“
Vodka Redbull: Upper meets downer in an effervescent hybrid of bubble gum and junkie piss
”
”
Diablo Cody (Candy Girl: A Year in the Life of an Unlikely Stripper)
“
This is how I know blood is meaningless family connections are a lot like old gum -you don't have to keep chewing. You can always spit it out and stick it under the table. You can walk away.
”
”
Nova Ren Suma (Imaginary Girls)
“
The first time I was ever called ugly, I was thirteen. It was a rich friend of my brother Carlton's over to shoot guns in the field.
'Why you crying, girl?' Constantine asked me in the kitchen.
I told her what the boy had called me, tears streaming down my face.
'Well? Is you?'
I blinked, paused my crying. 'Is I what?'
'Now you look a here, Egenia'-because constantien was the only one who'd occasionally follow Mama's rule. 'Ugly live up on the inside. Ugly be a hurtful, mean person. Is you one a them peoples?'
'I don't know. I don't think so,' I sobbed.
Constantine sat down next to me, at the kitchen table. I heard the cracking of her swollen joints. She pressed her thumb hard in the palm of my hand, somthing we both knew meant Listen. Listen to me.
'Ever morning, until you dead in the ground, you gone have to make this decision.' Constantine was so close, I could see the blackness of her gums. 'You gone have to ask yourself, Am I gone believe what them fools say about me today?'
She kept her thumb pressed hard in my hand. I nodded that I understood. I was just smart enough to realize she meant white people. And even though I still felt miserable, and knew that I was, most likely, ugly, it was the first time she ever talked to me like I was something besides my mother's white child. All my life I'd been told what to believe about politics, coloreds, being a girl. But with Constantine's thumb pressed in my hand, I realized I actually had a choice in what I could believe.
”
”
Kathryn Stockett (The Help)
“
Kipple is useless objects, like junk mail or match folders after you use the last match or gum wrappers or yesterday's homeopape. When nobody's around, kipple reproduces itself. For instance, if you go to bed leaving any kipple around your apartment, when you wake up the next morning there's twice as much of it. It always gets more and more."
"I see." The girl regarded him uncertainly, not knowing whether to believe him. Not sure if he meant it seriously.
"There's the First Law of Kipple," he said. "'Kipple drives out nonkipple.' Like Gresham's law about bad money. And in these apartments there's been nobody here to fight the kipple."
"So it has taken over completely," the girl finished. She nodded. "Now I understand."
"Your place, here," he said, "this apartment you've picked--it's too kipple-ized to live in. We can roll the kipple-factor back; we can do like I said, raid the other apts. But--" He broke off.
"But what?"
Isidore said, "We can't win."
"Why not?" [...]
"No one can win against kipple," he said, "except temporarily and maybe in one spot, like in my apartment I've sort of created a stasis between the pressure of kipple and nonkipple, for the time being. But eventually I'll die or go away, and then the kipple will again take over. It's a universal principle operating throughout the universe; the entire universe is moving toward a final state of total, absolute kippleization.
”
”
Philip K. Dick (Do Androids Dream of Electric Sheep?)
“
Here are some passing thoughts. Imagine looking up at the moon and seeing it burning.
Imagine seeing the grocery store’s checkout girl grow horns.
Imagine growing younger instead of older.
Imagine feeling more powerful and more capable of falling in love with life every new day instead of being scared and sick and not knowing whether to stay under a sheet or venture forth into the cold.
”
”
Douglas Coupland (The Gum Thief)
“
13
NOTES
She hesitated. For two years she had kept as far away from Mikael Blomkvist as she could. And yet he kept sticking to her life like gum on the sole of her shoe, either on the Net or in real life. On the Net it was O.K. There he was no more than electrons and words. In real life, standing on her doorstep, he was still fucking attractive. And he knew her secrets just as she knew all of his. She looked at him for a moment and realized that she now had no feelings for him. At least not those kinds of feelings. He had in fact been a good friend to her over the past year. She trusted him. Maybe. It was troubling that one of the few people she trusted was a man she spent so much time avoiding. Then she made up her mind. It was absurd to pretend that he did not exist. It no longer hurt her to see him. She opened the door wide and let him into her life again.
”
”
Stieg Larsson (The Girl Who Kicked the Hornet’s Nest (Millennium, #3))
“
The rolled toile slowly climbed up the bathroom wall. Tearing the chewed gum into pieces, the little green arms and hands secured the toile to the wall. Soon, the two-foot by five-foot, green and yellow, Tuscany toile was displayed for view. Now, the toile just had to wait for the boy to wake and step a little closer.
”
”
Mary K. Savarese (The Girl In The Toile Wallpaper (The Star Writers Trilogy, #1))
“
And yet he kept sticking to her life like gum on the sole of her shoe, either on the Net or in real life. On the Net was OK. There he was no more than electrons and words. In real life, standing on her doorstep, he was still fucking attractive. And he knew her secrets just as she knew all of his.
”
”
Stieg Larsson (The Girl Who Kicked the Hornet’s Nest (Millennium, #3))
“
When I go to the woods now, I always head out along the brook and go straight to the big maple. I run there, like Toby must have done on that stormy night, then I bend down and crawl on the earth. Because what if there’s a clue? What if there’s a piece of chunky strawberry bubble gum still bundled up in its waxy wrapper, or a weather-faded matchbook, or a fallen button from somebody’s big gray coat? What if buried under all those leaves is me? Not this me, but the girl in a Gunne Sax dress with the back zipper open. The girl with the best boots in the world. What if she’s under there? What if she’s crying? Because she will be, if I find her. Her tears tell the story of what she knows. That the past, present, and future are just one thing. That there’s nowhere to go from here. Home is home is home.
”
”
Carol Rifka Brunt (Tell the Wolves I'm Home)
“
Constantine sat down next to me, at the kitchen table, I heard the cracking of her swollen joints. She pressed her thumb hard in the palm of my hand, something we both knew meant 'Listen to me.' "Every morning, until you dead in the ground, you gone have to make this decision." Constantine was so close, I could see the blackness of her gums. "You gone have to ask yourself, am I gone believe what them fools say about me today?" She kept her thumb pressed hard in my hand. I nodded that I understood. I was just smart enough to realize she meant white people. And even though I still felt miserable, and knew that I was, most likely, ugly, it was the first time she ever talked to me like I was something besides my mother's white child. All my life I'd been told what to believe about politics, coloreds, being a girl. But with Constantine's thumb pressed in my hand, I realized I actually had a choice in what I could believe.
”
”
Kathryn Stockett (The Help)
“
Ponytail girl leaned over and she and the tall boy kissed and it was carcinogen gums and magical.
”
”
Aimee Bender (Willful Creatures)
“
Tyler knelt and rummaged through the empty waste basket. He frowned. No glasses and no gum. “Wait a minute…” He walked up to the hanging toile and stared at it. What’s going on this looks like Aunt Meg’s wallpaper… Tyler stepped closer. He rubbed his hand over the paper and nothing happened. As he tried to pull the paper from the wall, two smaller greenish hands grabbed Tyler’s leg and pulled.
”
”
Mary K. Savarese (The Girl In The Toile Wallpaper (The Star Writers Trilogy, #1))
“
There's no use in denying it: this has been a bad week. I've started drinking my own urine. I laugh spontaneously at nothing. Sometimes I sleep under my futon. I'm flossing my teeth constantly until my gums are aching and my mouth tastes like blood. Before dinner last night at 1500 with Reed Goodrich and Jason Rust I was almost caught at a Federal Express in Times Square trying to send the mother of one of the girls I killed last week what might be a dried-up, brown heart. And to Evelyn I successfully Federal Expressed, through the office, a small box of flies along with a note, typed by Jean, saying that I never, ever wanted to see her face again and, though she doesn't really need one, to go on a fucking diet. But there are also things that the average person would think are nice that I've done to celebrate the holiday, items I've bought Jean and had delivered to her apartment this morning: Castellini cotton napkins from Bendel's, a wicker chair from Jenny B. Goode, a taffeta table throw from Barney's, a vintage chain-mail-vent purse and a vintage sterling silver dresser set from Macy's, a white pine whatnot from Conran's, an Edwardian nine-carat-gold "gate" bracelet from Bergdorfs and hundreds upon hundreds of pink and white roses.
”
”
Bret Easton Ellis (American Psycho)
“
I drew laughing, high-breasted girls aquaplaning without a care in the world, as a result of being amply protected against such national evils as bleeding gums, facial blemishes, unsightly hairs, and faulty or inadequate life insurance. I drew housewives who, until they reached for the right soap flakes, laid themselves wide open to straggly hair, poor posture, unruly children, disaffected husbands, rough (but slender) hands, untidy (but enormous) kitchens.
”
”
J.D. Salinger (Nine Stories)
“
My parents were not affectionate, and it surprised me that someone could just touch me at any moment, the gift of their hand given as thoughtlessly as a piece of gum.
”
”
Emma Cline (The Girls)
“
When I take my hand out of this blanket," he thought, "my nail will be grown back, my hands will be clean. My body will be clean. I'll have on clean shorts, clean undershirt, a white shirt. A blue polka-dot tie. A gray suit with a stripe, and I'll be home, and I'll bolt the door. I'll put some coffee on the stove, some records on the phonograph, and I'll bolt the door. I'll read my books and I'll drink coffee and I'll listen to music, and I'll bolt the door. I'll open the window, I'll let in a nice, quiet girl--not Frances, not anyone I've ever known--and I'll bolt the door. I'll ask her to read some Emily Dickinson to me--that one about being chartless--and I'll ask her to read some William Blake to me--that one about the little lamb that made thee--and I'll bolt the door. She'll have an American voice, and she won't ask me if I have any chewing gum or bonbons, and I'll bolt the door.
”
”
J.D. Salinger (A Boy in France (Babe Gladwaller, #2))
“
But then there she is, on her own, chewing gum, pulling her hair back with one hand and getting her MetroCard out with the other. Girls can do so much at once.
”
”
Alyssa B. Sheinmel (The Lucky Kind)
“
The first thing I saw was the pink bubble gum, four feet lower than it should have been, inches above the ground, and framed by a set of perfectly painted lips.
It was one of those huge bubbles you just know is going to pop and cover the girl's face, and she'll shriek and yell and whine that her makeup is ruined, blah, blah, blah. But the bubble didn't pop—she did that thing where you suck all the air back into your mouth, and the bubble deflated into a little pink heap.
”
”
Aprilynne Pike (Life After Theft)
“
there are girls lined along the street, girls in miniskirts, thigh-highs, and halter tops. The girls stand at the curbs as cars cruise by. Key-lime Cadillac's, fire-red Tornadoes, wide-mouthed, trolling Lincolns, all in perfect shape. Chrome glints. Hubcaps shine. Not a single rust spot anywhere. But now the gleaming cars are slowing. Windows are rolling down and girls are bending to chat with the drivers. There are calls back and forth, the lifting of already miniscule skirts, and sometimes a flash of breast or an obscene gesture, the girls working it, laughing, high enough by 5am to be numb to the rawness between their legs and the residues of men no amount of perfume can get rid of. It isn't easy to keep yourself clean on the street, and by this hour each of those young women smells in the places that count like a very ripe, soft French cheese…They're numb, too, to thoughts of babies left at home, six month olds with bad colds lying in used cribs, sucking on pacifiers, and having a hard time breathing…numb to the lingering taste of semen in their mouths along with peppermint gum, most of these girls, no more than 18, this curb on 12th street their first real place of employment, the most the country has to offer in the way of a vocation. Where are they going to go from here? They're numb to that, too, except for a couple who have dreams of singing backup or opening up a hair shop...
