Guillotine Quotes

In the sunset of dissolution, everything is illuminated by the aura of nostalgia, even the guillotine.

Madame Guillotine gets mad at me. Not because I told them to shove it, but because I didn’t say it in French. What is wrong with this school?

There is only one cure for grey hair. It was invented by a Frenchman. It is called the guillotine.

Liberty, equality, fraternity, or death; - the last, much the easiest to bestow, O Guillotine!

All the ideas in the universe can be described by words. Therefore, if you simply take all the words and rearrange them randomly enough times, you’re bound to hit upon at least a few great ideas eventually. Sausage donkey swallows flying guillotine, my love assembly line.

Sink me! Your taylors have betrayed you! T'wood serve you better to send THEM to Madam Guillotine

The more I see of the moneyed classes, the more I understand the guillotine.

Faith, like a guillotine. As heavy, as light.

Some people, some events, make you lose your head. They're like guillotines, cutting your life in two, the dead and the alive, the before and after.

I put my head out of my window and see how much the wind’s knife wants to slice it off. On this unseen guillotine, I’ve placed the eyeless head of all my desires.

Marie Antoinette. Her last words were,"Pardon me sir. I did not mean to do it,"to a man whose foot she stepped on before she was executed by the guillotine

Why is it I feel a new nostalgia for the era of the guillotine?

If our school ever performed a play about the French Revolution, she could play the guillotine.

If my thought-dreams could be seen/ They'd probably put my head in a guillotine.

For how can we condemn something that is ephemeral, in transit? In the sunset of dissolution, everything is illuminated by the aura of nostalgia, even the guillotine.

A belief is like a guillotine, just as heavy, just as light.

Forget the noose. Forget the Iron Maiden. Forget the electric chair or the guillotine. The mind was mankind's most painful torture chamber, the blessed liberty to cogitate offering either doom or salvation, depending on one's disposition.

Melt all the guns, I thought, break the knives, burn the guillotines-and the malicious will still write letters that kill.

The guillotine is the ultimate expression of Law, and its name is vengeance; it is not neutral, nor does it allow us to remain neutral.

I start to picture a world where Jesus had been killed using a different murder device. I picture little ceramic guillotine figurines. I imagine miniature nooses hung above children's beds. Electric chair necklaces and earrings.

The knife is the most durable, immortal, the most genius thing that man created. The knife was the guillotine; the knife is the universal means of solving all knots; and along the blade of a knife lies the path of paradox - the single most worthy path of the fearless mind.

Above all, one hideous figure grew as familiar as if it had been before the general gaze from the foundations of the world - the figure of the sharp female called La Guillotine. It was the popular theme for jests; it was the best cure for headache, it infallibly prevented hair from turning gray, it imparted a peculiar delicacy to the complexion, it was the National Razor which shaved close: who kissed La Guillotine looked through the little window and sneezed into the sack.

Sometimes resignation brings relief. When you lose hope, you no longer bother struggling. You just stay benumbed like a vegetable and let your head chopped off by a guillotine so that it ends, once and for all.

Idealists and reformers all become executioners in their turn. The road to utopia ends with the steps of the scaffold, the endless moment of the guillotine.

Grease the guillotine with the fat of tyrants. Pull the concubine out of the clergyman`s bed. Monarch`s blood must flow, as thick as our boots. From there the free republic will rise.

In Astrology, the moon, among its other meanings, has that of "the common people," who submit (they know not why) to any independent will that can express itself with sufficient energy. The people who guillotined the mild Louis XVI died gladly for Napoleon. The impossibility of an actual democracy is due to this fact of mob-psychology. As soon as you group men, they lose their personalities. A parliament of the wisest and strongest men in the nation is liable to behave like a set of schoolboys, tearing up their desks and throwing their inkpots at each other. The only possibility of co-operation lies in discipline and autocracy, which men have sometimes established in the name of equal rights.

Here’s a straightforward initial idea: rules should not be multiplied beyond necessity. Alternatively stated, bad laws drive out respect for good laws. This is the ethical—even legal—equivalent of Occam’s razor, the scientist’s conceptual guillotine, which states that the simplest possible hypothesis is preferable.

But do you understand, I cry to him, do you understand that if you have the guillotine in the forefront, and with such glee, it's for the sole reason that cutting heads off is the easiest thing, and having an idea is difficult!

I can’t believe you were going to call me a liar and take my place under the guillotine. Next time I try to save you, woman, you better stay saved. (Fury)

I twist like a flower at the sound of your voice But you leave the receiver static most days You have me growing into a dial tone All it would take is your voice saying my name And I would behead myself to be carried around on your lapel

It had been June, the bright hot summer of 1937, and with the curtains thrown back the bedroom had been full of sunlight, sunlight and her and Will's children, their grandchildren, their nieces and nephews- Cecy's blue eyed boys, tall and handsome, and Gideon and Sophie's two girls- and those who were as close as family: Charlotte, white- haired and upright, and the Fairchild sons and daughters with their curling red hair like Henry's had once been. The children had spoken fondly of the way he had always loved their mother, fiercely and devotedly, the way he had never had eyes for anyone else, and how their parents had set the model for the sort of love they hoped to find in their own lives. They spoke of his regard for books, and how he had taught them all to love them too, to respect the printed page and cherish the stories that those pages held. They spoke of the way he still cursed in Welsh when he dropped something, though he rarely used the language otherwise, and of the fact that though his prose was excellent- he had written several histories of the Shadowhunters when he's retired that had been very well respected- his poetry had always been awful, though that never stopped him from reciting it. Their oldest child, James, had spoken laughingly about Will's unrelenting fear of ducks and his continual battle to keep them out of the pond at the family home in Yorkshire. Their grandchildren had reminded him of the song about demon pox he had taught them- when they were much too young, Tessa had always thought- and that they had all memorized. They sang it all together and out of tune, scandalizing Sophie. With tears running down her face, Cecily had reminded him of the moment at her wedding to Gabriel when he had delivered a beautiful speech praising the groom, at the end of which he had announced, "Dear God, I thought she was marrying Gideon. I take it all back," thus vexing not only Cecily and Gabriel but Sophie as well- and Will, though too tired to laugh, had smiled at his sister and squeezed her hand. They had all laughed about his habit of taking Tessa on romantic "holidays" to places from Gothic novels, including the hideous moor where someone had died, a drafty castle with a ghost in it, and of course the square in Paris in which he had decided Sydney Carton had been guillotined, where Will had horrified passerby by shouting "I can see the blood on the cobblestones!" in French.

