Gun Park Quotes

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Sometimes things would be so much simpler if you could just pull out your gun and shoot the bad guy. Reason number seventeen why Indiana Jones is my hero.
Jennifer Rardin (Once Bitten, Twice Shy (Jaz Parks, #1))
The world is like a ride in an amusement park, and when you choose to go on it you think it's real because that's how powerful our minds are. The ride goes up and down, around and around, it has thrills and chills, and it's very brightly colored, and it's very loud, and it's fun for a while. Many people have been on the ride a long time, and they begin to wonder, "Hey, is this real, or is this just a ride?" And other people have remembered, and they come back to us and say, "Hey, don't worry; don't be afraid, ever, because this is just a ride." And we … kill those people. "Shut him up! I've got a lot invested in this ride, shut him up! Look at my furrows of worry, look at my big bank account, and my family. This has to be real." It's just a ride. But we always kill the good guys who try and tell us that, you ever notice that? And let the demons run amok … But it doesn't matter, because it's just a ride. And we can change it any time we want. It's only a choice. No effort, no work, no job, no savings of money. Just a simple choice, right now, between fear and love. The eyes of fear want you to put bigger locks on your doors, buy guns, close yourself off. The eyes of love instead see all of us as one. Here's what we can do to change the world, right now, to a better ride. Take all that money we spend on weapons and defenses each year and instead spend it feeding and clothing and educating the poor of the world, which it would pay for many times over, not one human being excluded, and we could explore space, together, both inner and outer, forever, in peace.
Bill Hicks
God bless us everyone We're a broken people living under loaded gun And it can't be outfoght It can't be outdone It can't out matched It can't be outrun No
Linkin Park
Then I realize from the hollow sound of her gun's click that her gun isn't loaded. Apparently she just wants to slap me around with it. The Girl doesn't move her gun away. "How old are you?" "Fifteen." "That's better." The Girl lowers her gun a little. "Time for a few confessions.Were you responsible for the break-in at the Arcadia bank?" The ten-second place. "Yes." "Then you must be responsible for stealing sixteen thousand five hundred Notes from there as well." "You got that right." "Were you responsible for vandalizing the Department of Intra-Defense two years ago, and destroying the engines of two warfront airships?" "Yes." "Did you set fire to a series of ten F-472 fighter jets parked at the Burbank air force base right before they were to head out to the warfront?" "I'm kinda proud of that one." "Did assault a cadet standing guard at the edge of the Alta sector's quarantine zone?" "I tied him up and delivered food to some quarantined families.Bite me.
Marie Lu (Legend (Legend, #1))
Karrin." She looked up at me. She looked very young somehow. "Remember what I said yesterday," I said. "You're hurt. But you'll get through it. You'll be okay." She closed her eyes tightly. "I'm scared. So scared I'm sick." "You'll get through it." "What if I don't?" I squeezed her fingers. "Then I will personally make fun of you every day for the rest of your life," I said. "I will call you a sissy girl in front of everyone you know, tie frilly aprons on your car, and lurk in the parking lot at CPD and whistle and tell you to shake it, baby. Every. Single. Day." Murphy's breath escaped in something like a hiccup. She opened her eyes, a mix of anger and wary amusement easing into them in place of fear. "You do realize I'm holding a gun, right?
Jim Butcher (Summer Knight (The Dresden Files, #4))
Wanted, wanted: Dolores Haze. Hair: brown. Lips: scarlet. Age: five thousand three hundred days. Profession: none, or "starlet" Where are you hiding, Dolores Haze? Why are you hiding, darling? (I Talk in a daze, I walk in a maze I cannot get out, said the starling). Where are you riding, Dolores Haze? What make is the magic carpet? Is a Cream Cougar the present craze? And where are you parked, my car pet? Who is your hero, Dolores Haze? Still one of those blue-capped star-men? Oh the balmy days and the palmy bays, And the cars, and the bars, my Carmen! Oh Dolores, that juke-box hurts! Are you still dancin', darlin'? (Both in worn levis, both in torn T-shirts, And I, in my corner, snarlin'). Happy, happy is gnarled McFate Touring the States with a child wife, Plowing his Molly in every State Among the protected wild life. My Dolly, my folly! Her eyes were vair, And never closed when I kissed her. Know an old perfume called Soliel Vert? Are you from Paris, mister? L'autre soir un air froid d'opera m'alita; Son fele -- bien fol est qui s'y fie! Il neige, le decor s'ecroule, Lolita! Lolita, qu'ai-je fait de ta vie? Dying, dying, Lolita Haze, Of hate and remorse, I'm dying. And again my hairy fist I raise, And again I hear you crying. Officer, officer, there they go-- In the rain, where that lighted store is! And her socks are white, and I love her so, And her name is Haze, Dolores. Officer, officer, there they are-- Dolores Haze and her lover! Whip out your gun and follow that car. Now tumble out and take cover. Wanted, wanted: Dolores Haze. Her dream-gray gaze never flinches. Ninety pounds is all she weighs With a height of sixty inches. My car is limping, Dolores Haze, And the last long lap is the hardest, And I shall be dumped where the weed decays, And the rest is rust and stardust.
Vladimir Nabokov (Lolita)
Cole - I just thought of a new game. Jaz - What's that? Cole - Splat the Specter. Jaz - Rules? Cole - You can help me make them up. Right now all I know for sure is that it involves water guns filled with grape Kool-Aid and two ferrets named Biff and Chlamydia. Vayl - Why Ferrets? Jaz - Really? You want to know about his choice of pets when he's named one of them after an STD?
Jennifer Rardin (One More Bite (Jaz Parks, #5))
For Jenn At 12 years old I started bleeding with the moon and beating up boys who dreamed of becoming astronauts. I fought with my knuckles white as stars, and left bruises the shape of Salem. There are things we know by heart, and things we don't. At 13 my friend Jen tried to teach me how to blow rings of smoke. I'd watch the nicotine rising from her lips like halos, but I could never make dying beautiful. The sky didn't fill with colors the night I convinced myself veins are kite strings you can only cut free. I suppose I love this life, in spite of my clenched fist. I open my palm and my lifelines look like branches from an Aspen tree, and there are songbirds perched on the tips of my fingers, and I wonder if Beethoven held his breath the first time his fingers touched the keys the same way a soldier holds his breath the first time his finger clicks the trigger. We all have different reasons for forgetting to breathe. But my lungs remember the day my mother took my hand and placed it on her belly and told me the symphony beneath was my baby sister's heartbeat. And I knew life would tremble like the first tear on a prison guard's hardened cheek, like a prayer on a dying man's lips, like a vet holding a full bottle of whisky like an empty gun in a war zone… just take me just take me Sometimes the scales themselves weigh far too much, the heaviness of forever balancing blue sky with red blood. We were all born on days when too many people died in terrible ways, but you still have to call it a birthday. You still have to fall for the prettiest girl on the playground at recess and hope she knows you can hit a baseball further than any boy in the whole third grade and I've been running for home through the windpipe of a man who sings while his hands playing washboard with a spoon on a street corner in New Orleans where every boarded up window is still painted with the words We're Coming Back like a promise to the ocean that we will always keep moving towards the music, the way Basquait slept in a cardboard box to be closer to the rain. Beauty, catch me on your tongue. Thunder, clap us open. The pupils in our eyes were not born to hide beneath their desks. Tonight lay us down to rest in the Arizona desert, then wake us washing the feet of pregnant women who climbed across the border with their bellies aimed towards the sun. I know a thousand things louder than a soldier's gun. I know the heartbeat of his mother. Don't cover your ears, Love. Don't cover your ears, Life. There is a boy writing poems in Central Park and as he writes he moves and his bones become the bars of Mandela's jail cell stretching apart, and there are men playing chess in the December cold who can't tell if the breath rising from the board is their opponents or their own, and there's a woman on the stairwell of the subway swearing she can hear Niagara Falls from her rooftop in Brooklyn, and I'm remembering how Niagara Falls is a city overrun with strip malls and traffic and vendors and one incredibly brave river that makes it all worth it. Ya'll, I know this world is far from perfect. I am not the type to mistake a streetlight for the moon. I know our wounds are deep as the Atlantic. But every ocean has a shoreline and every shoreline has a tide that is constantly returning to wake the songbirds in our hands, to wake the music in our bones, to place one fearless kiss on the mouth of that brave river that has to run through the center of our hearts to find its way home.
Andrea Gibson
No guns at the dinner table. That's my one rule
Jessa Hastings (Daisy Haites (Magnolia Parks Universe, #2))
I carry pepper spray in this tote. And a gun.' 'What the fuck , he cried , putting the car in park. 'You're drunk with a gun flopping around in your wine bag?' I buckled my seat belt. 'It was a joke. The gun part, not the 'killing you if you tried something' part. I meant that
Emily Henry (Beach Read)
What if there were no grownups? Suppose the whole idea of grownups was an illusion? What if their money was really just playground marbles, their business deals no more than baseball-card trades, their wars only games of guns in the park? What if they were all still snotty-nosed kids inside their suits and dresses? Christ, that couldn't be, could it? It was too horrible to think about.
Stephen King (Hearts in Atlantis)
If you're one of those delusional 2nd Amendment types who believes you and your trailer park 'militia' might need to take on the Army, the Navy, the 101st Airborne and SEAL Team 6; not only should you be denied the right to bear arms -- but the right to your belt & shoelaces as well ... 'cause you're stark, ravin' batshit!!!
Quentin R. Bufogle
However, the majority of women are neither harlots nor courtesans; nor do they sit clasping pug dogs to dusty velvet all through the summer afternoon. But what do they do then? and there came to my mind’s eye one of those long streets somewhere south of the river whose infinite rows are innumerably populated. With the eye of the imagination I saw a very ancient lady crossing the street on the arm of a middle-aged woman, her daughter, perhaps, both so respectably booted and furred that their dressing in the afternoon must be a ritual, and the clothes themselves put away in cupboards with camphor, year after year, throughout the summer months. They cross the road when the lamps are being lit (for the dusk is their favourite hour), as they must have done year after year. The elder is close on eighty; but if one asked her what her life has meant to her, she would say that she remembered the streets lit for the battle of Balaclava, or had heard the guns fire in Hyde Park for the birth of King Edward the Seventh. And if one asked her, longing to pin down the moment with date and season, but what were you doing on the fifth of April 1868, or the second of November 1875, she would look vague and say that she could remember nothing. For all the dinners are cooked; the plates and cups washed; the children sent to school and gone out into the world. Nothing remains of it all. All has vanished. No biography or history has a word to say about it. And the novels, without meaning to, inevitably lie. All these infinitely obscure lives remain to be recorded, I said, addressing Mary Carmichael as if she were present; and went on in thought through the streets of London feeling in imagination the pressure of dumbness, the accumulation of unrecorded life, whether from the women at the street corners with their arms akimbo, and the rings embedded in their fat swollen fingers, talking with a gesticulation like the swing of Shakespeare’s words; or from the violet-sellers and match-sellers and old crones stationed under doorways; or from drifting girls whose faces, like waves in sun and cloud, signal the coming of men and women and the flickering lights of shop windows. All that you will have to explore, I said to Mary Carmichael, holding your torch firm in your hand.
Virginia Woolf (A Room of One’s Own)
Plus laid aussi qu'un parking
Hugh Laurie (The Gun Seller)
Zack is amazed by how calmly Kevin describes the events of the day. A walk in the park for him. A chill runs up Zack’s spine. 
