Gypsy Sayings And Quotes

She was born to be free, let her run wild in her own way and you will never lose her.

Will: I say we sell her to the Gypsies on Hampstead Heath. I hear they puchase spare women as well as hoses. Charlotte: Will, stop it. That's ridivulous. Will:You're right. They'd never buy her. Too scrawny.

What is this gypsy passion for separation, this readiness to rush off when we've just met? My head rests in my hands as I realize, looking into the night that no one turning over our letters has yet understood how completely and how deeply faithless we are, which is to say: how true we are to ourselves.

It’s true what they say—keep your friends close and your enemies closer. Only, they forgot to add: Don’t keep your enemies so close that they can strike without warning.

Yes, Marcos is gay. Marcos is gay in San Francisco, black in South Africa, an Asian in Europe, a Chicano in San Ysidro, an anarchist in Spain, a Palestinian in Israel, a Mayan Indian in the streets of San Cristobal, a Jew in Germany, a Gypsy in Poland, a Mohawk in Quebec, a pacifist in Bosnia, a single woman on the Metro at 10pm, a peasant without land, a gang member in the slums, an unemployed worker, an unhappy student and, of course, a Zapatista in the mountains. Marcos is all the exploited, marginalised, oppressed minorities resisting and saying `Enough'. He is every minority who is now beginning to speak and every majority that must shut up and listen. He is every untolerated group searching for a way to speak. Everything that makes power and the good consciences of those in power uncomfortable -- this is Marcos.

We were just talking about you," Jessamine said as Tessa found a seat. She pushed a sliver toast rack across the table towards Tessa. "Toast?" Tessa, picking up her fork, looked around the table anxiously. "What about me?" "What to do with you, of course Downworlders can't live in the Institute forever," said Will. "I say we sell her to the Gypsies on Hampstead Heath," He added, turning to Charlotte. "I hear they purchase spare women as well as horses." "Will, stop it." Charlotte glanced up from her breakfast. "That's ridiculous." Will leaned back in his chair. "You're right. They'd never buy her. Too scrawny.

I love the Autumn, And yet I cannot say All the thoughts and things That make me feel this way. I love walking on the angry shore, To watch the angry sea; Where summer people were before, But now there's only me. I love wood fires at night That have a ruddy glow. I stare at the flames And think of long ago. I love the feeling down inside me That says to run away To come and be a gypsy And laugh the gypsy way. The tangy taste of apples, The snowy mist at morn, The wanderlust inside you When you hear the huntsman's horn. Nostalgia - that's the Autumn, Dreaming through September Just a million lovely things I always will remember.

And still on a winter's night, they say, when the wind is in the trees, When the moon is a ghostly galleon tossed upon cloudy seas, When the road is a gypsy's ribbon looping the purple moor, The highwayman comes riding-- Riding--riding-- The highwayman comes riding, up to the old inn-door. Over the cobbles he clatters and clangs in the dark inn-yard, He taps with his whip on the shutters, but all is locked and barred, He whistles a tune to the window, and who should be waiting there But the landlord's black-eyed daughter-- Bess, the landlord's daughter-- Plaiting a dark red love-knot into her long black hair.

I knew I was a little different from most demons but nothing says freak of nature like a one-eyed gypsy saying I had a rainbow glow. It just didn't sound complimentary.

The most important thing we've learned, So far as children are concerned, Is never, NEVER, NEVER let Them near your television set -- Or better still, just don't install The idiotic thing at all. In almost every house we've been, We've watched them gaping at the screen. They loll and slop and lounge about, And stare until their eyes pop out. (Last week in someone's place we saw A dozen eyeballs on the floor.) They sit and stare and stare and sit Until they're hypnotised by it, Until they're absolutely drunk With all that shocking ghastly junk. Oh yes, we know it keeps them still, They don't climb out the window sill, They never fight or kick or punch, They leave you free to cook the lunch And wash the dishes in the sink -- But did you ever stop to think, To wonder just exactly what This does to your beloved tot? IT ROTS THE SENSE IN THE HEAD! IT KILLS IMAGINATION DEAD! IT CLOGS AND CLUTTERS UP THE MIND! IT MAKES A CHILD SO DULL AND BLIND HE CAN NO LONGER UNDERSTAND A FANTASY, A FAIRYLAND! HIS BRAIN BECOMES AS SOFT AS CHEESE! HIS POWERS OF THINKING RUST AND FREEZE! HE CANNOT THINK -- HE ONLY SEES! 'All right!' you'll cry. 'All right!' you'll say, 'But if we take the set away, What shall we do to entertain Our darling children? Please explain!' We'll answer this by asking you, 'What used the darling ones to do? 'How used they keep themselves contented Before this monster was invented?' Have you forgotten? Don't you know? We'll say it very loud and slow: THEY ... USED ... TO ... READ! They'd READ and READ, AND READ and READ, and then proceed To READ some more. Great Scott! Gadzooks! One half their lives was reading books! The nursery shelves held books galore! Books cluttered up the nursery floor! And in the bedroom, by the bed, More books were waiting to be read! Such wondrous, fine, fantastic tales Of dragons, gypsies, queens, and whales And treasure isles, and distant shores Where smugglers rowed with muffled oars, And pirates wearing purple pants, And sailing ships and elephants, And cannibals crouching 'round the pot, Stirring away at something hot. (It smells so good, what can it be? Good gracious, it's Penelope.) The younger ones had Beatrix Potter With Mr. Tod, the dirty rotter, And Squirrel Nutkin, Pigling Bland, And Mrs. Tiggy-Winkle and- Just How The Camel Got His Hump, And How the Monkey Lost His Rump, And Mr. Toad, and bless my soul, There's Mr. Rat and Mr. Mole- Oh, books, what books they used to know, Those children living long ago! So please, oh please, we beg, we pray, Go throw your TV set away, And in its place you can install A lovely bookshelf on the wall. Then fill the shelves with lots of books, Ignoring all the dirty looks, The screams and yells, the bites and kicks, And children hitting you with sticks- Fear not, because we promise you That, in about a week or two Of having nothing else to do, They'll now begin to feel the need Of having something to read. And once they start -- oh boy, oh boy! You watch the slowly growing joy That fills their hearts. They'll grow so keen They'll wonder what they'd ever seen In that ridiculous machine, That nauseating, foul, unclean, Repulsive television screen! And later, each and every kid Will love you more for what you did.

DADDY You do not do, you do not do Any more, black shoe In which I have lived like a foot For thirty years, poor and white, Barely daring to breathe or Achoo. Daddy, I have had to kill you. You died before I had time― Marble-heavy, a bag full of God, Ghastly statue with one grey toe Big as a Frisco seal And a head in the freakish Atlantic When it pours bean green over blue In the waters of beautiful Nauset. I used to pray to recover you. Ach, du. In the German tongue, in the Polish town Scraped flat by the roller Of wars, wars, wars. But the name of the town is common. My Polack friend Says there are a dozen or two. So I never could tell where you Put your foot, your root, I never could talk to you. The tongue stuck in my jaw. It stuck in a barb wire snare. Ich, ich, ich, ich, I could hardly speak. I thought every German was you. And the language obscene An engine, an engine Chuffing me off like a Jew. A Jew to Dachau, Auschwitz, Belsen. I began to talk like a Jew. I think I may well be a Jew. The snows of the Tyrol, the clear beer of Vienna Are not very pure or true. With my gypsy ancestress and my weird luck And my Taroc pack and my Taroc pack I may be a bit of a Jew. I have always been scared of you, With your Luftwaffe, your gobbledygoo. And your neat mustache And your Aryan eye, bright blue. Panzer-man, panzer-man, O You― Not God but a swastika So black no sky could squeak through. Every woman adores a Fascist, The boot in the face, the brute Brute heart of a brute like you. You stand at the blackboard, daddy, In the picture I have of you, A cleft in your chin instead of your foot But no less a devil for that, no not And less the black man who Bit my pretty red heart in two. I was ten when they buried you. At twenty I tried to die And get back, back, back to you. I thought even the bones would do. But they pulled me out of the sack, And they stuck me together with glue. And then I knew what to do. I made a model of you, A man in black with a Meinkampf look And a love of the rack and the screw. And I said I do, I do. So daddy, I’m finally through. The black telephone’s off at the root, The voices just can’t worm through. If I’ve killed one man, I’ve killed two― The vampire who said he was you And drank my blood for a year, Seven years, if you want to know. Daddy, you can lie back now. There’s a stake in your fat black heart And the villagers never like you. They are dancing and stamping on you. They always knew it was you. Daddy, daddy, you bastard, I’m through.

I…have no idea what to say. Kidnapping a girl and showering her with dead bodies as roses is not something I can adjust to at all. Nope.

I’m trying to be your dirty, kinky rebound from the boring, drab Van Helsing. I’m not trying to be your gay best friend. My answer is that he’s not worth it, but I am,” he says with a completely serious expression.

He says he thanks every star the we existed on the same clestial plain. But here we are on earth, dirty, well used, a man made throughaway for intersecting dreams.

You're sexy and suave and you say the right things, but unless you can reach into my soul and tantalize my mind our connection will be null and void.

I am who I say I am, I'm not some fantasy of how you think you think you know or who I ought to be. I am a girl who is growing up in my own sweet time, I am a girl who knows enough to know this life is mine. I am this and I am that and I am everything in-between. I'm a dreamer, I'm a dancer, I'm a part-time drama queen. I'm a worrier, I'm a warrior, I'm a loner and a friend, I'm an outspoken defender of justice to the end. I'm the girl in the mirror who likes the girl she sees, I'm the girl in the gypsy shawl with music in her knees. I'm a singer and a scholar, I'm a girl who has been kissed. I'm a solver of equations wearing bangles on my wrist. I am bigger than i ever knew, I am stronger than before, I am every girl I have ever been, and all that are in store. I am who I say I am. I'm not some fantasy. I am the me I am inside. I am who I chose to be.