The guillotine is the masterpiece of the plastic arts Its click Creates perpetual motion ("The Head")

Gwen had no doubt that whoever he was, his ancestors had absolutely once stared down the business end of guillotine. You don't get cheekbones like that without oppressing some peasants.

I tell the annoying classmates to shove it, and Madame Guillotine gets mad at me. Not because I told them to shove it,but because I didn't say it in French. What is wrong with this school?

We may remain more or less open-minded on the subject of the death penalty, indisposed to commit ourselves, so long as we have not seen a guillotine with our own eyes.

While a friend expects more and more favors, and seethes with jealousy, these former enemies expected nothing and got everything. A man suddenly spared the guillotine is a grateful man indeed, and will go to the ends of the earth for the man who has pardoned him.

The happily ever after thing. It's great when she marries the prince or whatever and they say that. But they just don't show the part where there's a revolution and they drag her to the guillotine.

I almost wish I had cancer. Then I’d either beat it or die from it. But my disease, even if successfully treated, will never go away. And it might not kill me. But it will hang over me like the blade of a guillotine; more threatening inert than if the blade suddenly slips and mercifully turns out my lights. This is my war to end all wars.

It is the fate of great achievements, born from a way of life that sets truth before security, to be gobbled up by you and excreted in the form of shit. For centuries great, brave, lonely men have been telling you what to do. Time and again you have corrupted, diminished and demolished their teachings; time and again you have been captivated by their weakest points, taken not the great truth, but some trifling error as your guiding principal. This, little man, is what you have done with Christianity, with the doctrine of sovereign people, with socialism, with everything you touch. Why, you ask, do you do this? I don't believe you really want an answer. When you hear the truth you'll cry bloody murder, or commit it. … You had your choice between soaring to superhuman heights with Nietzsche and sinking into subhuman depths with Hitler. You shouted Heil! Heil! and chose the subhuman. You had the choice between Lenin's truly democratic constitution and Stalin's dictatorship. You chose Stalin's dictatorship. You had your choice between Freud's elucidation of the sexual core of your psychic disorders and his theory of cultural adaptation. You dropped the theory of sexuality and chose his theory of cultural adaptation, which left you hanging in mid-air. You had your choice between Jesus and his majestic simplicity and Paul with his celibacy for priests and life-long compulsory marriage for yourself. You chose the celibacy and compulsory marriage and forgot the simplicity of Jesus' mother, who bore her child for love and love alone. You had your choice between Marx's insight into the productivity of your living labor power, which alone creates the value of commodities and the idea of the state. You forgot the living energy of your labor and chose the idea of the state. In the French Revolution, you had your choice between the cruel Robespierre and the great Danton. You chose cruelty and sent greatness and goodness to the guillotine. In Germany you had your choice between Goring and Himmler on the one hand and Liebknecht, Landau, and Muhsam on the other. You made Himmler your police chief and murdered your great friends. You had your choice between Julius Streicher and Walter Rathenau. You murdered Rathenau. You had your choice between Lodge and Wilson. You murdered Wilson. You had your choice between the cruel Inquisition and Galileo's truth. You tortured and humiliated the great Galileo, from whose inventions you are still benefiting, and now, in the twentieth century, you have brought the methods of the Inquisition to a new flowering. … Every one of your acts of smallness and meanness throws light on the boundless wretchedness of the human animal. 'Why so tragic?' you ask. 'Do you feel responsible for all evil?' With remarks like that you condemn yourself. If, little man among millions, you were to shoulder the barest fraction of your responsibility, the world would be a very different place. Your great friends wouldn't perish, struck down by your smallness.

Some things cannot be erased through silence. Some people have that power over you, whether you like it or not. I begin to see that now. Some people, some events, make you lose your head. They're like guillotines, cutting your life in two, the dead and the alive, the before and the after.

End of story. ‘Happily ever after’ fell on everyone like a guillotine’s blade.

I had one of those headaches. It kept pounding and got into that crazy realm where the guillotine seems like a good idea.

To sin by silence, when we should protest, Makes cowards out of men. The human race Has climbed on protest. Had no voice been raised Against injustice, ignorance, and lust, The inquisition yet would serve the law, And guillotines decide our least disputes. The few who dare, must speak and speak again To right the wrongs of many. Speech, thank God, No vested power in this great day and land Can gag or throttle. Press and voice may cry Loud disapproval of existing ills; May criticise oppression and condemn The lawlessness of wealth-protecting laws That let the children and childbearers toil To purchase ease for idle millionaires. Therefore I do protest against the boast Of independence in this mighty land. Call no chain strong, which holds one rusted link. Call no land free, that holds one fettered slave. Until the manacled slim wrists of babes Are loosed to toss in childish sport and glee, Until the mother bears no burden, save The precious one beneath her heart, until God’s soil is rescued from the clutch of greed And given back to labor, let no man Call this the land of freedom.

The Queen has been guillotined, accused of crimes beyond imagining. Last night she appeared to me in a dream, handing me her head.

