools who have attempted to court you?”
“You might find it difficult to believe,” Hyacinth shot back, “but I haven’t been going to bed each night thinking to myself—Oh, I do wish my brother would offer me something that passes for a compliment in his twisted mind.
”
”
Julia Quinn (It's in His Kiss (Bridgertons, #7))
“
I’m every girl who’s ever run from a man with a weapon, every girl who ever ran for her life across spaces where she was supposed to be safe. I crash into the next studio and I’m Julia running through her dorm, I’m Heather running down her high school halls, I’m Marilyn running through the Texas afternoon, I’m Dani running through a hospital, I’m Adrienne running through this camp, this camp where there will always be a girl running and screaming and screaming, and I’m Lynnette, running at last, and he can’t catch me, I’m as fast as all of us put together, I’m faster than Billy Walker, I’m faster than the Ghost, I’m faster than the entire Volker family, I’m the fastest girl in the world.
”
”
Grady Hendrix (The Final Girl Support Group)
“
Those bands, you plan your life around them. You plan vacations around concert dates. You save babysitting money for records. You live for those days when Creem magazine arrives in your dusty mailbox and you frantically flip through it for any information on your favorites. The bands, the musicians that you love, they love you back. And when they quit, when they fall apart, when they die—they ruin that future you thought they’d always be a part of.
”
”
Karina Halle (The Devil's Metal (Devils, #1))
“
Ever man should have the courage to stand up and face the enemy,' I said, 'cause ever person that looks like a enemy on the outside ain't necessarily one on the inside. We all has more in common that we think. You stood up with courage and faced me when I was dangerous, and it changed my life. You loved me for who I was on the inside, the person God meant for me to be, the one that had just gotten lost for a while on some ugly roads in life.
”
”
Ron Hall (Same Kind of Different as Me: A Modern-Day Slave, an International Art Dealer, and the Unlikely Woman Who Bound Them Together)
“
Try now, try now, it isn't too late'
...
Excitement, like hysteria, bubbled up in me from a hundred unsealed springs. If it isn't too late, I thought confusedly, neither it is too early: I haven't much time left to spoil. It was the last flicker of instinct of self-preservation which had failed me so signally at Brandham Hall.
”
”
L.P. Hartley (The Go-Between)
“
And then we see the library. Ten huge marble halls filled from floor to ceiling with books, every book that has ever been written. And everywhere scholars come from all the corners of the world, reading and writing and discussing and teaching. Oh! There is no describing the joy of this for such as Salome and myself. It is a great feast, a feast of the gods, and we are favored guests. I cannot imagine choosing another life.
”
”
Ki Longfellow (The Secret Magdalene)
“
As soon as I got back to the apartment, through the pain of throwing away Braden came the fear. I stared down the hall at Ellie's bedroom door, and I had to stop myself from going back on my promise not to run from her.
So I did the opposite.
I kicked off my boots, shrugged out of my coat and crept silently into her darkened room. In the moonlight shining through her window, I saw Ellie curled up in a protective ball on her side. I made a move toward her and the floor creaked under my foot, and Ellie's eyes flew open immediately.
She gazed up at me, wide-eyed but wary.
That hurt.
I started to cry harder and at the sight of my tears, a tear slid down Ellie's cheek. Without a word, I crawled onto her bed and right up beside her as she turned onto her back. We lay side by side, my head on her shoulder, and I grabbed her hand and held it in both of mine.
"I'm sorry," I whispered.
"It's okay," Ellie's voice was hoarse with emotion. "You came back."
And because life was too short... "I love you, Ellie Carmichael. You're going to get through this."
I heard her hitch on a sob. "I love you too, Joss.
”
”
Samantha Young (On Dublin Street (On Dublin Street, #1))
“
You, Doctor Martin, walk
from breakfast to madness. Late August,
I speed through the antiseptic tunnel
where the moving dead still talk
of pushing their bones against the thrust
of cure. And I am queen of this summer hotel
or the laughing bee on a stalk
of death. We stand in broken
lines and wait while they unlock
the doors and count us at the frozen gates
of dinner. The shibboleth is spoken
and we move to gravy in our smock
of smiles. We chew in rows, our plates
scratch and whine like chalk
in school. There are no knives
for cutting your throat. I make
moccasins all morning. At first my hands
kept empty, unraveled for the lives
they used to work. Now I learn to take
them back, each angry finger that demands
I mend what another will break
tomorrow. Of course, I love you;
you lean above the plastic sky,
god of our block, prince of all the foxes.
The breaking crowns are new
that Jack wore. Your third eye
moves among us and lights the separate boxes
where we sleep or cry.
What large children we are
here. All over I grow most tall
in the best ward. Your business is people,
you call at the madhouse, an oracular
eye in our nest. Out in the hall
the intercom pages you. You twist in the pull
of the foxy children who fall
like floods of life in frost.
And we are magic talking to itself,
noisy and alone. I am queen of all my sins
forgotten. Am I still lost?
Once I was beautiful. Now I am myself,
counting this row and that row of moccasins
waiting on the silent shelf.
”
”
Anne Sexton (To Bedlam and Part Way Back)
“
The door to Blay's room opened wide without a knock, a hello, a hey-are-you-decent.
Qhuinn stood in between the jambs, breathing hard, like he’d run down the hall of statues.
Sh**, had Layla lost the pregnancy after all?
Those mismatched eyes searched around. “You by yourself?”
Why the hell would— Oh, Saxton. Right. “Yes—”
The male took three strides forward, reached up . . . and kissed the ever-loving crap out of Blay.
The kiss was the kind that you remembered all your life, the connection forged with such totality that everything from the feel of the body against your own, to the warm slid of another’s lips on yours, to the power as well as the control, was etched into your mind...
”
”
J.R. Ward (Lover at Last (Black Dagger Brotherhood, #11))
“
Her eyes began to shimmer with tears. “You . . . you love me?”
His heart seemed permanently lodged in his throat. “More than life. God only knows why you love me, because I sure as hell don’t, but I know why I love you. You’re my beacon in the darkness, and my compass on a night sea. When I’m with you, I don’t want to dance with Death. I want to dance with Life. I want to dance with you. And whatever it takes, I mean to spend the rest of my life trying to deserve you.
”
”
Sabrina Jeffries (To Wed a Wild Lord (Hellions of Halstead Hall #4))
“
You've come into my life like a beam of very annoying sunshine. You talk so much that I miss it when you're not. You try to fix things I didn't even realise were broken. You have a dreadful sense of humour to which I've somehow become habituated. You care about people so effortlessly it makes me able to put up with them. And then you kissed me and now I..." He lets his head slip further down into his hands. "...I don't know how I'm supposed to go the rest of my life without being kissed by you again.
”
”
Alexis Hall (10 Things That Never Happened (Material World, #1))
“
Thus man is heaven, earth, and hell in one, and his salvation is a much more personal problem than he realizes. Realizing that the human body is a mass of psychic centers and that during life the form is crisscrossed with endless currents of energy, that all through the form are sunbursts of electric force and magnetic power, man can be seen by chose who know how to see as a solar system of scars and planets, suns and moons, with comets in irregular orbits circling through them. As the Milky Way is supposed co be a gigantic cosmic embryo, so man is himself a galaxy
”
”
Manly P. Hall (Melchizedek and the Mystery of Fire)
“
I myself was to experience how easily one is taken in by a lying and censored press and radio in a totalitarian state. Though unlike most Germans I had daily access to foreign newspapers, especially those of London, Paris and Zurich, which arrived the day after publication, and though I listened regularly to the BBC and other foreign broadcasts, my job necessitated the spending of many hours a day in combing the German press, checking the German radio, conferring with Nazi officials and going to party meetings. It was surprising and sometimes consternating to find that notwithstanding the opportunities I had to learn the facts and despite one’s inherent distrust of what one learned from Nazi sources, a steady diet over the years of falsifications and distortions made a certain impression on one’s mind and often misled it. No one who has not lived for years in a totalitarian land can possibly conceive how difficult it is to escape the dread consequences of a regime’s calculated and incessant propaganda. Often in a German home or office or sometimes in a casual conversation with a stranger in a restaurant, a beer hall, a café, I would meet with the most outlandish assertions from seemingly educated and intelligent persons. It was obvious that they were parroting some piece of nonsense they had heard on the radio or read in the newspapers. Sometimes one was tempted to say as much, but on such occasions one was met with such a stare of incredulity, such a shock of silence, as if one had blasphemed the Almighty, that one realized how useless it was even to try to make contact with a mind which had become warped and for whom the facts of life had become what Hitler and Goebbels, with their cynical disregard for truth, said they were.
”
”
William L. Shirer (The Rise and Fall of the Third Reich: A History of Nazi Germany)
“
The problem with life is there is just too much of it. You identify one thing and it leads to another. Nothing is simply one thing only...it's like trying to read thruogh a foreign thesaurus. You look up one word and you find another twenty. If you look up even one of those twenty, you are already forty meanings away from the first one. And there's a good chance once of those brings you back to the start.
”
”
Katie Hall-May (Memories of a Lost Thesaurus)
“
There's somethin I learned when I was homeless: Our limitation is God's opportunity. When you get all the way to the end of your rope and there ain't nothin you can do, that's when God takes over. I remember one time I was hunkered down in the hobo jungle with some folks. We was talkin 'bout life, and this fella was talkin, said, 'People think they're in control, but they ain't. The truth is, that which must befall thee must befall thee. And that which must pass the by must pass thee by.
”
”
Ron Hall (Same Kind of Different as Me: A Modern-Day Slave, an International Art Dealer, and the Unlikely Woman Who Bound Them Together)
“
I saw a banner hanging next to city hall in downtown Philadelphia that read, "Kill them all, and let God sort them out." A bumper sticker read, "God will judge evildoers; we just have to get them to him." I saw a T-shirt on a soldier that said, "US Air Force... we don't die; we just go to hell to regroup." Others were less dramatic- red, white, and blue billboards saying, "God bless our troops." "God Bless America" became a marketing strategy. One store hung an ad in their window that said, "God bless America--$1 burgers." Patriotism was everywhere, including in our altars and church buildings. In the aftermath of September 11th, most Christian bookstores had a section with books on the event, calendars, devotionals, buttons, all decorated in the colors of America, draped in stars and stripes, and sprinkled with golden eagles.
