Guns And Thighs Quotes

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We need to have an escape plan."" "I'll shoot him," Bradley offered helpfully. "He has your gun,"Mary replied. "Oh, then that won't work." Mary sighed. Somehow she didn't think that Bradley's warrior-police guy was coming back anytime soon. "So, how do your legs feel?" she asked. She felt a large hand squeeze her thigh. "Bradley, that was my leg." "Oh, sorry, but what a relief, I thought I had lost feeling in my legs.
Terri Reid (Loose Ends (Mary O’Reilly #1))
If something doesn’t work, people will say ‘we told you so’, and if it works, they will come up with a new theory and will conveniently forget what they had said earlier.
Ram Gopal Varma (Guns & Thighs: The Story of My Life)
We live the life of others when we read their thoughts.’ —Ayn Rand
Ram Gopal Varma (Guns & Thighs: The Story of My Life)
My world consists of powerful people, intense music, sexy women, vodka, gangsters, ghosts and philosophies which I can twist and turn to my convenience.
Ram Gopal Varma (Guns & Thighs: The Story of My Life)
But the problem with battling yourself is that even if you win, you lose. At some point – scarred and exhausted – you either accept that you must become a woman – that you are a woman – or you die. This is the brutal, root truth of adolescence – that it is often a long, painful campaign of attrition. Those self-harming girls, with the latticework of razor cuts on their arms and thighs, are just reminding themselves that their body is a battlefield. If you don’t have the stomach for razors, a tattoo will do, or even just the lightning snap of the earring gun in Claire’s Accessories. There. There you are. You have just dropped a marker pin on your body, to reclaim yourself, to remind you where you are: inside yourself. Somewhere. Somewhere in there.
Caitlin Moran (How to Be a Woman)
Random things keep happening, which are completely out of your control, and you can only control your reaction to an out-of-control situation. My real success, I believe, lies in my ability to make decisions and implement them superfast.
Ram Gopal Varma (Guns & Thighs: The Story of My Life)
No,” I hear myself say. “You’re not supposed to be here.” She’s sitting on my bed. She’s leaning back on her elbows, legs outstretched in front of her, crossed at the ankles. And while some part of me understands I must be dreaming, there’s another, overwhelmingly dominant part of me that refuses to accept this. Part of me wants to believe she’s really here, inches away from me, wearing this short, tight black dress that keeps slipping up her thighs. But everything about her looks different, oddly vibrant; the colors are all wrong. Her lips are a richer, deeper shade of pink; her eyes seem wider, darker. She’s wearing shoes I know she’d never wear. And strangest of all: she’s smiling at me. “Hi,” she whispers. It’s just one word, but my heart is already racing. I’m inching away from her, stumbling back and nearly slamming my skull against the headboard, when I realize my shoulder is no longer wounded. I look down at myself. My arms are both fully functional. I’m wearing nothing but a white T-shirt and my underwear. She shifts positions in an instant, propping herself up on her knees before crawling over to me. She climbs onto my lap. She’s now straddling my waist. I’m suddenly breathing too fast. Her lips are at my ear. Her words are so soft. “Kiss me,” she says. “Juliette—” “I came all the way here.” She’s still smiling at me. It’s a rare smile, the kind she’s never honored me with. But somehow, right now, she’s mine. She’s mine and she’s perfect and she wants me, and I’m not going to fight it. I don’t want to. Her hands are tugging at my shirt, pulling it up over my head. Tossing it to the floor. She leans forward and kisses my neck, just once, so slowly. My eyes fall closed. There aren’t enough words in this world to describe what I’m feeling. I feel her hands move down my chest, my stomach; her fingers run along the edge of my underwear. Her hair falls forward, grazing my skin, and I have to clench my fists to keep from pinning her to my bed. Every nerve ending in my body is awake. I’ve never felt so alive or so desperate in my life, and I’m sure if she could hear what I’m thinking right now, she’d run out the door and never come back. Because I want her. Now. Here. Everywhere. I want nothing between us. I want her clothes off and the lights on and I want to study her. I want to unzip her out of this dress and take my time with every inch of her. I can’t help my need to just stare; to know her and her features: the slope of her nose, the curve of her lips, the line of her jaw. I want to run my fingertips across the soft skin of her neck and trace it all the way down. I want to feel the weight of her pressed against me, wrapped around me. I can’t remember a reason why this can’t be right or real. I can’t focus on anything but the fact that she’s sitting on my lap, touching my chest, staring into my eyes like she might really love me. I wonder if I’ve actually died. But just as I lean in, she leans back, grinning before reaching behind her, never once breaking eye contact with me. “Don’t worry,” she whispers. “It’s almost over now.” Her words seem so strange, so familiar. “What do you mean?” “Just a little longer and I’ll leave.” “No.” I’m blinking fast, reaching for her. “No, don’t go—where are you going—” “You’ll be all right,” she says. “I promise.” “No—” But now she’s holding a gun. And pointing it at my heart.
Tahereh Mafi (Destroy Me (Shatter Me, #1.5))
Really?” she said dryly, eyeing me with a smirk. “You’re going to fight with the awesomeness of your six-pack as a weapon?” I arched a brow. “Yeah, you know, I was going to test out the whole abs of steel theory thing. The gun attached to my thigh and the daggers in my hands are just props. Mainly for show. Don’t want to take away from the gloriousness that is my body, though.
Jennifer L. Armentrout (The Power (Titan, #2))
trudged
Ram Gopal Varma (Guns & Thighs: The Story of My Life)
So in short, the success of a film is due to the contribution of the actors and technicians in excess of my expectations, which is why it belongs to them, while failure belongs to me alone, as it means that I failed in channelizing their equally great contributions to their intended destination.