There is evidence that the honoree [Leonard Cohen] might be privy to the secret of the universe, which, in case you're wondering, is simply this: everything is connected. Everything. Many, if not most, of the links are difficult to determine. The instrument, the apparatus, the focused ray that can uncover and illuminate those connections is language. And just as a sudden infatuation often will light up a person's biochemical atmosphere more pyrotechnically than any deep, abiding attachment, so an unlikely, unexpected burst of linguistic imagination will usually reveal greater truths than the most exacting scholarship. In fact. The poetic image may be the only device remotely capable of dissecting romantic passion, let alone disclosing the inherent mystical qualities of the material world. Cohen is a master of the quasi-surrealistic phrase, of the "illogical" line that speaks so directly to the unconscious that surface ambiguity is transformed into ultimate, if fleeting, comprehension: comprehension of the bewitching nuances of sex and bewildering assaults of culture. Undoubtedly, it is to his lyrical mastery that his prestigious colleagues now pay tribute. Yet, there may be something else. As various, as distinct, as rewarding as each of their expressions are, there can still be heard in their individual interpretations the distant echo of Cohen's own voice, for it is his singing voice as well as his writing pen that has spawned these songs. It is a voice raked by the claws of Cupid, a voice rubbed raw by the philosopher's stone. A voice marinated in kirschwasser, sulfur, deer musk and snow; bandaged with sackcloth from a ruined monastery; warmed by the embers left down near the river after the gypsies have gone. It is a penitent's voice, a rabbinical voice, a crust of unleavened vocal toasts -- spread with smoke and subversive wit. He has a voice like a carpet in an old hotel, like a bad itch on the hunchback of love. It is a voice meant for pronouncing the names of women -- and cataloging their sometimes hazardous charms. Nobody can say the word "naked" as nakedly as Cohen. He makes us see the markings where the pantyhose have been. Finally, the actual persona of their creator may be said to haunt these songs, although details of his private lifestyle can be only surmised. A decade ago, a teacher who called himself Shree Bhagwan Rajneesh came up with the name "Zorba the Buddha" to describe the ideal modern man: A contemplative man who maintains a strict devotional bond with cosmic energies, yet is completely at home in the physical realm. Such a man knows the value of the dharma and the value of the deutschmark, knows how much to tip a waiter in a Paris nightclub and how many times to bow in a Kyoto shrine, a man who can do business when business is necessary, allow his mind to enter a pine cone, or dance in wild abandon if moved by the tune. Refusing to shun beauty, this Zorba the Buddha finds in ripe pleasures not a contradiction but an affirmation of the spiritual self. Doesn't he sound a lot like Leonard Cohen? We have been led to picture Cohen spending his mornings meditating in Armani suits, his afternoons wrestling the muse, his evenings sitting in cafes were he eats, drinks and speaks soulfully but flirtatiously with the pretty larks of the street. Quite possibly this is a distorted portrait. The apocryphal, however, has a special kind of truth. It doesn't really matter. What matters here is that after thirty years, L. Cohen is holding court in the lobby of the whirlwind, and that giants have gathered to pay him homage. To him -- and to us -- they bring the offerings they have hammered from his iron, his lead, his nitrogen, his gold.

Violet, this closet with all the creepy dolls, can I—” “Don’t touch my creepy doll collection, Leiza,” Violet says sharply. “Quit trying to get rid of all my favorite things.

Say you’ll leave a window open, and I promise to only watch the non-creepy things.” “It’s all creepy,

dead men tell no tales’ thing is a total load of crap, by the way. Ghosts never shut the hell up, and it’s hard to believe half the shit they say.

Ohhhhh, he’s a yes-please with a side of fuck-me-now and a tall drink of orgasms-galore,” Anna says in an awed whisper.

We are destined to be together forever. We have a card that says so. Gypsy Mummy is never wrong.

A man once said of women, "Women are like roads, the more curves, the more fun, exciting and dangerous they are." While the evolved man smiles with class and confidence and says, women with more curves, twists and turns in her mind are the most beautiful, exciting, dangerous creatures alive. And the evolved woman, well, she will accept no less than the evolved man; a man with honor, dignity and depth.

Home is where the heart is. That's what they always say. But where does home begin,If you have lost your way. Do you turn to family or neighbors you don't know? You heart may wonder far and wide until you learn to grow. You go outside and look around to see what you can see From little birds too big tall trees you realize beauty is free.

His father is out cutting wood, so he goes to his mother. 'Mother, I must away and see the world, or I shall go mad.' Says his mother, 'If you must go, go you must, and God go with you! I will bake you a cake. Will you have a little cake with my blessing, or a big cake with my cursing?' Says Jack, 'Make me a big cake, mother. It will last longer.' His mother makes him a big cake, and he sets out. And she is standing on the roof of the house, calling curses after him as far as she can see him.

My only one! In your last letter "My head aches my heart is stunned!" you say. "If they hang you, if I lose you;" you say; "I can't live!" You'll live my dearest wife, like a black smoke in the wind my memory will vanish; you'll live, the red-haired sister of my heart at most one year it lasts in the twentieth century the grief of death.. Death a dead body swinging on a rope. My heart doesn't accept such a death.. But be sure that, my love, if some pitiable gypsy's hairy black spider like hand slips the rope around my neck, to see the fear in my blue eyes they'll look in vain at Nâzım! And I, in the twilight of my last morning, shall see my friends and you, and carry only the grief of an unfinished song to the soil... My wife! Good hearted, golden coloured, with eyes sweeter than honey, my bee; why did I write you that they want to hang me, the trial is in the first step and they don't pluck like a turnip the head of a man. Come, forget them all. These are so far away probabilities. If you have some money buy me a flannel underwear, my sciatica is acting up. And don't forget that always there should be good thoughts in the mind of a prisoner's wife.

They say a basis in fact underlies most legends. They say it all the time, all those Wise Elders in all those old horror films, the high priests, the scientists, the gypsy fortune tellers. On this single issue they agree unanimously.

I'm addicted to the "reaction" What can I do or say to cause a positive or even a negative reaction? It's all about "that moment" Responses are surprising and phenominal. Even getting "no reaction" is a reaction in and of itself. I love to see people "alive!

Vance and I both lean our heads to the left when she pulls off a back-bend blowjob that has all of our attention. “Damn,” I say on a surprised, slightly inferior breath.

I don’t exactly feel safe,” the monster girl says to the monster hunter, who has no idea she’s a monster.

Upon seeing Evie, her friends rushed toward her with unladylike squeals, and Evie let out her own laughing shriek as they collided in a circle of tightly hugging arms and exuberant kisses. In their shared excitement, the three young women continued to exclaim and scream, until someone burst into the room. It was Cam, his eyes wide, his breathing fast, as if he had come at a dead run. His alert gaze flashed across the room, taking in the situation. Slowly his lean frame relaxed. "Damn," he muttered. "I thought something was wrong." "Everything is fine, Cam," Evie said with a smile, while Annabelle kept an arm around her shoulders. "My friends are here, that's all." Glancing at Sebastian, Cam remarked sourly, "I've heard less noise form the hogs at slaughter time." There was a sudden suspicious tension around Sebastian's jaw, as if he were fighting to suppress a grin. "Mrs. Hunt, Miss Bowman, this is Mr. Rohan. You must pardon his lack of tact, as he is..." "A ruffian?" Daisy suggested innocently. This time Sebastian could not prevent a smile. "I was going to say 'unused to the presence of ladies at the club.'" "Is that what the are?" Cam asked, casting a dubious glance at the visitors, his attention lingering for a moment on Daisy's small face. Pointedly ignoring Cam, Daisy spoke to Annabelle. "I've always heard that Gypsies are known for their charm. An unfounded myth, it seems." Cam's golden eyes narrowed into tigerish slits.

I am care free by nature but that doesn't mean that I am careless or that I care less. I simply pass on passive-aggressive. Why dodge bullets? This world is not a place for cowards. If we are going to shoot then let's freaking shoot straight. Energy is easily recognized and understood. I don't make time anymore for people that I have to interpret beyond what they say and what they are really saying. It's not my Aspie nature. It is my angel nature. I know every thing isn't always black or white, but I am so over engaging with people who are 50 shades of grey. Be real with me or be gone....because if we aren't Really present with others then we are disconnected anyway.

Jasenovac concentration camp, which had been the largest “place of extermination” in fascist Croatia during the Second World War. “No one know exact number, but some say a million murdered there. They killing Jews and Gypsies, but most was Serbs.

I don't renounce my interest in gypsy songs. I don't see anything shameful in it, as opposed to, say, Prokofiev, who pretended to be enraged when he heard such music. He probably had a better musical education than I did. But at least I'm not a snob.

There's a race of men that don't fit in, A race that can't stay still; So they break the hearts of kith and kin, And they roam the world at will. They range the field and they rove the flood, And they climb the mountain's crest; Theirs is the curse of the gypsy blood, And they don't know how to rest. If they just went straight they might go far; They are strong and brave and true; But they're always tired of the things that are, And they want the strange and new. They say: "Could I find my proper groove, What a deep mark I would make!" So they chop and change, and each fresh move Is only a fresh mistake. And each forgets, as he strips and runs With a brilliant, fitful pace, It's the steady, quiet, plodding ones Who win in the lifelong race. And each forgets that his youth has fled, Forgets that his prime is past, Till he stands one day, with a hope that's dead, In the glare of the truth at last. He has failed, he has failed; he has missed his chance; He has just done things by half. Life's been a jolly good joke on him, And now is the time to laugh. Ha, ha! He is one of the Legion Lost; He was never meant to win; He's a rolling stone, and it's bred in the bone; He's a man who won't fit in.

I’d like to buy every rose in your store,” I tell the woman who remains silent, as though she’s stunned. “And if you have any apologetic balloons, I’ll buy those too,” I tell her as I scrub a hand over my face. “Better make it every single flower in your store. I have a lot more to apologize for than I can say with just roses. I don’t want her as frigid with me as she is with Vance. Personally, I still think he’s the bigger ass out of the two of us, but I still should apologize properly.” “I’m sorry?” she says. “Yes. That’s what I want every single card to say,” I tell her. “This is all very confusing,” she says quietly, more to herself than me. Staring at the partially eaten green apple in my hand, I tell her, “You have no idea.” - Damien

When you shattered her, oh how you allowed all kinds of free-flowing magical rainbow light to enter. You allowed a cleansing. A purification. Who would’ve known breaking could be so damn beautiful! I say, break baby. Let the shattered pieces split you wide open and let light enter through all cracks and crevices.

Other than that , he knew scarcely anyone well, nor they him. Gypsies make difficult friends for ordinary people, and he was something of a gypsy. Like two solitary birds flying the great prairies by celestial reckoning, all of these years and lifetimes we have been moving toward one another. Analysis destroys wholes. Some things, magic things, are meant to stay whole. If you look at their pieces, they go away. And he whispered to her, I have one thing to say, one thing only, I´ll never say it another time, to anyone, and I ask you to remember it: In a universe of ambiguity, this kind of certainty comes only once, and never again, no matter how many lifetimes you live. Since he had driven away from her .., she realized, in spite of how much she thought she´d care for him then, she had nonetheless badly underestimated her feelings. That didn´t seem possible, but it was true. She had begun to understand what he already understood.