Mark M. Bello (Betrayal High (Zachary Blake Legal Thriller, #5))
All these beefy Caucasians with guns. Get enough of them together,looking for the America they always believed they'd grow up in, and they glom together like overcooked rice, form integral, starchy little units. With their power tools, portable generators, weapons, four-wheel-drive vehicles, and personal computers, they are like beavers hyped up on crystal meth, manic engineers without a blueprint, chewing through the wilderness, building things and abandoning them, altering the flow of mighty rivers and then moving on because the place ain't what it used to be. The byproduct of the lifestyle is polluted rivers, greenhouse effect, spouse abuse, televangelists, and serial killers. But as long as you have that four-wheel-drive vehicle and can keep driving north, you can sustain it, keep moving just quickly enough to stay one step ahead of your own waste stream. In twenty years, ten million white people will converge on the north pole and park their bagos there. The low-grade waste heat of their thermodynamically intense lifestyle will turn the crystalline icescape pliable and treacherous. It will melt a hole through the polar icecap, and all that metal will sink to the bottom, sucking the biomass down with it.
Neal Stephenson (Snow Crash)
The traffic warden looked up. "This your car?" "It is," said Skulduggery. The traffic warden nodded. "Very nice, very nice. But you can't park here, day or night." "I wasn't aware of that." "There's a sign right over there." "I didn't think it applied to me." "Why wouldn't it have applied to you?" Skulduggery tilted his head. "Because I'm special." "Don't care how special you think you are, you're parked in a no parking area and as such you're---" "We're here on official police business." The traffic warden narrowed his eyes. "You're Garda? I'm going to need to see some identification." "We're undercover," said Skulduggery. "This is a very important undercover operation which you are endangering just by talking to us." He opened his jacket. "Look, I have a gun. I am Detective Inspector Me. This is my partner, Detective Her." The traffic warden frowned. "Her?" "Me," said Stephanie. "Him?" "Not me," said Skulduggery. "Her." "Me," said Stephanie. "You?" said the traffic warden. "Yes," said Stephanie. "I"m sorry, who are you?" Stephanie looked at him. "I'm Her, he's Me. Got it? Good. You better get out of here before you blow our cover. They've got snipers.
Derek Landy (The Dying of the Light (Skulduggery Pleasant, #9))
Alaska was full of fringe-ists. People who believed in weirdo things and prayed to exclusionary Gods and filled their basements with equal measures of guns and Bibles. If you wanted to live in a place where no one told you what to do and didn’t care if you parked a trailer in your yard or had a fridge on your porch, Alaska was the state for you.
Kristin Hannah (The Great Alone)
Inevitable pickup trucks complete with full gun racks, chainsaws, fishing poles, and big, sneering dogs in the back, line the streets and parking lots. Meek murmur of autumn skies, Ford and Chevy outfits to roll through town, as people get ready for a long, gray, foggy winter, big, four-wheel-drive pickups with snow blades attached, the box loaded down, with a high stack of cordwood topped by a huge elk carcass, to go disheartened in the midst of wretched weather, cold, raw, continually snowing.
Brian D'Ambrosio
Your beast come out?” the King said. “Nah, I sneezed.” Black brows lifted over the wraparounds. “Really? I didn’t know your nose had that kind of firepower.” “It doesn’t,” V answered as he took out a hand-rolled. “He had an oopsie.” “Do you need gun practice—” “You would have sneezed, too,” Rhage interrupted the King. “And no, I don’t need to go to the range. Well, unless Lassiter has a target on his ass—” “I’ll volunteer the angel right here, right now.” V parked it on the far side of the desk. “And can I be the one with the stapler, pinning the tail on his donkey? ’Cuz I’ll tell you right now, I’ma hit that Stanley until the thing jams.
J.R. Ward (The Wolf (Black Dagger Brotherhood: Prison Camp, #2))
Suppose we were planning to impose a dictatorial regime upon the American people—the following preparations would be essential: 1. Concentrate the populace in megalopolitan masses so that they can be kept under close surveillance and where, in case of trouble, they can be bombed, burned, gassed or machine-gunned with a minimum of expense and waste. 2. Mechanize agriculture to the highest degree of refinement, thus forcing most of the scattered farm and ranching population into the cities. Such a policy is desirable because farmers, woodsmen, cowboys, Indians, fishermen and other relatively self-sufficient types are difficult to manage unless displaced from their natural environment. 3. Restrict the possession of firearms to the police and the regular military organizations. 4. Encourage or at least fail to discourage population growth. Large masses of people are more easily manipulated and dominated than scattered individuals. 5. Continue military conscription. Nothing excels military training for creating in young men an attitude of prompt, cheerful obedience to officially constituted authority. 6. Divert attention from deep conflicts within the society by engaging in foreign wars; make support of these wars a test of loyalty, thereby exposing and isolating potential opposition to the new order. 7. Overlay the nation with a finely reticulated network of communications, airlines and interstate autobahns. 8. Raze the wilderness. Dam the rivers, flood the canyons, drain the swamps, log the forests, strip-mine the hills, bulldoze the mountains, irrigate the deserts and improve the national parks into national parking lots. Idle speculations, feeble and hopeless protest. It was all foreseen nearly half a century ago by the most cold-eyed and clear-eyed of our national poets, on California’s shore, at the end of the open road. Shine, perishing republic.
Edward Abbey (Desert Solitaire)
What the fuck,” he cried, putting the car in park. “You’re drunk with a gun flopping around in your wine bag?
Emily Henry (Beach Read)
What if there were no grownups? Suppose the whole idea of grownups was an illusion? What if their money was really just playground marbles, their business deals no more than baseball-card trades, their wars only games of guns in the park? What if they were all still snotty-nosed kids inside their suits and dresses? Christ, that couldn’t be, could it? It was too horrible to think about.
Stephen King (Hearts in Atlantis)
It isn't only political power that grows out of the barrel of a gun. So does a whole definition of reality. A set. And the action that has to happen on that particular set and on none other." "Don't be so bloody patronizing," I objected.... "That's just Marx: the ideology of the ruling class becomes the ideology of the whole society." "Not the ideology. The Reality." He lowered his handkerchief. "This was a public park until they changed the definition. Now, the guns have changed the Reality. It isn't a public park. There's more than one kind of magic." "Just like the Enclosure Acts," I said hollowly. "One day the land belonged to the people. The next day it belonged to the landlords." "And like the Narcotics Acts," he added. "A hundred thousand harmless junkies became criminals overnight, by Act of Congress, in nineteen twenty-seven. Ten years later, in thirty-seven, all the pot-heads in the country became criminals overnight, by Act of Congress. And they really were criminals, when the papers were signed. The guns prove it. Walk away from those guns, waving a joint, and refuse to halt when they tell you. Their Imagination will become your Reality in a second.
Robert Anton Wilson (The Eye in the Pyramid (Illuminatus, #1))
This is a £4000 shirt.” Smokeshow10 squints over at me. “Might have overpaid for that one, Dais.” “Oh, did I?” I glare at him. “Did I overpay for this Beatles ‘Butcher Cover’ Original Promo shirt from 1966?” I cock an eyebrow at him. “On eBay last week, I watched you buy a Hot Cheeto shaped like a gun for £560.
Jessa Hastings (Daisy Haites (Magnolia Parks Universe, #2))
Shoot it down," he's yelling. "Pull the plug. Give me a gun and I'll do it," he's yelling. "Just get that damn blimp out of the air." "No can do," the events coordinator says. The minute the wedding party comes out of the stadium, the crew in the blimp will dump fifteen thousand pounds of rice over the parking lot.
Chuck Palahniuk (Survivor)
If I get a ticket in an Aston Martin, I plan to frame it and put it on my desk.” And with that Zach gunned the engine and spun out of the parking garage.
Tiffany Reisz (The Siren (The Original Sinners, #1))
I kind of was beginning to feel like I was being underutilized [as Teen Ambassador to the UN]. I mean, there were a lot more important issues out there for teens that I could have been bringing international attention to than what kids see out their windows. I mean, instead of sitting in the White House press office for three hours after school every Wednesday, or attending International Festival of the Child concerts, I could have been out there alerting the public to the fact that in some countries, it is still perfectly legal for men to take teen brides -- even multiple teen brides! What was that all about? And what about places like Sierra Leone, where teens and even younger kids routinely get their limbs chopped off as "warnings" against messing with the warring gangs that run groups of diamond traffickers? And hello, what about all those kids in countries with unexploded land mines buried in the fields where they'd like to play soccer, but can't because it's too dangerous? And how about a problem a little closer to home? How about all the teenagers right here in America who are taking guns to school and blowing people away? Where are they getting these guns, and how come they think shooting people is a viable solution to their problems? And why isn't anybody doing anything to alleviate some of the pressures that might lead someone to think bringing a gun to school is a good thing? How come nobody is teaching people like Kris Parks to be more tolerant of others, to stop torturing kids whose mothers make them wear long skirts to school?
Meg Cabot (All-American Girl (All-American Girl, #1))
At the fairgrounds we saw them in the parking lot inhaling the effluvium of carnival, the smells of fried dough, caramel and cinnamon, the flap-flapping of tents, a carousel plinking out music-box songs, voluptuous sounds bouncing down tent ropes and along the trampled dust of the midway. Wind-curled handbills staple-gunned to telephone poles, the hum of gas-powered generators and the gyro truck, the lemonade truck, pretzels and popcorn, baked potatoes, the American flag, the rumblings of rides and the disconnected screams of riders -- all of it shimmered before them like a mirage, something not quite real.
Anthony Doerr (The Shell Collector)
The thought should have comforted Bobby but it didn’t. He found himself thinking of what William Golding had said, that the boys on the island were rescued by the crew of a battle-cruiser and good for them . . . but who would rescue the crew? That was stupid, no one ever looked less in need of rescuing than Rionda Hewson did at that moment, but the words still haunted Bobby. What if there were no grownups? Suppose the whole idea of grownups was an illusion? What if their money was really just playground marbles, their business deals no more than baseball-card trades, their wars only games of guns in the park? What if they were all still snotty-nosed kids inside their suits and dresses? Christ, that couldn’t be, could it? It was too horrible to think about.
Stephen King (Hearts in Atlantis)
But just a few minutes walk away there was a park lined with Banyan trees, their ancient overground roots more enduring than wire rusting in the sea air or guns that jammed with dust or the calculations made today by politicians looking to the next elections.
Kamila Shamsie (Home Fire)
In his backyard, an empty dirt field beside a freeway overpass, I watched Trevor aim his .32 Winchester at a row of paint cans lined on an old park bench. I did not know then what I know now: to be an American boy, and then an American boy with a gun, is to move from one end of a cage to another.
Ocean Vuong (On Earth We're Briefly Gorgeous)
Once she even successfully argued on behalf of my older brother, Dan, getting a BBGun, a weapon which he promptly turned against his younger siblings, outfitting us in helmet and leather jacket and instructing us to run across Eaton Park while he practiced his marksmanship. Today he is a colonel in the army and the rest of us are gun-shy.
Thomas Lynch (The Undertaking: Life Studies from the Dismal Trade)
I still can’t believe it.” Daniel ran a hand through his locs. “Yeah. Right.” She caught the thin wedge of anger in his voice. “Well. I can’t.” “He couldn’t, either. Whereas I—we—all his friends—can believe it, no problem. Who does that? Go help some White girl. In a park. In Northwest DC. At night.” He shook his head and dropped another book into the box. “What else could he have done?” Daniel straightened. “Girl, he should have sped up, kept on running right to a well-lit road, and called some White folk to help her. He just didn’t know how he needed to be if he was going to live in this country.” He sighed. “We tried. Gave him ‘the talk,’ like our parents did when we were little kids.” He shook his head. “He thought he knew about cops. But the cops he knew in England, ninety percent of them weren’t carrying guns. No, make that a hundred percent, the bougie ’hoods where he came up. Art historian, Lord Fauntleroy accent, Yale and Georgetown—none of it was ever going to keep him safe. Like I said, we tried to warn him. But seems like it never sank in.