Ram Gopal Varma (Guns & Thighs: The Story of My Life)
I don’t want to hurt you,” he gasps so close to my ear I can feel his breath, a deep voice reverberating through my body. He has a soothing soft southern accent as if his family lived in the south for generations. He puts more pressure on my head effectively diminishing the soothing part. I also hope that’s a gun pressed against my thigh. For that, I'm not going to give him the satisfaction of backing down easy.
Annie Walls (Taking on the Dead (Famished #1))
When someone is up there and he deserves to be up there, try to learn from what he has achieved. If you think he doesn’t deserve it, still try to learn from what he has achieved and add your own capability to it, as it might result in you climbing higher than him. But you should not sit on the ground, gazing at him with hatred and waiting for him to fall, because his descent won’t help you reach the top. And also you might often miss the point that people whom you look down upon may actually be far more capable than you. Anyway, to cut a long story short, I feel it’s truly wasteful to expend your energy in hating someone.
Ram Gopal Varma (Guns & Thighs: The Story of My Life)
See something you like?" I asked, sqeezing the cold water from my hair. He frowned. "Sadly, yes, but it's an illusion. The moment you get close, it turns into a ruthless savage and shoots you in the thigh with your own gun.
J.J. McAvoy (Ruthless People (Ruthless People, #1))
The reason I started the video library was that I knew around twenty of my friends and relatives owned video players. So I thought that if between them they hired twenty cassettes, at ₹10 a cassette a day, I would get ₹200 a day or ₹6,000 a month, which was the running cost of my shop. Anything extra, I thought, would be a profit which I could take a chance upon. Within a month of starting my shop, I was renting out more than 100 cassettes a day, but none of the twenty people I had counted upon ever came to my shop. If they did, they never paid, as they were my friends or were related to me. So in effect, what I had counted upon didn’t happen and success came from unexpected quarters. But I know in my heart that if I had not banked on those twenty people, there was no way I would have started my shop.
Ram Gopal Varma (Guns & Thighs: The Story of My Life)
Twenty-one-year-old Chris Reed was gunned down with four bullets, including one that “exploded and took out a big chunk “of his left thigh. He listened in terror as troopers debated in front of him whether to kill him or let him bleed to death. As they discussed this the troopers had fun jamming their rifle butts into his injuries and dumping lime onto his face and injured legs, until he fell unconscious.
Heather Ann Thompson (Blood in the Water: The Attica Prison Uprising of 1971 and Its Legacy)
There is a cop who is both prowler and father: he comes from your block, grew up with your brothers, had certain ideals. You hardly know him in his boots and silver badge, on horseback, one hand touching his gun. You hardly know him but you have to get to know him: he has access to machinery that could kill you. He and his stallion clop like warlords among the trash, his ideals stand in the air, a frozen cloud from between his unsmiling lips. And so, when the time comes, you have to turn to him, the maniac’s sperm still greasing your thighs, your mind whirling like crazy. You have to confess to him, you are guilty of the crime of having been forced. And you see his blue eyes, the blue eyes of all the family whom you used to know, grow narrow and glisten, his hand types out the details and he wants them all but the hysteria in your voice pleases him best. You hardly know him but now he thinks he knows you: he has taken down you worst moment on a machine and filed it in a file. He knows, or thinks he knows, how much you imagined; he knows, or thinks he knows, what you secretly wanted. He has access to machinery that could get you put away; and if, in the sickening light of the precinct, and if, in the sickening light of the precinct, your details sound like a portrait of your confessor, will you swallow, will you deny them, will you lie your way home?
Adrienne Rich (Diving Into the Wreck)
When someone is up there and he deserves to be up there, try to learn from what he has achieved. If you think he doesn’t deserve it, still try to learn from what he has achieved and add your own capability to it, as it might result in you climbing higher than him. But you should not sit on the ground, gazing at him with hatred and waiting for him to fall, because his descent won’t help you reach the top. And also you might often miss the point that people whom you look down upon may actually be far more capable than you.
Ram Gopal Varma (Guns & Thighs: The Story of My Life)
that I always found a very strong resemblance between the rivalries and internal politics in the underworld and normal office politics and rivalries, because human nature is the same everywhere. The people who work in any company have their own individualities and intelligence levels and the only thing common among them is the ambition and greed to reach the top. So even though the company as whole is working towards a goal, the personal ambitions will conflict with each other, creating politics, frustration, jealousy, etc.
Ram Gopal Varma (Guns & Thighs: The Story of My Life)
As we walk I can hear the barrel of his gun, slapping against his thigh.
Lauren Oliver (Delirium (Delirium, #1))
Incidentally, the best birthday greeting I have ever received was in the form of an sms from an unknown number: ‘Hey Ramu, tere zindagi ka ek aur saal khatam…Marte Raho!
Ram Gopal Varma (Guns & Thighs: The Story of My Life)
Project Princess Teeny feet rock layered double socks Popping side piping of many colored loose lace ups Racing toe keeps up with fancy free gear slick slide and just pressed recently weaved hair Jeans oversized belie her hips, back, thighs that have made guys sigh for milleni year Topped by an attractive jacket her suit’s not for flacking, flunkies, junkies or punk homies on the stroll. Her hands mobile thrones of today’s urban goddess Clinking rings link dragon fingers no need to be modest. One or two gap teeth coolin’ sport gold initials Doubt you get to her name just check from the side please chill. Multidimensional shrimp earrings frame her cinnamon face Crimson with a compliment if a comment hits the right place Don’t step to the plate with datelines from ‘88 Spare your simple, fragile feelings with the same sense that you came Color woman variation reworks the french twist with crinkle cut platinum frosted bangs from a spray can’s mist Never dissed, she insists: “No you can’t touch this.” And, if pissed, bedecked fists stop boys who must persist. She’s the one. Give her some. Under fire. Smoking gun. Of which songs are sung, raps are spun, bells are rung, rocked, pistols cocked, unwanted advances blocked, well stacked she’s jock. It’s all about you girl. You go on. Don’t you dare stop.