This burst of nationalism reveals the deep longing we all have for community, a natural thirst for intimacy... September 11th shattered the self-sufficient, autonomous individual, and we saw a country of broken fragile people who longed for community- for people to cry with, be angry with, to suffer with. People did not want to be alone in their sorrow, rage, and fear.
But what happened after September 11th broke my heart. Conservative Christians rallies around the drums of war. Liberal Christian took to the streets. The cross was smothered by the flag and trampled under the feet of angry protesters. The church community was lost, so the many hungry seekers found community in the civic religion of American patriotism. People were hurting and crying out for healing, for salvation in the best sense of the word, as in the salve with which you dress a wound. A people longing for a savior placed their faith in the fragile hands of human logic and military strength, which have always let us down. They have always fallen short of the glory of God.
...The tragedy of the church's reaction to September 11th is not that we rallied around the families in New York and D.C. but that our love simply reflected the borders and allegiances of the world. We mourned the deaths of each soldier, as we should, but we did not feel the same anger and pain for each Iraqi death, or for the folks abused in the Abu Ghraib prison incident. We got farther and farther from Jesus' vision, which extends beyond our rational love and the boundaries we have established. There is no doubt that we must mourn those lives on September 11th. We must mourn the lives of the soldiers. But with the same passion and outrage, we must mourn the lives of every Iraqi who is lost. They are just as precious, no more, no less. In our rebirth, every life lost in Iraq is just as tragic as a life lost in New York or D.C. And the lives of the thirty thousand children who die of starvation each day is like six September 11ths every single day, a silent tsunami that happens every week.
”
”
Shane Claiborne (The Irresistible Revolution: Living as an Ordinary Radical)
“
Every man has his own world. He dwells in the midst of his little universe as the lord and ruler of the constituent parts of himself. Sometimes he is a wise king, devoting his life to the needs of his subjects, but more often he is a tyrant, imposing many forms of injustice upon his vassals, either through ignorance of their needs or thoughtlessness concerning the ultimate disaster that he is bringing upon himself. Man's body is a living temple and he is a high priest, placed there to keep the House of the Lord in order.
”
”
Manly P. Hall (Melchizedek and the Mystery of Fire)
“
Before the Law stands a doorkeeper on guard. To this doorkeeper there comes a man from the country who begs for admittance to the Law. But the doorkeeper says that he cannot admit the man at the moment. The man, on reflection, asks if he will be allowed, then, to enter later. 'It is possible,' answers the doorkeeper, 'but not at this moment.' Since the door leading into the Law stands open as usual and the doorkeeper steps to one side, the man bends down to peer through the entrance. When the doorkeeper sees that, he laughs and says: 'If you are so strongly tempted, try to get in without my permission. But note that I am powerful. And I am only the lowest doorkeeper. From hall to hall keepers stand at every door, one more powerful than the other. Even the third of these has an aspect that even I cannot bear to look at.' These are difficulties which the man from the country has not expected to meet, the Law, he thinks, should be accessible to every man and at all times, but when he looks more closely at the doorkeeper in his furred robe, with his huge pointed nose and long, thin, Tartar beard, he decides that he had better wait until he gets permission to enter. The doorkeeper gives him a stool and lets him sit down at the side of the door. There he sits waiting for days and years. He makes many attempts to be allowed in and wearies the doorkeeper with his importunity. The doorkeeper often engages him in brief conversation, asking him about his home and about other matters, but the questions are put quite impersonally, as great men put questions, and always conclude with the statement that the man cannot be allowed to enter yet. The man, who has equipped himself with many things for his journey, parts with all he has, however valuable, in the hope of bribing the doorkeeper. The doorkeeper accepts it all, saying, however, as he takes each gift: 'I take this only to keep you from feeling that you have left something undone.' During all these long years the man watches the doorkeeper almost incessantly. He forgets about the other doorkeepers, and this one seems to him the only barrier between himself and the Law. In the first years he curses his evil fate aloud; later, as he grows old, he only mutters to himself. He grows childish, and since in his prolonged watch he has learned to know even the fleas in the doorkeeper's fur collar, he begs the very fleas to help him and to persuade the doorkeeper to change his mind. Finally his eyes grow dim and he does not know whether the world is really darkening around him or whether his eyes are only deceiving him. But in the darkness he can now perceive a radiance that streams immortally from the door of the Law. Now his life is drawing to a close. Before he dies, all that he has experienced during the whole time of his sojourn condenses in his mind into one question, which he has never yet put to the doorkeeper. He beckons the doorkeeper, since he can no longer raise his stiffening body. The doorkeeper has to bend far down to hear him, for the difference in size between them has increased very much to the man's disadvantage. 'What do you want to know now?' asks the doorkeeper, 'you are insatiable.' 'Everyone strives to attain the Law,' answers the man, 'how does it come about, then, that in all these years no one has come seeking admittance but me?' The doorkeeper perceives that the man is at the end of his strength and that his hearing is failing, so he bellows in his ear: 'No one but you could gain admittance through this door, since this door was intended only for you. I am now going to shut it.
”
”
Franz Kafka (The Trial)
“
When I was a child, my mom used to tell me that life was like a game, and sometimes you had to do things you didn’t want to do in order to do the things that you did want to do. I always thought this was strange advice. I only ever had brief and fleeting ideas for things I did want to do, but mostly I felt completely overwhelmed by possibilities, and then just went down the list saying, no, no, no, not that, not that until I was playing this idiots game of racking up things I was doing that I didn’t want to do in service of some imaginary thing I might one day stumble upon.
”
”
Halle Butler (The New Me)
“
Walter Mittys with Everest dreams need to bear in mind that when things go wrong up in the Death Zone--and sooner or later they always do--the strongest guides in the world may be powerless to save a client's life; indeed, as the events of 1996 demonstrated, the strongest guides in the world are sometimes powerless to save even their own lives. Four of my teammates died not so much because Rob Hall's systems were faulty--indeed, nobody's were better--but because on Everest it is the nature of systems to break down with a vengeance.
”
”
Jon Krakauer (Into Thin Air: A Personal Account of the Mt. Everest Disaster)
“
how shall I get through the months or years of my future life, in company with that man -- my greatest enemy -- for none could injure me as he has done? Oh! when I think how fondly, how foolishly I have loved him, how madly I have trusted him, how constantly I have laboured, and studied, and prayed, and struggled for his advantage, and how cruelly he has trampled on my love, betrayed my trust, scorned my prayers and tears, and efforts for his preservation --crushed my hopes, destroyed my youth's best feelings, and doomed me to a life of hopeless misery -- as far as man can do it -- it is not enough to say that I no longer love my husband -- I HATE him! The word stares me in the face like a guilty confession, but it is true: I hate him -- I hate him!
”
”
Anne Brontë (The Tenant of Wildfell Hall)
“
Sorry I overheard that, but I'm glad he's staying," Luke's sister said. "Not just because he'll be near me but because it gives him a chance to get over you."
Jocelyn sounded defensive. "Amatis-"
"It's been a long time, Jocelyn," Amatis said. "If you don't love him, you ought to let him go."
Jocelyn was silent. Clary wished she could see her mother's expression- did she looked sad? Angry? Resigned?
Amatis gave a little gasp. "Unless- you do love him?"
"Amatis, I can't-"
"You do! you do!" There was a sharp sound, as if Amatis had clapped her hands together. "I knew you did! I always knew it!"
"It doesn't matter." Jocelyn sounded tired. "It wouldn't be fair to Luke."
"I don't want to hear it." There was a rustling noise, and Jocelyn made a sound of protest. Clary wondered if Amatis had actually grabbed hold of her mother. "If you love him, you go right now and tell him. Right now, before he goes to the Council."
"But they want him to be their Council member! And he wants to-"
"All Lucian wants," said Amatis firmly, "is you. You and Clary. That's all he ever wanted. Now go."
Before Clary had a chance to move, Jocelyn dashed out into the hallway. She headed toward the door- and saw Clary, flattened against the wall. Halting, she opened her mouth in surprise.
"Clary!" She sounded as if she were trying to make her voice bright and cheerful, and failed miserably. "I didn't realize you were here."
Clary stepped away from the wall, grabbed hold of the doorknob, and threw the door wide open. Bright sunlight poured into the hall. Jocelyn stood blinking in the harsh illumination, her eyes on her daughter.
"If you don't go after Luke," Clary said, enunciating very clearly, "I, personally, will kill you."
For a moment Jocelyn looked astonished. Then she smiled. "Well," she said, "if you put it like that."
A moment later she was out of the house, hurrying down the canal path toward the Accords Hall. Clary shut the door behind her and leaned against it.
Amatis, emerging from the living room, darted past her to lean on the window sill, glancing aniously out through the pane. "Do you think she'll catch him before he gets to the Hall?"
"My mom's spent her whole life chasing me around," Clary said. "She moves fast.
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
Because the night you asked me,
the small scar of the quarter moon
had healed - the moon was whole again;
because life seemed so short;
because life stretched out before me
like the halls of a nightmare;
because I knew exactly what I wanted;
because I knew exactly nothing;
because I shed my childhood with my clothes -
they both had years of wear in them;
because your eyes were darker than my father's;
because my father said I could do better;
because I wanted badly to say no;
because Stanly Kowalski shouted "Stella...;"
because you were a door I could slam shut;
because endings are written before beginnings;
because I knew that after twenty years
you'd bring the plants inside for winter
and make a jungle we'd sleep in naked;
because I had free will;
because everything is ordained;
I said yes.