Above all, one hideous figure grew as familiar as if it had been before the general gaze from the foundations of the world—the figure of the sharp female called La Guillotine.

The loss inside him kept piling—vertebrae shattered, finger bones lost, gravestone past and guillotine future, ghost woman and her ghost curls,

Human attempts to construct moral order are always precarious: If righteousness too often leads to self-righteousness, the demand for justice can lead to one guillotine or another.

GUILLOTINE, n. A machine which makes a Frenchman shrug his shoulders with good reason.

They guillotined Charlotte Corday and they said Marat is dead. No, Marat is not dead. Put him in the Pantheon or throw him in the sewer; it doesn’t matter-he’s back the next day. He’s reborn in the man who has no job, the woman who has no bread, in the girl who has to sell her body, in the child who hasn’t learned to read; he’s reborn in the unheated tenement, in the wretched mattress without blankets, in the unemployed, in the proletariat, in the brothel, in the jailhouse, in your laws that show no pity, in your schools that give no future, and he appears in all that is ignorance and he recreates himself from all that is darkness. Oh, beware human society: you cannot kill Marat until you have killed the misery of poverty!

I have always been interested in this man. My father had a set of Tom Paine's books on the shelf at home. I must have opened the covers about the time I was 13. And I can still remember the flash of enlightenment which shone from his pages. It was a revelation, indeed, to encounter his views on political and religious matters, so different from the views of many people around us. Of course I did not understand him very well, but his sincerity and ardor made an impression upon me that nothing has ever served to lessen. I have heard it said that Paine borrowed from Montesquieu and Rousseau. Maybe he had read them both and learned something from each. I do not know. But I doubt that Paine ever borrowed a line from any man... Many a person who could not comprehend Rousseau, and would be puzzled by Montesquieu, could understand Paine as an open book. He wrote with a clarity, a sharpness of outline and exactness of speech that even a schoolboy should be able to grasp. There is nothing false, little that is subtle, and an impressive lack of the negative in Paine. He literally cried to his reader for a comprehending hour, and then filled that hour with such sagacious reasoning as we find surpassed nowhere else in American letters - seldom in any school of writing. Paine would have been the last to look upon himself as a man of letters. Liberty was the dear companion of his heart; truth in all things his object. ...we, perhaps, remember him best for his declaration: 'The world is my country; to do good my religion.' Again we see the spontaneous genius at work in 'The Rights of Man', and that genius busy at his favorite task - liberty. Written hurriedly and in the heat of controversy, 'The Rights of Man' yet compares favorably with classical models, and in some places rises to vaulting heights. Its appearance outmatched events attending Burke's effort in his 'Reflections'. Instantly the English public caught hold of this new contribution. It was more than a defense of liberty; it was a world declaration of what Paine had declared before in the Colonies. His reasoning was so cogent, his command of the subject so broad, that his legion of enemies found it hard to answer him. 'Tom Paine is quite right,' said Pitt, the Prime Minister, 'but if I were to encourage his views we should have a bloody revolution.' Here we see the progressive quality of Paine's genius at its best. 'The Rights of Man' amplified and reasserted what already had been said in 'Common Sense', with now a greater force and the power of a maturing mind. Just when Paine was at the height of his renown, an indictment for treason confronted him. About the same time he was elected a member of the Revolutionary Assembly and escaped to France. So little did he know of the French tongue that addresses to his constituents had to be translated by an interpreter. But he sat in the assembly. Shrinking from the guillotine, he encountered Robespierre's enmity, and presently found himself in prison, facing that dread instrument. But his imprisonment was fertile. Already he had written the first part of 'The Age of Reason' and now turned his time to the latter part. Presently his second escape cheated Robespierre of vengeance, and in the course of events 'The Age of Reason' appeared. Instantly it became a source of contention which still endures. Paine returned to the United States a little broken, and went to live at his home in New Rochelle - a public gift. Many of his old companions in the struggle for liberty avoided him, and he was publicly condemned by the unthinking. {The Philosophy of Paine, June 7, 1925}

Watch your back, wolf. There’s a pall over this place and the bears are racking up enemies faster than Wal-Mart rakes in sales. When the time comes, it’s going to get bloody. (Thorn) I wouldn’t have it any other way. (Fang) Don’t be so arrogant. Long before I was the debonair sophisticate standing in front of you, I was a warlord. I put more blood on my blade than Madame la Guillotine. The one thing all that battle taught me is that no one walks away without scars. No one. (Thorn)

Up steps, three, six, nine, twelve! Slap! Their palms hit the library door. * * * They opened the door and stepped in. They stopped. The library deeps lay waiting for them. Out in the world, not much happened. But here in the special night, a land bricked with paper and leather, anything might happen, always did. Listen! and you heard ten thousand people screaming so high only dogs feathered their ears. A million folk ran toting cannons, sharpening guillotines; Chinese, four abreast marched on forever. Invisible, silent, yes, but Jim and Will had the gift of ears and noses as well as the gift of tongues. This was a factory of spices from far countries. Here alien deserts slumbered. Up front was the desk where the nice old lady, Miss Watriss, purple-stamped your books, but down off away were Tibet and Antarctica, the Congo. There went Miss Wills, the other librarian, through Outer Mongolia, calmly toting fragments of Peiping and Yokohama and the Celebes.

Ray Bannister started to build the guillotine the day Jerry Renault returned to Monument.

Babette looked too good for the place tonight, but then goodness is only relative after all ("Steps Going Up" aka "Guillotine" aka "Men Must Die")

I related to the guillotine the most: I, too, was a direct descendant of gravity, born from women who belonged inside their countries the way blades belonged inside a body.

