Gypsy Love Quotes

We've searched our database for all the quotes and captions related to Gypsy Love. Here they are! All 100 of them:

Have you ever met someone for the first time, but in your heart you feel as if you’ve met them before?
JoAnne Kenrick (When A Mullo Loves A Woman (Pearl Kizzy, #1))
She's an old soul with young eyes, a vintage heart, and a beautiful mind.
Nicole Lyons
Wildflower; pick up your pretty little head, It will get easier, your dreams are not dead.
Nikki Rowe
Rain makes me feel less alone. All rain is, is a cloud- falling apart, and pouring its shattered pieces down on top of you. It makes me feel good to know I'm not the only thing that falls apart . It makes me feel better to know other things in nature can shatter.
Lone Alaskan Gypsy
I am a wild woman. it would take a warrior to tame my spirit.
Nikki Rowe
She will blaze through you like a gypsy wildfire. Igniting you soul and dancing in its flames. And when she is gone, the smell of her smoke will be the only thing left to soothe you.
Nicole Lyons
You can love her with everything you have and she still wont belong to you. She will run wild with you, beside you with everystep but let me tell you something about women who run with wolves, their fierce hearts dont settle between walls and their instinct is stronger than upbringing. Love her wild or leave her there.
Nikki Rowe
Do you know what friendship is?' he asked. 'Yes,' replied the gypsy; 'it is to be brother and sister; two souls which touch without mingling, two fingers on one hand.' 'And love?' pursued Gringoire. 'Oh! love!' said she, and her voice trembled, and her eye beamed. 'That is to be two and to be but one. A man and a woman mingled into one angel. It is heaven.
Victor Hugo (The Hunchback of Notre-Dame)
Don't compare her to sunshine and roses when she's clearly orchids and moonlight.
Melody Lee (Moon Gypsy)
When I speak of home, I speak of the place where in default of a better--those I love are gathered together; and if that place where a gypsy's tent, or a barn, I should call it by the same good name notwithstanding.
Charles Dickens (Nicholas Nickleby)
He felt like home.
JoAnne Kenrick (When A Mullo Loves A Woman (Pearl Kizzy, #1))
She is of the strangest beauty and the darkest courage, and when she walks with intent the earth trembles beneath her feet.
Nicole Lyons (Hush)
I am an artist, my hair is rarely tamed & sometimes I sleep till noon, My house is messy and I speak to the moon. I care less about the materials that I share with my world and more about the passion inside myself. Im an artist, what more can you expect? i am full of soul, love and all the rest.
Nikki Rowe
On the blue summer evenings, I will go along the paths, And walk over the short grass, as I am pricked by the wheat: Daydreaming I will feel the coolness on my feet. I will let the wind bathe my bare head. I will not speak, I will have no thoughts: But infinite love will mount in my soul; And I will go far, far off, like a gypsy, through the countryside - as happy as if I were with a woman. "Sensation
Arthur Rimbaud
From midnight to 4: 00 AM is the loneliest time in the world. Because for those of us too sad to sleep, the only thing we have to look at is an empty bed, and the only thing we have to think of is every single person who didn't want to fill it tonight.
Lone Alaskan Gypsy
Many speak to her but she's looking for the one who knows her souls language.
Nikki Rowe
What a rebellious act it is to love yourself naturally in a world of fake appearances.
Nikki Rowe
I am a lover of words and tragically beautiful things, poor timing and longing, and all things with soul, and I wonder if that means I am entirely broken, or if those are the things that have been keeping me whole.
Nicole Lyons
Her skin smells of vintage books and pale moonlight, exotic things, forbidden loves and rainy nights.
Melody Lee (Moon Gypsy)
I love the Autumn, And yet I cannot say All the thoughts and things That make me feel this way. I love walking on the angry shore, To watch the angry sea; Where summer people were before, But now there's only me. I love wood fires at night That have a ruddy glow. I stare at the flames And think of long ago. I love the feeling down inside me That says to run away To come and be a gypsy And laugh the gypsy way. The tangy taste of apples, The snowy mist at morn, The wanderlust inside you When you hear the huntsman's horn. Nostalgia - that's the Autumn, Dreaming through September Just a million lovely things I always will remember.
Jacqueline Kennedy Onassis
I think it's important as a women to know who you are and what you deserve. We, ourselves set the boundaries of what we choose to accept. Instead of complaining about the men who's actions don't fit your own & move on and find one that does.
Nikki Rowe
Her love is rare but she'll keep you wild.
Nikki Rowe
She's a gypsy girl living in a materialistic world, Unattached to most things but in love with life itself.
Nikki Rowe
I swear that girl was born with a pen in her hand, the moon in her hair, and stars in her soul.
Melody Lee (Moon Gypsy)
I am running and singing and when it’s raining I’m the only one left on the open street, smiling with my eyes fixed on the sky because it’s cleaning me. I’m the one on the other side of the party, hearing laughter and the emptying of bottles while I peacefully make my way to the river, a lonely road, following the smell of the ocean. I’m the one waking up at 4am to witness the sunrise, where the sky touches the sea, and I hold my elbows, grasping tight to whatever I’ve made of myself.