It has been said that with great power comes great responsibility and that is true. However, what should have been added to that saying was that with great responsibility must come even greater self-control. For those with great power often seem to lack the power of self-control. Not that I have any such difficulty.

She’s far from ordinary; she’s a rare breed, a black rose, a deep soul, a gypsy heart, a bright star. Or you could simply say, she’s magic.

If you think the same as everybody else around you it is fair to say that you are not so much a representative of your culture, but a victim of it. Buddhist Proverb

They say mountains don't really move when you fall in love. I don't believe them, because I swear I saw mountains move the moment I fell in love with you. And I swear I feel the ground shake every single time we touch. And when we kiss, hot liquid stars tumble from the sky, searing my skin. Don't tell me there is no such thing as magic. Our love has proven them wrong.

You and I have a very different opinion of realism, sister,” the psychotic ghost says. “I know. You think you had sex with a Kennedy,” I state dryly. “I did,” she’s quick to defend. “I really did.

Says the Van Helsing to the stupid Frankenstein’s monster, as she stares down the creepy stairs to the basement that looks to dead-end at a stone wall with fucking chains on it,” I deadpan. “I’ll pass.

POEM FOR SOUKAÏNA” **** To tell of my new Moroccan Love, Ô, I court her everyday. But just as a pearl in the mud is a pearl, So is my Love just an Arab girl… in that I offer her constant, loving woos, but she’ll ask me in return that I give her flooze*. That’s when I kiss her and shrug, and I say, “Someday.” And she gives me her love free anyway. * * * Ô, my Love is a child of the souks. In Casablanca born. A gypsy thief, “Soukaïna” named. We met in the souks of Marrakech, It was here my heart she tamed. Ô, she came at nineteen to Marrakech, In search of wild fun. And she lived in Marrakech seven years, Before my heart she won.

On the raptors kept for falconry: "They talk every night, deep into the darkness. They say about how they were taken, about what they can remember about their homes, about their lineage and the great deeds of their ancestors, about their training and what they've learned and will learn. It is military conversation, really, like what you might have in the mess of a crack cavalry regiment: tactics, small arms, maintenance, betting, famous hunts, wine, women, and song. Another subject they have is food. It is a depressing thought," he continued, "but of course they are mainly trained by hunger. They are a hungry lot, poor chaps, thinking of the best restaurants where they used to go, and how they had champagne and caviar and gypsy music. Of course, they all come from noble blood." "What a shame that they should be kept prisoners and hungry." "Well, they do not really understand that they are prisoners any more than the cavalry officers do. They look on themselves as being 'dedicated to their profession,' like an order of knighthood or something of that sort. You see, the member of the Muse [where Raptors are kept for falconry] is restricted to the Raptors, and that does help a lot. They know that none of the lower classes can get in. Their screened perches do not carry Blackbirds or such trash as that. And then, as for the hungry part, they're far from starving or that kind of hunger: they're in training, you know! And like everybody in strict training, they think about food.

I don't see anything shameful in [gypsy songs] as opposed to, say, Prokofiev, who pretended to be enraged when he heard such music. He probably had a better musical education than I di. But at least I'm not a snob.

Kathel grabbed Mahgen so fast it shocked her, causing her to let out a sharp gasp. With his hands on her shoulders, he shook her lightly as he spoke. "I love you, Mahgen. Do you understand what I'm saying? Because I want there to be no mistaking what I mean, or what I've said. I. Love. You. So love me, the gypsy, or despise me, it makes no difference! You are mine now, and I am never giving you up. -Madison Thorne Grey, Sustenance

Our voices need to be heard. We must be brave and speak our truth. Not just a few of us, but all! Women must join together and stop allowing pettiness to divide us. We must support one another in expressing ourselves, otherwise, it's too easy for us to be silenced. We all have something to say: wisdom needs to be honored; the world needs to hear our truth in order to heal. We must speak out because countless women all over the world are being denied a voice.

Put your ears to the ground, to the sky, to the sun and the moon... tune in to Mother Earth's sweet song. She has messages to say, knowledge to relay, inspiration to convey... there is much for you to learn. Your journey has just begun.

Vance and I both lean our heads to the left when she pulls off a back-bend blowjob that has all of our attention. “Damn,” I say on a surprised, slightly inferior breath. I can’t even do a simple backbend. Let alone attempt the multitasking. My teeth always chomp when I slip…

Paul Harvey, a University of New Hampshire professor and GYPSY expert, has researched this, finding that Gen Y has "unrealistic expectations and a strong resistance toward accepting negative feedback," and "an inflated view of oneself." He says that "a great source of frustration for people with a strong sense of entitlement is unmet expectations. They often feel entitled to a level of respect and rewards that aren't in line with their actual ability and effort levels, and so they might not get the level of respect and rewards they are expecting.

And all the while the four men lay beside me and watched and made no move. Nor did I move, and without shame I say it; though my reason was compelled to struggle hard against my natural impulse to rise up and interfere. I knew life. Of what use to the woman, or to me, would be my being beaten to death by five men there on the bank of the Susquehanna? I once saw a man hanged, and though my whole soul cried protest, my mouth cried not. Had it cried, I should most likely have had my skull crushed by the butt of a revolver, for it was the law that the man should hang. And here, in this gypsy group, it was the law that the woman should be whipped. Even so, the reason in both cases that I did not interfere was not that it was the law, but that the law was stronger than I. Had it not been for those four men beside me in the grass, right gladly would I have waded into the man with the whip. And, barring the accident of the landing on me with a knife or a club in the hands of some of the various women of the camp, I am confident that I should have beaten him into a mess. But the four men were beside me in the grass. They made their law stronger than I.

You chopped off your own foot when I tried to teach you to use a sword, Violet. You lost an arm learning to swing an axe, for Pete’s sake. Don’t even get me started on archery; I’ve never seen a person shoot their own kneecap. It’s not something that should be possible,” Marta says as she glares back over at Zuela.

Cheese and rice on garlic toast,” Violet says while palming her face, though I have no idea why she’s randomly discussing an odd food combination. “Mac and cheese on mayo and bread,” Anna jumps back in. “Nope. That tactic doesn’t work. Now I think it was the Cookie Monster in the library with the candlestick who done it,” she adds.

The Gypsy’S Song* Come, cross my hand! My art surpasses All that did ever Mortal know; Come, Maidens, come! My magic glasses* Your future Husband’s form can show: For ’tis to me the power is given Unclosed the book of Fate to see; To read the fixed resolves of heaven, And dive into futurity. I guide the pale Moon’s silver waggon; The winds in magic bonds I hold; I charm to sleep the crimson Dragon, Who loves to watch o’er buried gold: Fenced round with spells, unhurt I venture Their sabbath strange where Witches keep; Fearless the Sorcerer’s circle enter, And woundless tread on snakes asleep. Lo! Here are charms of mighty power! This makes secure an Husband’s truth; And this composed at midnight hour Will force to love the coldest Youth: If any Maid too much has granted, Her loss this Philtre* will repair; This blooms a cheek where red is wanted, And this will make a brown girl fair! Then silent hear, while I discover What I in Fortune’s mirror view; And each, when many a year is over, Shall own the Gypsy’s sayings true.

He shakes his head minutely. “What are you doing to me?” he breathes, his eyes never leaving mine. I’m loving you, I think. But I can’t say that, so I show him instead. I close the small distance between us, pressing my lips to his. He groans softly, a sort of primal noise that begins in the back of his throat and makes my tongue quiver as it finds his. His other hand goes to my waist, to the place where I am scarred underneath all that pretty coloured ink, and I shudder involuntarily. He moves the hand on my face to the back of my neck, pulling me closer, kissing me deeper. I feel like I am falling forever, but it is a good fall. It feels amazing. It feels like I was born to love this man.

When I got older I found out “gyp” is a derogatory term for “Gypsy” so I nipped that in the bud. But the best replacement the dictionary offered was “flimflam” and it just sounds ridiculous to say, “Your dessert is bigger. I feel flimflammed.” No one is taking that complaint seriously. Instead I just end up feeling bitter about pie and saying nothing.

I have reached the conclusion that the only way to be content is to have absolute integrity. To fulfil all you believe to be true no matter what the cost.’ He sips some ouzo and sucks his teeth. ‘Then when people give you looks, say false or unkind things, you know that the fault lies with them. You have been all you can be and no one can ask for more.

Without saying anything, Dara gathered her pillow and one of the soft comforters from her bed and carried it into Carolina's room. Mackenzie and Jennifer followed her. They would sleep in her room that night, keeping the ice packs around her, adjusting the fan. One by one they fixed their make-shift beds on the floor, close to each other, and close to Carolina.

How old is she now?” “Oh, she’s twenty now.” She hesitated. She was obligated to end our little chat with a stylized flourish. The way it’s done in serial television. So she wet her little bunny mouth, sleepied her eyes, widened her nostrils, patted her hair, arched her back, stood canted and hip-shot, huskied her voice and said, “See you aroun’, huh?” “Sure, Marianne. Sure.” Bless them all, the forlorn little rabbits. They are the displaced persons of our emotional culture. They are ravenous for romance, yet settle for what they call making out. Their futile, acne-pitted men drift out of high school into a world so surfeited with unskilled labor there is competition for bag-boy jobs in the supermarkets. They yearn for security, but all they can have is what they make for themselves, chittering little flocks of them in the restaurants and stores, talking of style and adornment, dreaming of the terribly sincere stranger who will come along and lift them out of the gypsy life of the two-bit tip and the unemployment, cut a tall cake with them, swell them up with sassy babies, and guide them masterfully into the shoal water of the electrified house where everybody brushes after every meal. But most of the wistful rabbits marry their unskilled men, and keep right on working. And discover the end of the dream. They have been taught that if you are sunny, cheery, sincere, group-adjusted, popular, the world is yours, including barbecue pits, charge plates, diaper service, percale sheets, friends for dinner, washer-dryer combinations, color slides of the kiddies on the home projector, and eternal whimsical romance—with crinkly smiles and Rock Hudson dialogue. So they all come smiling and confident and unskilled into a technician’s world, and in a few years they learn that it is all going to be grinding and brutal and hateful and precarious. These are the slums of the heart. Bless the bunnies. These are the new people, and we are making no place for them. We hold the dream in front of them like a carrot, and finally say sorry you can’t have any. And the schools where we teach them non-survival are gloriously architectured. They will never live in places so fine, unless they contract something incurable.