”
”
Linda Pastan
“
There’s this family photo,” he says, “not the one in the hall, this other one, from back when I was six or seven. That day was awful. Muriel put gum in David’s book and I had a cold, and my parents were fighting right up until the flash went off. And in the photo, we all look so … happy. I remember seeing that picture and realizing that photographs weren’t real. There’s no context, just the illusion that you’re showing a snapshot of a life, but life isn’t snapshots, it’s fluid. So photos are like fictions. I loved that about them. Everyone thinks photography is truth, but it’s just a very convincing lie.
”
”
Victoria Schwab (The Invisible Life of Addie LaRue)
“
Nicole’s door opened, and she stomped down the hall. “I have something to say,” she said, giving him the Slitty Eyes of Death. “You’re totally unfair, and if I run away, you shouldn’t be surprised.” “Don’t make me put a computer chip in your ear,” Liam answered. “It’s not funny! I hate you.” “Well, I love you, even if you did ruin my life by turning into a teenager,” he said, rubbing his eyes. “Did you study for your test?” “Yes.” “Good.” He looked at his daughter—so much like Emma, way too pretty. Why weren’t there convent schools anymore? Or chastity belts? “Want some supper? I saved your plate.” She rolled her eyes with all the melodrama a teenager could muster. “Fine. I may as well become a fat pig since I can’t ever go on a date.” “That’s my girl,” he said and, grinning, got up to heat up her dinner.
”
”
Kristan Higgins (Until There Was You)
“
After this, I couldn't hear their voices any longer; for in my ears I heard a sound like a bird's wings flapping in panic. Perhaps it was my heart, I don't know. But if you've ever seen a bird trapped inside the great hall of a temple, looking for some way out, well, that was how my mind was reacting. It had never occurred to me that my mother wouldn't simply go on being sick. I won't say I'd never wondered what might happen if she should die; I did wonder about it, in the same way I wondered what might happen if our house were swallowed up in an earthquake. There could hardly be life after such an event.
”
”
Arthur Golden (Memoirs of a Geisha)
“
The truest vision of life I know is that bird in the Venerable Bede that flutters from the dark into a lighted hall, and after a while flutters out again into the dark. But Ruth is right. It is something--it can be everything--to have found a fellow bird with whom you can sit among the rafters while the drinking and boasting and reciting and fighting go on below; a fellow bird whom you can look after and find bugs and seeds for; one who will patch your bruises and straighten your ruffled feathers and mourn over your hurts when you accidentally fly into something you can't handle. (--from The Spectator Bird)
”
”
Wallace Stegner
“
When confronted with a problem involving the use of the reasoning faculties, individuals of strong intellect keep their poise, and seek to reach a solution by obtaining facts bearing upon the question. Those of immature mentality, on the other hand, when similarly confronted, are overwhelmed. While the former may be qualified to solve the riddle of their own destiny, the latter must be led like a flock of sheep and taught in simple language. They depend almost entirely upon the ministrations of the shepherd. The Apostle Paul said that these little ones must be fed with milk, but that meat is the food of strong men. Thoughtlessness is almost synonymous with childishness, while thoughtfulness is symbolic of maturity. There are, however, but few mature minds in the world; and thus it was that the philosophic-religious doctrines of the pagans were divided to meet the needs of these two fundamental groups of human intellect--one philosophic, the other incapable of appreciating the deeper mysteries of life. To the discerning few were revealed the esoteric, or spiritual, teachings, while the unqualified many received only the literal, or exoteric, interpretations. In order to make simple the great truths of Nature and the abstract principles of natural law, the vital forces of the universe were personified, becoming the gods and goddesses of the ancient mythologies. While the ignorant multitudes brought their offerings to the altars of Priapus and Pan (deities representing the procreative energies), the wise recognized in these marble statues only symbolic concretions of great abstract truths. In all cities of the ancient
”
”
Manly P. Hall (The Secret Teachings of All Ages)
“
I knew Denver was sincere when he told me that he would not want to trade places with me for even one day. His convictions became clear to me when I laid my key ring on the table between us at one of our earlier meetings for coffee.
Denver smiled a bit and sidled up to a cautious question. 'I know it ain't none of my business, but does you own somethin' that each one of those keys fits?'
I glanced at the keys; there were about ten of them. 'I suppose,' I replied, not really ever having thought about it.
'Are you sure you own them, or does they own you?'
That wisdom stuck to my brain like duct tape. The more I thought about it, the more I became convinced we'd enjoy life a whole lot more if we owned a whole lot less.
”
”
Ron Hall (Same Kind of Different as Me: A Modern-Day Slave, an International Art Dealer, and the Unlikely Woman Who Bound Them Together)
“
The world is the schoolroom of God. Our being in school does not make us learn, but within that school is the opportunity for all learning. It has its grades and its classes, its sciences and its arts, and admission to it is the birthright of man. Its graduates are its teachers, its pupils are all created things. Its examples are Mature, and its rules are God's laws. Those who would go into the greater colleges and universities must first, day by day, and year by year, work through the common school of life and present to their new teachers the diplomas they have won, upon which is written the name that none may read save those who have received it. The hours may be long, and the teachers cruel, but each of us must walk that path, and the only ones ready to go onward are those who have passed through the gateway of experience.
”
”
Manly P. Hall
“
Vienna wasn't just a city, it was a tone that either one carries forever in one's soul or one does not. It was the most beautiful thing in my life. I was poor, but I was not alone, because I had a friend. And Vienna was like another friend. When it rained in the tropics, I always heard the voice of Vienna. And at other times too. Sometimes deep in the virgin forests I smelled the musty smell of the entrance hall in Hietzing. Music and everything I loved was in the stones of Vienna, and in people's glances and their behavior, the way pure feelings are part of one's very heart. You know when the feelings stop hurting. Vienna in winter and spring. The allés in Schönbrunn. The blue light in the dormitory at the academy, the great white stairwell with the baroque statue. Morning ridings in the Prater. The mildew in the riding school. I remember all of it exactly, and I wanted to see it again...
”
”
Sándor Márai (Embers (Vintage International))
“
You know those afternoons," he asks, drawing a shaking breath, "where you’re just going along, doing fine, and then afternoon comes and it feels like you’ve just got the wind knocked out of you and everything is wrong?" He sighs and slowly pushes himself so he’s sitting upright. His shoulders are slumped. "That’s all," he says. "It’s just one of those afternoons."
We are silent for a minute. Then he lies back down on the couch.
I should say I love him. I should say it will be all right. But it won’t.
I walk down the hall to my bedroom. I lie down on my side and stare at the wall, the blue-flowered wallpaper next to my nose. Despite my best efforts, I start to cry.
I know those afternoons.
”
”
Marya Hornbacher (Madness: A Bipolar Life)
“
Oh,Mercer," he murmured against my temple once we'd come up for air, "we are so screwed."
I pressed my face against his neck, breathing him in. "I know."
"So what do we do?"
Reluctantly, I tried to move away. It was hard to think when he was so close to me. "If we were good people, we'd never see each other again."
His arms locked around my waist, pulling me back. "Okay,well, that's not happening. Plan B?"
I smiled up at him, feeling ridiculously giddy for someone on the verge of ruining her life. "I don't have one.You?"
He shook his head. "Nothing.But...look. I've spent basically my whole life pretending to be someone I'm not, faking some feelings, hiding others." Reaching down, he clasped my hand and lifted it so that our joined hands were trapped between our chests. "This thing with us is the only real thing I've had in a long time.You're the only real thing." He raised our hands and kissed my knuckles. "And I'm done pretending I don't want you."
I had read a lot about swooning in the romance novels Mom had tried to hide from me,but I'd never felt in danger of doing it until now. Which was why a snarky comment was definitely called for.
"Wow,Cross.I think you missed your calling.Screw demon hunting: you should clearly be writing Hallmark cards."
His face broke into that crooked grin that was maybe my favorite sight in the whole world. "Shut up," he muttered before lowering his head and kissing me again.
"Why is it," I said against his lips several moments later, "that we're always kissing in gross, dirty places like cellars and abandoned mills?"
He laughed, pressing kisses to my jaw, then my neck. "Next time it'll be a castle, I promise.This is England, after all. Can't be too hard to find one.
”
”
Rachel Hawkins (Demonglass (Hex Hall, #2))
“
What the hell are you doing?' Jacks growled.
Evangeline turned toward his voice, sweat trickling down her cheek, as she found him standing in the doorway. A vein throbbed furiously along the line of his smooth, marble neck. His skin looked so cool, and she was so hot. All she wanted was to press her mouth to his throat and maybe lick it just once. Her blood rushed faster at the thought, and her fangs started to lengthen.
'Jacks, get out of here!' Chaos ordered. 'Unless you've changed your mind about her becoming a vampire.'
Chaos gripped Evangeline's wrists tighter, pressing them- along with her- more firmly to the bed. She writhed against his grip; he was crushing her again with the full weight of his body.
Something loud cracked in the doorway.
Her eyes shot back to Jacks, who was fisting the now splintered edge of the door. Had he done that with his hands?
He certainly looked livid enough. His silver-blue eyes turned midnight dark as he watched her struggling under Chaos.
Evangeline dimly knew that she should stop her thrashing. If she broke free from Chaos and managed to bite Jacks, the life she had- the life she wanted to keep- would be over. But she also wanted this. She wanted Jacks to stop her struggling. She wanted him to rip Chaos off her chest so that he could pin her to the bed instead.
Evangeline took a rasping breath, and her gaze collided with Jacks' once more.
He scrubbed a hand over his jaw. With Evangeline's heightened senses, she could hear it clench under his palm. Then she heard the scrape of Jacks' boots as he sharply turned and disappeared down the hall.
”
”
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
“
Its hurtful and wonderful how our jokes survive us.
