Gutless Quotes

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That craptastical, gutless, son-of-a-cactus-humping butt monkey!!
Gemma Halliday (Deadly Cool (Deadly Cool, #1))
You're gutless. It's how you were made. And that's not such a bad thing because your saving grace is that you've never lied to yourself about it. Not about that. Nothing wrong with cowardice as long as it comes with prudence. But when a coward stops remembering who he is... God help him.
Khaled Hosseini (The Kite Runner)
Just because you're a gutless harlot doesn't mean I won't find your... attributes attractive. I might be immortal, but I'm still a red-blooded male." "Harlot? Who talks like that? Father Time, meet the Flinstones.
Kresley Cole (Endless Knight (The Arcana Chronicles, #2))
She has her helmet, shield and sword. Does she finish him or take pity on the gutless thing before her? Does she set fire and smoke him out, forcing him to fight, or does she let him live with himself and take satisfaction from knowing that he has never been in a real fight in his life and that one day he will have to face his demons in person, along with the consequences, and that both can be far more painful than anything she could ever do to him.
Donna Lynn Hope
Teamwork," Koteks snarled, "is one word for it, yeah. What it really is is a way to avoid responsibility. It's a symptom of the gutlessness of the whole society.
Thomas Pynchon (The Crying of Lot 49)
That craptastical, gutless, son-of-a-cactus humping butt monkey" - Hartley Featherston
Gemma Halliday (Deadly Cool (Deadly Cool, #1))
It does not take long. Soon the fine galloping language, the gutless swooning full of sapless trees and dehydrated lusts begins to swim smooth and swift and peaceful. It is better than praying without having to bother to think aloud. It is like listening in a cathedral to a eunuch chanting in a language which he does not even need to not understand.
William Faulkner (Light in August)
Cowards don't always hide. Sometimes, they're so gutless they need to stand out.
Steven Herrick (Cold Skin)
Hubert Humphrey is a treacherous, gutless old ward-heeler who should be put in a goddamn bottle and sent out with the Japanese current.
Hunter S. Thompson (Fear and Loathing on the Campaign Trail '72)
A well-trained diplomat is supposed to write French, for example, like an angel, but to speak it with the peculiar gutlessness of a Geneva nancy-boy.
Geoffrey Household (Rogue Male (Rogue Male, #1))
I am strong... Extra-ordinarily so much more than you guys! Therefore, I am perfectly capable of kicking those titan scumbags' collective ass including on my own if I have to. Are you all such a bunch incompetents? You gutless spineless cowards. You just stay there and watch in helpless envy. Yeah, you do that. If it is (impossible), then I'll die... It's just that simple. But if I win, I get to live. You don't stand a single chance to win unless you fight.
Hajime Isayama (Attack on Titan, Vol. 2 (Attack on Titan, #2))
Sally - "Those fucking dickless — okay, maybe not that — lily-livered, spineless, impotent — okay, not that either — chickenhearted, dim-witted, gutless Doms.
Cherise Sinclair (If Only (Masters of the Shadowlands, #8))
Kovacs to a female believer in New Revelation: "..I’m calling you a gutless betrayer of your sex. I can see your husband’s angle, he’s a man, he’s got everything to gain from this crapshit. But you? You’ve thrown away centuries of political struggle and scientific advance so you can sit in the dark and mutter your superstitions of unworth to yourself. You’ll let your life, the most precious thing you have, be stolen from you hour by hour and day by day as long as you can eke out the existence your males will let you have. And then, when you finally die, and I hope it’s soon, sister, I really do, then at the last you’ll spite your own potential and shirk the final power we’ve won for ourselves to come back and try again. You’ll do all of this because of your fucking faith, and if that child in your belly is female, then you’ll condemn her to the same fucking thing
Richard K. Morgan (Woken Furies (Takeshi Kovacs, #3))
People succumb to fear, no matter the government. The everyday person doesn’t want war, but it’s remarkably easy to convince them. It’s the government that determines political priorities, and it’s easy to drag people along with you by tapping into that fear. I don’t care if you have a communist mecca, a fascist regime, or a representative democracy, even some monarchy with a gutless parliament. People can always be convinced to turn on one another. All you have to do is convince them that their way of life is being attacked. Denounce all the pacifist liberal bleeding hearts and feel-good heretics, the social outcasts, the educated. Call them elites and snobs. Say they’re out of touch with real patriots. Call these rabble-rousers terrorists. Say their very existence weakens the state. In the end, the government need not do anything to silence dissent. Their neighbors will do it for them.