Tracie Morris (Intermission)
The Peacemaker Colt has now been in production, without change in design, for a century. Buy one to-day and it would be indistinguishable from the one Wyatt Earp wore when he was the Marshal of Dodge City. It is the oldest hand-gun in the world, without question the most famous and, if efficiency in its designated task of maiming and killing be taken as criterion of its worth, then it is also probably the best hand-gun ever made. It is no light thing, it is true, to be wounded by some of the Peacemaker’s more highly esteemed competitors, such as the Luger or Mauser: but the high-velocity, narrow-calibre, steel-cased shell from either of those just goes straight through you, leaving a small neat hole in its wake and spending the bulk of its energy on the distant landscape whereas the large and unjacketed soft-nosed lead bullet from the Colt mushrooms on impact, tearing and smashing bone and muscle and tissue as it goes and expending all its energy on you. In short when a Peacemaker’s bullet hits you in, say, the leg, you don’t curse, step into shelter, roll and light a cigarette one-handed then smartly shoot your assailant between the eyes. When a Peacemaker bullet hits your leg you fall to the ground unconscious, and if it hits the thigh-bone and you are lucky enough to survive the torn arteries and shock, then you will never walk again without crutches because a totally disintegrated femur leaves the surgeon with no option but to cut your leg off. And so I stood absolutely motionless, not breathing, for the Peacemaker Colt that had prompted this unpleasant train of thought was pointed directly at my right thigh. Another thing about the Peacemaker: because of the very heavy and varying trigger pressure required to operate the semi-automatic mechanism, it can be wildly inaccurate unless held in a strong and steady hand. There was no such hope here. The hand that held the Colt, the hand that lay so lightly yet purposefully on the radio-operator’s table, was the steadiest hand I’ve ever seen. It was literally motionless. I could see the hand very clearly. The light in the radio cabin was very dim, the rheostat of the angled table lamp had been turned down until only a faint pool of yellow fell on the scratched metal of the table, cutting the arm off at the cuff, but the hand was very clear. Rock-steady, the gun could have lain no quieter in the marbled hand of a statue. Beyond the pool of light I could half sense, half see the dark outline of a figure leaning back against the bulkhead, head slightly tilted to one side, the white gleam of unwinking eyes under the peak of a hat. My eyes went back to the hand. The angle of the Colt hadn’t varied by a fraction of a degree. Unconsciously, almost, I braced my right leg to meet the impending shock. Defensively, this was a very good move, about as useful as holding up a sheet of newspaper in front of me. I wished to God that Colonel Sam Colt had gone in for inventing something else, something useful, like safety-pins.
Alistair MacLean (When Eight Bells Toll)
Noriega wound up like a baseball pitcher on top of the bed and hurled the small gun, but was low and outside for a ball. His tight-fitting house dress was bunched up high on his chubby thighs, exposing olive drab underwear. I see London, I see France, I see a crazy dictator’s underpants! Chase’s thoughts raced.
Cole Alpaugh (The Spy's Little Zonbi)
With the smugness of an end man on parade, he bounced along on his sinewy legs, effortlessly marching to attention, floating with a lightness of step remarkably different from the heavy tread of the soldiers keeping time with him. Down by his thigh he carried, unsheathed, a thin little sword – it was a small curved sabre, for ceremonial use only – and he looked and turned sideways to the commander and back to the men behind, without straining his big powerful frame or getting out of step. He seemed to strive with every fibre of his soul to march past his commander with maximum style, and his strong sense of doing this well made him a happy man. ‘Left . . . left . . . left . . .’ he seemed to be mouthing to himself at each alternate step, and that was the rhythm to which the solid wall of military men, weighed down by packs and guns, advanced; each face was different in its stern concentration, and each one of these hundreds of soldiers seemed to mouth his own ‘Left . . . left . . . left . . .’ at each alternate step
Leo Tolstoy (War and Peace)
It is well known that women carry poison in their pockets. Did you expect a gun? A woman with a gun would be just another policeman. We fall in love with the convicts, remember that. Policemen marry girls from the neighborhood, high school looms over their unions, the first uniform is her prom dress and his black bow tie and white shirt. But the girls are thinking of poison, thinking of poison as the lights go out on the dresser where the revolver has been placed with care for the night. The black shoes, the fine, thick serge of the coat, shoulders and thighs of stallions. And the policemen are usually shot down by someone out of shape, thin, thin, nothing but living bones. Remember that.
Elizabeth Hardwick
With a boot on his chest, she used her free hand to search for the syringe he surely carried. Found it. Jabbed it into his thigh. Waited with the gun to his head until his eyes shut and his jaw went slack. Punched him just to be sure. The sedative would have been measured to heavily dose Neeva and her nearly half-weight to his, but at this point, what the fuck ever. A group of pedestrians on the other side of the street had watched the entire scene. Munroe waved them on. “It’s official business,” she said, and whether they believed her or not, they moved on. Human nature was always more inclined to apathy, to avoiding involvement, to seeing things as someone else’s problem. People were easy like that.
Taylor Stevens
Let's put our weapons down, okay?" He raises his hands to show he's unarmed. His hands are big enough to encircle my ankles. I swallow. To hide my awkwardness, I mime taking a gun out of my pocket and toss it aside. He reaches into an imaginary shoulder holsters and takes out a gun, putting it on his planner. I unsheathe an invisible knife from my thigh. "All of them." I indicate under the desk. He reaches down to his ankle and pretends to take a handgun out of an ankle holster. "That's better." I sink into my chair and close my eyes. "You're deeply weird, Shortcake." His voice is not unkind. I force my eyes open and the Staring Game almost kills me. His eyes are the blue of a peacock's chest. Everything is changing.