Since I left home on this journey, I've thought a lot about this-how a big part of any life is about the hows and whys of setting up machinery. it's building systems, devices, motors. Winding up the clockwork of direct debits, configuring newspaper deliveries and anniversaries and photographs and credit card repayments and anecdotes. Starting their engines, setting them in motion and sending them chugging off into the future to do their thing at a regular or irregular intervals. When a person leaves or dies or ends, they leave an afterimage; their outline in the devices they've set up around them. The image fades to the winding down of springs, the slow running out of fuel as the machines of a life lived in certain ways in certain places and from certain angles are shut down or seize up or blink off one by one. It takes time. Sometimes, you come across the dusty lights or electrical hum of someone else's machine, maybe a long time after you ever expected to, still running, lonely in the dark. Still doing its thing for the person who started it up long, long after they've gone.
A man lives so many different lengths of time.
”
”
Steven Hall (The Raw Shark Texts)
“
The sun was just beginning to rise when we reached the corn mill, which surprised me until I remembered that A) England has freakishly early sunrises in the summer, and B) we'd been gone nearly two hours. I was pretty sure I'd never been so wiped out in my entire life. I felt hollow and exhausted, and as I looked at Archer, almost unbearably sad. I tried to tell myself that it was just because I'd been nearly squished by the space-time continuum,but I knew that wasn't it.
I think Archer was feeling something similar, because his hands shook slightly as he lifted the chain from around our necks. It hit the floor with a heavy thump, sending up a cloud of dust motes. They sparkled in the shaft of pale pink light that fell between us, looking surprisingly pretty for dirt.
Archer's face was streaked with sweat, and there was a smudge above his left eyebrow, as well as a dark stain on his torso that was probably ghoul blood. I had a feeling I looked just as rough.
"Well," he said at last, his voice slightly hoarse. "That was the worst first date I've ever been on.
”
”
Rachel Hawkins (Demonglass (Hex Hall, #2))
“
They proved that it was possible to produce beauty in life by surrounding life with
beauty. They discovered that symmetrical bodies were built by souls continuously in the presence of
symmetrical bodies; that noble thoughts were produced by minds surrounded by examples of mental
nobility. Conversely, if a man were forced to look upon an ignoble or asymmetrical structure it would
arouse within him a sense of ignobility which would provoke him to commit ignoble deeds. If an illproportioned building were erected in the midst of a city there would be ill-proportioned children born in
that community; and men and women, gazing upon the asymmetrical structure, would live inharmonious
lives. Thoughtful men of antiquity realized that their great philosophers were the natural products of the
æsthetic ideals of architecture, music, and art established as the standards of the cultural systems of the time.
”
”
Manly P. Hall (The Secret Teachings of All Ages)
“
Graham’s thoughts of me were not entirely those of a frozen indifference, after all. I believe in that goodly mansion, his heart, he kept one little place under the skylights where Lucy might have entertainment, if she chose to call. It was not so handsome as the chambers where he lodged his male friends; it was not like the hall where he accommodated his philanthropy, or the library where he treasured his science, still less did it resemble the pavilion where his marriage feast was splendidly spread; yet, gradually, by long and equal kindness, he proved to me that he kept one little closet, over the door of which was written ‘Lucy’s Room.’ I kept a place for him too — a place of which I never took the measure, either by rule or compass: I think it was like the tent of Peri-Banou. All my life long I carried it folded in the hollow of my hand — yet, released from that hold and constriction, I knew not but its innate capacity for expanse might have magnified it into a tabernacle for a host.
”
”
Charlotte Brontë (Villette)
“
I don’t understand hospital chaplains that try to rob my patients of their anger. Sometimes anger is a key motivator that gets people to take action. Anger can push a cancer patient to jump out of his hospital bed, walk down to the nurses station and scream, “I am getting the hell out of here!”. There is a misconception that God is simply sweet and passive. Actually, God can be quite cunning, manipulative and relentless with his children. What we consider as negative traits are actually helpful in molding us. He will use a negative emotion if needed to push people to do things that will change them for the better. He will allow people or situations to derail us if there is a chance that those interactions will push us forward. Personally, I don’t want a God that is going to send some church member to my deathbed with a plate of cookies and tell me to have faith. Actually, I rather have a God that screams, “Get the hell off your ass, stop feeling sorry for yourself. Walk down the hall with that Physical Therapist so you can get on with your life!" A little anger in a person can push them to do amazing things.
”
”
Shannon L. Alder
“
Hey,Dad, remember earlier this week, when I got stabbed?"
"I have a hazy recollection, yes."
"Is it worth it? Being head of the Council? I mean, if people are always gunning for you, why not hand it over to someone else? You could go on vacation.Have a life.Date."
I waited for Dad to embrace his inner Mr. Darcy again and get all huffy, but if anything,he just looked rueful. "One,I made a solemn vow to use my powers to help the Council. Two, things are turbulent now, but that won't always be the case. And I have faith that you'll make a wonderful head of the Council someday,Sophie."
Yeah,except for that whole sleeping with enemy part,I thought.Wait, not that I would actually be sleeping with...I mean,it's a metaphor. There would only be metaphorical sleeping.
My face must have reflected some of the weirdness happening in my brain, because Dad narrowed his eyes at me before continuing, "As for dating, theres no point."
"Why?"
"Because I'm still in love with your mother."
Whoa.Okay, not exactly the answer I was expecting.
Before I could even process that, Dad rushed on, saying, "Please don't let that get your hopes up. There is no way your mother and I could or will ever reunite."
I held up my hand. "Dad,relax. I'm not twelve, and this isn't The Parent Trap.
”
”
Rachel Hawkins (Demonglass (Hex Hall, #2))
“
The other one, the one called Borges, is the one things happen to. I walk through the streets of Buenos Aires and stop for a moment, perhaps mechanically now, to look at the arch of an entrance hall and the grillwork on the gate. I know of Borges from the mail and see his name on a list of professors or in a biographical dictionary. I like hourglasses, maps, eighteenth-century typography, the taste of coffee and the prose of Stevenson; he shares these preferences, but in a vain way that turns them into the attributes of an actor. It would be an exaggeration to say that ours is a hostile relationship. I live, let myself go on living, so that Borges may contrive his literature, and this literature justifies me. It is no effort for me to confess that he has achieved some valid pages, but those pages cannot save me, perhaps because what is good belongs to no one, not even to him, but rather to the language and to tradition. Besides I am destined to perish, definitively, and only some instant of myself can survive in him. Little by little, I am giving over everything to him, though I am quite aware of his perverse custom of falsifying and magnifying things. Spinoza knew that all things long to persist in their being; the stone eternally wants to be a stone, and the tiger a tiger. I shall remain in Borges, not in myself (if it is true that I am someone), but I recognize myself less in his books than in many others or in the laborious strumming of a guitar. Years ago I tried to free myself from him and went from the mythologies of the suburbs to the games with time and infinity, but those games belong to Borges now and I shall have to imagine other things. Thus my life is a flight and I lose everything and everything belongs to oblivion, or to him.
I do not know which of us has written this page.
”
”
Jorge Luis Borges (Labyrinths: Selected Stories & Other Writings)
“
I thought for once that acting decent ought to be rewarded. That's why I let you go, and that's why I didn't bring you back to the King."
"If it's so horrible there,why don't you stay with us?" I asked without thinking.
"No." He shook his head and lowered his eyes. "Tempting though the offer may be, your people wouldn't allow it, and my people...well,let's just say they wouldn't react well if I didn't come home. And wether I like or not, it is my home."
"I know that feeling all too well." I sighed. Though Forening was starting to feel more like home, I wasn't sure that it ever would completely.
"See?I told you,Princess." Loki's smile returned more easily. "You and I aren't all that different."
"You say that like it means something."
"Doesn't it?"
"No,not really. You're leaving today, going home to my enemies." I let out a deep breath, feeling an ache inside my chest. "If I'm lucky,I'll never see you again. Because if I do,that means we're at war,and I'd have to hurt you."
"Oh,Wendy,that's perhaps the saddest thing I've ever heard," Loki said, and he looked like he meant it. "But life doesn't have to be all doom and gloom. Don't you ever see the silver lining?"
"Not today." I shook my head. I heard garrett summon me from down the hall, which meant that lunch was over and the meetings were about to start up. "I have to get back.I'll see you when we make the exchange with the Vittra Queen."
"Good luck." Loki nodded.
I turned to walk away, and I hadn't made it very far when I heard Loki calling after me.
"Wendy!" Loki leaned out into the hall, so far it made him grimace with pain. "If you're right and the next time we see each other is when our kingdoms are at war, you and I never will be. I'll never fight you.That I can promise you.
”
”
Amanda Hocking (Torn (Trylle, #2))
“
Margery," I blurted out in a passion of frustration. "I don't know what to make of you!"
Nor I you, Mary. Frankly, I cannot begin to comprehend the motives of a person who dedicates a large portion of her life to the contemplation of a God in whom she only marginally believes."
I felt stunned, as if she had struck me in the diaphragm. She looked down at me, trying to measure the effect of her words.
Mary, you believe in the power that the idea of God has on the human mind. You believe in the way human beings talk about the unknowable, reach for the unattainable, pattern their imperfect lives and offer their paltry best up to the beingless being that created the universe and powers its continuation. What you balk as it believing the evidence of your eyes, that God can reach out and touch a single human life in a concrete way." She smiled a sad, sad smile. "You mustn't be so cold, Mary. If you are, all you will see is a cold God, cold friends, cold love. God is not cold-never cold. God sears with heat, not ice, the heat of a thousand suns, heat that inflames but does not consume. You need warmth, Mary-you, Mary, need it. You fear it, you flirt with it, you imagine that you can stand in its rays and retain your cold intellectual attitude towards it. You imagine that you can love with your brain. Mary, oh my dear Mary, you sit in the hall and listen to me like some wild beast staring at a campfire, unable to leave, fearful of losing your freedom if you come any closer. It won't consume you; I won't capture you. Love does not do either. It only brings life. Please, Mary, don't let yourself be tied up by the bonds of cold academia."