Kameron Hurley (The Light Brigade)
I always admire people who have the courage to confront the conventional wisdom - I mean, people within the system. Those of us on the outside, it's easy for us to say whatever we think, because there are no consequences to it. It's much harder to say, "I think the conventional wisdom is full of beans, and I'm not going to go along with it," when you're inside the system and exposed to the possibility of actual failure. I think the people who do this drive the world to get better, whereas the people who snipe at anybody who dares suggest that the conventional wisdom is malarkey are, in my view, gutless conspirators in the mediocrity of the universe.
Bill James
You hide, safely entrenched in the margins, never in the middle of the page. You’re too scared to embrace freedom . . . you’re like a fish in a bowl in the ocean looking out towards the big picture but always too gutless to make the jump.
John Marrs
For love? What love? Is that what binds all these couples we know together—the ones who even bother to let themselves be bound? Isn’t it something more like weakness? Isn’t it rather convenience and apathy and guilt? Isn’t it rather fear and exhaustion and inertia, gutlessness plain and simple, far far more than that “love” that the marriage counselors and the songwriters and the psychotherapists are forever dreaming about? Please, let us not bullshit one another about “love” and its duration.
Philip Roth (Portnoy's Complaint)
It’s us or you people; that’s what he says. And I believe him.” “They believed Hitler, too. But you don’t believe him; you’re just scared gutless of him.
Stephen King (The Stand)
This prophecy against Eli emphasizes that you can end up in grave sin by thinking it very important to be nice to people. How easy it is to practice a gutless compassion that never wants to offend anyone, that equates niceness with love and thereby ignores God's law and essentially despises his holiness. We do not necessarily seek God's honor when we spare human feelings.
Dale Ralph Davis (Davis's Commentaries on Joshua, Judges, 1 and 2 Samuel)
If adventurers were cowardly, no one would have crossed the nations; if sailors were fearful, no one would have crossed the oceans; if pilots were gutless, no one would have crossed the skies.
Matshona Dhliwayo
I am still vaguely haunted by our hitchhiker’s remark about how he’d “never rode in a convertible before.” Here’s this poor geek living in a world of convertibles zipping past him on the highways all the time, and he’s never even ridden in one. It made me feel like King Farouk. I was tempted to have my attorney pull into the next airport and arrange some kind of simple, common-law contract whereby we could just give the car to this unfortunate bastard. Just say: “Here, sign this and the car’s yours.” Give him the keys and then use the credit card to zap off on a jet to some place like Miami and rent another huge fireapple-red convertible for a drug-addled, top-speed run across the water all the way out to the last stop in Key West … and then trade the car off for a boat. Keep moving. But this manic notion passed quickly. There was no point in getting this harmless kid locked up—and, besides, I had plans for this car. I was looking forward to flashing around Las Vegas in the bugger. Maybe do a bit of serious drag-racing on the Strip: Pull up to that big stoplight in front of the Flamingo and start screaming at the traffic: “Alright, you chickenshit wimps! You pansies! When this goddamn light flips green, I’m gonna stomp down on this thing and blow every one of you gutless punks off the road!” Right. Challenge the bastards on their own turf. Come screeching up to the crosswalk, bucking and skidding with a bottle of rum in one hand and jamming the horn to drown out the music … glazed eyes insanely dilated behind tiny black, gold-rimmed greaser shades, screaming gibberish … a genuinely dangerous drunk, reeking of ether and terminal psychosis. Revving the engine up to a terrible high-pitched chattering whine, waiting for the light to change … How often does a chance like that come around? To jangle the bastards right down to the core of their spleens. Old elephants limp off to the hills to die; old Americans go out to the highway and drive themselves to death with huge cars.