From the railway station far away the sharp clang of a bell...In half an hour the train starts, and there is so much still to say that has been left unsaid...The mothers, fearful and fussy, look for their sons in among the crowd like hens in search of their chicks; their wizened faces are hard and wrinkled like winter apples, they carry huge baskets on their arms, over-filled with the last delicacies which their fond, toil-worn hands will prepare for the beloved son for the next three years:--a piece of smoked bacon, a loaf of rye bread, a cake of maize-flour. The gypsies have struck up a melancholy Magyar folksong: the crowd breaks up in isolated groups, mothers and father with their sons whisper in the dark corners of the bran. The father who did his service thirty years ago gives sundry good advice—no rebellion, quiet obedience, no use complaining or grumbling, the three years are quickly over. The mother begs her darling not to give way to drink, and not to get entangled with one of the hussies in the towns; women and wine, the two besetting temptations that assail the Magyar peasant—let the darling boy resist both for his sorrowing mother’s sake.

The Men That Don't Fit In There's a race of men that don't fit in, A race that can't stay still; So they break the hearts of kith and kin, And they roam the world at will. They range the field and they rove the flood, And they climb the mountain's crest; Theirs is the curse of the gypsy blood, And they don't know how to rest. If they just went straight they might go far; They are strong and brave and true; But they're always tired of the things that are, And they want the strange and new. They say: "Could I find my proper groove, What a deep mark I would make!" So they chop and change, and each fresh move Is only a fresh mistake. And each forgets, as he strips and runs With a brilliant, fitful pace, It's the steady, quiet, plodding ones Who win in the lifelong race. And each forgets that his youth has fled, Forgets that his prime is past, Till he stands one day, with a hope that's dead, In the glare of the truth at last. He has failed, he has failed; he has missed his chance; He has just done things by half. Life's been a jolly good joke on him, And now is the time to laugh. Ha, ha! He is one of the Legion Lost; He was never meant to win; He's a rolling stone, and it's bred in the bone; He's a man who won't fit in.

A groan is ripped out of me, even as I struggle to breathe, while the vicious gypsy who just kneed me in the balls and felled me like a tree is kneeling down and kissing me on the cheek. “Don’t come in without knocking. Stop being invisible so you can attempt to spy on me. And stop playing games with my head. I have enough shit to deal with,” she says softly, kissing my cheek again before standing and walking out.

Come home with me tonight,Gypsy," he said huskily. "You won't regret it." "You have a Gajo priest in residence,then,to give his blessing?" His hand dropped from her. Frustration filled his eyes. "You are saying you would me?" "I am saying I want you,too,Lord Englishman, but without the prist's words, I can't have you.It does not get more simple than that." "Simple?" he all but snorted. "You must know that is impossible,that people from my social stature only marry within their class." "Yes,I know very well how nobles are goverened by the opinions of their peers, which does not leave them free to do as they please. A shame you aren't a common man, Lord Englishman. They have more freedom than you." "And how free are you,to do as you want?" he shot back in a frustrated tone. "Or did you not just tell me that you want me?" "I can't deny that.Yet I am restricted by my own morals, rather than the opinions of others. If you must know,my own people would be scandalized if I were to marry you.Ironically, you would not be an acceptable mate for me, for you are not one of us. Would I let that influence me? No.Only one's heart should matter in these things.Yet mine will not let me go to a man who will not be mine to keep.I do not hold myself that cheaply.

A great many belles at the ball will be smiling even if you are not. I simply wish that he did not look so much like a scoundrel.” “Scoundrel?” Elisabeth peered at her maid through the darkness. “That is not how I would describe him.” “No?” Isabeau’s voice pitched. She was all but wringing her hands. “He is—how do you say it? A rascal? A rogue? Swarthy as a buccaneer with his dark looks. Some say he has more gypsy blood than Welsh.

No one can deny seriously any more, or for very long, that men do all they can in order to dissimulate this cruelty or to hide it from themselves; in order to organize on a global scale the forgetting or misunderstanding of this violence, which some would compare to the worst cases of genocide (there are also animal genocides: the number of species endangered because of man takes one’s breath away). One should neither abuse the figure of genocide nor too quickly consider it explained away. It gets more complicated: the annihilation of certain species is indeed in process, but it is occurring through the organization and exploitation of an artificial, infernal, virtually interminable survival, in conditions that previous generations would have judged monstrous, outside of every presumed norm of a life proper to animals that are thus exterminated by means of the continued existence or even their overpopulation. As if, for example, instead of throwing a people into ovens and gas chambers (let’s say Nazi) doctors and geneticists had decided to organize the overproduction and overgeneration of Jews, gypsies, and homosexuals by means of artificial insemination, so that, being continually more numerous and better fed, they could be destined in always increasing numbers for the same hell, that of the imposition of genetic experimentation, or extermination by gas or by fire.

Johann had told me once that he had heard Himmler say on the radio that, after the war, all the Gypsies would be relocated to a reservation where they could live according to their ancestral customs without interference. It all sounded like castles in the air, but that day I could at least start dreaming. I had now been given the sacred mission of saving the Gypsy children at Birkenau, which would start by reviving their will to live in the midst of all that death

You're trying to be charming again," Shelby muttered. "Am I succeeding?" Some questions were best ignored. "I really don't know how to be more succinct, Alan." Was that part of the appeal? he wondered. The fact that the free-spirited Gypsy could turn into the regal duchess in the blink of an eye. He doubted she had any notion she was as much one as the other. "You have a wonderful speaking voice.What time will you be ready?" Shelby huffed and frowned and considered. "If I agree to spend some time with you today, will you stop sending me things?" Alan was silent for a long moment. "Are you going to take a politician's word?" Now she had to laugh. "All right, you've boxed me in on that one." "It's a beautiful day, Shelby.I haven't had a free Saturday in over a month. Come out with me." She twined the phone cord around her finger. A refusal seemed so petty, so bad-natured.He was really asking her for very little, and-dammit-she wanted to see him. "All right, Alan, every rule needs to be bent a bit now and again to prove it's really a rule after all." "If you say so.Where would you like to go? There's an exhibition of Flemish art at the National Gallery." Shelby's lips curved. "The zoo," she said and waited for his reaction. "Fine," Alan agreed without missing a beat. "I'll be there in ten minutes." With a sigh,Shelby decided he just wasn't an easy man to shake. "Alan, I'm not dressed." "I'll be there in five." On a burst of laughter, she slammed down the phone.

I played the last Born This Way ball here in Montreal. I was so badly injured, and I had been injured for like, a few shows. And I didn’t want anybody to know, because I didn’t want to disappoint fans, and I didn’t want to cancel. I remember, I was dancing on the stage - Sheisse - with a big castle behind me, and I was in some kinda fuckin’ pain, I’ll tell you. But you just kept cheering, all of you kept cheering for me. And I never told any of you what was wrong, I never said anything. But when I was saying goodbye, some fans that I picked out of the pit, backstage.. These two girls looked at me, and I’ll never forget it. They passed me a McQueen cane with a skull on it. And they looked right at me, and I knew that they knew I needed the cane to walk. I don’t know how they knew, or why they brought it, but it was one of the most special moments of my life, I’ll never forget it. That you could feel what I was thinking, like we’re one. We are friends. I made a decision on that day, and I thought I had made it long ago.. that I would never let you down again, and I would always put my fans first. The music, the magic of this music and these concerts, I hope that you remember them forever. You pretty girls putting flowers in each others hair… And you sweet boys, painting your faces like the sad clown that I was when I no longer heard your applause. How you whisper to each others ears, and you whisper, its okay. I was born this way. I will never forget these moments. you’re my little gypsy kingdom, and I love you.

In my native valley of the middle Dniester, gentry spoke Polish, peasants — Ukrainian, officials — Russian with the Odessa accent, merchants — Jewish, carpenters and joiners — being Filippians and Old Believers — Russian with the Novogrod accent, the kabanists spoke in their own dialect. Additionally, in the same area there were also villages of Polish-speaking noblemen, and nobles who spoke Ukrainian, Moldovan villages speaking in Romanian; Gypsies speaking in Gypsy, Turks were no longer there, but in Khotyn, on the other side of the Dniester and in Kamieniec, their minarets were still standing...All these shades of nationality and languages were also in a semi-fluid state. Sons of Poles sometimes became Ukrainians, sons of Germans and French — Poles. In Odessa, unusual things happened: the Greeks became Russians, Poles were seen joining Soyuz Russkavo Naroda. Even stranger combinations arose from mixed marriages. ‘If a Pole marries a Russian woman,’ my father used to say, ‘their children are usually Ukrainians or Lithuanians’.

I take a seat behind my new desk for the first time since I’ve returned home. “Shera doesn’t really know my taste in decor as well as I’d hoped she would,” I say as I look around, taking in my underwhelming office. Isiah glares at the door when someone knocks. “I’ve been trying to speak to you all day. You need to adjust the beta rankings on paper, because Shera was left in charge by the outdated documentation, regardless of your wishes for me to take control until your return.” “I heard you did quite well, even without the adequate authority,” I state dismissively, peering into one of the drawers full of pencils. “Now why would I need a bunch of sharpened pencils?” Shera walks in, shutting the door behind her when she grows tired of waiting for an invitation. “It was fun sharpening all of them, and that drawer looked empty.” When I open the next drawer, I find it also full of sharpened pencils. I give her a wry look. She shrugs unapologetically. “It was empty too.” “So you got me a desk full of pencils,” I say with a roll of my eyes.

From what I’ve gathered during the time I could stomach listening to your omegas exaggerate every good thing about you, Violet is going tonight to try to talk Arion into some deal with real peace between you two. It’s cute how she thinks life is simply that simple. The omegas adore her just for trying to give it a shot.” He flicks an orange peel away after he licks it clean like he’s the wolf. “The only good part of all this is that I now know you’ll never again get laid by those wolves, no matter how much they praise you to Violet. They’ve not just picked out a girlfriend; they’ve picked you out a mate.” I glare at him, and he just grins, never meeting my eyes. “Too bad I’m way out ahead of you,” he adds. “I’d say Vance is winning, if this is a sprint instead of a marathon,” I tell him, still not even sure if I actually want her or if I just want her long enough to piss them all off. “Vance lucked into his moment and failed to follow-through with charming stalkery. She’s leaving a window open for me at night now.” I roll my eyes as I start heading toward the omega wing.

I’d prefer to never witness that again, so a full weather report will be added to Shera’s daily tasks,” Arion chimes in, looking idly around the airplane. “On another note, so long as I learn to land a plane, I’ll already be an exceptionally better pilot than Vance.” “Do you have any idea how damn fine of a job I just did?” Vance asks Arion with narrowed eyes. Arion glances over at the smoking wreckage, quirking an eyebrow. “Not really, no,” the vampire quips in a very genuine tone. “Fuck’s sake, Arion. It wasn’t me who crashed the plane; it was the—fuck it. Never mind,” Vance says, sighing in exasperation as he pulls out his phone. “I’ll have someone come take care of this and pick us up.

