Guns And Guts Quotes

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He just waited until I stopped talking and said, 'Jesus, kid, you're almost a detective. All you need now is a gun, a gut, and three ex-wives. So what's your theory?
John Green (Paper Towns)
did anybody ever come back from the dead any single one of the millions who got killed did any one of them ever come back and say by god i'm glad i'm dead because death is always better than dishonor? did they say i'm glad i died to make the world safe for democracy? did they say i like death better than losing liberty? did any of them ever say it's good to think i got my guts blown out for the honor of my country? did any of them ever say look at me i'm dead but i died for decency and that's better than being alive? did any of them ever say here i am i've been rotting for two years in a foreign grave but it's wonderful to die for your native land? did any of them say hurray i died for womanhood and i'm happy see how i sing even though my mouth is choked with worms?
Dalton Trumbo (Johnny Got His Gun)
Wolves ate even mighty hunters, for there was no honor or code among predators, and everyone's guts steam the same way when torn open on a cold night.
Warren Ellis (Gun Machine)
Jesus, kid, you're almost a detective. All you need now is a gun, a gut, and three ex-wives.
John Green (Paper Towns)
I believe instinct's the iron skeleton under all our ideas of free will. Unless you're willing to take the pipe or eat the gun or take a long walk off a short dock, you can't say no to some things. You can't refuse to pick up your option because there is no option.
Stephen King (It)
I remember still how full of bad magic all those spearpoints to be put on the ends of rifles seemed to be. One was like a sharpened curtain rod. Another was triangular in cross-section, so that the wound it made wouldn't close up again and keep the blood and guts from falling out. Another one had sawteeth - so it could work its way through bone, I guess. I can remember thinking that war was so horrible that, at last, thank goodness, nobody could ever be fooled by romantic pictures and fiction and history into marching to war again. Nowadays, of course, you can buy a machine gun with a plastic bayonet for your little kid at the nearest toy boutique.
Kurt Vonnegut Jr. (Bluebeard)
For the first time in months I felt my body slacken. I had been carrying myself like a gun, cocked, alert, ready for trouble, fearing it.
Jeanette Winterson (Gut Symmetries)
I'd underestimated him. I assumed anyone who started out gut-punching you in an elevator couldn't have all that much else in his arsenal. For instance, I had no idea he could smile, let alone at such an inappropriate time.
Jonathan Lethem (Gun, With Occasional Music)
And we have obviously failed on guns. Victims have engaged the public, and polls consistently indicate that huge majorities, including gun owners, support commonsense steps. Dr. Ochberg is frustrated, too. “Good people have tried to do good things but no policy has been enacted to reduce access of military weapons to kids,” he said. “No leader has had the guts to take on the NRA.” Nor has its own membership.
Dave Cullen (Columbine)
PEOPLE ALWAYS SAID he was taught to do good but doing bad was in his blood. And there's that nighttime Mom always be talking about. It'll snatch your teaching from you, put a gun in your hand, a grumble in your gut, and some sharp in your teeth.
Jason Reynolds (Long Way Down)
An old girlfriend is a gun in your belly. It's no longer loaded, so when you see her, all you feel is the hollow mechanical click in your gut, and possibly the ghost of an echo, sense memory from when it used to carry live rounds. Occasionally, though, there's a bullet you missed, lying dormant in its overlooked chamber, and when that trigger gets pulled, the unexpected gunshot is deafening even as the forgotten bullet rips its way through the tissue and muscle of your midsection and out into the light of day. Seeing Carly is like that. Even though we haven't spoken in almost ten years, it's an explosion, and in that one instant every memory, every feeling, comes flooding back as fresh as if it were yesterday.
Jonathan Tropper (The Book of Joe)
The seeds of many wild plant species actually must pass through an animal’s gut before they can germinate. For instance, one African melon species is so well adapted to being eaten by a hyena-like animal called the aardvark that most melons of that species grow on the latrine sites of aardvarks.
Jared Diamond (Guns, Germs, and Steel: The Fates of Human Societies (20th Anniversary Edition))
You don't learn journalism in school, you learn it by WRITING FUCKING JOURNALISM. You teach yourself to wire up your own brain and gut and reproductive organs into one frightening machine that you aim at the planet like a meat gun.
Warren Ellis (Transmetropolitan, Vol. 4: The New Scum)
...there must be a renewal of the spirit of our forefathers, an appreciation of the American way of life, a strengthening of muscle and sinew and the character of the nation. America needs guts as well as guns. National character is the core of national defense.
Ezra Taft Benson
...there must be a renewal of the spirit of our forefathers, an appreciation of the American way of life, a strengthening of muscle and sinew and the character of the nation. America needs guts as well as guns. National character is the core of national defense.
Ezra Taft Benson
God, but it was fun! It was the way I liked it. No arguing, no talking to the stupid peasants. I just walked into that room with a tommy gun and shot their guts out. They never thought that there were people like me in this country. They figured us all to be soft as horse manure and just as stupid.
Mickey Spillane (One Lonely Night (Mike Hammer #4))
God! You hear me, God? Maybe I don't believe in you, but you damned well better believe in me! J. B. Books! See this gun? I kill with it! You kill, too, but I make a slicker job of it. I kill bad men, you kill good. I have reason, you don't. You are killing me hellish slow, and I do not deserve such treatment. You wrong me, and I will not be wronged. So let us have it out, God. Face me! Be a man and face me now if you have the guts - stand and draw or back off! God damn you, God, throw down on me and kill me now or let me live!
Glendon Swarthout (The Shootist)
The second corpse sat up and then stood, clutching her belly. A man stepped into the frame, a gun in his hand, healing her by sucking the bullet from her guts. They argued, grew calm, parted peaceably.
James S.A. Corey (Caliban's War (Expanse, #2))
It was there in that green forest that we ran into the most frightening weapon of the war, the one that made us almost sick with fear: antipersonnel mines. By now I had gone through aerial bombing, artillery and mortar shelling, open combat, direct rifle and machine gun firing, night patrolling, and ambush. Against all of this we had some kind of chance; against mines we had none. They were vicious, deadly, inhuman. They churned our guts.
George Wilson (If You Survive: From Normandy to the Battle of the Bulge to the End of World War II, One American Officer's Riveting True Story)
With the gun which was too big for him, the breech-loader which did not even belong to him but to Major de Spain and which he had fired only once, at a stump on the first day to learn the recoil and how to reload it with the paper shells, he stood against a big gum tree beside a little bayou whose black still water crept without motion out of a cane-brake, across a small clearing and into the cane again, where, invisible, a bird, the big woodpecker called Lord-to-God by negroes, clattered at a dead trunk. It was a stand like any other stand, dissimilar only in incidentals to the one where he had stood each morning for two weeks; a territory new to him yet no less familiar than that other one which after two weeks he had come to believe he knew a little--the same solitude, the same loneliness through which frail and timorous man had merely passed without altering it, leaving no mark nor scar, which looked exactly as it must have looked when the first ancestor of Sam fathers' Chickasaw predecessors crept into it and looked about him, club or stone axe or bone arrow drawn and ready, different only because, squatting at the edge of the kitchen, he had smelled the dogs huddled and cringing beneath it and saw the raked ear and side of the bitch that, as Sam had said, had to be brave once in order to keep on calling herself a dog, and saw yesterday in the earth beside the gutted log, the print of the living foot. He heard no dogs at all. He never did certainly hear them. He only heard the drumming of the woodpecker stop short off, and knew that the bear was looking at him. he did not move, holding the useless gun which he knew now he would never fire at it, now or ever, tasting in his saliva that taint of brass which he had smelled in the huddled dogs when he peered under the kitchen.
William Faulkner (Go Down, Moses)
Well—well—are… Can I get a gun or something?” He turned to her. She was scared, but he had to give her credit: she had guts. “No, you cannot have a gun.” “Why not?” “Because you’re the only person you’re likely to hurt with it.