”
”
Jeffrey Eugenides
“
So I got my stuff and the girl at the register puts these other things in my bag, too. Little free samples: gum and a comb and a marker pen. So I says to her, 'Look, girlie, I got false teeth and I wear a wig.' So she fishes back in my bag and takes out the comb and the gum. Left the pen in there. Anyways, I went back to the van, even though I knew it was locked. Figured I'd just wait and have a smoke. You can't smoke in the van, see? So while I'm waiting there, minding my own business, this car pulls into the handicapped space right next to us--brand-new car, white and clean, and it's got this bumper sticker on it that says, 'Life Is a Shit Sandwich.' Isn't that stupid? So this guy gets out--good-lookin' fella, in his twenties. I say to him, 'Hey, handsome, tell me something.' He takes a look at my walker and gets all panicky. 'I'm just running in for two seconds,' he says. See, he thinks I'm going to yell at him for parking in a handicapped space, but I ain't. I don't give a rat's ass about that, you see. I'd rather walk the extra ten feet than be called handicapped. Where was I?'
She amazed me. 'Life's a shit sandwich,' I said.
'Oh, yeah. Right. So that guy goes runnin' into the store and here's what I did. I fished that free pen out of the bag and marched right over there to that bumper of his. Got myself right down on the ground--and I wrote--just after the 'Life's a shit sandwich' part--I wrote, 'But only if you're a shithead.' 'Course, then I couldn't get myself back up again--had to yell over to a couple of kids at the phone booth to come pick me back up.
”
”
Wally Lamb
“
Mattie,” he said silently to no one in the room, “you’re a little girl. But nobody stays a little girl or a little boy long—take me, for instance. All of a sudden little girls wear lipstick, all of a sudden little boys shave and smoke. So it’s a quick business, being a kid. Today you’re ten years old, running to meet me in the snow, ready, so ready, to coast down Spring Street with me; tomorrow you’ll be twenty, with guys sitting in the living room waiting to take you out. All of a sudden you’ll have to tip porters, you’ll worry about expensive clothes, meet girls for lunch, wonder why you can’t find a guy who’s right for you. And that’s all as it should be. But my point, Mattie—if I have a point, Mattie—is this: kind of try to live up to the best that’s in you. If you give your word to people, let them know that they’re getting the word of the best. If you room with some dopey girl at college, try to make her less dopey. If you’re standing outside a theater and some old gal comes up selling gum, give her a buck if you’ve got a buck—but only if you can do it without patronizing her. That’s the trick, baby. I could tell you a lot, Mat, but I wouldn’t be sure that I’m right. You’re a little girl, but you understand me. You’re going to be smart when you grow up. But if you can’t be smart and a swell girl, too, then I don’t want to see you grow up. Be a swell girl, Mat.
”
”
J.D. Salinger
“
But my point, Mattie—if I have a point, Mattie—is this: kind of try to live up to the best that’s in you. If you give your word to people, let them know that they’re getting the word of the best. If you room with some dopey girl at college, try to make her less dopey. If you’re standing outside a theater and some old gal comes up selling gum, give her a buck if you’ve got a buck — but only if you can do it without patronizing her. That’s the trick, baby.' -Last Day of the Last Furlough
”
”
J.D. Salinger
“
In the soft, silty mouths of girls, grape gum and hot tongue, he concentrated and was able to dissolve the horror that had settled on him.
”
”
Lauren Groff (Fates and Furies)
“
Who can tell me what S-I-N-G stands for?” asked one of the instructors.
“Sing?” offered a girl, chewing gum. A few people snickered. Kate hoped she was joking but feared she wasn’t.
“Um, yes,” drawled the teacher, “but I meant, what do the letters stand for?”
Stomach. Instep. Nose. Groin.
A brawny boy raised his hand. “Stomach, instep, nose, groin?”
“Very good!”
Kate wanted to point out that Corsai didn’t have stomachs, insteps, noses, or groins, and if you got close enough to hit a Malchai, it would probably rip your throat out.
”
”
Victoria E. Schwab (This Savage Song (Monsters of Verity, #1))
“
unsolicited advice to adolescent girls with crooked teeth and pink hair
When your mother hits you, do not strike back. When the boys call asking your cup size, say A, hang up. When he says you gave him blue balls, say you’re welcome. When a girl with thick black curls who smells like bubble gum stops you in a stairwell to ask if you’re a boy, explain that you keep your hair short so she won’t have anything to grab when you head-butt her. Then head-butt her. When a guidance counselor teases you for handed-down jeans, do not turn red. When you have sex for the second time and there is no condom, do not convince yourself that screwing between layers of underwear will soak up the semen. When your geometry teacher posts a banner reading: “Learn math or go home and learn how to be a Momma,” do not take your first feminist stand by leaving the classroom. When the boy you have a crush on is sent to detention, go home. When your mother hits you, do not strike back. When the boy with the blue mohawk swallows your heart and opens his wrists, hide the knives, bleach the bathtub, pour out the vodka. Every time. When the skinhead girls jump you in a bathroom stall, swing, curse, kick, do not turn red. When a boy you think you love delivers the first black eye, use a screw driver, a beer bottle, your two good hands. When your father locks the door, break the window. When a college professor writes you poetry and whispers about your tight little ass, do not take it as a compliment, do not wait, call the Dean, call his wife. When a boy with good manners and a thirst for Budweiser proposes, say no. When your mother hits you, do not strike back. When the boys tell you how good you smell, do not doubt them, do not turn red. When your brother tells you he is gay, pretend you already know. When the girl on the subway curses you because your tee shirt reads: “I fucked your boyfriend,” assure her that it is not true. When your dog pees the rug, kiss her, apologize for being late. When he refuses to stay the night because you live in Jersey City, do not move. When he refuses to stay the night because you live in Harlem, do not move. When he refuses to stay the night because your air conditioner is broken, leave him. When he refuses to keep a toothbrush at your apartment, leave him. When you find the toothbrush you keep at his apartment hidden in the closet, leave him. Do not regret this. Do not turn red. When your mother hits you, do not strike back.
”
”
Jeanann Verlee
“
Boys are found everywhere- on top of, underneath, inside of, climbing on, swinging from, running around or jumping to. Mothers love them, little girls hate them, older sisters and brothers tolerated them, adults ignore them and Heaven protects them. A boy is Truth with dirt on its face, Beauty with a cut on its finger, Wisdom with bubble gum in its hair and the Hope of the future with a frog in its pocket. A boy is a magical creature- you can lock out of your workshop, but you can't lock him out of your heart. You can get him out of your study, but you can't get him out of your mind. Might as well give up- he is your captor, your jailor, your boss and your master- a freckled-faced, pint-sized, cat-chasing bundle of noise. But when you come home at night with only the shattered pieces of your hopes and dreams, he can mend them like new with two magic words- 'Hi, Dad!
”
”
Alan Beck
“
see Joziah?” Denyce said. “He all that.” Nia popped a bubble with her gum. “I heard he’s strapped.” “What?” Rachel said. “That’s wack.” Sometimes it seemed to Ruth that Rachel and her friends spoke a different language. “He ain’t got no gun,” Denyce said. “He just like to tell people he do.” A gun? Ruth didn’t realize she’d spoken out loud until the girls all stared at her. “Oh, look,” Nia said. “We shocked your baby sister.” If Mama knew Rachel
”
”
Jodi Picoult (Small Great Things)
“
The next thing I knew Jamie was in my lap wrapping her arms around my neck as if she planned on keeping me hostage for eternity. If that were the case, bring on the shackles babe, because no way was I going to be the one to end this epic kiss.
I felt like I was on fire—like warm energy was spilling out of Jamie, washing over me and causing all my hair to stand on end. I started shaking—just a slight tremor in my hands at first, but it quickly progressed to violent, uncontrollable shivers. The energy was filling my body so full I thought I’d literally burst apart at my seams.
Then, when I was ready to combust Jamie finally stilled. She pulled her face back and smiled at me with a cool expression, but I know she was affected as I was. I wasn’t the only one breathing hard and shaking.
“You can keep the gum,” she said, trying to mask her feelings with a smirk. She couldn’t quite manage it though. Her eyes were bright and full of disbelief. She was as surprised as I was.
She climbed off me and with a wink said, “Have fun at the dance.” And then she was gone. She walked out of the cafeteria as if that hadn’t just happened. As if she hadn’t just completely wrecked me.
I had no idea if what I felt meant we were soul mates or something crazy like that, but I knew two things for certain. One: Jamie Baker wasn’t the ice queen she pretended to be. And two: I wanted her more than anything I’d ever wanted in my entire life.
I had a feeling this wasn’t going to be easy, but I knew deep down in my gut it would be worth it. “Game on, Ice Queen,” I muttered as I stumbled back over to Mike to rub my victory in his face. “You’re already mine. You just don’t know it yet.
”
”
Kelly Oram (Kissing Jamie Baker (Jamie Baker, #1.5))
“
My friends were thin, pretty, naturally bronzed and accessorized with bug-eyed sunglasses. They slurped vodka straight from the bottle while they drove. They roamed the streets in bikinis by day and by night, skimpy dresses short enough to bare their ass cheeks when they bent over. They pushed up their breasts and snorted coke in the bathrooms of clubs before grinding their crotches into strangers until last call. And when the night came to an end, they romped through the filthy, gum-stained streets barefoot because they were too hammered to feel the glass shards beneath their soles. The PB girls were wild, edgy, and dangerously carefree.
”
”
Maggie Georgiana Young (Just Another Number)
“
In short, he felt himself to be in love in the right place, and was ready to endure a great deal of predominance, which, after all, a man could always put down when he liked. Sir James had no idea that he should ever like to put down the predominance of this handsome girl, in whose cleverness he delighted. Why not? A man's mind–what there is of it–has always the advantage of being masculine,–as the smallest birch-tree is of a higher kind than the most soaring palm,–and even his ignorance is of a sounder quality. Sir James might not have originated this estimate, but a kind Providence furnishes the limpest personality with a little gum or starch in the form of tradition.
”
”
George Eliot (Middlemarch)
“
I squeezed through a horde of gum-snapping girls I recognized as seniors from my school.
“He did not say that!”
“Yes, he did! And you wouldn’t believe what she said!”
Please, someone tell me I wouldn’t be that annoying if I had girlfriends.
“Sure, you will be.”
I whipped around and nearly got a faceful of cotton candy. I moved the purple sugar cloud to the side and glared at my mother. She wore a white, short-sleeved blouse and a patchwork skirt.
“You have to stop listening in on my thoughts without my permission, Mom. It’s not cool.”
She shoved a piece of cotton candy in my mouth to shut me up. “I didn’t do it on purpose, Clarity. I was strolling along listening in to the crowd.”
“Pick up anything interesting?”
“Actually, I did. That detective’s son can’t stop checking out your legs. He loves this little pink dress you’ve got on. So much so that he’s actually mad at himself for it.” She shook her head.
I blushed. “Did you happen to pick up anything important?”
“Like a man walking along thinking, ‘I killed Victoria Happel’?”
“Exactly.”
“No such luck. But dear, people don’t wander around thinking about their biggest secrets all the time. The killer could be standing right next to me and all I might pick up from him is how he wants to buy some barbequed chicken.”