Sophie Scholl faced her own death with supreme fearlessness and a deep faith in her moral, political and religious convictions. She showed that brutal dictatorships can only be averted through the courage and resistance of all citizens. She walked towards the guillotine calmly and with no trace of fear, believing that what she had done was the right thing to do. There have been many brave indiviuals in history. Sophie Scholl walks alongside the very bravest of them all. A white rose that will never die - with a profound message: FREEDOM Please pass Sophie's message on.

It's a pervasive and beguiling myth that the people who design instruments of death end up being killed by them. There is almost no foundation in fact. Colonel Shrapnel wasn't blown up, M. Guillotin died with his head on, Colonel Gatling wasn't shot. If it hadn't been for the murder of cosh and blackjack maker Sir William Blunt-Instrument in an alleyway, the rumour would never have got started.

I’m not like that fellow who thought it a far, far better thing to trade his life for that of another. I’m nothing like him: I’d never volunteer to lay my head in the lap of Madame la Guillotine. No, that fellow was a hero and I’m not a hero at all.

The revolutionary Terror, which is attacked for its revolutionary tribunal, its law of suspects and its guillotine, was a process welded to a regime of popular sovereignty in which the object was to conquer tyranny or die for liberty. This Terror was willed by those who, having won sovereign power by dint of insurrection, refused to let this be destroyed by counter-revolutionary enemies

It is a strange thing how quickly our bodies die. How fragile a force our presence is. In an instant the soul is gone - leaving an empty, insignificant vessel in its stead. I have read of those sent to the gallows and guillotines of Europe. I have read of the great war of ages past and men slaughtered by the tens of thousands. And we give but fleeting consideration to such deaths, for it is our nature to banish such thoughts. But in doing so, we forget that they were each as alive as we, and the one length of rope - or bullet - or blade, took the whole of their lives in that one, fragile instant. Took their earliest days as swaddled infants, and their grayest unfulfilled futures. When one think of how many souls have suffered this fate in all of history - of the untold murders of untold men, women and children.. it is too much to bear.

This isn't an accident; this happens because to people at the top, the scariest thing is how many people there are below. They need to watch us. They need to monitor what we're thinking. It's the only thing between them and a guillotine.

Terror, terror, terror. Life was a reign of terror, in the shadow of the guillotine.

The point is obvious. There is more than one way to burn a book. And the world is full of people running about with lit matches. Every minority, be it Baptist/Unitarian, Irish/Italian/Octogenarian/Zen Buddhist, Zionist/Seventh-day Adventist, Women’s Lib/Republican, Mattachine/Four Square Gospel feels it has the will, the right, the duty to douse the kerosene, light the fuse. Every dimwit editor who sees himself as the source of all dreary blanc-mange plain-porridge unleavened literature licks his guillotine and eyes the neck of any author who dares to speak above a whisper or write above a nursery rhyme.

But here I should imagine the most terrible part of the whole punishment is, not the bodily pain at all—but the certain knowledge that in an hour, then in ten minutes, then in half a minute, then now—this very instant—your soul must quit your body and that you will no longer be a man—and that this is certain, certain!

We may be indifferent to the death penalty and not declare ourselves either way so long as we have not seen a guillotine with our own eyes. But when we do, the shock is violent, and we are compelled to choose sides, for or against... Death belongs to God alone.

You would more probably have gone to the guillotine,' replied Sir Tristram, depressingly matter of fact. 'Yes, that is quite true,' agreed Eustacie. 'We used to talk of it, my cousin Henriette and I. We made up our minds we should be entirely brave, not crying, of course, but perhaps a little pale, in a proud way. Henriette wished to go to the guillotine en grande tenue, but that was only because she had a court dress of yellow satin which she thought became her much better than it did really. For me, I think one should wear white to the guillotine if one is quite young, and not carry anything except perhaps a handkerchief. Do you not agree?' 'I don't think it signifies what you wear if you are on your way to the scaffold,' replied Sir Tristram, quite unappreciative of the picture his cousin was dwelling on with such evident admiration. She looked at him in surprise. 'Don't you? But consider! You would be very sorry for a young girl in a tumbril, dressed all in white, pale, but quite unafraid, and not attending to the canaille at all, but--' 'I should be very sorry for anyone in a tumbril, whatever their age or sex or apparel,' interrupted Sir Tristram. 'You would be more sorry for a young girl--all alone, and perhaps bound,' said Eustacie positively. 'You wouldn't be all alone. There would be a great many other people in the tumbril with you,' said Sir Tristram. Eustacie eyed him with considerable displeasure. 'In my tumbril there would not have been a great many other people,' she said.

l'immense majorité des meurtriers ne savaient pas, en se rasant le matin, qu'ils allaient tuer le soir.

toute société a les criminels qu'elle désire .

La vie de l'homme cesse d'être sacrée lorsque on croit utile de le tuer.

Did you talk to all your past employers this way?” he eventually asks. “I would have if they were as rude as you.” Both of his brows shoot up and I’m prepared for him to start shouting to his secret service and have me dragged off to the guillotines. Instead he gives me a tight smile. “I’ll be paying your salary. That doesn’t mean I have to like you.”: “And I’ll be earning that salary. That doesn’t mean I have to like you either.

In the trenches of the First World War, English men came to love one another decently, without shame or make-believe, under the easy likelihoods of their sudden deaths, and to find in the faces of other young men evidence of otherworldly visits, some poor hope that may have helped redeem even mud, shit, the decaying pieces of human meat... It was the end of the world, it was total revolution (though not quite in the way Walter Rathenau had announced): every day thousands of the aristocracy new and old, still haloed in their ideas of right and wrong, went to the loud guillotine of Flanders, run day in and out, on and on, by no visible hands, certainly not those of the people - an English class was being decimated, the ones who'd volunteered were dying for those who'd known something and hadn't, and despite it all, despite knowing, some of them, of the betrayal, while Europe died meanly in its own wastes, men loved. But the life-cry of that love has long since hissed away into no more than this idle and bitchy faggotry. In this latest War, death was no enemy, but a collaborator. Homosexuality in high places is just a carnal afterthought now, and the real and only fucking is done on paper...

