Gutter Child Quotes

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Silently she stared at the splintered pieces and felt the flame in her soul gutter.  The flame she had nurtured since she was a child. The flame that had in it what little sparks of happiness she had ever known as well as all her hopes and dreams for the future.  She had tended it so carefully and for so long, and in one, horrendous, agonizing second, felt it simply... go out.
Barbara Sontheimer (Victor's Blessing)
There was a word from a myth: sathaz . It was the desire to possess that which can never be yours. It meant senseless, hopeless yearning, the way a gutter child might dream of being king, and it came from the tale of the man who loved the moon.
Laini Taylor (Muse of Nightmares (Strange the Dreamer, #2))
What if something were to happen? What if something suddenly started throbbing? Then they would notice it was there and they'd think their hearts were going to burst. Then what good would their dykes, bulwarks, power houses, furnaces and pile drivers be to them? It can happen any time, perhaps right now: the omens are present. For example, the father of a family might go out for a walk, and, across the street, he'll see something like a red rag, blown towards him by the wind. And when the rag has gotten close to him he'll see that it is a side of rotten meat, grimy with dust, dragging itself along by crawling, skipping, a piece of writhing flesh rolling in the gutter, spasmodically shooting out spurts of blood. Or a mother might look at her child's cheek and ask him: "What's that, a pimple?" and see the flesh puff out a little, split, open, and at the bottom of the split an eye, a laughing eye might appear. Or they might feel things gently brushing against their bodies, like the caresses of reeds to swimmers in a river. And they will realize that their clothing has become living things. And someone else might feel something scratching in his mouth. He goes to the mirror, opens his mouth: and his tongue is an enormous, live centipede, rubbing its legs together and scraping his palate. He'd like to spit it out, but the centipede is a part of him and he will have to tear it out with his own hands. And a crowd of things will appear for which people will have to find new names, stone eye, great three cornered arm, toe crutch, spider jaw. And someone might be sleeping in his comfortable bed, in his quiet, warm room, and wake up naked on a bluish earth, in a forest of rustling birch trees, rising red and white towards the sky like the smokestacks of Jouxtebouville, with big bumps half way out of the ground, hairy and bulbous like onions. And birds will fly around these birch trees and pick at them with their beaks and make them bleed. Sperm will flow slowly, gently, from these wounds, sperm mixed with blood, warm and glassy with little bubbles.
Jean-Paul Sartre (Nausea)
It takes a particular kind of strength to exist in a world where you are not wanted that doesn't feel like strength at all.
Jael Richardson (Gutter Child)
If this was the true self it was marvelous and what’s more it seemed never to change but always to pick up from the last stop, to continue in the same vein, a vein I had struck when I was a child and went down in the street for the first time alone and there frozen into the dirty ice of the gutter lay a dead cat, the first time I had looked at death and grasped it. From that moment I knew what it was to be isolated: every object, every living thing and every dead thing led its independent existence. My thoughts too led to an independent existence.
Henry Miller
Life is a cosmic grab-bag. At this moment, somewhere in the world, someone is losing a child, skiing down a mountain, having an orgasm, getting a haircut, lying on a bed of pain, singing on a stage, drowning, getting married, starving in a gutter. In the end, aren't we all that same person? An aeon is a thousand million years, and an aeon ago every atom in our bodies was a part of a star. Pay attention to me, God. We are all a part of your universe, and if we die, part of your universe dies with us.
Sidney Sheldon (Windmills of the Gods)
the crunch too much too little too fat too thin or nobody. laughter or tears haters lovers strangers with faces like the backs of thumb tacks armies running through streets of blood waving winebottles bayoneting and fucking virgins. or an old guy in a cheap room with a photograph of M. Monroe. there is a loneliness in this world so great that you can see it in the slow movement of the hands of a clock. people so tired mutilated either by love or no love. people just are not good to each other one on one. the rich are not good to the rich the poor are not good to the poor. we are afraid. our educational system tells us that we can all be big-ass winners. it hasn’t told us about the gutters or the suicides. or the terror of one person aching in one place alone untouched unspoken to watering a plant. people are not good to each other. people are not good to each other. people are not good to each other. I suppose they never will be. I don’t ask them to be. but sometimes I think about it. the beads will swing the clouds will cloud and the killer will behead the child like taking a bite out of an ice cream cone. too much too little too fat too thin or nobody more haters than lovers. people are not good to each other. perhaps if they were our deaths would not be so sad. meanwhile I look at young girls stems flowers of chance. there must be a way. surely there must be a way we have not yet thought of. who put this brain inside of me? it cries it demands it says that there is a chance. it will not say “no.