“Have you seen Billy Rawlinson or Frankie Creedon?” I asked.
Distaste turned her mouth down. “No. Why are you looking for those scoundrels?”
“Billy might be a witness in the case. Or a suspect.”
“I’ll keep my eyes out and my mind open.”
“Thanks,” I said. “Enjoy invading everyone’s privacy.
”
”
Kim Harrington (Clarity (Clarity, #1))
“
the back of their trucks, or that woman who sold fresh vegetables right out of her garden and smiled like the sun when you said good mornin’?’ Somebody’ll say, ‘Oh, they sell all those things at the supermarket now, and you don’t have to go hither and yon to buy what you need, it’s all under one roof. And why don’t they do that to everythin’? Just put a whole town’s stores under one roof so the rain won’t fall on you and you won’t get cold. Wouldn’t that be a jim-dandy idea?’ ” My father worked his knuckles for a moment. “And then you’ll have stores and roads and houses, but you won’t have towns anymore. Not the way they are now. And you’ll walk into one of those stores under one roof and you’ll ask for somethin’ and the gum-chewin’ girl’ll say no, we don’t have that. We don’t have that, and we can’t get it for you because they don’t make that anymore. That’s not what people want, you see. People only want what the big banners hangin’ from the ceilin’ tell them to want. We only have those things, and they’re made by machines a thousand a minute. But they’re perfect, she’ll say. Not an imperfection in the lot. And when you use it up or get tired of it or when the banners change, you can just throw it away because it’s made to be thrown away. Now! she’ll say, How many of these perfect things do you need today, and please hurry because there’s a line behind you.
”
”
Robert McCammon (Boy's Life)
“
I was a young girl buying bubble gum at the corner store when I first really heard the full name bell hooks. I had just 'talked back' to a grown person. Even now I can recall the surprised look, the mocking tones that informed me I must be kin to bell hooks - a sharp-tongued woman, a woman who spoke her mind, a woman who was not afraid to talk back. I claimed this legacy of defiance, of will, of courage, affirming my link to my female ancestors who were bold and daring in their speech.
”
”
bell hooks (Talking Back: Thinking Feminist, Thinking Black)
“
This particular afternoon I had decided I was going to become skinny and virtuous like the healthy trim little girls in my class who ate rice cakes and whose socks did not strain against their calves in the least.
'What do you want to eat?' my mother asked. 'Nothing,' I said, 'I'm just going to have chewing gum after school from now on.'
'Good girl,' she said, and I remember feeling a sad, deep worry that she had been hating me all along for the eating I was doing before, that she had been waiting for me to give it up.
”
”
Megan Nolan (Acts of Desperation)
“
But the greatest human problems are not social problems, but decisions that the individual has to make alone. The most important feelings of which man is capable emphasise his separateness from other people, not his kinship with them. The feelings of a mountaineer towards a mountain emphasise his kinship with the mountain rather than with the rest of mankind. The same goes for the leap of the heart experienced by a sailor when he smells the sea, or for the astronomer’s feeling about the stars, or for the archaeologist’s love of the past. My feeling of love for my fellowmen makes me aware of my humanness; but my feeling about a mountain gives me an oddly nonhuman sensation. It would be incorrect, perhaps, to call it ‘superhuman’; but it nevertheless gives me a sense of transcending my everyday humanity.
Maslow’s importance is that he has placed these experiences of ‘transcendence’ at the centre of his psychology. He sees them as the compass by which man gains a sense of the magnetic north of his existence. They bring a glimpse of ‘the source of power, meaning and purpose’ inside himself. This can be seen with great clarity in the matter of the cure of alcoholics. Alcoholism arises from what I have called ‘generalised hypertension’, a feeling of strain or anxiety about practically everything. It might be described as a ‘passively negative’ attitude towards existence. The negativity prevents proper relaxation; there is a perpetual excess of adrenalin in the bloodstream. Alcohol may produce the necessary relaxation, switch off the anxiety, allow one to feel like a real human being instead of a bundle of over-tense nerves. Recurrence of the hypertension makes the alcoholic remedy a habit, but the disadvantages soon begin to outweigh the advantage: hangovers, headaches, fatigue, guilt, general inefficiency. And, above all, passivity. The alcoholics are given mescalin or LSD, and then peak experiences are induced by means of music or poetry or colours blending on a screen. They are suddenly gripped and shaken by a sense of meaning, of just how incredibly interesting life can be for the undefeated. They also become aware of the vicious circle involved in alcoholism: misery and passivity leading to a general running-down of the vital powers, and to the lower levels of perception that are the outcome of fatigue.
‘The spirit world shuts not its gates, Your heart is dead, your senses sleep,’ says the Earth Spirit to Faust. And the senses sleep when there is not enough energy to run them efficiently. On the other hand, when the level of will and determination is high, the senses wake up. (Maslow was not particularly literary, or he might have been amused to think that Faust is suffering from exactly the same problem as the girl in the chewing gum factory (described earlier), and that he had, incidentally, solved a problem that had troubled European culture for nearly two centuries). Peak experiences are a by-product of this higher energy-drive. The alcoholic drinks because he is seeking peak experiences; (the same, of course, goes for all addicts, whether of drugs or tobacco.) In fact, he is moving away from them, like a lost traveller walking away from the inn in which he hopes to spend the night. The moment he sees with clarity what he needs to do to regain the peak experience, he does an about-face and ceases to be an alcoholic.
”
”
Colin Wilson (New Pathways in Psychology: Maslow & the Post-Freudian Revolution)
“
The first time I was ever called ugly, I was thirteen. It was a rich friend of my brother Carlton's, over to shoot guns in the field.
"Why you crying girl?" Constantine asked me in the kitchen.
I told her what the boy had called me, tears streaming down my face,
"Well? Is you?"
I blinked, paused my crying. "Is I what?"
"Now you look a here, Eugenia" - because Constantine was the only one who'd occasionally follow Mama's rule. "Ugly live up on the inside. Ugly be hurtful, mean person. Is you one a them peoples?"
"I don't know. I don't think so." I sobbed.
Constantine sat down next to me, at the kitchen table. I heard the cracking of her swollen joints. She pressed her thumb hard in the palm of my hand, something we both knew meant 'Listen. Listen to me.'
"Ever morning, until you dead in the ground, you gone have to make this decision." Constantine was so close, I could see the blackness of her gums. "You gone have to ask yourself, 'Am I gone believe what them fools say about me today?'
She kept her thumb pressed hard in my hand. I nodded that I understood. I was just smart enough to realize she meant white people. And even though I still felt miserable, and knew what I was, most likely, ugly, it was the first time she ever talked to me like I was something besides my mother's white child. All my life I'd been told what to believe about politics, coloreds, being a girl. But with Constantine's thumb pressed in my hand, I realized I actually had a choice in what I could believe.
”
”
Kathryn Stockett (The Help)
“
When Sebastian, cearly delighted to be treated like one of the guys, didn't move, Alex bared his teeth. "Depeche-toi!"
Sebastian depeched. Alex turned back, all Cheshire cat smile.
"No," I said.
"No what?"
"No,you are not going to teach me all the cool words so I can go to Chamonix and be conversational."
"Good." He leaned in so I could see the faint dusting of freckles on his nose and smell spearmint gum. "Chamonix is so 1990s. Everyone who is anyone goes to Courchevel these days."
I turned on my heel and started to walk off.
"Jeez. Ella." He loped after me. "What if your problem? Conversational, my ass. Talking to you is like dancing around a fire in paper shoes."
I stopped. "What is that supposed to mean?"
"It's an expression my Ukranian babushka likes. I'll explain it at our first turtoring session."
I scowled at his shirt. This one had what looked like a guy riding a dolphin instead of the ubiquitos alligator or polo player. "There isn't going to be a tutoring session."
"Winslow seems to think otherwise."
"Wouldn't be the first thing she's wrong about," I muttered.
He gave an impressive sigh. The dolphin lurched, but the little guy on it held tight. "You don't want to fail French, do you? That would be a serious admission of weakness from an Italian girl."
I almost smiled. Instead, I announced. "Fuhgeddaboudit. I'll buy a 'Teach Your Poodle French in Ten Easy Lessons' online. Problem solved, and Winslow will never be the wiser."
"Yeah. Good luck with that. So how's this Friday? I don't have practice." When I shook my head, he demanded, " What is it? I'm a good tutor. Ask Sebastian. I was just teaching him how to tell the obnoxious French dudes on the slopes that they suck.
”
”
Melissa Jensen (The Fine Art of Truth or Dare)
“
chewing gum, particularly peppermint chewing gum, which they were allergic to, but they ran to the pots. Violet picked one up and Sunny picked up the other, while Klaus hurriedly made the beds. “Give them to me,” Foreman Flacutono snapped, and grabbed the pots out of the girls’ hands. “Now, workers, we’ve wasted enough time already. To the mills! Logs are waiting for us!” “I hate log days,” one of the employees grumbled, but everyone followed Foreman Flacutono out of the dormitory and across the dirt-floored courtyard to the lumbermill, which was a dull gray building with many smokestacks sticking out of the top like a porcupine’s quills. The three children looked at one another worriedly. Except for one summer day, back when their parents were still alive, when the Baudelaires had opened a lemonade stand in front of their house, the orphans had never had jobs, and they were nervous. The Baudelaires followed Foreman Flacutono into the
”
”
Lemony Snicket (The Miserable Mill (A Series of Unfortunate Events #4))
“
I now pronounce you husband and wife.
I hadn’t considered the kiss. Not once. I suppose I’d assumed it would be the way a wedding kiss should be. Restrained. Appropriate. Mild. A nice peck. Save the real kisses for later, when you’re deliciously alone. Country club girls don’t make out in front of others. Like gum chewing, it should always be done in private, where no one else can see.
But Marlboro Man wasn’t a country club boy. He’d missed the memo outlining the rules and regulations of proper ways to kiss in public. I found this out when the kiss began--when he wrapped his loving, protective arms around me and kissed me like he meant it right there in my Episcopal church. Right there in front of my family, and his, in front of Father Johnson and Ms. Altar Guild and our wedding party and the entire congregation, half of whom were meeting me for the first time that night. But Marlboro Man didn’t seem to care. He kissed me exactly the way he’d kissed me the night of our first date--the night my high-heeled boot had gotten wedged in a crack in my parents’ sidewalk and had caused me to stumble. The night he’d caught me with his lips.
We were making out in church--there was no way around it. And I felt every bit as swept away as I had that first night. The kiss lasted hours, days, weeks…probably ten to twelve seconds in real time, which, in a wedding ceremony setting, is a pretty long kiss. And it might have been longer had the passionate moment not been interrupted by the sudden sound of a person clapping his hands.
“Woohoo! All right!” the person shouted. “Yes!”
It was Mike. The congregation broke out in laughter as Marlboro Man and I touched our foreheads together, cementing the moment forever in our memory. We were one; this was tangible to me now. It wasn’t just an empty word, a theological concept, wishful thinking. It was an official, you-and-me-against-the-world designation. We’d both left our separateness behind. From that moment forward, nothing either of us did or said or planned would be in a vacuum apart from the other. No holiday would involve our celebrating separately at our respective family homes. No last-minute trips to Mexico with friends, not that either of us was prone to last-minute trips to Mexico with friends. But still.
The kiss had sealed the deal in so many ways.