Her words, the power of her conviction, broke over me like a great wave, inundating me, robbing me of breath, and, as they receded in the room, they pulled hard at me to folllow. I struggled to keep my footing against the wash of Margery's vision, and only when it began to lose its strength, dissipated against the silence in the room, was I seized by a sudden terror at the nearness of my escape.
”
”
Laurie R. King (A Monstrous Regiment of Women (Mary Russell and Sherlock Holmes, #2))
“
MY BOSS SENDS me home because of all the dried blood on my pants, and I am overjoyed.
The hole punched through my cheek doesn’t ever heal. I’m going to work, and my punched-out eye sockets are two swollen-up black bagels around the little piss holes I have left to see through. Until today, it really pissed me off that I’d become this totally centered Zen Master and nobody had noticed. Still, I’m doing the little FAX thing. I write little HAIKU things and FAX them around to everyone. When I pass people in the hall at work, I get totally ZEN right in everyone’s hostile little FACE.
Worker bees can leave
Even drones can fly away
The queen is their slave
You give up all your worldly possessions and your car and go live in a rented house in the toxic waste part of town where late at night, you can hear Marla and Tyler in his room, calling each other hum; butt wipe.
Take it, human butt wipe.
Do it, butt wipe.
Choke it down. Keep it down, baby.
Just by contrast, this makes me the calm little center of the world.
Me, with my punched-out eyes and dried blood in big black crusty stains on my pants, I’m saying HELLO to everybody at work. HELLO! Look at me. HELLO! I am so ZEN. This is BLOOD. This is NOTHING. Hello. Everything is nothing, and it’s so cool to be ENLIGHTENED. Like me.
Sigh.
Look. Outside the window. A bird.
My boss asked if the blood was my blood.
The bird flies downwind. I’m writing a little haiku in my head.
Without just one nest
A bird can call the world home
Life is your career
I’m counting on my fingers: five, seven, five. The blood, is it mine? Yeah, I say. Some of it. This is a wrong answer.
”
”
Chuck Palahniuk (Fight Club)
“
....the Crocodiles say they can't even begin to say how many new guys they've seen Come In and then get sucked back Out There, Come In to AA for a while and Hang In and put together a little sober time and have things start to get better, head-wise and life-quality-wise, and after a while the new guys get cocky, they decide they've gotten `Well,' and they get really busy at the new job sobriety's allowed them to get, or maybe they buy season Celtics tickets, or they rediscover pussy and start chasing pussy (these withered gnarled toothless totally post-sexual old fuckers actually say pussy), but one way or another these poor cocky clueless new bastards start gradually drifting away from rabid Activity In The Group, and then away from their Group itself, and then little by little gradually drift away from any AA meetings at all, and then, without the protection of meetings or a Group, in time--oh there's always plenty of time, the Disease is fiendishly patient--how in time they forget what it was like, the ones that've cockily drifted, they forget who and what they are, they forget about the Disease, until like one day they're at like maybe a Celtics-Sixers game, and the good old Fleet/First Interstate Center's hot, and they think what could just one cold foamer hurt, after all this sober time, now that they've gotten `Well.' Just one cold one. What could it hurt. And after that one it's like they'd never stopped, if they've got the Disease. And how in a month or six months or a year they have to Come Back In, back to the Boston AA halls and their old Group, tottering, D.T.ing, with their faces hanging down around their knees all over again, or maybe it's five or ten years before they can get it up to get back In, beaten to shit again, or else their system isn't ready for the recurred abuse again after some sober time and they die Out There--the Crocodiles are always talking in hushed, 'Nam-like tones about Out There--or else, worse, maybe they kill somebody in a blackout and spend the rest of their lives in MCI-Walpole drinking raisin jack fermented in the seatless toilet and trying to recall what they did to get in there, Out There; or else, worst of all, these cocky new guys drift back Out There and have nothing sufficiently horrible to Finish them happen at all, just go back to drinking 24/7/365, to not-living, behind bars, undead, back in the Disease's cage all over again. The Crocodiles talk about how they can't count the number of guys that've Come In for a while and drifted away and gone back Out There and died, or not gotten to die.
”
”
David Foster Wallace (Infinite Jest)
“
What is a Gallagher Girl?” Liz asked.
She looked nervously down at the papers in her hand even though I knew for a fact she had memorized every word.
“When I was eleven I thought I knew the answer to that question. That was when the recruiters came to see me. They showed me brochures and told me they were impressed by my test scores and asked if I was ready to be challenged. And I said yes. Because that was what a Gallagher Girl was to me then, a student at the toughest school in the world.”
She took a deep breath and talked on.
“What is a Gallagher Girl?” Liz asked again. “When I was thirteen I thought I knew the answer to that question. That was when Dr. Fibs allowed me to start doing my own experiments in the lab. I could go anywhere—make anything. Do anything my mind could dream up. Because I was a Gallagher Girl. And, to me, that meant I was the future.”
Liz took another deep breath.
“What is a Gallagher Girl?” This time, when Liz asked it, her voice cracked. “When I was seventeen I stood on a dark street in Washington, D.C., and watched one Gallagher Girl literally jump in front of a bullet to save the life of another. I saw a group of women gather around a girl whom they had never met, telling the world that if any harm was to come to their sister, it had to go through them first.”
Liz straightened. She no longer had to look down at her paper as she said, “What is a Gallagher Girl? I’m eighteen now, and if I’ve learned anything, it’s that I don’t really know the answer to that question. Maybe she is destined to be our first international graduate and take her rightful place among Her Majesty’s Secret Service with MI6.”
I glanced to my right and, call me crazy, but I could have sworn Rebecca Baxter was crying.
“Maybe she is someone who chooses to give back, to serve her life protecting others just as someone once protected her.”
Macey smirked but didn’t cry. I got the feeling that Macey McHenry might never cry again.
“Who knows?” Liz asked. “Maybe she’s an undercover journalist.” I glanced at Tina Walters. “An FBI agent.” Eva Alvarez beamed. “A code breaker.” Kim Lee smiled. “A queen.” I thought of little Amirah and knew somehow that she’d be okay.
“Maybe she’s even a college student.” Liz looked right at me. “Or maybe she’s so much more.”
Then Liz went quiet for a moment. She too looked up at the place where the mansion used to stand.
“You know, there was a time when I thought that the Gallagher Academy was made of stone and wood, Grand Halls and high-tech labs. When I thought it was bulletproof, hack-proof, and…yes…fireproof. And I stand before you today happy for the reminder that none of those things are true. Yes, I really am. Because I know now that a Gallagher Girl is not someone who draws her power from that building. I know now with scientific certainty that it is the other way around.”
A hushed awe descended over the already quiet crowd as she said this. Maybe it was the gravity of her words and what they meant, but for me personally, I like to think it was Gilly looking down, smiling at us all.
“What is a Gallagher Girl?” Liz asked one final time. “She’s a genius, a scientist, a heroine, a spy. And now we are at the end of our time at school, and the one thing I know for certain is this: A Gallagher Girl is whatever she wants to be.”
Thunderous, raucous applause filled the student section.
Liz smiled and wiped her eyes. She leaned close to the microphone.
“And, most of all, she is my sister.
”
”
Ally Carter (United We Spy (Gallagher Girls, #6))
“
Here I am, a bundle of past recollections and future dreams, knotted up in a reasonably attractive bundle of flesh. I remember what this flesh has gone through; I dream of what it may go through. I record here the actions of optical nerves, of taste buds, of sensory perception. And, I think: I am but one more drop in the great sea of matter, defined, with the ability to realize my existence. Of the millions, I, too, was potentially everything at birth. I, too, was stunted, narrowed, warped, by my environment, my outcroppings of heredity. I, too, will find a set of beliefs, of standards to live by, yet the very satisfaction of finding them will be marred by the fact that I have reached the ultimate in shallow, two-dimensional living - a set of values. This loneliness will blur and diminish, no doubt, when tomorrow I plunge again into classes, into the necessity of studying for exams. But now, that false purpose is lifted and I am spinning in a temporary vacuum. At home I rested and played, here, where I work, the routine is momentarily suspended and I am lost. There is no living being on earth at this moment except myself. I could walk down the halls, and empty rooms would yawn mockingly at me from every side. God, but life is loneliness, despite all the opiates, despite the shrill tinsel gaiety of "parties" with no purpose, despite the false grinning faces we all wear. And when at last you find someone to whom you feel you can pour out your soul, you stop in shock at the words you utter - they are so rusty, so ugly, so meaningless and feeble from being kept in the small cramped dark inside you so long. Yes, there is joy, fulfillment and companionship - but the loneliness of the soul in it's appalling self-consciousness, is horrible and overpowering.
”
”
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
“
There's a reason that education sucks.
And it's the same reason
that it will never ever, ever be fixed.
It's never going to get any better,
don't look for it,
be happy with what you got.
Because the owners of this country don't want that.
I'm talking about the real owners now.
The real owners.
The big, wealthy business interests that control things
and make all the important decisions.
Forget the politicians.
The politicians are put there
to give you the idea that you have freedom of choice.
You don't.
You have no choice.
You have owners.
They own you.
They own everything.
They own all the important land.
They own and control the corporations.
They've long since bought and paid for the Senate,
the Congress, the state houses, and city halls.
They got the judges in their back pocket.
And they own all the big media companies
so they control just about
all of the news and information you get to hear.
They got you by the balls.
They spend billions of dollars every year lobbying,
lobbying to get what they want.
Well, we know what they want.
They want more for themselves and less for everybody else.
But I'll tell you what they don't want.
They don't want a population
of citizens capable of critical thinking.
They don't want well-informed, well-educated people,
capable of critical thinking.
They're not interested in that.
That doesn't help them.
That's against their interest.
That's right.
They don't want people who are smart enough
to figure out how badly they're getting fucked
by a system that threw them overboard 30 fucking years ago.
They don't want that.
You know what they want?
They want obedient workers.
Obedient workers.