Geraldine Brooks (Horse)
But now I speculate re the ants' invisible organ of aggregate thought... if, in a city park of broad reaches, winding paths, roadways, and lakes, you can imagine seeing on a warm and sunny Sunday afternoon the random and unpredictable movement of great numbers of human beings in the same way... if you watch one person, one couple, one family, a child, you can assure yourself of the integrity of the individual will and not be able to divine what the next moment will bring. But when the masses are celebrating a beautiful day in the park in a prescribed circulation of activities, the wider lens of thought reveals nothing errant, nothing inconstant or unnatural to the occasion. And if someone acts in a mutant un-park manner, alarms go off, the unpredictable element, a purse snatcher, a gun wielder, is isolated, surrounded, ejected, carried off as waste. So that while we are individually and privately dyssynchronous, moving in different ways, for different purposes, in different directions, we may at the same time comprise, however blindly, the pulsing communicating cells of an urban over-brain. The intent of this organ is to enjoy an afternoon in the park, as each of us street-grimy urbanites loves to do. In the backs of our minds when we gather for such days, do we know this? How much of our desire to use the park depends on the desires of others to do the same? How much of the idea of a park is in the genetic invitation on nice days to reflect our massive neuromorphology? There is no central control mechanism telling us when and how to use the park. That is up to us. But when we do, our behavior there is reflective, we can see more of who we are because of the open space accorded to us, and it is possible that it takes such open space to realize in simple form the ordinary identity we have as one multicellular culture of thought that is always there, even when, in the comparative blindness of our personal selfhood, we are flowing through the streets at night or riding under them, simultaneously, as synaptic impulses in the metropolitan brain. Is this a stretch? But think of the contingent human mind, how fast it snaps onto the given subject, how easily it is introduced to an idea, an image that it had not dreamt of thinking of a millisecond before... Think of how the first line of a story yokes the mind into a place, a time, in the time it takes to read it. How you can turn on the radio and suddenly be in the news, and hear it and know it as your own mind's possession in the moment's firing of a neuron. How when you hear a familiar song your mind adopts its attitudinal response to life before the end of the first bar. How the opening credits of a movie provide the parameters of your emotional life for its ensuing two hours... How all experience is instantaneous and instantaneously felt, in the nature of ordinary mind-filling revelation. The permeable mind, contingently disposed for invasion, can be totally overrun and occupied by all the characteristics of the world, by everything that is the case, and by the thoughts and propositions of all other minds considering everything that is the case... as instantly and involuntarily as the eye fills with the objects that pass into its line of vision.
E.L. Doctorow (City of God)
Michael, in a motel in Twentynine Palms, a gun in his hands. Not at Meredith's, painting in an explosion of new creation. Not over on Sunset, digging through the record bins, or at Launderland separating the darks and lights. Not at the Chinese market, looking at the fish with their still-bright eyes. Not at the Vista watching an old movie. Not sketching down at Echo Park. He was in a motel room in Twentynine Palms, putting a bullet in his brain.
Janet Fitch (Paint it Black)
She pulled the shawl closer as a tall, lithe figure cut across the parking lot and joined her at the passenger door. “You’re already famous,” Colby Lane told her, his dark eyes twinkling in his lean, scarred face. “You’ll see yourself on the evening news, if you live long enough to watch it.” He jerked a thumb over his shoulder. “Tate’s on his way right now.” “Unlock this thing and get me out of here!” she squeaked. He chuckled. “Coward.” He unlocked the door and let her climb in. By the time he got behind the wheel and took off, Tate was striding across the parking lot with blood in his eye. Cecily blew him a kiss as Colby gunned the engine down the busy street. “You’re living dangerously tonight,” Colby told her. “He knows where you live,” he added. “He should. He paid for the apartment,” she added in a sharp, hurt tone. She wrapped her arms closer around her. “I don’t want to go home, Colby. Can I stay with you tonight?” She knew, as few other people did, that Colby Lane was still passionately in love with his ex-wife, Maureen. He had nothing to do with other women even two years after his divorce was final. He drank to excess from time to time, but he wasn’t dangerous. Cecily trusted no one more. He’d been a good friend to her, as well as to Tate, over the years. “He won’t like it,” he said. She let out a long breath. “What does it matter now?” she asked wearily. “I’ve burned my bridges.” “I don’t know why that socialite Audrey had to tell you,” he muttered irritably. “It was none of her business.” “Maybe she wants a big diamond engagement ring, and Tate can’t afford it because he’s keeping me,” she said bitterly. He glanced at her rigid profile. “He won’t marry her.” She made a sound deep in her throat. “Why not? She’s got everything…money, power, position and beauty-and a degree from Vassar.” “In psychology,” Colby mused. “She’s been going around with Tate for several months.” “He goes around with a lot of women. He won’t marry any of them.” “Well, he certainly won’t marry me,” she assured him. “I’m white.” “More of a nice, soft tan,” he told her. “You can marry me. I’ll take care of you.” She made a face at him. “You’d call me Maureen in your sleep and I’d lay your head open with the lamp. It would never work.
Diana Palmer (Paper Rose (Hutton & Co. #2))
Epistle to Miss Blount, On Her Leaving the Town, After the Coronation" As some fond virgin, whom her mother’s care Drags from the town to wholesome country air, Just when she learns to roll a melting eye, And hear a spark, yet think no danger nigh; From the dear man unwillingly she must sever, Yet takes one kiss before she parts for ever: Thus from the world fair Zephalinda flew, Saw others happy, and with sighs withdrew; Not that their pleasures caused her discontent, She sighed not that They stayed, but that She went. She went, to plain-work, and to purling brooks, Old-fashioned halls, dull aunts, and croaking rooks, She went from Opera, park, assembly, play, To morning walks, and prayers three hours a day; To pass her time ‘twixt reading and Bohea, To muse, and spill her solitary tea, Or o’er cold coffee trifle with the spoon, Count the slow clock, and dine exact at noon; Divert her eyes with pictures in the fire, Hum half a tune, tell stories to the squire; Up to her godly garret after seven, There starve and pray, for that’s the way to heaven. Some Squire, perhaps, you take a delight to rack; Whose game is Whisk, whose treat a toast in sack, Who visits with a gun, presents you birds, Then gives a smacking buss, and cries – No words! Or with his hound comes hollowing from the stable, Makes love with nods, and knees beneath a table; Whose laughs are hearty, tho’ his jests are coarse, And loves you best of all things – but his horse. In some fair evening, on your elbow laid, Your dream of triumphs in the rural shade; In pensive thought recall the fancied scene, See Coronations rise on every green; Before you pass th’ imaginary sights Of Lords, and Earls, and Dukes, and gartered Knights; While the spread fan o’ershades your closing eyes; Then give one flirt, and all the vision flies. Thus vanish scepters, coronets, and balls, And leave you in lone woods, or empty walls. So when your slave, at some dear, idle time, (Not plagued with headaches, or the want of rhyme) Stands in the streets, abstracted from the crew, And while he seems to study, thinks of you: Just when his fancy points your sprightly eyes, Or sees the blush of soft Parthenia rise, Gay pats my shoulder, and you vanish quite; Streets, chairs, and coxcombs rush upon my sight; Vexed to be still in town, I knit my brow, Look sour, and hum a tune – as you may now.
Alexander Pope
He found himself thinking of what William Golding had said, that the boys on the island were rescued by the crew of a battlecruiser and good for them . . . but who would rescue the crew? ...What if there were no grownups? Suppose the whole idea of grownups was an illusion? What if their money was really just playground marbles, their business deals no more than baseball-card trades, their wars only games of guns in the park? What if they were all still snotty-nosed kids inside their suits and dresses?
Stephen King (Hearts in Atlantis)
Later that afternoon with the Germans already in Trafalgar Square and advancing down Whitehall to take their position in the rear, the enemy unit advancing across St. James 'Park made their final charge. Several of those in the Downing Street position were already dead... and at last the Bren ceased its chatter, its last magazine emptied. Churchill reluctantly abandoned the machine-gun, drew his pistol and with great satisfaction, for it was a notoriously inaccurate weapon, shot dead the first German to reach the foot of the steps. As two more rushed forward, covered by a third in the distance, Winston Churchill moved out of the shelter of the sandbags, as if personally to bar the way up Downing Street. A German NCO, running up to find the cause of the unexpected hold-up, recognised him and shouted to the soldiers not to shoot, but he was too late. A burst of bullets from a machine-carbine caught the Prime Minister in the chest. He died instantly, his back to Downing Street, his face toward the enemy, his pistol still in his hand.
Norman Longmate
He was unprepared for the sound. The city was all around him, and he was lost in the noise. There were trucks, horns, sirens from Lexington Avenue and from the cross streets, but behind these individual noises was the sound he stopped to listen to sometimes when he was jogging alone in Central Park at night. A sound formed of traffic and helicopters and distant airplanes, voices, car horns, conversations and music, sirens and shouting and the underground passage of trains, all combined into a susurration as constant and as endless as the sound of ocean waves.
Emily St. John Mandel (The Singer's Gun (manuscript))
Under a star-powdered sky the Recorded Programmes Department set up an open microphone on the roof of BH, which caught every sound of the raids until the last enemy aircraft departed into silence. On the roof, too, the parts of the rifle were named to Teddy and Willie by Reception from the main desk of BH, who told them frequently, as he looked down at the pale pink smoke of London’s fires, that it reminded him of a quiet sector of the line in the last show. Most of the staff juniors attended, and sometimes Reception would sit and play poker with them for margarine coupons, while the Regent’s Park guns rocked them like ship’s boys aloft.
Penelope Fitzgerald (Human Voices)
The good part about these areas that we were taking over, was that all of them had parks where a lot of guys were just hanging out playing basketball. So I used those parks to make a good first impression with my gun, then I followed up with a speech presentation. At the end of the day, we were able to win over the entire park, and eventually their community….. It was as if these fellas from different areas were just waiting for this, because no one else was going around to them. No one else was telling them that they were needed, only us. Scrooge, former leader of the Rebellion Raiders street gang that once boasted of having some ten thousand members
Drexel Deal (The Fight of My Life is Wrapped Up in My Father (The Fight of My Life is Wrapped in My Father Book 1))
The two of them went on from many faculty parties, hitting the bars until they closed, then stopping at some mom 'n' pot) store for a case of beer they would drink parked at the end of some back road. There were mornings when Jack would stumble into their leased house with dawn seeping into the sky and find Wendy and the baby asleep on the couch, Danny always on the inside, a tiny fist curled under the shelf of Wendy's jaw. He would look at them and the self-loathing would back up his throat in a bitter wave, even stronger than the taste of beer and cigarettes and martinis-martians, as Al called them. Those were the times that his mind would turn thoughtfully and sanely to the gun or the rope or the razor blade.
Stephen King (The Shining (The Shining, #1))
It took nearly an hour to reach the cabin. Fearing SS patrols and possible Gestapo roadblocks, Jacob did not take the usual route. To be even more careful, he didn’t drive straight to the cabin. Rather, he parked and hid the motorbike several kilometers away, then proceeded to hike through the woods in the glow of the moonlight, just like he had done in his dream. After nearly twenty minutes of walking in driving rain that showed no signs of letting up, Jacob thought he smelled smoke. Coming up over a ridge less than five hundred meters from the cabin, he suddenly saw enormous flames leaping into the night sky. Standing around were at least a half-dozen Gestapo men holding submachine guns and laughing among themselves.