Charlotte Eriksson (Another Vagabond Lost To Love: Berlin Stories on Leaving & Arriving)
There's something about kindred spirits, you meet them and for a moment this world no matter ugly, makes sense. They bring a sense of freedom and clarity to one conversation; just enough to remind you of who you are.
Nikki Rowe (Once a Girl, Now a Woman)
And still on a winter's night, they say, when the wind is in the trees, When the moon is a ghostly galleon tossed upon cloudy seas, When the road is a gypsy's ribbon looping the purple moor, The highwayman comes riding-- Riding--riding-- The highwayman comes riding, up to the old inn-door. Over the cobbles he clatters and clangs in the dark inn-yard, He taps with his whip on the shutters, but all is locked and barred, He whistles a tune to the window, and who should be waiting there But the landlord's black-eyed daughter-- Bess, the landlord's daughter-- Plaiting a dark red love-knot into her long black hair.
Alfred Noyes (The Highwayman)
She was drawn to the wild warriors, they had to have a little gypsy in their veins.
Nikki Rowe
…though I wouldn’t have admitted it, even to myself, I didn’t want God aboard. He was too heavy. I wanted Him approving from a considerable distance. I didn’t want to be thinking of Him. I wanted to be free—like Gypsy. I wanted life itself, the color and fire and loveliness of life. And Christ now and then, like a loved poem I could read when I wanted to. I didn’t want us to be swallowed up in God. I wanted holidays from the school of Christ.
Sheldon Vanauken (A Severe Mercy: A Story of Faith, Tragedy, and Triumph)
She's the kind of girl who brings you to the moon without you even being aware. The kind of girl you trip in love with, The kind of girl you never forget.
Melody Lee (Moon Gypsy)
I have wolf blood and wolf bones... Don't expect me to graze with sheep.
Melody Lee (Moon Gypsy)
The most important thing we've learned, So far as children are concerned, Is never, NEVER, NEVER let Them near your television set -- Or better still, just don't install The idiotic thing at all. In almost every house we've been, We've watched them gaping at the screen. They loll and slop and lounge about, And stare until their eyes pop out. (Last week in someone's place we saw A dozen eyeballs on the floor.) They sit and stare and stare and sit Until they're hypnotised by it, Until they're absolutely drunk With all that shocking ghastly junk. Oh yes, we know it keeps them still, They don't climb out the window sill, They never fight or kick or punch, They leave you free to cook the lunch And wash the dishes in the sink -- But did you ever stop to think, To wonder just exactly what This does to your beloved tot? IT ROTS THE SENSE IN THE HEAD! IT KILLS IMAGINATION DEAD! IT CLOGS AND CLUTTERS UP THE MIND! IT MAKES A CHILD SO DULL AND BLIND HE CAN NO LONGER UNDERSTAND A FANTASY, A FAIRYLAND! HIS BRAIN BECOMES AS SOFT AS CHEESE! HIS POWERS OF THINKING RUST AND FREEZE! HE CANNOT THINK -- HE ONLY SEES! 'All right!' you'll cry. 'All right!' you'll say, 'But if we take the set away, What shall we do to entertain Our darling children? Please explain!' We'll answer this by asking you, 'What used the darling ones to do? 'How used they keep themselves contented Before this monster was invented?' Have you forgotten? Don't you know? We'll say it very loud and slow: THEY ... USED ... TO ... READ! They'd READ and READ, AND READ and READ, and then proceed To READ some more. Great Scott! Gadzooks! One half their lives was reading books! The nursery shelves held books galore! Books cluttered up the nursery floor! And in the bedroom, by the bed, More books were waiting to be read! Such wondrous, fine, fantastic tales Of dragons, gypsies, queens, and whales And treasure isles, and distant shores Where smugglers rowed with muffled oars, And pirates wearing purple pants, And sailing ships and elephants, And cannibals crouching 'round the pot, Stirring away at something hot. (It smells so good, what can it be? Good gracious, it's Penelope.) The younger ones had Beatrix Potter With Mr. Tod, the dirty rotter, And Squirrel Nutkin, Pigling Bland, And Mrs. Tiggy-Winkle and- Just How The Camel Got His Hump, And How the Monkey Lost His Rump, And Mr. Toad, and bless my soul, There's Mr. Rat and Mr. Mole- Oh, books, what books they used to know, Those children living long ago! So please, oh please, we beg, we pray, Go throw your TV set away, And in its place you can install A lovely bookshelf on the wall. Then fill the shelves with lots of books, Ignoring all the dirty looks, The screams and yells, the bites and kicks, And children hitting you with sticks- Fear not, because we promise you That, in about a week or two Of having nothing else to do, They'll now begin to feel the need Of having something to read. And once they start -- oh boy, oh boy! You watch the slowly growing joy That fills their hearts. They'll grow so keen They'll wonder what they'd ever seen In that ridiculous machine, That nauseating, foul, unclean, Repulsive television screen! And later, each and every kid Will love you more for what you did.