The guillotine is the ultimate expression of Law, and its name is vengeance; it is not neutral, nor does it allow us to remain neutral. All social questions achieve their finality around that blade. The scaffold is an image. It is not merely a framework, a machine, a lifeless mechanism of wood, iron, and rope. It is as though it were a being having its own dark purpose, as though the framework saw, the machine listened, and the mechanism understood; as though that arrangement of wood and iron and rope expressed a will. In the hideous picture which its presence evokes it seems to be most terribly a part of what it does. It is the executioner's accomplice; it consumes, devouring flesh and drinking blood. It is a kind of monster created by the judge and the craftsman; a spectre seeming to live an awful life born of the death it deals.

The egalitarian mania of demagogues is even more dangerous than the brutality of men in gallooned coats. For the anarch, this remains theoretical, because he avoids both sides. Anyone who has been oppressed can get back on his feet if the oppression has not cost him his life. A man who has been equalized is physically and morally ruined. Anyone who is different is not equal; that is one of the reasons why the Jews are so often targeted. Equalization goes downward, like shaving, hedge trimming, or the pecking order of poultry. At times, the world spirit seems to change into monstrous Procrustes – a man has read Rousseau and starts practicing equality by chopping off heads or, as Mimie le Bon called it, 'making the apricots roll.' The guillotinings in Cambrai were an entertainment before dinner. Pygmies shortened the legs of tall Africans in order to cut them down to size; white Negroes flatten the literary languages.

If a man has tortured and killed your father, your mother, your sweetheart, in short, one of those beings who leave an eternal emptiness and a perpetually bleeding wound when they are torn from your heart, do you think society has given you sufficient reparation because the blade of the guillotine has passed between the murderer's trapezius and his occipital bone, because the who made you undergo long years of mental and emotional suffering has undergone a few seconds of physical pain?

Not one of the European rulers would put himself about in the attempt to save Marie Antoinette, so that Mercy scornfully declared: “They would not have tried to save her even if they had with their own eyes seen her mounting the steps to the guillotine.

There was terror in each and every one of the people on that beautiful beach and on that breathtakingly beautiful evening. Terror of being alone, terror of the darkness filling their imaginations with devils, terror of doing anything not in the manuals of good behaviour, terror of God's judgement, of what other people would say, of the law punishing any mistake, terror of trying and failing, terror of succeeding and having to live with the envy of other people, terror of loving and being rejected, terror of asking for a rise in salary, of accepting an invitation, of going somewhere new, of not being able to speak a foreign language, of not making the right impression, of growing old, of dying, of being pointed on because of one's defects, of not being pointed out because of one's merits, of not being noticed either for one's defects or one's merits. Terror, terror, terror. Life was a reign of terror, in the shadow of the guillotine.

Up to that time, the Republic, the Empire, had been to him only monstrous words. The Republic, a guillotine in the twilight; the Empire, a sword in the night. He had just taken a look at it, and where he had expected to find only a chaos of shadows, he had beheld, with a sort of unprecedented surprise, mingled with fear and joy, stars sparkling...

...Is there a more monstrous thought, a more convincing spectacle, a more patent affirmation of the impotence and madness of the brain? War. All our philosophies, religions, arts, techniques and trades lead to nothing but this. The finest flowers of civilization. The purest constructions of thought. The most generous and altruistic passions of the heart. The most heroic gestures of man. War. Now and thousand years ago. Tomorrow and a hundred thousand years ago. No, it's not a ...more "...Is there a more monstrous thought, a more convincing spectacle, a more patent affirmation of the impotence and madness of the brain? War. All our philosophies, religions, arts, techniques and trades lead to nothing but this. The finest flowers of civilization. The purest constructions of thought. The most generous and altruistic passions of the heart. The most heroic gestures of man. War. Now and thousand years ago. Tomorrow and a hundred thousand years ago. No, it's not a question of your country, my German or French friend, or yours, whether you're black or white or Papuan or a Borneo monkey. It's a question of your life. If you want to live, kill. Kill so that you can be free, or eat, or shit. The shameful thing is to kill in masses, at a predetermined hour on a predetermined day, in honour of certain principles, under cover of a flag, with old men nodding approval, to kill in a disinterested or passive way. Stand alone against them all, young man, kill, kill, you are unique, you're the only man alive, kill until the others cut you short with the guillotine or the cord or the rope, with or without ceremony, in the name of the Community or King. What a laugh.

Three people were going to the guillotine. The first was a lawyer, who was led to the platform, blindfolded, and had his head put on the block. The executioner pulled the lanyard, but nothing happened. To avoid a messy lawsuit, the authorities allowed the lawyer to go free. The next man to the guillotine was a priest. They put his head on the block and pulled the lanyard, but nothing happened. The blade didn’t come down. They thought it must have been divine intervention, so they let the priest go. The third man to the guillotine was an engineer. He waived his right to a blindfold, so they led him to the guillotine and put his head on the block. As he lay there, he said, “Hey, wait. I think I see your problem.

Neutrinos, they are very small. They have no charge and have no mass And do not interact at all. The earth is just a silly ball To them, through which they simply pass, Like dustmaids down a drafty hall Or photons through a sheet of glass. They snub the most exquisite gas, Ignore the most substantial wall, Cold shoulder steel and sounding brass, Insult the stallion in his stall, And, scorning barriers of class, Infiltrate you and me. Like tall And painless guillotines they fall Down through our heads into the grass. At night, they enter at Nepal And pierce the lover and his lass From underneath the bed—you call It wonderful; I call it crass.

