Haggard Quotes

We've searched our database for all the quotes and captions related to Haggard. Here they are! All 100 of them:

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I don't want to lose you.' His voice almost a whisper. Seeing his haggard expression, she took his hand and squeezed it, then reluctantly let it go. She could feel the tears again, and she fought them back. 'But you don't want to keep me, either, do you?' To that, he had no response.
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Nicholas Sparks (The Rescue)
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Yea, all things live forever, though at times they sleep and are forgotten.
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H. Rider Haggard (She (She, #1))
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She was wearing the same clothes, but now she looked haggard and dirty. The delicate illusions that get us through life can only stand so much strain.
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Hunter S. Thompson (The Rum Diary)
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He looked haggard and careworn, like a Borgia who has suddenly remembered that he has forgotten to shove cyanide in the consommΓ©, and the dinner-gong due any moment.
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P.G. Wodehouse (Carry On, Jeeves (Jeeves, #3))
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As I grow older, I regret to say that a detestable habit of thinking seems to be getting a hold of me.
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H. Rider Haggard
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This fellow is wise enough to play the fool; And to do that well craves a kind of wit: He must observe their mood on whom he jests, The quality of persons, and the time, And, like the haggard, check at every feather That comes before his eye. This is a practise As full of labour as a wise man's art For folly that he wisely shows is fit; But wise men, folly-fall'n, quite taint their wit.
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William Shakespeare (Twelfth Night)
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Houses are really bodies. We connect ourselves with walls, roofs, and objects just as we hang on to our livers, skeletons, flesh and bloodstream. I am no beauty, no mirror is necessary to assure me of this absolute fact. Nevertheless I have a death grip on this haggard frame as if it were the limpid body of Venus herself.
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Leonora Carrington (The Hearing Trumpet)
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8.45 a.m. My mother is in the hospital grounds smoking a cigarette. She is looking old and haggard. All the debauchery is catching up with her.
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Sue Townsend (The Secret Diary of Adrian Mole, Aged 13 3/4 (Adrian Mole #1))
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Thinking can only serve to measure out the helplessness of thought.
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H. Rider Haggard (She (She, #1))
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In your walks about London you will sometimes see bent, haggard figures that look as if they had recently been caught in some powerful machinery. They are those fellows who got mixed up with Catsmeat when he was meaning well.
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P.G. Wodehouse (The Mating Season (Jeeves, #9))
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There is no such things as magic, though there is such a thing as knowledge of the hidden ways of Nature.
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H. Rider Haggard (She (She, #1))
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Haggard, I would not be you for all the world," he declared. "You have let your doom in by the front door, although it will not depart that way. (...) Farewell, poor Haggard, farewell!
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Peter S. Beagle (The Last Unicorn (The Last Unicorn, #1))
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Ah! how little knowledge does a man acquire in his life. He gathers it up like water, but like water it runs between his fingers, and yet, if his hands be but wet as though with dew, behold a generation of fools call out, 'See, he is a wise man!' Is it not so?
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H. Rider Haggard (She (She, #1))
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Riden!” I shout, remembering something. He looks up again. β€œGo below and shave. You look haggard.”... β€œHaggard?” Niridia asks. She’s at the helm. Kearan, it would seem, hasn’t arrived yet. I join her. β€œThat man is handsome as hell.
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Tricia Levenseller (Daughter of the Siren Queen (Daughter of the Pirate King, #2))
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Wealth is good, and if it comes our way we will take it; but a gentleman does not sell himself for wealth.
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H. Rider Haggard (King Solomon's Mines)
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Truly wealth, which men spend all their lives in acquiring, is a valueless thing at the last.
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H. Rider Haggard (King Solomon's Mines (Allan Quatermain, #1))
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Beyond the town, darker than dark, King Haggard's castle teetered like a lunatic on stilts...
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Peter S. Beagle (The Last Unicorn (The Last Unicorn, #1))
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Some of these guys will go on walking long after the laws of biochemistry and handicapping have gone by the boards. There was a guy last year that crawled for two miles at four miles an hour after both of his feet cramped up at the same time, you remember reading about that? Look at Olson, he's worn out but he keeps going. That goddam Barkovitch is running on high-octane hate and he just keeps going and he's as fresh as a daisy. I don't think I can do that. I'm not tired -not really tired- yet. But I will be." The scar stood out on the side of his haggard face as he looked ahead into the darkness "And I think... when I get tired enough... I think I'll just sit down
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Stephen King (The Long Walk)
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Memory haunts me from age to age, and passion leads me by the hand--evil have I done, and with sorrow have I made acquaintance from age to age, and from age to age evil shall I do, and sorrow shall I know till my redemption comes.
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H. Rider Haggard (She (She, #1))
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How can a world be good in which Money is the moving power, and Self-interest the guiding star?
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H. Rider Haggard (Allan Quatermain (Allan Quatermain, #2))
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It is far. But there is no journey upon this earth that a man may not make if he sets his heart to it. There is nothing, Umbopa, that he cannot do, there are no mountains he may not climb, there are no deserts he cannot cross; save a mountain and a desert of which you are spared the knowledge, if love leads him and he holds his life in his hand counting it as nothing, ready to keep it or to lose it as Providence may order.
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H. Rider Haggard (King Solomon's Mines (Allan Quatermain, #1))
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...it is in these acts called trivialities that the seeds of joy are forever wasted until men and women look round with haggard faces at the devastation their own waste has made and say the earth bears no harvest of sweetnessβ€”calling their denial knowledge.