I walked proudly out of the church, the new wife of Marlboro Man. When we exited the same doors through which my dad and I had walked thirty minutes earlier, Marlboro Man’s arm wriggled loose from my grasp and instinctively wrapped around my waist, where it belonged. The other arm followed, and before I knew it we were locked in a sweet, solidifying embrace, relishing the instant of solitude before our wedding party--sisters, cousins, brothers, friends--followed closely behind.
We were married. I drew a deep, life-giving breath and exhaled. The sweating had finally stopped. And the robust air-conditioning of the church had almost completely dried my lily-white Vera.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
And then he's grabbing my hand, and pulling me into a storage room they use for art supplies. And he puts his finger to his lips, and the walls are filled with pads of paper and boxes of colored pencils and jars of paint,
and I'm laughing
and he shuts the door behind us
and leans up against it to stop anyone coming in
and like he's trying to get up his nerve now that he's started something,
before we've ever gone to the dumplings and the movies—
he leans in and kisses me.
His lips are cold. The kiss is soft. He has gum in his mouth, and he stops, and giggles nervously, and takes it out and throws it in the trash can,
and looks like he feels embarrassed to have kissed me with the gum,
but I don't care,
and so now I kiss him,
and he's tall enough that he has to bend down to get to me,
and I put my hand on his neck, which is smooth and warm,
and we kiss for a minute in the storage room,and I want to run my hands up his shirt suddenly—
but I don't.
He pulls away for a second and touches my cheek.
“I thought you'd never ask,” he whispers.
“I thought I never would either,” I say, “but I did.”
“Good job,” he says, and kisses me again.
”
”
E. Lockhart (Fly on the Wall: How One Girl Saw Everything)
“
I now pronounce you husband and wife.
I hadn’t considered the kiss. Not once. I suppose I’d assumed it would be the way a wedding kiss should be. Restrained. Appropriate. Mild. A nice peck. Save the real kisses for later, when you’re deliciously alone. Country club girls don’t make out in front of others. Like gum chewing, it should always be done in private, where no one else can see.
But Marlboro Man wasn’t a country club boy. He’d missed the memo outlining the rules and regulations of proper ways to kiss in public. I found this out when the kiss began--when he wrapped his loving, protective arms around me and kissed me like he meant it right there in my Episcopal church. Right there in front of my family, and his, in front of Father Johnson and Ms. Altar Guild and our wedding party and the entire congregation, half of whom were meeting me for the first time that night. But Marlboro Man didn’t seem to care. He kissed me exactly the way he’d kissed me the night of our first date--the night my high-heeled boot had gotten wedged in a crack in my parents’ sidewalk and had caused me to stumble. The night he’d caught me with his lips.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
Your mother was a fool to give you away,” Hilde grumbled. Lidia arched a brow. “Is that a compliment?” “Take it as you will.” The hag flashed her rotting teeth in a nightmare of a smile. “You’re a born killer—like any true witch. That girl on the throne is as softhearted as your mother. She’ll bring down the entire Valbaran witch-dynasty.” “Alas, my father was a smart negotiator,” Lidia said, making a good show of admiring the ruby ring on her finger, the stone as red as Irithys’s flame. “But enough about me.” She gestured to the hag, then to the sprite. “Irithys, Queen of the Sprites. Hilde, Grand Hag of the Imperial Coven.” “I know who you are,” Irithys said, her voice quiet with leashed rage. She now floated in the center of the orb, her body bloodred. “You put this collar on me.” Hilde again smiled, wide enough to reveal her blackened gums. A lesser person would have cowered at that smile. “I had the honor of doing it to the little bitch who bore the crown before you, too.” Hilde didn’t mean Irithys’s mother, who had never been queen at all. No, when the last Sprite Queen had died, the line had passed to a different branch of the family, with Irithys first to inherit.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
her room now?” They were led down the hall by Beth. Before she turned away she took a last drag on her smoke and said, “However this comes out, there is no way my baby would have had anything to do with something like this, drawing of this asshole or not. No way. Do you hear me? Both of you?” “Loud and clear,” said Decker. But he thought if Debbie were involved she had already paid the ultimate price anyway. The state couldn’t exactly kill her again. Beth casually flicked the cigarette down the hall, where it sparked and then died out on the faded runner. Then she walked off. They opened the door and went into Debbie’s room. Decker stood in the middle of the tiny space and looked around. Lancaster said, “We’ll have the tech guys go through her online stuff. Photos on her phone, her laptop over there, the cloud, whatever. Instagram. Twitter. Facebook. Tumblr. Wherever else the kids do their electronic preening. Keeps changing. But our guys will know where to look.” Decker didn’t answer her. He just kept looking around, taking the room in, fitting things in little niches in his memory and then pulling them back out if something didn’t seem right as weighed against something else. “I just see a typical teenage girl’s room. But what do you see?” asked Lancaster finally. He didn’t look at her but said, “Same things you’re seeing. Give me a minute.” Decker walked around the small space, looked under piles of papers, in the young woman’s closet, knelt down to see under her bed, scrutinized the wall art that hung everywhere, including a whole section of People magazine covers. She also had chalkboard squares affixed to one wall. On them was a musical score and short snatches of poetry and personal messages to herself: Deb, Wake up each day with something to prove. “Pretty busy room,” noted Lancaster, who had perched on the edge of the girl’s desk. “We’ll have forensics come and bag it all.” She looked at Decker, obviously waiting for him to react to this, but instead he walked out of the room. “Decker!” “I’ll be back,” he called over his shoulder. She watched him go and then muttered, “Of all the partners I could have had, I got Rain Man, only giant size.” She pulled a stick of gum out of her bag, unwrapped it, and popped it into her mouth. Over the next several minutes she strolled the room and then came to the mirror on the back of the closet door. She appraised her appearance and ended it with the resigned sigh of a person who knows their best days physically are well in the past. She automatically reached for her smokes but then decided against it. Debbie’s room could be part of a criminal investigation. Her ash and smoke could only taint that investigation.
”
”
David Baldacci (Memory Man (Amos Decker, #1))
“
Extract from 'Quixotic Ambitions':
The crowd stared at Katy expectantly. She looked at them - old women in black, exhausted young women with pasty-faced children, youths in jeans and leather blousons chewing gum. She tried to speak but the words wouldn’t come. Then, with a sudden burst of energy, she blurted out her short speech, thanking the people of Shkrapova for their welcome and promising that if she won the referendum she would work for the good of Maloslavia. There was some half-hearted applause and an old lady hobbled up to her, knelt down with difficulty, and kissed the hem of her skirt. She looked at Katy with tears rolling down her face and gabbled something excitedly. Dimitar translated: ‘She says that she remembers the reign of your grandfather and that God has sent you to Maloslavia.’ Katy was embarrassed but she smiled at the woman and helped her to her feet. At this moment the People’s Struggle Pioneers appeared on the scene, waving their banners and shouting ‘Doloy Manaheeyoo! Popnikov President!’ Police had been stationed at strategic points and quickly dispersed the demonstrators without any display of violence, but the angry cries of ‘Down with the monarchy!’ had a depressing effect on the entertainment that had been planned; only a few people remained to watch it.
A group of children aged between ten and twelve ran into the square and performed a series of dances accompanied by an accordian. They stamped their feet and clapped their hands frequently and occasionally collided with one another when they forgot their next move. The girls wore embroidered blouses, stiffly pleated skirts and scarlet boots and the boys were in baggy linen shirts and trousers, the legs of which were bound with leather thongs. Their enthusiasm compensated for their mistakes and they were loudly applauded. The male voice choir which followed consisted of twelve young men who sang complicated polyphonic melodies with a high, curiously nasal tenor line accompanied by an unusually deep droning bass. Some of their songs were the cries of despair of a people who had suffered under Turkish occupation; others were lively dance tunes for feast days and festivals. They were definitely an acquired taste and Katy, who was beginning to feel hungry, longed for them to come to an end.
At last, at two o’clock, the performance finished and trestle tables were set up in the square. Dishes of various salads, hors-d’oeuvres and oriental pastries appeared, along with casks of beer and bottles of the local red wine. The people who had disappeared during the brief demonstration came back and started piling food on to paper plates. A few of the People’s Struggle Pioneers also showed up again and mingled with the crowd, greedily eating anything that took their fancy.
”
”
Pamela Lake (Quixotic Ambitions)
“
BEST FRIENDS SHOULD BE TOGETHER
We’ll get a pair of those half-heart necklaces so every ask n’ point reminds us we are one glued duo. We’ll send real letters like our grandparents did, handwritten in smart cursive curls. We’ll extend cell plans and chat through favorite shows like a commentary track just for each other. We’ll get our braces off on the same day, chew whole packs of gum. We’ll nab some serious studs but tell each other everything. Double-date at a roadside diner exactly halfway between our homes. Cry on shoulders when our boys fail us. We’ll room together at State, cover the walls floor-to-ceiling with incense posters of pop dweebs gone wry. See how beer feels. Be those funny cute girls everybody’s got an eye on. We’ll have a secret code for hot boys in passing. A secret dog named Freshman Fifteen we’ll have to hide in the rafters during inspection. Follow some jam band one summer, grooving on lawns, refusing drugs usually. Get tattoos that only spell something when we stand together. I’ll be maid of honor in your wedding and you’ll be co-maid with my sister but only cause she’d disown me if I didn’t let her. We’ll start a store selling just what we like. We’ll name our firstborn daughters after one another, and if our husbands don’t like it, tough. Lifespans being what they are, we’ll be there for each other when our men have passed, and all the friends who come to visit our assisted living condo will be dazzled by what fun we still have together. We’ll be the kind of besties who make outsiders wonder if they’ve ever known true friendship, but we won’t even notice how sad it makes them and they won’t bring it up because you and I will be so caught up in the fun, us marveling at how not-good it never was.
”
”
Gabe Durham (Fun Camp)
“
Molly and Gracie sat silently on the horse, tears streaming down their cheeks as Constable Riggs turned the big bay stallion and led the way back to the depot. A high pitched wail broke out. The cries of agonised mothers and the women, and the deep sobs of grandfathers, uncles and cousins filled the air. Molly and Gracie looked back just once before they disappeared through the river gums. Behind them, those remaining in the camp found strong sharp objects and gashed themselves and inflicted wounds to their heads and bodies as an expression of their sorrow.
The two frightened and miserable girls began to cry, silently at first, then uncontrollably; their grief made worse by the lamentations of their loved ones and the visions of them sitting on the ground in their camp letting their tears mix with the red blood that flowed from the cuts on their heads. This reaction to their children's abduction showed that the family were now in mourning. They were grieving for their abducted children and their relief would come only when the tears ceased to fall, and that will be a long time yet.
”
”
Doris Pilkington (Rabbit-Proof Fence)
“
I was sent to school with bread an' drippin' and a stubby pencil. All the other lads had fountain pens in their top pockets, not me.
That's why I never got invited to the parties. That an' the gum boots. I saw all the others going off, all the little girls with their silver shoes and the boys in their party slippers giving each other great smackers at Postman's Knock. I was outside - the face at the window.