Sally Thorne (The Hating Game)
Sirens blasted, breaking the silence and spinning me around. The shrill sound was all too familiar, and I snapped into action. Vicious excitement replaced the restlessness, and I knew just how screwed up that was, but right then? Oh yeah, I could use a fight. Yesterday in the quad had been child’s play. Grabbing the Glock loaded with titanium bullets, I hooked it into the holster and fit it around my thigh. I snatched the daggers off the dresser and headed out the door, not even bothering with grabbing a shirt. I came to a complete stop as Josie’s door swung open. What in the holy fuck were Alex and Josie doing together? For just a few seconds, the three of us were literally frozen, staring at each other as the sirens blared overhead. And then Alex broke the silence. “Really?” she said dryly, eyeing me with a smirk. “You’re going to fight with the awesomeness of your six-pack as a weapon?” I arched a brow. “Yeah, you know, I was going to test out the whole abs of steel theory thing. The gun attached to my thigh and the daggers in my hands are just props. Mainly for show. Don’t want to take away from the gloriousness that is my body, though.” Her smirk flipped into a grin. “Whatever.” She started forward. Up ahead, a tall figure stepped out in the hall, and light glinted off the titanium daggers in his hands. Aiden. Of course their room had to be close to mine. Of. Course.
Jennifer L. Armentrout (The Power (Titan, #2))
You’re a trigger finger dug into the starting gun, the smack as it fires, the tense stroke of hooves pressing into a fresh track. You’re the curiosity of a flashbulb nibbling air, tricky camera lens grabbing a mane as it quivers back. I’m a rising overture of thighs. I’m dirt exploding midair —sand fireworks. I’m the impulse to grab hold: the jockey’s knees clenching as he rocks above the heaving saddle. You’re the bit I can’t keep from tasting, and I, the clench of jaws, willing to split in two for the shiver of collision, tooth on tooth. Darling, you’re a wager: the whole wad riding on one last leap, but then you’re abrupt: an ankle’s vomity pop. And I’m the entire crowd grunting to its feet. You’re one blossoming moment of unstoppable collapse: the bracing limbs, the beveling slide, the shriek of submission to gravity, a hard landing. From the stands, I’m a hush: hand to mouth. I’m needles of heat, a gut sinking over a lost life savings. You’re someone else’s carnation wreath, red as a bitemark necklace.
Saara Myrene Raappana
The men rode into Beaver Run like two horsemen of the apocalypse, justice on a white horse and war on a red. The few citizens walking through the muddy streets hurried to get out of their path, while those milling on the plank walkways stared as the duo passed. Danger. Long and lean, both sat their saddles with the ease of men accustomed to mastering both the beasts beneath them and the world around them. Their dusters hung to the tops of their boots and were covered in trail dust. Their hats, pulled low, cast shadows over their faces. Rifles were mounted to their horses' saddles and each man had a gun strapped to his thigh.
Suzanne Ferrell (The Surrender of Lacy Morgan)
Thank you, V, he thought as he jumped out himself. Balz stayed tight on her heels as she hit a little walkway with a long stride, and about halfway to her front door, he realized how ridiculous he looked: He was still nakie with a sheet wrapped around his hey-nannies, and he had a gun down at one thigh and a duffle bag full of click-click-bang-bang hanging off his other shoulder. Too bad this wasn’t Halloween for the humans. He could have called himself a flasher-assassin and maybe gotten away with it. Plus, hey, guy shows up on your trick-or-treat doorstep with a forty caliber in his palm, you were likely to dump your bowl of candy wherever he told you to put the stuff. So he’d clean up and Rhage would be psyched.
J.R. Ward (Lover Arisen (Black Dagger Brotherhood, #20))
Someone shakes my shoulder. I jerk awake, my eyes wide and searching, and I see Tobias kneeling over me. He wears a Dauntless traitor jacket, and one side of his head is coated with blood. The blood streams from a wound on his ear--the top of his hear is gone. I wince. “What happened?” I say. “Get up. We have to run.” “It’s too soon. It hasn’t been two weeks.” “I don’t have time to explain. Come on.” “Oh God. Tobias.” I sit up and wrap my arms around him, pressing my face into his neck. His arms tighten around me and squeeze. Warmth courses through me, and comfort. If he is here, that means I’m safe. My tears make his skin slippery. He stands and pulls me to my feet, which makes my wounded shoulder throb. “Reinforcements will be here soon. Come on.” I let him lead me out of the room. We make it down the first hallway without difficulty, but in the second hallway, we encounter two Dauntless guards, one a young man and one a middle-aged woman. Tobias fires twice in a matter of seconds, both hits, one in the head and one in the chest. The woman, who was hit in the chest, slumps against the wall but doesn’t die. We keep moving. One hallway, then another, all of them look the same. Tobias’s grip on my hand never falters. I know that if he can throw a knife so that it hits just the tip of my ear, he can fire accurately at the Dauntless soldiers who ambush us. We step over fallen bodies--the people Tobias killed in the way in, probably--and finally reach a fire exit. Tobias lets go of my hand to open the door, and the fire alarm screeches in my ears, but we keep running. I am gasping for air but I don’t care, not when I’m finally escaping, not when this nightmare is finally over. My vision starts to go black at the edges, so I grab Tobias’s arm and hold on tight, trusting him to lead me safely to the bottom of the stairs. I run out of steps to run down, and I open my eyes. Tobias is about to open the exit door, but I hold him back. “Got to…catch my breath…” He pauses, and I put my hands on my knees, leaning over. My shoulder still throbs. I frown, and look up at him. “Come on, let’s get out of here,” he says insistently. My stomach sinks. I stare into his eyes. They are dark blue, with a patch of light blue on his right iris. I take his chin in hand and pull his lips down to mine, kissing him slowly, sighing as I pull back. “We can’t get out of here,” I say. “Because this is a simulation.” He pulled me to my feet with my right hand. The real Tobias would have remembered the wound in my shoulder. “What?” He scowls at me. “Don’t you think I would know if I was under a simulation?” “You aren’t under a simulation. You are the simulation.” I look up and say in a loud voice, “You’ll have to do better than that, Jeanine.” All I have to do now is wake up, and I know how--I have done it before, in my fear landscape, when I broke a glass tank just by touching my palm to it, or when I made a gun appear in the grass to shoot descending birds. I take a knife from my pocket--a knife that wasn’t there a moment ago--and will my leg to be hard as diamond. I thrust the knife toward my thigh, and the blade bends.