Hunter S. Thompson (Fear and Loathing in Las Vegas)
What are you?' Trout asked the boy scornfully. 'Some kind of gutless wonder?' This, too, was the title of a book by Trout, The Gutless Wonder. It was about a robot who had bad breath, who became popular after his halitosis was cured. But what made the story remarkable, since it was written in 1932, was that it predicted the widespread use of burning jellied gasoline on human beings. It was dropped on them from airplanes. Robots did the dropping. They had no conscience, and no circuits which would allow them to imagine what was happening to the people on the ground. Trout's leading robot looked like a human being, and could talk and dance and so on, and go out with girls. And nobody held it against him that he dropped jellied gasoline on people. But they found his halitosis unforgivable. But then he cleared that up, and he was welcomed to the human race.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
Tits and cunts and legs and lips and mouths and tongues and assholes! How can I give up what I have never even had, for a girl, who delicious and provocative as once she may have been, will inevitably grow as familiar to me as a loaf of bread? For Love? What love? Is that what binds all these couples we know together—the ones who even bother to let themselves be bound? Isn't it something more like weakness? Isn't it rather convenience and apathy and guilt? Isn't it rather fear and exhaustion and inertia, gutlessness plain and simple, far far more than that "love" that the marriage counsellors and songwriters and psychotherapists are forever dreaming about?
Philip Roth
Have you ever been to the beach and wanted to feed the seagulls? The problem is you tear off a little crust from your sandwich and toss it to one, and ten more show up. Toss a little more and a flock descends. You start to wonder: if I run out of bread, will I become the meal? Turkeys are different. They startle easily and run for the barn. In the wild, they run for the hills. Of course, they’re very tasty. Benjamin Franklin thought them majestic enough to be an emblem for our country. I’m sorry, but Thanksgiving would be downright depressing. There’s our national symbol lying stuffed and roasted and ready to carve up for hungry guests. And then we have the eagles. Our forefathers were trained in the Bible. […]They would have known Isaiah 40:31. “Those who wait upon the Lord will gain new strength; they will mount up with wings like eagles, they will run and not get tired, they will walk and not become weary.” They were making war on the greatest power in the world of the time; the world was watching them. What could this band of commoners do? What troubles me about our country today is how many seagulls there are, scrambling for more. Remember the movie “Finding Nemo”? “Mine, mine, mine!” And we sure have a lot of gutless turkeys running for the barn whenever hard decisions have to be made; like how to keep our country solvent so our children won’t be in soup lines… Where are the eagles? That’s what I want to know. Please, God, we need us some eagles!
Francine Rivers
It's probably true. There definitely is something wrong with me. I have become petty. I am no good at all. I am pathetic. Out of the blue I nearly cried out at the top of my lungs. Pshaw... as if a loud holler was going to cover my gutlessness. I have to do something more. Maybe I am in love. I lay back on the green meadow.
Osamu Dazai (Schoolgirl)
That's one thing I've learned: you think people are watching you, noticing things, but they're not.
Carl Deuker (Gutless)
If winning cures everything, then losing poisons everything.
Carl Deuker (Gutless)
You mean you didn’t know that everyone here are backstabbing, gutless, social climbers who would happily suck up to Gabe when they thought it would help them with their grades and future prospects because of your Bonds, but now that they’ve been reminded that all of you are like the strongest of the Top Tier Gifted, they’re back to talking trash like the spineless pieces of shit they all are?
J. Bree (Savage Bonds (The Bonds That Tie, #2))
No, I’m calling you a gutless betrayer of your sex. I can see your husband’s angle, he’s a man, he’s got everything to gain from this crabshit. But you? You’ve thrown away centuries of political struggle and scientific advance so you can sit in the dark and mutter your superstitions of unworth to yourself. You’ll let your life, the most precious thing you have, be stolen from you hour by hour and day by day as long as you can eke out the existence your males will let you have. And then, when you finally die, and I hope it’s soon, sister, I really do, then at the last you’ll spite your own potential and shirk the final power we’ve won for ourselves to come back and try again. You’ll do all of this because of your fucking faith, and if that child in your belly is female, then you’ll condemn her to the same fucking thing.
Richard K. Morgan (Woken Furies (Takeshi Kovacs, #3))
They were properly mad in the Shakespearean sense, talking sense when you least expected it. In North London, where councillors once voted to change the name of the area to Nirvana, it is not unusual to walk the streets and be suddenly confronted by sage words from the chalkfaced, blue-lipped, or eyebrowless. From across the street or from the other end of a tube carriage they will use their schizophrenic talent for seeing connections in the random (for discerning the whole world in a grain of sand, for deriving narrative from nothing) to riddle you, to rhyme you, to strip you down, to tell you who you are and where you’re going (usually Baker Street—the great majority of modernday seers travel the Metropolitan Line) and why. But as a city we are not appreciative of these people. Our gut instinct is that they intend to embarrass us, that they’re out to shame us somehow as they lurch down the train aisle, bulbous-eyed and with carbuncled nose, preparing to ask us, inevitably, what we are looking at. What the fuck we are looking at. As a kind of preemptive defense mechanism, Londoners have learned not to look, never to look, to avoid eyes at all times so that the dreaded question “What you looking at?” and its pitiful, gutless, useless answer —“Nothing”—might be avoided.