Baudelaire had supper at the table next to ours. He was without a cravat, his shirt open at the neck and his head shaved, just as if he were to be guillotined. A single affectation: his little hands washed and cared for, the nails kept scrupulously clean. The face of a maniac, a voice that cuts like a knife, and a precise elocution that tries to copy Saint-Just and succeeds.

For by giving it some hard thought, by considering the whole thing calmly, I could see that the trouble with the guillotine was that you had no chance at all, absolutely none. The fact was that it had been decided once and for all that the patient was to die. It was an open-and-shut case, a fixed arrangement, a tacit agreement that there was no question of going back on. If by some extraordinary chance the blade failed, they would just start over. So the thing that bothered me most was that the condemned man had to hope the machine would work the first time. And I say that's wrong. And in a way I was right. But in another way I was forced to admit that that was the whole secret of good organization. In other words, the condemned man was forced into a kind of moral collaboration. It was in his interest that everything go off without a hitch.

To hell with you. You just don't want to admit it. Those people, they're animals. They want to see someone's brains on the road, that's why they turn out. They'd just as soon see yours." "That isn't the point," McVries said calmly. "Didn't you say you went to see the Long Walk when you were younger?" "Yes, when I didn't know any better!" "Well, that makes it okay, doesn't it?" McVries uttered a short, ugly-sounding laugh. "Sure they're animals. You think you just found out a new principle? Sometimes I wonder just how naive you really are. The French lords and ladies used to screw after the guillotinings. The old Romans used to stuff each other during the gladiatorial matches. That's entertainment, Garraty. It's nothing new." He laughed againd. Garraty stared at him, fascinated. [...] "Death is great for the appetites," McVries said. [...] "But even that's not the real point of this little expedition, Garraty. The point is, they're the smart ones. They're not getting thrown to the lions. They're not staggering along and hoping they won't have to take a shit with two warnings against them. You're dumb, Garraty. You and me and Pearson and Barkovitch and Stebbins, we're all dumb. Scramm's dumb because he thinks he understands and he doesn't. Olson's dumb because he understood too much too late. They're animals, all right. But why are you so goddam sure that makes us human beings?" He paused, badly out of breath. [...] "Then why are you doing it? Garraty asked him. "If you know that much, and if you're that sure, why are you doing it?" "The same reason we're all doing it," Stebbins said. He smiled gently, almost lovingly. His lips were a little sun-parched; otherwise, his face was still unlined and seemingly invincible. "We want to die, that's why we're doing it. Why else, Garraty? Why else?

It is as absurd to say that a man is a drunkard because he describes an orgy or a debauchee because he recounts a debauch, as to pretend that a man is virtuous because he has written a moral book; every day we see the contrary. It is the character who speaks and not the author; the fact that his hero is an atheist does not make him an atheist; his brigands act and speak like brigands, but he is not therefore a brigand himself. At that rate it would be necessary to guillotine Shakespeare, Corneille, and all the tragic writers; they have committed more murders than Mandrin and Cartouche.

But, above all, Chauvelin had a purpose at heart. He firmly believed that the French aristocrat was the most bitter enemy of France; he would have wished to see every one of them annihilated: he was one of those who, during this awful Reign of Terror, had been the first to utter the historic and ferocious desire “that aristocrats might have but one head between them, so that it might be cut off with a single stroke of the guillotine.” And thus, he looked upon every French aristocrat, who had succeeded in escaping from France, as so much prey of which the guillotine had been unwarrantably cheated.

That's how I am! eyes peeled, scientific! first things first! the big ones! the small ones!...if they're going to behead you...for example!...you don't take your eyes of the guillotine!...look, the blade's dull! -Executioner! you shout, hey, you lazy fucker! don't you have anyone sharpening that thing? And the executioner scurries off, shit-assed and sheepish!

Though completely irrelevant to the story, seventeen minutes and thirty-two seconds later, every instance of the word “the” that appeared in this chapter transmogrified into a tiny, blue, pineapple-headed bat that flew away to France to start a brand new life even though they all hated France (except for French fries, guillotines, and that place in France where the naked ladies dance). Regarding the latter, apparently there’s a hole in the wall where tiny, blue, pineapple-headed bats can see it all.

Whenever I hear a survivor say they wish they'd had the courage to come forward, I instinctively shake my head. It was never about your courage. Fear of retaliation is real. Security is not free. It bothered me that coming forward should feel like heading toward a guillotine. I don't think most survivors want to live in hiding. We do because silence means safety. Openness means retaliation. Which means it's not the telling of the stories that we fear, it's what people will do when we tell our stories.

She had stepped into the thin strip of earth that they claimed as their own. Bound by the last building on Brewster and a brick wall, they reigned in that unlit alley like dwarfed warrior kings. Born with the appendages of power, circumcised by the guillotine, and baptized with the steam from a million non reflective mirrors, these young men wouldn't be called upon to thrust a bayonet into an Asian farmer, target a torpedo, scatter their iron seed from a B-52 into the wound of the earth, point a finger to move a nation, or stick a pole into the moon--and they knew it. They only had that three-hundred-foot alley to serve them as stateroom, armored tank, and executioner's chamber.

The dead are on their way to work, grey limbs rubbing together in an open grave, stack on stack in the metal containers of car, tube and train. The grisly carriages are painted bright colors, guillotine colors of tumbril and blade, execution-bright. Each man and woman goes to their particular scaffold, kneels, and is killed day after day. Each collects their severed head and catches the train home. Some say that they enjoy their work.