Veronica Roth (Insurgent (Divergent, #2))
They found Tharion on the couch with Ithan, the tv blasting the latest sports stats. Tharion munched on a piece of pizza, long legs sprawled out in front of him, bare feet on the coffee table. Ruhn might have stepped inside to grab a piece of that pizza had Bryce not gone still. A Fae sort of stillness, sizing up a threat. His instinct went to high alert, bellowing at him to defend, to attack, to slaughter any threat to his family. Ruhn suppressed it, held back by the shadows begging to be unleashed, to hide Bryce from sight. Ithan called over to them, “Pizza’s on the counter if you want some.” Bryce remained silent as fear washed over her scent. Ruhn’s fingers grazed the cool metal of the gun strapped to his thigh. “Your cat’s a sweetheart, by the way,” Ithan went on, not taking his focus from the TV as he stroked the white cat curled on his lap. Bryce slowly shut the door behind her. “He scared the shit out of me when he leapt onto the counter a few minutes ago, the bastard.” The wolf ran his fingers through the luxurious coat, earning a deep purr in response. The cat had stunning blue eyes. They seemed keenly aware as they fixed on Bryce. Ruhn’s shadows gathered at his shoulders, snakes waiting to strike. He subtly drew his gun. Behind her, a familiar ripple of ether-laced power kissed over her skin. A small reassurance as Bryce croaked, “That’s not a cat.” Hunt arrived at the apartment just in time to hear Bryce’s words through the shut front door. He was inside in a moment, lightning gathered at his fingers. “Oh, calm yourself,” the Prince of the Chasm said, leaping into the coffee table.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
We'll begin with your name, shall we? Just what might that be, cully?" "Jake Chambers." With his nose pinched shut, his voice sounded nasal and foggy. "And are you a Not-see, Jake Chambers?" For a moment, Jake wondered if this was a peculiar way of asking him if he was blind...but of course they could all see he wasn't. "I don't understand what--" Tick-Tock shook him back and forth by the nose. "Not-See! Not-See! You just want to stop playing with me, boy!" "I don't understand--" Jake began, and then he looked at the old machine-gun hanging from the chair and thought once more of the crashed Focke-Wulf. The pieces fell together in his mind. "No--I'm not a Nazi. I'm an American. All that ended long before I was born!" The Tick-Tock Man released his hold on Jake's nose, which immediately began to gush blood. "You could have told me that in the first place and saved yourself all sorts of pain, Jake Chambers...but at least now you understand how we do things around here, don't you?" Jake nodded. "Ar. Well enough! We'll start with the simple questions." Jake's eyes drifted back to the ventilator grille. What he had seen before was still there; it hadn't been just his imagination. Two gold-ringed eyes floated in the dark behind the chrome louvers. Oy. Tick-Tock slapped his face, knocking him back into Gasher, who immediately pushed him forward again. "It's school-time, dear heart," Gasher whispered. "Mind yer lessons, now! Mind em wery sharp!" "Look at me when I'm talking to you," Tick-Tock said. "I'll have some respect, Jake Chambers, or I'll have your balls." "All right." Tick-Tock's green eyes gleamed dangerously. "All right what?" Jake groped for the right answer, pushing away the tangle of questions and the sudden hope which had dawned in his mind. And what came was what would have served at his own Cradle of the Pubes...otherwise known as The Piper School. "All right, sir?" Tick-Tock smiled. "That's a start, boy," he said, and leaned forward, forearms on his thighs. "Now...what's an American?
Stephen King (The Waste Lands (The Dark Tower, #3))
The Deliverator's car has enough potential energy packed into its batteries to fire a pound of bacon into the Asteroid Belt. Unlike a bimbo box or a Burb beater, the Deliverator's car unloads that power through gaping, gleaming, polished sphincters. When the Deliverator puts the hammer down, shit happens. You want to talk contact patches? Your car's tires have tiny contact patches, talk to the asphalt in four places the size of your tongue. The Deliverator's car has big sticky tires with contact patches the size of a fat lady's thighs. The Deliverator is in touch with the road, starts like a bad day, stops on a peseta. Why is the Deliverator so equipped? Because people rely on him. He is a role model. This is America. People do whatever the fuck they feel like doing, you got a problem with that? Because they have a right to. And because they have guns and no one can fucking stop them. As a result, this country has one of the worst economies in the world. When it gets down to it -- talking trade balances here -- once we've brain-drained all our technology into other countries, once things have evened out, they're making cars in Bolivia and microwave ovens in Tadzhikistan and selling them here -- once our edge in natural resources has been made irrelevant by giant Hong Kong ships and dirigibles that can ship North Dakota all the way to New Zealand for a nickel -- once the Invisible Hand has taken all those historical inequities and smeared them out into a broad global layer of what a Pakistani brickmaker would consider to be prosperity -- y'know what? There's only four things we do better than anyone else: * music * movies * microcode (software) * high-speed pizza delivery The Deliverator used to make software. Still does, sometimes. But if life were a mellow elementary school run by well-meaning education Ph.D.s, the Deliverator's report card would say: "Hiro is so bright and creative but needs to work harder on his cooperation skills." So now he has this other job. No brightness or creativity involved -- but no cooperation either. Just a single principle: The Deliverator stands tall, your pie in thirty minutes or you can have it free, shoot the driver, take his car, file a class-action suit. The Deliverator has been working this job for six months, a rich and lengthy tenure by his standards, and has never delivered a pizza in more than twenty-one minutes.
