Grounded Willow Quotes

Though you are three times more beautiful than angels, Though you are the sister of the river willows, I will kill you with my singing, Without spilling your blood on the ground. Not touching you with my hand, Not giving you one glance, I will stop loving you, But with your unimaginable groans I will finally slake my thirst. From her, who wandered the earth before me, Crueler than ice, more fiery than flame, From her, who still exists in the ether— From her you will set me free.

Then suddenly the Mole felt a great Awe fall upon him, an awe that turned his muscles to water, bowed his head, and rooted his feet to the ground. It was no panic terror - indeed he felt wonderfully at peace and happy - but it was an awe that smote and held him and, without seeing, he knew it could only mean that some august presence was very, very near.

Willow Creek, Iowa. Population 5,241. And now, one fewer.

No guinea of earned money should go to rebuilding the college on the old plan just as certainly none could be spent upon building a college upon a new plan: therefore the guinea should be earmarked "Rags. Petrol. Matches." And this note should be attached to it. "Take this guinea and with it burn the college to the ground. Set fire to the old hypocrisies. Let the light of the burning building scare the nightingales and incarnadine the willows. And let the daughters of educated men dance round the fire and heap armful upon armful of dead leaves upon the flames. And let their mothers lean from the upper windows and cry, "Let it blaze! Let it blaze! For we have done with this 'education!

Willow Tree Its limbs the long hair of a sad girl, reaching for the ground. ‘Sturdy as an oak,’ they say. A willow is stronger. It bends to the storm. Harsh winds whip it, its leaves are torn and carried away. It bends but doesn’t break. It may weep but it will never fall.

There's a willow tree that stands by my river She holds me in her arms when I am cold. And we listen to the sounds Of the pebbles on the ground, And I know what it means to be old.

Maroc leaps down to the ring-yard, passes a pond of lilies, then the big stones around a purple willow tree and the sandy ground where only training happens. He fixes the gloves on his hands, just as the knight of Kuhawk should before dealing with an unwanted intruder of this … house? Manor? Palace? … No matter what you call it, if you knew its secrets, you’d call it something else entirely.

There was always something yet unseen. The ground itself was daily renewed, kicked up and muddled by passing travelers, such that it was impossible to repeat the same journey twice. Alif thought of all the times he had left the duplex in Baqara District bent on some mundane errand: the courtyard gate closing behind him with a rattle, rattling again when he returned the same way; to him, ordinary and frustrating, to the world, a process full of tiny variations, all existing, as Sheikh Bilal had said, simultaneously and without contradiction. He had been given eternity in modest increments, and had thought nothing of it.

Willows bordered the path, like women bent in mourning, their branches shod in ice and brushing the soft white ground like strands of hair. Flowers and shrubs of every variety overflowed their beds, all of them white with frost, a world made of snow and glass, a garden of ghosts.

Are you jealous?" She has a half-smile, a laugh waiting to escape. "No. Not jealous." I squeeze her to me, lifting her off the ground back onto her tip-toes. "Possessive. You belong to me." I push her away. "Take off that dress." I allow some anger into my voice. "Now!" She jumps in place a little and reaches behind her to unzip. I grab her shoulders and twist her around. Putting my hands at the base of her neck, I rip the dress down the middle, tearing the zipper apart. She half gasps, half cries out. "You won't be wearing that again.

In silence they landed, and pushed through the blossom and scented herbage and undergrowth that led up to the level ground, till they stood on a little lawn of a marvellous green, set round with Nature's own orchard-trees—crab-apple, wild cherry, and sloe.

While the Rat attacked the door with his stick, the Mole sprang up at the bell-pull, clutched it and swung there, both feet well off the ground,

...all the wild ways he had shown me, mosses and rushes and heather, the home of the curlew and snipe, and the grazing grounds of the geese, all those enchanted fields and the magical willows lying under the edge of the bog, all were to be spoiled, hidden, sold and disenchanted by that terrible force named Progress.

But what Tyler longed for was to have The Feeling arrive; when every flicker of light that touched the dipping branches of a weeping willow, every breath of breeze that bent the grass towards the row of apple trees, every shower of yellow ginko leaves dropping to the ground with such direct and tender sweetness, would fill the minister with profound and irreducible knowledge that God was right there.

She went to the window and looked out. The ground fell away to a branch where willows burned lime green in the sunset. Dark little birds kept crossing the fields to the west like heralds of some coming dread. Below the branch stood the frame of an outhouse from which the planks had been stripped for firewood and there hung from the ceiling a hornetnest like a gross paper egg. The tinker returned from the cart with a lantern

For the author as for God, standing outwith his creation, all times are one; all times are now. In mine own country, we accept as due and right – as very meet, right, and our bounden duty – the downs and their orchids and butterflies, the woods and coppices, ash, beech, oak, and field maple, rowan, wild cherry, holly, and hazel, bluebells in their season and willow, alder, and poplar in the wetter ground. We accept as proper and unremarkable the badger and the squirrel, the roe deer and the rabbit, the fox and the pheasant, as the companions of our walks and days. We remark with pleasure, yet take as granted, the hedgerow and the garden, the riot of snowdrops, primroses, and cowslips, the bright flash of kingfishers, the dart of swallows and the peaceful homeliness of house martins, the soft nocturnal glimmer of glow worm and the silent nocturnal swoop of owl.

She looked quickly at the little golden-brown pottery jug which stood at the end of the librarian's desk. It was a season indicator. In the fall it held a few sprigs of bittersweet and at Christmas time it held holly. She knew spring was coming, even if there was snow on the ground, when she saw pussy willow in the bowl.

When the Moon is your pillow, And your blanket is the ground, And your mattress is the willow, You are sleeping upside-down.

The grounds of the place were dominated by several large, old willow trees that towered over the surrounding stone wall and swayed soundlessly in the wind like lost souls.

They reached the heart of the kingdom and were completely bewildered by what they saw. It was like they were standing in a gigantic tropical garden with large, colorful flowers of all shapes and species. There were weeping willows over small ponds and vines that grew across the ground and up the trees. There were beautiful bridges over many streams and ponds.

If that ain't the biggest bucket of hogwash, I don't know what is," he antagonized. "Hell, more'n likely, after she rode that damn horse to the ground, you jumped into her saddle for a long, hard ride.

I immediately throw myself down on the ground and try to remember everything I learned that one summer at camp when the counselors taught us about what to do if you are caught in the middle of a bear attack. 

A species of willow developed that does not grow vertically upwards, like it's European and American relatives. To do so would to risk being flattened by the ferocious Artic wind. Instead it grows horizontally, keeping close to the ground. Even in the most favorable circumstances it seldom exceeds four inches in height. But it may become as long as some if it's southern relatives are tall. When you walk across a carpet of such prostrate tree, you are, in effect walking over a woodland canopy.

BOWLS OF FOOD Moon and evening star do their slow tambourine dance to praise this universe. The purpose of every gathering is discovered: to recognize beauty and love what’s beautiful. “Once it was like that, now it’s like this,” the saying goes around town, and serious consequences too. Men and women turn their faces to the wall in grief. They lose appetite. Then they start eating the fire of pleasure, as camels chew pungent grass for the sake of their souls. Winter blocks the road. Flowers are taken prisoner underground. Then green justice tenders a spear. Go outside to the orchard. These visitors came a long way, past all the houses of the zodiac, learning Something new at each stop. And they’re here for such a short time, sitting at these tables set on the prow of the wind. Bowls of food are brought out as answers, but still no one knows the answer. Food for the soul stays secret. Body food gets put out in the open like us. Those who work at a bakery don’t know the taste of bread like the hungry beggars do. Because the beloved wants to know, unseen things become manifest. Hiding is the hidden purpose of creation: bury your seed and wait. After you die, All the thoughts you had will throng around like children. The heart is the secret inside the secret. Call the secret language, and never be sure what you conceal. It’s unsure people who get the blessing. Climbing cypress, opening rose, Nightingale song, fruit, these are inside the chill November wind. They are its secret. We climb and fall so often. Plants have an inner Being, and separate ways of talking and feeling. An ear of corn bends in thought. Tulip, so embarrassed. Pink rose deciding to open a competing store. A bunch of grapes sits with its feet stuck out. Narcissus gossiping about iris. Willow, what do you learn from running water? Humility. Red apple, what has the Friend taught you? To be sour. Peach tree, why so low? To let you reach. Look at the poplar, tall but without fruit or flower. Yes, if I had those, I’d be self-absorbed like you. I gave up self to watch the enlightened ones. Pomegranate questions quince, Why so pale? For the pearl you hid inside me. How did you discover my secret? Your laugh. The core of the seen and unseen universes smiles, but remember, smiles come best from those who weep. Lightning, then the rain-laughter. Dark earth receives that clear and grows a trunk. Melon and cucumber come dragging along on pilgrimage. You have to be to be blessed! Pumpkin begins climbing a rope! Where did he learn that? Grass, thorns, a hundred thousand ants and snakes, everything is looking for food. Don’t you hear the noise? Every herb cures some illness. Camels delight to eat thorns. We prefer the inside of a walnut, not the shell. The inside of an egg, the outside of a date. What about your inside and outside? The same way a branch draws water up many feet, God is pulling your soul along. Wind carries pollen from blossom to ground. Wings and Arabian stallions gallop toward the warmth of spring. They visit; they sing and tell what they think they know: so-and-so will travel to such-and-such. The hoopoe carries a letter to Solomon. The wise stork says lek-lek. Please translate. It’s time to go to the high plain, to leave the winter house. Be your own watchman as birds are. Let the remembering beads encircle you. I make promises to myself and break them. Words are coins: the vein of ore and the mine shaft, what they speak of. Now consider the sun. It’s neither oriental nor occidental. Only the soul knows what love is. This moment in time and space is an eggshell with an embryo crumpled inside, soaked in belief-yolk, under the wing of grace, until it breaks free of mind to become the song of an actual bird, and God.

