Grow Up Sarcastic Quotes

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Tell me something. Do you believe in God?' Snow darted an apprehensive glance in my direction. 'What? Who still believes nowadays?' 'It isn't that simple. I don't mean the traditional God of Earth religion. I'm no expert in the history of religions, and perhaps this is nothing new--do you happen to know if there was ever a belief in an...imperfect God?' 'What do you mean by imperfect?' Snow frowned. 'In a way all the gods of the old religions were imperfect, considered that their attributes were amplified human ones. The God of the Old Testament, for instance, required humble submission and sacrifices, and and was jealous of other gods. The Greek gods had fits of sulks and family quarrels, and they were just as imperfect as mortals...' 'No,' I interrupted. 'I'm not thinking of a god whose imperfection arises out of the candor of his human creators, but one whose imperfection represents his essential characteristic: a god limited in his omniscience and power, fallible, incapable of foreseeing the consequences of his acts, and creating things that lead to horror. He is a...sick god, whose ambitions exceed his powers and who does not realize it at first. A god who has created clocks, but not the time they measure. He has created systems or mechanisms that serves specific ends but have now overstepped and betrayed them. And he has created eternity, which was to have measured his power, and which measures his unending defeat.' Snow hesitated, but his attitude no longer showed any of the wary reserve of recent weeks: 'There was Manicheanism...' 'Nothing at all to do with the principles of Good and Evil,' I broke in immediately. 'This god has no existence outside of matter. He would like to free himself from matter, but he cannot...' Snow pondered for a while: 'I don't know of any religion that answers your description. That kind of religion has never been...necessary. If i understand you, and I'm afraid I do, what you have in mind is an evolving god, who develops in the course of time, grows, and keeps increasing in power while remaining aware of his powerlessness. For your god, the divine condition is a situation without a goal. And understanding that, he despairs. But isn't this despairing god of yours mankind, Kelvin? Is it man you are talking about, and that is a fallacy, not just philosophically but also mystically speaking.' I kept on: 'No, it's nothing to do with man. man may correspond to my provisional definition from some point of view, but that is because the definition has a lot of gaps. Man does not create gods, in spite of appearances. The times, the age, impose them on him. Man can serve is age or rebel against it, but the target of his cooperation or rebellion comes to him from outside. If there was only a since human being in existence, he would apparently be able to attempt the experiment of creating his own goals in complete freedom--apparently, because a man not brought up among other human beings cannot become a man. And the being--the being I have in mind--cannot exist in the plural, you see? ...Perhaps he has already been born somewhere, in some corner of the galaxy, and soon he will have some childish enthusiasm that will set him putting out one star and lighting another. We will notice him after a while...' 'We already have,' Snow said sarcastically. 'Novas and supernovas. According to you they are candles on his altar.' 'If you're going to take what I say literally...' ...Snow asked abruptly: 'What gave you this idea of an imperfect god?' 'I don't know. It seems quite feasible to me. That is the only god I could imagine believing in, a god whose passion is not a redemption, who saves nothing, fulfills no purpose--a god who simply is.
Stanisław Lem (Solaris)
this sentence I'm reading is terrific" i can be quite sarcastic when I'm in the mood. He didn't get it, though. He started walking around the room again, picking up all my personal stuff, and Stradlater's. Finally, I put my book down on the floor. you couldn't read anything with a guy like Ackley around. It was impossible. I slid way the hell down in my chair and watched old Ackley making himself at home. I was feeling sort of tired from the trip to New York and all, and I started yawning. then horsing around a little bit. Sometimes I horse around quite a lot, just to keep from getting bored. what i did was, I pulled the old peak of my hunting hat around to the front, then pulled it way down over my eyes. that way i couldn't see a goddam thing."I think I'm going blind,"I said in this very hoarse voice."Mother darling, everything's getting do dark in here." "You're nuts. I swear to God,"Ackley said. "Mother darling, give me your hand, Why won't you give me your hand?" "For Chrissake, grow up." I started groping around in front of me, like a blind guy, but without getting up or anything. I kept saying,"mother darling, why wont you give me you're hand ?" I was only horsing around, naturally.