Neal Stephenson (Snow Crash)
Though I’m surprised that you read novels.” “I do have other interests than shooting, you know.” “I never said otherwise.” “But you think me a complete tomboy. Admit it.” He measured his words. “I think you a woman with a few unusual interests that happen to be similar to those of some men. Those interests don’t, however, make you a tomboy.” No tomboy would fire his blood the way she did right now in her elegant redingote, despite the black smudges of power along its sleeves and the mud caked along its hem. And no tomboy would have kept him up last night imagining what it would be like to raise her skirts so he could run his hands along the pale swaths of thigh that lay above her garters. “And yet,” she said hoarsely, “you kissed me as if I were some mannish chit beneath your notice. God forbid you should treat me as a desirable woman in front of my suitors. It might give them ideas.” He stared at her, thunderstruck. She was angry because he’d accorded her the respect she deserved? “Forgive me, my lady,” he said acidly. “I didn’t think you’d want me to toss you down in the grass and ravish you. I see I was mistaken.” Two spots of color appeared on her cheeks. “There is a vast space between ravishing me and treating me like a child. The gentlemen expected you to kiss me on the lips, as they would have. You won such a kiss, after all. When you didn’t take it, I’m sure they thought it was because I was somehow…unattractive to you. And that only hurts my cause.” Her cause, which was to be affianced to one of those arses. Anger boiled up in him. “Let me see if I understand you correctly. You wanted me to kiss you with some degree of passion so your suitors would be convinced if your desirability as a woman. Is that right?” She cast him a resentful look, then nodded. He strode up close, unable to contain his temper. “Isn’t it enough for you that they’re already barking at your heels like randy hounds? That they’re seizing your hand at the breakfast table and inviting you for tete-a-tete practice at their estates?” “What good does that do me when you seek to turn their affections away at every turn? You provoked me to accept that shooting challenge because you wanted me to frighten them off with my enthusiasm for guns. Admit it.” All right, so that was true. But he had good reason for it. “I wanted them to see you for who you really are and not the woman you keep pretending to be.” “Pretending to be?” she said in a choked voice. “And who is that? A lady worthy of marriage? You wanted to expose me as some…adventuress or man in woman’s attire or…oh, I don’t know what.” “No!” he protested, suddenly all at sea in their argument. “You know what, Mr. Pinter? Ever since we made our agreement, you’ve only made matters worse, for some nefarious reason of your own.” She planted her hands on her hips and gave him a look of pure defiance. “So you’re dismissed from my employ. I no longer require your services.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
Wakiwa na suti nzito za kijani na madoa meusi (‘Ghillie Suits’) kwa ajili ya kupigania porini; Vijana wa Tume walikuwa na kofia za chuma, miwani ya kuonea usiku (iliyokuwa na uwezo wa kubinuka chini na juu), redio na mitambo ya mawasiliano migongoni mwao juu ya vizibao vya kuzuia risasi, vitibegi vya msalaba mwekundu (‘Blowout Kits’ – katika mapaja ya miguu yao ya kulia, ndani yake kukiwa na pisto na madawa ya huduma ya kwanza), vitibegi vya kujiokolea (‘Evasion Kits’ – katika mapaja ya miguu yao ya kushoto, ndani yake kukiwa na visu na pesa na ramani ya Meksiko) na bunduki za masafa marefu. Kadhalika, Vijana wa Tume waliamua kuchukua Punisher – waliyoafikiana baadaye kuwa ilikuwa nzuri kuliko RPG-7, ‘Rocket Propelling Gun’, ambayo Mogens alipendekeza waitumie kubomolea Kiwanda cha Dongyang Pharmaceuticals; kwa sababu hakutaka kuleta madhara kwa watu waliokuwa hawana hatia.
Enock Maregesi (Kolonia Santita)
Barely across the Ourcq, Donovan’s battalion began taking fire from three sides. One bullet grazed Wild Bill’s thigh; another tore off the heel of his boot. A shell fragment would surely have killed him had it not struck the respirator of his gas mask. Donovan’s adjutant, Lieutenant Oliver Ames, ran forward and flung himself down alongside the major, joined by a mess cook, John Kayes. A sniper’s bullet whizzed past Donovan and struck Ames in the head, killing him instantly. Kayes was fatally riddled by machine-gun fire. Donovan reached out toward the men and was shot through the hand. Two days later, still deployed along the Ourcq, Donovan, with Kilmer at his side, crept to the northern edge of a wood for a better view of the enemy’s position. Suddenly he realized that Kilmer was not with him. He retraced his steps and found the sergeant sprawled on the ground, a bullet through his brain.
Joseph E. Persico (Eleventh Month, Eleventh Day, Eleventh Hour: Armistice Day, 1918)
The guy walking past was wearing a shit five sizes too big (innovated by gangbangers to hide guns in their waistbands), shorts down below his knees (innovated by surfers to keep their thighs from getting sunburned), and oversized shoes (innovated by skaters to save their feet from injury).