No human has ever seen eels reproduce; no one has seen an eel fertilize the eggs of another eel; no one has managed to breed European eels in captivity. We think we know that all eels are hatched in the Sargasso Sea, since that’s where the smallest examples of the willow leaf–like larvae have been found, but no one knows for certain why the eel insists on reproducing there and only there. No one knows for certain how it withstands the rigors of its long return journey, or how it navigates. It’s thought all eels die shortly after breeding, since no living eels have ever been found after breeding season, but then again, no mature eel, living or dead, has ever been observed at their supposed breeding ground. Put another way, no human has ever seen an eel in the Sargasso Sea. Nor can anyone fully comprehend the purpose of the eel’s many metamorphoses. No one knows how long eels can live for. In other words, more than two thousand years after Aristotle, the eel remains something of a scientific enigma, and in many ways, it has become a symbol of what is sometimes referred to as the metaphysical.

It seemed for a moment as if something was there, loitering between the knurled and towering cherry trees, a flash of a presence as stark as the sight of the snow against their bare branches and cracked, piceous bark. Unblinking, I watched the edge of the lake, waiting for it to reappear, but whatever it had been was gone, vanished under cover of a willow tree, lofty and dense, rearing over the lake, its branches dripping all the way to the ground. The tree’s lament had been transformed into a thing of such beauty I was tempted to go and hide within it.

What happened?" "Oil." The sheikh shook his head. "The great cursed wealth from beneath the ground that the Prophet foresaw would destroy us. And statehood-what a terrible idea that was, eh? This part of the world was never meant to function that way. Too many languages, too many tribes, too motivated by ideas those high-heeled cartographers from Paris couldn't understand. Don't understand. Will never understand. Well, God save them-they're not the ones who have to live in this mess. They said a modern state needs a single leader, a secular leader, and the emir was the closest thing we had. So to the emir went all the power. And anyone who thinks that isn't a good idea is hounded down and tossed in jail, as you have so recently discovered. All so that some pantywaist royal nephew can have a seat at the UN and carry a flag in the Olympics and be thoroughly ignored.

How could the wind be so strong, so far inland, that cyclists coming into the town in the late afternoon looked more like sailors in peril? This was on the way into Cambridge, up Mill Road past the cemetery and the workhouse. On the open ground to the left the willow-trees had been blown, driven and cracked until their branches gave way and lay about the drenched grass, jerking convulsively and trailing cataracts of twigs. The cows had gone mad, tossing up the silvery weeping leaves which were suddenly, quite contrary to all their exper- ience, everywhere within reach. Their horns were festooned with willow boughs. Not being able to see properly, they tripped and fell. Two or three of them were wallowing on their backs, idiotically, exhibiting vast pale bellies intended by nature to be always hidden. They were still munching. A scene of disorder, tree-tops on the earth, legs in the air, in a university city devoted to logic and reason.

The sawdust flew. A slightly sweet fragrance floated in the immediate area. It was a sweet but subtle aroma, neither the scent of pine nor willow, but one from the past that had been forgotten, only to reappear now after all these years, fresher than ever. The workmen occasionally scooped up a handful of sawdust, which they put into their mouths and swallowed. Before that they had chewed on pieces of green bark that they had stripped from the cut wood. It had the same fragrance and it freshened their mouths, so at first that was what they had used. Now even though they were no longer chewing the bark with which they felt such a bond, the stack of corded wood was a very appealing sight. From time to time they gave the logs a friendly slap or kick. Each time they sawed off a section, which rolled to the ground from the sawhorse, they would say: 'Off with you - go over there and lie down where you belong.' What they were thinking was that big pieces of lumber like this should be used to make tables or chairs or to repair a house or make window frames; wood like this was hard to find. But now they were cutting it into kindling to be burned in stoves, a sad ending for good wood like this. They could see a comparison with their own lives, and this was a saddening thought. ("North China")

THAT YEAR THE RAINS HAD COME so gently that the Salinas River did not overflow. A slender stream twisted back and forth in its broad bed of gray sand, and the water was not milky with silt but clear and pleasant. The willows that grow in the river bed were well leafed, and the wild blackberry vines were thrusting their spiky new shoots along the ground.

My heart sank within me to behold that stately mansion in the midst of its expansive grounds — the park as beautiful now, in its wintry garb, as it could be in its summer glory; the majestic sweep, the undulating swell and fall, displayed to full advantage in that robe of dazzling purity, stainless and printless — save one long, winding track left by the trooping deer — the stately timber-trees with their heavy laden branches gleaming white against the full, grey sky; the deep, encircling woods; the broad expanse of water sleeping in frozen quiet; and the weeping ash and willow drooping their snowclad boughs above it — all presented a picture, striking, indeed, and pleasing to an unencumbered mind, but by no means encouraging to me.

Perhpas if I call out to Rat he might hear," said the Mole to himself, but without much hope. Rat! Ratty! O Rat, please hear me!" he called out as loudly as he could, holding up his lantern as he did so, waving it about/ But the wind rushed and roared around him even more, and snatched his weak words away the moment they were they were uttered, and scattered them wildly and uselessly as if they were flakes of snow, Even worse, the light of the lantern began to gutter, and then, quiet suddenly, an extra strong gust of wind blew it out. Well then," said the daunted but resolute Mole, putting the spent lantern on the ground, "there's nothing else for it! Frozen rivers are dangerous thinngs, no doubt, but I must try to cross, despite the dangers." --The Willows in the Winter

As her feet beat the concrete ground beneath them, her chest began to ache. It had been a long time since she had run at a full sprint. She was, quite literally, running for her life, and leaving everything she had known before behind. Regardless of her past experiences, here she was, blindly following a girl, who was virtually a stranger, because she had promised to lead Eleanor to safety.

Black walnut trees dropped their green-black fuzzy bulbs on Aunt Ruth’s matted lawn, past where their knotty roots rose up out of the ground like the elbows and knees of dirty children suntanned dark and covered with scars. Weeping willows marched across the yard, following every wandering stream and ditch, their long whiplike fronds making tents that sheltered sweet-smelling beds of clover.

Her disquiet had no relevance to her life. It arose out of the ground with the smell of the dead leaves ... She compared herself to the ripening acorn that feels through windless autumnal days and nights the increasing pull of the earth below. That explanation was very poetical and suitable. But it did not explain what she felt. She was not wildly anxious either to die or to live; why, then, should she be rent by this anxiety?

The heavy rain dripped off his thick leather hat and sloshed on the dry hard ground. To someone with a soul, it might have been peaceful, pretty, even to watch the drops bounce and form graceful puddles before they disappeared into the cracks in the Earth. Daniel Marlin merely cursed. He only saw the weather as another delay before they could rescue their brother from jail. He turned the horse back into the copse of trees, hating to admit defeat.

Becoming a young lady is a bit like being a topiary bush. You start out wild and unformed, and highly paid experts snip away at you until you’re beautiful and thoroughly tamed. Only then are you considered proper company. A witch is more like a young willow tree. You may start as a scrawny weed, but every root you send questing through the ground, every shoot you send toward the sun, strengthens you. If you’re not checked, your roots can crack walls.

The earth at the doctor's feet, inside the trench and in the ruts of the forest road, was hard with ground frost and heaped with small dry willow leaves, curled up in little scrolls. The autumn smelled of these brown, bitter leaves and of many other things. Greedily he breathed in the mixed peppery smell of frostbitten apples, bitter dry twigs, sweetish damp earth, and the blue September mist that smoked like the fumes of a recently extinguished fire.

Greenville, South Carolina, in 1955 was the most beautiful place in the world. Black walnut trees dropped their green-black fuzzy bulbs on Aunt Ruth’s matted lawn, past where their knotty roots rose up out of the ground like the elbows and knees of dirty children suntanned dark and covered with scars. Weeping willows marched across the yard, following every wandering stream and ditch, their long whiplike fronds making tents that sheltered sweet-smelling beds of clover.