J.D. Salinger (The Catcher in the Rye)
Oh, stop talking," I cried, in a hunted tone. "I can't bear it. If you are going to arrest me, get it over." "I'd rather NOT arrest you, if we can find a way out. You look so young, so new to Crime! Even your excuse for being here is so naive, that I—won't you tell me why you wrote a love letter, if you are not in love? And whom you sent it to? That's important, you see, as it bears on the case. I intend," he said, "to be judgdicial[sic], unimpassioned, and quite fair." "I wrote a love letter" I explained, feeling rather cheered, "but it was not intended for any one, Do you see? It was just a love letter." "Oh," he said. "Of course. It is often done. And after that?" "Well, it had to go somewhere. At least I felt that way about it. So I made up a name from some malted milk tablets——" "Malted milk tablets!" he said, looking bewildered. "Just as I was thinking up a name to send it to," I explained, "Hannah—that's mother's maid, you know—brought in some hot milk and some malted milk tablets, and I took the name from them." "Look here," he said, "I'm unpredjudiced and quite calm, but isn't the `mother's maid' rather piling it on?" "Hannah is mother's maid, and she brought in the milk and the tablets, I should think," I said, growing sarcastic, "that so far it is clear to the dullest mind." "Go on," he said, leaning back and closing his eyes. "You named the letter for your mother's maid—I mean for the malted milk. Although you have not yet stated the name you chose; I never heard of any one named Milk, and as to the other, while I have known some rather thoroughly malted people—however, let that go." "Valentine's tablets," I said. "Of Course, you understand," I said, bending forward, "there was no such Person. I made him up. The Harold was made up too—Harold Valentine." "I see. Not clearly, perhaps, but I have a gleam of intellagence[sic]." "But, after all, there was such a person. That's clear, isn't it? And now he considers that we are engaged, and—and he insists on marrying me." "That," he said, "is realy[sic] easy to understand. I don't blame him at all. He is clearly a person of diszernment[sic]." "Of course," I said bitterly, "you would be on HIS side. Every one is." "But the point is this," he went on. "If you made him up out of the whole cloth, as it were, and there was no such Person, how can there be such a Person? I am merely asking to get it all clear in my head. It sounds so reasonable when you say it, but there seems to be something left out." "I don't know how he can be, but he is," I said, hopelessly. "And he is exactly like his picture." "Well, that's not unusual, you know." "It is in this case. Because I bought the picture in a shop, and just pretended it was him. (He?) And it WAS." He got up and paced the floor. "It's a very strange case," he said. "Do you mind if I light a cigarette? It helps to clear my brain. What was the name you gave him?" "Harold Valentine. But he is here under another name, because of my Familey. They think I am a mere child, you see, and so of course he took a NOM DE PLUME." "A NOM DE PLUME? Oh I see! What is it?" "Grosvenor," I said. "The same as yours.
Mary Roberts Rinehart (Bab: A Sub-Deb)
Where did he go?” “That’s just it. No one ever heard from him again. The strain was obviously too much for him,” he said sarcastically. “What strain?” “Fatherhood. Good-for-nothing slacker. Never willing to grow up and take responsibility.” Mr. Beeston looked away. “What he did — it was despicable,” he said, his voice becoming raspy. “I will never forgive him.” He got up from the bench, his face hard and set. “Never,” he repeated. Something about the way he said it made me hope I’d never get on his wrong side. I followed him as we carried on along the boardwalk. “Didn’t anybody try to find him?” “Find him?” Mr. Beeston looked at me,
Liz Kessler (The Tail of Emily Windsnap (Emily Windsnap, #1))
In your journal, note which of the following statements describe one or both of your parents (Gibson 2015). My parent often overreacted to relatively minor things. My parent didn’t express much empathy or awareness of my feelings. When it came to deeper feelings and emotional closeness, my parent seemed uncomfortable and didn’t go there. My parent was often irritated by individual differences or different points of view. When I was growing up, my parent used me as a confidant but wasn’t a confidant for me. My parent often said and did things without thinking about people’s feelings. I didn’t get much attention or sympathy from my parent, except maybe when I was really sick. My parent was inconsistent—sometimes wise, sometimes unreasonable. Conversations mostly centered on my parent’s interests. If I became upset, my parent either said something superficial and unhelpful or got angry and sarcastic. Even polite disagreement could make my parent very defensive. It was deflating to tell my parent about my successes because it didn’t seem to matter. I frequently felt guilty for not doing enough or not caring enough for them. Facts and logic were no match for my parent’s opinions. My parent wasn’t self-reflective and rarely looked at their part in a problem. My parent tended to be a black-and-white thinker, unreceptive to new ideas.
Lindsay C. Gibson (Recovering from Emotionally Immature Parents: Practical Tools to Establish Boundaries & Reclaim Your Emotional Autonomy)
Healing childhood trauma is more difficult and complex because the child’s brain is not yet developed. And most children don’t have an adult nearby who is wise and supportive enough to help. On their own, a child will try to think his way out of the trauma, and that’s a task no child is up to. His mind can end up resembling a piece of twine that’s become hopelessly knotted and tangled. The child, and later the adult, will make twisted assumptions about himself, about the world, about life. He will blame himself for the events that caused the trauma. Ultimately, he will disconnect from himself and suffer from depression, dissociation, anxiety, insomnia, negative self-talk, and low self-esteem. Trauma specialists now believe that the experience doesn’t need to be a dramatic, life-endangering accident to cause post-traumatic stress disorder or PTSD. Growing up in a dysfunctional family can cause relational or attachment trauma and lead to complex PTSD symptoms. In a dysfunctional family marked by emotional abuse or neglect, as I have come to view my family, a child is often scapegoated. The family, overtly and covertly, blames a child for their problems as a means of deflecting attention from the real problems. Instead of a single traumatic event, a child in this role might experience a continual barrage of subtle attacks on his worthiness, sense of belonging, and even his very identity. These attacks might come in the form of gaslighting, verbal abuse, and other obvious forms of manipulation. But they also can come in the form of thousands upon thousands of subtle negative facial expressions and sarcastic put-downs over years or decades.