Roald Dahl (Charlie and the Chocolate Factory (Charlie Bucket, #1))
DADDY You do not do, you do not do Any more, black shoe In which I have lived like a foot For thirty years, poor and white, Barely daring to breathe or Achoo. Daddy, I have had to kill you. You died before I had time― Marble-heavy, a bag full of God, Ghastly statue with one grey toe Big as a Frisco seal And a head in the freakish Atlantic When it pours bean green over blue In the waters of beautiful Nauset. I used to pray to recover you. Ach, du. In the German tongue, in the Polish town Scraped flat by the roller Of wars, wars, wars. But the name of the town is common. My Polack friend Says there are a dozen or two. So I never could tell where you Put your foot, your root, I never could talk to you. The tongue stuck in my jaw. It stuck in a barb wire snare. Ich, ich, ich, ich, I could hardly speak. I thought every German was you. And the language obscene An engine, an engine Chuffing me off like a Jew. A Jew to Dachau, Auschwitz, Belsen. I began to talk like a Jew. I think I may well be a Jew. The snows of the Tyrol, the clear beer of Vienna Are not very pure or true. With my gypsy ancestress and my weird luck And my Taroc pack and my Taroc pack I may be a bit of a Jew. I have always been scared of you, With your Luftwaffe, your gobbledygoo. And your neat mustache And your Aryan eye, bright blue. Panzer-man, panzer-man, O You― Not God but a swastika So black no sky could squeak through. Every woman adores a Fascist, The boot in the face, the brute Brute heart of a brute like you. You stand at the blackboard, daddy, In the picture I have of you, A cleft in your chin instead of your foot But no less a devil for that, no not And less the black man who Bit my pretty red heart in two. I was ten when they buried you. At twenty I tried to die And get back, back, back to you. I thought even the bones would do. But they pulled me out of the sack, And they stuck me together with glue. And then I knew what to do. I made a model of you, A man in black with a Meinkampf look And a love of the rack and the screw. And I said I do, I do. So daddy, I’m finally through. The black telephone’s off at the root, The voices just can’t worm through. If I’ve killed one man, I’ve killed two― The vampire who said he was you And drank my blood for a year, Seven years, if you want to know. Daddy, you can lie back now. There’s a stake in your fat black heart And the villagers never like you. They are dancing and stamping on you. They always knew it was you. Daddy, daddy, you bastard, I’m through.
Sylvia Plath (Ariel)
Love the ones who understand you and forget the ones that don't.
Nikki Rowe
When you find your twin flame you also find your freedom, for there is nothing more exhilarating, wild and free than absolute soul love.
Melody Lee (Moon Gypsy)
Hope is a dream of which we long to have. Don't let anyone ever tell you that you can't hope for something because hope brings joy and joy brings happiness and its all tied up in a big ball of love.
Peace Gypsy (Souls Deep)
She's burning and out of control and everything I love about fire.
Melody Lee (Moon Gypsy)
That’s the last time I put you in charge of the tequila when we’re making margaritas
JoAnne Kenrick (When A Mullo Loves A Woman (Pearl Kizzy, #1))
She has wings the color of wild and a soul the color of art.
Melody Lee (Moon Gypsy)
You underestimate the healing power of love. Love mends many things; it could mend the brokenness inside of you.
Quinn Loftis (Into the Fae (Gypsy Healers, #1))
True, unconditional, selfless love can soften the hardest heart, cleanse the filthiest soul, and quench the driest spirit.
Quinn Loftis (Into the Fae (Gypsy Healers, #1))
She's not stumbling, she's not lost. She's simply romancing her inner animal and falling in love with the wild part of her soul.
Melody Lee (Moon Gypsy)
Maybe their parents didn’t love them enough and it made them stabby?
Kristy Cunning (Gypsy Blood (All The Pretty Monsters, #1))
if she had not been a gypsy, and if he had not been a priest
Victor Hugo
Well, at least this is what I told myself every day as I fell asleep with the fire still burning and the moon shining high up in the sky and my head spinning comforting from two bottles of wine, and I smiled with tears in my eyes because it was beautiful and so god damn sad and I did not know how to be one of those without the other.
Charlotte Eriksson (Another Vagabond Lost To Love: Berlin Stories on Leaving & Arriving)
You know who you are, he said- that intimidates boys but oneday a man will come along and value that exact part in you. - Wise words from my best friend.
Nikki Rowe
I could make love with you until the moon decides to never glow again.
Melody Lee (Moon Gypsy)
I want your scars, your darkness, your secrets. I want to see the interior of your soul.
Melody Lee (Moon Gypsy)
If she could hate this much she sure as hell had loved.