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George Eliot (Middlemarch)
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And now let us love and take that which is given us, and be happy; for in the grave there is no love and no warmth, nor any touching of the lips. Nothing perchance, or perchance but bitter memories of what might have been.
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H. Rider Haggard (She (She, #1))
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It is a well-known fact that very often, putting the period of boyhood out of the argument, the older we grow the more cynical and hardened we become; indeed, many of us are only saved by timely death from moral petrification, if not from moral corruption.
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H. Rider Haggard (She (She, #1))
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Mistrust all men, and slay him whom thou mistrustest overmuch; and as for women, flee from them, for they are evil, and in the end will destroy thee.
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H. Rider Haggard (She (She, #1))
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(Decadent style) is ingenious, complicated, learned, full of shades of meaning and research, always pushing further the limits of language... forcing itself to express in thought that which is most ineffable, and in form the vaguest and most fleeting contours; listening that it may translate them to the subtle confidences of the neuropath, to the avowals of aging and depraved passion, and to the singular hallucinations of the fixed idea verging on madness... In opposition to the classic style, it admits of shading, and these shadows teem and swarm with the larvae of superstitions, the haggard phantoms of insomnia, nocturnal terrors, remorse which starts and turns back at the slightest noise, monstrous dreams stayed only by impotence, obscure phantasies at which daylight would stand amazed, and all that the soul conceals of the dark, the unformed, and the vaguely horrible, in its deepest and furthest recesses.
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ThΓ©ophile Gautier (Charles Baudelaire and His Life)
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LONDON. Michaelmas Term lately over, and the Lord Chancellor sitting in Lincoln’s Inn Hall. Implacable November weather. As much mud in the streets as if the waters had but newly retired from the face of the earth, and it would not be wonderful to meet a Megalosaurus, forty feet long or so, waddling like an elephantine lizard up Holborn Hill. Smoke lowering down from chimney-pots, making a soft black drizzle, with flakes of soot in it as big as full-grown snow-flakes β€” gone into mourning, one might imagine, for the death of the sun. Dogs, undistinguishable in mire. Horses, scarcely better; splashed to their very blinkers. Foot passengers, jostling one another’s umbrellas in a general infection of ill-temper, and losing their foot-hold at street-corners, where tens of thousands of other foot passengers have been slipping and sliding since the day broke (if the day ever broke), adding new deposits to the crust upon crust of mud, sticking at those points tenaciously to the pavement, and accumulating at compound interest. Fog everywhere. Fog up the river, where it flows among green aits and meadows; fog down the river, where it rolls defiled among the tiers of shipping and the waterside pollutions of a great (and dirty) city. Fog on the Essex marshes, fog on the Kentish heights. Fog creeping into the cabooses of collier-brigs; fog lying out on the yards, and hovering in the rigging of great ships; fog drooping on the gunwales of barges and small boats. Fog in the eyes and throats of ancient Greenwich pensioners, wheezing by the firesides of their wards; fog in the stem and bowl of the afternoon pipe of the wrathful skipper, down in his close cabin; fog cruelly pinching the toes and fingers of his shivering little ’prentice boy on deck. Chance people on the bridges peeping over the parapets into a nether sky of fog, with fog all round them, as if they were up in a balloon, and hanging in the misty clouds. Gas looming through the fog in divers places in the streets, much as the sun may, from the spongey fields, be seen to loom by husbandman and ploughboy. Most of the shops lighted two hours before their time β€” as the gas seems to know, for it has a haggard and unwilling look. The raw afternoon is rawest, and the dense fog is densest, and the muddy streets are muddiest near that leaden-headed old obstruction, appropriate ornament for the threshold of a leaden-headed old corporation, Temple Bar. And hard by Temple Bar, in Lincoln’s Inn Hall, at the very heart of the fog, sits the Lord High Chancellor in his High Court of Chancery.
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Charles Dickens (Bleak House)
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Women love the last blow as well as the last word, and when they fight for love they are pitiless as a wounded buffalo.
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H. Rider Haggard (Allan Quatermain (Allan Quatermain, #2))
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That which is alive hath known death, and that which is dead can never die, for in the Circle of the Spirit life is naught and death is naught. Yea, all things live forever, though at times they sleep and are forgotten.
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H. Rider Haggard (She (She, #1))
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Time after time have nations, ay, and rich and strong nations, learned in the arts, been, and passed away to be forgotten, so that no memory of them remains. This is but one of several; for Time eats up the works of man.
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H. Rider Haggard (She (She, #1))
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Oh, the pathos of it! - haggard, drawn into fixed lines of unutterable sadness, with a look of loneliness, as of a soul whose depth of sorrow and bitterness no human sympathy could ever reach. The impression I carried away was that I had seen, not so much the President of the United States, as the saddest man in the world.