A.G. Riddle (The Atlantis Gene (The Origin Mystery, #1))
Like all animal species (including humans), plants must spread their offspring to areas where they can thrive and pass on their parents’ genes. Young animals disperse by walking or flying, but plants don’t have that option, so they must somehow hitchhike. While some plant species have seeds adapted for being carried by the wind or for floating on water, many others trick an animal into carrying their seeds, by wrapping the seed in a tasty fruit and advertising the fruit’s ripeness by its color or smell. The hungry animal plucks and swallows the fruit, walks or flies off, and then spits out or defecates the seed somewhere far from its parent tree. Seeds can in this manner be carried for thousands of miles. It may come as a surprise to learn that plant seeds can resist digestion by your gut and nonetheless germinate out of your feces. But any adventurous readers who are not too squeamish can make the test and prove it for themselves. The seeds of many wild plant species actually must pass through an animal’s gut before they can germinate. For instance, one African melon species is so well adapted to being eaten by a hyena-like animal called the aardvark that most melons of that species grow on the latrine sites of aardvarks.
Jared Diamond (Guns, Germs, and Steel: The Fates of Human Societies (20th Anniversary Edition))
Bring us our sirloin, our lamb chops, our veal cutlets, and our chicken breasts snugly swaddled in plastic, thoroughly exsanguinated, wholly dismembered, and completely sanitized for our protection. We won’t hear the bleating of the sheep, the lowing of the cows, the hydraulic thwack of the bolt gun. We won’t smell the copper rivers of blood sluiced from below kill floors, the acrid tang of the chemical foam that suffocates “free-range” chickens, the florid stench of mountains of fish guts. We eat our meat, and we act as if all animals were always already dead.
Chelsea G. Summers (A Certain Hunger)
She strips and cleans the SIG Sauer by the light of the oil lamp. She taps the magazine in and racks the slide and puts the gun to her temple, just to remind herself that she is never so trapped that she cannot escape. You have lost your guts. Lost your courage. You are disgraced. But, you are still here.
Gabriel Tallent (My Absolute Darling)
On the Lights, Tom Sherbourne has plenty of time to think about the war. About the faces, the voices of the blokes who had stood beside him, who saved his life one way or another; the ones whose dying words he heard, and those whose muttered jumbles he couldn’t make out, but who he nodded to anyway. Tom isn’t one of the men whose legs trailed by a hank of sinews, or whose guts cascaded from their casing like slithering eels. Nor were his lungs turned to glue or his brains to stodge by the gas. But he’s scarred all the same, having to live in the same skin as the man who did the things that needed to be done back then. He carries that other shadow, which is cast inward. He tries not to dwell on it: he’s seen plenty of men turned worse than useless that way. So he gets on with life around the edges of this thing he’s got no name for. When he dreams about those years, the Tom who is experiencing them, the Tom who is there with blood on his hands, is a boy of eight or so. It’s this small boy who’s up against blokes with guns and bayonets, and he’s worried because his school socks have slipped down and he can’t hitch them up because he’ll have to drop his gun to do it, and he’s barely big enough even to hold that. And he can’t find his mother anywhere. Then he wakes and he’s in a place where there’s just wind and waves and light, and the intricate machinery that keeps the flame burning and the lantern turning. Always turning, always looking over its shoulder. If he can only get far enough away—from people, from memory—time will do its job.
M.L. Stedman (The Light Between Oceans)
Forcing a gun into that pussy and making you come all over it? Or all the other times you told me no, and I did it anyway?” he volleys back. The flush in my cheeks deepens, and my face burns from the reminder of that stupid gun. “Did I know it was wrong? Of course, I did. But it clearly didn’t stop me from doing it. You need to figure out your morals, and what you’re okay living with. Not what you’ve been taught, but what you feel in your gut.
H.D. Carlton (Hunting Adeline (Cat and Mouse, #2))
Yeah. Because her life was always that easy. The crew would take care of Ellie. She put him in a corner of her mind for later. Right now, she had to concentrate on helping a little boy. And destroying an evil man. Chapter Twenty-Four She cursed her trembling hands as she rid herself of her weapons, haphazardly tossing belts, guns, and shivs into her car. She might find Matthew alive and well inside that church, but where COS was concerned, she couldn’t get too optimistic. The outside of the building looked so benign, giving no hint of the bleak darkness inside. Her walk from the car to the front doors seemed to take an eternity, each step an effort. Her gut was screaming for her to run back to the car and get the hell out of there—to call in reinforcements. It was every horror movie she’d ever seen, scoffing at the stupid heroine for going into the house, the basement, the woods. Alone. She knew bad things were about
Laken Cane (Blood and Bite (Rune Alexander, #2))
You’re a trigger finger dug into the starting gun, the smack as it fires, the tense stroke of hooves pressing into a fresh track. You’re the curiosity of a flashbulb nibbling air, tricky camera lens grabbing a mane as it quivers back. I’m a rising overture of thighs. I’m dirt exploding midair —sand fireworks. I’m the impulse to grab hold: the jockey’s knees clenching as he rocks above the heaving saddle. You’re the bit I can’t keep from tasting, and I, the clench of jaws, willing to split in two for the shiver of collision, tooth on tooth. Darling, you’re a wager: the whole wad riding on one last leap, but then you’re abrupt: an ankle’s vomity pop. And I’m the entire crowd grunting to its feet. You’re one blossoming moment of unstoppable collapse: the bracing limbs, the beveling slide, the shriek of submission to gravity, a hard landing. From the stands, I’m a hush: hand to mouth. I’m needles of heat, a gut sinking over a lost life savings. You’re someone else’s carnation wreath, red as a bitemark necklace.
Saara Myrene Raappana
You know that worried feeling?” Rose responded straight into Lily’s ear—not a whisper, but not loud enough for anyone else. “That feeling in your gut all the time, no matter the quality or intention of your company, like your safety is a gift from the men around you, not a right?” It was the first time a woman had ever spoken to Lily like rush. As though they play they were all in allowed intermissions. “This right here,” Rose said, patting the gun affectionately. “For a minute, this will make that feeling go away.
Claudia Lux
Even now words fail me, the scene far too disturbing to describe. After a split second of pure, unadulterated horror, the magnitude of the situation struck me in the gut, forcing the wind from my lungs in an agonized gasp and sending me stumbling backward out of the bedroom. Without a word, I whirled around and raced down the steps, shoving my gun back into its holster. I heard Gran calling my name, but there was no freaking way I was going back up there. “Go!” I yelled at Nate, motioning him toward the door. “Go, go, go! Get out of the house!
Kate SeRine (Red (Transplanted Tales, #1))
God saw Hansen tighten his chokehold on Day and he could see his lover fighting to breathe. Day’s ears and neck were bright red. His lips were turning a darker color as his body was deprived of oxygen. Hansen pressed the barrel in deeper and yelled. “Two minutes and fifteen seconds before I get to zero and I provide the great state of Georgia the luxury of one less narc.” God’s mind exploded at the thought of not having Day in a world he lived in. He looked into his partner’s glistening eyes and saw he was turning blue and possibly getting ready to faint. Day was still looking at him, looking into God’s green eyes. No, no, no! He’s saying good-bye. God closed his eyes and released a loud, gut-wrenching growl cutting off the SWAT leader’s negotiations. “Godfrey, get yourself under control,” his captain said while grabbing for him. God jerked himself away from the hold and stepped forward, his angry eyes boring into Hansen’s dark ones. Hansen stared at him as if God was crazy. Little did he know God was at that moment. “Godfrey, get back here and stand down. That’s an order, Detective!” his captain barked. God’s large hands clenched at his sides fighting not to pull out his weapons. He ground his teeth together so hard his jaw ached. “Do you have any idea of the shit storm you’re about to bring down on your life,” God spoke with a menacing snarl while his large frame shook with fury. “In your arms you hold the only thing in this world that means anything to me. The man that you are pointing a gun at is my only purpose for living. You are threating to kill the only person in this world that gives a fuck about me.” God took two more steps forward and was vaguely aware of the complete silence surrounding him. Hansen’s finger hovered shakily over the trigger as he took two large steps back with Day still tight against his chest. God growled again and he saw a shade of fear ghost over Hansen’s sweaty face. “If you kill that man, I swear on everything that is holy, I will track you to the ends of the earth, killing and destroying any and everything you hold dear. I will take everything from you and leave you alive to suffer through it. I will bestow upon you the same misery that you have given to me.” Hansen shook his head and inched closer to the door behind him. “Stay back,” he yelled again but this time the demand lacked the courage and venom he exhibited before. “You kill that man, and you’ll have no idea of the monster you will create. Have you ever met a man with no heart…no conscience…no soul…no purpose?” God rumbled, his voice at least twelve octaves lower than the already deep baritone. God yanked his Desert Eagle from his holster in a flash and cocked the hammer back chambering the first round. Hansen stumbled back again, his eyes gone wide with fear. God’s entire body instinctually flexed every muscle in his body and it felt like the large vein in his neck might rupture. His body burned like he had a sweltering fever and he knew his wrath had him a brilliant shade of red. “I’m asking you a goddamn question, Hansen! No soul! No conscience! I’m asking you have you ever met the devil!” God’s thunderous voice practically rattled the glass in the hanger. “If you kill the man I love, you better make your peace with God, because I’m gonna meet your soul in hell.” His voice boomed.
