Hale Key Quotes

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Sometimes it takes being left seemingly with nothing to realize that you are everything. To see that you held the key to your own happiness and self-worth and belonging and wholeness all along.
Mandy Hale (You Are Enough: Heartbreak, Healing, and Becoming Whole)
Jane and Mr. Nobley entered the great hall, the ceiling dazzling with thousands of real candles that put fire into the white dresses and cravats. Five musicians were seated on a dais--a cello and two violins (or maybe a viola?), a harpsichord, and some kind of wind instrument. From keys and strings, they coaxed a grand prelude to the minuet. Jane looked at everything, smiling at the amusement park novelty of it all. She looked at Mr. Nobley. He was beaming at her. At last. “You are stunning,” he said, and every inch of him seemed to swear that it was true. “Oh,” she said. He kissed her gloved fingers. He was still smiling. There was something different about him tonight, and she couldn’t place what it was. Some new plot twist, she presumed. She was eager to roll around in all the plot she could on her last night, though once or twice her eyes strayed to spot Martin. Mr. Nobley stood opposite her in a line of ten men. She watched Amelia and Captain East perform the figures. They held each other’s gazes, they smiled with the elation of new love. All very convincing. Poor Amelia, thought Jane. It was a bit cruel, now that she thought about it, all these actors who made women fall in love with them. Amelia seemed so tenderhearted, and Miss Charming and her heaving breasts so delighted with this world. Jane caught sight of a very striking Colonel Andrews who, now that she watched him dance, might just be gay. Jane felt a thrumming of foreboding. All the ladies were so happy and open-hearted and eager to love. What would happen to them in the dregs of tomorrow?
Shannon Hale (Austenland (Austenland, #1))
This is the key. When your mates are in danger, you’ll find your power.
Tessa Hale (Anchor of Secrets (Supernaturals of Castle Academy, #2))
The key characteristic was not how the victims died. Hangings and shootings and burnings could all be lynchings. What made a murder a lynching was not the manner of death but the intentions of the killers and the fact that they acted as a group....Lynching became a more communal affair.
Grace Elizabeth Hale (In the Pines: A Lynching, A Lie, A Reckoning)
Wanna know a secret? None of us have our lives figured out. Life isn’t stagnant; it doesn’t stop until you get to the end. It’s an ever-changing dynamic of experiences and desires. The key is to try to do the best you can for yourself in every moment, and listen to your inner voice when it tries to tell you something.
Jenny Hale (The Memory Keeper)
London’s Hale Clinic
Kelly A. Turner (Radical Remission: Surviving Cancer Against All Odds)
Arnold had never given much thought to whether or not he loved America—but now it seemed pretty obvious to him that he didn’t. Not in the way Nathan Hale had loved America. Or even in the way his late father, a Dutch-Jewish refugee, had loved America. In fact, he found the idea of sacrificing his life for his country somewhat abhorrent. Moreover, it wasn’t that he disliked abstract loyalties in general. He loved New York, for instance: Senegalese takeout at three a.m., and strolling through the Botanical Gardens on the first crisp day of autumn, and feeding the peacocks at the Cathedral of St. John the Divine. If Manhattan were invaded—if New Jersey were to send an expeditionary force of militiamen across the Hudson River—he’d willingly take up arms to defend his city. He also loved Sandpiper Key in Florida, where they owned a time-share, and maybe Brown University, where he’d spent five years of graduate school. But the United States? No one could mistake his qualified praise for love.