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George Saunders (Lincoln in the Bardo)
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Life has everything in store for you, Dorian. There is nothing that you, with your extraordinary good looks, will not be able to do." "But suppose, Harry, I became haggard, and old, and wrinkled? What then?" "Ah, then," said Lord Henry, rising to go, "then, my dear Dorian, you would have to fight for your victories. As it is, they are brought to you. No, you must keep your good looks. We live in an age that reads too much to be wise, and that thinks too much to be beautiful. We cannot spare you." (8.19)
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Oscar Wilde (The Picture of Dorian Gray)
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The moon went slowly down in loveliness; she departed into the depth of the horizon, and long veil-like shadows crept up the sky through which the stars appeared. Soon, however, they too began to pale before a splendour in the east, and the advent of the dawn declared itself in the newborn blue of heaven. Quieter and yet more quiet grew the sea, quiet as the soft mist that brooded on her bosom, and covered up her troubling, as in our tempestuous life the transitory wreaths of sleep brook upon a pain-racked soul, causing it to forget its sorrow. From the east to the west sped those angels of the Dawn, from sea to sea, from mountain-top to mountain-top, scattering light from breast and wing. On they sped out of the darkness, perfect, glorious; on, over the quiet sea, over the low coast-line, and the swamps beyond, and the mountains above them; over those who slept in peace and those who woke in sorrow; over the evil and the good; over the living and the dead; over the wide world and all that breathes or as breathed thereon.
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H. Rider Haggard (She (She, #1))
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TO BE A TOURIST is to escape accountability. Errors and failings don't cling to you the way they do back home. You're able to drift across continents and languages, suspending the operation of sound thought. Tourism is the march of stupidity. You're expected to be stupid. The entire mechanism of the host country is geared to travelers acting stupidly. You walked around dazed, squinting into fold-out maps. You don't know how to talk to people, how to get anywhere, what the money means, what time it is, what to eat or how to eat it. Being stupid is the pattern, the level and the norm. You can exist on this level for weeks and months without reprimand or dire consequence. Together with thousands, you are granted immunities and broad freedoms. You are an army of fools, wearing bright polyesters, riding camels, taking pictures of each other, haggard, dysentric, thirsty. There is nothing to think about but the next shapeless event.
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Don DeLillo (The Names)
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...For like a rugged tree you are hard and sound at the core.
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H. Rider Haggard (She (She, #1))
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We run to place and power over the dead bodies of those who fail and fall; ay, we win the food we eat from out the mouths of starving babes.
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H. Rider Haggard (She (She, #1))
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Acting might bring on emotional exhaustion, but writing tired your brains out. Writing led to depression and insomnia and walking around all day with a haggard look.
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Richard Yates (Young Hearts Crying)
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Venice is a Dorian Gray city. Somewhere up there in the world's attic, there's another place with the haggard, poxed and ravaged face of unspeakable evil. And I suspect it's Cardiff.
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A.A. Gill (Table Talk)
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Man doeth this and doeth that from the good or evil of his heart; but he knows not to what end his sense doth prompt him; for when he strikes he is blind to where the blow shall fall, nor can he count the airy threads that weave the web of circumstance. Good and evil, love and hate, night and day, sweet and bitter, man and woman, heaven above and the earth beneath--all those things are needful, one to the other, and who knows the end of each?
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H. Rider Haggard (She (She, #1))
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She was a natural in being careless, haggard, even dirty. that made her look adventurous, flirtatious and even promiscuous. though deep inside her pure virginity was intact and unknowingly she ended glowing under tender virginity that she possessed.
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Apurva sharma
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Ged stood sick and haggard. He said at last, β€œBetter I had died.” β€œWho are you to judge that, you for whom Nemmerle gave his life?β€”You are safe here. You will live here, and go on with your training. They tell me you were clever. Go on and do your work. Do it well. It is all you can do.
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Ursula K. Le Guin (A Wizard of Earthsea (Earthsea Cycle, #1))
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What I seek I Find,what I find I keep.
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H. Rider Haggard
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It is a hard thing when one has shot sixty-five lions or more, as I have in the course of my life, that the sixty-sixth should chew your leg like a quid of tobacco. It breaks the routine of the thing, and putting other considerations aside, I am an orderly man and don't like that. This is by the way.
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H. Rider Haggard (King Solomon's Mines (Allan Quatermain, #1))
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...for women bring trouble as surely as night follows day...
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H. Rider Haggard (King Solomon's Mines (Allan Quatermain, #1))
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By God!' he whispered, drawing his breath in sharply, 'it is all pure Rider Haggard and Conan Doyle.
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John Buchan (The 39 Steps (Richard Hannay, #1))
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And now it appeared that there was a mysterious Queen clothed by rumour with dread and wonderful attributes, and commonly known by the impersonal but, to my mind, rather awesome title of She.
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H. Rider Haggard (She (She, #1))
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In the end, oh I know, never, in my haggard passion, have I ever been such a cadaver as now as I take again in hand my tables of the presentβ€” if reality's real, but after it's been destroyed in the eternal and the moment by the obsessive idea of a shining nothingness.
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Pier Paolo Pasolini (Poems)
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So they crucified their Messiah? Well can I believe it. That He was a Son of the Living Spirit would be naught to them, if indeed He was so.... They would care little for any God if he came not with pomp and power.
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H. Rider Haggard
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I know why you did it too. You can't become mortal yourself until you change her back again. Isn't that it? You don't care what happens to her, or to the others, just as long as you become a real magician, even if you change the Bull into a bullfrog, because it's still just a trick when you do it. You don't care about anything but magic, and what kind of magician is that? Schmendrick, I don't feel good. I have to sit down." Schmendrick must have carried her for a time, because she was definitely not walking and his green eyes were ringing in her head. "That's right. Nothing but magic matters to me. I would round up unicorns for Haggard myself if it would heighten my power but half a hair. It's true. I have no preferences and no loyalties. I have only magic." His voice was hard and sad. "Really?" she asked, rocking dreamily in her terror, watching the brightness flowing by. "That's awful." She was very impressed. "Are you really like that?" "No," he said, then or later. "No, it's not true. How could I be like that, and still have all these troubles?" Then he said, "Molly, you have to walk now.