A.E. Via
French said: “It’s like this with us, baby. We’re coppers and everybody hates our guts. And as if we didn’t have enough trouble, we have to have you. As if we didn’t get pushed around enough by the guys in the corner offices, the City Hall gang, the day chief, the night chief, the Chamber of Commerce, His Honor the Mayor in his paneled office four times as big as the three lousy rooms the whole homicide staff has to work out of. As if we didn’t have to handle one hundred and fourteen homicides last year out of three rooms that don’t have enough chairs for the whole duty squad to sit down in at once. We spend our lives turning over dirty underwear and sniffing rotten teeth. We go up dark stairways to get a gun punk with a skinful of hop and sometimes we don’t get all the way up, and our wives wait dinner that night and all the other nights. We don’t come home any more. And nights we do come home, we come home so goddam tired we can’t eat or sleep or even read the lies the papers print about us. So we lie awake in the dark in a cheap house on a cheap street and listen to the drunks down the block having fun. And just about the time we drop off the phone rings and we get up and start all over again. Nothing we do is right, not ever. Not once. If we get a confession, we beat it out of the guy, they say, and some shyster calls us Gestapo in court and sneers at us when we muddle our grammar. If we make a mistake they put us back in uniform on Skid Row and we spend the nice cool summer evenings picking drunks out of the gutter and being yelled at by whores and taking knives away from greaseballs in zoot suits. But all that ain’t enough to make us entirely happy. We got to have you.” He stopped and drew in his breath. His face glistened a little as if with sweat. He leaned forward from his hips. “We got to have you,” he repeated. “We got to have sharpers with private licenses hiding information and dodging around corners and stirring up dust for us to breathe in. We got to have you suppressing evidence and framing set-ups that wouldn’t fool a sick baby. You wouldn’t mind me calling you a goddam cheap double-crossing keyhole peeper, would you, baby?” “You want me to mind?” I asked him. He straightened up. “I’d love it,” he said. “In spades redoubled.
Raymond Chandler (The Little Sister (Philip Marlowe #5))
Let her go or I’ll shoot you.” “I’ve never met a woman who’d have the guts to shoot a man,” he sneered. All the women he knew were too kind. Too gentle. “I have the guts,” the girl said. “Better yet, I want to shoot you.” That shook him. The words, and the tone, a kind of flat, plain aversion the like of which he’d never met in all of his privileged life. What had he ever done to deserve this girl’s contempt? And why did he even care? “Which part of me will you shoot?” he mocked. “All that’s showing is my head—and you can’t be that good with a gun.” “I am,” the girl said. “On the count of three, I’ll shoot. One . . .” “You’d take the chance of hurting Miss Victorine?” he asked. “I won’t hurt her. Two . . .” “Amy, please, let him go!” Miss Victorine begged. “He was such a sweet boy.” “Three.” Amy’s eyes narrowed. Her finger began to squeeze the trigger. And he released Miss Victorine, spinning her away from him and into a cabinet. She landed with a thud and fell. The pistol roared. He dived to the floor. A shot whistled past the place where his head had been. “Damn, that was close. Good thing you surrendered, my lord!” “Don’t swear, dear, it’s not ladylike.
Christina Dodd (The Barefoot Princess (Lost Princesses, #2))
I write because I love you enough to ask for what is terrible: run farther than your feet can possibly carry your heart. I love you enough to confess that you will fail but fail closer to the finish line than if you lie down when the start guns fires. And in this way, you will never fail to be an arch, stepping-stone, bridge of bone and intellect, of guts and song. Look how lively the children step. Let's nod our heads to their footfalls. Become backbeat with me and they will sing the harmonics we forgot to learn. Tell me you wouldn't die for that. Tell me you will live for this.
Jamaal May (The Big Book of Exit Strategies)
I didn’t want to hear this. “What the hell are you talking about?” “Necromancer with a chaser of werewolf; a drink to make any vampire giddy.” He giggled. Jean-Claude never giggled. I ignored him, if you can ignore an intoxicated vampire. “Jason, can you stand?” “I think so.” His voice was thick, heavy but not sleepy, more the languor after sex. Maybe I was glad my bite had hurt. “Larry?” Larry walked over to us, glancing at Magnus, gun naked in his hand. He didn’t look happy. “Can we trust him?” “We’re going to,” I said. “Help me stand up, and let’s get out of here before fangface busts a gut.” Jean-Claude was doubled over with laughter. He seemed to think “fangface” was outrageously funny. Ye gods. Larry
Laurell K. Hamilton (Bloody Bones (Anita Blake, Vampire Hunter, #5))
True blues ain't no new news about who's been abused For the blues is as old as my stolen soul I sang the blues when the missionaries came Passing out bibles in Jesus' name I sang the blues in the hull of the ship Beneath the sting of the slavemaster's whip I sang the blues when the ship anchored the dark My family being sold on a slave block I sang the blues being torn from my first born And hung my head and cried when my wife took his life And then committed suicide. I sang the blues on the slavemaster's plantation helping Him build his free nation I sang the blues in the cottonfield, hustlin' to make the daily yield I sang the blues when he forced my woman to beg Lord knows how I wished he was dead I sang the blues on the run, ducking the dogs and dodging the gun I sang the blues hanging from the tree in a desperate attempt to break free I sang the blues when the sun went down, cursing the master when he wasn't around I sang the blues in all these wars dying for some unknown cause I sang the blues in a high tone, low moan, loud groan, soft grunt, hard funk I sang the blues in land sea and air, about who when why and where I sang the blues in church on sunday, slaving on monday, misused on tuesday, abused on wednesday, accused on thursday, fried alive on friday, and died on saturday. Sho nuff singing the blues I sang the blues in the summer, fall winter and spring I know sho nuff the blues is my thing I sang the backwater blues, rhythm and blues, gospel blues, saint louis blues, crosstown blues, chicago blues, mississippi GODDAMN blues, the watts blues, the harlem blues, hoe blues, gut-bucket blues, funky chunky blues, i sang the up north cigarette corp blues, the down south sprung out the side of my mouth blues, I sang the blues black, i sang the blues blacker, i sang the blues blackest I SANG BOUT MY SHO NUFF BLUE BLACKNESS! from "True Blues" by the Last Poets
Jalal Mansur Nuriddin
In the dark melodramas of the forties, woman came down from her pedestal and she didn’t stop when she reached the ground. She kept going – down, down, like Eurydice, to the depths of the criminal world, the enfer of the film noir – and then compelled her lover to glance back and betray himself…. But for all her guts and valor, and for all her unredeemable venality…she hadn’t a soul she could call her own. She was, in fact, a male fantasy. She was playing a man’s game in a man’s world of crime and carnal innuendo, where her long hair was the equivalent of a gun, where sex was the equivalent of evil. And where her power to destroy was projection of man’s feeling of impotence. Only this could never be spelled out; hence the subterfuge and melodrama. She is to her thirties’ counterpart as night – or dusk – is to day. And the difference between their worlds, between the drawing room of romantic comedy and the underground of melodrama, is the difference between flirtation and fornication … or rape” (Haskell 191).