I have a well thought-out masterful plan, using all my knowledge against her, since we’re all feeling in the mood to share. That’s all I have to say on the matter in the presence of certain company,” Arion tells me and only me, while deliberately using his head to gesture at Edmond. “It’ll take a few centuries, but it will work if we follow it step-by-step.” “How elaborate is this plan of yours?” I ask on a tired breath, pre-exhausted with the Vampyre’s diabolical, overcomplicated mind. “Do we need a daily itinerary just to keep up with whatever centuries-long charade you have cooked up? Will all our commentaries be strategically scripted?” Fucking vampires. Their head games have head games.

When I was a kid,'' she said. ``These sort of stories always start like this, don't they, `When I was a kid ...' Anyway. This is the bit where the girl suddenly says, `When I was a kid' and starts to unburden herself. We have got to that bit. When I was a kid I had this picture hanging over the foot of my bed ... What do you think of it so far?'' ``I like it. I think it's moving well. You're getting the bedroom interest in nice and early. We could probably do with some development with the picture.'' ``It was one of those pictures that children are supposed to like,'' she said, ``but don't. Full of endearing little animals doing endearing things, you know?'' ``I know. I was plagued with them too. Rabbits in waistcoats.'' ``Exactly. These rabbits were in fact on a raft, as were assorted rats and owls. There may even have been a reindeer.'' ``On the raft.'' ``On the raft. And a boy was sitting on the raft.'' ``Among the rabbits in waistcoats and the owls and the reindeer.'' ``Precisely there. A boy of the cheery gypsy ragamuffin variety.'' ``Ugh.'' ``The picture worried me, I must say. There was an otter swimming in front of the raft, and I used to lie awake at night worrying about this otter having to pull the raft, with all these wretched animals on it who shouldn't even be on a raft, and the otter had such a thin tail to pull it with I thought it must hurt pulling it all the time. Worried me. Not badly, but just vaguely, all the time. ``Then one day --- and remember I'd been looking at this picture every night for years --- I suddenly noticed that the raft had a sail. Never seen it before. The otter was fine, he was just swimming along.'' She shrugged. ``Good story?'' she said. ``Ends weakly,'' said Arthur, ``leaves the audience crying `Yes, but what of it?' Fine up till there, but needs a final sting before the credits.'' Fenchurch laughed and hugged her legs. ``It was just such a sudden revelation, years of almost unnoticed worry just dropping away, like taking off heavy weights, like black and white becoming colour, like a dry stick suddenly being watered. The sudden shift of perspective that says `Put away your worries, the world is a good and perfect place. It is in fact very easy.

Now that things are super awkward, I walk to the car, and hop in the back seat. “Front seat, Violet,” Mom immediately fires back. But I point at the sunroof. “Emit’s not going to fit any other way.” “This is the absolute worst week of my entire bloody existence,” Emit seems to say in a decisive tone, staring at the car like it’s the most offensive thing ever. Mom even hesitates, and makes another frustrated sound as she presses a button on the fob to start the car. We all need sensitivity training, because we watch without an ounce of shame, as he truly struggles to put himself in what is possibly one of the smallest cars ever. The other three would struggle some too. When Emit’s head pops through the opening sunroof, Vance scrubs a hand over his face. “This is why you have rebellions,” Arion says with a restrained smile. “You can’t be taken seriously.

It was the first time that I had ever been in a town where the working class was in the saddle. Practically every building of any size had been seized by the workers and was draped with red flags and with the red and black flag of the Anarchists; every wall was scrawled with the hammer and sickle and with the initials of the revolutionary parties; almost every church had been gutted and its images burnt. Churches here and there were being systematically demolished by gangs of workmen. Every shop and cafe had an inscription saying that it had been collectivized; even the bootblacks had been collectivized and their boxes painted red and black. Waiters and shop-walkers looked you in the face and treated you as an equal. Servile and even ceremonial forms of speech had temporarily disappeared. Nobody said 'Señor' or 'Don' or even 'Usted'; everyone called everyone else 'Comrade' or 'Thou', and said 'Salud!' instead of 'Buenos días'. Tipping had been forbidden by law since the time of Primo de Rivera; almost my first experience was receiving a lecture from a hotel manager for trying to tip a lift-boy. There were no private motor-cars, they had all been commandeered, and the trams and taxis and much of the other transport were painted red and black. The revolutionary posters were everywhere, flaming from the walls in clean reds and blues that made the few remaining advertisements look like daubs of mud. Down the Ramblas, the wide central artery of the town where crowds of people streamed constantly to and from, the loud-speakers were bellowing revolutionary songs all day and far into the night. And it was the aspect of the crowds that was the queerest thing of all. In outward appearance it was a town in which the wealthy classes had practically ceased to exist. Except for a small number of women and foreigners there were no 'well-dressed' people at all. Practically everyone wore rough working-class clothes, or blue overalls or some variant of militia uniform. All this was queer and moving. There was much in this that I did not understand, in some ways I did not even like it, but I recognized it immediately as a state of affairs worth fighting for...so far as one could judge the people were contented and hopeful. There was no unemployment, and the price of living was still extremely low; you saw very few conspicuously destitute people, and no beggars except the gypsies. Above all, there was a belief in the revolution and the future, a feeling of having suddenly emerged into an era of equality and freedom. Human beings were trying to behave as human beings and not as cogs in the capitalist machine.

Every day the words that Keep-on-Dancin’ and the Gypsy imparted to me - theories, observations, advice and warnings - are substantiated and acquire deeper meaning. ‘It’s not for nothing there are so many bistrots in Paris,’ Keep-on-Dancin’ asserted. ‘The reason so many people are always crowded into them isn’t so much they go there to drink but to meet up, congregate, come together, comfort each other. Yes, comfort each other: people are bored the whole time, and they’re scared, scared of loneliness and boredom. And they all carry around in their heart of hearts their own pet little arch-fear: fear of death, no matter how devil-may-care they might appear to be. They’d do anything to avoid thinking about it. Don’t forget, it’s with that fear all temples and churches were built. So in cities like this, where forty different races mingle together, everyone can always find something to say to each other.

Sara and I are both leaving within the hour. In my carriage." "Together?" Lily looked startled, and then shook her head. "You can't. Don't you realize what people would say when they discovered that both of you were gone?" "Nothing they haven't said already." He slid a proprietary arm around Sara's shoulders. Lily drew her slight frame up as tall as possible, adopting the brisk tone of a chaperone defending her charge. "Where are you planning to go?" Derek smiled slowly. "None of your damn business, gypsy." Ignoring Lily's sputtering protests, he stared down at his fiancée and raised his brows mockingly. As she met his glinting green eyes, Sara realized he intended to take her to London and keep her with him for the night. Her nerves jangled with alarm. "I'm not certain it's advisable-" she began diplomatically, but he cut her off. "Go pack your things." Oh, the arrogance. But it was part of why she loved him, his single-minded determination to get what he wanted. Only blind, bullying stubbornness had enabled him to climb from the gutter. Now that the prospect of marrying her was within his reach, he planned to ensure it by well and truly compromising her. After tonight there would be no turning back. Sara stared at the broad expanse of his chest, conscious of the weight of his arm across her shoulders, the gentle stroke of his thumb and forefinger against her neck. Well... reprehensible as it was, she wanted the same thing. "Derek," Lily said in a steely voice, "I won't allow you to force this poor child into something she's not prepared for-" "She's not a child." His fingers tightened on the back of Sara's neck. "Tell her what you want, Sara." Helplessly Sara raised her head and looked at Lily, her face turning a deep shade of crimson. "I... I'm leaving with Mr. Craven." She didn't have to look at Derek to know that he was smiling in satisfaction.

Violet is missing, and it seems Vance is as well,” Damien says on a huff as he exits. “Why the bloody hell would he leave with her directly after a wolf attack?” I ask as I start toward the door, finishing off my drink. “Without a word?” “I’m not sure he left with her, so much as chased after her, since it looks like he found her note first,” Damien says as he jogs down the stairs. I have the paper snatched out of his hand before he realizes it’s missing, and I flip it over, reading it. DO NOT FOLLOW ME. THIS VACATION SUCKS TOO HARD TO STAY. I’M GOING HOME TO RELAX. Sincerely, the SINGLE gypsy girl who can think for herself P.S. I’LL KEY YOUR FUCKING CARS if you come looking for me before I’m ready to deal with you again. “Little rude to leave so soon, considering how hard I worked to find out where the hell you’d all gone,” I point out before walking out the door. I’m gone before they can further delay me. “She put it in shouty caps!” Damien calls to my back, though I have no idea what the hell that’s supposed to mean.

The day after he had proposed to Beatrix, Christopher had reluctantly gone to talk to Prudence. He was prepared to apologize, knowing that he had not been fair in his dealings with her. However, any trace of remorse he might have felt for having deceived Prudence vanished as soon as he saw that Prudence felt no remorse for having deceived him. It had not been a pleasant scene, to say the least. A plum-colored flush of rage had swept across her face, and she had stormed and shrieked as if she were unhinged. "You can't throw me over for that dark-haired gargoyle and her freakish family! You'll be a laughingstock. Half of them are Gypsies, and the other half are lunatics- they have few connections and no manners, they're filthy peasants and you'll regret this to the end of your days. Beatrix is a rude, uncivilized girl who will probably give birth to a litter." As she had paused to take a breath, Christopher had replied quietly, "Unfortunately, not everyone can be as refined as the Mercers." The shot had gone completely over Prudence's head, of course, and she had continued to scream like a fishwife.