Yes, perfection. it rests its full weight upon the core of the poor aunt's being, like a corpse sealed inside a glacier-a magnificent glacier made of ice like stainless steel. Only ten thousand years of sunshine could melt such a glacier. But no poor aunt can live for thousand years, of course, and so she will have to live with her perfection, die with her perfection, and be buried with her perfection. Perfection and the aunt beneath the ground. Ten thousand years goes by. Then, perhaps, the glacier melt in darkness and perfection thrust its way out of the grave to reveal it self on the earth's surface. Everything on earth is completely change by then, but if by any chance the ceremony known as "wedding" still exists, the perfection left behind by the poor aunt might be invited to one, there to eat an entire dinner with impeccable table manners and be called upon to deliver heartfelt words of congratulation. But never mind. These events would not take place until the year 11,980.

What I saw was a face which couldn’t be called pretty, but one also not easily forgotten: pointed features, oblique eyebrows, pale skin with slightly enlarged pores, and expensive lipstick that threatened to drip off her lips. Once beautiful, but now a dream in which willow branches have withered, clouds have scattered and drifting petals have fallen to the ground. A face that has been corroded by pleasure, impetuosity and dreams, each of which has left scars on it, leaving it sharp yet worn, capable of hurting, yet vulnerable as well.

I didnt look back the tree frogs didnt pay me any mind the gray light like moss in the trees drizzling but still it wouldnt rain after a while I turned went back to the edge of the woods as soon as I got there I began to smell honeysuckle again I could see the lights on the courthouse clock and the glare of town the square on the sky and the dark willows along the branch and the light in mothers windows the light still on in Benjys room and I stooped through the fence and went across the pasture running I ran in the gray grass among the crickets the honeysuckle getting stronger and stronger and the smell of water then I could see the water the color of gray honeysuckle I lay down on the bank with my face close to the ground so I couldnt smell the honeysuckle I couldnt smell it then and I lay there feeling the earth going through my clothes listening to the water and after a while I wasnt breathing so hard and I lay there thinking that if I didnt move my face I wouldnt have to breathe hard and smell it and then I wasnt thinking about anything at all she came along the bank and stopped I didnt move its late you go on home what

A Storm In April" Some winters, taking leave, Deal us a last, hard blow, Salting the ground like Carthage Before they will go. But the bright, milling snow Which throngs the air today— It is a way of leaving So as to stay. The light flakes do not weigh The willows down, but sift Through the white catkins, loose As petal-drift Or in an up-draft lift And glitter at a height, Dazzling as summer’s leaf-stir Chinked with light. This storm, if I am right, Will not be wholly over Till green fields, here and there, Turn white with clover, And through chill air the puffs of milkweed hover.

It is so rare to have a new tent appear that Celia considers canceling her performances entirely in order to spend the evening investigating it. Instead she waits, executing her standard number of shows, finishing the last a few hours before dawn. Only then does she navigate her way through nearly empty pathways to find the latest edition to the circus. The sign proclaims something called the Ice Garden. and Celia smiles at the addendum below which contains an apology for any thermal inconvenience. Despite the name, she is not prepared for what awaits her inside the tent. It is exactly what the sign described. But it is so much more than that. There are no stripes visible on the walls, everything is sparkling and white. She cannot tell how far it stretches, the size of the tent obscured by cascading willows and twisting vines. The air itself is magical. Crisp and sweet in her lungs as she breathes, sending a shiver down to her toes that is caused by more than the forewarned drop in temperature. There are no patrons in the tent as she explores, circling alone around trellises covered in pale roses and a softly bubbling, elaborately carved fountain. And everything, save for occasional lengths of whet silk ribbon strung like garlands, is made of ice. Curious, Celia picks a frosted peony from its branch, the stem breaking easily. But the layered petals shatter, falling from her fingers to the ground, disappearing in the blades of ivory grass below. When she looks back at the branch, an identical bloom has already appeared. Celia cannot imagine how much power and skill it would take not only to construct such a thing but to maintain it as well. And she longs to know how her opponent came up with the idea. Aware that each perfectly structured topiary, every detail down to the stones that line the paths like pearls, must have been planned.

We put our feet on the hard ground, take in the night air and look around as if this whole place has sprung up for us and us alone. Not just the house, but the ancient trees, the watching insects, the stars and even the moon. But they have all lived without us for lifetimes that make our own look like the blink of the eye. The house, with its strict walls and severe lines, is shamefully out of place, something modern dropped down somewhere as soft as feathers, as twisty and spreading as willow roots. How do the trees and the insects and the stars and the moon like it, I wonder? How do they like to have to share their secret lives with us now?

All my bones, they are gone, gone, gone Take my bones, I don’t need none Cold, cold cupboard, lord, nothing to chew on Suck all day on a cherry stone Dig a little hole not three inches round Spit your pit in a hole in the ground Weep upon the spot for the starving of me ‘Til up grows a fine young cherry tree When the bough breaks what’ll you make for me A little willow cabin to rest on your knee What’ll I do with a trinket such as this? Think of your woman who’s gone to the west But I’m starving and freezing in my measly old bed Then I’ll crawl across the salt flats to stroke your sweet head Come across the desert with no shoes on I love you truly or I love no one

The Relics" I slipped them into my friend’s palm —  the tiny crucifix, and dove, from off my mother’s pendant watch —  and I asked her to walk them up through the brush toward timberline, and find a place to hurl them, for safekeeping. Now, she writes, “I walked up the canyon at dusk, warm, with a touch of fall blowing down the canyon, came to an outcrop, above a steep drop — far below, a seasonal creek, green willows. I stood on a boulder and held out my hand. I wished your mother all the love in the world, and I sent the talismans flying off the cliff. They were so small, and the wind was blowing, so I never saw or heard them land.” My mother is where I cannot find her, she is gone beyond recall, she lies in her sterling shapes light as the most weightless bone in the body, her stirrup bone, which was ground up and sown into the sea. I do not know what a soul is, I think of it as the smallest, the core, civil right. And she is wild now with it, she touches and is touched by no one knows — down, or droppings of a common nighthawk, root of bird’s foot fern, antenna of Hairstreak or Echo Azure, or stepped on by the huge translucent Jerusalem cricket. There was something deeply right about the physical elements — atoms, and cells, and marrow — of my mother’s body, when I was young, and now her delicate insignias receive the direct touch of the sun, and scatter it, unseen, all over her home.

Now, lad, rinse your mouth wi’ this; ’twill cleanse the cuts and ease the pain. Willow-bark tea,” she explained in an aside to me, “wi’ a bit of ground orrisroot.” I nodded; I recalled vaguely from a long-ago botany lecture hearing that willow bark in fact contained salicylic acid, the active ingredient in aspirin. “Won’t the willow bark increase the chance of bleeding?” I asked. Mrs. Fitz nodded approvingly. “Aye. It do sometimes. That’s why ye follow it wi’ a good handful of St. John’s wort soaked in vinegar; that stops bleedin’, if it’s gathered under a full moon and ground up well.” Jamie obediently swilled his mouth with the astringent solution, eyes watering at the sting of the aromatic vinegar.

It shouldn't make a difference to me, I suppose,but it does. I've grown to trust you, and I'd hate to think that I've been wrong about you." "Well,it's real nice to hear you like me, Freckles," he teased. "I kind of like you,too." He wiggled his eyebrows as he had earlier. Willow laughed and leaned over to swat at him but missed. "You know, I really don't have freckles. Why don't you call me Williw like everyone else does?" "Maybe, because everyone else does." He shrugged. "Freckles is mine. My special name for you, that is. And you do have freckles, cute little ginger-colored freckles, all-l-l aross the bridge of your nose." "I don't!" Her mouth twisted in annoyance. "Tell you what, we'll race on it. You win-you don't have freckles. I win-you do have freckles." Knowing her only chance to beat his big stallion was to get a head start, Willow didn't waste time agreeing to ny terms. She dug her heels into Sugar's sides and tore off across the desert. "Hey!" Rider called, laughing and spurring Sultan into a run. "You're supposed to wait till I say go." Her laugh drifted back on the wind. "Come on,Sultan. Let's show Miss Freckle Britches who she's dealing with." The spirited stallion's legs stretched out ith effortless grace, his body lowering in a ground-eating pace, and Willow's little mare was no match for the big stallion. "See you back at the ranch, Freckles," Rider laughingly taunted as he rode past.