Charles Bukowski (Love is a Dog from Hell)
While she strode rapidly through the ward to the door at the other end, she was able to see that every bed or cot held an infant or a small child in whom the human template had been wrenched out of pattern, sometimes horribly, sometimes slightly. A baby like a comma, great lolling head on a stalk of a body... then something like a stick insect, enormous bulging eyes among stiff fragilities that were limbs... a small girl all blurred, her flesh guttering and melting - a doll with chalky swollen limbs, its eyes wide and blank, like blue ponds, and its mouth open, showing a swollen little tongue. A lanky boy was skewed, one half of his body sliding from the other. A child seemed at first glance normal, but then Harriet saw there was no back to its head; it was all face, which seemed to scream at her.
Doris Lessing (The Fifth Child)
Countless hands were lost. Arms, even faces, mangled. The sunk cost of mechanizing America, creating the fiction of freedom, included the slashing of woman and child bodies. The disconnected pieces fell to the ground, reaching for one another across brutalities and absence, until the wet gutters carried them away.
Lidia Yuknavitch (Thrust)
I’d long ago learned that it is only the very devout who toy with heresy. It’s only the Jesuit who complains of the Pope, only the devoted parent who ridicules his child, only the super rich who pick up pennies from the gutter. And in East Berlin it is only the truly faithful who speak treason with such self-assurance.
Len Deighton (Berlin Game (Bernard Samson, #1))
A girl learns who she is from the woman she sees loving her," Ida says. "She learns what's good and what's lovely about herself, and the further apart she is from that woman, and the more different they are, the harder it is for her to know what to love about herself. Especially when everything around her tells her she's not right.
Jael Richardson (Gutter Child)
Walking a small child was like herding water, Michael used to think when his own children were small. Heaven only knew what they'd take into their heads to do next - dart in front of a speeding car or throw a tantrum in mid-traffic or stop to pick a soaked cigar butt out of the gutter.
Anne Tyler (The Amateur Marriage)
When I drew pictures of Mother and me, I used Peach for her and Chestnut for myself. "Why is your skin named after something soft and sweet and mine is something hard and bitter?" "Because you are so much tougher," she said. I thought that was a very good answer. And maybe it's true. But I am forced to be tough.
Jael Richardson (Gutter Child)
But the people. The normal people. They were far worse. With no rule and no law, it became every man, woman, and child for themselves. There were no repercussions for crimes or violence—no one to run to if you were beaten or robbed. No police. No prisons. Not legitimate ones, anyway. Neighbors stole from neighbors. Stores were looted and supplies were hoarded, leaving children to starve in the gutters. It became the strong against the weak, and, as it turns out, the strong were usually jerks. Humanity loses faith in times like that. With no one to look up to, no one to believe in, we all became rats scrounging in the sewers.
Marissa Meyer (Renegades (Renegades, #1))
Will you--tell me--about the diamond mines?” “The diamond mines?” broke out Lavinia. “Nasty, little spoiled thing, I should like to slap her!” Sara got up quickly on her feet. It must be remembered that she had been very deeply absorbed in the book about the Bastille, and she had had to recall several things rapidly when she realized that she must go and take care of her adopted child. She was not an angel, and she was not fond of Lavinia. “Well,” she said, with some fire, “I should like to slap you--but I don’t want to slap you!” restraining herself. “At least I both want to slap you--and I should like to slap you--but I won’t slap you. We are not little gutter children. We are both old enough to know better.
Frances Hodgson Burnett (A Little Princess)
Each day, as she passed the house whose number she claimed, she looked at it with gratitude and affection. On windy days, when papers blew before it, she went about picking up the debris and depositing it in the gutter before the house. Mornings after the rubbish man had emptied the burlap bag and had carelessly tossed the empty bag on the walk instead of in the yard, Francie picked it up and hung it on a fence paling. The people who lived in the house came to look on her as a quiet child who had a queer complex about tidiness. Francie
Betty Smith (A Tree Grows in Brooklyn)
Often as she was painting she found herself drifting back through her past like someone wandering through an old house. She thought of her father, who used to take her for neighborhood walks on Sundays when she was a child so that her mother, already an invalid, could get her rest. “Notice the rust stains below those eaves,” he would say. “Below Mrs. Webb’s eaves. I don’t know how often I’ve told her she needs to have her gutters cleaned.” And once, when it began to rain, “Have you ever wondered where rain comes from?” “No, not really,” she had said bluntly, but he had told her anyhow—all about evaporation, condensation…Now she saw that he had adored her, and she felt a deep wave of regret for her failure to realize that before.