Shannon Celebi (Papa Was A Gypsy (Small Town Ghosts))
I am a wildflower in your perfect bed of roses.
Melody Lee (Moon Gypsy)
She’s a galaxy of bright hues, and her heart contains a universe of love. She is starlight.
Melody Lee (Moon Gypsy)
She doesn’t burn bridges, she covers them in gypsy flowers and feather kisses, then strolls along her merry way. Too heavy to carry grudges, she leaves love and hope droplets wherever she goes.
Melody Lee (Moon Gypsy)
I likened her to the slender PSYCHÉ and judged that the perfection of her face ennobled everything unclean around her: The dusty hems of her bunched-up skirt, the worn straps of her nightshirt; the blackened soles of her bare feet [...] All this and the pungent air! Ô this night, sweet pungent night! "HÉBÉ" may come but a season. But this girl's season would know a hot spring and an Indian summer.
Roman Payne
There is no power greater than sacrificial love. It can destroy the strongest of enemies, pierce the darkest of nights, and heal the most damaged of hearts.
Quinn Loftis (Into the Fae (Gypsy Healers, #1))
She’s always been a wild forest, a creature of the night.
Melody Lee (Moon Gypsy)
He felt like sin but tasted like love so what's a clumsy girl to do but stumble in delicious crazy love.
Melody Lee (Moon Gypsy)
You're sexy and suave and you say the right things, but unless you can reach into my soul and tantalize my mind our connection will be null and void.
Melody Lee (Moon Gypsy)
He wasn't like a moth attracted to her flame. No, he was like a vampire, in love with her eternal darkness.
Melody Lee (Moon Gypsy)
Stay strong. Don't worry about things you cannot change and don't worry about things changing that you cannot stop.
Peace Gypsy (Souls Deep)
Mother Earth, one of my absolute favorite places......where the sounds, the energy, the beauty and the Life pounds into your every fiber of being, letting you Know that you are alive. I will always respect and honor this gift of creation that we call our home.
Peace Gypsy (Souls Deep : From a Professional Dreamer)
For years, I have searched and searched for this God. This feeling of complete love and acceptance. He was always out of reach. But here, where food is scare, money is tight, heat is heavy and tensions should run high, God is everywhere. Just as during the night around the gypsy fire, I am mesmerized by watching people who are truly happy. At peace. Kind. Grateful.
Julie Cantrell (Into the Free (Into the Free, #1))
everyone is lied to for his or her own good. A mother telling a child it will be okay. A lover telling a lover I will always love you. Politicians promising a better and brighter future. Generals and admirals insisting war begets peace.
Julia Fierro (The Gypsy Moth Summer)
There is evidence that the honoree [Leonard Cohen] might be privy to the secret of the universe, which, in case you're wondering, is simply this: everything is connected. Everything. Many, if not most, of the links are difficult to determine. The instrument, the apparatus, the focused ray that can uncover and illuminate those connections is language. And just as a sudden infatuation often will light up a person's biochemical atmosphere more pyrotechnically than any deep, abiding attachment, so an unlikely, unexpected burst of linguistic imagination will usually reveal greater truths than the most exacting scholarship. In fact. The poetic image may be the only device remotely capable of dissecting romantic passion, let alone disclosing the inherent mystical qualities of the material world. Cohen is a master of the quasi-surrealistic phrase, of the "illogical" line that speaks so directly to the unconscious that surface ambiguity is transformed into ultimate, if fleeting, comprehension: comprehension of the bewitching nuances of sex and bewildering assaults of culture. Undoubtedly, it is to his lyrical mastery that his prestigious colleagues now pay tribute. Yet, there may be something else. As various, as distinct, as rewarding as each of their expressions are, there can still be heard in their individual interpretations the distant echo of Cohen's own voice, for it is his singing voice as well as his writing pen that has spawned these songs. It is a voice raked by the claws of Cupid, a voice rubbed raw by the philosopher's stone. A voice marinated in kirschwasser, sulfur, deer musk and snow; bandaged with sackcloth from a ruined monastery; warmed by the embers left down near the river after the gypsies have gone. It is a penitent's voice, a rabbinical voice, a crust of unleavened vocal toasts -- spread with smoke and subversive wit. He has a voice like a carpet in an old hotel, like a bad itch on the hunchback of love. It is a voice meant for pronouncing the names of women -- and cataloging their sometimes hazardous charms. Nobody can say the word "naked" as nakedly as Cohen. He makes us see the markings where the pantyhose have been. Finally, the actual persona of their creator may be said to haunt these songs, although details of his private lifestyle can be only surmised. A decade ago, a teacher who called himself Shree Bhagwan Rajneesh came up with the name "Zorba the Buddha" to describe the ideal modern man: A contemplative man who maintains a strict devotional bond with cosmic energies, yet is completely at home in the physical realm. Such a man knows the value of the dharma and the value of the deutschmark, knows how much to tip a waiter in a Paris nightclub and how many times to bow in a Kyoto shrine, a man who can do business when business is necessary, allow his mind to enter a pine cone, or dance in wild abandon if moved by the tune. Refusing to shun beauty, this Zorba the Buddha finds in ripe pleasures not a contradiction but an affirmation of the spiritual self. Doesn't he sound a lot like Leonard Cohen? We have been led to picture Cohen spending his mornings meditating in Armani suits, his afternoons wrestling the muse, his evenings sitting in cafes were he eats, drinks and speaks soulfully but flirtatiously with the pretty larks of the street. Quite possibly this is a distorted portrait. The apocryphal, however, has a special kind of truth. It doesn't really matter. What matters here is that after thirty years, L. Cohen is holding court in the lobby of the whirlwind, and that giants have gathered to pay him homage. To him -- and to us -- they bring the offerings they have hammered from his iron, his lead, his nitrogen, his gold.