About a mile beyond Tumbleweed he parked in a grove of willow trees beside a narrow stream. The grounds were set with many long wooden tables and benches, and overhead were strings of small electric lights. “Come on, gals,” said Tex. “We’re goin’ to put on a big feed!” He led them toward a long serving table. Four men passed by, each carrying a shovel bearing a big burlap-wrapped package. These were dumped onto the table. “There goes the meat,” said Bud. “It’s been buried in the barbecue pit since last night.” “Cookin’ nice an’ slow over hot stones,” Tex added. “When the burlap fell away, the fragrance of the steaming meat was irresistible. All the girls enjoyed generous servings, with a spicy relish and potato salad. By the time they had finished their desserts of ice cream and Nancy’s chocolate cake, the colored lights overhead came on. A stout middle-aged man mounted the dance platform in the center of the grove and announced that he was master of ceremonies. Seeing Bud’s guitar, he called on him for some cowboy songs. Bud played “I’m a Lonesome Cowboy,” and everyone joined in enthusiastically. He followed with a number of other old favorites. Finally he strummed some Gold Rush songs, including “Sweet Betsy from Pike.

He got in beside her and impatiently reached for her seat belt, snapping it in place. “You always forget,” he murmured, meeting her eyes. Her breath came uneasily through her lips as she met that level stare and responded helplessly to it. He was handsome and sexy and she loved him more than her own life. She had for years. But it was a hopeless, unreturned adoration that left her unfulfilled. He’d never touched her, not even in the most innocent way. He only looked. “I should close my door to you,” she said huskily. “Refuse to speak to you, refuse to see you, and get on with my life. You’re a constant torment.” Unexpectedly he reached out and touched her soft cheek with just his fingertips. They smoothed down to her full, soft mouth and teased the lower lip away from the upper one. “I’m Lakota,” he said quietly. “You’re white.” “There is,” she said unsteadily, “such a thing as birth control.” His face was very solemn and his eyes were narrow and intent on hers. “And sex is all you want from me, Cecily?” he asked mockingly. “No kids, ever?” It was the most serious conversation they’d ever had. She couldn’t look away from his dark eyes. She wanted him. But she wanted children, too, eventually. Her expression told him so. “No, Cecily,” he continued gently. “Sex isn’t what you want at all. And what you really want, I can’t give you. We have no future together. If I marry one day, it’s important to me that I marry a woman with the same background as my own. And I don’t want to live with a young, and all too innocent, white woman.” “I wouldn’t be innocent if you’d cooperate for an hour,” she muttered outrageously. His dark eyes twinkled. “Under different circumstances, I would,” he said, and there was suddenly something hot and dangerous in the way he looked at her as the smile faded from his chiseled lips, something that made her heart race even faster. “I’d love to strip you and throw you onto a bed and bend you like a willow twig under y body.” “Stop!” she whispered theatrically. “I’ll swoon!” And it wasn’t all acting. His hand slid behind her nape and contracted, dragging her rapt face just under his, so close that she could smell the coffee that clung to his clean breath, so close that her breasts almost touched his jacket. “You’ll tempt me once too often,” he bit off. “This teasing is more dangerous than you realize.” She didn’t reply. She couldn’t. She was throbbing, aroused, sick with desire. In all her life, there had been only this man who made her feel alive, who made her feel passion. Despite the traumatic experience of her teens, she had a fierce physical attraction to Tate that she was incapable of feeling with any other man. She touched his lean cheek with cold fingertips, slid them back, around his neck into the thick mane of long hair that he kept tightly bound-like his own passions. “You could kiss me,” she whispered unsteadily, “just to see how it feels.” He tensed. His mouth poised just above her parted lips. The silence in the car was pregnant, tense, alive with possibilities and anticipation. He looked into her wide, pale, eager green eyes and saw the heat she couldn’t disguise. His own body felt the pressure and warmth of hers and began to swell, against his will. “Tate,” she breathed, pushing upward, toward his mouth, his chiseled, beautiful mouth that promised heaven, promised satisfaction, promised paradise. His dark fingers corded in her hair. They hurt, and she didn’t care. Her whole body ached. “Cecily, you little fool,” he ground out. Her lips parted even more. He was weak. This once, he was weak. She could tempt him. It could happen. She could feel his mouth, taste it, breathe it. She felt him waver. She felt the sharp explosion of his breath against her lips as he let his control slip. His mouth parted and his head bent. She wanted it. Oh, God, she wanted it, wanted it, wanted it…

Get off your horse, Jack." "Why don't you just ride outta here, missy, and I'll forget this ever happened." Willow's voice trembled with fury. "Get off your horse," she repeated. "Slow and easy." Still grinning his contempt, he did as he asked. "That's good. Now, real slow like, take your gunbelt off and toss it my way." "Like hell!" A shot rang out and nicked a chunk of leather from his boot. Cursing, he unbuckled his gun and tossed it at her mare's feet. "Now,strip them britches off, underwear, too," she ordered. "You little shi-" Bang! Jack's hat whizzed off his head. He dropped his pants in a puddle over his boots, trying his best to shelter his privates from her view. "My,my,Jack." Willow laughed humorlessly. "Is that puny thing you're trying to hide the same thing you were threatening me with?" If looks could kill, Willow would have been dead and buried ten times over, then and there. "Take them confounded boots off so's you can get your pants clear off," she ordered in mock exasperation. He wheeled around, gaining a modicum of privacy while he complied. "You're puny all over, Jack. You got the boniest bee-hind I ever did see. You sure you ain't picked up a worm somewheres?" "You're gonna pay for this,you little slut!" "Shut your filthy mouth and pick them pants off the ground and toss 'em over here at my horse's feet. Then you can put your boots back on." He gave the pants a toss, put his boots on, and turned around to face her, cuping his privates in his hands. "Okay,Jack, finish the job. You've been real generous but I'm a greedy cuss. Give me the shirt off your back, too." Cursing, he again turned around and obeyed. "Oh,ah,Jack, you better reach behind you there,and get your hat. I'll let you keep it. We wouldn't want your bald spot to get sunburned." Scofield now stood in nothing but his boots, using his hat to shield his lower half. Humiliated, the gunslinger's eyes burned with bloody intent. Willow suddenly regretted her damnable quick temper and realized the folly of her reckless retaliation. No doubt,the heinous man would seek revenge. But the damage was done and the man was so mad that backing off now would be the same as signing her death warrant. "Step away from your horse and start walking toward the ranch, Scofield." "You're out of your mind!" "Maybe,but I bet you'll think twice before threatening to poke that puny thing at another lady." "You? A lady? Ha!" Willow's temper flared anew. "Walk, Jack. Real fast. Cuz if you don't, I'm gonna use your puny thing for target practice." Her bullet kicked up the dust at his feet and started him on his way.

Rider cursed, ducked another blow, threw one of his own, and then bent down, hoisting the scrappy little female, none too gently, over his shoulder. "This is no place for you, girl, even if this whole mess is your fault." "My fault!" screamed Willie, dangling upside down. "You're the one who had to go and open his big mouth!" She beat on his back as he dodged brawlers, and headed for safe ground. "Dammit, put me down, you overgrown ox. You're gonna make me miss the fight!" As she screeched and kicked in a most unladylike manner,her small feet barely missed his vunerable groin. Raising his hand to smack her bottom, Rider found it suddenly immobilized by a fierce grip. "Take your hands off my sister!" The lieutenant's head swiveled toward the owner of the surly voice, and met with a hard fist. He stumbled and bumped into another brawling twosome, slacking his grip on Willie's legs. Seizing the advantage,she aimed a well-placed kick,and this time connected with her intended target. Rider grabbed his crotch and lurched forward in pain, dropping the little hellion on top of her brother. Like cats, the girl and her sibling were on their feet,weaving a zigzag escape through the mayhem. Rider quickly regained his balance and swore, "Damn,I should have known the little rebel had a brother." Still cupping his privates and cursing the air blue, he watched brother and sister disappear. "Someday, freckle face, someday.