Scott Westerfeld (So Yesterday)
The blackguard had probably shot Victor, or worse, Dom! And he was getting away! Not on her watch, he wasn’t. She didn’t stop to think. As he came abreast of the carriage, she swung the door of the carriage open, directly into his path. It knocked him right off his feet. As he lay there, stunned, she leaped out and marched over to him. A red haze filled her vision at the thought of everything he’d done, and she dug the heel of her half boot into the wrist of the hand holding the gun. As Samuel let out a howl, she wrenched the pistol from his hand. Then she backed up and aimed it at him, praying she could pull the trigger if she had to. Not that she was likely to hit anything if she did; she’d never shot a firearm in her life. But he was not escaping, drat it. Samuel stumbled to his feet, then blanched. “Jane!” “Yes, it’s Jane, you…you…vile…horrible…arse!” “Give me the gun, Jane,” he said hoarsely, fixing his gaze on it. “You don’t want to be playing with that.” With her blood beating a fearful tattoo through her veins, she steadied the pistol in the general direction of his heart. Though she could think of better places to shoot him, frankly. “I’m not playing. And you’re not going anywhere.” Samuel lunged at her, and the pistol went off. Which was odd, because she couldn’t remember pulling the trigger. But she must have, because smoke came out of the end of the pistol and he cried out and dropped to the ground at her feet, grabbing his thigh. As Samuel rolled there, clutching at his leg and howling, Victor skidded to a halt beside him. “Good shot, Jane!” The grin he flashed her reminded her instantly of Max. “I saw you hit him with the carriage door, too. Excellent work. We’ll have to make you an honorary Duke’s Man.” “Over my dead body,” Dom growled as he ran up beside her.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
I raise my grease gun and I aim it at Cowboy's face. Cowboy looks pitiful and he's terrified. Cowboy is paralyzed by the shock that is setting in and by the helplessness. I hardly know him. I remember the first time I saw Cowboy, on Parris Island, laughing, beating his Stetson on his thigh. I look at him. He looks at the grease gun. He calls out: "I NEVER LIKED YOU, JOKER. I NEVER THOUGHT YOU WERE FUNNY--" Bang. I sight down the short metal tube and I watch my bullet enter Cowboy's left eye. My bullet passes through his eye socket, punches through fluid-filled sinus cavities, through membranes, nerves, arteries, muscle tissue, through the tiny blood vessels that feed three pounds of gray butter-soft high protein meat where brain cells arranged like jewels in a clock hold every thought and memory and dream of one adult maleHomo sapiens. My bullet exits through the occipital bone, knocks out hairy, brain-wet clods of jagged meat, then buries itself in the roots of a tree. Silence. Animal Mother lowers his M-60. Animal Mother, Donlon, Lance Corporal Stutten, Harris, and the other guys in the squad do not speak. Everyone relaxes, glad to be alive. Everyone hates my guts, but they know I'm right. I am their sergeant; they are my men. Cowboy was killed by sniper fire, they'll say, but they'll never see me again; I'll be invisible.
Gustav Hasford (The Short-Timers)
I want to be the kind of mom she wasn’t.” She blinks her pretty blue eyes at me. “I think you’re already succeeding at that.” I stay quiet for a minute. “I always said the same thing. I wanted to be the dad my dad wasn’t. He just took off. And I swore I would be better and do better.” I mentally shrug. “Now I can’t have kids, so I guess it’s a moot point.” “I don’t want to jump the gun or anything,” she says. She winces. “But if we ever got to the point where we wanted to make this permanent…” “I’m already there,” I blurt out. She laughs. “Do you think you might want to be a father to my kids? Like an all-the-way kind of dad? They have dads, you know that, but they’re not active in their lives.” My heart swells in my chest, and I have to blink hard. “Yep,” I say past the lump in my throat. “I’d adopt them, if they’d let me, and be an all-the-way kind of dad.” I roll her over and settle between her thighs again. But I just want to look into her face. “And you can be an all-the-way kind of mom, and we can be ecstatically happy with the three we were blessed with. I already love them.” She brushes my hair back from my face. “You do, don’t you?” “I think I fell in love with them around the same time I fell in love with you. On day one.” I laugh because I’m baring my soul here and it feels damn uncomfortable.
Tammy Falkner (Maybe Matt's Miracle (The Reed Brothers, #4))
Are your panties up your ass?” Dwayne asked, concerned. “No. Why?” “Well, it looked like you were adjusting your hoohoo and I figured…” “Dwayne,” I hissed. “I was not adjusting my hoohoo. I was checking my gun, which I wear on the inside of my thigh, but thank you for your concern.” “Welcome.
Robyn Peterman (Ready to Were (Shift Happens, #1))
Leaving the Connecticut River March 8, 1704 Temperature 40 degrees They marched until the captives could not take another step. Eben dragged Eliza half the way and Sarah dragged her the rest. Mercy and Joseph took turns hauling Ruth. That night they slept like rocks, and in the morning Mercy understood why bears spent the whole winter sleeping. It sounded good to Mercy. Perhaps it sounded good to the Indians too, because they did not leave camp. Instead, they built two fires, gathering an enormous woodpile. Joseph was stripped of his English clothes. Too torn and filthy to bother with, they were tossed into the woods. He was given a long deerskin shirt and leggings that hung from thigh to ankle, held up by cords strung to a belt. Then came coat, hat and mittens, all Indian. How dark Joseph’s hair was. How tan his skin. Joseph looked like a young brave. In a moment, the Indians did the same with Eben, whose coloring was very English, ruddy cheeks and straw-yellow hair. He did not look at all Indian, but in deerskin, he looked tough and strong and much older. The girls were nervous. They did not want their clothes stripped off their bodies, no matter how torn and filthy. But Eben’s Indian, Thorakwaneken, hoisted a flintlock musket and looked questioningly at each girl. Mercy could not imagine what he was asking of her. Eliza did not notice him or the gun. And Ruth was the last person to whom a sensible Indian would hand a weapon. Sarah, however, nodded. “I’m a good shot.” She took the musket from Thorakwaneken. Food was such a problem that even Joseph and Eben would be armed and sent forth to hunt. The girls would stay by the fire with enough wood to last for days, and Sarah to fend off wolves.