Tom Robbins
He smelled like a wolf and I knew I should run, instead I opened my heart and invited him in for a bite.
Melody Lee (Moon Gypsy)
I would rather dance alone under the stars than spend a lifetime hiding behind the moon.
Melody Lee (Moon Gypsy)
Kiss her gypsy soul and love her for the wild rose she is.
Melody Lee (Moon Gypsy)
You have dirty hands and dark wild eyes, but by far you are the purest heart I have ever known.
Melody Lee (Moon Gypsy)
He is my thunderstorm, the lighting coursing through my veins. I am his hurricane, his colorful bow of rain.
Melody Lee (Moon Gypsy)
He loved her like a roaring lion, even when she was most unlovable, and there's a lot to be said for that...that kind of fierce, raging, omnipotent love.
Melody Lee (Moon Gypsy)
Everyone is looking to find someplace to call home but having one can mess you up leaving you perpetually stuck.
Karishma Magvani
Love is just a word until someone comes along and gives it meaning.
Georgia Le Carre (Sexy Beast (Gypsy Heroes, #1))
It’s plain to see that the romance has slightly slipped from the Bohemian lifestyle. But we’re literary Gypsies, all of us, and it’s only recently that we’re starting to realise we’re not alone. The Internet is connecting all the healers and storytellers, the wild people and mystics, the writers and painters, and the ones who are slightly cracked. I’ve always loved wild people.
Karl Wiggins (Wrong Planet - Searching for your Tribe)
O.K." "Gee I'm glad." "Me too. I'm so sick of hot dogs and beer and apple pie with cheese on the side I could heave it all in the river." "You'll love it, Frank. We'll get a place up in the mountains, where it's cool, and then, after I get my act ready, we can go all over the world with it. Go as we please, do as we please, and have plenty of money to spend. Have you got a little bit of gypsy in you?" "Gypsy? I had rings in my ears when I was born.
James M. Cain (The Postman Always Rings Twice)
Always the wild child, conceived in flames, born of fire. Drawn to the forbidden, witch, warlock, burning stones. Her blood is made of moonlight; part dark, part light. Her heart, it's a sword; fiercely loyal and will fight to the death for those whom she loves. You can throw her in the fire, she always returns as a flame: the fervor is her anchor, her safe-haven... her blood.
Melody Lee (Moon Gypsy)
Every hunchback has his gypsy, each phantom his diva, and flames of passion consume witches and martyrs alike. For any lonely monster, tradition demands that one sacrificial soul seek immolation. Ashes to ashes. It remains the ultimate, transformative act of love.
Robert Dunbar (Martyrs and Monsters)
You can love her as no one else can, and love covers a multitude of sins. Love gives hope and hope leads to belief and belief leads to action.
Quinn Loftis (Wolf of Stone (Gypsy Healers #2))
He narrows his eyes. “If you think she’s deliberately fucking with us, why are you in a hurry to get over there?” I grin. “Because I positively love that in a woman.
Kristy Cunning (Gypsy Freak (All The Pretty Monsters, #2))
You'll never be able to silence the woman who was born to write.
Melody Lee (Moon Gypsy)
If you're afraid of the thorn, you truly don't deserve the rose.
Melody Lee (Moon Gypsy)
Remove the mask. Let me love the darkness you hide underneath.
Melody Lee (Moon Gypsy)
You broke me I’m trying to put all the pieces back together The process is taking longer than expected.
Melody Lee (Moon Gypsy)
Save the drama for the queens. Stand alone be a wolf, a rebel, a warrior, a savage, a badass. Be anything but a damn drama queen!
Melody Lee (Moon Gypsy)
...there began to come to her a first dim realization of God's humility. Rejected by the proud in His own right by what humble means He chose to succor them; through the spirit of a child, a poor gypsy or an old man, by a song perhaps, or even it might be by the fall of a leaf or the scent of a flower. For His infinite and humble patience nothing was too small to advance His purpose of salvation and eternity was not too long for its accomplishment.