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Peter S. Beagle (The Last Unicorn (The Last Unicorn, #1))
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Strange are the pictures of the future that mankind can thus draw with this brush of faith and these many-coloured pigments of the imagination! Strange, too, that no one of them tallies with another!
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H. Rider Haggard (She (She, #1))
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A sharp spear," runs the Kukuana saying, "needs no polish.
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H. Rider Haggard (King Solomon's Mines (Allan Quatermain, #1))
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Vengeance is an arrow that in falling oft pierces him who shot it
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H. Rider Haggard (Cleopatra)
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Everything has an end, if only you live long enough to see it.
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H. Rider Haggard (King Solomon's Mines (Allan Quatermain, #1))
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How true is the saying that the very highest in rank are always the most simple and kindly. It is from you half-and-half sort of people that you get pomposity and vulgarity
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H. Rider Haggard (Allan Quatermain (Allan Quatermain, #2))
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Passion is like the lightening, it is beautiful and it links the earth to heaven, but it blinds.
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H. Rider Haggard (Allan Quatermain (Allan Quatermain, #2))
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Our future was so completely unknown, and I think that the unknown and the awful always bring a man nearer to his Maker.
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H. Rider Haggard (King Solomon's Mines (Allan Quatermain, #1))
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I wandered out like a haggard ghost, and there she was, Frisco - long, bleak streets with trolley wires all shrouded in fog and whiteness. I stumbled around a few blocks. Weird bums (Mission and Third) asked me for dimes in the dawn.
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Jack Kerouac (On the Road)
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May the merciful god, if indeed there be such, guard those hours when no power of the will, or drug that the cunning of man devises, can keep me from the chasm of sleep. Death is merciful, for there is no return therefrom, but with him who has come back out of the nethermost chambers of night, haggard and knowing, peace rests nevermore.
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H.P. Lovecraft
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Truly the universe is full of ghosts, not sheeted churchyard spectres, but the inextinguishable elements of individual life, which having once been, can never die, though they blend and change, and change again for ever.
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H. Rider Haggard (King Solomon's Mines (Allan Quatermain, #1))
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Yet man dies not whilst the world, at once his mother and his monument, remains. His name is lost, indeed, but the breath he breathed still stirs the pine-tops on the mountains, the sound of the words he spoke yet echoes on through space; the thoughts his brain gave birth to we have inherited to-day; his passions are our cause of life; the joys and sorrows that he knew are our familiar friends--the end from which he fled aghast will surely overtake us also! Truly the universe is full of ghosts, not sheeted churchyard spectres, but the inextinguishable elements of individual life, which having once been, can never die, though they blend and change, and change again for ever.
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H. Rider Haggard (King Solomon's Mines (Allan Quatermain, #1))
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Listen! What is life? It is a feather, it is the seed of the grass, blown hither and thither, sometimes multiplying itself and dying in the act, sometimes carried away into the heavens. But if that seed be good and heavy it may perchance travel a little way on the road it wills. It is well to try and journey one's road and to fight with the air. Man must die. At the worst he can but die a little sooner.
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H. Rider Haggard (King Solomon's Mines (Allan Quatermain, #1))
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You seeβ€”I hope you never get there yourselfβ€”but some of us get to the point in life where we realise that nothing matters. Nothing fucking matters.
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Julian Barnes (The Only Story)
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The world is a great mart, my Holly, where all things are for sale to whom who bids the highest in the currency of our desires.
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H. Rider Haggard (She (She, #1))
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To the young, indeed, death is sometimes welcome, for the young can feel. They love and suffer, and it wrings them to see their beloved pass into the land of shadows.
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H. Rider Haggard (King Solomon's Mines (Allan Quatermain, #1))
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And what, O Queen, are those things that are dear to a man? Are they not bubbles? Is not ambition but an endless ladder by which no height is ever climbed till the last unreachable rung is mounted? For height leads on to height, and there is not resting-place among them, and rung doth grow upon rung, and there is no limit to the number.
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H. Rider Haggard (She (She, #1))
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For deep love unsatisfied is the hell of noble hearts and a portion of the accursed, but love that is mirrored back more perfect from the soul of our desired doth fashion wings to lift us above ourselves, and makes us what we might be.
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H. Rider Haggard (She (She, #1))
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What is more irritating than to see one’s subject, on whom one has lavished so much time and trouble, slipping out of one’s grasp altogether and indulging β€” witness her sighs and gasps, her flushing, her palings, her eyes now bright as lamps, now haggard as dawns β€” what is more humiliating than to see all this dumb show of emotion and excitement gone through before our eyes when we know that what causes it β€” thought and imagination β€” are of no importance whatsoever?
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Virginia Woolf (Orlando)
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It is far. But there is no journey upon this earth that a man may not make if he sets his heart to it.
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H. Rider Haggard (King Solomon's Mines (Allan Quatermain, #1))
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Now comes the picture of mass defeat, the most awesome spectacle of the war. It is in the bent bodies of old women who poke among ruins seeking some miserable object that will link their lives with the old days. It is in the shamed darting eyes of the defeated. It is in the faces of the little boys who regard our triumphant columns with fear and fascination. And above all it is in the thousands of beaten, dusty soldiers who stream along the roads towards the stockades. Their feet clump wearily, mechanically, hopelessly on the still endless road of war. They move as haggard, gray masses, in which the individual had neither life nor meaning. It is impossible to see in these men the quality that made them stand up and fight like demons out of hell a few shorts months ago.