Caroline B. Cooney (The Ransom of Mercy Carter)
He was just too much. Dark eyes, rugged jaw, cut cheekbones. His chest was wide and muscled. With a gun strapped to his thigh, and a knife to his calf, he oozed deadliness. That shouldn’t be sexy…but it was.
Rebecca Zanetti (Winter Igniting (Scorpius Syndrome #5))
I would any day go on deciding to make good, bad and ugly films rather than sit in a coffee shop, having endless cups of coffee, tearing down others’ films and planning a masterpiece in the future, which might never go on the floors.
Ram Gopal Varma (Guns & Thighs: The Story of My Life)
A splash of light snuck beneath the a dressing room door. He heard a groan. A shuffle. A bump. A heavy sigh. "Uh, too tight." He walked toward the back, stopping outside the dressing room. The door was cracked a fraction. He rested a shoulder against the wall, and glanced inside. Grace as Catwoman blew his mind. A feline fantasy. The three-way mirror tripled his pleasure. He viewed her from every angle. Hot, sleek, fierce. The lady could fight Batman in her skintight black leather catsuit and come out the winner. After a moment she scrunched her nose, slapped her palms against her thighs. Stuck out her tongue at her reflection in the mirrors. He saw what had her so frustrated. Sympathized with her disappointment. Her costume didn't fit. The front zipper hadn't fully cleared her cleavage, which was deep and visible. She wore no bra. She gave a little hop, and her breasts bounced. Full and plump. He felt a tug at his groin. Superhero lust. He cleared his throat and made his presence known. She caught his image in the corner of the glass, and reached for the fitting room chair, positioning it between them. Like that would keep him from her. He should've looked away, but couldn't. He sensed her embarrassment. Her panic. Flight? She had nowhere to go. He blocked the door. He wasn't leaving until they'd talked. "Archibald's going to love your costume," he initiated. She didn't find him funny. Her gaze narrowed behind the molded cat-eye mask with attached ears. Her fingers clenched in her elbow-length gloves. Inspired by the movie The Dark Knight, she'd added a whip and a gun holster. Her thigh-high stiletto boots were killer, adding five inches to her height. Her image would stick with him forever. She backed against the center mirror, and nervously fingered the open flaps over her breasts. A yank on the zipper broke the tab. The metal teeth parted, and the gap widened, revealing the round inner curves of her breasts. A hint of her nipples. Dusky pink. All the way down to the dent of her navel.
Kate Angell (The Cottage on Pumpkin and Vine)
Seth smiled back at him and gave his brother’s thigh a gentle punch. Brotherly love. Domenico could puke.
K.A. Merikan (He Is Poison (Guns n' Boys, #1))
They(the inbetweens) keep waiting for the man who is climbing up the ladder to fall down, so that his falling makes them feel as if they have risen. They just stand at the bottom of the ladder and keep commenting on the climber. The only thing they can ever look forward to is for the climber to fall down.
RAM GOPAL VERMA
Early in the battle, Dumas's horse was shot out from under him and fell in such a way that the Austrians were sure it had killed him. "The Black Devil is dead!" the cry went up. But then Dumas rose from the dead, or rather, from behind his horse, which he then used as cover to stage his own counter-fusillade. He had discovered a small cache of loaded Austrian guns, which he now used to return fire. As Dermoncourt lay in a bleeding heap, he later recalled, "I managed to turn toward the general; he was standing at the head of the bridge of Clausen and holding it alone against the whole Austrian squadron; and as the bridge was narrow and the men could only get at him two or three abreast, he cut down as many as came at him. Bleeding from the arm, thigh, and head, Dumas slashed and stabbed with unrelenting fury, and with such power that most every Austrian touched by his blade fell mortally wounded or took a deadly dive over the bridge into the river below. When he was finally relieved on the bridge by a few dozen French cavalry and the Austrians retreated, Dumas did not rest but leapt on a horse to purse the fleeing enemy nearly ten miles into the alpine woods.
Tom Reiss (The Black Count: Glory, Revolution, Betrayal, and the Real Count of Monte Cristo)
Anyway, the whole point is that I am just so fascinated with how the cycle of fortune keeps on throwing people in and out of dustbins.
Ram Gopal Varma (Guns & Thighs: The Story of My Life)
You’re Only as Good as Your Last Film
Ram Gopal Varma (Guns & Thighs: The Story of My Life)
I believe that the obsession with birthdays is primarily a function of the fear most individuals have that their existence might not matter to anybody else.
Ram Gopal Varma (Guns & Thighs: The Story of My Life)
If all your life is geared towards securing yourself against failure and death, and you never stop to enjoy the present, why live at all?
Ram Gopal Varma (Guns & Thighs: The Story of My Life)
Domenico nodded and kissed Seth again, making a small but very well-aimed movement with his hips. Seth gasped as warmth spread all over his stomach and thighs. He couldn’t help but rock against Dom. “I’d go to the depths of hell with you.” Domenico grinned as if they’d just agreed to elope to Hawaii, and he grabbed Seth’s wrists, putting them over Seth’s head. “You’d be safe in hell with the devil himself.
K.A. Merikan (Swamp Blood (Guns n' Boys #4))