Bro, we're living in the Kali Yuga, a Dark Age of petite bourgeoisie ideology, a petite bourgeoisie ideology whose resources and ruses are infinite and which ubiquitously permeates the world -- high culture, low culture, bienpensant media, prestige literature, pop music, commerce, sports, academia, you name it. The only reasonable response to this situation is to maintain an implacable antipathy toward everything. Denounce everyone. Make war against yourself. Guillotine all groveling intellectuals. That said, I think it's important to maintain a cheery disposition. This will hasten the restoration of Paradise. I've memorized this line from Andre Breton's magnificent homage to Antonin Artaud -- "I salute Antonin Artaud for his passionate, heroic negation of everything that causes us to be dead while alive." Given the state of things, that's what we need to be doing, all the time -- negating everything that causes us to be dead while alive.

His wedding gift, clasped round my throat. A choker of rubies, two inches wide, like an extraordinarily precious slit throat. After the terror, in the early days of the Directory, the aristos who’d escaped the guillotine had an ironic fad of tying a red ribbon round their necks at just the point where the blade would have sliced it through, a red ribbon like the memory of a wound. And his grandmother, taken with the notion, had her ribbon made up in rubies; such a gesture of luxurious defiance! That night at the opera comes back to me even now… the white dress; the frail child within it; and the flashing crimson jewels round her throat, bright as arterial blood. I saw him watching me in the gilded mirrors with the assessing eye of a connoisseur inspecting horseflesh, or even of a housewife in the market, inspecting cuts on the slab. I’d never seen, or else had never acknowledged, that regard of his before, the sheer carnal avarice of it; and it was strangely magnified by the monocle lodged in his left eye. When I saw him look at me with lust, I dropped my eyes but, in glancing away from him, I caught sight of myself in the mirror. And I saw myself, suddenly, as he saw me, my pale face, the way the muscles in my neck stuck out like thin wire. I saw how much that cruel necklace became me. And, for the first time in my innocent and confined life, I sensed in myself a potentiality for corruption that took my breath away.

What will become of us in twenty years’ time?” we asked ourselves one evening. Thirty years have passed now. Raymond was guillotined: “Anarchist gangster” (so the newspapers). I came across Jean again in Brussels, a worker and a trade-union organizer, still a fighter for liberty after ten years in jail. Luce has died of tuberculosis, naturally. For my part, I have undergone a little over ten years of various forms of captivity, agitated in seven countries, and written twenty books. I own nothing. On several occasions a Press with a vast circulation has hurled filth at me because I spoke the truth. Behind us lies a victorious revolution gone astray, several abortive attempts at revolution, and massacres in so great a number as to inspire a certain dizziness. And to think that it is not over yet.

Yes, yes, it ended in my corrupting them all! How it could come to pass I do not know, but I remember it clearly. The dream embraced thousands of years and left in me only a sense of the whole. I only know that I was the cause of their sin and downfall. Like a vile trichina, like a germ of the plague infecting whole kingdoms, so I contaminated all this earth, so happy and sinless before my coming. They learnt to lie, grew fond of lying, and discovered the charm of falsehood. Oh, at first perhaps it began innocently, with a jest, coquetry, with amorous play, perhaps indeed with a germ, but that germ of falsity made its way into their hearts and pleased them. Then sensuality was soon begotten, sensuality begot jealousy, jealousy—cruelty . . . Oh, I don't know, I don't remember; but soon, very soon the first blood was shed. They marvelled and were horrified, and began to be split up and divided. They formed into unions, but it was against one another. Reproaches, upbraidings followed. They came to know shame, and shame brought them to virtue. The conception of honour sprang up, and every union began waving its flags. They began torturing animals, and the animals withdrew from them into the forests and became hostile to them. They began to struggle for separation, for isolation, for individuality, for mine and thine. They began to talk in different languages. They became acquainted with sorrow and loved sorrow; they thirsted for suffering, and said that truth could only be attained through suffering. Then science appeared. As they became wicked they began talking of brotherhood and humanitarianism, and understood those ideas. As they became criminal, they invented justice and drew up whole legal codes in order to observe it, and to ensure their being kept, set up a guillotine. They hardly remembered what they had lost, in fact refused to believe that they had ever been happy and innocent. They even laughed at the possibility o this happiness in the past, and called it a dream. They could not even imagine it in definite form and shape, but, strange and wonderful to relate, though they lost all faith in their past happiness and called it a legend, they so longed to be happy and innocent once more that they succumbed to this desire like children, made an idol of it, set up temples and worshipped their own idea, their own desire; though at the same time they fully believed that it was unattainable and could not be realised, yet they bowed down to it and adored it with tears! Nevertheless, if it could have happened that they had returned to the innocent and happy condition which they had lost, and if someone had shown it to them again and had asked them whether they wanted to go back to it, they would certainly have refused. They answered me: "We may be deceitful, wicked and unjust, we know it and weep over it, we grieve over it; we torment and punish ourselves more perhaps than that merciful Judge Who will judge us and whose Name we know not. But we have science, and by the means of it we shall find the truth and we shall arrive at it consciously. Knowledge is higher than feeling, the consciousness of life is higher than life. Science will give us wisdom, wisdom will reveal the laws, and the knowledge of the laws of happiness is higher than happiness.