Joel C. Rosenberg (The Auschwitz Escape)
Shockers take six months of training and still occasionally kill their users. Why did you implant them in the first place?” “Because you kidnapped me.” “That’s the stupidest thing I’ve ever heard.” “Mr. Rogan.” My voice frosted over. “What I put into my body is my business.” Okay, that didn’t sound right. I gave up and marched out the doors into the sunlight. That was so dumb. Sure, try your magic sex touch on me, what could happen? My whole body was still keyed up, wrapped up in want and anticipation. I had completely embarrassed myself. If I could fall through the floor, I would. “Nevada,” he said behind me. His voice rolled over me, tinted with command and enticing, promising things I really wanted. You’re a professional. Act like one. I gathered all of my will and made myself sound calm. “Yes?” He caught up with me. “We need to talk about this.” “There is nothing to discuss,” I told him. “My body had an involuntary response to your magic.” I nodded at the poster for Crash and Burn II on the wall of the mall, with Leif Magnusson flexing with two guns while wrapped in flames. “If Leif showed up in the middle of this parking lot, my body would have an involuntary response to his presence as well. It doesn’t mean I would act on it.” Mad Rogan gave Leif a dismissive glance and turned back to me. “They say admitting that you have a problem is the first step toward recovery.” He was changing his tactics. Not going to work. “You know what my problem is? My problem is a homicidal pyrokinetic Prime whom I have to bring back to his narcissistic family.” We crossed the road to the long parking lot. Grassy dividers punctuated by small trees sectioned the lot into lanes, and Mad Rogan had parked toward the end of the lane, by the exit ramp. “One school of thought says the best way to handle an issue like this is exposure therapy,” Mad Rogan said. “For example, if you’re terrified of snakes, repeated handling of them will cure it.” Aha. “I’m not handling your snake.” He grinned. “Baby, you couldn’t handle my snake.” It finally sank in. Mad Rogan, the Huracan, had just made a pass at me. After he casually almost strangled a woman in public. I texted to Bern, “Need pickup at Galeria IV.” Getting into Rogan’s car was out of the question.
Ilona Andrews (Burn for Me (Hidden Legacy, #1))
Beckett watched Cole closely. This had been some next level-bullshit. And Cole had already been through some caveman-brutal violence coming up with his horrible mother. A betrayal like that cut deep and hard. He watched as Cole’s eyes filled up, and he curled his hands into fists. His breath came in gasps. His brother’s reality might possibly be caving in. Who the fuck knew. Beckett put the safety on and set down his gun. He turned in his seat and leaned over, grabbing Cole’s shirt and twisting it hard at his chest, pulling the sobbing man closer to him. It was one of the ways he scared the shit out of people, this look he would give, but not now. “Look at me. Fucking look at me!” Cole’s hazel eyes finally locked on Beckett’s. “You are never alone. You will never be alone! We’re together. Do you understand? I will murder the whole world to keep you out of that shit! It will never happen to you again. Do you hear me? Do you fucking hear me?” Cole screamed back at Beckett. Not words, just a guttural noise. Pain. Pain vocalized. Blake careened the car to the side of the road and cut the lights. After it was in park, he turned and faced Cole as well. Cole screamed again. Anger. Hot tears, rage. Pain, so much pain. Beckett panicked. Was it something I said? Shit. Was I too late? Shit. Blake crawled over the seat, sat next to Cole, and he started screaming too. Jesus Christ. The two of them were fucking insane. And if they were going crazy, he would follow. Beckett crawled over too, sloppy and kicking his brothers as he planted himself in the backseat. It took a second before he could match them, before he could go to that place in his head and heart and scream. But he did. For a few heartbeats, three teenage boys raged at their childhood. They hollered at fate. They screamed out pure need. It was the sound of Peter Pan fucking dying, the ghost of dreams that would never be—until Cole started cough-sob-laughing. It was catching, the sliding from one emotion to another. Blake was next, holding his stomach and laughing. Finally Beckett held his head and did the same. They collapsed in a heap, slapping at each other in their hysteria. When they finally caught their breath, they didn’t need words. They didn’t need anything but each other. Cole put up his arm and Blake and Beckett grabbed on. Never alone.
Debra Anastasia (Poughkeepsie Begins (Poughkeepsie Brotherhood, #0))
The firepower uncovered in March 2005 in Sant’Anastasia, a town at the foot of Vesuvius, was stunning. The discovery came about partly by chance, and partly by the lack of discipline of the arms traffickers: customers and drivers started fighting on the street because they couldn’t agree on the price. When the carabinieri arrived, they removed the interior panels of the truck parked near the brawl, discovering one of the largest mobile depots they had ever seen. Uzis with four magazines, seven clips, and 112 380-caliber bullets, Russian and Czech machine guns able to fire 950 shots a minute. (Nine hundred fifty shots a minute was the firing power of American helicopters in Vietnam.) Weapons for ripping apart tanks and entire divisions of men, not for Camorra family fights on the slopes of Mount Vesuvius. Almost new, well-oiled, rifle numbers still intact, just in from Kraków.
Roberto Saviano (Gomorrah)
Dennis Tueller, a Salt Lake City police officer and firearms instructor (since retired), asked just this question.  Uniformed officers are routinely faced with impact weapon bearing suspects.  So it’s natural for Tueller to wonder how far away a suspect can be and still use an impact weapon against an officer before he could defend himself. To answer his question, Tueller ran a bunch of empirical studies.  Which is just a fancy way of saying he ran a bunch of students through the exercise that would later become the Tueller Drill. Tueller learned that most officers can get a service pistol out of a holster and engage a threat with center-mass hits within 1.5 seconds.  So the question then becomes, how much distance can a bad guy cross in 1.5 seconds?  Timing a great many students running from a standing start, Tueller learned that someone can go about 21 feet in 1.5 seconds.  So 21 feet became the “Tueller distance,” or the maximum distance from a police officer a person can use an impact weapon against the officer before the officer can shoot them.  The Tueller Drill is often referred to as the “21 foot rule,” or the “7 yard rule.”  This really obscures the real take-home message of the Tueller Drill.  The value is not some particular distance.  What matters is your “Tueller distance.” People’s draw speeds vary.  Your Tueller distance will be greater or less than 21 feet depending on your ability to get the gun unholstered and pointed center-mass. The real lesson of the Tueller Drill is that someone armed with an impact weapon has the opportunity to use it at a far greater distance than most think—and certainly much greater distances than a juror might have otherwise thought.  If you imagine the length of typical American parking space, and add another three paces, you’ll be right about at 21 feet.
Andrew F. Branca (The Law of Self Defense: The Indispensable Guide to the Armed Citizen)
Can I ask you one thing before you go?” the clerk said. Her short friend watched me over the edge of her glasses. “Sure.” “Are you and Morgan going to the movies again anytime soon?” I swear every person in that room leaned closer. “Uh…” “Mr. Newman is gonna be showing the cows The Sound of Music next Friday,” Marge said. Then I’ll be damned if she didn’t grin. What the hell did I say? Because they sure were waiting for me to say something. “We’ll see.” Marge patted me on the arm. “Well, you just let us know.” I faced some scary people in my life, had guns shoved in my face, seen the results of a disgruntled colleague's handiwork, and never ran. Apparently a room full of Durstrand locals could do what bullets had failed at. I set the box of bottles on the floor on the passenger side of the truck and cranked it up. Everyone in the post office watched me out the window. Even the two mail clerks had squeezed up front. About half of them waved. With my face on fire, I fled the parking lot.
Adrienne Wilder (In the Absence of Light (Morgan & Grant, #1))
The lumbering bagos and topheavy four-wheelers form a moving slalom course for Hiro on his black motorcycle. All these beefy Caucasians with guns! Get enough of them together, looking for the America they always believed they'd grow up in, and they glom together like overcooked rice, form integral, starchy little units. With their power tools, portable generators, weapons, four-wheel-drive vehicles, and personal computers, they are like beavers hyped up on crystal meth, manic engineers without a blueprint, chewing through the wilderness, building things and abandoning them, altering the flow of mighty rivers and then moving on because the place ain't what it used to be. The byproduct of the lifestyle is polluted rivers, greenhouse effect, spouse abuse, televangelists, and serial killers. But as long as you have that fourwheel- drive vehicle and can keep driving north, you can sustain it, keep moving just quickly enough to stay one step ahead of your own waste stream. In twenty years, ten million white people will converge on the north pole and park their bagos there. The low-grade waste heat of their thermodynamically intense lifestyle will turn the crystalline icescape pliable and treacherous. It will melt a hole through the polar icecap, and all that metal will sink to the bottom, sucking the biomass down with it.
Neal Stephenson (Snow Crash)
Perhaps nothing would have happened were it not the pit of summer, with a month and a half ahead. There is no air-conditioning in the apartment, and this year - the summer of 1969 - it seems something is happening to everyone but them. People are getting wasted at Woodstock and singing 'Pinball Wizard' and watching Midnight Cowboy, which none of the Gold children are allowed to see. They're rioting outside Stonewall, ramming the doors with uprooted parking meters, smashing windows and jukeboxes. They're being murdered in the most gruesome way imaginable, with chemical explosives and guns that can fire five hundred and fifty bullets in succession, their faces transmitted with horrifying immediacy to the television in the Gold's kitchen. 'They're walking on the motherf***ing moon,' said Daniel, who has begun to use this sort of language, but only at a safe remove from their mother. James Earl Ray is sentenced, and so is Sirhan Sirhan, and all the while the Golds play jacks or darts or rescue Zoya from an open pipe behind the oven, which she seems convinced is her rightful home. But something else created the atmosphere required for this pilgrimage: they are siblings, this summer, in a way they will never be again. Next year, Varya will go to the Catskills with her friend Aviva. Daniel will be immersed in the private rituals of the neighborhood boys, leaving Klara and Simon to their own devices. In 1969, though, they are still a unit, yoked as if it isn't possible to be anything but.
Chloe Benjamin (The Immortalists)
To pass the time, he hunted through the apartment, patting surfaces down with his palms in an attempt to find computers, extra phones, more goddamn guns. He’d just returned to the second bedroom when something ricocheted off the window. Wrath unholstered his forty again and back-flatted it on the wall next to the window. With his hand, he sprang the lock and pushed the sheet of glass open a crack. The cop’s Boston accent was about as subtle as a loudspeaker. “Yo, Rapunzel, you going to let down your frickin’ hair, there?” “Shh, you wanna wake the neighbors?” “Like they can hear anything over that TV? Hey, this is the bat epi…” Wrath left Butch to talk to himself, putting his gun back on his hip, pushing the window wide, then heading for the closet. The only warning he gave the cop as he winged the first two-hundred-pound crate out of the building was, “Brace yourself, Effie.” “Jesus Ch—” A grunt cut off the swearing. Wrath poked his head out of the window and whispered, “You’re supposed to be a good Catholic. Isn’t that blasphemy?” Butch’s tone was like someone had pissed out a fire on his bed. “You just threw half a car at me with nothing but a quote from Mrs. fucking Doubtfire.” “Put on your big-girl pants and deal.” As the cop cursed his way over to the Escalade, which he’d managed to park under some pine trees, Wrath headed back to the closet. When Butch returned, Wrath heaved again. “Two more.” There was another grunt and a rattle. “Fuck me.” “Not on your life.” “Fine. Fuck you.” -Butch & Wrath
J.R. Ward (Lover Avenged (Black Dagger Brotherhood, #7))
I built, of blocks, a town three hundred thousand strong, whose avenues were paved with a wine-colored rug and decorated by large leaves outlined inappropriately in orange, and on this leafage I'd often park my Tootsie Toy trucks, as if on pads of camouflage, waiting their deployment against catastrophes which included alien invasions, internal treachery, and world war. It was always my intention, and my conceit, to use up, in the town's construction, every toy I possessed: my electronic train, of course, the Lincoln Logs, old kindergarten blocks—their deeply incised letters always a problem—the Erector set, every lead soldier that would stand (broken ones were sent to the hospital), my impressive array of cars, motorcycles, tanks, and trucks—some with trailers, some transporting gas, some tows, some dumps—and my squadrons of planes, my fleet of ships, my big and little guns, an undersized group of parachute people (looking as if one should always imagine them high in the sky, hanging from threads), my silversided submarines, along with assorted RR signs, poles bearing flags, prefab houses with faces pasted in their windows, small boxes of a dozen variously useful kinds, strips of blue cloth for streams and rivers, and glass jars for town water towers, or, in a pinch, jails. In time, the armies, the citizens, even the streets would divide: loyalties, friendships, certainties, would be undermined, the city would be shaken by strife; and marbles would rain down from formerly friendly planes, steeples would topple onto cars, and shellfire would soon throw aggie holes through homes, soldiers would die accompanied by my groans, and ragged bands of refugees would flee toward mountain caves and other chairs and tables.