Zadie Smith (White Teeth)
Despite the fact that there are many honest and capable police officers in our States, with the persistent events of brutality and incompetence in mind I am compelled to say that the US police department is one of the most unfit, brainless, gutless and backboneless police forces in the world. Defunding such police force won't do any good, we must legislate compulsory regular clinical counseling for each and every officer of the law.
Abhijit Naskar (Bulldozer on Duty)
Tigerclaw swung his head around and fixed her with a yellow glare. “Defend myself to you, you gutless excuse for a warrior? What sort of a leader are you? Keeping the peace with other Clans. Helping them! You barely punished Fireheart and Graystripe for feeding RiverClan, and you sent them to fetch WindClan home! I would have never shown such kittypet softness. I would have brought back the days of TigerClan. I would have made ThunderClan great!” “And how many cats would have died for it?” Bluestar murmured, almost to herself.
Erin Hunter (Forest of Secrets (Warriors, #3))
The Republicans appear gutless because few have dared complain even while their party is taken over by people who despise them; the Democrats seem unaware that something similar might happen to them. The vital center, which in the past has saved the country from divisions over a host of contentious issues, has become a lonely place—historically an augury of more extreme problems in the offing. What the country needs is a plainspoken commitment by responsible leaders from both parties to address national needs together, accompanied by a general plan of action for doing so. Instead, Republicans are guarding their right flank and Democrats their left, leaving a gaping hole in the only place in the ideological spectrum where lasting agreements on behalf of the common good can be forged.
Madeleine K. Albright (Fascism: A Warning)
It’s a rare company I visit these days that doesn’t have a Dilbert cartoon posted somewhere. I guess the message of these cartoons is “Our company is in some ways like Dilbert’s company, ” or, even worse, “My boss is in some ways like Dilbert’s boss.” When I encounter these cartoons, I always want to find the person who posted them and ask, “Yes, but are you like Dilbert?” Are you keeping your head down? Are you accepting senseless direction when it’s offered? Are you letting the bureaucracy dominate at the expense of the real goals? If so, I’d like to tell that person, then you’re part of the problem. At the risk of being a total killjoy, I propose that you look at the next Dilbert cartoon that falls under your eye in a totally different way. I propose that you ask yourself about Dilbert’s role in whatever corporate nonsense is the butt of the joke. Ask yourself, How should Dilbert have responded? (The real Dilbert, of course, never responds at all.) How could Dilbert have made this funny situation distinctly nonfunny? What could he have done to put an end to such absurdities? There is always an obvious answer. Sometimes the action is one that would get Dilbert fired. It’s easy (and fair) to blame lousy management on lousy managers. But it’s not enough. It’s also necessary to blame the people who allow themselves to be managed so badly. At least partly at fault for every bad management move is some gutless Dilbert who allows it to happen.
Tom DeMarco (Slack: Getting Past Burnout, Busywork, and the Myth of Total Efficiency)
But perhaps the best and most memorable way to explain the conflict that arose between honoring traditional honor, and honoring one’s individual psyche, can be conveyed in a story from World War II. In 1943, coming off his dazzling victories in the Sicily campaign, George S. Patton stopped by a medical tent to visit with the wounded. He enjoyed these visits, and so did the soldiers and staff. He would hand out Purple Hearts, pump the men full of encouragement, and offer rousing speeches to the nurses, interns, and their patients that were so touching in nature they sometimes brought tears to many of the eyes in the room. On this particular occasion, as Patton entered the tent all the men jumped to attention except for one, Private Charles H. Kuhl, who sat slouched on a stool. Kuhl, who showed no outward injuries, was asked by Patton how he was wounded, to which the private replied, “I guess I just can’t take it.” Patton did not believe “battle fatigue” or “shell-shock” was a real condition nor an excuse to be given medical treatment, and had recently been told by one of the commanders of Kuhl’s division that, “The front lines seem to be thinning out. There seems to be a very large number of ‘malingerers’ at the hospitals, feigning illness in order to avoid combat duty.” He became livid. Patton slapped Kuhl across the face with his gloves, grabbed him by his collar, and led him outside the tent. Kicking him in the backside, Patton demanded that this “gutless bastard” not be admitted and instead be sent back to the front to fight. A week later, Patton slapped another soldier at a hospital, who, in tears, told the general he was there because of “his nerves,” and that he simply couldn’t “stand the shelling anymore.” Enraged, Patton brandished his white-handled, single-action Colt revolver and bellowed: Your nerves, Hell, you are just a goddamned coward, you yellow son of a bitch. Shut up that goddamned crying. I won’t have these brave men here who have been shot seeing a yellow bastard sitting here crying…You’re a disgrace to the Army and you’re going back to the front lines and you may get shot and killed, but you’re going to fight. If you don’t I’ll stand you up against a wall and have a firing squad kill you on purpose. In fact I ought to shoot you myself, you God-damned whimpering coward.