People who are just smart enough to run the machines and do the paperwork
and just dumb enough, to passively accept all these increasingly shittier jobs,
with the lower pay, the longer hours, the reduced benefits,
the end of overtime, and the vanishing pension
that disappears the minute you go to collect it.
And now, they're coming for your Social Security money.
They want your fucking retirement money.
They want it back,
so they can give it to their criminal friends on Wall Street.
And you know something, they'll get it.
They'll get it all from you, sooner or later,
because they own this fucking place.
It's a big club, and you ain't in it.
You and I are not in the big club.
”
”
George Carlin (Life Is Worth Losing)
“
New Rule: Just because a country elects a smart president doesn't make it a smart country. A couple of weeks ago, I was asked on CNN if I thought Sarah Palin could get elected president, and I said I hope not, but I wouldn't put anything past this stupid country. Well, the station was flooded with emails, and the twits hit the fan. And you could tell that these people were really mad, because they wrote entirely in CAPITAL LETTERS!!! Worst of all, Bill O'Reilly refuted my contention that this is a stupid country by calling me a pinhead, which (a) proves my point, and (b) is really funny coming from a doody-face like him.
Now, before I go about demonstration how, sadly, easy it is to prove the dumbness that's dragging us down, let me just say that ignorance has life-and-death consequences. On the eve of the Iraq War, seventy percent of Americans thought Saddam Hussein was personally involved in 9/11. Six years later, thirty-four percent still do. Or look at the health-care debate: At a recent town hall meeting in South Carolina, a man stood up and told his congressman to "keep your government hands off my Medicare," which is kind of like driving cross-country to protest highways.
This country is like a college chick after two Long Island iced teas: We can be talked into anything, like wars, and we can be talked out of anything, like health care. We should forget the town halls, and replace them with study halls.
Listen to some of these stats: A majority of Americans cannot name a single branch of government, or explain what the Bill of Rights is. Twenty-four percent could not name the country America fought in the Revolutionary War. More than two-thirds of Americans don't know what's in Roe v. Wade. Two-thirds don't know what the Food and Drug Administration does. Some of this stuff you should be able to pick up simply by being alive. You know, like the way the Slumdog kid knew about cricket.
Not here. Nearly half of Americans don't know that states have two senators, and more than half can't name their congressman. And among Republican governors, only three got their wife's name right on the first try. People bitch and moan about taxes and spending, but they have no idea what their government spends money on. The average voter thinks foreign aid consumes more twenty-four percent of our budget. It's actually less than one percent.
A third of Republicans believe Obama is not a citizen ad a third of Democrats believe that George Bush had prior knowledge of the 9/11 attacks, which is an absurd sentence, because it contains the words "Bush" and "knowledge." Sarah Palin says she would never apologize for America. Even though a Gallup poll say eighteen percent of us think the sun revolves around the earth. No, they're not stupid. They're interplanetary mavericks.
And I haven't even brought up religion. But here's one fun fact I'll leave you with: Did you know only about half of Americans are aware that Judaism is an older religion than Christianity? That's right, half of America looks at books called the Old Testament and the New Testament and cannot figure out which came first.
I rest my case.
”
”
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
“
To him who in the love of Nature holds
Communion with her visible forms, she speaks
A various language; for his gayer hours
She has a voice of gladness, and a smile
And eloquence of beauty, and she glides
Into his darker musings, with a mild
And healing sympathy, that steals away
Their sharpness, ere he is aware. When thoughts
Of the last bitter hour come like a blight
Over thy spirit, and sad images
Of the stern agony, and shroud, and pall,
And breathless darkness, and the narrow house,
Make thee to shudder, and grow sick at heart;—
Go forth, under the open sky, and list
To Nature’s teachings, while from all around—
Earth and her waters, and the depths of air—
Comes a still voice—
Yet a few days, and thee
The all-beholding sun shall see no more
In all his course; nor yet in the cold ground,
Where thy pale form was laid, with many tears,
Nor in the embrace of ocean, shall exist
Thy image. Earth, that nourished thee, shall claim
Thy growth, to be resolved to earth again,
And, lost each human trace, surrendering up
Thine individual being, shalt thou go
To mix for ever with the elements,
To be a brother to the insensible rock
And to the sluggish clod, which the rude swain
Turns with his share, and treads upon. The oak
Shall send his roots abroad, and pierce thy mould.
Yet not to thine eternal resting-place
Shalt thou retire alone, nor couldst thou wish
Couch more magnificent. Thou shalt lie down
With patriarchs of the infant world—with kings,
The powerful of the earth—the wise, the good,
Fair forms, and hoary seers of ages past,
All in one mighty sepulchre. The hills
Rock-ribbed and ancient as the sun,—the vales
Stretching in pensive quietness between;
The venerable woods—rivers that move
In majesty, and the complaining brooks
That make the meadows green; and, poured round all,
Old Ocean’s gray and melancholy waste,—
Are but the solemn decorations all
Of the great tomb of man. The golden sun,
The planets, all the infinite host of heaven,
Are shining on the sad abodes of death,
Through the still lapse of ages. All that tread
The globe are but a handful to the tribes
That slumber in its bosom.—Take the wings
Of morning, pierce the Barcan wilderness,
Or lose thyself in the continuous woods
Where rolls the Oregon, and hears no sound,
Save his own dashings—yet the dead are there:
And millions in those solitudes, since first
The flight of years began, have laid them down
In their last sleep—the dead reign there alone.
So shalt thou rest, and what if thou withdraw
In silence from the living, and no friend
Take note of thy departure? All that breathe
Will share thy destiny. The gay will laugh
When thou art gone, the solemn brood of care
Plod on, and each one as before will chase
His favorite phantom; yet all these shall leave
Their mirth and their employments, and shall come
And make their bed with thee. As the long train
Of ages glide away, the sons of men,
The youth in life’s green spring, and he who goes
In the full strength of years, matron and maid,
The speechless babe, and the gray-headed man—
Shall one by one be gathered to thy side,
By those, who in their turn shall follow them.
So live, that when thy summons comes to join
The innumerable caravan, which moves
To that mysterious realm, where each shall take
His chamber in the silent halls of death,
Thou go not, like the quarry-slave at night,
Scourged to his dungeon, but, sustained and soothed
By an unfaltering trust, approach thy grave,
Like one who wraps the drapery of his couch
About him, and lies down to pleasant dreams.
”
”
William Cullen Bryant (Thanatopsis)
“
...while epic fantasy is based on the fairy tale of the just war, that’s not one you’ll find in Grimm or Disney, and most will never recognize the shape of it. I think the fantasy genre pitches its tent in the medieval campground for the very reason that we even bother to write stories about things that never happened in the first place: because it says something subtle and true about our own world, something it is difficult to say straight out, with a straight face. Something you need tools to say, you need cheat codes for the human brain--a candy princess or a sugar-coated unicorn to wash down the sour taste of how bad things can really get.
See, I think our culture has a slash running through the middle of it, too. Past/Future, Conservative/Liberal, Online/Offline. Virgin/Whore. And yes: Classical/Medieval. I think we’re torn between the Classical Narrative of Self and the Medieval Narrative of Self, between the choice of Achilles and Keep Calm and Carry On.
The Classical internal monologue goes like this: do anything, anything, only don’t be forgotten. Yes, this one sacrificed his daughter on a slab at Aulis, that one married his mother and tore out his eyes, and oh that guy ate his kids in a pie. But you remember their names, don’t you? So it’s all good in the end. Give a Greek soul a choice between a short life full of glory and a name echoing down the halls of time and a long, gentle life full of children and a quiet sort of virtue, and he’ll always go down in flames. That’s what the Iliad is all about, and the Odyssey too. When you get to Hades, you gotta have a story to tell, because the rest of eternity is just forgetting and hoping some mortal shows up on a quest and lets you drink blood from a bowl so you can remember who you were for one hour.
And every bit of cultural narrative in America says that we are all Odysseus, we are all Agamemnon, all Atreus, all Achilles. That we as a nation made that choice and chose glory and personal valor, and woe betide any inconvenient “other people” who get in our way. We tell the tales around the campfire of men who came from nothing to run dotcom empires, of a million dollars made overnight, of an actress marrying a prince from Monaco, of athletes and stars and artists and cowboys and gangsters and bootleggers and talk show hosts who hitched up their bootstraps and bent the world to their will. Whose names you all know. And we say: that can be each and every one of us and if it isn’t, it’s your fault. You didn’t have the excellence for it. You didn’t work hard enough. The story wasn’t about you, and the only good stories are the kind that have big, unignorable, undeniable heroes.
”
”
Catherynne M. Valente
“
She went to her room and curled into a ball of misery and decided that she would die of a broken heart. Minstrels would write songs about how she had turned her face to the wall and died of the false-heartedness of men.
She could not quite make up her mind whether she wanted to be a ghost who would haunt the convent or not. It would be very satisfying to be a sad-eyed, beautiful ghost who drifted through the halls, gazing up at the moon and weeping silently, as a warning to other young women. On the other hand, she was still short and round-faced and sturdy, and there were very few ghost stories about short, sturdy women. Marra had not managed to be pale and willowy and consumptive at any point in eighteen years of life and did not think she could achieve it before she died. Possibly it would be better to just have songs made about her.
The Sister Apothecary came to her, the nun who doctored all the residents of the convent for various ailments, and who compounded medicines and salves and treatments for the farmer’s wives who lived nearby. She studied Marra intensely for a few minutes. “It’s a man, is it?” she said finally.
Marra grunted. It occurred to her about an hour earlier that she did not know how the minstrels would find out that she existed in order to write the sad songs in the first place, and her mind was somewhat occupied by this problem. Did you write them letters?