William H. Gass (The Tunnel)
I heard the fear in the first music I ever knew, the music that pumped from boom boxes full of grand boast and bluster. The boys who stood out on Garrison and Liberty up on Park Heights loved this music because it told them, against all evidence and odds, that they were masters of their own lives, their own streets, and their own bodies. I saw it in the girls, in their loud laughter, in their gilded bamboo earrings that announced their names thrice over. And I saw it in their brutal language and hard gaze, how they would cut you with their eyes and destroy you with their words for the sin of playing too much. “Keep my name out your mouth,” they would say. I would watch them after school, how they squared off like boxers, vaselined up, earrings off, Reeboks on, and leaped at each other. I felt the fear in the visits to my Nana’s home in Philadelphia. You never knew her. I barely knew her, but what I remember is her hard manner, her rough voice. And I knew that my father’s father was dead and that my uncle Oscar was dead and that my uncle David was dead and that each of these instances was unnatural. And I saw it in my own father, who loves you, who counsels you, who slipped me money to care for you. My father was so very afraid. I felt it in the sting of his black leather belt, which he applied with more anxiety than anger, my father who beat me as if someone might steal me away, because that is exactly what was happening all around us. Everyone had lost a child, somehow, to the streets, to jail, to drugs, to guns. It was said that these lost girls were sweet as honey and would not hurt a fly. It was said that these lost boys had just received a GED and had begun to turn their lives around. And now they were gone, and their legacy was a great fear. Have they told you this story? When your grandmother was sixteen years old a young man knocked on her door. The young man was your Nana Jo’s boyfriend. No one else was home. Ma allowed this young man to sit and wait until your Nana Jo returned. But your great-grandmother got there first. She asked the young man to leave. Then she beat your grandmother terrifically, one last time, so that she might remember how easily she could lose her body. Ma never forgot. I remember her clutching my small hand tightly as we crossed the street. She would tell me that if I ever let go and were killed by an onrushing car, she would beat me back to life. When I was six, Ma and Dad took me to a local park. I slipped from their gaze and found a playground. Your grandparents spent anxious minutes looking for me. When they found me, Dad did what every parent I knew would have done—he reached for his belt. I remember watching him in a kind of daze, awed at the distance between punishment and offense. Later, I would hear it in Dad’s voice—“Either I can beat him, or the police.” Maybe that saved me. Maybe it didn’t. All I know is, the violence rose from the fear like smoke from a fire, and I cannot say whether that violence, even administered in fear and love, sounded the alarm or choked us at the exit. What I know is that fathers who slammed their teenage boys for sass would then release them to streets where their boys employed, and were subject to, the same justice. And I knew mothers who belted their girls, but the belt could not save these girls from drug dealers twice their age. We, the children, employed our darkest humor to cope. We stood in the alley where we shot basketballs through hollowed crates and cracked jokes on the boy whose mother wore him out with a beating in front of his entire fifth-grade class. We sat on the number five bus, headed downtown, laughing at some girl whose mother was known to reach for anything—cable wires, extension cords, pots, pans. We were laughing, but I know that we were afraid of those who loved us most. Our parents resorted to the lash the way flagellants in the plague years resorted to the scourge.
Ta-Nehisi Coates (Between the World and Me)
You whom I could not save, Listen to me. Can we agree Kevlar backpacks shouldn’t be needed for children walking to school? Those same children also shouldn’t require a suit of armor when standing on their front lawns, or snipers to watch their backs as they eat at McDonalds. They shouldn’t have to stop to consider the speed of a bullet or how it might reshape their bodies. But one winter, back in Detroit, I had one student who opened a door and died. It was the front door to his house, but it could have been any door, and the bullet could have written any name. The shooter was thirteen years old and was aiming at someone else. But a bullet doesn’t care about “aim,” it doesn’t distinguish between the innocent and the innocent, and how was the bullet supposed to know this child would open the door at the exact wrong moment because his friend was outside and screaming for help. Did I say I had “one” student who opened a door and died? That’s wrong. There were many. The classroom of grief had far more seats than the classroom for math though every student in the classroom for math could count the names of the dead. A kid opens a door. The bullet couldn’t possibly know, nor could the gun, because “guns don’t kill people,” they don’t have minds to decide such things, they don’t choose or have a conscience, and when a man doesn’t have a conscience, we call him a psychopath. This is how we know what type of assault rifle a man can be, and how we discover the hell that thrums inside each of them. Today, there’s another shooting with dead kids everywhere. It was a school, a movie theater, a parking lot. The world is full of doors. And you, whom I cannot save, you may open a door and enter a meadow, or a eulogy. And if the latter, you will be mourned, then buried in rhetoric. There will be monuments of legislation, little flowers made from red tape. What should we do? we’ll ask again. The earth will close like a door above you. What should we do? And that click you hear? That’s just our voices, the deadbolt of discourse sliding into place.
Matthew Olzmann
It takes me nearly a half hour to make what should be a ten-minute trip, and by the time I pull up in front of my house, my hands are cramped from my death grip on the steering wheel. It’s not until I step out of the car, my legs feeling like they’re made of Jell-O, that I notice Ryder’s Durango parked in front of me. “Where the hell have you been?” he calls out from the front porch, just as I make a mad dash to join him there. His face is red, his brow furrowed over stormy eyes. “They let us out an hour ago!” I am really not in the mood for his crap. “Yeah, so?” “So I was worried sick. A tornado touched down over by the Roberts’ place.” “I know! I mean, I didn’t know it touched down, but I was still at school when the sirens went off.” I drop my ridiculously heavy backpack and shake the rain from my hair. “Is everyone okay over there?” He runs a visibly trembling hand through his hair. “Yeah, it just tore up their fence or something. Jesus, Jemma!” “What is wrong with you? Why are you even here?” “I’m supposed to stay over here, remember?” “What…now?” I look past him and notice an army-green duffel bag by the front door. He’s got a key--he could’ve just let himself in. “I figured now’s as good a time as any. We need to put sandbags in front of the back door before it gets any worst out, and then we’ve got to do something about the barn. It’s awful close to the creek, and the water’s rising fast.” “Well, what do you propose we do?” “Don’t you keep your guns out there? We should move them inside. And your dad has some expensive tools in his workshop--we should get those, too.” I let out a sigh. He’s got a point. “Can I at least go inside first? Put my stuff away?” “Sure?” He moves to the edge of the porch and gazes up at the sky. “It looks like we might get a break in a few minutes, once this band moves through. Might as well wait for it.” I dig out my keys and unlock the door. I can hear the dogs howling their heads off the minute I step inside. “I’ve gotta let Beau and Sadie out,” I say over my shoulder as I head toward the kitchen. “Take your stuff to the guest room and get settled, why don’t you?” That’s my attempt at reestablishing the fact that I’m in charge here, not him. This is my house. My stuff. My life.
Kristi Cook (Magnolia (Magnolia Branch, #1))
- I’m a normal kid, I was raised by television. The secret to great barbeque: only Oscar knows it. Life should be so simple as enjoying ribs, farting, crapping, pissing, fucking and drinking, and maybe smoking too, but anything other than that is too complicated, life should be simple. It is not. - Work? You would go to work even if there’s a chance your job’s imaginary? Imaginary or not, the questions Max poses remain as relevant for Frank, Sam, and Oscar as they are for us. A slight hangover won’t be best friends with any kind of daylight and while this one wasn’t particularly hazardous, they wouldn’t be having any of it. "...the lunatic is on the grass." Surely if you see a bunch of people having a picnic in a park that would turn your head wouldn’t it? How normal a picnic really is? When was the last time you saw one happening? Not in a movie, in real life. If a man’s hat falls to the ground, said man is expected to pick it up. That’s the premise. I’m not some pissy little kid who stopped believing in God because some priests rape kids. I don’t believe in God because I can’t be sure of its existence. I’m not some pissy little kid who stopped believing in God because the church raped kids. I don’t believe in God because I can’t be sure of its existence. Nothing is wrong. You don’t take another man’s hat, another man’s ride, or another man’s woman. Those are universal laws. - You do not take another man’s hat, another man’s ride, or another man's woman. Universal laws, Rosa. - Jesus, no. That won’t be necessary Mr. Coyote. If there’s one thing I’ve learned through the course of my life is this: loaded guns make pretty compelling arguments, and it’s not like I was the star in the debate team in high school. A lot of dinners are joined by assholes, people that don’t matter, and good friends too, but breakfast are kind of elite. You have breakfast with fewer people in your life and most of the time those people you have breakfast with are the good ones. - That’s the thing: I don’t know. I’m aware of the fact that guns might not be the ultimate protection when what we’re facing is the truth, we’re coming to terms with our reality, but we don’t know what we might find out there and if by god there’s an imaginary monster or something waiting there for us, I’d rather have ammo than luck No gun will ever protect a man as he prepares to meet his maker. Personally, I think half a burger is something you can have regardless of how hungry you are. Air conditioning is a marvel of modern science, how could we have lived without it? In the end, there was no greener grass than Texas.
Santiago Rodriguez (An Imaginary Dog Needs to Find Out Whether Or Not His Master's Real)
I turned and entered the airport with my escort. Suddenly, I had a horrible realization: in order to return to the flight line I needed to move through a modern international airport complete with metal detectors and X-ray machines and I had a loaded pistol in my fanny pack. And, because of the ongoing civil war, security was beefed up and the guards were extra wary. Before we reached the first checkpoint, I pretended that I needed to use the restroom and told my escort to go on ahead. I needed to think. One option was to drop my pistol in a trash can and exit the airport, later claiming I lost the gun somehow. The lost-gun option had serious flaws. I couldn’t ditch my pistol because I had signed it out by serial number. Police could easily trace the gun back to me. My personal interpretation of the, “no weapons” order would probably not be an effective defense at my court marshal. My other option was to try and sneak through the airport onto the flight line, somehow avoiding a gauntlet of security checkpoints. This was the ninja option. This daunting course of action was fraught with serious danger. If guards confronted me and caught me with a loaded pistol I knew I would not have a pleasant day. There was no telling where that situation would lead; there was a real possibility I could spend time in a Yemeni prison. Despite the risks I decided on the ninja option. I figured I might have one slim advantage. Maybe the guards would remember me coming through the airport from the flight-line side with the embassy official and not pay me much attention. I was sweating bullets as I approached the first checkpoint. I tried to act casual and confident, not furtive and suspicious like a criminal. I waited until the guard looked away, his attention elsewhere and boldly walked behind him past the checkpoint. When I approached the X-ray and metal detectors I strode right past the line of people, bypassing the machines. I had to play it that way. I could not hang out near the detectors waiting for guards to look the other way and then sneak past; there were just too many. As I brazenly strode around each checkpoint I feared to hear a sudden barked command, rushing feet behind me, and hands spinning me around to face angry guards with drawn weapons. The last part of my mission to get on the airfield was tricky and nerveracking. Imagine being at an American airport in the gate area where people board the airplanes. Then imagine trying to sneak out a Jetway or access door without being stopped. I remembered the door I had used to enter the terminal and luckily it was unlocked. I picked my moment and quickly slipped out the door onto the airfield. I boldly strode across the airfield, never looking behind me until I reached my plane. Finally, I turned and looked back the way I came and saw … nothing. No one was pursuing me. I was in the midst of an ongoing civil war, surrounded by fresh bomb craters and soldiers carrying soviet rifles, but as scary situations go, so far Tiger Rescue was a relaxing walk in the park compared to Operation Ninja Escape.