And then, on his soul and conscience, [Gringoire] ... was not very sure that he was madly in love with the gypsy. He loved her goat almost as dearly. It was a charming animal, gentle, intelligent, clever; a learned goat. Nothing was more common in the Middle Ages than these learned animals, which amazed people greatly, and often led their instructors to the stake. But the witchcraft of the goat with the golden hoofs was a very innocent species of magic. Gringoire explained them to the archdeacon, whom these details seemed to interest deeply. In the majority of cases, it was sufficient to present the tambourine to the goat in such or such a manner, in order to obtain from him the trick desired. He had been trained to this by the gypsy, who possessed, in these delicate arts, so rare a talent that two months had sufficed to teach the goat to write, with movable letters, the word “Phœbus.” “‘Phœbus!’” said the priest; “why ‘Phœbus’?” “I know not,” replied Gringoire. “Perhaps it is a word which she believes to be endowed with some magic and secret virtue. She often repeats it in a low tone when she thinks that she is alone.” “Are you sure,” persisted Claude, with his penetrating glance, “that it is only a word and not a name?” “The name of whom?” said the poet. “How should I know?” said the priest. “This is what I imagine, messire. These Bohemians are something like Guebrs, and adore the sun. Hence, Phœbus.” “That does not seem so clear to me as to you, Master Pierre.” “After all, that does not concern me. Let her mumble her Phœbus at her pleasure. One thing is certain, that Djali loves me almost as much as he does her.” “Who is Djali?” “The goat.” The archdeacon dropped his chin into his hand, and appeared to reflect for a moment. All at once he turned abruptly to Gringoire once more. “And do you swear to me that you have not touched her?” “Whom?” said Gringoire; “the goat?” “No, that woman.” “My wife? I swear to you that I have not.” “You are often alone with her?” “A good hour every evening.” Dom Claude frowned. “Oh! oh! Solus cum sola non cogitabuntur orare Pater Noster.” “Upon my soul, I could say the Pater, and the Ave Maria, and the Credo in Deum patrem omnipotentem without her paying any more attention to me than a chicken to a church.” “Swear to me, by the body of your mother,” repeated the archdeacon violently, “that you have not touched that creature with even the tip of your finger.” “I will also swear it by the head of my father, for the two things have more affinity between them. But, my reverend master, permit me a question in my turn.” “Speak, sir.” “What concern is it of yours?” The archdeacon’s pale face became as crimson as the cheek of a young girl.

This could get a little hairy,” I tell them in interruption. Seriously, I don’t want to know this secret. I’ve got too much other shit going on. I grimace at the very questionable intestines that belong to some fabled creature that surely can’t exist under the radar if all that fit inside it. “If you’re a respawner instead of an unkillable being, get out of the kitchen and at least a mile from the house.” Mom assured me there’s a five mile seclusion radius. Damien starts speaking to me, almost as though he’s too tired to deal with my tinkering right now. “Violet, that potion has to be fresh. There’s no need-" ... There’s a loud, bubbling, sizzling noise that cracks through the air, and I drop to the floor, as a pulse shoots from the pot. Damien yelps, as he and Emit are thrown into one wall, and Mom curses seconds before she and Arion are launched almost into each other, hitting opposing walls instead, when they manage to twist in the air to avoid touching. Everyone crashes to the ground at almost the same time. Groans and grunts and coughs of pain all ring out in annoyed unison. “I warned you,” I call out, even as most of them narrow their eyes in my direction. Damien shoots me a look of exasperation, and I shrug a shoulder. “She did warn us,” Mom grumbles as she remains lying on the floor, while everyone else pushes to their feet. “No one fucks up a potion better than I do. If I fuck it up enough, less power will be needed to raise them,” I go on, smiling over at Emit…who is just staring at me like he’s confused. “But it’s the exact right ingredients,” he says warily, as he stands. “She’s apples and oranges. You can’t compare her to anyone else using those ingredients for that reason,” Mom says dismissively, as I gesture to Vance. “Take him with you; I’m going to be a while. That was just the first volatile ingredient. I don’t think you want to be here for the yacktite—” “Ylacklatite,” they all correct in unison. “You don’t want to be here for those gross, possibly toxic, hard-to-say, fabled-creature intestines. It’s going to probably get crazy up in here,” I say as I twirl my finger around, staying on the floor for a minute longer. Sometimes there’s an echo. “Raise your heartbeat. You’re not taking this seriously enough,” Mom scolds. “What are you doing letting your heartbeat drop so much?” “You really should go. It gets unpredictable when—” The echo pulse I worried would come knocks Arion, Emit, and Damien to the ceiling this time, and I cringe when I hear things crack. When they drop, Arion and Emit land in a crouch, and Damien lands hard on his back, cursing the pot on the stove like it’s singled him out and has it in for sexual deviants. Arion’s lips twitch as he stares over at me, likely thinking what sort of punch a pencil could pack with this concoction. But I’ll be damned if Shera steals any of this juice for his freaky pencils. “Do you rip up those dolls to use them as a timer?” the vampire asks, as he stays on the floor, causing Mom to sneer in his direction. Another pulse cracks some glass, but everyone is under the reach of it now. Damien just shakes his head. “You have drawers full of toxic pencils I don’t even want to know the purpose of,” I tell him dryly. “You don’t get to judge.” His grin grows like he’s pleased with something. I think Mom is seconds away from a brain aneurism

What used the darling ones to do? ‘How used they keep themselves contented Before this monster was invented?’ Have you forgotten? Don’t you know? We’ll say it very loud and slow: They . . . used . . . to . . . read! They’d read and read, And read and read, and then proceed To read some more. Great Scott! Gadzooks! One half their lives was reading books! The nursery shelves held books galore! Books cluttered up the nursery floor! And in the bedroom, by the bed, More books were waiting to be read! Such wondrous, fine, fantastic tales Of dragons, gypsies, queens, and whales And treasure isles, and distant shores Where smugglers rowed with muffled oars, And pirates wearing purple pants, And sailing ships and elephants, And cannibals crouching ’round the pot, Stirring away at something hot. (It smells so good, what can it be! Good gracious, it’s Penelope.) The younger ones had Beatrix Potter With Mr. Tod, the dirty rotter, And Squirrel Nutkin, Pigling Bland, And Mrs. Tiggy-Winkle and— Just How The Camel Got His Hump, And How The Monkey Lost His Rump, And Mr. Toad, and bless my soul, There’s Mr. Rat and Mr. Mole— Oh, books, what books they used to know, Those children living long ago! So please, oh please, we beg, we pray, Go throw your TV set away, And in its place you can install A lovely bookshelf on the wall. Then fill the shelves with lots of books, Ignoring all the dirty looks, The screams and yells, the bites and kicks, And children hitting you with sticks— Fear not, because we promise you That, in about a week or two Of having nothing else to do, They’ll now begin to feel the need Of having something good to read. And once they start—oh boy, oh boy! You watch the slowly growing joy

Violet’s not getting out of our sight,” Arion adds. There’s a moment of just staring…like everyone is trying to silently argue. “No one naked in my car,” Mom states when I just stand in my spot, waiting on them to hurry through the push and pull. You really can tell how thick the air is when too many alphas are in the room at one time, but weirdly it never feels this way when it’s just the four of them. Unless punches are thrown. Then it gets a little heavier than normal. Arion pulls on his clothes, and threads whir in the air as I quickly fashion Emit a lopsided toga that lands on his body. Everyone’s gaze swings to him like it’s weird for him and normal for me to be in a toga. Awesome. Damien muffles a sound, Emit arches an eyebrow at me, and Arion remains rigid, staying close to me but never touching me. All of us squeezing into a car together while most of them hate each other…should be fun. The storm finally stops before we board the elevator, and it’s one of those super awkward elevator moments where no one is looking at anyone or saying anything, and everyone is trying to stay in-the-moment serious. We stop on the floor just under us, after the longest thirty-five seconds ever. The doors open, and two men glance around at Emit and I in our matching togas, even though his is the fitted sheet and riding up in some funny places. He looks like a caveman who accidentally bleached and shrank his wardrobe. I palm my face, embarrassed for him. The next couple of floors are super awkward with the addition of the two new, notably uncomfortable men. Worst seventy-nine seconds ever. Math doesn’t add up? Yeah. I’m upset about those extra nine seconds as well. Poor Emit has to duck out of the unusually small elevator, and the bottom of his ass cheek plays peek-a-boo on one side. Damien finally snorts, and even Mom struggles to keep a straight face. That really pisses her off. “You’re seeing him on an off day,” I tell the two guys, who stare at my red boots for a second. I feel the need to defend Emit a little, especially since I now know he overheard all that gibberish Tiara was saying… I can’t remember all I said, and it’s worrying me now that my mind has gone off on this stupid tangent. I trip over the hem of my toga, and Arion snags me before I hit the floor, righting me and showing his hands to my mother with a quick grin. “Can’t just let her fall,” he says unapologetically. “You’re going to have to learn to deal with that,” she bites out. She has a very good point. I don’t trip very often, but things and people usually knock me around a good bit of my life. The two guys look like they want to run, so I hurry to fix this. “Really, it’s a long story, but I swear Emit—the tallest one in the fitted-sheet-toga—generally wears pants…er…I guess you guys call them trousers over here. Anyway, we had some plane problems,” I carry on, and then realize I have to account for the fact we’re both missing clothing. “Then there was a fire that miraculously only burned our clothes, because Emit put all my flames out by smothering me with his body,” I state like that’s exactly what happened. Why do they look so scared? I’m not telling a scary lie. At this point, I’ve just made it worse, and fortunately Damien takes mercy, clamping his hand over my mouth as he starts steering me toward the door before I can make it…whatever comes after worse but before the worst. “Thank you,” sounds more like “Mmdi ooooo,” against his hand, but he gets the gist, as he grins. Mom makes a frustrated sound. “Another minute, and she’d be bragging about his penis size in quest to save his dignity. Did you really want to hear that?” Damien asks her, forcing me to groan against his hand.

Do you think he’ll tell anyone?” “No,” he said immediately, reassuring her. “Westcliff isn’t given to gossip. He won’t say a word to anyone, except…” “Except?” “Lady Westcliff. He’ll probably tell her.” Amelia considered that, thinking perhaps it wasn’t so terrible. Lady Westcliff didn’t seem like the kind of person who would condemn her for this. The countess seemed quite tolerant of scandalous behavior. “Of course,” Rohan continued, “if Lady Westcliff knows, there’s a high probability she’ll tell Lady St. Vincent, who’s due to arrive with Lord St. Vincent by the end of the week. And since Lady St. Vincent tells her husband everything, he’ll know about it, too. Other than that, no one will find out. Unless…” Her head jerked upward like a string puppet’s. “Unless what?” “Unless Lord St. Vincent mentions it to Mr. Hunt, who would undoubtedly tell Mrs. Hunt, and then … everyone would find out.” “Oh, no. I can’t bear it.” He gave her an alert glance. “Why? Because you were caught kissing a Gypsy?” “No, because I’m not the kind of woman who is caught kissing anyone. I don’t have rendezvous! When everyone finds out, I’ll have no dignity left. No reputation. No—What are you smiling at?” “You. I wouldn’t have expected such melodrama.” That annoyed Amelia, who was not the kind of woman who indulged in theatrics. She wedged her arms more firmly between them. “My reaction is perfectly reasonable considering—” “You’re not bad at it.” She blinked in confusion. “Melodrama?” “No, kissing. With a little practice, you’d be exceptional. But you need to relax.” “I don’t want to relax. I don’t want to … oh, dear Lord.” He had bent his head to her throat, searching for the visible thrum of her pulse. A light, hot shock went through her. “Don’t do that,” she said weakly, but he was insistent, his mouth wickedly soft, and her breath hitched as she felt the brush of his tongue. Her hands shot to his muscle-banked shoulders. “Mr. Rohan, you mustn’t—” “This is how to kiss, Amelia.” He cradled her head in his palms, deftly tilting it to the side. “Noses go here.” Another disorienting brush of his mouth, a wash of sensual heat. “You taste like sugar and tea.” “I already know how to kiss!” “Do you?” His thumb passed over her kiss-heated lips, urging them to part. “Then show me,” he whispered. “Let me in, Amelia.