Anne Tyler (French Braid)
Sara and I are both leaving within the hour. In my carriage." "Together?" Lily looked startled, and then shook her head. "You can't. Don't you realize what people would say when they discovered that both of you were gone?" "Nothing they haven't said already." He slid a proprietary arm around Sara's shoulders. Lily drew her slight frame up as tall as possible, adopting the brisk tone of a chaperone defending her charge. "Where are you planning to go?" Derek smiled slowly. "None of your damn business, gypsy." Ignoring Lily's sputtering protests, he stared down at his fiancée and raised his brows mockingly. As she met his glinting green eyes, Sara realized he intended to take her to London and keep her with him for the night. Her nerves jangled with alarm. "I'm not certain it's advisable-" she began diplomatically, but he cut her off. "Go pack your things." Oh, the arrogance. But it was part of why she loved him, his single-minded determination to get what he wanted. Only blind, bullying stubbornness had enabled him to climb from the gutter. Now that the prospect of marrying her was within his reach, he planned to ensure it by well and truly compromising her. After tonight there would be no turning back. Sara stared at the broad expanse of his chest, conscious of the weight of his arm across her shoulders, the gentle stroke of his thumb and forefinger against her neck. Well... reprehensible as it was, she wanted the same thing. "Derek," Lily said in a steely voice, "I won't allow you to force this poor child into something she's not prepared for-" "She's not a child." His fingers tightened on the back of Sara's neck. "Tell her what you want, Sara." Helplessly Sara raised her head and looked at Lily, her face turning a deep shade of crimson. "I... I'm leaving with Mr. Craven." She didn't have to look at Derek to know that he was smiling in satisfaction.
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
Clad in red velvet it came, the very covering my old Master had so loved, the dream king, Marius. It came swaggering and camping through the lighted streets of Paris as though God had made it. But it was a vampire child, the same as I, son of the seventeen hundreds, as they reckoned the time to be then, a blazing, brash, bumbling, laughing and teasing blood drinker in the guise of a young man, come to stomp out whatever sacred fire yet burnt in the cleft scar tissue of my soul and scatter the ashes. It was The Vampire Lestat. It wasn't his fault. Had one of us been able to strike him down one night, break him apart with his own fancy sword and set him ablaze, we might have had a few more decades of our wretched delusions. But nobody could. He was too damned strong for us. Created by a powerful and ancient renegade, a legendary vampire by the name of Magnus, this Lestat, aged twenty in mortal years, an errant and penniless country aristocrat from the wild lands of Auvergne, who had thrown over custom and respectability and any hope of court ambitions, of which he had none anyway since he couldn't even read or write, and was too insulting to wait on any King or Queen, who became a wild blond-haired celebrity of the boulevard gutter theatricals, a lover of men and women, a laughing happy-go-lucky blindly ambitious self-loving genius of sorts, this Lestat, this blue-eyed and infinitely confident Lestat, was orphaned on the very night of his creation by the ancient monster who made him, bequeathed to him a fortune in a secret room in a crumbling medieval tower, and then went into the eternal comfort of the ever devouring flames. This Lestat, knowing nothing of Old Covens and Old Ways, of soot covered gangsters who thrived under cemeteries and believed they had a right to brand him a heretic, a maverick and a bastard of the Dark Blood, went strutting about fashionable Paris, isolated and tormented by his supernatural endowments yet glorying in his new powers, dancing at the Tuileries with the most magnificently clad women, reveling in the joys of the ballet and the high court theater and roaming not only in the Places of Light, as we called them, but meandering mournfully in Notre Dame de Paris itself, right before the High Altar, without the lightning of God striking him where he stood. Armand’s description of Lestat from The Vampire Armand
Anne Rice (The Vampire Armand (Anne Rice's The Vampire Lestat #7))