Molly Haskell (From Reverence to Rape: The Treatment of Women in the Movies)
All Europe was watching Spain. The left-wing government elected last February had suffered an attempted military coup backed by Fascists and conservatives. The rebel general Franco had won support from the Catholic Church. The news had struck the rest of the continent like an earthquake. After Germany and Italy would Spain, too, fall under the curse of Fascism? “The revolt was botched, as you probably know, and it almost failed,” Billy went on. “But Hitler and Mussolini came to the rescue, and saved the insurrection by airlifting thousands of rebel troops from North Africa as reinforcements.” Lenny put in: “And the unions saved the government!” “That’s true,” Billy said. “The government was slow to react, but the trade unions led the way in organizing workers and arming them with weapons they seized from military arsenals, ships, gun shops, and anywhere else they could find them.” Granda said: “At least someone is fighting back. Until now the Fascists have had it all their own way. In the Rhineland and Abyssinia, they just walked in and took what they wanted. Thank God for the Spanish people, I say. They’ve got the guts to say no.
Ken Follett (Winter of the World (The Century Trilogy #2))
We end up at an outdoor paintball course in Jersey. A woodsy, rural kind of place that’s probably brimming with mosquitos and Lyme disease. When I find out Logan has never played paintball before, I sign us both up. There’s really no other option. And our timing is perfect—they’re just about to start a new battle. The worker gathers all the players in a field and divides us into two teams, handing out thin blue and yellow vests to distinguish friend from foe. Since Logan and I are the oldest players, we both become the team captains. The wide-eyed little faces of Logan’s squad follow him as he marches back and forth in front of them, lecturing like a hot, modern-day Winston Churchill. “We’ll fight them from the hills, we’ll fight them in the trees. We’ll hunker down in the river and take them out, sniper-style. Save your ammo—fire only when you see the whites of their eyes. Use your heads.” I turn to my own ragtag crew. “Use your hearts. We’ll give them everything we’ve got—leave it all on the field. You know what wins battles? Desire! Guts! Today, we’ll all be frigging Rudy!” A blond boy whispers to his friend, “Who’s Rudy?” The kid shrugs. And another raises his hand. “Can we start now? It’s my birthday and I really want to have cake.” “It’s my birthday too.” I give him a high-five. “Twinning!” I raise my gun. “And yes, birthday cake will be our spoils of war! Here’s how it’s gonna go.” I point to the giant on the other side of the field. “You see him, the big guy? We converge on him first. Work together to take him down. Cut off the head,” I slice my finger across my neck like I’m beheading myself, “and the old dog dies.” A skinny kid in glasses makes a grossed-out face. “Why would you kill a dog? Why would you cut its head off?” And a little girl in braids squeaks, “Mommy! Mommy, I don’t want to play anymore.” “No,” I try, “that’s not what I—” But she’s already running into her mom’s arms. The woman picks her up—glaring at me like I’m a demon—and carries her away. “Darn.” Then a soft voice whispers right against my ear. “They’re already going AWOL on you, lass? You’re fucked.” I turn to face the bold, tough Wessconian . . . and he’s so close, I can feel the heat from his hard body, see the small sprigs of stubble on that perfect, gorgeous jaw. My brain stutters, but I find the resolve to tease him. “Dear God, Logan, are you smiling? Careful—you might pull a muscle in your face.” And then Logan does something that melts my insides and turns my knees to quivery goo. He laughs. And it’s beautiful. It’s a crime he doesn’t do it more often. Or maybe a blessing. Because Logan St. James is a sexy, stunning man on any given day. But when he laughs? He’s heart-stopping. He swaggers confidently back to his side and I sneer at his retreating form. The uniformed paintball worker blows a whistle and explains the rules. We get seven minutes to hide first. I cock my paintball shotgun with one hand—like Charlize Theron in Fury fucking Road—and lead my team into the wilderness. “Come on, children. Let’s go be heroes.” It was a massacre. We never stood a chance. In the end, we tried to rush them—overpower them—but we just ended up running into a hail of balls, getting our hearts and guts splattered with blue paint. But we tried—I think Rudy and Charlize would be proud
Emma Chase (Royally Endowed (Royally, #3))
If I had lied to the CIA, perhaps I might have passed a test. Instead of writing a book about the White House, I’d be poisoning a drug kingpin with a dart gun concealed inside a slightly larger dart gun, or making love to a breathy supermodel in the interest of national security. I’ll never know. I confessed to smoking pot two months before. The sunniness vanished from my interviewer’s voice. “Normally we like people who break the rules,” Skipper told me, “but we can’t consider anyone who’s used illegal substances in the past twelve months.” Just like that, my career as a terrorist hunter was over. I thought my yearning for higher purpose would vanish with my CIA dreams, the way a Styrofoam container follows last night’s Chinese food into the trash. To my surprise, it stuck around. In the weeks that followed, I pictured myself in all sorts of identities: hipster, world traveler, banker, white guy who plays blues guitar. But these personas were like jeans a half size too small. Trying them on gave me an uncomfortable gut feeling and put my flaws on full display. My search for replacement selves began in November. By New Year’s Eve I was mired in the kind of existential funk that leads people to find Jesus, or the Paleo diet, or Ayn Rand. Instead, on January 3, I found a candidate. I was on an airplane when I discovered him, preparing for our initial descent into JFK. This was during the early days of live in-flight television, and I was halfway between the Home Shopping Network and one of the lesser ESPNs when I stumbled across coverage of a campaign rally in Iowa. Apparently, a caucus had just finished. Speeches were about to begin. With nothing better to occupy my time, I confirmed that my seat belt was fully fastened. I made sure my tray table was locked. Then, with the arena shrunk to fit my tiny seatback screen, I watched a two-inch-tall guy declare victory. It’s not like I hadn’t heard about Barack Obama. I had heard his keynote speech at the 2004 Democratic Convention. His presidential campaign had energized my more earnest friends. But I was far too mature to take them seriously. They supported someone with the middle name Hussein to be president of the United States. While they were at it, why not cast a ballot for the Tooth Fairy? Why not nominate Whoopi Goldberg for pope?
David Litt (Thanks, Obama: My Hopey, Changey White House Years)
Lark wrapped an arm around me and started to speak until Bailey’s startled voice interrupted us. A huge football player had her pinned against the wall and she was yelling for him to back off. Instead, he crowded her more while playing with her blonde hair. “Hey!” I yelled as Lark and I rushed over. Six four and wide shouldered, the guy was wasted and angry at the interruption. “Fuck off, bitches,” he muttered. Bailey clawed at his neck, but he had her pinned in a weird way, so she couldn’t get any leverage. While I was ready to jump on him in a weak attempt to save my friend, someone shoved the football player off Bailey. I hadn’t even seen the guy appear, but he stood between Bailey and the pissed jerk. “Fuck off, man,” the asshole said. “She’s mine.” “Nick,” Bailey mumbled, looking ready to cry. “He humped my leg. Crush his skull, will ya?” Nick frowned at Bailey who was leaning on him now. The football player was an inch or two bigger than Nick and outweighed him by probably fifty pounds. Feeling the fight would be short, the asshole reached for Bailey’s arm and Nick nailed the guy in the face. To my shock, the giant asshole collapsed on the ground. “My hero,” Bailey said, looking ready to puke. She caressed Nick’s biceps and asked, “Do you work out?” Running his hands through his dark wavy hair, Nick laughed. “You’re so wasted.” “And you’re like the Energizer Bunny,” she cooed. “My bro said you took a punch, yet kept on ticking.” Nick started to speak then heard the asshole’s friends riled up. I was too drunk to know if everything happened really quickly or if my brain just took awhile to catch up. The guys rushed Nick who dodged most of them and hit another. The room emptied out except for Nick, the guys, and us. I grabbed a beer bottle and threw it at one of the guys shoving Nick. When the bottle hit him in the back, the bastard glared at me. “You want to fight, bitch?” “Leave her alone,” Nick said, kicking one guy into the jerk looking to hit me. As impressive as Nick was against six guys, he was just one guy against six. A losing bet, he took a shot to the face then the gut. Lark grabbed a folding chair and went WWE on one guy. I was tossing beers in the roundabout direction of the other guys. Yet, Bailey was the one who ended the fight by pulling out a gun. “Back the fuck off or I’ll burn this motherfucking house to the ground!” she screamed then fired at a lamp. Everyone stopped and stared at her. When she noticed me wide-eyed, Bailey frowned. “Too much?” Grinning, I followed Lark to the door. Nick followed us while the assholes seemed ready to piss themselves. Well, except for an idiot who looked ready to go for Bailey’s gun. "Dude,” Nick muttered, “that’s Bailey Fucking Johansson. Unless you want to end up in a shallow grave, back the fuck off.” “What he said!” Bailey yelled, waving her gun around before I hurried her out of the door. The cold air sobered up Bailey enough for her to return the gun to her purse. She was still drunk enough to laugh hysterically as we reached the SUV. “Did you see me kill that lamp?” “You did good,” I said, groggy as my adrenaline shifted to nausea and the alcohol threatened to come back up on me. Nick walked us to the SUV. “Next time, you might want to wave the gun around before you get drunk and dance.” “Don’t tell me what to do,” Bailey growled, crawling into the backseat. Then, realizing he saved her, she crawled back to face him. “You were so brave. I should totally get you off as a thank you." “Maybe another time,” he said, laughing as she batted her eyes at him. “Are you guys safe to drive?” Lark nodded. “I’m sober enough to remember everything tomorrow. Trust me that there’ll be mocking.