This Compost" Something startles me where I thought I was safest, I withdraw from the still woods I loved, I will not go now on the pastures to walk, I will not strip the clothes from my body to meet my lover the sea, I will not touch my flesh to the earth as to other flesh to renew me. O how can it be that the ground itself does not sicken? How can you be alive you growths of spring? How can you furnish health you blood of herbs, roots, orchards, grain? Are they not continually putting distemper'd corpses within you? Is not every continent work'd over and over with sour dead? Where have you disposed of their carcasses? Those drunkards and gluttons of so many generations? Where have you drawn off all the foul liquid and meat? I do not see any of it upon you to-day, or perhaps I am deceiv'd, I will run a furrow with my plough, I will press my spade through the sod and turn it up underneath, I am sure I shall expose some of the foul meat. 2 Behold this compost! behold it well! Perhaps every mite has once form'd part of a sick person—yet behold! The grass of spring covers the prairies, The bean bursts noiselessly through the mould in the garden, The delicate spear of the onion pierces upward, The apple-buds cluster together on the apple-branches, The resurrection of the wheat appears with pale visage out of its graves, The tinge awakes over the willow-tree and the mulberry-tree, The he-birds carol mornings and evenings while the she-birds sit on their nests, The young of poultry break through the hatch'd eggs, The new-born of animals appear, the calf is dropt from the cow, the colt from the mare, Out of its little hill faithfully rise the potato's dark green leaves, Out of its hill rises the yellow maize-stalk, the lilacs bloom in the dooryards, The summer growth is innocent and disdainful above all those strata of sour dead. What chemistry! That the winds are really not infectious, That this is no cheat, this transparent green-wash of the sea which is so amorous after me, That it is safe to allow it to lick my naked body all over with its tongues, That it will not endanger me with the fevers that have deposited themselves in it, That all is clean forever and forever, That the cool drink from the well tastes so good, That blackberries are so flavorous and juicy, That the fruits of the apple-orchard and the orange-orchard, that melons, grapes, peaches, plums, will none of them poison me, That when I recline on the grass I do not catch any disease, Though probably every spear of grass rises out of what was once a catching disease. Now I am terrified at the Earth, it is that calm and patient, It grows such sweet things out of such corruptions, It turns harmless and stainless on its axis, with such endless successions of diseas'd corpses, It distills such exquisite winds out of such infused fetor, It renews with such unwitting looks its prodigal, annual, sumptuous crops, It gives such divine materials to men, and accepts such leavings from them at last.

But as the train pulls away, a woman comes to the back door of one of the houses—just the figure of a woman, for you cannot make out the face—and she has a pan in her hands and she flings the water out of the pan to make a sudden tattered flash of silver in the light. She goes back into the house. To what is in the house. The floor of the house is thin against the bare ground and the walls and the roof are thin against all of everything which is outside, but you cannot see through the walls to the secret to which the woman has gone in. The train pulls away, faster now, and the woman is back there in the house, where she is going to stay. She’ll stay there. And all at once, you think that you are the one who is running away, and who had better run fast to wherever you are going because it will be dark soon. The train is going pretty fast now, but its effort seems to be through a stubborn cloying density of air as though an eel tried to swim in syrup, or the effort seems to be against an increasing and implacable magnetism of earth. You think that if the earth should twitch once, as the hide of a sleeping dog twitches, the train would be jerked over and piled up and the engine would spew and gasp while somewhere a canted-up wheel would revolve once with a massive and dreamlike deliberation. But nothing happens, and you remember that the woman had not even looked up at the train. You forget her, and the train goes fast, and is going fast when it crosses a little trestle. You catch the sober, metallic, pure, late-light, unriffled glint of the water between the little banks, under the sky, and see the cow standing in the water upstream near the single leaning willow. And all at once you feel like crying. But the train is going fast, and almost immediately whatever you felt is taken away from you, too.

Wondering if Westcliff was going to reprimand the boys for allowing her and Daisy to play, Lillian said uneasily, “Arthur and the others—it wasn’t their fault—I made them let us into the game—” “I don’t doubt it,” the earl said over her shoulder. “You probably gave them no chance to refuse.” “You’re not going to punish them?” “For playing rounders on their off-time? Hardly.” Removing his coat, Westcliff tossed it to the ground. He turned to the catcher, who was hovering nearby, and said, “Jim, be a good lad and help field a few balls.” “Yes, milord!” The boy ran in a flash to the empty space on the west side of the green beyond the sanctuary posts. “What are you doing?” Lillian asked as Westcliff stood behind her. “I’m correcting your swing,” came his even reply. “Lift the bat, Miss Bowman.” She turned to look at him skeptically, and he smiled, his eyes gleaming with challenge. “This should be interesting,” Lillian muttered. Taking up a batter’s stance, she glanced across the field at Daisy, whose face was flushed and eyes over-bright in the effort to suppress a burst of laughter. “My swing is perfectly fine,” Lillian grumbled, uncomfortably aware of the earl’s body just behind hers. Her eyes widened as she felt his hands slide to her elbows, pushing them into a more compact position. As his husky murmur brushed her ears, her excited nerves seemed to catch fire, and she felt a flush spreading over her face and neck, as well as other body parts that, as far as she knew, there were no names for. “Spread your feet wider,” Westcliff said, “and distribute your weight evenly. Good. Now bring your hands closer to your body. Since the bat is a few inches too long for you, you’ll have to choke up on it—” “I like holding it at the base.” “It’s too long for you,” he insisted, “which is why you pull your swing just before you hit the ball—” “I like a long bat,” Lillian argued, even as he adjusted her hands on the willow handle. “The longer the better, as a matter of fact.” A distant snicker from one of the stable boys caught her attention, and she glanced at him suspiciously before turning to face Westcliff. His face was expressionless, but there was a glitter of laughter in his eyes. “Why is that amusing?” she asked. “I have no idea,” Westcliff said blandly, and turned her toward the pitcher again.

She'd loved birds long before her physical limitations kept her grounded. She'd found a birding diary of her grandmother's in a trunk in the attic when she was Frankie's age, and when she asked her father about it, he dug through boxes on a shelf high above her head, handing down a small pair of binoculars and some field guides. She'd seen her first prothonotary warbler when she was nine, sitting alone on a tupelo stump in the forest, swatting at mosquitoes targeting the pale skin behind her ears. She glanced up from the book she was reading only to be startled by an unexpected flash of yellow. Holding her breath, she fished for the journal she kept in her pocket, focusing on the spot in the willow where he might be. A breeze stirred the branches, and she saw the brilliant yellow head and underparts standing out like petals of a sunflower against the backdrop of leaves; the under tail, a stark white. His beak was long, pointed and black; his shoulders a mossy green, a blend of the citron yellow of his head and the flat slate of his feathers. He had a black dot of an eye, a bead of jet set in a field of sun. Never had there been anything so perfect. When she blinked he disappeared, the only evidence of his presence a gentle sway of the branch. It was a sort of magic, unveiled to her. He had been hers, even if only for a few seconds. With a stub of pencil- 'always a pencil,' her grandmother had written. 'You can write with a pencil even in the rain'- she noted the date and time, the place and the weather. She made a rough sketch, using shorthand for her notes about the bird's coloring, then raced back to the house, raspberry canes and brambles speckling bloody trails across her legs. In the field guide in the top drawer of her desk, she found him again: prothonotary warbler, 'prothonotary' for the clerks in the Roman Catholic Church who wore robes of a bright yellow. It made absolute sense to her that something so beautiful would be associated with God. After that she spent countless days tromping through the woods, toting the drab knapsack filled with packages of partially crushed saltines, the bottles of juice, the bruised apples and half-melted candy bars, her miniature binoculars slung across one shoulder. She taught herself how to be patient, how to master the boredom that often accompanied careful observation. She taught herself how to look for what didn't want to be seen.

Without thinking, she delivered a stinging slap, all her hurt and disappointment behind the impact. The imprint of her hand on his cheek shocked her. And though she immediately regretted her childish action, pride forbade her to own up to it. "Mind your manners, next time, Sinclair!" Across the yard, Luter Hicks halted and burst into guffaws. "Guess she told you, lapdog! Hey, honey," he called to Willow, "if he ain't satisfying you, how 'bout lettin' me warm your bed tonight?" An angry growl rolled out of Rider's throat. He pulled Willow up on her tiptoes, mashing her breasts against his hard chest. His fingers plowed through her thick tresses, knocking her bonnet off and scattering her hair pins. Then clasping her chin between his thumb and fingers, he tipped her head back and took fierce possession of her mouth. When he finally released her lips, he set her down a little harder than necessary. "I'll kill the first man who even blinks at you," he ground out loud enough for Hicks to hear. Then in a low, no-nonsense voice,meant for her ears alone, he ordered, "Kiss me and make it look good!" Willow glanced over at Hick's eager face and cringed. Her pride be damned! Sinclair was by far the lesser evil. She swept her arms around his neck. "Whatever you say...lover," she hissed in his ear. Standing on tiptoe again, she slowly brought his head down and pasted her lips to his. But he would have none of her stiff-lipped kiss and increased the pressure on her mouth until she opened to his brazen tongue. As the kiss deepened, he spread one big hand at the base of her spine and molded her stomach against his hard, hot need. Willow's blood sang, her anger instantly gone in the heat of the moment. "Mr. Sinclair!" Miriam interrupted in a berating tone. "You degrade this young lady with your public display. Unhand her at once!" Without his supporting arms, Willow's weak knees barely held her upright. She stumbled backwards, thoroughly stunned by her backfiring emotions. A loud crash snapped her to her senses when Luther threw his plate against the house and stomped off to the bunkouse. Rider collected himself and stooped to pick up Willow's discarded bonnet. Carefully brushing the dust off, he handed it to her without a word. Willow took her hat, gave him a perfunctory nod, and ground her heel into his toe as she pivoted to enter the house. Unaware of the young man's pained expression, Miriam followed on the girl's heels. "Talk about circuses!" she exclaimed, closing the door behind them. "It was just an act for Hick's benefit," Willow defended. Feeling the need to escape Miriam's all-too-knowing glance,she headed down the hall to her room. A heavy boot kicked at the door. Miriam opened it and Rider limped in. "Where do you want these?" he growled testily from behind a tower of packages. "Put them on the settee for now, thank you," Miriam said. "I'd have you carry them back to Willow's room but it isn't a healthy place for you right now." Rider only grunted,dumped the bundles, and returned to the wagon for another armload.