Your womb can’t never bear fruit.” Miss Ethel Fordham told her that. Without sorrow or alarm, she had passed along the news as though she’d examined a Burpee seedling overcome by marauding rabbits. Cee didn’t know then what to feel about that news, no more than what she felt about Dr. Beau. Anger wasn’t available to her—she had been so stupid, so eager to please. As usual she blamed being dumb on her lack of schooling, but that excuse fell apart the second she thought about the skilled women who had cared for her, healed her. Some of them had to have Bible verses read to them because they could not decipher print themselves, so they had sharpened the skills of the illiterate: perfect memory, photographic minds, keen senses of smell and hearing. And they knew how to repair what an educated bandit doctor had plundered. If not schooling, then what? Branded early as an unlovable, barely tolerated “gutter child” by Lenore, the only one whose opinion mattered to her parents, exactly like what Miss Ethel said, she had agreed with the label and believed herself worthless. Ida never said, “You my child. I dote on you. You wasn’t born in no gutter. You born into my arms. Come on over here and let me give you a hug.” If not her mother, somebody somewhere should have said those words and meant them. Frank alone valued her. While his devotion shielded her, it did not strengthen her. Should it have? Why was that his job and not her own? Cee didn’t know any soft, silly women. Not Thelma, or Sarah, or Ida, and certainly not the women who had healed her. Even Mrs. K., who let the boys play nasty with her, did hair and slapped anybody who messed with her, in or outside her hairdressing kitchen. So it was just herself. In this world with these people she wanted to be the person who would never again need rescue. Not from Lenore through the lies of the Rat, not from Dr. Beau through the courage of Sarah and her brother. Sun-smacked or not, she wanted to be the one who rescued her own self. Did she have a mind, or not? Wishing would not make it so, nor would blame, but thinking might. If she did not respect herself, why should anybody else? Okay. She would never have children to care about and give her the status of motherhood. Okay. She didn’t have and probably would never have a mate. Why should that matter? Love? Please. Protection? Yeah, sure. Golden eggs? Don’t make me laugh. Okay. She was penniless. But not for long. She would have to invent a way to earn a living. What else?
Toni Morrison (Home)
Make story stones with prompts and symbols for telling great stories. Build boats and float them down the gutter
Ainsley Arment (The Call of the Wild and Free: Reclaiming Wonder in Your Child's Education)
Because someone needs to care. You don't deserve to live like this. You don't deserve to die. You deserve to have someone care enough to do everything they can to help you – even if that person is only a gutter rat like me.
Ellen ES Ceely (Child of Shadows (The Legends of Zale Book 1))
Jan Hindman knows all too well that people who have lied for decades about their offending would lie to her about being victimized as a child, so she compared the reports of abuse by child molesters who were not being polygraphed on their answers with a later group who was informed that they would have to take a polygraph after the interview. The group that was being polygraphed was also given immunity from prosecution for crimes previously unknown in order to take away one of the many reasons that offenders lie.[103] The study is not about how good the polygraph is — although it appears to be highly accurate[104] and better than people are at detecting deception in any case. Rather, this study is about how good the offenders thought the polygraph was because the answers of the group who was going to take the polygraph turned out to be very different from the group who was going to take the polygraph turned out very different from the group who wasn't going. In a series of three studies, the offenders who claimed they were abused as a child were 67 percent, 65 percent, and 61 percent without the threat of a polygraph. With polygraph (and conditional immunity), the offenders who claimed they were abused as children were 29 percent, 32 percent, and 30 percent, respectively. The polygraph groups reported approximately half the amount of victimization as children as the nonpolygraph groups did. Nonetheless, the notion that most offenders were victims has spread throughout the field of sexual abuse and is strangely comforting for most professionals. For one thing, it gives meaning to the behavior of offenders and at the same time allows people to feel badly for them. I remember a cartoon in which a man is lying in a gutter, badly beaten. Two social workers stand over him, and one says to the other, "The man who did this really needs help." If offenders are just victims, then no one has to face the reality of malevolence, the fact that there are people out there who prey on other for reasons we simply don't understand.
Anna C. Salter (Predators: Pedophiles, Rapists, and Other Sex Offenders)
The truth was not always pleasant. It did not always have good manners and clean its fingernails. Sometimes it was in the eyes of a child or in a bird on a treetop, sometimes in a gutter, on a gallows, in a barracks latrine; and it was no less the truth in one place than in another. The dedication was to find it in all places - everywhere. To face it, know it, and be unafraid. Without evil, there could be no good; without filth, no purity, without hell, no heaven; without Satan, no God.