Bijou Hunter (Damaged and the Knight (Damaged, #2))
Battle of the Bulge,” it’s not some annoying weight-loss reality TV series. It’s a sixty-mile-long formation of armored Nazi tanks wasting dudes with machine guns.
Ben Thompson (Guts & Glory: World War II (Guts & Glory, 3))
Guns are for people who don't have the guts or skill to use a blade.
Jennifer Estep (Spider's Bite (Elemental Assassin, #1))
Don’t move,” he said, his eyes flashing green. She didn’t, but not because she had a sudden mesmerizing compulsion to stand still. If the vampire thought mind-control tricks worked on her, she might stand a better chance of escaping. The vampire freed her wrist, making a band of hope arc through Kira. He was buying it! Now just walk away and leave me alone while you rifle through my purse . . . He didn’t, but Kira kept her face from showing her disappointment as he pulled out her gun and checked the clip. “You really do have silver bullets in this,” the vampire said musingly. “And you were trying to steal Jenny away. Who put you up to this?” “No one,” Kira replied, attempting to fix a glazed expression on her face even though her heart hammered with fear. Those ghouls had gutted her in a second. This vampire could do the same. Any moment, she might be looking down at a horrible lethal wound before she’d even realized the vampire moved. The vampire frowned, grasping her chin in a grip hard enough to make her jaw creak. “I said, who put you up to this? Only another vampire would know to send you here packing silver bullets. Whose pet are you, hmmm? Give me a name.” “No vampire sent me. I’m a private investigator. Jennifer’s parents hired my firm,” Kira replied in as much of a monotone as she could manage.
Jeaniene Frost (Eternal Kiss of Darkness (Night Huntress World, #2))
earned fame and the Medal of Honor for the steel nerves and sheer guts he showed in turning back the Japs that night. Later, I read an interview where Basilone told how he did what seemed impossible against the charging Japs—not once but over and over again—with three machine guns and a pistol. “We kept firing and drove them back, but our ammunition was getting low,” he said, “so I left the guns and started running to the next outfit to get some more. Soon after I got back, a runner came in and told me that at the emplacements on the right, Japs had broken through . . . and the guns were jammed. “I took off up the trail to see what happened. . . . After that I came back to my own guns, grabbed one of them, and told the crew to follow me. Up the trail we went. I was carrying the machine gun by the tripod. We left six dead Japs on the trail. “While I fixed the jams on the other two guns up there, we started to set up. We were really pinned down. Bullets were smacking into the sandbags. “The Japs were still coming at us, and I rolled over from one gun to the other, firing them as fast as they could be loaded. . . . We all thought our end had come. “Some Japs would sneak through the lines and behind us. It got pretty bad because I’d have to stop firing every once in a while and shoot behind me with my pistol. “At dawn, our guns were just burnt out. Altogether we got rid of 26,000 rounds.” More
Jim McEnery (Hell in the Pacific: A Marine Rifleman's Journey From Guadalcanal to Peleliu)
once the Republicans won control of North Carolina’s general assembly. In a matter of months, they enacted conservative policies that private think tanks had been incubating for years. The legislature slashed taxes on corporations and the wealthy while cutting benefits and services for the middle class and the poor. It also gutted environmental programs, sharply limited women’s access to abortion, backed a constitutional ban on gay marriage, and legalized concealed guns in bars and on playgrounds and school campuses. It also erected cumbersome new bureaucratic barriers to voting.
Jane Mayer (Dark Money: The Hidden History of the Billionaires Behind the Rise of the Radical Right)
Sometimes gut instinct is what determines the direction we should take.
Brenda Novak (Killer Heat (Dept 6 Hired Guns, #3))
to the Piazzale Loreto and machine-gunned them to death. I saw . . .” He broke down. “Tullio was one of them.” Uncle Albert and his father looked gut-shot. Aunt Greta said, “That’s not true! You must have seen someone else.” Pino, crying, said, “It was him. Tullio was so brave. Yelling at the men who were about to shoot him, calling them cowards . . . and . . . oh God, it was . . . horrible.” He went to his father and hugged him while Uncle Albert held Aunt Greta, who had turned hysterical. “I hate them,” she said. “My own people and I hate them.” When she’d calmed down, Uncle Albert said, “I have to go tell his mother.” “She
Mark T. Sullivan (Beneath a Scarlet Sky)
My gut is telling me you're innocent." His gaze went to the gun and then back to her face. "Relatively innocent.
Elizabeth Heiter (Bodyguard with a Badge (The Lawmen: Bullets and Brawn #1))
So why do these guys hate your guts?” “Because they believe strip-mining is a good thing. It provides jobs, and there are few jobs around here. They’re not bad people, they’re just misinformed and misguided. Mountaintop removal is killing our communities. It has single-handedly wiped out tens of thousands of jobs. People are forced to leave their homes because of blasting, dust, sludge, and flooding. The roads aren’t safe because of these massive trucks flying down the mountains. I filed five wrongful death cases in the past five years, folks crushed by trucks carrying ninety tons of coal. Many towns have simply vanished. The coal companies often buy up surrounding homes and tear them down. Every county in coal country has lost population in the past twenty years. Yet a lot of people, including those three gentlemen over there, think that a few jobs are better than none.” “If they are gentlemen, then why do you carry a gun?” “Because certain coal companies have been known to hire thugs. It’s intimidation, or worse, and it’s nothing new. Look, Samantha, I’m a son of the coal country, a hillbilly and a proud one, and I could tell you stories for hours about the bloody history of Big Coal.