William F. Sine (Guardian Angel: Life and Death Adventures with Pararescue, the World's Most Powerful Commando Rescue Force)
ONCE YOU’VE HOOKED readers, your next task is to put your early chapters to work introducing your characters, settings, and stakes. The first 20-25% of the book comprises your setup. At first glance, this can seem like a tremendous chunk of story to devote to introductions. But if you expect readers to stick with you throughout the story, you first have to give them a reason to care. This important stretch is where you accomplish just that. Mere curiosity can only carry readers so far. Once you’ve hooked that sense of curiosity, you then have to deepen the pull by creating an emotional connection between them and your characters. These “introductions” include far more than just the actual moment of introducing the characters and settings or explaining the stakes. In themselves, the presentations of the characters probably won’t take more than a few scenes. After the introduction is when your task of deepening the characters and establishing the stakes really begins. The first quarter of the book is the place to compile all the necessary components of your story. Anton Chekhov’s famous advice that “if in the first act you have hung a pistol on the wall, then in the following one it should be fired” is just as important in reverse: if you’re going to have a character fire a gun later in the book, that gun should be introduced in the First Act. The story you create in the following acts can only be assembled from the parts you’ve shown readers in this First Act. That’s your first duty in this section. Your second duty is to allow readers the opportunity to learn about your characters. Who are these people? What is the essence of their personalities? What are their core beliefs (even more particularly, what are the beliefs that will be challenged or strengthened throughout the book)? If you can introduce a character in a “characteristic moment,” as we talked about earlier, you’ll be able to immediately show readers who this person is. From there, the plot builds as you deepen the stakes and set up the conflict that will eventually explode in the Inciting and Key Events. Authors sometimes feel pressured to dive right into the action of their stories, at the expense of important character development. Because none of us wants to write a boring story, we can overreact by piling on the explosions, fight sequences, and high-speed car chases to the point we’re unable to spend important time developing our characters. Character development is especially important in this first part of the story, since readers need to understand and sympathize with the characters before they’re hit with the major plot revelations at the quarter mark, halfway mark, and three-quarters mark. Summer blockbusters are often guilty of neglecting character development, but one enduring exception worth considering is Stephen Spielberg’s Jurassic Park. No one would claim the film is a leisurely character study, but it rises far above the monster movie genre through its expert use of pacing and its loving attention to character, especially in its First Act. It may surprise some viewers to realize the action in this movie doesn’t heat up until a quarter of the way into the film—and even then we have no scream-worthy moments, no adrenaline, and no extended action scenes until halfway through the Second Act. Spielberg used the First Act to build suspense and encourage viewer loyalty to the characters. By the time the main characters arrive at the park, we care about them, and our fear for their safety is beginning to manifest thanks to a magnificent use of foreshadowing. We understand that what is at stake for these characters is their very lives. Spielberg knew if he could hook viewers with his characters, he could take his time building his story to an artful Climax.
K.M. Weiland (Structuring Your Novel: Essential Keys for Writing an Outstanding Story)
I knew Hoboken well during the 40’s & 50’s, and still remember the gray, steel-hulled Liberty and Victory Ships with their gun encasements on their bows, looming above the sheds on the waterfront along River Street. Much of this area has been reclaimed with fill and is very different looking now, with brownstones, parks and Sinatra Drive along the waterfront. Where I once walked is now gone! Where I rode the ferry to New York City and marveled at the ships in the Hudson River and the tall buildings in Manhattan has all changed. At that time I took grainy photos of my world with a Baby Brownie Camera, and still have some of them in an old album.
Hank Bracker
Jack spotted a group of zombies as they strolled to the parking lot. The zombies looked weathered and dried. Their skulls were visible in the greater part and here and there, he noticed a patch of skin. One of them got extremely close, its arms outstretched to Jack. The zombie growled like a beast. Immediately, Jack fired his gun,
Cynthia Fridsma (Volume 5: The End Game (Hotel of Death))
Something was going on down there in the parking lot. He opened the window to have a better look. Despite the sun going down, he spotted Jack’s men outside. The lights in the parking lot turned on. Harry squinted when he noticed the ATU agents were shooting at—what the hell? Zombies? Behind a pickup truck, Harry noticed Jack firing his gun at a zombie that trembled under the impact of bullets. It walked slowly, like a sleepwalker, toward Jack. Even from a safe distance, Harry noted the zombie’s cracked skin, painted with black spots. He grimaced, and knew this had something to do with the curse—The Necronomicon. He didn’t want to stay inside, waiting for zombies to get in the building and murdering people. Yes, he had seen a couple episodes of The Walking Dead, and he didn’t want to stick around helplessly.
Cynthia Fridsma (Volume 5: The End Game (Hotel of Death))
During this attempted robbery, the victim, who holds a concealed weapons permit, pulled out his weapon and fired shots into the bad guy,’ said Orange County Sheriff’s Office Commander Paul Hopkins. . . . For the bad guys out there, you never know who you’re dealing with,’ Hopkins said. ‘When you go out to commit this crime, you might be the one who’s lying dead in the parking lot.’”83
John R. Lott Jr. (More Guns, Less Crime: Understanding Crime and Gun Control Laws)
KaBoom…. The roar of the cannon could be heard reverberating for miles around. The volatile sound boomed off the side of the hill that the school was on, and echoed across the Bagaduce River. I don’t know if the 3”/50 caliber gun, mounted as a decorative piece in front of Richardson Hall, was ever fired in anger, but now for the first time, as far as anyone could remember, it had been fired as a lark. The parking lot was a mess. Strewn across the melting snow were brightly colored panties, brassieres and other ladies’ garments. There were bras hanging from the electric wires and trees. It was obvious that the cannon had been fired as a prank since we could later hear the seniors talk about what they had had to do to get these items to start with. Although the chatter continued for some time, no one was ever identified as the culprit. In fact, the administration took the position that it never even happened since that way nobody had to lie or be held accountable. No logbook entries were ever made since it did not happen on either of the watches. Nothing was broken and the all-too-visible attire could have fallen from an airplane, for all anyone knew.
Hank Bracker
Taking the car out of the rental parking lot, almost getting fender-bendered by the guy in the BMW speaking capitalist Cro-Magnon into his cell phone; wondering whether the time has come to get a gun; already starting to look forward to my lethal injection—
Tony Hoagland (Application for Release from the Dream: Poems)
I cautiously parked in front of the craft store, went inside and found the glue gun, which, back home, would cost $12.99. There in Arizona it was $1.29, which is to say, it was basically free, and at that price they should have just gone out to the freeway and hurled glue guns at passing cars.
Douglas Coupland (Bit Rot)
What if there were no grownups? Suppose the whole idea of grownups was an illusion? What if their money was really just play-ground marbles, their business deals no more than baseball-card trades, their wars only games of guns in the park? What if they were all still snotty-nosed kids inside their suits and dresses? Christ, that couldn't be, could it? It was too horrible to think about.
Stephen King (Hearts in Atlantis / Misery)
An eerie feeling washed over Lyric as soon as the two stepped into the dark parking lot, so she reached in her bag and retrieved her gun.
Mesha Mesh (I Jus' Wanna Leave This Nigga 3 (I Jus' Wanna Leave This Nigga, #3))
near-deserted parking lot, both buildings looking freshly painted and hopeful for a marina in which there were no yachts. The biggest boat moored at the dock looked to be a forty-footer. Most of the others looked to be lobster boats, aged and constructed of wood. A few of the newer ones were fiberglass. The nicest of those was about thirty-five feet long, the hull painted blue, the wheelhouse painted white, the deck a honey teak. She paid attention to it because her husband stood on it, bathed in their headlights. Caleb exited the car fast. He pointed back at her, told Brian his wife was not taking things well. Rachel was happy to note Caleb limped even as he speed-walked to the boat. She, on the other hand, moved slowly, her eyes on Brian. His gaze barely left hers except for the occasional flicks in the direction of Caleb. If she’d known she’d end up killing him, would she have boarded the boat? She could turn around and go to the police. My husband is an impostor, she’d say. She imagined some smarmy desk sergeant replying, “Aren’t we all, ma’am?” Yes, she was certain, it was a crime to impersonate someone and a crime to keep two wives, but were those serious crimes? In the end, wouldn’t Brian just take a plea and it would all go away? She’d be left the laughingstock never-was, the failed print reporter who’d become a pill-addicted broadcast reporter who’d become a punch line and then a shut-in and who would keep the local comics stocked with weeks of fresh material once it was discovered that Meltdown Media Chick had married a con man with another wife and another life. She followed Caleb up the ramp to the boat. He stepped aboard. When she went to do the same, Brian offered his hand. She stared at it until he dropped it. He noticed the gun she carried. “Should I show you mine? So I feel safer?” “Be my guest.” She stepped aboard. As she did, Brian caught her by the wrist and stripped the gun from her hand in the same motion. He pulled his own gun, a .38 snub-nosed revolver, from under the flaps of his shirt and then laid them both on a table by the
Dennis Lehane (Since We Fell)
Then I woke in the shade of the fig tree in my favorite park, with the gun barrel in my mouth.
Cari Silverwood (Wicked Ways (Dark Hearts, #1))
On your marks, he had said to the nation, for a race with destiny.… Get set for the greatest effort of our history. Then, while the people waited poised and tense, he tucked the starter’s gun back in his pocket and went off to a Hyde Park weekend.” The
Lynne Olson (Those Angry Days: Roosevelt, Lindbergh, and America's Fight Over World War II, 1939-1941)
time. They’re gonna like us. We have the same last name.” “What?” Reenie said. But the bell rang right then, and the girls rushed off, leaving her standing at the edge of the parking lot, feeling as though she’d just been zapped with a stun gun. “They wouldn’t have,” she murmured, over and over to herself. But her mind was racing. What were the chances that an unrelated family of O’Connells would move to town at this time? Could that blond woman be Liz? And those children…Keith’s? She remembered Isaac’s final words from last night, which now seemed much more than just a turn of phrase: See you around…
Brenda Novak (Big Girls Don't Cry (Dundee, Idaho, #6))
On your marks, he had said to the nation, for a race with destiny.… Get set for the greatest effort of our history. Then, while the people waited poised and tense, he tucked the starter’s gun back in his pocket and went off to a Hyde Park weekend.” The British,
Lynne Olson (Those Angry Days: Roosevelt, Lindbergh, and America's Fight Over World War II, 1939-1941)
Trying to figure out how to keep Sierra from breaking up with him. “At least I have a gun,” Sam said. His Remington rifle, which he kept in his trunk next to his police bag. Just in case. Because bear or not, living in the shadow of Glacier National Park, Sam knew to expect trouble. “Did you find her?” The voice ricocheted up the path and Sam turned. Grimaced. The frantic and desperate Quinn Starr, aka Romeo. About seventeen, with dark brown hair chopped
Susan May Warren (Rescue Me (Montana Rescue #2))
the Whitefish Golf Club, digging into a New York strip and a mound of garlic mashed potatoes. Trying to figure out how to keep Sierra from breaking up with him. “At least I have a gun,” Sam said. His Remington rifle, which he kept in his trunk next to his police bag. Just in case. Because bear or not, living in the shadow of Glacier National Park, Sam knew to expect trouble. “Did you find her?” The voice ricocheted up the path and Sam turned. Grimaced. The frantic and desperate Quinn Starr, aka Romeo. About seventeen, with dark brown hair chopped
Susan May Warren (Rescue Me (Montana Rescue #2))
Denny watched the monster tear it off at the elbow, gun still clutched firmly in his palm.
Ryan Seek (Bear Park (Terror / Mayhem))
His gun was gone, not to mention his arm.