”
”
Eric Chappell (Rising Damp: The Complete Scripts)
“
I get in the car and go to complex A, and look for room 23, and then I knock on the door. The door opens, but it’s not Madison. It’s someone else. I hold the flowers I brought for her in my hand and fidget. “Hi, is Madison here?” “Nope,” she says and she smacks her gum. “Nope?” I repeat like a total dumbass. “Nope.” She smacks her gum again. “Do you know where she is?” She shrugs. “She went dancing with one of the guys in her math class.” “But…we had a date.” She laughs. “Oh, you’re the one.” “The one what?” “The one she caught telling your friends she was just a girl and that her name didn’t matter because there were so damn many of them you couldn’t keep them all straight.” What the hell is she talking about? “She followed you after you dropped her off that day. She wanted to give you her phone number. But she heard you.” “And now she’s out on a date? With somebody else?” She nods and pops her gum again. “Yep.” “Do you know where?” “At the club on Main Street. I can’t remember the name of it.” I turn on my heel and stalk in that direction. I don’t know what bothers me more—that she’s dancing with some random guy or that she stood me up. But I do know what bothers me most. It’s that she heard my stupid comment. I have to explain it to her. And I have to be sure she’s not kissing some random guy. She’s supposed to be kissing me, damn it.
”
”
Tammy Falkner (Yes You (The Reed Brothers #9.5))
“
I now pronounce you husband and wife.
I hadn’t considered the kiss. Not once. I suppose I’d assumed it would be the way a wedding kiss should be. Restrained. Appropriate. Mild. A nice peck. Save the real kisses for later, when you’re deliciously alone. Country club girls don’t make out in front of others. Like gum chewing, it should always be done in private, where no one else can see.
But Marlboro Man wasn’t a country club boy. He’d missed the memo outlining the rules and regulations of proper ways to kiss in public. I found this out when the kiss began--when he wrapped his loving, protective arms around me and kissed me like he meant it right there in my Episcopal church. Right there in front of my family, and his, in front of Father Johnson and Ms. Altar Guild and our wedding party and the entire congregation, half of whom were meeting me for the first time that night. But Marlboro Man didn’t seem to care. He kissed me exactly the way he’d kissed me the night of our first date--the night my high-heeled boot had gotten wedged in a crack in my parents’ sidewalk and had caused me to stumble. The night he’d caught me with his lips.
We were making out in church--there was no way around it. And I felt every bit as swept away as I had that first night. The kiss lasted hours, days, weeks…probably ten to twelve seconds in real time, which, in a wedding ceremony setting, is a pretty long kiss. And it might have been longer had the passionate moment not been interrupted by the sudden sound of a person clapping his hands.
“Woohoo! All right!” the person shouted. “Yes!”
It was Mike. The congregation broke out in laughter as Marlboro Man and I touched our foreheads together, cementing the moment forever in our memory. We were one; this was tangible to me now. It wasn’t just an empty word, a theological concept, wishful thinking. It was an official, you-and-me-against-the-world designation. We’d both left our separateness behind. From that moment forward, nothing either of us did or said or planned would be in a vacuum apart from the other. No holiday would involve our celebrating separately at our respective family homes. No last-minute trips to Mexico with friends, not that either of us was prone to last-minute trips to Mexico with friends. But still.
The kiss had sealed the deal in so many ways.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
I now pronounce you husband and wife.
I hadn’t considered the kiss. Not once. I suppose I’d assumed it would be the way a wedding kiss should be. Restrained. Appropriate. Mild. A nice peck. Save the real kisses for later, when you’re deliciously alone. Country club girls don’t make out in front of others. Like gum chewing, it should always be done in private, where no one else can see.
But Marlboro Man wasn’t a country club boy. He’d missed the memo outlining the rules and regulations of proper ways to kiss in public.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
But she did have a sulky bursting prowling sort of energy, because she was in that state so many young girls go through―a state of sexual obsession that can be like a sort of trance. When I was fifteen, still living in Baker Street with my father, I spent some months in that state, so that now I can't walk through that area without remembering, half amused, half embarrassed, an emotional condition which was so strong it had the power to absorb into it pavements, houses, shop windows. What was interesting about June was this: surely nature should have arranged matters so that the men she met must be aware of what afflicted her. Not at all. That first evening Maryrose and I involuntarily exchanged glances and nearly laughed out loud from recognition and amused pity. We did not, because we also understood that the so obvious fact was not obvious to the men and we wanted to protect her from their laughter. All the women in the place were aware of June. I remember sitting one morning on the verandah with Mrs. Lattimer, the pretty red-haired woman who flirted with young Stanley Lett, and June came into sight prowling blindly under the gum-trees by the railway lines. It was like watching a sleepwalker. She would take half a dozen steps, staring across the valley at the piled blue mountains, lift her hands to her hair, so that her body, tightly outlined in bright red cotton, showed every straining line and the sweat patches dark under the armpits―then drop her arms, her fists clenched at her sides. She would stand motionless, then walk on again, pause, seem to dream, kick at the cinders with the toe of high white sandal, and so on, slowly, till she was out of sight beyond the sun-glittering gum-trees. Mrs. Lattimore let out a deep rich sigh, laughed her weak indulgent laugh, and said: 'My God, I wouldn't be a girl again for a million pounds. My God, to go through all that again, not for a million million.' And Maryrose and I agreed. Yet, although to us every appearance of this girl was so powerfully embarrassing, the men did not see it and we took care not to betray her. There is a female chivalry, woman for woman, as strong as any other kind of loyalty. Or perhaps it was we didn't want brought home to us the deficiencies of imagination of our own men.
”
”
Doris Lessing (The Golden Notebook)
“
Now, in case any of you knuckleheads were having any funny ideas about the new member of the household, your mother and I have one thing to say,” John continued. “As far as you all are concerned, Megan is not a girl.”
Doug cackled and Megan sank down in her seat. She stared at a knot in the center of the wood floor.
“Then what is she?” Caleb asked innocently, making Doug and a couple of the others laugh.
“Caleb,” Regina said softly, scoldingly. “What your father is trying to say is, while Megan is living with us, you guys are to treat her like a sister. You all are brothers and sister, got it?”
Megan was dying to look at Evan. Instead her eyes darted right and landed on Ian, who was blowing gum bubbles. Then she managed a glance at Sean, who was looking at his watch. Finally, with the effort of ten men, Megan managed to find Evan. He was staring straight ahead, his heels tapping an unsteady beat on the floor.
”
”
Kate Brian (Megan Meade's Guide to the McGowan Boys)
“
Three square tiers of hazelnut cake filled with caramel mousse and sliced poached pears, sealed with vanilla buttercream scented with pear eau-de-vie. It's covered in a smooth expanse of ivory fondant decorated with what appear to be natural branches of pale green dogwood but are actually gum paste and chocolate, and with almost-haphazard sheer spheres of silvery blown sugar, as if a child came by with a bottle of bubbles and they landed on the cake. On the top, in lieu of the traditional bride and groom, is a bottle of Dexter's favorite Riesling in a bow tie and a small three-tier traditional wedding cake sporting a veil, both made out of marzipan. It took me the better part of the last three weeks to make this cake. Not to mention the loaves of banana bread, the cellophane bags of pine nut shortbread cookies, and the little silver boxes of champagne truffles in the gift bags. And the vanilla buttermilk panna cottas we're serving with balsamic-macerated berries as the pre-dessert before the cake. And the hand-wrapped caramels and shards of toffee and dark-chocolate-covered candied ginger slices that will be served with the coffee.
”
”
Stacey Ballis (Wedding Girl)
“
The cake is pretty simple; they didn't want anything too fancy. Two tiers. The bottom is the Frango mint tier from the cake contest, but the top is a new one. An almond cake with a whipped honey caramel filling and a layer of thinly sliced spiced poached pears, with vanilla buttercream. The whole cake will get a smooth white fondant coating, and then a detailed lace pattern hand-piped with white royal icing. They've opted out of toppers, so I've made some simple wildflowers out of gum paste, colored with the powdered food colors to look incredibly real.
”
”
Stacey Ballis (Wedding Girl)
“
He recommended the contemplation and mental repetition of the name of Jesus, remarking that it reminded him of how, when he was young, old women and girls would sweeten their foul breath with chewing-gum. How much more would Jesus’s name banish the foulness of demons, he concluded triumphantly.
”
”
Diarmaid MacCulloch (Silence: A Christian History)
“
The pennycandystore beyond the El
is where i first
fell in love
with unreality
Jellybeans glowed in the semi-gloom
of that september afternoon
A cat upon the counter moved among
the licorice sticks
and tootsie rolls
and Oh Boy Gum
Outside the leaves were falling as they died
A wind had blown away the sun
A girl ran in
Her hair was rainy
Her breasts were breathless in the little room
Outside the leaves were falling
and they cried
Too soon! too soon!
”
”
Lawrence Ferlinghetti
“
This is what I learned while I walked Hattie home:
Palmetto bugs are colossal roaches that thrive in hot climates and smell like Amaretto. They prefer the outdoors, but sometimes get lost and turn up in your house. If, as a five-year-old girl in Gainesville, Florida, you step into a steaming, oddly redolent shower, feel a light tap way up on your thigh, reflexively grab whatever just tapped you, find in your fist a roach with the heft of an operable pencil stub, fling it away, find a sharply bent leg affixed by its barbs to your middle finger’s meaty bottom phalange, repeatedly try to shake the leg off, repeatedly fail to shake the leg off, then sit in the tub and cry and cry, you’ll become a lyric poet, and your stomach will, from that day forward, repeatedly try to empty itself whenever you catch the scent of Amaretto.
So, gum or no gum, no kiss good night.
We dated nine months.
”
”
Adam Levin
“
Dad used to make me tea at night during the pregnancy whenever I was feeling sick.” “Really?” I removed her hands from my stomach. “He did that?” “Yup. He even bought me a bunch of different flavors so I wouldn’t get bored with any of them. He’d bring me a steaming cup in bed and tell me to close my eyes, see if I could guess the flavor.” It was hard to picture this. Him putting water in a pot, boiling it, steeping a mug with Earl Grey, English Breakfast, chamomile. I couldn’t even picture him in the checkout lane at the grocery store with anything other than Miller Lite and jelly beans. That man bringing tea to his pregnant wife wasn’t the same as the one who once picked me up from school two hours late, with crushed Miller Lite cans and gum wrappers covering the floor of his car, the front of his gray gym shorts soaked in piss, shouting over and over, “Get in, we’re going to Disneyland.” I thought about telling Mom this memory, reminding her of that other man. “Or is it something else?” she asked. “What can I do?” She would never be able to help me. Her loyalties would always lie with him, this dead man who showed her sides he never showed to me.
”
”
Jean Kyoung Frazier (Pizza Girl)
“
Instead, what exists are moments like this one:...
'What do you want to eat?' my mother asked.
'Nothing,' I said, 'I'm just going to have chewing gum after school from now on.'
'Good girl,' she said, and I remember feeling a sad, deep worry that she had been hating me all along for the eating I was doing before, that she had been waiting for me to give it up.
”
”
Megan Nolan (Acts of Desperation)
“
I learned that female professors and departmental secretaries are the natural enemies of the academic world, as I was privileged to overhear discussions of my sexual orientation and probable childhood traumas from ten to ten-thirty each morning through the paper-thin walls of the break room located adjacent to my office. By these means I learned that although I was in desperate need of a girdle, I was better off than one of the other female professors, who would never lose all that baby weight by working all of the time. As hard as I worked, I just couldn’t get ahead. Showers became a biweekly ritual. My breakfast and lunch were reduced to a couple of cans of Ensure from the cases that I kept under my desk, and in desperation, I once threw one of Reba’s Milk-Bones in my purse so that I could gum it during a seminar, trying to keep peoples’ attention off of what I knew would be my growling stomach. The acne that I had never wrestled with as a teenager decided to make up for lost time with a magnificent debut, and I passed the workday biting my nails with ferocity. My brief forays into romance had convinced me that I would be relegated to love’s bargain bin; none of the single guys that I met could understand why I worked all of the time, and nobody wanted to listen to me talk about plants for hours, anyway. Everything about my life looked pretty well messed up compared with how adulthood had always been advertised to me.