I stand so abruptly that Leiza startles. “If Violet wants to find me, I’ll be outside chopping wood,” I tell her, causing her to choke back a sound that suspiciously resembles a smothered laugh. When I eye her, she’s the picture of seriousness, nodding once again. “Of course, Alpha,” she says so graciously. Tearing my shirt over my head, I toss it to the ground. Leiza’s phone rings, and she puts it aside. “A vampire is calling me. That can’t be good,” she says as she meets my eyes, almost asking for permission to answer Shera’s call. “They’re trying to reach me. Not you. They can kiss my ass. I need a minute to deal with this.” “I thought you were tired and going to get some sleep,” Leiza states, and then swallows down whatever else is on the tip of her tongue. “I’m no longer tired,” I point out dryly. Another nod from Leiza, and I walk out shirtless to go chop some fucking wood for the fireplace Violet rarely ever uses. There’s an axe wedged into one of the piles of wood near the chopping block, making this simpler than expected, so I get to work. Before I can even make one small pile, Damien is wheeling into the driveway, barely putting the brake on, before he hops out. His eyes narrow on me, and then his brow furrows. It’s when his lips start to twitch that I bristle, feeling a little too transparent. “Didn’t realize you’d gotten this pathetic, mongrel,” he drawls. “And here I thought our calls were being ignored so you could have Violet to yourself.” “I’m holding an axe,” I warn him. “Not a Van Helsing axe,” he volleys with a growing grin. The side door swings open for Violet as she walks out, eyeing me first from my spot near the sidewalk by the street, and then Damien next. “What’re you doing shirtless?” she asks, looking back over at me. “It’s like ten degrees out here. People are going to think that’s weird.” Damien restrains a smile. “You were almost out of wood,” I tell her, gesturing to the…fucking full wood chamber on the side of her house. I couldn’t squeeze another piece in there if I wanted to. Violet glances from it, to me, to Damien, and then to the wood again. “Tiara keeps it filled, and we hardly use it, since the heat is on…” She lets her words trail off, clearly confused. Damien outright grins. “Just what are you doing, exactly?” Damien muses. Tossing the axe to the ground, I glare over at him. “Why are you here?

At first she tried to account for it by saying that she came of an ancient and civilized race, whereas these gypsies were an ignorant people, not much better than savages. One night when they were questioning her about England she could not help with some pride describing the house where she was born, how it had 365 bedrooms and had been in the possession of her family for four or five hundred years. Her ancestors were earls, or even dukes, she added. At this she noticed again that the gypsies were uneasy; but not angry as before when she had praised the beauty of nature. Now they were courteous, but concerned as people of fine breeding are when a stranger has been made to reveal his low birth or poverty. Rustum followed her out of the tent alone and said that she need not mind if her father were a Duke, and possessed all the bedrooms and furniture that she described. They would none of them think the worse of her for that. Then she was seized with a shame that she had never felt before. It was clear that Rustum and the other gypsies thought a descent of four or five hundred years only the meanest possible. Their own families went back at least two or three thousand years. To the gypsy whose ancestors had built the Pyramids centuries before Christ was born, the genealogy of Howards and Plantagents was no better and no worse than that of the Smiths and the Jonses; both were negligible. Moreover, where the shepherd boy had a lineage of such antiquity, there was nothing specially memorable or desirable in ancient birth; vagabonds and beggars all shared it. And then, though he was too courteous to speak openly, it was clear that the gypsy thought that there was no more vulgar ambition than to possess bedrooms by the hundred... when the whole earth is ours. Looked at from the gypsy point of view, a Duke, Orlando understood, was nothing but a profiteer or robber who snatched land and money from people who rated these things of little worth, and could think of nothing better to do than to build three hundred and sixty-five bedrooms when one was enough, and none was even better than one. She could not deny that her ancestors had accumulated field after field; house after house; honour after honour; yet had none of them been saints or heroes, or great benefactors of the human race. Nor could she counter the argument... that any man who did now what her ancestors had done three or four hundred years ago would be denounced - and by her own family most loudly - for a vulgar upstart, an adventurer, a nouve riche,

He surprised her by reaching out for her, his arms closing around her. She stiffened but allowed him to draw her near. “Poor sweet,” he murmured. “You have so many burdens to carry.” There had been a time when Amelia had passionately longed for a moment such as this. Being held by Christopher, soothed by him. Once this would have been heaven. But it didn’t feel quite the same as before. “Christoph—” she began, moving away from him, but his mouth caught hers, and she froze in astonishment as he kissed her. This, too, was different … and yet for a moment, she remembered what it had been like, how happy she had once been with him. It seemed so long ago, that time before the scarlet fever, when she had been innocent and hopeful and the future had seemed full of promise. She turned her face from his. “No, Christopher.” “Of course.” He pressed his lips to her hair. “Now isn’t the proper time for this. I’m sorry.” “I’m so concerned about my brother, and Merripen, I can’t think of anything else—” “I know, sweet.” He turned her face back to his. “I’m going to help you and your family. There’s nothing I want more than your safety and happiness. And you need my protection. With your family in turmoil, you could easily be taken advantage of.” She frowned. “No one is taking advantage of me.” “What about the Gypsy?” “You’re referring to Mr. Rohan?” Christopher nodded. “I chanced to meet him on his way to London, and he spoke of you in a way that … well, suffice it to say, he’s no gentleman. I was offended for your sake.” “What did he say?” “He went so far as to claim that you and he were going to marry.” A scornful laugh escaped him. “As if you would ever lower yourself to that. A half-bred Gypsy with no manners or education.” Amelia felt a rush of defensive anger. She looked into the face of the man she had once loved so desperately. He was the embodiment of everything a young woman should want to marry. Not all that long ago, she might have compared him to Cam Rohan and found Christopher superior. But she was no longer the woman she had been … and Christopher wasn’t the knight in shining armor she had believed him to be. “I wouldn’t consider it lowering myself,” she said. “Mr. Rohan is a gentleman, and highly esteemed by his friends.” “They all find him entertaining enough for social occasions, but he will never be their equal. And never a gentleman. That’s understood by everyone, my dear, even Rohan himself.” “It’s neither understood nor accepted by me,” she said. “There is more to being a gentleman than fine manners.

Get dressed. We’re going hunting,” he says randomly. In my half-woke state, I feel like I’ve missed something crucial, because I don’t understand how those words are supposed to make sense. “I’m sorry, but what?” I ask, sipping the coffee like the lack of caffeine is the reason I heard him wrong. “We’re going hunting. Emit has some rogue, unregistered wolves who’ve just done something heinous and stupid, and we’re taking you with us, apparently.” “I don’t want to hunt wolves,” I point out, taking a step back, since he’s acting very un-Vance-like. “I don’t want you to hunt wolves, but apparently you’re going with us, or you’re going with him,” he says bitterly, glancing over his shoulder to where there’s a large SUV. Emit’s behind the wheel, smirking like he’s proud of all this. “Yeah, no. Thanks for the offer,” I say as I shut the door…and lock it. I sip my coffee again, as Lemon drinks hers in the kitchen. Her phone rings, and she stands and answers it, while I go to the fridge in search of something to eat. I hear the door unlocking, and look over my shoulder, as Lemon gives me a very unapologetic grin. “Sorry,” she says, confusing me. “But he’s still my alpha.” Emit walks in, filling up my doorway, before he grins over at me in a way that’s sort of…scary. “It’s not really optional,” he says before he stalks to me so fast I don’t have time to react, and I’m unceremoniously slung over his shoulder. My breath comes out in a surprised rush, and I bounce against him as my mind comes to terms with why the world has tipped upside down. Ingrid comes down the stairs with a small bag, giving me a shitty excuse for a contrite smile. “I’ll remember this,” I tell the traitorous omegas dryly, as they give me a little wave and send me on my way like this is a planned vacation. I don’t really put up a fight. I’ve never seen Emit actually determined to do anything, but clearly I’m outnumbered and out wolfed on this one... I allow a small smile as I’m dropped to my feet, and then wipe the smile away because I’m supposed to be annoyed... I climb in as my backpack and small duffel finish flopping to a stop, and close my robe a little more before digging for my boots. “We’ve got everything here under control! Don’t worry about deliveries or the store,” Leiza calls very excitedly, bouncing on her feet. “This is a hunting trip to kill things, right?” I ask Vance directly, though my eyes are on the very happy omegas, who are animatedly waving from the porch now. “Yes,” he states in a tone that assures me he’s not one bit happy I’m here. “Why are they treating it like I’m going on spring break?” I ask, genuinely concerned about their level of enthusiasm. I thought they were a little saner than this. Emit snorts, but clears his expression quickly. “Do I want to know what spring break is a euphemism for?” Vance asks Emit. “You’re really that old?” I groan. “Do you know how long a century is?” Vance asks me dryly. “I averaged a C on vocab tests, so yeah,” I retort, matching his condescension. Emit releases a rumble of laughter, as his body shakes with the force. Then he pulls out and begins to drive us off on our hunt. I’m so not adjusting this fast, but it seems I have no choice in the matter. It’s like a snowball rolling downhill, gaining size and momentum. Either I’ll boulder through anything when I reach the bottom, or I’ll simply go splat into a mountainside. “Do you know how quickly the vernacular shifts and accents devolve, evolve, or simply cease to exist?” Vance asks me. Now I feel a little talked down to. “No.” “I swear he used to be fun,” Emit tells me, smiling at me through the rearview