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Audie Murphy (To Hell and Back)
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The unknown is generally taken to be terrible, not as the proverb would infer, from the inherent superstition of man, but because it so often is terrible. He who would tamper with the vast and secret forces that animate the world may well fall a victim to them.
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H. Rider Haggard (She (She, #1))
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Shall a man grave his sorrows upon a stone when he hath but need to write them on the water? Nay, oh /She/, I will live my day, and grow old with my generation, and die my appointed death, and be forgotten.
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H. Rider Haggard (She (She, #1))
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Surely,' I said, 'you don't think that you are going to die because you dreamed you saw your old father; if one dies because one dreams of one's father, what happens to a man who dreams of his mother-in-law?
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H. Rider Haggard (She (She, #1))
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...for surely the food that memory gives to eat is bitter to the taste, and it is only with the teeth of hope that we can bear to chew it. (Ayesha)
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H. Rider Haggard (She (She, #1))
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Faith is the only way we're going to make it. None of us are smart enough to do it on our own.
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Merle Haggard
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We were like confirmed opium-eaters: in our moments of reason we well knew the deadly nature of our pursuit, but we certainly were not prepared to abandon its terrible delights.
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H. Rider Haggard (She)
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Listening to other opinions was invariably more profitable than antagonizing their owners by pointing out tiresome objections.
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William Haggard
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There are two things in the world, as I have found out, which cannot be prevented: you cannot keep a Zulu from fighting, or a sailor from falling in love upon the slightest provocation!
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H. Rider Haggard (King Solomon's Mines (Annotated))
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Have you forgotten yet?... For the world's events have rumbled on since those gagged days, Like traffic checked while at the crossing of city-ways: And the haunted gap in your mind has filled with thoughts that flow Like clouds in the lit heaven of life; and you're a man reprieved to go, Taking your peaceful share of Time, with joy to spare. But the past is just the same--and War's a bloody game... Have you forgotten yet?... Look down, and swear by the slain of the War that you'll never forget. Do you remember the dark months you held the sector at Mametz The nights you watched and wired and dug and piled sandbags on parapets? Do you remember the rats; and the stench Of corpses rotting in front of the front-line trench-- And dawn coming, dirty-white, and chill with a hopeless rain? Do you ever stop and ask, 'Is it all going to happen again?' Do you remember that hour of din before the attack-- And the anger, the blind compassion that seized and shook you then As you peered at the doomed and haggard faces of your men? Do you remember the stretcher-cases lurching back With dying eyes and lolling heads--those ashen-grey Masks of the lads who once were keen and kind and gay? Have you forgotten yet?... Look up, and swear by the green of the spring that you'll never forget.
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Siegfried Sassoon
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Out of the dark we came, into the dark we go. Like a storm-driven bird at night we fly out of the Nowhere; for a moment our wings are seen in the light of the fire, and, lo! we are gone again into the Nowhere. Life is nothing. Life is all. It is the Hand with which we hold off Death. It is the glow-worm that shines in the night-time and is black in the morning; it is the white breath of the oxen in winter; it is the little shadow that runs across the grass and loses itself at sunset.
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H. Rider Haggard (King Solomon's Mines (Allan Quatermain, #1))
β€œ
Then there came a vision to me, a vision that was sent in answer to my prayer, or, perchance, it was a madness born of my sorrows.
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H. Rider Haggard (Nada the Lily)
β€œ
Fate has always been the realm of the gods, though even the gods are subject to it. In ancient Greek mythology, the Three Sisters of Fate spin out a person's destiny within three nights of their birth. Imagine your newborn child in his nursery. It's dark and soft and warm, somewhere between two and four a.m., one of those hours that belong exclusively to the newly born or the dying. The first sister - Clotho - appears next to you. She's a maiden, young and smooth. In her hands she holds a spindle, and on it she spins the thrads of your child's life. Next to her is Lachesis, older and more matronly than her sister. In her hands, she holds the rod used to mesure the thread of life. The length and destiny of your child's life is in her hands. Finally we have Atropos - old, haggardly. Inevitable. In her hands she holds the terrible shears she'll use to cut the thread of your child's life. She determines the time and manner of his or her death. Imagine the awesome and awful sight of these three sisters pressed together, presiding over his crib, dermining his future. In modern times, the sisters have largely disappeared from the collective consiousness, but the idea of Fate hasn't. Why do we still believe? Does itmake tragedy more bearable to believe that we ourselves had no hand in it, that we couldn't have prevented it? It was always ever thus. Things happen for a reason, says Natasha's mother. What she means is Fate has a Reason and, though you may not know it, there's a certain comfort in knowing that there's a Plan.
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Nicola Yoon (The Sun Is Also a Star)
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Surely my lord will not hide his beautiful white legs!" exclaimed Infadoos regretfully. But Good persisted, and once only did the Kukuana people get the chance of seeing his beautiful legs again. Good is a very modest man. Henceforward they had to satisfy their aesthetic longings with his one whisker, his transparent eye, and his movable teeth.
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H. Rider Haggard (King Solomon's Mines)
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Though the face before me was that of a young woman of certainly not more than thirty years, in perfect health and the first flush of ripened beauty, yet it bore stamped upon it a seal of unutterable experience, and of deep acquaintance with grief and passion. Not even the slow smile that crept about the dimples of her mouth could hide the shadow of sin and sorrow. It shone even in the light of those glorious eyes, it was present in the air of majesty, and it seemed to say: 'Behold me, lovely as no woman was or is, undying and half-divine; memory haunts me from age to age, and passion leads me by the hand--evil have I done, and with sorrow have I made acquaintance from age to age, and from age to age evil shall I do, and sorrow shall I know till my redemption comes.