He’d gotten into a fight with his sister, Splayfoot, over a particularly juicy dwarf willow he’d found. Just as he had prised the branches from the ground and had begun to strip them of their succulent leaves, the calf had come bustling over to him and had tried to push him away so she could get at the willow herself. His willow.

that Malfoy and the rest of the Slytherin team arrived for the match riding dragons. He was flying at breakneck speed, trying to avoid a spurt of flames from Malfoy’s steed’s mouth, when he realized he had forgotten his Firebolt. He fell through the air and woke with a start. It was a few seconds before Harry remembered that the match hadn’t taken place yet, that he was safe in bed, and that the Slytherin team definitely wouldn’t be allowed to play on dragons. He was feeling very thirsty. Quietly as he could, he got out of his four-poster and went to pour himself some water from the silver jug beneath the window. The grounds were still and quiet. No breath of wind disturbed the treetops in the Forbidden Forest; the Whomping Willow was motionless and innocent-looking. It looked as though the conditions for the match would be perfect. Harry set down his goblet and was about to turn back to his bed when something caught his eye. An animal of some kind was prowling across the silvery lawn. Harry dashed to his bedside table, snatched up his glasses, and put them on, then hurried back to the window. It couldn’t be the Grim — not now — not right before the match — He peered out at the grounds again and, after a minute’s frantic searching, spotted it. It was skirting the edge of the forest now. . . . It wasn’t the Grim at all . . . it was a cat. . . . Harry clutched the window ledge in relief as he recognized the bottlebrush

It doesn’t take a farm to invoke the iron taste of leaving in your mouth. Anyone who loves a small plot of ground — a city garden, a vacant lot with some guerilla beds, a balcony of pots — understands the almost physical hurt of parting from it, even for a minor stint. I hurt every day I wake up in our city bed, wondering how the light will be changing over the front field or across the pond, whether the moose will be in the willow by the cabin again, if the wren has fledged her young ones yet and we’ll return to find the box untended. I can feel where the farm is at any point in my day, not out of some arcane sixth sense developed from years of summer nights out there with the coyotes under the stars, but because of the bond between that earth and this body. Some grounds we choose; some are our instinctive homes.

A chill crept into his limbs and he began to question his struggle against the sure demise of his damaged flesh—so much easier to surrender, to cease the pain, to accept his fate. Instead he raised himself from the damp ground and leaning back against the willow’s gnarled trunk, he gasped for breath, his lungs heavy with fluid. And as he sat, his chin resting against his chest, his eyes upon that ancient pool, his mind began a swift unravelling, the memories cascading like a turbulent river bound for union with the endless sea.

A riot of transparent blue flowers grew up the side of a tree, reaching its highest branches and sending tendrils of milky blue to nearby trees. A net made of tiny lilac-hued blossoms crawled over the moss, snaking into the patterns of the bark. And overhanging the path, where two branches came close to touching each other, a canopy that looked as though it must have been made of downy feathers, if feathers could be diluted into something like a cloud. It was eerily strange, yet so beautiful. "Who made this?" she murmured, tracing a blossom of syrup gold suspended by a streamer from something not unlike a willow tree. "Did you?" "No one made it," the girl answered. "It is just--- this place. It takes what is given from your world and uses it." "The whole world---the world does this magic?" "What is magic?" The girl lifted her finger and beckoned Delphine. She pulled a thread from the red broadcloth. "Where did this come from?" "It's wool, the fibers from a sheep. It's cut off, and spun, and woven, and---" "Sheep. Where did 'sheep' come from?" Delphine paused. "I--- I suppose from some wild animal, domesticated many years ago." "Ah. A wild animal. A creature, begot from--- what? Its dam and sire?" She shook her head. "Now that is magic. And your plants--- they sprout, from seeds in the ground? That, too, is magic." She tested the thread between her fingers, rolling it--- no, Delphine saw with wonder, stretching it. It became thin under her fingers, flat like a ribbon, and lengthened, the color washing from scarlet to pink to palest apple blossom as the single thread became two yards long and the girl wrapped it around the crown of her head, binding her wheat-sheaf hair. "And that is what we call magic.

Several tall trees edging the school grounds rustled in the wind — the old oaks nudging each other and the younger willows whispering little fanciful commentaries as they observed the two young people together.

She’s gone, Kate. Willow is gone,” he said before releasing me. I crumpled into a heap on the ground.

Their anguish filled the space beneath the willow’s arms, and hidden roots pulled their sorrow into the ground, where it fed the heavenly flowers and earthworms alike.

She is mine, do you understand me? You do not fucking touch her. You don’t fucking talk to her. You don’t even fucking look at her. You’re lucky I’m allowing you to continue breathing the same air as her. And if you fuck up a single one of those rules regarding her, you’ll forfeit that privilege as well. I’ll bury you on the grounds, six feet under, and you’ll be alive when I do it. At least, for as long as it takes for you to suffocate as your lungs fill with earth and you spend your last few miserable minutes of life contemplating why you should never fuck with me. Do I make myself abundantly clear?

Birds of the Western Front Your mess-tin cover's lost. Kestrels hover above the shelling. They don't turn a feather when hunting-ground explodes in yellow earth, flickering star-shells and flares from the Revelation of St John. You look away from artillery lobbing roar and suck and snap against one corner of a thicket to the partridge of the war zone making its nest in shattered clods. History floods into subsoil to be blown apart. You cling to the hard dry stars of observation. How you survive. They were all at it: Orchids of the Crimea nature notes from the trench leaving everything unsaid - hell's cauldron with souls pushed in, demons stoking flames beneath - for the pink-flecked wings of a chaffinch flashed like mediaeval glass. You replace gangrene and gas mask with a dream of alchemy: language of the birds translating human earth to abstract and divine. While machine-gun tracery gutted that stricken wood you watched the chaffinch flutter to and fro through splintered branches, breaking buds and never a green bough left. Hundreds lay in there wounded. If any, you say, spotted one bird they may have wondered why a thing with wings would stay in such a place. She must have, sure, had chicks she was too terrified to feed, too loyal to desert. Like roots clutching at air you stick to the lark singing fit to burst at dawn sounding insincere above the burning bush: plough-land latticed like folds of brain with shell-ravines where nothing stirs but black rats, jittery sentries and the lice sliding across your faces every night. Where every elixir's gone wrong you hold to what you know. A little nature study. A solitary magpie blue and white spearing a strand of willow. One for sorrow. One for Babylon, Ninevah and Northern France, for mice and desolation, the burgeoning barn-owl population and never a green bough left.

Neither. Have. I,” she gritted out. “I’m sorry you don’t trust me. I will do everything possible to make you see that you can trust me. But you are not going to tell me who my friends can be.” “Yeah, and what if you weren’t with me, what then?” he said, his voice low and fierce. “Would you still just want to be friends with him?” She started to answer; stopped abruptly. “That’s…not a fair question.” Deep down he knew she was right, and that if the same question were posed to him about Kara, his reaction would have to be the same. It didn’t matter. “No, but you just answered it anyway,” he ground out. “Like I said: choose. I don’t want that guy in my life.” Willow’s chin snapped up; he saw again how furious she was. “No, I won’t choose – you’re being completely unfair. Seb’s the only other half-angel I know in the world; I’m not going to cut him out of my life just because you’re acting like a jealous jerk.