Brad Wetzler (Into the Soul of the World: My Journey to Healing)
Poem in a Straight Line:" I never knew a soul who ever took a licking. My friends have all been champions at everything. And I, so often vulgar, so often obscene, so often vile, I, so deliberately parasitical, Unforgivably filthy, I, so often without patience to take a bath, I, who’ve been so ridiculous, so absurd, Tripping up in public on the carpet of etiquette, I, so grotesque and mean, submissive and insolent, Who’ve been insulted and not said a word, And when putting a word in growing still more ridiculous, I who strike chambermaids as laughable, I who feel porters wink sarcastically, I who’ve been scandalous about money, borrowing and not paying it back, I, who when the time came to fight, ducked As far as I could out of punching range, I who go into a sweat over the slightest thing — I’m convinced no one’s better than I at this sort of game. No one I know, none of my speaking acquaintances, Ever acted ridiculous, ever took insults, Was ever anything but noble – yes, all of them princes, living their lives… How I’d love to hear a human voice, from any one of them. Confessing not to sins but to infamies, Speaking not of violent but of cowardly acts! But no, each one’s a Paragon, to hear them tell it. Is there no one in this world who’d confess to me he’s been vile just once? All you princes, my brothers, Enough – I’m fed up with demigods! Where are the real people in this world? Am I the only scoundrel and bungler alive? Maybe women don’t always fall for them. Maybe they’ve been betrayed. But ridiculous? Never! And I, who’ve been ridiculous but never betrayed, How do I speak to their Highnesses without stammering? I, who’ve been vile, literally vile, Vile in the meanest and rottenest possible sense of the word
Fernando Pessoa (Poems of Fernando Pessoa)
___________ My parent often overreacted to relatively minor things. ___________ My parent didn’t express much empathy or emotional awareness. ___________ When it came to emotional closeness and feelings, my parent seemed uncomfortable and didn’t go there. ___________ My parent was often irritated by individual differences or different points of view. ___________ When I was growing up, my parent used me as a confidant but wasn’t a confidant for me. ___________ My parent often said and did things without thinking about people’s feelings. ___________ I didn’t get much attention or sympathy from my parent, except maybe when I was really sick. ___________ My parent was inconsistent—sometimes wise, sometimes unreasonable. ___________ If I became upset, my parent either said something superficial and unhelpful or got angry and sarcastic. ___________ Conversations mostly centered on my parent’s interests. ___________ Even polite disagreement could make my parent very defensive. ___________ It was deflating to tell my parent about my successes because it didn’t seem to matter. ___________ Facts and logic were no match for my parent’s opinions. ___________ My parent wasn’t self-reflective and rarely looked at his or her role in a problem. ___________ My parent tended to be a black-and-white thinker, and unreceptive to new ideas. How many of these statements describe your parent? Since all these items are potential signs of emotional immaturity, checking more than one suggests you very well may have been dealing with an emotionally immature parent.
Lindsay C. Gibson (Adult Children of Emotionally Immature Parents: How to Heal from Distant, Rejecting, or Self-Involved Parents)
Do you remember the day you came here?” she asked. “Bright eyed and bushy tailed?” “You’ll always be bright eyed and bushy tailed, I think. I don’t understand how someone can be that idealistic and that sarcastic all at the same time.
Darinne Paciotti (Growing Up Godly)
What I feel now doesn't matter at all? But at what point am I entitled to say to myself, what I am feeling now is valid? After all, Anna-' Here Tommy turned to face her: 'one can't go through one's whole life in phases. There must be a goal somewhere.' His eyes gleamed out hatred; and it was with difficulty that Anna said: 'If you're suggesting that I've reached a goal, and I'm judging you from some superior point, then it's not true.' 'Phases,' he insisted. 'Stages. Growing pains.' 'But I think that's how women see-people. Certainly their own children. In the first place, there's always been nine months of not knowing whether the baby would be a girl or a boy. Sometimes I wonder what Janet would have been like if she'd been born a boy. Don't you see! And then babies go through one stage after another, and then they are children. When a woman looks at a child she sees all the things he's been at the same time. When I look at Janet sometimes I see her as a small baby and I feel her inside my belly and I see her as various sizes of small girl, all at the same time.' Tommy's stare was accusing and sarcastic, but she persisted: 'That's how women see things. Everything in a sort of continuous creative stream-well, isn't it natural we should?