”
”
T. Kingfisher (Nettle & Bone)
“
It would be incorrect in every sense to say that so near the end of his life he had lost his faith, when in fact
God seemed more abundant to him in the Regina Cleri home than any place he had been before. God was in the folds of his bathrobe, the ache of his knees. God saturated the hallways in the form of a pale electrical light. But now that his heart had become so shiftless and unreliable, now that he should be sensing the afterlife like a sweet scent drifting in from the garden, he had started to wonder if there was in fact no afterlife at all. Look at all these true believers who wanted only to live, look at himself, cling onto this life like a squirrel scrambling up the icy pitch of a roof. In suggesting that there may be nothing ahead of them, he in no way meant to diminish the future; instead, Father Sullivan hoped to elevate the present to a state of the divine. It seemed from this moment of repose that God may well have been life itself. God may have been the baseball games, the beautiful cigarette he smoked alone after checking to see that all the bats had been put back behind the closet door. God could have been the masses in which he had told people how best to prepare for the glorious life everlasting, the one they couldn't see as opposed to the one they were living at that exact moment in the pews of the church hall, washed over in stained glass light. How wrongheaded it seemed now to think that the thrill of heartbeat and breath were just a stepping stone to something greater. What could be greater than the armchair, the window, the snow? Life itself had been holy. We had been brought forth from nothing to see the face of God and in his life Father Sullivan had seen it miraculously for eighty-eight years. Why wouldn't it stand to reason that this had been the whole of existence and now he would retreat back to the nothingness he had come from in order to let someone else have their turn at the view. This was not the workings of disbelief. It was instead a final, joyful realization of all he had been given. It would be possible to overlook just about anything if you were trained to constantly strain forward to see the power and the glory that was waiting up ahead. What a shame it would have been to miss God while waiting for him.
”
”
Ann Patchett (Run)
“
The child was left alone to die in the hallway. Here, in the dawn, was mortality itself. In the city were places to fall from which one could never emerge -- dark dreams and slow death, the death of children, suffering without grace or redemption, ultimate and eternal loss. The memory of the child stayed with Peter. But that was not to be the end of it, for reality went around in a twisting ring. Even the irredeemable would be redeemed, and there was a balance for everything. There had to be.
The old man said, "Nothing is random, nor will anything ever be, whether a long string of perfectly blue days that begin and end in golden dimness, the most seemingly chaotic political acts, the rise of a great city, the crystalline structure of a gem that has never seen the light, the distributions of fortune, what time the milkman gets up, or the position of the electron. Even electrons, supposedly the paragons of unpredictability, do exactly as they are told. Of this, one is certain.
And yet, there is a wonderful anarchy, in that the milkman chooses when to arise, the rat picks the tunnel into which he will dive when the subway comes rushing down the track from Borough Hall, and the snowflake will fall as it will. How can this be? If nothing is random, and everything is predetermined, how can there be free will?
The answer to that is simple. Nothing is predetermined, it is determined, or was determined, or will be determined. No matter, it all happened at once, in less than an instant, and time was invented because we cannot comprehend in one glance the enormous and detailed canvas that we have been given - so we track it, in linear fashion piece by piece. Time however can be easily overcome; not by chasing the light, but by standing back far enough to see it all at once.
The universe is still and complete. Everything that ever was, is. Everything that ever will be, is. In all possible combinations. Though we imagine that it is in motion and unfinished, it is quite finished and quite astonishingly beautiful. So any event is intimately and sensibly tied to all others. All rivers run full to the sea; those who are apart are brought together; the lost ones are redeemed; the dead come back to life; the perfectly blue days that have begun and ended in golden dimness continue, immobile and accessible.
And, when all is perceived in such a way as to obviate time, justice becomes apparent not as something that will be, but something that is.
”
”
Mark Helprin (Winter's Tale)
“
Open Letter to Neil Armstrong"
Dear Neil Armstrong,
I write this to you as she sleeps down the hall. I need answers I think only you might have. When you were a boy, and space was simple science fiction, when flying was merely a daydream between periods of History and Physics, when gifts of moon dust to the one you loved could only be wrapped in your imagination.. Before the world knew your name; before it was a destination in the sky.. What was the moon like from your back yard?
Your arm, strong warm and wrapped under her hair both of you gazing up from your back porch summers before your distant journey. But upon landing on the moon, as the earth rose over the sea of tranquility, did you look for her? What was it like to see our planet, and know that everything, all you could be, all you could ever love and long for.. was just floating before you. Did you write her name in the dirt when the cameras weren't looking? Surrounding both your initials with a heart for alien life to study millions of years from now? What was it like to love something so distant? What words did you use to bring the moon back to her? And what did you promise in the moons ear, about that girl back home? Can you, teach me, how to fall from the sky?
I ask you this, not because I doubt your feat, I just want to know what it's like to go somewhere no man had ever been, just to find that she wasn't there. To realize your moon walk could never compare to the steps that led to her. I now know that the flight home means more. Every July I think of you. I imagine the summer of 1969, how lonely she must have felt while you were gone.. You never went back to the moon. And I believe that's because it dosen't take rockets to get you where you belong. I see that in this woman down the hall, sometimes she seems so much further. But I'm ready for whatever steps I must take to get to her.I have seem SO MANY skies.. but the moon, well, it always looks the same. So I gotta say, Neil, that rock you landed on, has got NOTHING on the rock she's landed on. You walked around, took samples and left.. She's built a fire cleaned up the place and I hope she decides to stay.. because on this rock.. we can breath.
Mr. Armstrong, I don't have much, many times have I been upside down with trauma, but with these empty hands, comes a heart that is often more full than the moon. She's becoming my world, pulling me into orbit, and I now know that I may never find life outside of hers. I want to give her EVERYTHING I don't have yet.. So YES, for her, I would go to the moon and back.... But not without her. We'd claim the moon for each other, with flags made from sheets down the hall. And I'd risk it ALL to kiss her under the light of the earth, the brightness of home... but I can do all of that and more right here, where she is..And when we gaze up, her arms around ME, I will NOT promise her gifts of moon dust, or flights of fancy. Instead I will gladly give her all the earth she wants, in return for all the earth she is. The sound of her heart beat and laughter, and all the time it takes to return to fall from the sky,down the hall, and right into love.
God, I'd do it every day, if I could just land next to her.
One small step for man, but she's one giant leap for my kind.
”
”
Mike McGee
“
I turn and I walk my tray to the conveyor and I drop it on the belt and I start to walk out of the Dining Hall. As I head through the Glass Corridor separating the men and women, I see Lilly sitting alone at a table. She looks up at me and she smiles and our eyes meet and I smile back. She looks down and I stop walking and I stare at her. She looks up and she smiles again. She is as beautiful a girl as I have ever seen. Her eyes, her lips, her teeth, her hair, her skin. The black circles beneath her eyes, the scars I can see on her wrists, the ridiculous clothes she wears that are ten sizes too big, the sense of sadness and pain she wears that is even bigger. I stand and I stare at her, just stare stare stare. Men walk past me and other women look at me and LIlly doesn’t understand what I’m doing or why I’m doing it and she’s blushing and it’s beautiful. I stand there and I stare. I stare because I know where I am going I’m not going to see any beauty. They don’t sell crack in Mansions or fancy Department Stores and you don’t go to luxury Hotels or Country Clubs to smoke it. Strong, cheap liquor isn’t served in five-star Restaurants or Champagne Bars and it isn’t sold in gourmet Groceries or boutique Liquor stores. I’m going to go to a horrible place in a horrible neighborhood run by horrible people providing product for the worst Society has to offer. There will be no beauty there, nothing even resembling beauty. There will be Dealers and Addicts and Criminals and Whores and Pimps and Killers and Slaves. There will be drugs and liquor and pipes and bottles and smoke and vomit and blood and human rot and human decay and human disintegration. I have spent much of my life in these places. When I leave here I will fond one of the and I will stay there until I die. Before I do, however, I want one last look at something beautiful. I want one last look so that I have something to hold in my mind while I’m dying, so that when I take my last breath I will be able to think of something that will make me smile, so that in the midst of the horror I can hold on to some shred of humanity.
”
”
James Frey
“
Already the people murmur that I am your enemy
because they say that in verse I give the world your me.
They lie, Julia de Burgos. They lie, Julia de Burgos.
Who rises in my verses is not your voice. It is my voice
because you are the dressing and the essence is me;
and the most profound abyss is spread between us.
You are the cold doll of social lies,
and me, the virile starburst of the human truth.
You, honey of courtesan hypocrisies; not me;
in all my poems I undress my heart.
You are like your world, selfish; not me
who gambles everything betting on what I am.
You are only the ponderous lady very lady;
not me; I am life, strength, woman.
You belong to your husband, your master; not me;
I belong to nobody, or all, because to all, to all
I give myself in my clean feeling and in my thought.
You curl your hair and paint yourself; not me;
the wind curls my hair, the sun paints me.
You are a housewife, resigned, submissive,
tied to the prejudices of men; not me;
unbridled, I am a runaway Rocinante
snorting horizons of God's justice.
You in yourself have no say; everyone governs you;
your husband, your parents, your family,
the priest, the dressmaker, the theatre, the dance hall,
the auto, the fine furnishings, the feast, champagne,
heaven and hell, and the social, "what will they say."
Not in me, in me only my heart governs,
only my thought; who governs in me is me.
You, flower of aristocracy; and me, flower of the people.
You in you have everything and you owe it to everyone,
while me, my nothing I owe to nobody.
You nailed to the static ancestral dividend,
and me, a one in the numerical social divider,
we are the duel to death who fatally approaches.
When the multitudes run rioting
leaving behind ashes of burned injustices,
and with the torch of the seven virtues,
the multitudes run after the seven sins,
against you and against everything unjust and inhuman,
I will be in their midst with the torch in my hand.
”
”
Julia de Burgos Jack Agüero Translator
“
That's the real distinction between people: not between those who have secrets and those who don't, but between those who want to know everything and those who don't. This search is a sign of love, I maintain.
