Guitarist Fingers Quotes

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Reese sucked in a breath and played faster, hurling the anger through his fingers until it spun all his fear, all his rage, into the gentle voice of music.
Willowy Whisper (This Hostile Land)
Brian came in heavy at that moment on his guitar, the rapid, high-pitched squeal ranging back and forth as his fingers flew along the frets. As the intro's tempo grew more rapid, Bekka heard Derek's subtle bass line as it worked its way in. After another few seconds Will came in, slow at first, but racing along to match the others' pace. When their combined efforts seemed unable to get any heavier, David jumped into the mix. As the sound got nice and heavy, Bekka began to rock back-and-forth onstage. In front of her, hundreds of metal-lovers began to jump and gyrate to their music. She matched their movements for a moment, enjoying the connection that was being made, before stepping over to the keyboard that had been set up behind her. Sliding her microphone into an attached cradle, she assumed her position and got ready. Right on cue, all the others stopped playing, throwing the auditorium into an abrupt silence. Before the crowd could react, however, Bekka's fingers began to work the keys, issuing a rhythm that was much softer and slower than what had been built up. The audience's violent thrash-dance calmed at that moment and they began to sway in response. Bekka smiled to herself. This is what she lived for.
Nathan Squiers (Death Metal)
RESURRECTION OF DJANGO He was born in a gypsy caravan and spent his early years on the road in Belgium, playing the banjo for a dancing bear and a goat. He was eighteen when his wagon caught fire and he was left for dead. He lost a leg, a hand. Goodbye road, goodbye music. But as they were about to amputate, he regained the use of his leg. And from his lost hand he managed to save two fingers and become one of the best jazz guitarists in history. There was a secret pact between Django Reinhardt and his guitar. If he would play her, she would lend him the fingers he lacked.
Eduardo Galeano (Mirrors: Stories of Almost Everyone)
I knew that being funny always came in second to musicians. (In the world of music, there’s a hierarchy, too—it’s my contention that bass players tend to get laid first, because they’re stolid and cool and their fingers move in gentle yet powerful ways [except for Paul Mc-Cartney; he never got laid first]; drummers come next because they’re all power and grit; then guitarists because they get those fancy solos; then, weirdly, the lead singer, because even though he’s out there up front, he never quite looks fully sexy when he has to throw his head back and reveal his molars to hit a high note.) Whatever the correct order, I knew I was way behind Eddie Van Halen—not only was he a musician, which means he was able to get laid more easily than someone who is funny, but he was also already married to the object of my desire.
Matthew Perry (Friends, Lovers and the Big Terrible Thing)
GUITARISTS are amazing musicians! It’s like they have magical fingers. They play their guitar with immense passion, confidence, and devotion.
Stephanie Lahart
Come on now, I urged myself, looking at my reflection. Don’t let her ruin this, too. The sight of my red-rimmed eyes made me even more sad and I tried to force a smile, but then my dimples appeared, and they always made me look like her. Or at least back when she used to smile. I hated the way they reminded me of her. I covered them with my index fingers and turned my head sideways, trying to imagine myself without them, wishing I could smooth them out with a touch. If only it were that easy to erase something you didn’t want. I stood pinching the poisonous letter until my breath had calmed and my eyes stopped burning. Then I hurried back to my room and hid it at the bottom of my bag, where I wouldn’t have to think about it any longer. I hadn’t come all this way to keep living this nightmare. In bed, I curled up and tried to focus on the cool breeze that came in through the open window, carrying scents of unfamiliar blossoms and dry grass, and soon I drifted off to the pulsing lullaby of the Midwestern crickets. Ahead lay the road. And the whole world. Two I woke confused, dazzled by a beam of sunlight poking at my eye. Instinctively, I turned around and burrowed my face deeper into the pillow, before I remembered where I was and flew right up. I’m in America! Through the window I could see pastel suburbs and sprawling oak trees, topped by a beckoning blue sky. My head cleared in an instant and I wanted to run outside and explore. But Nathan was still asleep, so instead I padded into the living room and stretched out on the sofa, letting out a gratified exhale. I was free. My eyes drifted over to Nathan’s guitar. I picked it up and ran my fingers over the curved wood. Back home I had a cheap, second-hand acoustic which had served me well in learning the basics. I knew I wasn’t much of a guitarist, but I
Kaisa Winter (The Colours We See)
Inspiration is better than magic, for as any artist will tell you, true inspiration comes not to the lucky or the charmed but to the faithful—to the writer who shows up at her keyboard each morning, even when she’s far too tired, to the guitarist whose fingers bleed after hours of practice, to the dancer who must first learn the traditional steps before she can freestyle with integrity. Inspiration is not about some disembodied ethereal voice dictating words or notes to a catatonic host. It’s a collaborative process, a holy give-and-take, a partnership between Creator and creator.