Jacob M. Appel (The Man Who Wouldn't Stand Up)
No more whist, I beg you,” Aunt Saffronia said after dinner. “Let us have some music.” “Indeed,” said Captain East. “I believe, Miss Erstwhile, that you promised me a song.” Jane was quite certain that she had never promised any such thing, but it seemed a fitting remark to make, and so Jane rose and made her graceful way to the piano. “If you insist, Colonel Andrews, but I must beg you forgive me at the same time. And you too, Mr. Nobley, as I know you are particular to music played well and no doubt a harsh critic when a piece is ill executed.” “I believe,” said Mr. Nobley, “that I have never been witness to a young lady about to play without her excusing her skill beforehand, only to perform perfectly thereafter. The excuse is no doubt intended as a prelude that sets up the song for deeper enjoyment.” “Then I pray I do not disappoint.” She smiled expressly at Captain East, who sat forward, forearms resting on knees, eager. With professional suavity, Jane arranged her skirt, spread out the music, poised her fingers, and then with one hand played the black keys, singing along with the notes, “Peter, Peter, pumpkin-eater, had a wife and couldn’t keep her, put her in a pumpkin shell, and there he kept her very well.” She rose and curtsied to the room. Captain East smiled broadly. Mr. Nobley coughed. (Laughed?) Jane sat back on the lounge and picked up her discarded volume of sixteenth-century poetry. “That was…” said Aunt Saffronia to the silence. “Well, I hope the weather’s clear tomorrow,” Miss Charming said in her brassiest accent. “How I’ve longed for a game of croquet, what-what.
Shannon Hale (Austenland (Austenland, #1))
You’re really going to kick me out?” “Yes, I really am.” Mrs. Wattlesbrook folded her arms. Jane bit her lip and bent her head back to look at the sky. Funny that it looked so far away. It felt as if it were pressing down on her head, shoving her into the dirt. What a mean bully of a sky. Much of the household was present now. Miss Heartwright was huddled with the main actors, whispering, like rubberneckers shocked at a roadside accident but unable to look away. A couple of gardeners strolled up as well, tools in hand. Martin wiped his brow, confusion (sadness?) heavy on his face. Jane was embarrassed to see him, remembering how she’d ended things, and feeling less than appealing at the moment. The whole scene was rather Hester Prynne, and Jane imagined herself on a scaffold with a scarlet C for “cell phone” on her chest. She realized she was still holding her croquet mallet and wondered that no one felt threatened by her. She hefted it. Would it be fun to bash in a window? Nah. She handed it to Miss Charming. “Go get ‘em, Charming.” “Okay,” Miss Charming said uncertainly. “If you would be so kind as to step into the carriage,” said Mrs. Wattlesbrook. Curse the woman. Jane had just started to have such fun, too. Why didn’t one of the gentlemen come forward to defend her? Wasn’t that, like, their whole purpose of existence? She supposed they’d be fired if they did. The cowards. She stood on the carriage’s little step and turned to face the others. She’d never left a relationship with the last word, something poetic and timeless, triumphant amid her downfall. Oh, for a perfect line! She opened her mouth, hoping something just right would come to her, but Miss Heartwright spoke first. “Mrs. Wattlesbrook! Oh dear, I have only now realized what transpired.” She lifted the hem of her skirts and minced her way to the carriage. “Please wait, this is all my fault. Poor Miss Erstwhile was only doing me a favor. You see, the modern contraption was mine. I did not realize I had it until I arrived, and I was so distressed, Miss Erstwhile kindly offered to keep it for me among her own things where I would not have to look upon it.” Jane stood very still. She thought to wonder what instinct made her body rigid when shocked. Was she prey by nature? A rabbit afraid to move when a hawk wheels overhead? Mrs. Wattlesbrook had not moved either, not even to blink. A silent minute limped forward as everyone waited. “I see,” the proprietress said at last. She looked at Jane, at Miss Heartwright, then fumbled with the keys at her side. “Well, now, ahem, since it was an accident, I think we should forget it ever happened. I do hope, Miss Heartwright, that you will continue to honor us with your presence.” Ah, you old witch, Jane thought. “Yes, of course, thank you.” Miss Heartwright was in her best form, all proper feminine concern, artless and pleasant. Her eyes twinkled. They really did. Everyone began to move off, nothing disturbing left to view. Jane caught a glimpse of Martin smiling, pleased, before he turned away. “I’m so sorry, Jane. I do hope you will forgive me.” “Please don’t mention it, Miss Heartwright.” “Amelia.” She held Jane’s hand to help her descend from the carriage. “You must call me Amelia now.” “Thank you, Amelia.” It was such a sisterly moment, Jane thought they might actually embrace. They didn’t.