”
”
Hope Jahren (Lab Girl)
“
Eugenie was sitting cross-legged in a corner, rubbing grains of sand between her fingers. She was giving him her harshest stare. “Can you tell me what the hell we’re doing here, my dear Franck?” Sharko couldn’t see clearly; he was blinded by tears. His lips opened in a sad smile. Blood began pouring from his nostrils and gums. “You really think I had a choice?” Atef knit his brow. He brandished his clamps again threateningly. “What are you talking about?” Eugenie stood up, eyes blazing. “You always have a choice!” “Not with my hands tied behind my back.” Sharko’s eyes were rolling in their sockets, following the girl’s movements around the room. Atef took a step back and turned around. Then the inspector leaped up and charged forward, headfirst, while still bound to his chair. He butted Atef in midabdomen with all his strength. The blow sent the Arab flying backward. There was a sharp intake of breath as he hit the wall. A steel spike jutted out of his left breast. His limbs went limp, but he wasn’t dead. His face was contorted in pain and his mouth gave no sound. He raised his hands to the metal rod, but had no strength to do anything more. Blood began flowing from his lips. Surely a perforated lung.
”
”
Franck Thilliez (Syndrome E)
“
I’d like to share with you a parable: the parable of Bob the Angel.
A girl was walking down a darkly lit city street late at night. A man jumped out from the shadows and attacked her, suddenly she was suffocating and disoriented as hands clasped around her neck and the force of his attack started to push her down. She tried to yell as she struggled to pull his arms from her neck while she crumpled backwards to the ground, “God . . . help me!”
The next thing she remembers—just as the fear consumed her, and right as she disappeared into the misery and despair of helplessness—was a loud crash and an explosion of glass which rained down upon her and her attacker. The assailant’s lifeless body was suspended above her, held from collapsing on her by an unknown force, and then pulled away from hovering over her and dropped onto the pavement beside her.
She opened her eyes in the faint shadowy light, to see black matted hair and a long, black beard framing the eyes of a man. The smell of alcohol on his breath would have knocked her out if the adrenaline was not still trilling through her veins.
There he stood, God’s angel, off-kilter and drunk, with a broken whiskey bottle in his hand.
“You probably shouldn’t be walking through here this late at night,” was all he said as he turned away.
“Wait! What’s your name?” she asked, still stunned half sitting up on the ground.
All she heard as he walked away was his trailing voice calling, “Bob’s as good as any. . . .”
An angel is a messenger, and sometimes we only want letters sent in white envelopes with beautiful gold print, when sometimes a simple “no” on the back of a gum wrapper is what we are offered.
Every postcard from heaven does not come with a picture of the sunset there, nor should it. If it is an answer we want, an answer we will get. As far as pretty postcards, there are many others willing to send us that.
If not harps and gold-tipped wings, what then is the mark of an angel? An answer which pierces your soul, and which inspires a question that invites you to look outside of yourself and up to God.
”
”
Michael Brent Jones (Dinner Party: Part 2)
“
There is about our house a need. The running, pulsating restlessness of the four boys as they struggle to learn and grow; the world embraces them….All this wonder needs a counterpart. We need some starched crisp frocks to go with all our torn-kneed blue jeans and helmets. We need some soft blond hair to off-set those crew cuts. We need a doll house to stand firm against our forts and rackets and thousand baseball cards. We need a cut-out star to play alone while the others battle to see who’s ‘family champ.’ We even need someone…who could sing the descant to “Alouette,” while outside they scramble to catch the elusive ball aimed ever roofward, but usually thudding against the screens. We need a legitimate Christmas angel—one who doesn’t have cuffs beneath the dress. We need someone who’s afraid of frogs. We need someone to cry when I get mad—not argue. We need a little one who can kiss without leaving egg or jam or gum. We need a girl. We had one once—she’d fight and cry and play and make her way just like the rest. But there was about her a certain softness. She was patient—her hugs were just a little less wiggly. Like them, she’d climb in to sleep with me, but somehow she’d fit. She didn’t boot and flip and wake me up with pug nose and mischievous eyes a challenging quarter-inch from my sleeping face. No—she’d stand beside our bed till I felt her there. Silently and comfortable, she’d put those precious, fragrant locks against my chest and fall asleep. Her peace made me feel strong, and so very important. “My Daddy” had a caress, a certain ownership which touched a slightly different spot than the “Hi Dad” I love so much. But she is still with us. We need her and yet we have her. We can’t touch her, and yet we can feel her. We hope she’ll stay in our house for a long, long time. Love Pop
”
”
Jon Meacham (Destiny and Power: The American Odyssey of George Herbert Walker Bush)
“
Sean had never stared into as many blank-eyed faces before. Throughout the high school civics talk, he felt as if he were speaking to the kids in a foreign language, one they had no intention of learning. Scrambling for a way to reach his audience, he ad-libbed, tossing out anecdotes about his own years at Coral Beach High. He confessed that as a teenager his decision to run for student government had been little more than a wily excuse to approach the best-looking girls. But what ultimately hooked his interest in student government was the startling discovery that the kids at school, all so different—jocks, nerds, preppies, and brains—could unite behind a common cause.
During his senior year, when he’d been president of the student council, Coral Beach High raised seven thousand dollars to aid Florida’s hurricane victims. Wouldn’t that be something to feel good about? Sean asked his teenage audience.
The response he received was as rousing as a herd of cows chewing their cud. Except this group was blowing big pink bubbles with their gum.
The question and answer period, too, turned out to be a joke. The teens’ main preoccupation: his salary and whether he got driven around town in a chauffeured limo. When they learned he was willing to work for peanuts and that he drove an eight-year-old convertible, he might as well have stamped a big fat L on his forehead. He was weak-kneed with relief when at last the principal mounted the auditorium steps and thanked Sean for his electrifying speech.
While Sean was politically seasoned enough to put the morning’s snafus behind him, and not worry overmuch that the apathetic bunch he’d just talked to represented America’s future voters, it was the high school principal’s long-winded enthusiasm, telling Sean how much of an inspiration he was for these kids, that truly set Sean’s teeth on edge. And made him even later for the final meeting of the day, the coral reef advisory panel.
”
”
Laura Moore (Night Swimming: A Novel)
“
What age is she now, twenty something. I’m not sure. She is very bright, quite the bluestocking. Not beautiful, however, I admitted that to myself long ago. I cannot pretend this is not a disappointment, for I had hoped that she would be another Anna. She is too tall and stark, her rusty hair is coarse and untameable and stand out around her freckled face in an unbecoming manner, and when she smiles she shows her upper gums, glistening and whitely pink. With those spindly legs and big bum, that hair, the long neck especially … Yet she is brave and makes the best of herself and of the world. She has the rueful, grimly humorous, clomping way to her that is common to so many ungainly girls. … Dear Claire, my sweet girl.
”
”
John Banville (The Sea)
“
Looking forward to sharing my bed with you again, PG.” I shot a hard look at Chase, heat flooding my cheeks. He was looking at Brandon with his head cocked the side, one eyebrow raised. I could even see the challenge in his stare. “Thanks, but I’d rather share a bed with Drew’s blow-up doll.” He turned his glare towards me to me and I struggled to keep my eyes narrowed at him. Is it bad that all I could think about was how his lips would feel on mine? Before I could think on it too much, the girl that had been glaring at me earlier moved around the table and sat on his lap, pressing her mouth to his neck before trailing her lips along his jaw. His hands instantly gripped her hips, but he never took his eyes off of mine. “I’d be happy to share that bed with you Chase.” Her bubble gum voice made me want to gag. I’m pretty sure I hadn’t even sounded like that when I was five. After she brought his mouth to hers, I spared a glance in Brandon’s direction to see him studying me. It wasn’t uncomfortable, and it didn’t last nearly as long as I would have liked it to, I could have sat there looking at him for hours. I wasn’t used to feeling anything for a guy, and now I couldn’t stop going back and forth between him and Chase. Butterflies in my stomach with one, and hot shivers with another. I almost laughed out loud when I realized how stupid it was to feel anything for Chase, his current position with the brunette proving why. Brandon on the other hand, I knew nothing about. Other than his laugh, I hadn’t even heard his voice. Ugh, I’m ridiculous, one guy is a whore, the other I haven’t even spoken to. Saying
”
”
Molly McAdams (Taking Chances (Taking Chances, #1))
“
Rylan!" Melanie squeals, high-pitched enough to break glass. "I'm, like, so sorry I haven't talked to you all night. Being a hostess is hard work." She dramatically wipes imaginary sweat off her forehead. "Anyway, I finally have some free time. So why don't we go dance, hmm?"
Gripping my waist a little too tightly for my taste, she tries to pull me back to the house. I stand strong., jerking Melanie back when I don't move.
"No thanks, Melanie." My free arm tightens around Ivy's waist. "I already am dancing with someone."
Melanie's sight flickers to Ivy, and for a moment contempt skews her big grin. But it's gone in an instant as Melanie stretches her fake smile to the point she's showing gums and asks, through gritted teeth, "Hi. What's your name?"
Ivy can tell there's something off with the girl in front of her, but she still gives her a polite greeting. "Hello. My name is Ivy. How do you do?"
Melanie completely ignores the question and turns back to me. "You never told me you invited someone else, Rylan." Melanie's smile goes harsh. "I'm sorry, but unless I give the okay, no one outside of school is invited." She glares at Ivy. "I'll have to ask you to leave."
Ivy tilts her head, befuddled at the sudden hostility. "You want me to go?"
Melanie rolls her eyes. "Uh, yeah. I just said that."
Ivy stares down at her feet, ashamed and no doubt guilty for the wrong reason. She nods. "Okay."
She begins to leave but I grab her wrist and pull her back against me. I glare at Melanie. "What if I don't want her to go?" I growl.
"Yeah, Melanie!"
To my relief, I see Aidan and Nadia wiggle through the crowd. Neither of them look very happy; Nadia's downright fuming. Despite the whole "my liking Ivy" case, she's still there for me.
"Don't go telling people they can't be here," Nadia growls, her eyes flashing dangerously. "Who died and made you think you can boss everyone around?"
"Last time I checked, this is my party, and therefore I choose who I invite or not," declares Melanie with an obvious edge in her voice.
"That's no excuse! The only reason you want her gone is so you can make Rylan your new boy toy, which he doesn't want!"
"Oh, like you know him so well?"
"I'm his best friend, bitch!"
" Excuse me!?"
"ENOUGH!"
With one word, I bring the argument to an end and all attention back on me.
"Nadia's right," I state, glowering at Melanie. "Nadia's always been right. You know one of the reasons I came, other than to show Ivy a good time? It was to tell you to leave me alone, okay? I. Don't. Like. You. So leave me alone!"
It was like I announced I farted. Everyone starts whispering with disbelief. No one has ever turned down the advances of Melanie Sweet—until now. It's turning into a night of first for them.
Melanie obviously isn't used to this, as her face reddens like a tomato, her beautifully manicured hands clench into fists, and her usually angelic face morphs into a full-blown snarl.
How sweet.