John Grisham (Gray Mountain)
What did you say?” Henry grated. “I said shut up, Henry.” Rachel’s voice was still soft, but the glint in her eyes was fighting mean. “I’ve put up with your cussedness for nigh on nine years. No more. You apologize to Loretta Jane this instant.” “Or you’ll do what?” Rachel lifted a challenging brow. “Well, I reckon you’re too big for me to grab you by the heels and bash your brains. Guess I’ll have to blow them out. Now apologize. I won’t have that kind of talk in my house.” “Your house?” “That’s right.” Henry did an admirable job of trying to appear amused. Placing his hands on his hips, he bent one knee and eyed the rifle. “Rachel, darlin’, you have a gun right now. Here shortly, you’re gonna have to put it down and cook. And when you do, I’m gonna beat the sass plumb out of you. Now I suggest you be the one to apologize. If you do it convincin’ enough, maybe I’ll forgit this ever happened.” Loretta figured the bluff would probably work. Aunt Rachel had never been long on guts, and Loretta didn’t see her getting a goodly supply in the space of ten minutes. Rachel surprised her, though. Instead of apologizing, she set her jaw and raised her chin. “Henry, if you touch me when I’m cookin’, I’ll rip you from stem to bow with my butcher knife. I’ve had it up to my gullet with you.” “Give me that gun!” Henry stomped toward her. Rachel took quick aim. The explosion of noise nearly scared Loretta out of her skin. Henry jumped straight up, clearing the floor by several inches. “Holy Mother, you near shot my foot off, you damned fool woman!” “Next time, I won’t miss.” Henry sputtered, so mad he looked fit to bust. “Rachel, I swear, I’ll give you the hidin’ of your life for this.” “Touch her, Uncle Henry, and I’ll knock you senseless with a chunk of firewood,” Loretta inserted. “And if she don’t do a good job of it, I’ll finish it for her!” Amy yelled from the loft ladder. “Good for you, Ma! Give the old wart toad what for!” Rachel returned the Spencer to the rack. “Well, Henry? It sounds like three to one. You gonna apologize to Loretta Jane or not?
Catherine Anderson (Comanche Moon (Comanche, #1))
To Giovanni da Pistoia Michelangelo, translated from the Italian by Joel Agee | 144 words (On painting the vault of the Sistine Chapel) 1509 I’ve grown a goiter from this trap I’m in, as cats do from foul water in Lombardy, or some such place, wherever it may be. My stomach’s almost up against my chin, My beard points skyward, at my nape the store of memory dangles, I’ve grown a harpy’s breast, and from above, my dripping brush, for jest, transforms my face into a mosaic floor. And while my haunches press into my gut, my ass serves as a steady counterweight. My feet tread blindly somewhere down below. In front I feel my skin stretched lengthwise, but in back it crimps and folds. This is my state: arched and indented like a Syrian bow. Not to be trusted, though, are the strange thoughts that through my mind now run, for who can shoot straight through a crooked gun? My painting’s dead. I’m done. Giovanni, friend, remove my honor’s taint, I’m not in a good place, I cannot paint.
Anonymous
I hated Sundays as a kid. From the moment I woke up, I could feel Monday looming, could feel another school week all piled up and ready to smother me. How was I supposed to enjoy a day of freedom while drowning in dread like that? It was impossible. A pit would form in my chest and gut—this indescribable emptiness that I knew should be filled with fun, but instead left me casting about for something to do. Knowing I should be having fun was a huge part of the problem. Knowing that this was a rare day off, a welcome reprieve, and here I was miserable and fighting against it. Maybe this was why Fridays at school were better than Sundays not in school. I was happier doing what I hated, knowing a Saturday was coming, than I was on a perfectly free Sunday with a Monday right around the corner. I call this the Relativistic Weekend Effect. We live in the present, but our happiness relies heavily on the future. Our mood is as much expectation as experience. Just like in the army, where life in the trenches worked the same way. It was the quiet that jangled the nerves. It was the lead-up before the push more than the push itself. To this day, I grow more faint at the scent of gun oil than I do at the sight of blood. Maybe
Hugh Howey (Beacon 23)
The guns on both sides were silent until they returned. Suddenly, a fierce cannonade from the British ships exploded onto the beach at Turtle Gut Inlet, but only one American was hit, “Shott through the arm and body.” It was Richard Wickes. A cannonball took his arm and half his chest away. Fresh from the Reprisal, Lambert Wickes arrived on the beach at the head of his reinforcements just as his younger brother died: “I arrived just at the Close of the Action Time enough to see him expire . . . Captn Barry . . . says a braver Man never existed.”123 Taking Richard Wickes's body, the American sailors left the spit of sand they fought over that morning. The powder was stowed in the Wasp's hold and sent up the Delaware. “At 2 weighed and made Sail,” Hudson briefly noted in his journal.124 The British returned to Cape Henlopen. As before, Barry had taken long odds, assessed the best plan that could succeed, and beaten the British. The Nancy was destroyed, but the Wasp would reach Philadelphia safely with the desperately needed gunpowder. Despite superior firepower, the “butcher's bill” was far heavier for the British. But the victory brought no cheers or satisfaction among the Americans, and Barry was particularly saddened by the death of the gallant young Wickes.125 The next morning—Sunday, June 30—the men of the Lexington and Reprisal gathered to mourn their shipmate at the log meetinghouse in the small village of Cold Spring, just north of Cape May. Under the same light breezes of the day before, the American sailors, with “bowed and uncovered heads,” filed inside and sat on the long, rough-cut wooden pews. After “The Clergyman preached a very deacent Sermon,” Lambert Wickes and the Reprisal's officers silently hoisted the coffin. Shuffling under its weight, they carried it outside to the little cemetery, and laid their comrade to rest.126 Lambert Wickes now faced the task of informing his family in Maryland of Richard's death. On July 2, in a sad but disjointed letter to his brother Samuel, he mentioned Richard's death among a list of the items—including the sugar and “one Bagg Coffee” that accompanied the letter. “You'll disclose this Secret with as much Caution as possible to our Sisters,” he pleaded. He quoted Barry's report that Richard “fought like a brave Man & was fore most in every transaction of that day,” dying for the cause of the “united Colonies.”127 By the time Lambert's package reached his family in Maryland, the “united Colonies” ceased to exist as well. The same day Wickes posted his letter, Congress approved the Declaration of Independence. Barry, Wickes, and the rest of the Continental Navy were now fighting for the survival of a new country: the United States of America.
Tim McGrath (John Barry: An American Hero in the Age of Sail)
I have neither the talent nor the patience for the usual mating rituals—the stalking, the accidental encounters, the blind dates, the silly gifts, the awkward phone calls, the referrals from friends, the endless Internet chatting. Nor do I have the guts to go online and lie about myself to strange women. And, I fear I’m forever scorched and gun-shy from the Judith disaster. How can one human possess so much meanness? Naomi
John Grisham (Rogue Lawyer (Rogue Lawyer, #1))
a “sponge syringe” and injected a special sponge into the bullet hole in Landon’s gut to expand and stop the bleeding. Once they reached the hospital, the new technology had been explained to her. The FDA hadn’t approved it yet, but Joe Black’s company, Black Sky International, had gotten hold of the device filled with small sponges that sealed up gun wounds like “Fix-a-Flat.
Anonymous
Birds of the Western Front Your mess-tin cover's lost. Kestrels hover above the shelling. They don't turn a feather when hunting-ground explodes in yellow earth, flickering star-shells and flares from the Revelation of St John. You look away from artillery lobbing roar and suck and snap against one corner of a thicket to the partridge of the war zone making its nest in shattered clods. History floods into subsoil to be blown apart. You cling to the hard dry stars of observation. How you survive. They were all at it: Orchids of the Crimea nature notes from the trench leaving everything unsaid - hell's cauldron with souls pushed in, demons stoking flames beneath - for the pink-flecked wings of a chaffinch flashed like mediaeval glass. You replace gangrene and gas mask with a dream of alchemy: language of the birds translating human earth to abstract and divine. While machine-gun tracery gutted that stricken wood you watched the chaffinch flutter to and fro through splintered branches, breaking buds and never a green bough left. Hundreds lay in there wounded. If any, you say, spotted one bird they may have wondered why a thing with wings would stay in such a place. She must have, sure, had chicks she was too terrified to feed, too loyal to desert. Like roots clutching at air you stick to the lark singing fit to burst at dawn sounding insincere above the burning bush: plough-land latticed like folds of brain with shell-ravines where nothing stirs but black rats, jittery sentries and the lice sliding across your faces every night. Where every elixir's gone wrong you hold to what you know. A little nature study. A solitary magpie blue and white spearing a strand of willow. One for sorrow. One for Babylon, Ninevah and Northern France, for mice and desolation, the burgeoning barn-owl population and never a green bough left.