Shannon Hale (Austenland (Austenland, #1))
The technically incorrect It’s me and That’s me have been part of our DNA since as long as English has been recorded. There’s something nice and low-key about them. Maybe we just crave a simple English equivalent of the French C’est moi.
Constance Hale (Sin and Syntax: How to Craft Wicked Good Prose)
That’s the thing about being an empath. You realize that understanding where another person is coming from is the key to freedom. I can let go of so much because I realize how little of it actually has anything to do with me.
Tessa Hale (Mark of Stars (Shifting Fate, #2))
Cyrus Hale, the expert spy who was our mission leader, was standing guard over Joshua in the infirmary, ready to interrogate him the moment he woke up. “All right,” I said to Murray. “Let’s forget about what the key opens for now. This morning you said you would explain how to defeat SPYDER with it. So why don’t you do that?
Stuart Gibbs (Spy School British Invasion)
It was too late to think about that. No time—no time for anything but action as the gate swung back. As Crawford entered behind him. The Colt came out in his hand, a long black shape in the night. He saw his target’s eyes widen, the suppressor almost touching the man’s chest as he pulled the trigger. Once, twice—the .45-caliber hollow-point slugs smashing through bone, body tissue, deforming and expanding outward as they traveled through the body. The young man staggered, but didn’t fall—staring down at the holes in his chest as if it belonged to someone else. Disbelief filling his features. Harry could hear the slide of Crawford’s Sig-Sauer cycling behind him, a deadly cadence. The strangled cry as the older jihadist went down. Taking care of business. He didn’t hesitate, raising the pistol to put a third shot between his target’s eyes, the head snapping back from the impact of the round. No remorse. “Clear.” He glanced back to see Crawford standing over the body of the older man, his pistol aimed down—his finger tightening around the trigger. There was a loud cough, and then the SAS sergeant looked up. “Clear.” Harry keyed his mike, glancing upward toward the building where Hale was providing overwatch. “Bring the Range Rover around and keep it running. We’re going in.
Stephen England (Lodestone (Shadow Warriors #2.6))
KEY PLAYERS J. Edgar Hoover: Director of the FBI. Tom White: Agent in charge of the Osage murders investigation. William K. Hale: The so-called “King of the Osage Hills”—was later convicted of first-degree murder in the investigation. Ernest Burkhart: Nephew of William Hale. Conspired with his uncle to murder several Osage for their wealth. Byron Burkhart: Nephew of William Hale, and brother to Ernest Burkhart. Mollie Burkhart: Wife of Ernest Burkhart. Was almost a victim of the deadly conspiracy.
Sumoreads (Summary of David Grann's Killers of the Flower Moon: Key Takeaways & Analysis)
Frankly, Mr. Hale, your situation is not something the White House cares about one way or the other.” “You should. The first president and the second Congress of this country legally granted us the authority to act, so long as it was directed toward our enemies.” “With one problem,” Davis said. “The legal authority for your letter of marque does not exist. Even if we wanted to honor it, that could prove impossible. There is no written reference in the congressional journals for that session addressing them. Two pages are missing, which I believe you are well aware of. Their location is guarded by Jefferson’s cipher. I read Andrew Jackson’s letter to your great-great-grandfather.” “Am I to assume that if we solve the cipher and find those missing pages, the president will honor the letter?” “You can assume that your legal position will be much stronger since, as of now, you don’t have one.
Steve Berry (The Jefferson Key (Cotton Malone, #7))
The first way is by choosing to let go of the unwanted feeling. The second way is to welcome the feeling—to allow the emotion just to be. The third way is to dive into the core of the emotion. The fourth way is by holistically embracing both sides of any issue or belief. And the last way of releasing—called the 5th Way—helps you to discover the Beingness that you
Hale Dwoskin (The Sedona Method: Your Key to Lasting Happiness, Success, Peace and Emotional Well-Being)