Doris Lessing (The Golden Notebook)
Have I told you today why I love you?” Carter takes a step toward me, then another, his smile growing with each inch he eliminates. “I love you because you’re funny and snarky, sarcastic as all hell, and the night we met, you told me to go fuck myself.” He ignores the way Cara shrieks his name. “You’re also kind and soft, sensitive and sweet, the best auntie, and a teacher I would’ve died to have in high school. You’re not just my girlfriend; you’re my biggest cheerleader and my best friend.” He takes my face in his hands, thumbs wiping at the overflowing tears dripping down my cheeks. I don’t even know where they came from. “Why are you crying, Ollie girl? I haven’t even gotten to the good stuff yet.” “I don’t know what’s going on, but you called me your best friend and your girlfriend,” I sob, folding toward his chest as I grip the loosened collar of his shirt. His soft chuckle is warm against my lips as he tips my chin up to kiss me. He takes a step backward, dipping his hand in his pocket, pulling out a small velvet box, and he sinks to one knee. “I’m hoping to call you something else when I’m done doing what I need to do here.
Becka Mack (Consider Me (Playing For Keeps, #1))
Bud Light?” she asks in a distasteful tone. “Did you think you would be getting a microbrew? It’s a college house.” “Still”—she takes a sip and cringes—“I thought you’d have a little more class.” “You’re giving me too much credit.” I nod my head toward the corner of the loft where there are less people. When she doesn’t initially follow me, I turn back around, grab her hand like I had to in class, and pull her across the loft until we’re settled in the corner. I lean against the wall and prop one leg behind me. She eyes me, giving me a full once-over. I do the same. She’s damn hot, and I’m regretting my actions last Saturday, passing out mid grope. Finally she says, “You seem to have lost your shirt.” She motions with her finger over my bare chest. I look down at her legs and reply, “Must be where the other half of your skirt is.” “Think they’re making out in a laundromat somewhere?” She takes a sip of her beer and cringes again. A few more sips and she’ll get used to it; always happens for me. “If they are, I hope they use the gentle cycle.” Her brow pulls together. “Not sure if that makes sense.” “Oh, because half of a skirt and a shirt making out in a laundromat does?” “In children’s books, sure.” “What kind of perverted children’s books did you read growing up?” I counter. “You know, the classics,” she answers causally. “One Fish, Two Fish, Red Fish, Blue Fish and Skirt and Shirt, Lovers for Life.” “Ah, yes, I forgot about that passionate yet eye-opening youth literature that took the New York Times by storm.” “I have five signed first-edition copies in a box in my parents’ attic. Banking on them to clear out my student loans.” She sips her beer, flips her hair behind her shoulder, glances at my chest again. “Five?” I answer sarcastically. “Damn, forget college loans, you’re set for life.” “You think?” She glances around. “What the hell am I doing here then?” “To see me of course,” I answer with a smile. She rolls her eyes. “More like dragged to this party because my roommate has a crush on one of your freshmen.” “Yeah, which one?” I look over her head, eyeing all the partygoers. “No idea, but apparently he has amazing blue eyes.” “Amazing, huh? Has to be Gunner. I was even stunned by his eyes when he was recruited.” No joke, the dude won the lottery for irises. I’m even jealous with how . . . aqua they are. “Not ashamed to admit that?” she asks, shifting on her heels. “Not even a little.
Meghan Quinn (The Locker Room (The Brentwood Boys, #1))
Significance of growing up is you are able to pick up the losers you know and kick them off more effortlessly
Sonal Bharija Singh (Iridescent Life)
Allow yourself to fail. Addressing your real need is no guarantee that your out-of-control behavior will disappear. Many people who address the real issue underneath a self-boundary problem are often disappointed that the problem keeps recurring. They think, Well, I joined a support group at church, but I still have problems being on time [or viewing pornography or spending money or being sarcastic, etc.]. Was all this for naught? No. The recurrence of destructive patterns is evidence of God’s sanctifying, maturing, and preparing us for eternity. We need to continue to practice to learn things. The same process that we use to learn to drive a car, swim, or learn a foreign language is the one we use for learning better self-boundaries. We need to embrace failure instead of trying to avoid it. Those people who spend their lives trying to avoid failure are also eluding maturity. We are drawn to Jesus because “he learned obedience from what he suffered” (Heb. 5:8). People who are growing up are also drawn to individuals who bear battle scars, worry furrows, and tear marks on their faces. Their lessons can be trusted, much more than the unlined faces of those who have never failed—and so have never truly lived.
Henry Cloud (Boundaries: When to Say Yes, How to Say No to Take Control of Your Life)