It will produce branches and bear fruit and become a splendid cedar….” —Ezekiel 17:23 (NIV) I e-mailed my siblings: “Prayers appreciated for a talk I’m giving on Thursday afternoon.” Several responded, relaying the sentiment “God is with you, and so are we.” At the appointed hour, I encouraged participants to compare their prayers to trees. I displayed photographs and artists’ renderings of gnarly olive trees, weeping willows, deserted palms, orange-laden orchards…. I handed out colored pencils and suggested they draw a tree that represented their recent prayers. “Imagine Jesus as the trunk—the core ‘vine’—and your prayers as the branches. Then consider the big picture: Whom is your prayer tree shading or protecting? Where is it in the seasonal cycles—producing hopeful spring blossoms or mature fruit? Do your prayer-branches reach for the sky in praise or bend close to the ground with requests? Is your tree in a solitary setting, or do you prefer praying when you’re surrounded by peers, as in a grove?” Eventually I asked them to explain their pictures. A husband had sketched two leafy trees side by side, representing his prayers with his wife. A mother had envisioned a passel of umbrella-shaped twigs, symbolizing parental prayers of protection. When I was packing up, a woman who’d held back earlier showed me a nearly hidden detail of her flourishing tree. At the base of the trunk, underneath grassy cover, she’d outlined deep roots. “They represent the grounding of my family, my upbringing.” “Oh my!” I smiled. “You introduced a whole new dimension.” I drove home with a revitalized prayer—like limbs stretching upward with thanksgiving—for my natal family and many others who have enriched my relationship with God. Lord, thank You for the grounding of my faith through my family and the family of God. —Evelyn Bence Digging Deeper: Ps 103:17–18; Prv 22:6

Weeping Willow Weeping willow, how your elongated leaves dangle in the mist of the air, you bring such true comfort into the needful eye. How your leaves sway from left to right, providing your own intricate dance so divine. Weeping willow, you provide the most comforting shade upon your layer of leaves making me feel encircled with love and safety. Weeping willow, as I lay under your silvery leaves, I look up for a helping hand, I see strength within your structure, can you help me? Weeping willow, as I climb upon you will you make sure I won't fall, will you catch me if I do? Weeping willow, as I sit upon you looking to the sky through your rustling leaves, will you hear my pain? Can I overcome such things? The weeping willows long leafed branches sway back and forth providing the gentlest of winds across one's face. The eyes close so slowly, a sigh escapes one's mouth. As one sits on the branch they feel if there is someone watching over them, comfort arises as the branches nestle one's sorrows. A tear slowly slides down their cheek as if all emotion was escaping them. The wind starts to slowly blow, once again the elongated leaved branches sway back and forth against the song of the wind, creating one's smile to appear slowly but surely. The long silvery leaves brush against ones cheek, as if it was the hand of comfort, wiping the sadness away. Weeping willow, I will climb down now, I have heard what you have had to say... The one steps down and walks around to the back of the willow tree as it faces such gleaming waters. They look at the carving at the back of the tree, something that has been carved there for years upon the dark bark. Their body slumps to the ground as their back presses against the bark, fingers reaching up to trace the well known loved one. The carved initials of a beloved memory. The one whispers, "Thank you for hearing me, Dad.

You might even say there is a tree for every mood and every moment. When you have something precious to give to the universe, a song or a poem, you should first share it with a golden oak before anyone else. If you are feeling discouraged and defenceless, look for a Mediterranean cypress or a flowering horse chestnut. Both are strikingly resilient, and they will tell you about all the fires they have survived. And if you want to emerge stronger and kinder from your trials, find an aspen to learn from–a tree so tenacious it can fend off even the flames that aim to destroy it. If you are hurting and have no one willing to listen to you, it might do you good to spend time beside a sugar maple. If, on the other hand, you are suffering from excessive self-esteem, do pay a visit to a cherry tree and observe its blossoms, which, though undoubtedly pretty, are no less ephemeral than vainglory. By the time you leave, you might feel a bit more humble, more grounded. To reminisce about the past, seek out a holly to sit under; to dream about the future, choose a magnolia instead. And if it is friends and friendships on your mind, the most suitable companion would be a spruce or a ginkgo. When you arrive at a crossroads and don’t know which path to take, contemplating quietly by a sycamore might help. If you are an artist in need of inspiration, a blue jacaranda or a sweetly scented mimosa could stir your imagination. If it is renewal you are after, seek a wych elm, and if you have too many regrets, a weeping willow will offer solace. When you are in trouble or at your lowest point, and have no one in whom to confide, a hawthorn would be the right choice. There is a reason why hawthorns are home to fairies and known to protect pots of treasure. For wisdom, try a beech; for intelligence, a pine; for bravery, a rowan; for generosity, a hazel; for joy, a juniper; and for when you need to learn to let go of what you cannot control, a birch with its white-silver bark, peeling and shedding layers like old skins. Then again, if it’s love you’re after, or love you have lost, come to the fig, always the fig.

Into The Abyss In the midst of the wailing winds In the thickets of the ghastly fields I found a ring lying on the ground With the footsteps to follow around Frightened yet resolute, out in the dark i go In the willows beside the river An old man creaked in his chair in a queer "It has eyes everywhere, You can't escape once you're here" He whispered, as if his last breath And out in the dark I go In the cricket's cries, under the hollow moon I saw a graveyard with tombs dug through "Dead celebrate when the night is nigh For they revel in the living's cry", Said the men with the axe in tow, And out in the dark I go Somewhere out in the dark, distraught The footprints I stumbled upon were gone I had to return the ring, i thought But the one i was carrying was gone Where am I? I wish I would've known I stared into the abyss, all alone No soul within, nor outside stark I shouldn't have gone out in the dark I shouldn't have gone out in the dark

Promise me,” she demands, her voice powerful and fierce as she keeps her hands locked around my throat. “Promise that you’ll never leave. Promise that, no matter what happens, we’ll face it together.” “Darling, the next time I let you get away from me, they’ll be putting you in the ground. And I’ll be right there, waiting in the dirt beside you. You and me? We’re fucking forever.

When grandfather Henry, that masterful man, removed across the border, he was followed by a patriarchal train of manservants and maidservants, mares, geldings, and spaniels, vans full of household stuff, and slow country waggons loaded with nodding greenery. “I want to make sure of a good eating apple,” said he, “since I am going to Lady Place for life.” Death was another matter. The Willowes burial-ground was in Dorset, nor would Henry lie elsewhere. Now it was Everard’s turn. The dead appeared to welcome him without astonishment—the former Everards and Tituses, Lauras and Emmelines; they were sure that he would come, they approved his decision to join them.

Whichever of Caden Ashford’s kinks I’m playing into tonight as I shiver from the cold and trip over uneven ground in my heels looking for a good place to hide, I can safely say I’m not fucking into it.

How can he be calm when there’s some random stranger touching his half-naked girlfriend? That’s basically grounds for murder. I’ve heard him threaten as much more times than I can count.

Don’t ask me how she does it, but she fucking does. The damned woman can be on her knees and still looking down on you from the moral high ground.

But they didn't. The person outside bent down, zipped her tent open, then peeked inside. Before Sophie could even scream, this person grabbed her, then zipped up her sleeping bag until it covered her face completely. Sophie tried to scream and kick but was lifted off the ground and was soon moving swiftly through the night.

You might even say there is a tree for every mood and every moment. When you have something precious to give to the universe, a song or a poem, you should first share it with a golden oak before anyone else. If you are feeling discouraged and defenceless, look for a Mediterranean cypress or a flowering horse chestnut. Both are strikingly resilient, and they will tell you about all the fires they have survived. And if you want to emerge stronger and kinder from your trials, find an aspen to learn from – a tree so tenacious it can fend off even the flames that aim to destroy it. If you are hurting and have no one willing to listen to you, it might do you good to spend time beside a sugar maple. If, on the other hand, you are suffering from excessive self-esteem, do pay a visit to a cherry tree and observe its blossoms, which, though undoubtedly pretty, are no less ephemeral than vainglory. By the time you leave, you might feel a bit more humble, more grounded. To reminisce about the past, seek out a holly to sit under; to dream about the future, choose a magnolia instead. And if it is friends and friendships on your mind, the most suitable companion would be a spruce or a ginkgo. When you arrive at a crossroads and don’t know which path to take, contemplating quietly by a sycamore might help. If you are an artist in need of inspiration, a blue jacaranda or a sweetly scented mimosa could stir your imagination. If it is renewal you are after, seek a wych elm, and if you have too many regrets, a weeping willow will offer solace. When you are in trouble or at your lowest point, and have no one in whom to confide, a hawthorn would be the right choice. There is a reason why hawthorns are home to fairies and known to protect pots of treasure. For wisdom, try a beech; for intelligence, a pine; for bravery, a rowan; for generosity, a hazel; for joy, a juniper; and for when you need to learn to let go of what you cannot control, a birch with its white-silver bark, peeling and shedding layers like old skins. Then again, if it’s love you’re after, or love you have lost, come to the fig, always the fig.

feathers projecting from her hat as of the bellhops dragging her luggage behind her. But what guaranteed her position as the natural center of attention were the two borzois she had on leash. In an instant the Count could see that they were magnificent beasts. Their coats silver, their loins lean, their every sense alert, these dogs had been raised to give chase in the cold October air with a hunting party hot on their heels. And at day’s end? They were meant to sit at the feet of their master before a fire in a manor house—not adorn the hands of a willow in the lobby of a grand hotel. . . . The injustice of this was not lost on the dogs. As their mistress addressed Arkady at the front desk, they tugged every which way, sniffing about for familiar landmarks. “Stop it!” the willow commanded in a surprisingly husky voice. Then she yanked in a manner that showed she had no more familiarity with the wolfhounds on her leashes than she had with the birds that had feathered her hat. The Count gave the situation the shake of the head it deserved. But as he turned to go, he noticed with some amusement that a slender shadow suddenly jumped from behind a wingback chair to the edge of one of the potted palms. It was none other than Field Marshal Kutuzov attaining higher ground to take measure of his foes. When the dogs turned their heads in unison with their ears upright,

ersatz Fleisch, meaning fake meat made from cooked rice mashed and fried in mutton fat, or ersatz Fisch, which was also mashed rice but mixed with onions and the oil from tinned fish. Baking bread became challenging as wheat supplies were mostly diverted to the army, but housewives swapped ideas for substituting ground horse chestnuts or pea meal or potato starch.