I’m first up, love,” Arion says as he starts invading my space again. “I thought the only thing holding you back was your fear. Clearly the fear is absent if you’re willing to turn yourself over to the very darkest part of me. It’s amazing you’re in one piece, so clearly you played submissive very well, Violet. It’s because you were ready for me to save you and overcame your fear of me. Now we can be together.” When I say nothing and simply stare at him like he’s forever losing his mind more and more when we speak, he frowns like he’s genuinely perplexed. “Arion, no matter what you did, I couldn’t have endured another second of those cries. And you were at Abby’s mercy while in that state. You ripped my throat out and told me to put on some healing potion so you could sit down and watch the fight.” Apparently, I guess right, because his pupils widen marginally. “I held your hand when you finished,” he says like he’s defending himself. “So you could watch the fight.” “Vance was focused. It’s been ages since he focused. Thing of beauty while it happens,” he says as if that’s important information. I gesture between us. “That’s sort of the problem. I feel like the conduit for your feelings for them because you have heterosexual body parts with a homosexual mentality. I’m not sure I’m okay with simply being a conduit,” I carefully explain, causing his eyes to widen a little more, as several muffled sounds of amusement spring from somewhere else in the room. “I’m sorry, love, but you’ve really lost me,” Arion says very seriously, brow crinkling. “You want this to be a thing between you and me, even though Idun is returning, because you want them back. It looks like you’re getting that without me, so we can be friends,” I suggest, completely rambling. I don’t think I’m explaining this very well, since they’re all muffling laughter down the hall. Even Vance makes a choked sound of amusement. Or they’re just really immature about these things… That’s definitely possible. Arion scrubs a hand over his face, as someone struggles to cover a surprise laugh with a cough. “I’m so sorry. I shouldn’t be having this conversation right now. It’s inappropriate to do with an audience,” I babble. “But you’re really intense. And I’ve just survived an apocalyptic wolf storm with your mostly naked beta, whose threads are still in my bra because one set of clothes ended up being enough.” The look of frustrated confusion on his face doubles. “I could use a small break before we discuss curses, some really confusing relationship statuses, and the somewhat terrifying woman you’ve all loved rising very soon. And those wolves stole my oranges, so I need to go back and get all of them.” “I’ve already returned them to your cellar,” Emit says from somewhere behind Arion. “Then I need to go start using them while they’re useable,” I say as I quickly disentangle myself from Arion and attempt to escape. “I’ll return the shirt.” “Keep it,” he says quietly from behind me, as I finally take in the other three all standing somewhat close together, smirking at me. “I’ll drive you home,” Damien says with a slow grin. “I’m not talking to you, and if you’re a smart man, you’ll figure out why,” I state firmly. “Only when you figure it out will we discuss it.” “I’ll take you—” “I don’t want to talk to you right now, because I need to get my cool back,” I tell Emit, whose eyes immediately flick away, as his jaw tics. He’s had multiple opportunities to explain to me why he told Damien I was a monster, and yet didn’t even bother telling me what I was. All this time, I’ve been patiently waiting, refusing to get too angry. Now…I’m getting sort of freaking angry, because he still hasn’t said one word about it. “Guess that just leaves me,” Vance says as he puts his hand at the small of my back and starts guiding me out.

They killed everyone in the camps. The whole world was dying there. Not only Jews. Even a black woman. Not gypsy. Not African. American like you, Mrs. Clara. They said she was a dancer and could play any instrument. Said she could line up shoes from many countries and hop from one pair to the next, performing the dances of the world. They said the Queen of Denmark honored her with a gold trumpet. But she was there, in hell with the rest of us. A woman like you. Many years ago. A lifetime ago. Young then as you would have been. And beautiful. As I believe you must have been, Mrs. Clara. Yes. Before America entered the war. Already camps had begun devouring people. All kinds of people. Yet she was rare. Only woman like her I saw until I came here, to this country, this city. And she saved my life. Poor thing. I was just a boy. Thirteen years old. The guards were beating me. I did not know why. Why? They didn't need a why. They just beat. And sometimes the beating ended in death because there was no reason to stop, just as there was no reason to begin. A boy. But I'd seen it many times. In the camp long enough to forget why I was alive, why anyone would want to live for long. They were hurting me, beating the life out of me but I was not surprised, expected no explanation. I remember curling up as I had seen a dog once cowering from the blows of a rolled newspaper. In the old country lifetimes ago. A boy in my village staring at a dog curled and rolling on its back in the dust outside a baker's shop and our baker in his white apron and tall white hat striking this mutt again and again. I didn't know what mischief this dog had done. I didn't understand why the fat man with flour on his apron was whipping it unmercifully. I simply saw it and hated the man, felt sorry for the animal, but already the child in me understood it could be no other way so I rolled and curled myself against the blows as I'd remembered the spotted dog in the dusty village street because that's the way it had to be. Then a woman's voice in a language I did not comprehend reached me. A woman angry, screeching. I heard her before I saw her. She must have been screaming at them to stop. She must have decided it was better to risk dying than watch the guards pound a boy to death. First I heard her voice, then she rushed in, fell on me, wrapped herself around me. The guards shouted at her. One tried to snatch her away. She wouldn't let go of me and they began to beat her too. I heard the thud of clubs on her back, felt her shudder each time a blow was struck. She fought to her feet, dragging me with her. Shielding me as we stumbled and slammed into a wall. My head was buried in her smock. In the smell of her, the smell of dust, of blood. I was surprised how tiny she was, barely my size, but strong, very strong. Her fingers dug into my shoulders, squeezing, gripping hard enough to hurt me if I hadn't been past the point of feeling pain. Her hands were strong, her legs alive and warm, churning, churning as she pressed me against herself, into her. Somehow she'd pulled me up and back to the barracks wall, propping herself, supporting me, sheltering me. Then she screamed at them in this language I use now but did not know one word of then, cursing them, I'm sure, in her mother tongue, a stream of spit and sputtering sounds as if she could build a wall of words they could not cross. The kapos hesitated, astounded by what she'd dared. Was this black one a madwoman, a witch? Then they tore me from her grasp, pushed me down and I crumpled there in the stinking mud of the compound. One more kick, a numbing, blinding smash that took my breath away. Blood flooded my eyes. I lost consciousness. Last I saw of her she was still fighting, slim, beautiful legs kicking at them as they dragged and punched her across the yard. You say she was colored? Yes. Yes. A dark angel who fell from the sky and saved me.

Mm-hmm, that’s what the heroine always says in the movies, and then less than two hours later she’s admitting she’s been madly in love with the boy next door all along. Who’s suddenly not so boring when he’s naked.

ethnic groups, but to say that we don’t divide each other into races would be to ignore thousands of years of human history. Not to mention the fact that white people drive a car like this: Fig. 3 While black people drive a car like this: Fig. 4 Despite increasing globalization and intermarriage, or “miscegenation,” there are still distinct and important differences between members of the different races. Since the subtlety and scope of those differences are far too complicated to be helpful to us in everyday life, we employ certain heuristics, or “stereotypes,” to better understand and more comfortably interact with those different from ourselves. Like the Maori. Such stereotypes are sometimes controversial, because they can oversimplify the differences between individuals. Every person is different, and it is rare for someone to fit a stereotype perfectly. Except for so-called “walking stereotypes,” like Carson from Queer Eye.2. Others don’t have any of the characteristics ascribed to their race in such stereotypes. It’s an imperfect science at best. For example, just because the Maori are, in general, lazy, selfish, and long-winded, that does not mean that noted Maori opera singer Kiri Te Kanawa is any of those things. In fact, she is only two of them, because she is a soprano, and sopranos tend to be very succinct. Even so, stereotypes can be very useful in our everyday social interactions and decision-making. They are actually a kind of survival instinct—a crude form of received inductive reasoning that can help us make snap judgments in situations where we don’t have all the facts. When entering into a business deal with someone of Roma descent, for instance, I am very careful of my possessions. Knowing the stereotype that gypsies are tramps and thieves,3. I am able to better protect myself when coming into contact with them,

But the Butler-Brennan collaboration splendidly informs The Prince and the Pirate, a Samuel Goldwyn million-dollar Technicolor production that spoofs the swashbuckling pictures of the 1930s that made Errol Flynn a star. Butler seems to have given Brennan free rein in bringing to life one of his most exuberant and ribald roles. As Featherhead, a scuzzy pirate, he convinces the malicious Captain Barrett, “the Hook” (Victor McLaglen) to spare a female gypsy fortune-teller, impersonated by “The Great Sylvester” (Hope) from walking the plank. The pirate crew is perplexed by Featherhead’s lascivious designs on this none too appetizing dish, but he practically slavers over his prize, which he bears away with great glee. Brennan plays Featherhead with devouring relish. But as soon as he has Hope to himself, Featherhead confesses he has known all along that she is a he. The shocked Sylvester recovers enough to say, “If you don’t tell anybody I’m not a gypsy, I won’t tell anybody you’re not an idiot.” Featherhead has appropriated the performer in a scheme to outwit The Hook and to capture a buried treasure. Brennan takes out his teeth for this role, and either through added weight or makeup, presents a rubicund complexion and a robust, rounded face that is startlingly different from the gaunt and rickety Eddie of To Have and Have Not.

It seemed that no matter what we did on the land, no matter how much we worked or how hard we worked or how fervently we prayed, nature’s forces were mostly working against us. We had to offer up a portion of our work and bounty to the heartless gods of rain and wind and frost and snow, to rats and mice and birds and beetles, to foxes and rabbits and hares and snails, to millions of insects of all manner and kind, to tinkers and gypsies and beggers and blight. And still we lived and the battle went on – with God’s unwavering help, as Mom would say.

He stroked her pale cheek with his thumb, willing her to open those dark gypsy eyes he loved so much. He needed her impish gaze, her light laughter and intoxicating touch. He needed everything about her. She’d made him feel more alive than when he was human. Needing her kiss as much as he needed blood to survive, he pressed his lips to hers. “I beg of you, wake. Please, my precious Angel,” he prayed as he held her in his arms. “Wake so I can tell you how sorry I am, and how much I love you. God, I love you.” He couldn’t say the words enough. “I love you. I love you.” He repeated the litany over and over again until exhaustion overcame him and he fell asleep, still clinging to her with a vow never to let her go again.

After dinner was served, and the kids were done eating, it was finally time to go trick-or-treating! Moms re-painted faces, and straightened clown hats, put wings back on fairies, angels, and bats. Jack-o’-lanterns were set out on porches with care. Their grins seemed to say, “Knock if you dare.” Gypsies and pirates and zombies in rags, grabbed their bright flashlights and trick-or-treat bags. They walked down each lane, avenue, and street, rang every doorbell and said, “Trick or treat!

Some say America's forgotten workin' men rose up in a single, inchoate scream of rage at a system that for too long had provided them with nothing but empty promises, bad trade deals, and government-subsidized carbs. Some claim it's from a generation weaned on talk radio, Fox News, and the comments sections of a million tea party websites. Some say it's a sign of a merciless god testing us to the breaking point. I still think it's because we didn't let that old gypsy woman vote when she couldn't produce a photo ID back in 2012.