”
”
Colleen Boyd (Swamp Angel)
“
In another invaluable service to the Allies, the resistance movements in every captive country helped rescue and spirit back to England thousands of British and American pilots downed behind enemy lines, as well as other Allied servicemen caught in German-held territory. In Belgium, for example, a young woman named Andrée de Jongh set up an escape route called the Comet Line through her native country and France, manned mostly by her friends, to return Britons and Americans to England. De Jongh herself escorted more than one hundred servicemen over the Pyrenees Mountains to safety in neutral Spain. As de Jongh and her colleagues knew, being active in the resistance, regardless of gender, was far more perilous than fighting on the battlefield or in the air. If captured, uniformed servicemen on the Western front were sent to prisoner of war camps, where Geneva Convention rules usually applied. When resistance members were caught, they faced torture, the horrors of a German concentration camp, and/or execution. The danger of capture was particularly great for those who sheltered British or American fighting men, most of whom did not speak the language of the country in which they were hiding and who generally stuck out like the proverbial sore thumb. As one British intelligence officer observed, “It is not an easy matter to hide and feed a foreigner in your midst, especially when it happens to be a red-haired Scotsman of six feet, three inches, or a gum-chewing American from the Middle West.” James Langley, the head of a British agency that aided the European escape lines, later estimated that, for every Englishman or American rescued, at least one resistance worker lost his or her life. Andrée de Jongh managed to escape that fate. Caught in January 1943 and sent to the Ravensbruck concentration camp in Germany, she survived the war because, although she freely admitted to creating the Comet Line, the Germans could not believe that a young girl had devised such an intricate operation. IN
”
”
Lynne Olson (Citizens of London: The Americans Who Stood with Britain in Its Darkest, Finest Hour)
“
strips open one of her last pieces of gum and pops it in his mouth.
”
”
Joe Hart (The Last Girl (The Dominion Trilogy, #1))
“
l’after-shave, le badge, le barbeque, le best-seller, le blue-jean, le blues, le bluff, le box-office, le break, le bridge, le bulldozer, le business, le cake, la call-girl, le cashflow, le check-in, le chewing-gum, le club, le cocktail, la cover-girl, le cover-story, le dancing, le design, le discount, le do-it-yourself, le doping, le fan, le fast-food, le feedback, le freezer, le gadget, le gangster, le gay, le hall, le handicap, le hold-up, le jogging, l’interview, le joker, le kidnapping, le kit, le knock-out, le label, le leader, le look, le manager, le marketing, le must, les news, le parking, le pickpocket, le pipeline, le planning, le playboy, le prime time, le pub, le puzzle, se relaxer, le self-service, le software, le snack, le slogan, le steak, le stress, le sweatshirt, le toaster and le week-end.
”
”
Alexis Munier (Talk Dirty French: Beyond Merde: The curses, slang, and street lingo you need to Know when you speak francais)
“
I’d like to share with you a parable: the parable of Bob the Angel.
A girl was walking down a darkly lit city street late at night. A man jumped out from the shadows and attacked her, suddenly she was suffocating and disoriented as hands clasped around her neck and the force of his attack started to push her down. She tried to yell as she struggled to pull his arms from her neck while she crumpled backwards to the ground, “God . . . help me!”
The next thing she remembers—just as the fear consumed her, and right as she disappeared into the misery and despair of helplessness—was a loud crash and an explosion of glass which rained down upon her and her attacker. The assailant’s lifeless body was suspended above her, held from collapsing on her by an unknown force, and then pulled away from hovering over her and dropped onto the pavement beside her.
She opened her eyes in the faint shadowy light, to see black matted hair and a long, black beard framing the eyes of a man. The smell of alcohol on his breath would have knocked her out if the adrenaline was not still trilling through her veins.
There he stood, God’s angel, off-kilter and drunk, with a broken whiskey bottle in his hand.
“You probably shouldn’t be walking through here this late at night,” was all he said as he turned away.
“Wait! What’s your name?” she asked, still stunned half sitting up on the ground.
All she heard as he walked away was his trailing voice calling, “Bob’s as good as any. . . .”
An angel is a messenger, and sometimes we only want letters sent in white envelopes with beautiful gold print, when sometimes a simple “no” on the back of a gum wrapper is what we are offered.
Every postcard from heaven does not come with a picture of the sunset there, nor should it. If it is an answer we want, an answer we will get. As far as pretty postcards, there are many others willing to send us that.
If not harps and gold-tipped wings, what then is the mark of an angel? An answer which pierces your soul, and which inspires a question that invites you to look outside of yourself and up to God.
God is very objective; He wants to make us think, to engage the faculties we have been given, and to learn from the messengers he sends us. He wants us in the ark before the flood; he could come himself—or send a Noah—but most of the time he sends Bob.
Bob is in you, Bob is in me, Bob is in the emotionalized, sarcastic, mocking, patronizing, proud or foolish person which points out meaningful things to us in the worst possible moments, or in the worst possible way.
”
”
Michael Brent Jones (Dinner Party: Part 2)
“
...Lindsay Lohan is a textbook persecuted gothic heroine. In the space of about two months just after Christmas 2006, Lindsay Lohan entered rehab; Anna Nicole Smith was found dead in her suite at the Seminole Hard Rock Hotel and Casino, surrounded by prescription-pill bottles, nicotine gum, and empty cans of SlimFast; and Britney Spears, trailed by paparazzi, walked into a Sherman Oaks tattoo parlor and shaved her head. Each time women like these made headlines, the headlines shot to the top of the most-read lists. The hunger for Britney's pantyless crotch shots dominated even as troops surges, systematic layoffs, and a rise in global warming and global terrorism took place, and as global credit and asset bubbles headed for a pop. It was as though the tabloids were not just distracting us from the scary stuff but enacting our fears and honing our outrage to bite-size pieces. (What were suspect sites and credit-default swaps, anyway?) More virgins were sacrificed to the god of war. Because that's who got it the worst by far: the former child stars and erstwhile Mouseketeers who had the temerity to grow up.
”
”
Carina Chocano (You Play the Girl: On Playboy Bunnies, Stepford Wives, Train Wrecks, & Other Mixed Messages)
“
Lou scratches at his jaw and chews his gum faster. “Chloe was a good girl. I don’t know much about her background, but I knew her home life must’ve been shit for her to come work at a place like this, but that’s not unusual.” He gives a raspy laugh. “I mean, you don’t end up shaking your tits in this dump if you have a supportive, loving family.” We don’t say anything because he’s not wrong. This is an end-of-the-line kind of job, a desperate choice for women who have already tried every other option.
”
”
Sonja Grey (Born into Blood (Devils Will Rise: Melnikov Legacy #2))
“
There was a mailman I loved as a little girl. He would stop at the communal mailbox On the street In the center of the apartment complex And begin sorting mail away Into 150 different little boxes We lived in 1202 I would rush from my house To greet the mailman And he would talk to me as he worked Filing away bills and cards and coupons He would ask me questions Quiz me And give me a piece of Bazooka gum For every question I got right I would spin around and crush my sneakers rocking up and down on my toes I would curl one piece of hair Around my finger while I thought of the answers I would slide my tongue between my teeth and the windows where they were missing And between every mailbox The mailman would look at me and smile He’d pat me on the cheek And tell me That I was as smart as he was. As smart as any man. And I believed him. Because why wouldn’t I? I was 8. I knew that George Bush would win the election. I knew the Pythagorean theorem. I read 300 books from the public library And I could draw every animal by memory. I liked him ’cause he gave me chewing gum And talked to me in his low voice Calm and soft Not the shrill, high-pitched voice They would use on my baby brother. One day the mailman didn’t show up for work I ran out and stopped in my tracks There was a different man there I asked if my friend was sick The imposter ignored me The new mailman showed up a few days in a row The kids in the neighborhood said The old one had a heart attack in a bowl of spaghetti And died with noodles up his nose I cried One Wednesday I ran out to the new mailman And asked if he had any gum He told me to stay away Because he didn’t want to get in trouble like Charlie I didn’t know my friend’s name was Charlie And I didn’t know how I could have gotten him in trouble So I asked my mom How you could give someone a heart attack And she rubbed her head and stretched her feet across the couch and said, “It feels like you’re gonna give me one right now.” I didn’t want my mom to die too. So I hid in my room And I cried Because I was 8 And a murderer.
”
”
Halsey (I Would Leave Me If I Could: A Collection of Poetry)
“
The Town and Country Market was just a half mile from Bee's home. I used to walk there as a girl, with my sister or my cousins, or sometimes all by myself, picking purple clover flowers along the way until I had a big round bunch, which, when pressed up to your nose, smelled exactly of honey. Before the walk, we'd always beg the adults for twenty-five cents and return with pockets full of pink Bazooka bubble gum. If summer had a flavor, it was pink bubble gum.
”
”
Sarah Jio (The Violets of March)
“
Here eyes bulged and terror flexed her jaw down and thrust it out, pulling her skin taut and turning her cheekbones into sharp points. There was an almost impossible inch of pink gums exposed above her white teeth as her lips drew back. Somewhere during that interminable period Hoodoo Girl had transcended her emotional range. There comes a point where the brain can no longer process the excretions of the adrenal glands and the mind becomes so numbed to terror that it becomes fey. What she felt wasn’t courage, nor was it a lack of fear. She had descended to the sublime state of a rat trapped by much larger animals.
”
”
John C. Foster (Dead Men: Libros de Inferno: Book I)
“
It didn’t take us long to see how it all worked out. Any man who tried to play straight, had to refuse himself everything. He lost his taste for any pleasure, he hated to smoke a nickel’s worth of tobacco or chew a stick of gum, worrying whether somebody had more need for that nickel. He felt ashamed of every mouthful of food he swallowed, wondering whose weary night of overtime had paid for it, knowing that his food was not his by right, miserably wishing to be cheated rather than to cheat, to be a sucker, but not a blood-sucker. He wouldn’t marry, he wouldn’t help his folks back home, he wouldn’t put an extra burden on ‘the family.’ Besides, if he still had some sort of sense of responsibility, he couldn’t marry or bring children into the world, when he could plan nothing, promise nothing, count on nothing. But the shiftless and the irresponsible had a field day of it. They bred babies, they got girls into trouble, they dragged in every worthless relative they had from all over the country, every unmarried pregnant sister, for an extra ‘disability allowance, ’ they got more sicknesses than any doctor could disprove, they ruined their clothing, their furniture, their homes—what the hell, ‘the family’ was paying for it! They found more ways of getting in ‘need’ than the rest of us could ever imagine—they developed a special skill for it, which was the only ability they showed.
”
”
Ayn Rand (Atlas Shrugged)
“
She shook her head. 'We may be a small town, Detective Jackson, but we can walk and chew gum at the same time.
”
”
Max Allan Collins (Girl Can't Help It (Krista Larson, #2))
“
Historic representations of Black femininity coupled with contemporary memes—about “loud” Black girls who talk back to teachers, “ghetto” Black girls who fight in school hallways, and “ratchet” Black girls who chew dental dams like bubble gum in classrooms—have rendered Black girls subject to a public scrutiny that affects their ability to be properly situated in the racial justice and school-to-confinement narrative. They are rendered invisible or cast as deserving of mistreatment because of who they are misperceived to be.37
”
”
Andrea Ritchie (Invisible No More: Police Violence Against Black Women and Women of Color)
“
Seriously, Em, go back to bed. There’s no reason for you to be up at this hour. Especially since you were out so late last night.”