Rachel Held Evans (Inspired: Slaying Giants, Walking on Water, and Loving the Bible Again)
He slipped off my shoes and began massaging the soles of my feet with his skilled hands. If it’s one thing a guitarist knows, it’s how to use his fingers.
Dannika Dark (Five Weeks (Seven, #3; Mageriverse #9))
Radiohead! Thom (we called him “Thom-with-an-H”) was cute, but it was the guitarist Jonny Greenwood we were really hot for. He was skinny and pale, with brown hair hanging in his eyes, long fingers, and terrible posture. We sat onstage and screamed every time he looked at us, which wasn’t too often (I think he was afraid).
Cat Marnell (How to Murder Your Life)
How are your fingers?” “Guitarists finger faster.
S.L. Scott (Never Have I Ever)
Brian was a genius with those fingers of his. And not just as a guitarist.
Olivia Cunning (The Sinners on Tour Boxed Set (Sinners on Tour #1-5))
apply paint with the fingers.   fin·ger paint·ing n. fin·ger·pick  v. [trans.] play (a guitar or similar instrument) using the fingernails or small plectrums worn on the fingertips to pluck the strings: black southern guitarists were fingerpicking guitars long before white musicians | [intrans.] he fingerpicked with facility.  n. a plectrum worn on a fingertip.   fin·ger·pick·er n. fin·ger-point·ing  n.
Oxford University Press (The New Oxford American Dictionary)
well formed. ‘Angi’, Graham’s most famous composition, first appeared on 3/4 AD, a 1961 Topic EP split with blues guitarist Alexis Korner. Based around a deceptively easy four-chord sequence, the plucking right hand appears to do the work of a jazz trio, the thumb maintaining a steady bass pulse while the rest of the fingers tweak out the tune’s ruminative syncopations. Combined
Rob Young (Electric Eden: Unearthing Britain's Visionary Music)
Like Miles Davis, Graham often used to turn his back on his audiences. This was primarily between songs, while he was retuning his guitars. For Graham, in the early 1960s, was privy to a secret alternative tuning system known as DADGAD, which he was reluctant to share with any rival guitarists in the crowd. He began using it around 1962–3, on a trip to the bohemian Beat capital Tangier, where he spent six months and earned his keep by working in a snack booth selling hash cakes to locals. The raw Gnaoua trance music preserved in Morocco’s town squares and remote Rif mountain villages stretched back thousands of years, and Graham was hypnotised by the oud, a large Arabic lute which resembles a bisected pear (the word ‘lute’ itself derives from the Arabic ‘al-ud’) and has been identified in Mesopotamian wall paintings 5,000 years old. The paradigm of Eastern music, defining its difference from the West, is the maqam, which uses a microtonal system that blasts open the Western eight-note octave into fifty-three separate intervals. DADGAD is not one of the tunings commonly used on the eleven-string oud, but Graham found that tuning a Western guitar that way made it easier to slip into jam sessions with Moroccan players. The configuration allows scales and chords to be created without too much complicated fingering; its doubled Ds and As and open strings often lead to more of a harp-like, droning sonority than the conventional EADGBE.
Rob Young (Electric Eden: Unearthing Britain's Visionary Music)
I have a goal: learn to play guitar in five months and be ready for the New Slits gig. I feel like a contestant on the reality-TV show Faking It. Take a bored Hastings housewife and turn her into a punk-rock guitarist in five months. [...] I ignore the pain of the wire cutting into the pads of my fingers. I don’t watch TV, read newspapers, meet anyone for coffee or lunch or do anything that will take a second away from my playing. I just do the minimum I have to do domestically and that’s it. Everything else stops. I take the guitar with me wherever I go, it’s always in the back of the car; if my daughter’s at a tennis lesson, I sit in the car, push the front seat back and practice whilst I wait for her.
Viv Albertine (Clothes, Clothes, Clothes. Music, Music, Music. Boys, Boys, Boys)
And the person I really wanted to you meet,' he whispered as he pointed to the guitarist, 'is Finn'. Finn was older. He had a beard, for one thing. Strawberry-colored and shaggy. He wore a wool cap over his strawberry hair. His guitar was covered in stickers and his fingers were filled with silver rings.
Dana Reinhardt (The Summer I Learned to Fly)