Brett McKay (What Is Honor? And How to Revive It)
Jenks and I stood there like statues watching him twitch, his eyes rolling up in his head. He clutched at his clothes pulling the wooden pole they hung from down on top of him. Slowly his right hand came scrambling out away from his body to clutch at my left leg. Without thinking I shoved my crucifix at him and he pulled his hand back with a hiss, shielding his face again. As quickly as I could, I dug my tubes of Holy Water out of my coat pocket and emptied them on his head. He shrieked again and clawed at his face. Jenks followed suit, pouring his two vials on Skorzeny's body and legs. Skorzeny started to foam and bubble before our eyes. I was paralyzed. I couldn't quite believe what was happening. Those books hadn't described any of this. I was feeling dizzy and sick. The shrieks turned to groans and a gurgling deep in his throat. He pulled his hands away from his face and it looked like the disintegrating Portrait of Dorian Gray. I looked over to Jenks who had an odd expression on his face. I looked over to Jenks who had on odd expression on his face. He motioned to me and reached for my left hand which, I noticed, was still clutching the airline hag with the stake and hammer in it. I dropped it and he grabbed it off the floor, moving over to the smoking form still squirming in the closet which smelled even more foul than before, and oozing a greenish yellow pus from the crumpled clothing on his scarecrow frame. Jenks looked back at me and handed me the stake and hammer. 'Go ahead. This was your idea. Finish it.' I declined, turning away. Jenks spun me around violently and thrust the stake into my left hand. He pushed me toward what was left of Skorzeny and forced me to my knees. He forced my hand toward Skorzeny, positioning the stake over the man's chest. Then he stuck the hammer in my right hand. 'Do it, you gutless sonofabitch. Finish it... now!' And he stepped away. I looked at him and back at Skorzeny. Then I gave one vicious swing and hit the stake dead center. The thing made a gurgling grunt, like a pig snuffling for food, and started to regurgitate a blackish fluid from its mouth. I closed my eyes, took a deep breath and hit the stake three more times. Then I fell back and threw up. When I looked back, Skorzeny's hands, or what was left of them, clutched at the stake trying to pull it out. Suddenly, he emitted a kind of moaning, sucking sound, gagged and more bile-colored liquid flecked with black and red came coiling up in a viscous rope like some evil worm from his mouth. And he stopped moving, his hands still clutching the stake. Then a sort of gaseous mist started to rise from his body and it was so much worse than the original smell that I pushed Jenks aside and ran from the house. I ran all the way to a patrol car where I slumped against the left front wheel as Jenks slowly strolled toward me. He walked past me, ignoring me, and opened his trunk, taking out a couple of small gas cans, and headed back to the house. I wasn't paying much attention until he left the house again and I saw it was aflame.
Jeff Rice (The Night Stalker)
Back up for a sec, Rhodes. Are you telling me you’re not pissed I slept with Chris, you’re pissed he’s in your home—” “Why the hell would I be pissed you slept with my brother-in-law? You’re both grown men and I like you enough to know family get-togethers wouldn’t be a living hell to experience. I’m pissed because you’re too gutless to accept what seems to me to be something pretty special, and I’m the one dealing with the fall-out because Rowan has her hands full looking after our baby girl. By the way, Rowan says if you don’t stop breaking her brother’s heart she’s going to kick your balls so far up into your ass, you’ll need a mining team to find them again. Her words, Reynolds, not mine.