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H. Rider Haggard (She (She, #1))
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Think then what it is to live on here eternally and yet be human; to age in soul and see our beloved die and pass to lands whither we may not hope to follow; to wait while drop by drop the curse of the long centuries falls upon our imperishable being, like water slow dripping on a diamond that it cannot wear, till they be born anew forgetful of us, and again sink from our helpless arms into the void unknowable.
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H. Rider Haggard (Ayesha: The Return of She (She #2))
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We walked into my mother's house at 10:30 in the morning at the end of February 1992. I had been gone for three weeks. She had been so desperate about us - she, too, looked thin and haggard. She was stunned to see me walk in, filthy and crawling with lice, with a huge crowd of starving people. We ate and drank clean water; then, before we even washed, I put Marian in a taxi with me and told the driver to go to Nairobi Hospital. We had no money left and I knew Nairobi Hospital was expensive; it was where I had been operated on when the ma'alim broke my skull. But I also knew that there they would help us first and ask to pay later. Saving the baby's life had become the only thing that mattered to me. At the reception desk I announced, "This baby is going to die," and the nurse's eyes went wide with horror. She took him and put a drip in his arm, and very slowly, this tiny shape seemed to uncrumple slightly. After a little while, his eyes opened. The nurse said, "The child will live," and told us to deal with the bill at the cash desk. I asked her who her director was, and found him, and told this middle-aged Indian doctor the whole story. I said I couldn't pay the bill. He took it and tore it up. He said it didn't matter. Then he told me how to look after the baby, and where to get rehydration salts, and we took a taxi home. Ma paid for the taxi and looked at me, her eyes round with respect. "Well done," she said. It was a rare compliment. In the next few days the baby began filling out, growing from a crumpled horror-movie image into a real baby, watchful, alive.
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Ayaan Hirsi Ali (Infidel)
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I return one last time to the places of death all around us, the places of slaughter to which, in a huge communal effort, we close our hearts. Each day a fresh holocaust, yet, as far as I can see, our moral being is untouched. We do not feel tainted. We can do anything, it seems, and come away clean. We point to the Germans and Poles and Ukrainians who did and did not know of the atrocities around them. We like to think they were inwardly marked by the after-effects of that special form of ignorance. We like to think that in their nightmares the ones whose suffering they had refused to enter came back to haunt them. We like to think they woke up haggard in the mornings and died of gnawing cancers. But probably it was not so. The evidence points in the opposite direction: that we can do anything and get away with it; that there is no punishment.
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J.M. Coetzee (The Lives of Animals)
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…but to the unicorn’s eyes Molly was becoming a softer country, full of pools and caves, where old flowers came burning out of the ground. Under the dirt and indifference, she appeared only thirty-seven or thirty-eight years old - no older than Schmendrick, surely, despite the magician’s birthdayless face. Her rough hair bloomed, her skin quickened, and her voice was nearly as gentle to all things as it was when she spoke to the unicorn. The eyes would never be joyous, any more than they could ever turn green or blue, but they too had wakened in the earth. She walked eagerly into King Haggard’s realm on bare, blistered feet, and she sang often. And far away on the other side of the unicorn, Schmendrick the Magician stalked in silence. His black cloak was sprouting holes, coming undone, and so was he. The rain that renewed Molly did not fall on him, and he seemed ever more parched and deserted, like the land itself. The unicorn could not heal him. A touch of her horn could have brought him back from death, but over despair she had no power, nor over magic that had come and gone.
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Peter S. Beagle (The Last Unicorn (The Last Unicorn, #1))
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REFUGEES They have no need of our help So do not tell me These haggard faces could belong to you or me Should life have dealt a different hand We need to see them for who they really are Chancers and scroungers Layabouts and loungers With bombs up their sleeves Cut-throats and thieves They are not Welcome here We should make them Go back to where they came from They cannot Share our food Share our homes Share our countries Instead let us Build a wall to keep them out It is not okay to say These are people just like us A place should only belong to those who are born there Do not be so stupid to think that The world can be looked at another way (now read from bottom to top)
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Brian Bilston
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I began to think of myself as a perennial tourist. There was something agreeable about this. To be a tourist is to escape accountability. Errors and failings don't cling to you the way they do back home. You're able to drift across continents and languages, suspending the operation of sound thought. Tourism is the march of stupidity. You're expected to be stupid. The entire mechanism of the host country is geared to travelers acting stupidly. You walk around dazed, squinting into fold-out maps. You don't know how to talk to people, how to get anywhere, what the money means, what time it is, what to eat or how to eat it. Being stupid is the pattern, the level and the norm. You can exist on this level for weeks and months without reprimand or dire consequence. Together with thousands, you are granted immunities and broad freedoms. You are an army of fools, wearing bright polyesters, riding camels, taking pictures of each other, haggard, dysenteric, thirsty. There is nothing to think about but the next shapeless event.
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Don DeLillo (The Names)
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It is the glow-worm that shines in the night-time and is black in the morning; it is the white breath of the oxen in winter; it is the little shadow that runs across the grass and loses itself at sunset." "You are a strange man," said Sir Henry, when he had ceased. Umbopa laughed. "It seems to me that we are much alike, Incubu. Perhaps I seek a brother over the mountains.