Elizabeth Goudge (The White Witch)
My hair smells of oceanic wind My eyes are two starfish The charming, turquoise sea is seducing me The rhythms of the calming Crashing waves are my guide Omnipotent, almost holy, They seek to cleanse my polluted soul Here, by the seductive sea, I am unshackled. I am free. I am me.
Melody Lee (Moon Gypsy)
We were not of this world— Dancing with fireflies we lit up the night sky embracing the darkness and light within each other. We tasted of salt and earth and flesh. He dissolved in me, while I melted with him. Together, he and I became intensity, perfect insanity. Ethereal, eternal, omnipotent, limitless— We loved beyond this world.
Melody Lee (Moon Gypsy)
Quasimodo then lifted his eye to look upon the gypsy girl, whose body, suspended from the gibbet, he beheld quivering afar, under its white robes, in the last struggles of death; then again he dropped it upon the archdeacon, stretched a shapeless mass at the foot of the tower, and he said with a sob that heaved his deep breast to the bottom, 'Oh-all that I've ever loved!' The Hunchback of Notre Dame
Victor Hugo
You drink your whiskey, I’ll drink my wine. Later when we’re fevered and tipsy we’ll make savage love divine. Until then, let’s swim in the warm, opal sea of each other. Crash a few innocent waves, skinny dip, laugh and get lost in those blood-pumping hearts, and for a time forget all our broken parts.
Melody Lee (Moon Gypsy)
Fireflies, to me, are nighttime butterflies, Dazzling the night with magical flashes of light. When I see these teeny tiny sparks dart in the night, I am overcome with a sense of comfort and calm, Same as when a butterfly flutters around me during the day. I’m drawn to the dance of both astonishing critters. They remind me of life. They remind me of hope.
Melody Lee (Moon Gypsy)
I know that no one is my judge. I live according to my own conscience and value discernment which is governed by Holy Spirit. I know my intentions and I walk my path with a clear conscience. Be careful not to make assumptions. I don't even allow my left hand to know what my right hand does. What makes you think I should explain my every unction and action to you?
Mishi McCoy (The Lovely Knowing)
At the college where I teach, I'm surrounded by circus people. We aren't tightrope walkers or acrobats. We don't breathe fire or swallow swords. We're gypsies, moving wherever there's work to be found. Our scrapbooks and photo albums bear witness to our vagabond lives: college years, grad-school years, instructor-mill years, first-job years. In between each stage is a picture of old friends helping to fill a truck with boxes and furniture. We pitch our tents, and that place becomes home for a while. We make families from colleagues and students, lovers and neighbors. And when that place is no longer working, we don't just make do. We move on to the place that's next. No place is home. Every place is home. Home is our stuff. As much as I love the Cumberland Valley at twilight, I probably won't live there forever, and this doesn't really scare me. That's how I know I'm circus people.
Cathy Day (The Circus In Winter)
Home is where the heart is. That's what they always say. But where does home begin,If you have lost your way. Do you turn to family or neighbors you don't know? You heart may wonder far and wide until you learn to grow. You go outside and look around to see what you can see From little birds too big tall trees you realize beauty is free.
Peace Gypsy (Souls Deep : From a Professional Dreamer)
My only one! In your last letter "My head aches my heart is stunned!" you say. "If they hang you, if I lose you;" you say; "I can't live!" You'll live my dearest wife, like a black smoke in the wind my memory will vanish; you'll live, the red-haired sister of my heart at most one year it lasts in the twentieth century the grief of death.. Death a dead body swinging on a rope. My heart doesn't accept such a death.. But be sure that, my love, if some pitiable gypsy's hairy black spider like hand slips the rope around my neck, to see the fear in my blue eyes they'll look in vain at Nâzım! And I, in the twilight of my last morning, shall see my friends and you, and carry only the grief of an unfinished song to the soil... My wife! Good hearted, golden coloured, with eyes sweeter than honey, my bee; why did I write you that they want to hang me, the trial is in the first step and they don't pluck like a turnip the head of a man. Come, forget them all. These are so far away probabilities. If you have some money buy me a flannel underwear, my sciatica is acting up. And don't forget that always there should be good thoughts in the mind of a prisoner's wife.
Nâzım Hikmet
You are the moon that breaks the night . You are the fear that I hate to fight. Times are wrong in all that is done. My treasure is love that I give to only one. Cherrish the treasures given to your heart and never let anything hurt from the start. You chose your path so accept and believe, that peace love and light are needed to breathe.
Peace Gypsy
Each morning fog rolls over the bay and caresses the Golden Gate, the most picturesque bridge in the world. In the evenings night descends from heaven like some mystical force of nature, alerting hearts that something wonderful is about to happen. The City by the Bay becomes a moonlit paradise of sounds and sensations. It teems with lights, music, ocean, and pretty girls ready to dance and have fun. San Francisco stretches out her romantic hand, beckoning you to join in all the living going on, all the love being found. And for this reason, night is the loneliest time for those of us who have no one. Oh, we try for love, desperately we make the attempt, gallantly we forge on. But inevitably we fall into a seductive whirlpool of night and garter belts, lipstick and alluring lingerie, darkened hotel rooms and passion devoid of love. Love is the trophy others raise high in happiness, leaving the rest to seek momentary solace in sex bereft of tenderness and meaning, pretending for a few moments, perhaps even a few hours, that it is something more. A hollow consolation prize for losing the romance contest.