Ruth Padel
I raise my grease gun and I aim it at Cowboy's face. Cowboy looks pitiful and he's terrified. Cowboy is paralyzed by the shock that is setting in and by the helplessness. I hardly know him. I remember the first time I saw Cowboy, on Parris Island, laughing, beating his Stetson on his thigh. I look at him. He looks at the grease gun. He calls out: "I NEVER LIKED YOU, JOKER. I NEVER THOUGHT YOU WERE FUNNY--" Bang. I sight down the short metal tube and I watch my bullet enter Cowboy's left eye. My bullet passes through his eye socket, punches through fluid-filled sinus cavities, through membranes, nerves, arteries, muscle tissue, through the tiny blood vessels that feed three pounds of gray butter-soft high protein meat where brain cells arranged like jewels in a clock hold every thought and memory and dream of one adult maleHomo sapiens. My bullet exits through the occipital bone, knocks out hairy, brain-wet clods of jagged meat, then buries itself in the roots of a tree. Silence. Animal Mother lowers his M-60. Animal Mother, Donlon, Lance Corporal Stutten, Harris, and the other guys in the squad do not speak. Everyone relaxes, glad to be alive. Everyone hates my guts, but they know I'm right. I am their sergeant; they are my men. Cowboy was killed by sniper fire, they'll say, but they'll never see me again; I'll be invisible.
Gustav Hasford (The Short-Timers)
Who else is like me? An INTJ? Fuck your type. I am a CUNT through and through. Give me mud and guts. Blood and cuts. Occam's Razor to reasons jugular. You say your point flows from peak to trough, but your highs I only know as lows. The trench is my home. The machine gun is my welcome mat. I may die on paper, but I am no forgotten soldier.
Lil Low-Cu$$'t (The Swarm)
Deirdre’s consciousness flooded with unbidden images. Her foot on a man’s throat; her gun against a man’s head; her hand wrapped around power; her seat atop a throne of yellowed bone, a kingdom spread out below her in bloodstained wasteland. In return: offerings, worship. Worship: apes eating their own young, faces smeared in meatjelly. Worship: jackbooted soldiers marching over corpse-strewn battlefields. Worship: a father staring at the severed hands and feet of his own child. Inside her gut, an instinctive gospel heaved itself into her diaphragm. The scripture said there were two kinds of people in the world: predators and prey. All other truths were secondary. Deirdre could be a predator in exchange for worship. If not…
S.R. Hughes (The War Beneath)
Don’t inhibit your hearing. Auditory cues can be early warning signs. You can hear gun shots even when you can’t see the gunman. Sit in places that offer the best visibility of exits and others. Watch people for cues and indicators that they may be up to no good. Trust your intuition. That “gut” feeling is there for a reason, and you need to pay attention to it.
Alain Burrese (Survive A Shooting: Strategies to Survive Active Shooters and Terrorist Attacks)
I'm so friggin' sorry, Dex. I never wanted any of this. I don't want any of you guys to get hurt. I don't even want to see my friggin' dad. Or get a fucking gun put up to my face. I don't—I don't—” It took every single inch of determination I had inside of my gut to keep from letting the broken words turn into a fractured cry. "I need to go back home to look for my dad.
Mariana Zapata (Under Locke)
It was the social issues that got us this far, and that’s what will take us into the future. We never really won until we began stressing issues like busing, abortion, school prayer and gun control. We talked about the sanctity of free enterprise, about the Communist onslaught until we were blue in the face. But we didn’t start winning majorities in elections until we got down to gut level issues.
Richard Vigueerie
When she died, she wanted it to be like this. Not in a hospital bed like her grandmother. Not in a sad little hole on Mars with a gun in her mouth or a gut full of pills like the failures of veterans’ outreach. She wanted to win, to protect her tribe and wipe the enemy into a paste of blood and dismay. But failing that, she wanted to die trying. A snippet of something she’d once read popped in her head: Facing fearful odds protecting the bones of her fathers and the temples of her gods. Yeah. Like that.
James S.A. Corey (Babylon's Ashes (Expanse, #6))
No politician in power will ever advocate for nuclear disarmament - that's a fact. The so-called leaders of the world feel about nukes the same way gun-owning apes of America feel about their guns. That's why you won't find any of them talking in favor of nuclear disarmament. I’m not saying that they are all bad people, the world leaders that is, but peace requires guts, and guts requires character, and character requires an absolute denial of diplomacy.
Abhijit Naskar (Either Reformist or Terrorist: If You Are Terror I Am Your Grandfather)
War is coming. 1941, they say. And there'll be plenty of broken crockery, and little houses ripped open like packing-cases, and the guts of the chartered accountant's clerk plastered over the piano that he's buying on the never-never. But what does that kind of thing matter, anyway? I'll tell you what my stay in Lower Binfield had taught me, and it was this. IT'S ALL GOING TO HAPPEN. All the things you've got at the back of your mind, the things you're terrified of, the things that you tell yourself are just a nightmare or only happen in foreign countries. The bombs, the food-queues, the rubber truncheons, the barbed wire, the coloured shirts, the slogans, the enormous faces, the machine-guns squirting out of bedroom windows. It's all going to happen. I know it - at any rate, I knew it then. There's no escape. Fight against it if you like, or look the other way and pretend not to notice, or grab your spanner and rush out to do a bit of face-smashing along with the others. But there's no way out. It's just something that's got to happen.
George Orwell (Coming Up For Air)
I think you’ve taught him his lesson, Oren.” The young lady pushed the barrel away from Connell’s face. “I don’t think he’ll manhandle me again.” When she gave him a “so-there” look and then raised her chin, a spark of self-pride flamed to life in his gut. His mam had always made sure he knew how to treat a girl, but this was obviously no ordinary girl. “If anyone was doing the manhandling, it was you.” Connell rubbed the sore spot on his forehead. “I didn’t ask you to sit on my lap.” Her eyes widened, revealing a woodsy brown that was as dark and rich as fine-grained walnut. The color matched the thick curls that had come loose from the knitted hat covering her head. Oren stood back, tucked his gun under his arm, and tapped his black derby up. His eyebrows followed suit. The girl opened her mouth to speak but then clamped it shut, apparently at a loss for words. A wisp of satisfaction curled through Connell. After the way she’d let the old man humiliate him, he didn’t mind letting her squirm for a minute. But only for a minute. Mam’s training was ingrained too deeply to wish the girl ill will for more than that. He shoved himself out of the chair and straightened his aching back. “Look,” he said, plucking a last dirty sock from his shoulder. “Can we start over? I’m Connell McCormick.” She hesitated and then tilted her head at him. “And I’m Miss Young.” “I sure hope you’ll forgive me if I’ve caused you any . . . discomfort.” Surprise flitted across her elegant, doelike features. “Well now. With that polite apology, how could I refuse to forgive you?” He gave her a smile and waited. The polite thing for her to do was offer her own apology and perhaps even a thank-you for his attempts to save her from Jimmy Neil. But she only returned the smile, one that curved her lovely full lips in perfect symmetry but didn’t make it into the depths of her eyes.
Jody Hedlund (Unending Devotion (Michigan Brides, #1))
The Dorchester was assigned the role of troop transport, and suffered the indignity of having her luxurious, predominantly first-class accommodation gutted, and transformed into spartan quarters for up to 800 troops. She retained her 120-strong Merchant Marine crew, led by Captain Hans Jorgen Danielson, and was fitted with one 4-inch, one 3-inch and four 20-mm guns. This armament was manned by a squad of twenty-three US Navy Armed Guard seamen, under the command of Lieutenant William Arpaia.