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H. Rider Haggard (King Solomon's Mines (Allan Quatermain, #1))
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Yet man dies not whilst the world, at once his mother and his monument, remains. His name is lost, indeed, but the breath he breathed still stirs the pine-tops on the mountains, the sound of the words he spoke yet echoes on through space; the thoughts his brain gave birth to we have inherited to-day; his passions are our cause of life; the joys and sorrows that he knew are our familiar friendsβ€”the end from which he fled aghast will surely overtake us also!
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H. Rider Haggard (King Solomon's Mines (Allan Quatermain, #1))
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I beheld before me an animated Corse. Her countenance was long and haggard; Her cheeks and lips were bloodless; The paleness of death was spread over her features, and her eye-balls fixed stedfastly upon me were lustreless and hollow. I gazed upon the Spectre with horror too great to be described. My blood was frozen in my veins. I would have called for aid, but the sound expired, ere it could pass my lips. My nerves were bound up in impotence, and I remained in the same attitude inanimate as a Statue. The visionary Nun looked upon me for some minutes in silence: There was something petrifying in her regard. At length in a low sepulchral voice She pronounced the following words. "Raymond! Raymond! Thou art mine! Raymond! Raymond! I am thine! In thy veins while blood shall roll, I am thine! Thou art mine! Mine thy body! Mine thy soul!---
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Matthew Gregory Lewis (The Monk)
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Darkness makes the brain giddy. Man needs light. Whoever plunges into the opposite of day feels his heart chilled. When the eye sees blackness, the mind sees trouble. In an eclipse, in night, in the sooty darkness, there is an anxiety even to the strongest. Nobody walks alone at night in the forest without trembling. Darkness and trees, two formidable depths - a reality of chimeras appears in the indistinct distance. The Inconceivable outlines itself a few steps from you with a spectral clearness. You see floating in space or in your brain something strangely vague and unseizable as the dreams of sleeping flowers. There are fierce phantoms in the horizon. You breathe in the odours of the great black void. You are afraid, and tempted to look behind you. The hollowness of night, the haggardness of all things, the silent profiles that fade away as you advance, the obscure dishevelments, angry clumps, livid pools, the gloomy reflected in the funeral, the sepulchral immensity of silence, the possible unknown beings, the swaying of mysterious branches, the frightful twistings of the trees, long spires of shivering grass - against all this you have no defence. There is no bravery which does not shudder and feel the nearness of anguish. You feel something hideous as if the soul were amalgamating with the shadow. This penetration of the darkness is inexperessibly dismal for a child. Forests are apocalypses; and the beating of the wings of a little soul makes an agonising sound under their monstrous vault.
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Victor Hugo (Les MisΓ©rables)
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I think this is an alarming trend, Bethany, this whole 'passionate' thing. I'm guessing it started about four years ago, and it's driving me nuts. Let's be practical: Earth was not built for six billion people all running around and being passionate about things. The world was built for about twenty million people foraging for roots and grubs. [...] My hunch is that there was some self-help bestseller a few years back that told people to follow their passion. What a sucky expression. I can usually tell when people have recently read that book because they're a bit distracted, and maybe they've done their hair a new way, and they're always trying to discuss the Big Picture of life and failing miserably. And then, when you bump into them again six months later, they appear haggard and bitter, the joy drained from them–and this means that the universe is back to normal and that they've given up searching for a passion they're doomed to never find. Want a chocolate?
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Douglas Coupland (The Gum Thief)
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Howard had a pine display case, fastened by fake leather straps and stained to look like walnut. Inside, on fake velvet, were cheap gold-plated earrings and pendants of semiprecious stones. He opened this case for haggard country wives when their husbands were off chopping trees or reaping the back acres. He showed them the same half-dozen pieces every year the last time he came around, when he thought, This is the season - preserving done, woodpile high, north wind up and getting cold, night showing up earlier every day, dark and ice pressing down from the north, down on the raw wood of their cabins, on the rough-cut rafters that sag and sometimes snap from the weight of the dark and the ice, burying families in their sleep, the dark and the ice and sometimes the red in the sky through trees: the heartbreak of a cold sun. He thought, Buy the pendant, sneak it into your hand from the folds of your dress and let the low light of the fire lap at it late at night as you wait for the roof to give out or your will to snap and the ice to be too thick to chop through with the ax as you stand in your husband's boots on the frozen lake at midnight, the dry hack of the blade on ice so tiny under the wheeling and frozen stars, the soundproof lid of heaven, that your husband would never stir from his sleep in the cabin across the ice, would never hear and come running, half-frozen, in only his union suit, to save you from chopping a hole in the ice and sliding into it as if it were a blue vein, sliding down into the black, silty bottom of the lake, where you would see nothing, would perhaps feel only the stir of some somnolent fish in the murk as the plunge of you in your wool dress and the big boots disturbed it from its sluggish winter dreams of ancient seas. Maybe you would not even feel that, as you struggled in clothes that felt like cooling tar, and as you slowed, calmed, even, and opened your eyes and looked for a pulse of silver, an imbrication of scales, and as you closed your eyes again and felt their lids turn to slippery, ichthyic skin, the blood behind them suddenly cold, and as you found yourself not caring, wanting, finally, to rest, finally wanting nothing more than the sudden, new, simple hum threading between your eyes. The ice is far too thick to chop through. You will never do it. You could never do it. So buy the gold, warm it with your skin, slip it onto your lap when you are sitting by the fire and all you will otherwise have to look at is your splintery husband gumming chew or the craquelure of your own chapped hands.