Ryan Seek (Bear Park (Terror / Mayhem))
From the front passenger seat, one of Yaqub’s fighters produced a short-barreled shotgun. As soon as Harvath saw it come above the line of the dashboard, he yelled, “Gun!” and fired multiple rounds through the windshield, killing the man instantly. The ISI driver tried to unholster his weapon, but Sloane was already at his window and fired two shots at his head, shattering the glass and killing him. When the fighter in the backseat on the passenger side made himself known, Chase had almost been on top of him. The man didn’t wait to get the door all the way open before firing. He sent heavy 7.62 rounds from his AK-47 slicing right through the door panel. Chase had to lunge between two parked cars to take cover and avoid being hit.
Brad Thor (Act of War (Scot Harvath, #13))
Iris Whitney, a former showgirl that frequented Malachy’s bar on Third Avenue, became my friend with a story. The same year that I had graduated from High School, she had been frolicking with John Garfield in her two room Gramercy Park apartment. On May 21, 1952 Garfield was found dead of a heart attack, in her bed. When I first met Iris I didn’t know anything about this but even if I had, all I can say is that I enjoyed her company and survived the experience. Of course she denied having been intimate with the actor the night that he died and added that John had not been feeling well. When the police arrived and had to break the door down, her explanation was that she thought that they were newspaper men. Several years later, in Connecticut, I had the occasion to talk about old times and some of these events, to the popular stage and screen actor Byron Barr better known as “Gig Young.” Sitting with my wife Ursula and Young at the open bar alongside the Candlewood Theatre, in New Fairfield during the summer of 1978, everything seemed normal. Coincidentally I also knew his former wife Elizabeth Montgomery who was married to him from 1956 to 1963, since she was my neighbor living on the nearby Cushman road in Patterson New York,. On October 19, 1978, two months after seeing Young, I read that he had shot his wife Kim Schmidt and committed suicide only three weeks after their marriage. Apparently Young had shot his wife and then turned the gun on himself. They were both found dead in their Manhattan apartment but the police never established a motive for the murder-suicide. I knew that he liked to drink and this may have been a part of the problem, but he always seemed congenial and there was no hint that it would ever come to this.
Hank Bracker
Culiacan” with a drawing of a Russian AK-47 gun on the sign. Dr. Maldona was shocked at the obvious display of Culiacan’s ruling authority: automatic weapons. He continued watching as they turned this way and that. The city grew poorer and denser with drearier slums the farther they drove. Finally they parked a block away from a beautiful church, the Cathedral de Culiacan. He was told to exit and he was pushed inside the courtyard of a small office complex. At the second office
John Ellsworth (Beyond A Reasonable Death (Thaddeus Murfee Legal Thrillers #3))
Suppose we were planning to impose a dictatorial regime upon the American people — the following preparations would be essential: 1. Concentrate the populace in megalopolitan masses so that they can be kept under close surveillance and where, in case of trouble, they can be bombed, burned, gassed or machine-gunned with a minimum of trouble. 2. Mechanize agriculture to the highest degree of refinement, thus forcing most of the scattered farm and ranching population into the cities. Such a policy is desirable because farmers, woodsmen, cowboys, Indians, fishermen and other relatively self-sufficient types are difficult to manage unless displaced from their natural environment. 3. Restrict the possession of firearms to the police and the regular military organizations. 4. Encourage or at least fail to discourage population growth. Large masses of people are more easy manipulated and dominated that scattered individuals. 5. Continue military conscription. Nothing excels military training for creating in young men an attitude of prompt, cheerful obedience to officially constituted authority. 6. Divert attention from deep conflicts within society by engaging in foreign wars; make support of these wars a test for loyalty, thereby exposing and isolating potential opposition to the new order. 7. Overlay the nation with a finely reticulated network of communications, airlines and interstate autobahns. 8. Raze the wilderness. Dam the rivers, flood the canyons, drain the swamps, log the forests, strip-mine the hills, bulldoze the mountains, irrigate the deserts and improve the national parks into national parking lots.
Edward Abbey (Desert Solitaire)
I found his gun, pocketed it, and—covered in the blood of the man who killed our parents, the first man I ever killed myself—I ran over to Dais. I remember her little tear-stained face looking at me, I think she was looking for something familiar, maybe? And I was crying, I didn’t even know I was crying until she took my face in her little kid hands and brushed them away, and even though we didn’t know for sure at the time that our parents were dead, I knew it. I could feel it, this change in the air like that Daisy was mine now. My responsibility
Jessa Hastings (Daisy Haites (Magnolia Parks Universe, #2))
It was not Merle who had won the $50,000; the trailerpark had won it. Merle had merely represented them in that magical cosmos where anything, absolutely anything, can happen. Of course, it’s probably true that if, on the other hand, what had happened to Merle through no effort on his part had been as colossally, abstractly bad as the $50,000 was good, the residents of the trailerpark would not have felt that it had happened to the community as a whole. If, for example, Merle had been shot in the head by an errant bullet from the gun of a careless deer hunter out of sight in the tamaracks on the far side of the lake, the people in the park would have blamed Merle for having been out there wandering around on the ice during hunting season in the first place. They would have mourned for him, naturally, but his death would be seen forever after as a warning, an admonition. Anyone can be a cause of his or her own destruction, but no one can claim individual responsibility for having created a great good.
Russell Banks (Trailerpark)
He’d lean in when asking these questions. “John, I hear so often of the guns in your country. What a problem, yes? It makes me nervous for you.
John Paul Brammer (¡Hola Papi!: How to Come Out in a Walmart Parking Lot and Other Life Lessons)
A few seconds later, a black pickup truck drove through the gate and down the road, then parked at the tree line. Hedone was surprised to see the Titan, Prometheus, at the wheel with Hephaestus riding shot gun.
L.W. Lowe (Bemused (prequel))
I first got him, he was the kind of cat that was so fearful of humans, he would rather hide-away and starve to death than come out and face anyone. Only when I was asleep would he come out to play like a typical kitten, which is normal, since cats are generally nocturnal, anyway. You know how cats shed terribly when they're stressed or frightened? The poor boy would shed everywhere, and if I carried him, I'd put him down to find a distinct line of cat hair trailing down my shirt. His rescuers found him in a trailer park, with two of his siblings that I know of and his mother, who was so horribly abused that she still had the pellets of a BB gun in her flesh from, I'm assuming, the children who used her as target practice. His siblings have both been adopted into forever homes, the female of
Kurt Schmitt (The Cat Rescue Diaries: 56 True Life Stories of Cats Who Found Their Forever Homes, and the People Who Saved Them)
We’ll be using an amusement park in the Midwest, which we closed for the day. The owners were told that we were having a private party and wanted the park to ourselves. Everything you see on TV will be acting and the still pictures of people that are shown who died will be of people in Europe who died under various circumstances,” “Mr. Evans, without you, nothing we’ve wanted would have come to pass. While I’m sorry that Congresswoman Cindy Vickers was assassinated for the cause, she knew the risk when she proposed it, and her husband has become a tireless advocate for us when it comes to these gun control measures. Now, along with the restaurant massacre in Utah and the unexpected workplace violence at Fort Hood, what we do here today will change the course of American history. My one question is: how do we prevent Americans, especially those annoying Tea Partiers, from finding out this operation was a false flag and then protest against the measures we plan on taking? Plus, how do we prevent one of our actors from spilling the beans later on if they get it into their heads to do so? asked Meeds.
Cliff Ball (Times of Turmoil)
We stalked carefully through the park in best paramilitary fashion, the lost patrol on its mission into the land of the B movie. To Deborah’s credit, she was very careful. She moved stealthily from one piece of cover to the next, frequently looking right to Chutsky and then left at me. It was getting harder to see her, since the sun had now definitely set, but at least that meant it was harder for them to see us, too—whoever them might turn out to be. We leapfrogged through the first part of the park like this, past the ancient souvenir stand, and then I came up to the first of the rides, an old merry-go-round. It had fallen off its spindle and lay there leaning to one side. It was battered and faded and somebody had chopped the heads off the horses and spray-painted the whole thing in Day-Glo green and orange, and it was one of the saddest things I had ever seen. I circled around it carefully, holding my gun ready, and peering behind everything large enough to hide a cannibal. At the far side of the merry-go-round I looked to my right. In the growing darkness I could barely make out Debs. She had moved up into the shadow of one of the large posts that held up the cable car line that ran from one side of the park to the other. I couldn’t see Chutsky at all; where he should have been there was a row of crumbling playhouses that fringed a go-kart track. I hoped he was there, being watchful and dangerous. If anything did jump out and yell boo at us, I wanted him ready with his assault rifle. But there was no sign of him, and even as I watched, Deborah began to move forward again, deeper into the dark park. A warm, light wind blew over me and I smelled the Miami night: a distant tang of salt on the edge of rotting vegetation and automobile exhaust. But even as I inhaled the familiar smell, I felt the hairs go up on the back of my neck and a soft whisper came up at me from the lowest dungeon of Castle Dexter, and a rustle of leather wings rattled softly on the ramparts. It was a very clear notice that something was not right here and this would be a great time to be somewhere else; I froze there by the headless horses, looking for whatever had set off the Passenger’s alarm. I saw and heard nothing. Deborah had vanished into the darkness and nothing moved anywhere, except a plastic shopping bag blowing by in the gentle wind. My stomach turned over, and for once it was not from hunger. My
Jeff Lindsay (Dexter is Delicious (Dexter, #5))
We were parked in the lot of a strip shopping center on Tustin Boulevard in the city of Orange. Book Carnival was a small business between a rock shop and what looked like a vacant slot. Three doors down was a gun store.