Through a break in the willows, if the fog isn't too heavy, you can see the edge of what everyone around here calls the Waters, where a sort of island rises up, accessible by a bridge three planks wide, strung between oil barrels floating on the watery muck. There, under the branches of sycamores, oaks, and hackberries, the green-stained Rose Cottage sinks on the two nearest corners so that it appears to be squatting above the bridge, preparing to pitch itself into the muck. Beyond the cottage, the trees give way to a mosquito-infested no-man's-land of tussocks, marshes, shallows, hummocks, pools, streams, and springs a half mile wide between solid ground and the Old Woman River. This is where Herself harvested wild rice, cattails, staghorn sumac, and a thousand other plants.

Habitat. The environmental niche occupied by a plant reflects stresses and conditions which it has had to adapt to, and these often correspond to conditions in the organism. Plants which grow in wet situations often relate to organ systems which handle dampness in the body, such as the lymphatics and kidneys. They correspond to diseases produced by an excess of dampness—respiratory problems, mucus, lymphatic stagnation, swollen glands, kidney and bladder problems, intermittent fever and rheumatic complaints (rheuma = dampness in Greek). Here we think of Horsetail (low, wet sands/kidneys), Eryngo (salty, sandy seashores/kidneys), Gravel Root (swamps/kidneys), Swamp Milkweed (swamps/kidneys), Hydrangea (sides of streams/kidneys), Boneset (wet soils/joints and fever), Willow (low ground/joints and fever), Meadowsweet (low ground/rheumatic pains, intermittent fever), Northern White Cedar (cedar swamps and margins of lakes/lymphatics), Labrador Tea (cedar swamps and margins of lakes/lymphatics), various Knotweeds (low ground/kidneys), Sweet Flag (swamps/mucus, lungs and joints), Angelica (damp, shady, cool valleys/damp, cold rheumatic and respiratory conditions).

Habitat. The environmental niche occupied by a plant reflects stresses and conditions which it has had to adapt to, and these often correspond to conditions in the organism. Plants which grow in wet situations often relate to organ systems which handle dampness in the body, such as the lymphatics and kidneys. They correspond to diseases produced by an excess of dampness—respiratory problems, mucus, lymphatic stagnation, swollen glands, kidney and bladder problems, intermittent fever and rheumatic complaints (rheuma = dampness in Greek). Here we think of Horsetail (low, wet sands/kidneys), Eryngo (salty, sandy seashores/kidneys), Gravel Root (swamps/kidneys), Swamp Milkweed (swamps/kidneys), Hydrangea (sides of streams/kidneys), Boneset (wet soils/joints and fever), Willow (low ground/joints and fever), Meadowsweet (low ground/rheumatic pains, intermittent fever), Northern White Cedar (cedar swamps and margins of lakes/lymphatics), Labrador Tea (cedar swamps and margins of lakes/lymphatics), various Knotweeds (low ground/kidneys), Sweet Flag (swamps/mucus, lungs and joints), Angelica (damp, shady, cool valleys/damp, cold rheumatic and respiratory conditions). It is interesting to note that sandy, gravely soils are also a signature for kidney remedies (Horsetail, Eryngo, Gravel Root, Gromwell, False Gromwell, Uva ursi, etc.)

In that awareness, looking over the objects on my desk—the basket, the candle, the paper—I delight in following their origins back to the ground. I twirl a pencil—a magic wand lathed from incense cedar— between my fingers. The willow bark in the aspirin. Even the metal of my lamp asks me to consider its roots in the strata of the earth. But I notice that my eyes and my thoughts pass quickly over the plastic on my desk. I hardly give the computer a second glance. I can muster no reflective moment for plastic. It is so far removed from the natural world. I wonder if that’s a place where the disconnection began, the loss of respect, when we could no longer easily see the life within the object.

We have a multitude of treasure maps that transcend differences in culture. And when we arrive at the treasure itself, we recognize that we are beloved, eternal expressions of the Divine, and so is everyone else. The only difference is who knows it and who hasn’t remembered it yet. The trip to the treasure, and the packaging of it, may be as different as the rose is from the passion flower, or the oak from the weeping willow—and just as delightful if we celebrate its unique expression. Regardless of accent and emphasis, messengers of the Word agree on many points: Look inside Self for the truth. Breathe with awareness. Pay attention. Be still and listen. Have faith. Accept grace. Be grateful.

Mystical Sled Ride Knik to Willow, the race is on, across the Tundra, miles from home, Girl in Red flies through the snow, shimmering dreams of ice-rainbows. Sinuous bodies seem to fly like a wolf-pack going by! How they thunder as they run steaming fur, in icy sun. Knik to Willow, the race is on, across the Tundra, miles from home, Girl in Red, how swift she speeds, climbing mountains for the lead! Snowy lakes, and frozen streams, over land of Inuit dreams, slippery trails on icy ground, pelting paws thunder their sound! Knik to Willow, the race is on, across the Tundra, miles from home, sunburst, golden, brief respite in winter woods, as day meets night. Hear the music floating by, Girl in Red soars to the sky! Bodies, legs and lightest paws, across the line to great applause! Knik to Willow, now darkness falls, see the mushers fight for all! Persistence, courage, strength and care, mushers see it through, and dare! Running fast, but running late, the world it watches, still awake. The brightest lantern is their guide, stars gaze down – no longer hide. Knik to Willow, the race was on, and now the sled dogs all are home; meat is plenty for them all, winners, losers, victors all. When Northern Lights dance in the snow, Girl in Red, just hear them go! Howls pierce the air, like darts - so fast they run, their beating hearts.

fewer berries to pick in the summer, fewer animals to hunt in the fall and winter, less ice and snow—green grass in January, bees in February, pussy willow blooming three months early. “There’s so much not normal stuff going on.

While his former comrade struggled on mile after mile and day after day through the willow thickets and over the talus debris on the river’s shore. Search parties in powerboats cruised down the river and back again but incredibly failed to see him. He saw them but was too exhausted to shout, lacked matches to start a fire, and apparently was too frightened or too delirious to stay at one spot and construct some kind of distress signal. “They never looked in the right direction,” he would later explain, bitterly. And therefore crawled on over the rocks under the desert sun. Now and then catching a lizard which he ate raw and whole. “Tasted like tuna,” he reported. Finally he was discovered ten days after the search began near an abandoned miner’s shack below Dead Horse Point. They found him sitting on the ground hammering feebly at an ancient can of beans, trying to open the can with a stone. Hospitalized for exposure, shock and malnutrition, he urged that the entrance to Cataract Canyon be somehow chained off, closed forever to human exploration. (Some

We put our feet on the hard ground, take in the night air and look around as if this whole place has sprung up for us and us alone. Not just the house, but the ancient trees, the watching insects, the stars and even the moon. But they have all lives without us for lifetimes that make our own look like the blink of an eye.

stopped at once, swaying gently with suddenly halted momentum. All the fronds twitched and fell limp, hanging in gentle curtains like willow fronds ought to, and there was a shower of dislodged leaves and twigs. If the tree-sprite got its hand back on the tree, Alice was certain, it would all start back up again. The fall seemed to have stunned it, and she didn’t intend to give it a chance to recover. The swarmers dropped from the branches like a rain of strange-shaped fruit, bouncing and rolling across the uneven ground, then homing in on the ape-like thing. They charged beak-first, burying the points into its skin, slashing and cutting. Alice, recalling the vicious sharpness of those beaks, quailed at the sight, but there seemed to be no flesh or blood in the tree-sprite. Chunks of bark came away with dry cracks and pops. The thing started to move, freeing its hand from the broken branch and swatting feebly at its tormentors. Alice directed the swarmers to pin it to

Perhaps, after all this bother, life was only a choice between two kinds of brutality: the wretched sort that lay on the ground before her, and the civilized sort she had left behind.

Pothole in the Sky My veins ground too deep to become a statue,
And the flight is delayed too late—
So I take off again. I take off without the vein of the city
That lifts me to heaven with a million lights
And a few streets in between. The darkness blooms like a desert,
And in my aeroplane, I become a small flower,
Travelling too far and without sight. Clouds outside windows become a stair frame,
And the dark blue of mornings drifts by,
While I dream of Paris and every thought 
That drifted by.