Religion, with its metaphysical error of absolute guilt, dominated the broadest, the cosmic realm. From there, it infiltrated the subordinate realms of biological, social and moral existence with its errors of the absolute and inherited guilt. Humanity, split up into millions of factions, groups, nations and states, lacerated itself with mutual accusations. "The Greeks are to blame," the Romans said, and "The Romans are to blame," the Greeks said. So they warred against one another. "The ancient Jewish priests are to blame," the early Christians shouted. "The Christians have preached the wrong Messiah," the Jews shouted and crucified the harmless Jesus. "The Muslims and Turks and Huns are guilty," the crusaders screamed. "The witches and heretics are to blame," the later Christians howled for centuries, murdering, hanging, torturing and burning heretics. It remains to investigate the sources from which the Jesus legend derives its grandeur, emotional power and perseverance. Let us continue to stay outside this St. Vitus dance. The longer we look around, the crazier it seems. Hundreds of minor patriarchs, self-proclaimed kings and princes, accused one another of this or that sin and made war, scorched the land, brought famine and epidemics to the populations. Later, this became known as "history." And the historians did not doubt the rationality of this history. Gradually the common people appeared on the scene. "The Queen is to blame," the people's representatives shouted, and beheaded the Queen. Howling, the populace danced around the guillotine. From the ranks of the people arose Napoleon. "The Austrians, the Prussians, the Russians are to blame," it was now said. "Napoleon is to blame," came the reply. "The machines are to blame!" the weavers screamed, and "The lumpenproletariat is to blame," sounded back. "The Monarchy is to blame, long live the Constitution!" the burgers shouted. "The middle classes and the Constitution are to blame; wipe them out; long live the Dictatorship of the Proletariat," the proletarian dictators shout, and "The Russians are to blame," is hurled back. "Germany is to blame," the Japanese and the Italians shouted in 1915. "England is to blame," the fathers of the proletarians shouted in 1939. And "Germany is to blame," the self-same fathers shouted in 1942. "Italy, Germany and Japan are to blame," it was said in 1940. It is only by keeping strictly outside this inferno that one can be amazed that the human animal continues to shriek "Guilty!" without doubting its own sanity, without even once asking about the origin of this guilt. Such mass psychoses have an origin and a function. Only human beings who are forced to hide something catastrophic are capable of erring so consistently and punishing so relentlessly any attempt at clarifying such errors.

En tant qu'écrivain, j'ai toujours eu horreur de certaines complaisances ; en tant qu'homme, je crois que les aspects repoussants de notre condition, s'ils sont inévitables, doivent être seulement affrontés en silence. Mais lorsque le silence, ou les ruses du langage, contribuent à Maintenir un abus qui doit être réformé ou un malheur qui peut être soulagé, il n'y a pas d'autre solution que de parler clair et de montrer l'obscénité qui se cache sous le manteau des mots.

People even talk of being “on the wrong side of history,” as though they knew not only what the last twenty years had produced, but what the next twenty years were going to produce as well. The idolization of “progress,” of “moving with the times,” is part of the same movement. “Now that we live in the twenty-first century . . .” people begin, as though it were obvious that one’s ethics or theology ought to change with the calendar. All this is a form of creeping pantheism, of looking at certain trends in the wider world and deducing that they are what “God” is doing. (It’s also very selective; it cheerfully screens out all the inventions of modernism, such as guillotines and gas chambers, which do not exactly fit the picture of an upward journey into light.)

Disillusioned words like bullets bark As human gods aim for their marks Made everything from toy guns that sparks To flesh-colored Christs that glow in the dark It's easy to see without looking too far That not much Is really sacred. While preachers preach of evil fates Teachers teach that knowledge waits Can lead to hundred-dollar plates Goodness hides behind its gates But even the President of the United States Sometimes must have To stand naked. An' though the rules of the road have been lodged It's only people's games that you got to dodge And it's alright, Ma, I can make it. Advertising signs that con you Into thinking you're the one That can do what's never been done That can win what's never been won Meantime life outside goes on All around you. Although the masters make the rules For the wise men and the fools I got nothing, Ma, to live up to. For them that must obey authority That they do not respect in any degree Who despite their jobs, their destinies Speak jealously of them that are free Cultivate their flowers to be Nothing more than something They invest in. While some on principles baptized To strict party platforms ties Social clubs in drag disguise Outsiders they can freely criticize Tell nothing except who to idolize And then say God Bless him. While one who sings with his tongue on fire Gargles in the rat race choir Bent out of shape from society's pliers Cares not to come up any higher But rather get you down in the hole That he's in. Old lady judges, watch people in pairs Limited in sex, they dare To push fake morals, insult and stare While money doesn't talk, it swears Obscenity, who really cares Propaganda, all is phony. While them that defend what they cannot see With a killer's pride, security It blows the minds most bitterly For them that think death's honesty Won't fall upon them naturally Life sometimes Must get lonely. And if my thought-dreams could been seen They'd probably put my head in a guillotine But it's alright, Ma, it's life, and life only.

To decide that a man must be definitively punished is to deny him any further opportunity whatsoever to make reparation for his acts... This right to live that coincides with the opportunity for reparation is the natural right of every man, even the worst. The most wretched criminal and the worthiest judge here find themselves side by side, equally miserable and jointly responsible. Without this right, the moral life is strictly impossible. None among us is entitled to despair of a single man, unless it be after his death, which transforms his life into destiny and admits of a final judgment. But to pronounce this final judgment before death, to decree the closing of accounts when the creditor is still alive, is the privilege of no man. On these grounds, at least, he who judges absolutely condemns himself absolutely. ...It is because man is not fundamentally good that no one among us can set himself up as an absolute judge, for no one among us can pretend to absolute innocence. The verdict of capital punishment destroys the only indisputable human community there is, the community in the face of death, and such a judgment can only be legitimated by a truth or a principle that takes its place above all men, beyond the human condition.

There was terror in each and every one of the people on that beautiful beach and on that breathtakingly beautiful evening. Terror of being alone, terror of the darkness filling their imaginations with devils, terror of doing anything not in the manuals of good behavior, terror of God’s judgment, of what other people would say, of the law punishing any mistake, terror of trying and failing, terror of succeeding and having to live with the envy of o ther people, terror of loving and being rejected, terror of asking for a rise in salary, of accepting an invitation, of going somewhere new, of not being able to speak a foreign language, of not making the right impression, of growing old, of dying, of being pointed on because of one’s defects, of not being pointed out because of one’s merits, of not being noticed either for one’s defects or one’s merits. Terror, terror, terror. Life was a reign of terror, in the shadow of the guillotine. (the devil’s words)