Bernard Edwards (The Twilight of the U-Boats)
But what actually happened was, first, Horkman and I had to climb down our side of the ravine, which was hard because those guns are a lot heavier than they look, plus it was really steep. We both kept dropping the guns and falling down, so we ended up mostly sliding on our butts, which took a while. The Cubans tried to keep cheering, but after a while they realized they’d better pace themselves. Like every twenty seconds or so, one of them would go, “YI-YI-YI!” But you could tell they were losing the mood. Plus—I’m just going to come right out and say this—I had to take a shit. I mean, bad. Which is something that never happens in the movies. You never see Rambo take a shit. You never see whatshisname, the guy in those Bourne movies, Matt Damon, when he and his co-star hot babe are fleeing through some foreign city and he’s killing enemy agents with kung fu, speaking nine languages, hot-wiring a car and driving like a stuntman, etc., you never hear him say to the babe, “Geez, I’m sorry, but even though those enemy agents are, like, twenty yards behind us shooting at us, I need to make a pit stop, because if I don’t get to a toilet right now I’m going to turn this car into a septic tank.” That’s the way I felt, when Horkman and I got to the bottom of the ravine. I had a cramp in my gut like I was about to give birth to a walrus. I had no choice but to drop my pants right then and there. “What are you doing?” Horkman said. “What does it look like I’m doing?” I said. “You can’t at least go behind something?” he said. “Go behind what, asshole?” I said, because (a) there was nothing to go behind, and (b) Horkman is an asshole. “I don’t believe this,” said Horkman. He walked about ten yards and sat down on a rock, facing away. Thanks a lot, douchenozzle. So there I was, squatting, and I don’t want to get too specific here, but it was a severe firehose situation. I was splattering the gravel big-time, plus there was a certain amount of gas noise, plus you had the natural echo in the ravine. I don’t think this was what the Cubans were expecting in the way of military leadership. I could hear them up there talking about me, and then one of them went “YI-YI-YI!” definitely sarcastically, and then they were all laughing. Assholes. Like they never had diarrhea in a ravine. I firehosed for I would say a good three
Dave Barry (Lunatics)
On August 10, John McCone, Robert Kennedy, and Defense Secretary Robert McNamara met in Secretary of State Dean Rusk’s ornate conference room on the seventh floor of the State Department. The subject was Cuba. McCone remembered “a suggestion being made to liquidate top people in the Castro regime,” including Castro and his brother Raul, the Cuban defense minister, who had just returned from a weapons-buying trip to Moscow. He found the idea abhorrent. The director saw a greater danger ahead. He predicted that the Soviet Union was going to give Castro nuclear weapons—medium-range ballistic missiles capable of striking the United States. He had been worrying about that possibility for more than four months. He had no intelligence, nothing to go on save gut instinct. McCone was the only one who saw the threat clearly. “If I were Khrushchev,” he said, “I’d put offensive missiles in Cuba. Then I’d bang my shoe on the desk and say to the United States, ‘How do you like looking down the end of a gun barrel for a change? Now, let’s talk about Berlin and any other subject that I choose.’” No one seems to have believed him. “The experts unanimously and adamantly agreed that this was beyond the realm of possibility,” notes an agency history of McCone’s years. “He stood absolutely alone.
Tim Weiner (Legacy of Ashes: The History of the CIA)
the men of the French Army have never been short of guts. Clad in their brilliant uniforms, carrying swords and wearing white gloves, the officers of this gallant army led their men into the German machine-gun fire in 1914 . . . and then war was suddenly not glorious any more. A million men were killed or wounded trying to make this tactic work.
Robin Neillands (Attrition: The Great War on the Western Front – 1916)
Just the mother, father, and two little baby deer lit by the reddish glow of the setting sun. It was so beautiful, so perfect, so wonderful, and I thought, “Oh, I wish I had a gun.” I could’ve just  … BANG BANG BANG BANG BANG! I could have shot ’em, gutted em, skinned em, then sprinkled em on my cereal.
Ellen DeGeneres (My Point...And I Do Have One)
another town and i notice all the citizens own a gun and many born here wish they would have been strangled by their umbilical cord. citizens waiting all their lives for a day they could wear sunglasses with wings a day to live freely without fear to throw themselves on cars. the gold belongs to those who shine it and here you cant know about the gold without knowing about the guts.
Gwen Calvo
Cover the war, what a gig to frame for yourself, going out after one kind of information and getting another, totally other, to lock your eyes open, drop your blood temperature down under the 0, dry your mouth out so a full swig of water disappeared in there before you could swallow, turn your breath fouler than corpse gas. There were times when your fear would take directions so wild that you had to stop and watch the spin. Forget the Cong, the trees would kill you, the elephant grass grew up homicidal, the ground you were walking over possessed malignant intelligence, your whole environment was a bath. Even so, considering where you were and what was happening to so many people, it was a privilege just to be able to feel afraid. So you learned about fear, it was hard to know what you really learned about courage. How many times did somebody have to run in front of a machine gun before it became an act of cowardice? What about those acts that didn’t require courage to perform, but made you a coward if you didn’t? It was hard to know at the moment, easy to make a mistake when it came, like the mistake of thinking that all you needed to perform a witness act were your eyes. A lot of what people called courage was only undifferentiated energy cut loose by the intensity of the moment, mind loss that sent the actor on an incredible run; if he survived it he had the chance later to decide whether he’d really been brave or just overcome with life, even ecstasy. A lot of people found the guts to just call it all off and refuse to ever go out anymore, they turned and submitted to the penalty end of the system or they just split. A lot of reporters, too, I had friends in the press corps who went out once or twice and then never again. Sometimes I thought that they were the sanest, most serious people of all, although to be honest I never said so until my time there was almost over. “We had this gook and we was gonna skin him” (a grunt told me), “I mean he was already dead and everything, and the lieutenant comes over and says, ‘Hey asshole, there’s a reporter in the TOC, you want him to come out and see that? I mean, use your fucking heads, there’s a time and place for everything.…” “Too bad you wasn’t with us last week” (another grunt told me, coming off a no-contact operation), “we killed so many gooks it wasn’t even funny.” Was it possible that they were there and not haunted? No, not possible, not a chance, I know I wasn’t the only one. Where are they now? (Where am I now?) I stood as close to them as I could without actually being one of them, and then I stood as far back as I could without leaving the planet. Disgust doesn’t begin to describe what they made me feel, they threw people out of helicopters, tied people up and put the dogs on them. Brutality was just a word in my mouth before that. But disgust was only one color in the whole mandala, gentleness and pity were other colors, there wasn’t a color left out. I think that those people who used to say that they only wept for the Vietnamese never really wept for anyone at all if they couldn’t squeeze out at least one for these men and boys when they died or had their lives cracked open for them. But of course we were intimate, I’ll tell you how intimate: they were my guns, and I let them do it.
Michael Herr (Dispatches)
I whipped out my gun and pointed it at the men. "Now, now, boys. That's no way to play." The thugs froze. The man closest to me turned to the other one. "What now?" he asked him. The lead thug loosened and grinned. "She ain't got the guts to-" The bullet flew within an inch of his head and embedded itself into the wall to my right and behind him. A little bit of smoke floated from the hot barrel of my gun. I shifted the barrel a little more to the left. "I won't miss the second time," I promised.
Mac Flynn (Luna Proxy #1)
Whenever sophistry and rhetoric fail they send in their poor White goons. They don't have the guts of real gangsters. The letters after their names are their tommy guns and those universities where they pour over syllables in the many cubicles, their Big House.
Ishmael Reed (Mumbo Jumbo)
Abingon. I remembered smoke and dust and noise, the siege cannon firing day and night to bring down the great walls. There had been flames everywhere, in the city. Disease was rampant. Wounds got infected and men died screaming in their beds. Supplies were lost or looted, and men starved. Even Cookpot couldn’t produce forage from thin air, but he had caught rats for us to eat rather than see us go hungry. The water was almost always bad, and it wasn’t uncommon to see men fighting with liquid shit running down their legs from their poisoned guts. Abingon, where I had seen men driven so mad by the constant noise of the guns that they didn’t know their own names any more. I remembered a fellow brought before me for confession, dragged between two of the colonel’s bullyboys. He was a man broken with battle shock who had fled the field the day before when he simply couldn’t stand it another second longer. They brought him to me to say his confession, but all he could do was weep. Afterward, they executed him for cowardice. No, there couldn’t be another Abingon. Not here, not now. Not ever.
Peter McLean (Priest of Bones (War for the Rose Throne #1))