Lexxie Couper (Guarded Desires (Heart of Fame, #3))
Four agin’ two, and one of ’em a gutless, little female,” Percy said with a cackling laugh. “I’d say that makes you purely outgunned, McClellen.” “Guess again, you low-down polecat,” Adam roared from out of the trees. Adam raised his gun and took aim at the unarmed man closest to his Sophie. Fury such as he’d never known cut through his soul.
Mary Connealy (Petticoat Ranch (Lassoed in Texas #1))
every question, a bit of gutlessness on the league’s
Anonymous
You gutless pup. Come in my club thinking to do me harm. I’ll do you like I did your sorry brother.” He grinned. “ ‘Cept maybe I’ll burn you up instead of putting you in the water.
Mike Addington (The Home Place)
All young people sin, and sin produces discord, repellent vibrations which rifle the concert of life until the strings are gutless and flat. The kicks soon lead to kickbacks.
Billy Graham (Billy Graham in Quotes)
free-floating, gutless state of frantic evasiveness that preferred to twist and temporize rather than take a stand which required commitment to defend.
Nick Cohen (What's Left?: How Liberals Lost Their Way: How the Left Lost its Way)
Alas, the world turned out so very different from the noble battleground she had led me to expect. The stakes were puny, the people gray and gutless; my Amazon arts were futile here.
Anne Fortier (The Lost Sisterhood)
What do I know from dybbuks? I’m a dyed-in-the-wool atheist. The only people in the Lower East Side who know from dybbuks are rabbis. And they’re all just gutless bourgeois reactionaries who want us to let the Morgaunts of the world stomp all over us so we can reap our reward in heaven or Brooklyn—neither of which, allow me to point out, has ever been scientifically proven to exist.
Chris Moriarty (The Inquisitor’s Apprentice (Inquisitor's Apprentice, #1))
Death raised his brows, unashamed to be caught ogling. “Just because you’re a gutless harlot doesn’t mean I won’t find your . . . attributes attractive. I might be immortal, but I’m still a red-blooded male.” Attributes? Was that why he’d kept me alive? Each morning, I had asked him, “Have you decided whether you’re going to kill me today?” He’d always answer, “Not yet, creature.” Each night by the fire, Death used the tip of one sword to carve barbs in that flattened metal strip from his armor. Though I had no idea why, he seemed very pleased with himself, would gaze at me as he worked. Was his attraction intensifying . . . ? “Harlot? Who talks like that? Father Time, meet the Flintstones.
Kresley Cole
Yeah, I vote. We all vote. All me mates do. But it’s not enough. Voting will only get you so far, especially when it’s a choice between bad and worse. All politicians are gutless crooks. Everyone knows that. The system is corrupt. You can’t play within it. You have to look outside it, wreck it from the outside. Dismantle and topple it.
Layla AlAmmar (Silence Is a Sense)
On Relationships – The end of Midsomar is harrowing but the director claims that it’s meant to be a breakup film. The man has the right concept although you have to question the execution (no pun intended). Contrast that heroine to Demi Moore’s Molly in the movie Ghost. When her lover dies, she spends the majority of the film in maudlin tears, holding on to the scraps of their affair. His ghost lingers near her, inaudible and invisible, staring in disbelief when she clings to the stub of a concert they once attended. He points out that she hated that concert so why keep that stub? Why cling to the detritus of an affair spent with a man too gutless to say he loved her? When a relationship is over, then it’s time to sell the ex’s possessions on Ebay. What can’t be sold should be donated to Goodwill—and don’t forget to get that slip of paper so you can claim the donation on your taxes! What Goodwill won’t accept, you give to your family, friends and loved ones. What they won’t take, you toss in the trash or, for the true cathartic effect, you pile in a heap on the lawn and burn it to ashes.
Marsha Hinds
Daniel Berrigan says: “Every step forward also digs the depths to which one can likewise go.” No longer shall we feel that virtues are to be gained merely by leaving behind vices; the distance up the ladder ethically is not to be defined in terms of what we have left behind. Otherwise goodness is no longer good but self-righteous pride in one’s own character. Evil also, if it is not balanced by capacities for good, becomes insipid, banal, gutless, and apathetic. Actually we become more sensitive to both good and evil each day; and this dialectic is essential for our creativity.