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Paul Harding (Tinkers)
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Dim, gradual thinning of the shapeless gloom Shudders to drizzling daybreak that reveals Disconsolate men who stamp their sodden boots And turn dulled, sunken faces to the sky Haggard and hopeless. They, who have beaten down The stale despair of night, must now renew Their desolation in the truce of dawn, Murdering the livid hours that grope for peace. Yet these, who cling to life with stubborn hands, Can grin through storms of death and find a gap In the clawed, cruel tangles of his defence. They march from safety, and the bird-sung joy Of grass-green thickets, to the land where all Is ruin, and nothing blossoms but the sky That hastens over them where they endure Sad, smoking, flat horizons, reeking woods, And foundered trench-lines volleying doom for doom. O my brave brown companions, when your souls Flock silently away, and the eyeless dead, Shame the wild beast of battle on the ridge, Death will stand grieving in that field of war Since your unvanquished hardihood is spent. And through some mooned Valhalla there will pass Battalions and battalions, scarred from hell; The unreturning army that was youth; The legions who have suffered and are dust.
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Siegfried Sassoon (The War Poems)
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[T]he mind wearies easily when it strives to grapple with the Infinite, and to trace the footsteps of the Almighty as he strides from sphere to sphere, or deduce his purpose from his works. Such things are not for us to know. Knowledge is to the strong, and we are weak. Too much wisdom would perchance blind our imperfect sight, and too much strength would make us drunk, and overweight our feeble reason till it fell, and we were drowned in the depths of our own vanity. For what is the first result of man's increased knowledge interpreted from Nature's book by the persistent effort of his purblind observation? Is it not but too often to make him question the existence of his Maker, or indeed of any intelligent purpose beyond his own? The truth is veiled, because we could no more look upon her glory than we can upon the sun. It would destroy us. Full knowledge is not for man as man is here, for his capacities, which he is apt to think so great, are indeed but small. The vessel is soon filled, and, were one thousandth part of the unutterable and silent wisdom that directs the rolling of those shining spheres, and the force which makes them roll, pressed into it, it would be shattered into fragments.
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H. Rider Haggard (She (She, #1))
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Behold now, let the Dead and Living meet! Across the gulf of Time they still are one. Time hath no power against Identity, though sleep the merciful hath blotted out the tablets of our mind, and with oblivion sealed the sorrows that else would hound us from life to life, stuffing the brain with gathered griefs till it burst in the madness of uttermost despair. Still are they one, for the wrappings of our sleep shall roll away as thunder-clouds before the wind; the frozen voice of the past shall melt in music like mountain snows beneath the sun; and the weeping and the laughter of the lost hours shall be heard once more most sweetly echoing up the cliffs of immeasurable time. Ay, the sleep shall roll away, and the voices shall be heard, when down the completed chain, whereof our each existence is a link, the lightning of the Spirit hath passed to work out the purpose of our being; quickening and fusing those separated days of life, and shaping them to a staff whereon we may safely lean as we wend to our appointed fate. - Ayesha
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H. Rider Haggard (She (She, #1))
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It is a curious thing that at my age β€” fifty-five last birthday β€” I should find myself taking up a pen to try to write a history. I wonder what sort of a history it will be when I have finished it, if ever I come to the end of the trip! I have done a good many things in my life, which seems a long one to me, owing to my having begun work so young, perhaps. At an age when other boys are at school I was earning my living as a trader in the old Colony. I have been trading, hunting, fighting, or mining ever since. And yet it is only eight months ago that I made my pile. It is a big pile now that I have got it β€” I don't yet know how big β€” but I do not think I would go through the last fifteen or sixteen months again for it; no, not if I knew that I should come out safe at the end, pile and all. But then I am a timid man, and dislike violence; moreover, I am almost sick of adventure. I wonder why I am going to write this book: it is not in my line. I am not a literary man, though very devoted to the Old Testament and also to the "Ingoldsby Legends." Let me try to set down my reasons, just to see if I have any.
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H. Rider Haggard (King Solomon's Mines (Allan Quatermain, #1))
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For Woman, in her weakness, is yet the strongest force upon the earth. She is the helm of all things human; she comes in many shapes and knocks at many doors; she is quick and patient, and her passion is not ungovernable like that of man, but as a gentle steed that she can guide e'en where she will, and as occasion offers can now bit up and now give rein. She has a captain's eye, and stout must be that fortress of the heart in which she finds no place of vantage. Does thy blood beat fast in youth? She will outrun it, nor will her kisses tire. Art thou set toward ambition? She will unlock thy inner heart, and show thee roads that lead to glory. Art thou worn and weary? She has comfort in her breast. Art thou fallen? She can lift thee up, and to the illusion of thy sense gild defeat with triumph. Ay, Harmachis, she can do these things, for Nature ever fights upon her side; and while she does them she can deceive and shape a secret end in which thou hast no part. And thus Woman rules the world. For her are wars; for her men spend their strength in gathering gains; for her they do well and ill, and seek for greatness, to find oblivion. But still she sits like yonder Sphinx, and smiles; and no man has ever read all the riddle of her smile, or known all the mystery of her heart. Mock not! mock not! Harmachis; for he must be great indeed who can defy the power of Woman, which, pressing round him like the invisible air, is often strongest when the senses least discover it.
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H. Rider Haggard (Cleopatra)