James Ramsey Ullman (Day on Fire)
He waited in the gutter a whole minute, but no one came out. He turned his collar up against the nighttime mist and set out walking back to the hotel. From the corner he saw the guy with the top hat was gone. The evening shift had ended, and the night shift had started. He slowed down and scanned ahead. Habit. There was a guy in a doorway on the other side of the street. Barely visible. He was lit from the side, softly, in green, by a pharmacy sign two units further away. He was wearing a dark parka and a little Bavarian hat. Probably had a feather in the band. He was watching the hotel. No doubt about that. He was face-on to it, wedged in the doorway corner. White, and a little stout. Maybe six feet and two-ten. Hard to say how old. Reacher
Lee Child (Night School (Jack Reacher, #21))
Well, but, Kitten, you don't quite understand!" Sherry said desperately. "It sounds bad, but ten to one there's another side to the story. These little affairs, you know--it don't do to be talking of them, but--dash it, it's the sort of thing that might happen to anyone!" "Oh, *no*!" Hero cried in a breaking voice, her eyes swimming in tears. "Not you, Sherry! Not *you*!" "No, no--My God, I hope not!" said his lordship, with a sudden hair-raising vision of the scene which had taken place in King Street. He discovered that his cousin and Mr. Ringwood, both much moved by Hero's cry and look of anguish, were gazing at him reproachfully, and demanded in a voice of wrath: "What the devil are you looking like that for, the pair of you? I never seduced anyone in my life, I'll have you know! What's more, I'm not the sort of fellow to leave his bastards to starve in the gutter. I mean, I wouldn't if I had any, but I haven't--at least, if I have I never heard of them! Oh, the devil!" His friends, greatly discomposed, at once begged pardon, Ferdy explaining that he had been momentarily carried away.
Georgette Heyer (Friday's Child)
What if greatness only happens when we're together, when we don't let them pull us apart?
Jael Richardson (Gutter Child)
Later, I sat down drunk on the corner of Carondelet and Canal Streets, listening for the rumble of the streetcar that would take me back uptown to my apartment, watching the evening sun bleed from the streets, the city shifting into night, when it truly became New Orleans: the music, the constant festival, the smell of late evening dinners pouring out, layering the beer-soaked streets, prostitutes, clubs with DJs, rowdy gay bars, dirty strip clubs, the insane out for a walk, college students vomiting in trash cans, daiquiri bars lit up like supermarkets, washing-machine-sized mixers built into the wall spinning every color of daiquiri, lone trumpet players, grown women crying, clawing at men in suits, portrait painters, spangers (spare change beggars), gutter punks with dogs, kids tap-dancing with spinning bike wheels on their heads, the golden cowboy frozen on a milk crate, his golden gun pointed at a child in the crowd, fortune-tellers, psycho preachers, mumblers, fighters, rock-faced college boys out for a date rape, club chicks wearing silver miniskirts, horse-drawn carriages, plastic cups piling against the high curbs of Bourbon Street, jazz music pressing up against rock-and-roll cover bands, murderers, scam artists, hippies selling anything, magic shows and people on unicycles, flying cockroaches the size of pocket rockets, rats without fear, men in drag, business execs wandering drunk in packs, deciding not to tell their wives, sluts sucking dick on open balconies, cops on horseback looking down blouses, cars wading across the river of drunks on Bourbon Street, the people screaming at them, pouring drinks on the hood, putting their asses to the window, whole bars of people laughing, shot girls with test tubes of neon-colored booze, bouncers dragging skinny white boys out by their necks, college girls rubbing each other’s backs after vomiting tequila, T-shirts, drinks sold in a green two-foot tube with a small souvenir grenade in the bottom, people stumbling, tripping, falling, laughing on the sidewalk in the filth, laughing too hard to stand back up, thin rivers of piss leaking out from corners, brides with dirty dresses, men in G-strings, mangy dogs, balloon animals, camcorders, twenty-four-hour 3-4-1, free admission, amateur night, black-eyed strippers, drunk bicyclers, clouds of termites like brown mist surrounding streetlamps, ventriloquists, bikers, people sitting on mailboxes, coffee with chicory, soul singers, the shoeless, the drunks, the blissful, the ignorant, the beaten, the assholes, the cheaters, the douche bags, the comedians, the holy, the broken, the affluent, the beggars, the forgotten, and the soft spring air pregnant with every scent created by such a town.
Jacob Tomsky (Heads in Beds: A Reckless Memoir of Hotels, Hustles, and So-Called Hospitality)
Life is a cosmic grab-bag. At this moment, somewhere in the world, someone is losing a child, skiing down a mountain, having an orgasm, getting a haircut, lying on a bed of pain, singing on a stage, drowning, getting married, starving in a gutter. In the end, aren’t we all that same person? An aeon is a thousand million years, and an aeon ago every atom in our bodies was a part of a star. Pay attention to me, God. We are all a part of your universe, and if we die, part of your universe dies with us.
Sidney Sheldon (Windmills of the Gods)