Bobby Underwood (Gypsy Summer)
I don't have time is the worst possible excuse for I'd rather be doing something else. You MAKE time! Whether it be family, friends or an activity, like reading it's all in what you WANT to do. The heartbreaking moment is when you have extended time & devotion sometimes years with someone you knew to be worthy who can return it & they CHOOSE not to.
Gypsie M. Holley
Finding her voice at last, she asked, “What dreams are you having, sir?” “I dreamt I was in a spring field and a woman stands in the shadows just at the edge of the nearby forest. I haven’t yet seen her face, only her long beautiful hair. I always wake too soon.” He reached up to touch the hawk touchstone around his throat as he described his dream, rubbing it absently between his fingers. Lily lowered her lashes to hide her astonishment. “When you see someone in a dream but cannot see their face, it means you haven’t met them yet,” she explained. “Then perhaps I’ll dream of her again tonight and this time I’ll see her face.” He smiled, reaching across the table to take her left hand and lift it to his lips. “My name is Ian Kelly, and it would give me the greatest pleasure to know yours.” “Lily Evans. Around here I go by Raven.” She raised a shoulder, indicating the gypsy tent. “Lily--indeed, a most beautiful name. Now tell me,” he stared pointedly at her hand, “I see no ring that another has claimed you as his, so my confidence is strengthened. Look at your cards again, milady, and tell me if you see me in your future…
Shannon MacLeod (The Celtic Knot: Suit of Cups (Arcana Love Vol. 1))
Merrill Hartweiss scales a rocky incline toward Renna. The noon sun bakes the hillside as Merrill's boots dig into the broiling sands. Yet another gypsy tune enters his head. It starts off slowly. A lone guitar, its strings strummed with the lustful passion of a young man brushing his fingertips softly against the breasts of his lover. Another guitar joins, like a second hand, exploring her hot flesh, stroking the side of her bare abdomen, and gradually moving upward toward her chest. Then, a female voice joins the guitars; it is slightly raspy, yet sultry; filled with a fiery allure. The guitars pick up in intensity and tempo. There is a rhythmic clapping now, in synchronization with the strumming. The man has entered his lover. Sweat begins to form on Merrill's forehead, then quickly turns to vapor, dissipating into the blistering heat from the sunlight reflecting off the sands. Steady clapping, louder still. The tempo quickens, progressively and with a vigorous intensity. The man arches his back, cresting then falling; cresting, arching, rising and falling deeper again and again into his lover. The clapping, now faster, still rhythmic, but so much more intense. The guitars keep pace with increasing ferocity. In the woman's voice, short, quick breaths form words as she cries out her lover's name from deep within the throes of a forbidden love
Angel Rosa
(This is from a tribute poem to Ronnie James Dio: Former lead vocalist of the band Rainbow, Black Sabbath. This is written with all the titles of the hit songs of DIO. The titles are all in upper case) You can “CATCH THE RAINBOW” – “A RAINBOW IN THE DARK” Through “ROCK & ROLL CHILDREN” “HOLY DIVER” will lurk “BEFORE THE FALL” of “ELECTRA” “ALL THE FOOLS SAILED AWAY” “JESUS,MARY AND THE HOLY GHOST”- “LORD OF THE LAST DAY” “MASTER OF THE MOON” you are When my “ONE FOOT IN THE GRAVE” With our “BLACK”, “COLD FEET”, “MYSTERY” of “PAIN” you crave You’re “CAUGHT IN THE MIDDLE”, “BETWEEN TWO HEARTS” When “HUNGRY FOR HEAVEN” “HUNTER OF THE HEART” hurts “FALLEN ANGELS” “FEED MY HEART” “FEVER DREAMS” “FEED MY HEAD” “I AM” “ANOTHER LIE” “AFTER ALL (THE DEAD)” Not “GUILTY” if you “HIDE IN THE RAINBOW’’ With your perfect “GUITAR SOLO” “DON’T TELL THE KIDS” to “DREAM EVIL” Don’t “GIVE HER THE GUN” to follow “DON’T TALK TO STRANGERS” Those “EVIL EYES” can see “LORD OF THE NIGHT” “MISTREATED”; “MY EYES” hate to fancy “SHAME ON THE NIGHT” “TURN UP THE NIGHT” Now it’s “TIME TO BURN” “TWISTED” “VOODOO” does “WALK ON WATER” And today its our turn “BLOOD FROM A STONE” “BORN ON THE SUN” I’m “BETTER IN THE DARK” “BREATHLESS” The “PRISONER OF PARADISE” you are! Forever you are deathless “SACRED HEART” “SHIVERS” Laying “NAKED IN THE RAIN” “THIS IS YOUR LIFE”- “ WILD ONE”! Your “GOLDEN RULES” we gain “IN DREAMS” “I SPEED AT NIGHT” I’m “LOSING MY INSANITY” “ANOTHER LIE”: “COMPUTER GOD” Your “HEAVEN AND HELL”- my vanity! By “KILLING THE DRAGON” “I COULD HAVE BEEN A