It's similar with books. Not quite the same, of course (it never is); but similar. If you quite enjoy a writer's work, if you turn the page approvingly yet
don't mind being interrupted, then you tend to like that author unthinkingly. Good chap, you assume. Sound fellow. They say he strangled an entire pack of Wolf Cubs and fed their bodies to a school of carp? Oh no, I'm sure he didn't; sound fellow, good chap. But if you love a writer, if you depend upon the drip-feed of his intelligence, if you want to pursue him and find him -- despite edicts to the contrary -- then it's impossible to know too much. You seek the vice as well. A pack of Wolf Cubs, eh? Was that twenty-seven or twenty-eight? And did he have their little scarves sewn up into a patchwork quilt? And is it true that as he ascended the scaffold he quoted from the Book of Jonah? And that he bequeathed his carp pond to the local Boy Scouts?
But here's the difference. With a lover, a wife, when you find the worst -- be it infidelity or lack of love, madness or the suicidal spark -- you are almost relieved. Life is as I thought it was; shall we now celebrate this disappointment? With a writer you love, the instinct is to defend. This is what I meant earlier: perhaps love for a writer is the purest, the steadiest form of love. And so your defense comes the more easily. The fact of the matter is, carp are an endangered species, and everyone knows that the only diet they will accept if the winter has been especially harsh and the spring turns wet before St Oursin's Day is that of young minced Wolf Cub. Of course he knew he would hang for the offense, but he also knew that humanity is not an endangered species, and reckoned therefore that twenty-seven (did you say twenty-eight?) Wolf Cubs plus one middle-ranking author (he was always ridiculously modest about his talents) were a trivial price to pay for the survival of an entire breed of fish. Take the long view: did we need so many Wolf Cubs? They would only have grown up and become Boy Scouts. And if you're still so mired in sentimentality, look at it this way: the admission fees so far received from visitors to the carp pond have already enabled the Boy Scouts to build and maintain several church halls in the area.
”
”
Julian Barnes (Flaubert's Parrot)
“
I was acutely aware of him, and the thought that he was walking me back to my room and would most likely try to kiss me again sent shivers down my spine. For self-preservation purposes, I had to get away. Every minute I spent with him just made me want him more. Since merely annoying him wasn’t working, I’d have to up the ante.
Apparently, I needed him not only to fall out-of-like with me, but to hate me as well. I’d frequently been told that I was an all-or-nothing kind of girl. If I were going to push him away, it was going to be so far away that there would be absolutely no change of him ever coming back.
I tried to wrench my elbow out of his grasp, but he just held on more tightly. I grumbled at him, “Stop using your tiger strength on me, Superman.”
“Am I hurting you?”
“No, but I’m not a puppet to be dragged around.”
He trailed his fingers down my arm and took my hand instead. “Then you play nice, and I will too.”
“Fine.”
He grinned. “Fine.”
I hissed back. “Fine!”
We walked to the elevator, and he pushed the button to my floor.
“My room is on the same floor,” Ren edxplained.
I scowled and then grinned lopsidedly and just a little bit evilly, “And umm, how exactly is that going to work for you in the morning, Tiger? You really shouldn’t get Mr. Kadam in trouble for having a rather large…pet.”
Ren returned my sarcasm as he walked me to my door. “Are you worried about me, Kells? Well, don’t. I’ll be fine.”
“I guess there’s no point in asking how you knew which door belong to me, huh, Tiger Nose?”
He looked at me in a way that turned my insides to jelly. I spun around but awareness of him shot through my limbs, and I could feel him standing close behind me watching, waiting.
I put my key in the lock, and he moved closer. My hand started shaking, and I couldn’t twist the key the right way. He took my hand and gently turned me around. He then put both hands on the door on either side of my head and leaned in close, pinning me against it. I trembled like a downy rabbit caught in the clutches of a wolf. The wolf came closer. He bent his head and began nuzzling my cheek. The problem was…I wanted the wolf to devour me.
I began to get lost in the thick sultry fog that overtook me every time Ren put his hands on me.
So much for asking for permission…and so much for sticking to my guns, I thought as I felt all my defenses slip away.
He whispered warmly, “I can always tell where you are, Kelsey. You smell like peaches and cream.”
I shivered and put my hands on his chest to push him away, but I ended up grabbing fistfuls of shirt and held on for dear life. He trailed kisses from my ear down my cheek and then pressed soft kisses along the arch of my neck. I pulled him closer and turned my head so he could really kiss me. He smiled and ignored my invitation, moving instead to the other ear. He bit my earlobe lightly, moved from there to my collarbone, and trailed kisses out to my shoulder. Then he lifted his head and brought his lips about one inch from mine and the only thought in my head was…more.
With a devastating smile, he reluctantly pulled away and lightly ran his fingers through the strands of my hair. “By the way, I forgot to mention that you look beautiful tonight.” He smiled again then turned and strolled off down the hall.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
A mood of constructive criticism being upon me, I propose forthwith that the method of choosing legislators now prevailing in the United States be abandoned and that the method used in choosing juries be substituted. That is to say, I propose that the men who make our laws be chosen by chance and against their will, instead of by fraud and against the will of all the rest of us, as now...
...that the names of all the men eligible in each assembly district be put into a hat (or, if no hat can be found that is large enough, into a bathtub), and that a blind moron, preferably of tender years, be delegated to draw out one...
The advantages that this system would offer are so vast and obvious that I hesitate to venture into the banality of rehearsing them. It would in the first place, save the commonwealth the present excessive cost of elections, and make political campaigns unnecessary. It would in the second place, get rid of all the heart-burnings that now flow out of every contest at the polls, and block the reprisals and charges of fraud that now issue from the heart-burnings. It would, in the third place, fill all the State Legislatures with men of a peculiar and unprecedented cast of mind – men actually convinced that public service is a public burden, and not merely a private snap. And it would, in the fourth and most important place, completely dispose of the present degrading knee-bending and trading in votes, for nine-tenths of the legislators, having got into office unwillingly, would be eager only to finish their duties and go home, and even those who acquired a taste for the life would be unable to increase the probability, even by one chance in a million, of their reelection.
The disadvantages of the plan are very few, and most of them, I believe, yield readily to analysis. Do I hear argument that a miscellaneous gang of tin-roofers, delicatessen dealers and retired bookkeepers, chosen by hazard, would lack the vast knowledge of public affairs needed by makers of laws? Then I can only answer (a) that no such knowledge is actually necessary, and (b) that few, if any, of the existing legislators possess it...
Would that be a disservice to the state? Certainly not. On the contrary, it would be a service of the first magnitude, for the worst curse of democracy, as we suffer under it today, is that it makes public office a monopoly of a palpably inferior and ignoble group of men. They have to abase themselves to get it, and they have to keep on abasing themselves in order to hold it. The fact reflects in their general character, which is obviously low. They are men congenitally capable of cringing and dishonorable acts, else they would not have got into public life at all. There are, of course, exceptions to that rule among them, but how many? What I contend is simply that the number of such exceptions is bound to be smaller in the class of professional job-seekers than it is in any other class, or in the population in general. What I contend, second, is that choosing legislators from that populations, by chance, would reduce immensely the proportion of such slimy men in the halls of legislation, and that the effects would be instantly visible in a great improvement in the justice and reasonableness of the laws.
”
”
H.L. Mencken (A Mencken Chrestomathy)
“
In the course of my life I have had pre-pubescent ballerinas; emaciated duchesses, dolorous and forever tired, melomaniac and morphine-sodden; bankers' wives with eyes hollower than those of suburban streetwalkers; music-hall chorus girls who tip creosote into their Roederer when getting drunk...
I have even had the awkward androgynes, the unsexed dishes of the day of the *tables d'hote* of Montmartre. Like any vulgar follower of fashion, like any member of the herd, I have made love to bony and improbably slender little girls, frightened and macabre, spiced with carbolic and peppered with chlorotic make-up.
Like an imbecile, I have believed in the mouths of prey and sacrificial victims. Like a simpleton, I have believed in the large lewd eyes of a ragged heap of sickly little creatures: alcoholic and cynical shop girls and whores. The profundity of their eyes and the mystery of their mouths... the jewellers of some and the manicurists of others furnish them with *eaux de toilette*, with soaps and rouges. And Fanny the etheromaniac, rising every morning for a measured dose of cola and coca, does not put ether only on her handkerchief.
It is all fakery and self-advertisement - *truquage and battage*, as their vile argot has it. Their phosphorescent rottenness, their emaciated fervour, their Lesbian blight, their shop-sign vices set up to arouse their clients, to excite the perversity of young and old men alike in the sickness of perverse tastes! All of it can sparkle and catch fire only at the hour when the gas is lit in the corridors of the music-halls and the crude nickel-plated decor of the bars. Beneath the cerise three-ply collars of the night-prowlers, as beneath the bulging silks of the cyclist, the whole seductive display of passionate pallor, of knowing depravity, of exhausted and sensual anaemia - all the charm of spicy flowers celebrated in the writings of Paul Bourget and Maurice Barres - is nothing but a role carefully learned and rehearsed a hundred times over. It is a chapter of the MANCHON DE FRANCINE read over and over again, swotted up and acted out by ingenious barnstormers, fully conscious of the squalid salacity of the male of the species, and knowledgeable in the means of starting up the broken-down engines of their customers.
To think that I also have loved these maleficent and sick little beasts, these fake Primaveras, these discounted Jocondes, the whole hundred-franc stock-in-trade of Leonardos and Botticellis from the workshops of painters and the drinking-dens of aesthetes, these flowers mounted on a brass thread in Montparnasse and Levallois-Perret!
And the odious and tiresome travesty - the corsetted torso slapped on top of heron's legs, painful to behold, the ugly features primed by boulevard boxes, the fake Dresden of Nina Grandiere retouched from a medicine bottle, complaining and spectral at the same time - of Mademoiselle Guilbert and her long black gloves!...
Have I now had enough of the horror of this nightmare! How have I been able to tolerate it for so long?
The fact is that I was then ignorant even of the nature of my sickness. It was latent in me, like a fire smouldering beneath the ashes. I have cherished it since... perhaps since early childhood, for it must always have been in me, although I did not know it!
”
”
Jean Lorrain (Monsieur de Phocas)