Connie Zweig (Meeting the Shadow)
Tigerclaw swung his head around and fixed her with a yellow glare. “Defend myself to you, you gutless excuse for a warrior? What sort of a leader are you? Keeping the peace with other Clans. Helping them! You barely punished Fireheart and Graystripe for feeding RiverClan, and you sent them to fetch WindClan home! I would have never shown such kittypet softness. I would have brought back the days of TigerClan. I would have made ThunderClan great!” “And how many cats would have died for it?
Erin Hunter (Forest of Secrets (Warriors, #3))
I did what should have been done long ago by the gutless advanced races. Soldiers like you in particular. I…KICKED…THEIR…ASSES!
Marc Stevens (For the Good of All (First of My Kind #2))
If this craze for violent removal goes on, it will come to pass that we will have a gutless, glandless, toothless and I am not sure that we may not have, thanks to false psychology and surgery, a witless race,” warned a speaker at a meeting of the Philadelphia County Medical Society.
Mary Otto (Teeth: The Story of Beauty, Inequality, and the Struggle for Oral Health in America)
It is the heavy reality of the writing life which makes the “why” so easy to forget: Gutless rejection letters, denigrating revision letters, incompetent copy edits, insulting reviews, late checks, disappointing sales, down-trending print-runs, shrinking advances, royalties paid in a geological timeframe, imprints folding, publishers downsizing their lists and conglomerating their overhead.  One day your editor expresses all the enthusiasm of an overtired undertaker. The next day your agent demonstrates all the faith and commitment of a diseased streetwalker. Your book is packaged with a cover that would embarrass anyone who wasn’t raised in a Red Light district. You give a thoughtful interview only to discover the resultant article describes you as churning out potboilers. Three people show up at your book signing, two of them because they thought you were someone else; the third person came because you owe him money. When you make the New York Times list, a neighbor asks you “which” NYT list you’re on, because there must be a separate one for the trash you write. Though you’ve been publishing regularly for years, you know people who ask, every single time they see you, if you still write. (No, I fell back on my independent wealth when the going got tough.)
Laura Resnick (Rejection, Romance and Royalties: The Wacky World of a Working Writer)
gutless cowards who’d send anyone besides themselves to their death
Bobby Akart (The Innocents (Pandemic #2))
Poison is for weaklings, they say. The English poet Phineas Fletcher (1582-1650) may have been the first to coin the term “coward's weapon,” but the opinion has not dissipated in the centuries since; even a character in George R. R. Martin’s Game of Thrones recently sniped that poison was a gutless way to kill. Poison is sneaky, it’s slow, and you can poison someone without spilling a drop of their blood or awkwardly making eye contact with them midimpalement. As such, it doesn’t get a lot of cred for being scary. Poisoners simply don’t terrify people the way, say, disembowlers do. But that’s unfair, because poisoning requires advance planning and the stomach for a drawn-out death scene. You need to look into your victim’s trusting eyes day after day as you slowly snuff out their life. You have to play the role of nurse or parent or lover while you sustain your murderous intent at a pitch that would be unbearable for many of those who’ve shot a gun or swung a sword. You’ve got to mop up your victim’s vomit and act sympathetic when they beg for water. While they scream that their insides are on fire, you must steel yourself against the dreadful sight of encroaching death and give them another sip of the fatal drink. A coward’s weapon? Not so much. Poison is the weapon of the emotionless, the sociopathic, and the truly cruel.
Tori Telfer (Lady Killers: Deadly Women Throughout History)
Rorty is just as dismissive of James’s many references to ‘experience’ – a word that appears in almost every text that James ever wrote. In short, Rorty’s pragmatism is a pragmatism without experience. And frankly, I agree with those who have strongly argued that to eliminate experience from pragmatism (old or new) is to eviscerate pragmatism, to leave us with a gutless shadow of pragmatism.
Richard J. Bernstein (The Pragmatic Turn)
Show me the bastard who come up with this notion that who's running the goddamn show is some grumpy, embittered, sexually frustrated old fart with a long white beard hiding like a gutless coward behind some puffed-up cloud and I'll slice his goddamn balls off.
Tomson Highway (Kiss of the Fur Queen)
It taught me that being scared didn’t mean I was gutless. What I did mattered and would determine whether I would be a hero or a coward.
Ben Horowitz (The Hard Thing About Hard Things: Building a Business When There Are No Easy Answers)
What is desire, without a body to have it in? All I can say is that to me it was like the kind of hunger people get in dreams. It was formless, gutless, all-consuming because unconfined. It had no edges.
Nell Stevens (Briefly, A Delicious Life)