Michael Connelly (The Narrows (Harry Bosch, #10; Harry Bosch Universe, #14))
The sound of Alex revving his motorcycle brings my attention back to him. “Don’t be afraid of what they think.” I take in the sight of him, from his ripped jeans and leather jacket to the red and black bandana he just tied on top of his head. His gang colors. I should be terrified. Then I remember how he was with Shelley yesterday. To hell with it. I shift my book bag around to my back and straddle his motorcycle. “Hold on tight,” he says, pulling my hands around his waist. The simple feel of his strong hands resting on top of mine is intensely intimate. I wonder if he’s feeling these emotions, too, but dismiss the thought. Alex Fuentes is a hard guy. Experienced. The mere touch of hands isn’t going to make his stomach flutter. He deliberately brushes the tips of his fingers over mine before reaching for the handlebars. Oh. My. God. What am I getting myself into? As we speed away from the school parking lot, I grab Alex’s rock-hard abs tighter. The sped of the motorcycle scares me. I feel light-headed, like I’m riding a roller coaster with no lap bar. The motorcycle stops at a red light. I lean back. I hear him chuckle when he guns the engine once more as the light turns green. I clutch his waist and bury my face in his back. When he finally stops and puts the kickstand down, I survey my surroundings. I’ve never been on his street. The homes are so…small. Most are one level. A cat can’t fit in the space between them. As hard as I try to fight it, sorrow settles in the pit of my stomach. My house is at least seven, maybe even eight or nine times Alex’s home’s size. I know this side of town is poor, but… “This was a mistake,” Alex says. “I’ll take you home.” “Why?” “Among other things, the look of disgust on your face.” “I’m not disgusted. I guess I feel sorry--” “Don’t ever pity me,” he warns. “I’m poor, not homeless.” “Then are you going to invite me in? The guys across the street are gawking at the white girl.” “Actually, around here you’re a ‘snow girl.’” “I hate snow,” I say. His lips quirk up into a grin. “Not for the weather, querida. For your snow-white skin. Just follow me and don’t stare at the neighbors, even if they stare at you.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
Leo, I don’t know for sure if he would’ve shot me. But after all the other shit he’d let happen, I fought for my life, I fought for my mom, I fought for Gen. I figured if I died, there’d be no one to keep him from hurting them. We wrestled around with the gun between us, and fell to the floor. The gun went off and I knew I was dead. We were both still for a long time until I realized that my pain wasn't from a gunshot wound. I pushed him off me and realized that he was dead, bleeding out from the bullet in his stomach. I managed to get up and I picked up the weapon off the floor. Of course, just like a damn movie, my mom and Gen walked in while I was standing over a dead body holding a weapon. My mom started screaming, Gen started wailing. I tried to explain, but she was afraid of me, telling me to stay away from them. I dropped the gun and ran. “I slept in the park that night, the pain so fucking intense I wished for death. I ended up turning myself in. The police officers were not so gentle with me after I killed one of their own, but one officer believed me. He brought the DA to me and they got me to a hospital. There was clear evidence of long-term violence and gang rape. They didn’t prosecute me, I was never charged, it was deemed a justifiable homicide. All the medical records and legal documents were sealed for my protection. “When
A.E. Via (Nothing Special)
After parking in the west lot, far from a certain gang member with a reputation that could scare off even the toughest Fairfield football players, Sierra and I walk up the front steps of Fairfield High. Unfortunately, Alex Fuentes and the rest of his gang friends are hanging by the front doors. “Walk right past them,” Sierra mutters. “Whatever you do, don’t look in their eyes.” It’s pretty hard not to when Alex Fuentes steps right in front of me and blocks my path. What’s that prayer you’re supposed to say right before you know you’re going to die? “You’re a lousy driver,” Alex says with his slight Latino accent and full-blown-I-AM-THE-MAN stance. The guy might look like an Abercrombie mode with his ripped bod and flawless face, but his picture is more likely to be taken for a mug shot. The kids from the north side don’t really mix with kids from the south side. It’s not that we think we’re better than them, we’re just different. We’ve grown up in the same town, but on totally opposite sides. We live in big houses on Lake Michigan and they live next to the train tracks. We look, talk, act, and dress different. I’m not saying it’s good or bad; it’s just the way it is in Fairfield. And, to be honest, most of the south side girls treat me like Carmen Sanchez does…they hate me because of who I am. Or, rather, who they think I am. Alex’s gaze slowly moves down my body, traveling the length of me before moving back up. It’s not the first time a guy has checked me out, it’s just that I never had a guy like Alex do it so blatantly…and so up-close. I can feel my face getting hot. “Next time, watch where you’re goin’,” he says, his voice cool and controlled. He’s trying to bully me. He’s a pro at this. I won’t let him get to me and win his little game of intimidation, even if my stomach feels like I’m doing one hundred cartwheels in a row. I square my shoulders and sneer at him, the same sneer I use to push people away. “Thanks for the tip.” “If you ever need a real man to teach you how to drive, I can give you lessons.” Catcalls and whistles from his buddies set my blood boiling. “If you were a real man, you’d open the door for me instead of blocking my way,” I say, admiring my own comeback even as my knees threaten to buckle. Alex steps back, pulls the door open, and bows like he’s my butler. He’s totally mocking me, he knows it and I know it. Everyone knows it. I catch a glimpse of Sierra, still desperately searching for nothing in her purse. She’s clueless. “Get a life,” I tell him. “Like yours? Cabróna, let me tell you somethin’,” Alex says harshly. “Your life isn’t reality, it’s fake. Just like you.” “It’s better than living my life as a loser,” I lash out, hoping my words sting as much as his words did. “Just like you.” Grabbing Sierra’s arm, I pull her toward the open door. Catcalls and comments follow us as we walk into the school. I finally let out the breath I must have been holding, then turn to Sierra. My best friend is staring at me, all bug-eyed. “Holy shit, Brit! You got a death wish or something?” “What gives Alex Fuentes the right to bully everyone in his path?” “Uh, maybe the gun he has hidden in his pants or the gang colors he wears,” Sierra says, sarcasm dripping from every word. “He’s not stupid enough to carry a gun to school,” I reason. “And I refuse to be bullied, by him or anyone else.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
When I stepped out of the limo, I wasn’t alone. Demetri, Alec, their wives, Lincoln, Dani, Jay, Pris, all joined us and just when I thought I couldn’t be more surprised. An old blue station wagon parked next to us. And out stepped Fallon’s parents. Her dad looked unsure, and then he shrugged. “Had to see for myself.” I didn’t cry. I was not a crier. It was a waste. Most emotion always had been for me. But something broke inside me, or maybe, for the first time since I lost my grandma, something started working again. Tears welled in my eyes as he gave me a stern nod and then folded his arms and addressed the rest of the crew. “I brought my guns just in case.” Lincoln
Rachel Van Dyken (Keep (Seaside Pictures, #2))
Pike said, “Coming your way.” Pike gunned his Jeep out of the Shell station, and turned onto the highway at the first intersection. He lost sight of the van when he slowed for oncoming cars, but slalomed between traffic and quickly caught up. “Eight lengths back. I’m by a yellow eighteen-wheeler.” “Looking.” Pike was still settling into a groove when the van’s right-turn indicator flashed. They had gone less than a mile. “Blinker.” “Shit, I don’t have you.” “Las Palmas. West side.” “I’m looking.” Pike slowed to put distance between himself and the van. A horn blew behind him, then another, but Pike braked even harder, hanging back as the van turned onto a street between large, undeveloped lots. It stopped in plain sight of the highway. Pike left the highway, but turned in the opposite direction, watching the van in his sideview mirror. A hundred yards later he turned into a parking lot surrounding a home furnishings outlet. “They stopped at an empty lot.” “I
Robert Crais (Taken (Elvis Cole, #15; Joe Pike, #4))
I put out my hand. “Harlan Green.” He waved the cowboy toward me without shaking. “He’s going to check you. You know what to do?” “I know.” I stood with my feet apart and arms out. The wand looked like the wands used by TSA screeners, but this one did not screen for metal. He passed it over my chest, back, arms, and legs, searching for the RF and IR signals emitted by transmitters, recorders, and listening devices. I must have passed, because the cowboy nodded at Ramos. “Okay, now this one.” When the cowboy went to Park, Park slapped the wand away with a quick roll of his left hand, and punched him once in the solar plexus and twice in the face with his right fist. The cowboy staggered back and dropped to his knees. By the time he was down, Park was calmly staring at Ramos. “If you want search me, search me yourself.” The UFC fighter was two seconds behind the curve, then clawed under his shirt and flashed a garish little Llama .380. Neither Park nor I moved to stop him, but by the time the gun was out, Ramos saw Park’s men coming from behind the trucks. A dozen Double Dragon hitters in dark glasses and great suits. I said, “These guys know how to dress, don’t they?” Ramos glanced at me, then told the UFC fighter to put away his gun and get the cowboy on his feet. He didn’t look scared. “I
Robert Crais (Taken (Elvis Cole, #15; Joe Pike, #4))
I came to do business, and you’re starting this shit?” Park touched his arm. “Come. We speak elsewhere.” “Fuck that. I’m not going anywhere.” He shook off Park’s hand, but Park gripped him again. “You are not here to die. I am not here to threaten. Walk here. Away from our men, so no one hear.” Park steered him across the lot to a sleeping flatbed. I followed along with them. Park’s men floated into new positions without being told, securing the area and isolating Ramos’s thugs to give us privacy. Telepathy. Or maybe they were good at their jobs. We were in the sun, and hot, but alone between the big trucks with their men out of earshot. Ramos shook off Park’s hand again, and squirmed like he thought someone might stab him. “What the fuck are you doing, bringing your guns? You think you can scare me into returning your money?” I said, “I can give you the Syrian.” Just like that. In his face. It caught him off guard, and took him a moment to catch up. He glanced at Park, then looked over both shoulders as if he expected federal agents to climb out of the trucks. “What
Robert Crais (Taken (Elvis Cole, #15; Joe Pike, #4))
It still seemed a bit funny to me that we stayed armed with garden tools. One would have thought we’d of come across weapons. Guns? Machetes? Harpoons? Anything. Guns had to be out there. It’s all that was in the news as of late. Civilians and their personal armory stashes. I loved my shovel, felt good in my hands, and now I had one of Josh’s hand shovels in my back pocket, too. Dave’s pitchfork was tough. He had Josh’s other hand shovel. And Allison seemed to have mastered the multitude of hedge clipper uses. We must have resembled crazed farmers scampering between trees and out into the back parking lot of the Distillery.
Phillip Tomasso III (Vaccination (Vaccination Trilogy, #1))
That there is no consequence to massacring foreigners, our criminal rulers have long known, but they also know that when Pentagon guns are turned on Americans, a good portion of the world will break out in cheers, just as we've whooped and hollered as our tax-paid munitions splattered their loved ones. When blood darkens our streets, our victims will dance in theirs, no doubt, so why are our transfat asses still parked at this sad cul-de-sac as that day of reckoning looms? When you're broke, though, it's hard to move a mile, much less out of the country, so many of us will simply escape into our private universe, inside our various screens, and ignore, as best we can, an increasingly ugly reality. Moreover, some still believe there is no serious decline, while others that a unified fight is possible. For the most hopeless, there is always suicide. This month, a thirty-year-old Bensalem man and his fifty-nine-year-old mother attempted, it appears, a suicide pact by breathing toxic fumes from a borrowed generator. Only she died, however, so now he's charged with her murder. Neighbors said they had fallen on hard times and "had nothing left". Not that long ago, it was highly unusual to have young adults living with their parents, but not anymore. As this trend continues, many Americans will know exactly one house their whole lives, but at least they'll still have a home. Should you be homeless in greater Philadelphia, there is one place you can have a private bed and bathroom for a few hours, at minimal cost. Keep this information in mind, for you might need it. At Bensalem's Neshaminy Inn, you'll only have to cough up $34, including tax, if you check in after 7 a.m. and leave by 4 p.m. This will give you plenty of time to refresh yourself or even have sex, with or without a (paid) partner, many of whom routinely patrol the hallways. Dozing before dark will also spare you from the worst of the bedbugs, and don't even think of complaining about heroin addicts' bloodstains on the walls, no sheet on your bed or used condoms beneath it. You didn't pay much, OK?
Linh Dinh (Postcards from the End of America)
Captain Joseph Frye One of the nicest parks in present day downtown Tampa, Florida, is the Cotanchobee Fort Brooke Park. The 5-acre park, which lies between the Tampa Bay Times Forum (Amalie Arena) and the mouth of the Hillsborough River at the Garrison Channel, is used for many weddings and special events such as the dragon boat races and the duck race. Few people give thought to the historic significance of the location, or to Captain Joseph Frye, considered Tampa’s first native son, who was born there on June 14, 1826. Going to sea was a tradition in the Frye family, starting with his paternal great-grandfather Samuel Frye from East Greenwich, Rhode Island, who was the master of the sloop Humbird. As a young man, Joseph attended the United States Naval Academy and graduated with the second class in 1847. Starting as an Ensign, he served as a commissioned officer in the U.S. Navy until the Civil War, at which time he resigned and took a commission as a Lieutenant in the Confederate Navy. The Ten Years’ War, also known as “the Great War,” which started in 1868 became the first of three wars of Cuban Independence. In October 1873, following the defeat of the Confederacy and five years into the Cuban revolution, Frye became Captain of a side-wheeler, the S/S Virginius. His mission was to take guns and ammunition, as well as approximately 300 Cuban rebels to Cuba, with the intent of fighting the Spanish army for Cuban Independence. Unfortunately, the mission failed when the ship was intercepted by the Spanish warship Tornado. Captain Frye and his crew were taken to Santiago de Cuba and given a hasty trial and before a British warship Commander, hearing of the incident, could intervene, they were sentenced to death. After thanking the members of his crew for their service, Captain Frye and fifty-three members of his crew were put to death by firing squad, and were then decapitated and trampled upon by the Spanish soldiers. However, the British Commander Sir Lambton Lorraine of HMS Niobe did manage to save the lives of a few of the remaining crewmembers and rebels.
Hank Bracker