“Ugh.” My head thudded to the table. Ow. “Don’t remind me. Mistakes were made.” Mistakes of the multiple-tequila-shots variety. I wasn’t a tequila girl, but Mitch could be very persuasive. That boy was something like ninety-eight percent muscle; he could drink. I shouldn’t have even tried to keep up, but I’d been so discombobulated by the roller coaster of emotions that weekend at Faire. Simon was a dick. No, Simon was kissing me. No, he said he’d made a mistake in doing so. No, we were kissing again, and he was damn good at it. No, once other people were around he was back to acting like I was the living embodiment of gum stuck to his shoe. I’d hardly seen him all day Sunday, and while he’d shown up at Jackson’s with everyone else, he looked like he hated being there and was gone after about fifteen minutes.
Which had left me with Stacey, Mitch, and his endless tequila shots.
”
”
Jen DeLuca (Well Met (Well Met, #1))
“
Just call her. People do too much by phones and apps. It’s terrible for the human mind. Apps are ruining society.”
“And yet those same apps have made you a rich man.”
“Why do you think I’m so grumpy all the time? It’s not about turning thirty. I may be having an existential crisis.”
“I’m sorry to hear that,” Drew said.
“I bought this house with blood money,” Alan said.
“I’m not sure that’s what blood money means.” Drew patted his chest. “And I should know. Everything Dad and I purchase is bought with blood money. Teeth bleed. Gums bleed. It’s all blood money.”
“Stop trying to make me laugh. I’m turning thirty, and I’ve done nothing but contribute to the further destruction of society’s fabric. I don’t want to feel better.”
“Get used to it. When Megan comes over, you’re going to have to lighten up. She doesn’t tolerate people feeling sorry for themselves and moping around. It’s one of the many things I love about her.”
Alan raised an eyebrow. “Love?”
“Sure,” Drew said, lifting his chin. “I love many things about her. I may even love her.”
“Good for you,” Alan said. “I’m happy for you, bro.” He put the marble cheese platters into the fridge to chill then sighed. “Now I know what I forgot,” he said to the closed fridge door. “Flowers. What kind of animal throws a dinner party with no fresh flowers?”
Drew rubbed his temples. “I’m sending a psychic message to Megan. I’m asking her to bring over some flowers from the shop.”
“You’re crazy.”
Drew closed his eyes. “I’ve got a good feeling about this. Megan and I got off to a bad start, but we’ve had excellent, clear communication with each other since then.”
“Clear enough for psychic messages?”
“Can’t hurt to try. What’s the worst that could happen?
”
”
Angie Pepper (Romancing the Complicated Girl (Baker Street Romance #2))
“
(TSS) is a Teacher Support Specialists, a d*ick of a person, just to be there so you are not a danger to yourself or others. Look at her there just popping gum, sighing yet she cannot, do not blink do not even think. flapping their mouth saying nothing logically, here what she wants to hear, making you fear every little move you make; you can’t make a mistake or be a kid at this point under the light.
She is tapping her pencil, documenting it all for your life to go to hell. You- epic FAIL now! Like get real this girl would not hurt anyone, if anything she is getting hurt yet they all just look away, now it is my time to say, she is okay. Back- OFF!
”
”
Marcel Ray Duriez (Nevaeh A Void She Cannot Feel)
“
You really are a perfect little preacher’s daughter, aren’t you, Ash? Once upon a time you were a helluva lot more fun. Before you started sucking face with Sawyer, we use to have some good times together.” He was watching me for a reaction. Knowing his eyes were directed at me made it hard to focus on driving. “You were my partner in crime, Ash. Sawyer was the good guy. But the two of us, we were the troublemakers. What happened?”
How do I respond to that? No one knows the girl who used to steal bubble gum from the Quick Stop or abduct the paperboy to tie him up so we could take all his papers and dip them in blue paint before leaving them on the front door steps of houses. No one knew the girl who snuck out of her house at two in the morning to go toilet-paper yards and throw water balloons at cars from behind the bushes. No one would even believe I’d done all those things if I told them…No one but Beau.
“I grew up,” I finally replied.
“You completely changed, Ash.”
“We were kids, Beau. Yes, you and I got into trouble, and Sawyer got us out of trouble, but we were just kids. I’m different now.”
For a moment he didn’t respond. He shifted in his seat, and I knew his gaze was no longer focused on me. We’d never had this conversation before. Even if it was uncomfortable, I knew it was way overdue. Sawyer always stood in the way of Beau and me mending our fences, fences that had crumbled, and I never knew why. One day he was Beau, my best friend. The next day he was just my boyfriend’s cousin.
“I miss that girl, you know. She was exciting. She knew how to have fun. This perfect little preacher’s daughter who took her place sucks.
”
”
Abbi Glines (The Vincent Boys (The Vincent Boys, #1))
“
What struck Al-Kasim most about his adoptive country of Norway was that most of his colleagues and other people he met were quite fearful rather than excited about the prospect of discovering oil. Norwegians knew from the outset that oil could have disastrous consequences both for the economy and society as a whole. And when oil was discovered they became even more fearful. ‘The country feared the social and economic consequences of an oil boom. The Groningen gas field had ruined the Dutch economy. Norway was aware of that; it had quite justified fears. And with the oil discovery Norwegians feared they’d be over-run by Texan oil workers who would be chewing gum, looking for girls and bringing prostitutes into the country,’ he explains.50
”
”
Paul Cleary (Trillion Dollar Baby: How Norway Beat the Oil Giants and Won a Lasting Fortune)
“
Everyone loves bands. We could pretend we’re a rock group and lip synch all the music.”
“That’s not different enough. Everyone expects us to plan something really special,” Ariel complained. “After all, most of us are old-timers. We know the ropes around camp. Even first-timers like Becky could plan that kind of party.”
Even a bunch of first-timers like me, huh? What a slam! I punched my fist into the wad of clothes in my suitcase and Triple Tropical Bubble Gum popped up all over. More than anything, I wanted to show these girls that I was special, too.
“Too bad you can’t have live music,” I said slyly. Carefully, I pulled my posters of Eric and Outta Site out of my bag. I took a wad of Triple Tropical out of my mouth, broke it into pieces, and stuck it on the corners of my posters. Then, I hung the posters next to my bed. Triple Tropical is great for hanging things on walls. According to my mom it never lets go.
“Where would we get live music?” Suzanne asked with a sneer. “I suppose we could have the kitchen staff play on their pots and pans with spoons.”
“And the counselors could blow their whistles!” Ariel giggled.
“We could clap our hands and hum,” Meg suggested.
Denni chuckled. “Great idea, Becky!
”
”
Judy Baer (Camp Pinetree Pals (Treetop Tales))
“
When the hairdresser’s blow-dryer is too hot, I don’t tell her. When the dental hygienist pokes bloody patches into my gums, I don’t relay my discomfort. Be convenient. Don’t let your pain become a problem for other people. I never send back my plate at a restaurant. I don’t know where exactly I learned this, but it’s an expectation plenty of women internalize. No, you go ahead. Yet in the nephrology department of Cincinnati Children’s, I watched Fiona’s tomato-red face, splotched yellow and white where her brow furrowed. “Get someone else!” I told the nurse. The nurse put down the plastic tubing and left the room. She returned with another nurse. The second nurse managed the catheter in one try. Mothering Fiona was turning me into a different kind of woman.
”
”
Heather Lanier (Raising a Rare Girl)
“
...When my nephew was three, [his mother] was worrying about getting him into the right preschool. Kid's fifteen now. He's under pressure to make sure he gets good grades so he can get into a good school. He needs to show good extracurricular activities to get into a good school. He needs to be popular with his classmates. Which means be just like them. Dress right, use the proper slang, listen to proper music, go away on the proper vacations. Live in the right neighborhood, be sure his parents drive the right car, hang with the right group, have the right interests. He has homework. He has soccer practice and guitar lessons. The school decides what he has to learn, and when, and from whom. The school tells him which stairwell he can go up. It tells him how fast to move through the corridors, when he can talk, when he can't, when he can chew gum, when he can have lunch, what he is allowed to wear..."
Rita paused and took a drink.
"Boy", I said. "Ready for corporate life."
She nodded.
"And the rest of the world is telling him he's carefree," she said. "And all the time he's worried that the boys will think he's a sissy, and the school bully will beat him up, and the girls will think he's a geek."
"Hard times," I said.
"The hardest," she said. "And while he's going through puberty and struggling like hell to come to terms with the new person he's becoming, running through it all, like salt in a wound, is the self-satisfied adult smirk that keeps trivializing his angst."
"They do learn to read and write and do numbers," I said.
"They do. And they do that early. And after that, it's mostly bullshit. And nobody ever consults the kid about it."
"You spend time with this kid," I said.
"I do my Auntie Mame thing every few weeks. He takes the train in from his hideous suburb. We go to a museum, or shop, or walk around and look at the city. We have dinner. We talk. He spends the night, and I usually drive him back in the morning."
"What do you tell him?" I said.
"I tell him to hang on," Rita said.
She was leaning a little forward now, each hand resting palm-down on the table, her drink growing warm with neglect.
"I tell him that life in the hideous suburb is not all the life there is. I tell him it will get better in a few years. I tell him that he'll get out of that stultifying little claustrophobic coffin of a life, and the walls will fall away and he'll have room to move and choose, and if he's tough enough, to have a life of his own making."
As she spoke, she was slapping the tabletop softly with her right hand.
"If he doesn't explode first," she said.
"Your jury summations must be riveting," I said.
She laughed and sat back.
"I love that kid," she said. "I think about it a lot."
"He's lucky to have you. Lot of them have no one."
Rita nodded.
"Sometimes I want to take him and run," she said.
The wind shifted outside, and the rain began to rattle against the big picture window next to us. It collected and ran down, distorting reality and blurring the headlights and taillights and traffic lights and colorful umbrellas and bright raincoats into a kind of Parisian shimmer.
"I know," I said.
”
”
Robert B. Parker (School Days (Spenser, #33))
“
Utanga refugee camp was their home for four years. When Ilhan turned twelve, a Lutheran church sponsored her family to go to the United States. Ilhan arrived in Arlington, Virginia, in possession of two English phrases: “Hello” and “Shut up.” Her classmates yanked at her hijab, stuck chewing gum to it, and bombarded her with questions like, “Do you have hair? Do you have a pet monkey? Does it feel good to wear shoes for the first time?” Every day, the girl who had survived armed militias and a refugee camp was reminded that she was different. “This is the first time I realized the stigma that I carried as an immigrant and a refugee, and a Muslim person who was visibly Muslim, with a headscarf,” she told The New Yorker. “And that my blackness was a source of tension.” But as the kids bullied her, Ilhan remembered her grandfather telling her as a child: “Everything is temporary.” His words gave her courage.
”
”
Seema Yasmin (Muslim Women Are Everything: Stereotype-Shattering Stories of Courage, Inspiration, and Adventure)
“
Not so mouthy now, eh, old man?’ Sneered the elder of the two. The girl sat next to him pulled a line of chewing gum out of her mouth, winding it round her finger and then starting to chew it again. She had her other hand on the youth’s thigh, just below his crotch.
‘Yeah, stupid old fucker. Not so mouthy now?’
It was this lack of imagination that he deplored more than anything.
‘Can you boys not think of anything more original?
”
”
Pete Langman (Black Box)
“
Individuality, particularly for a girl, isn’t overly stressed. However, sometimes shit happens…life happens…accidents happen.
”
”
Jacqueline Gum (Confessions of a Corporate Slut)