DREAMER” I’m “THE LAST IN LINE” To “SCREAM” Like an “INVISIBLE” screamer Now that you are gone “THE END OF THE WORLD” is here “STRAIGHT THROUGH THE HEART” “PUSH” “JUST ANOTHER DAY” in fear “CHILDREN OF THE SEA” “ DYING IN AMERICA” Is it “DEATH BY LOVE”? “FACES IN THE WINDOW” looking for A “GYPSY” from above Dear “STARGAZER” from “STRANGE HIGHWAYS” Our love “HERE’S TO YOU” “WE ROCK” “ONE MORE FOR THE ROAD” The “OTHER WORLD” anew “ONE NIGHT IN THE CITY” with “NEON KNIGHTS” “THE EYES” “STAY OUT OF MY MIND” The “STARSTRUCK” “SUNSET SUPERMAN” Is what we long to find “THE MAN WHO WOULD BE KING” Is the “INSTITUTIONAL MAN” “SHOOT SHOOT” to “TURN TO STONE” “WHEN A WOMAN CRIES” to plan To “STAND UP AND SHOUT” before “ THE KING OF ROCK AND ROLL” Though “GOD HATES HEAVY METAL” “EAT YOUR HEART OUT” to reach the goal. From the poem- Holy Dio: the Diver (A tribute to Ronnie James Dio)
Munia Khan
He had lived in an apartment with books touching the ceilings, and rugs thick enough to hide dice; then in a room and a half with dirt floors; on forest floors, under unconcerned stars; under the floorboards of a Christian who, half a world and three-quarters of a century away, would have a tree planted to commemorate his righteousness; in a hole for so many days his knees would never wholly unbend; among Gypsies and partisans and half-decent Poles; in transit, refugee, and displaced persons camps; on a boat with a bottle with a boat that an insomniac agnostic had miraculously constructed inside it; on the other side of an ocean he would never wholly cross; above half a dozen grocery stores he killed himself fixing up and selling for small profits; beside a woman who rechecked the locks until she broke them, and died of old age at forty-two without a syllable of praise in her throat but the cells of her murdered mother still dividing in her brain; and finally, for the last quarter century, in a snow-globe-quiet Silver Spring split-level: ten pounds of Roman Vishniac bleaching on the coffee table; Enemies, A Love Story demagnetizing in the world’s last functional VCR; egg salad becoming bird flu in a refrigerator mummified with photographs of gorgeous, genius, tumorless great-grandchildren.
Jonathan Safran Foer (Here I Am)
How happily we explored our shiny new world! We lived like characters from the great books I curled up with in the big Draylon armchair. Like Jack Kerouak, like Gatsby, we created ourselves as we went along, a raggle-taggle of gypsies in old army overcoats and bell-bottoms, straggling through the fields that surrounded our granite farmhouse in search of firewood, which we dragged home and stacked in the living room. Ignorant and innocent, we acted as if the world belonged to us, as though we would ever have taken the time to hang the regency wallpaper we damaged so casually with half-rotten firewood, or would have known how to hang it straight, or smooth the seams. We broke logs against the massive tiled hearth and piled them against the sooty fire back, like the logs were tradition and we were burning it, like chimney fires could never happen, like the house didn't really belong to the poor divorcee who paid the rates and mortgage even as we sat around the flames like hunter gatherers, smoking Lebanese gold, chanting and playing the drums, dancing to the tortured music of Luke's guitar. Impelled by the rhythm, fortified by poorly digested scraps of Lao Tzu, we got up to dance, regardless of the coffee we knocked over onto the shag carpet. We sopped it up carelessly, or let it sit there as it would; later was time enough. We were committed to the moment. Everything was easy and beautiful if you looked at it right. If someone was angry, we walked down the other side of the street, sorry and amused at their loss of cool. We avoided newspapers and television. They were full of lies, and we knew all the stuff we needed. We spent our government grants on books, dope, acid, jug wine, and cheap food from the supermarket--variegated cheese scraps bundled roughly together, white cabbage and bacon ends, dented tins of tomatoes from the bargain bin. Everything was beautiful, the stars and the sunsets, the mold that someone discovered at the back of the fridge, the cows in the fields that kicked their giddy heels up in the air and fled as we ranged through the Yorkshire woods decked in daisy chains, necklaces made of melon seeds and tie-dye T-shirts whose colors stained the bath tub forever--an eternal reminder of the rainbow generation. [81-82]
Claire Robson (Love in Good Time: A Memoir)