Groovy Sayings And Quotes

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There should be more natural disasters. I like those because you can't blame anyone. You can't put an earthquake on trial. You can't send a flood to the chair. Look at the fucking zoo I live in. All these bent up little players running around through the ruins saying, "Isn't this groovy and decadent? Cool!" Looking like Death and thinking they're something. I would like to help. I really would. I wonder if the guy at the gun store would give me a discount on the bullets I'll need if I told him what I was up to.
Henry Rollins (Eye Scream)
May, will you please, kindly DIG it," he remembered one of them saying, "and hold up on all those wonderful seven-dollar questions? If you got to ask what IS it all the time, you'll never get time to KNOW.
Robert M. Pirsig (Zen and the Art of Motorcycle Maintenance: An Inquiry Into Values (Phaedrus, #1))
At Camp Don Bosco, there were Bibles all over the place, mostly 1970s hippie versions like Good News for Modern Man. They had groovy titles like The Word or The Way, and translated the Bible into “contemporary English,” which meant Saul yelling at Jonathan, “You son of a bitch!” (I Samuel 20:30). Awesome! The King James version gave this verse as “Thou son of the perverse rebellious woman,” which was bogus in comparison. Maybe these translations went a bit far. I recall one of the Bibles translating the inscription over the cross, “INRI” (Iesus Nazaremus Rex Iudaeorum), as “SSDD” (Same Shit Different Day), and another describing the Last Supper — the night before Jesus’ death, a death he freely accepted — where Jesus breaks the bread, gives it to his disciples, and says, “It’s better to burn out than fade away,” but these memories could be deceptive.
Rob Sheffield (Love Is a Mix Tape: Life and Loss, One Song at a Time)
I’m very helpful until she’s finished with problem thirty-one. “How’d I do?” she asks. “Groovy. Once you’ve divided by Y, you didn’t have any more problems.” She beams down at her paper. “Also? You look really touchable in that sweater. Just saying.
Sarina Bowen (Heartland (True North, #7))
Waternish Estate was sold to a Dutchman in the 1960s when Bad-tempered Donald died. In turn, the Dutchman sold a part of the estate to the Scottish singer-songwriter Donovan. Donovan was the first of the British musicians to adopt the flower-power image. He is most famous for the psychedelically fabulous smash hits “Sunshine Superman,” “Season of the Witch” and “The Fat Angel,” and for being the first high-profile British pop star to be arrested for the possession of marijuana. Donovan has a history of being deeply groovy and of being most often confused with Bob Dylan, which reportedly annoys Donovan quite a lot. “Sometime in the early seventies, Bob Dylan bought part of the estate,” Mum tells me. “But he put a water bed on the second floor of the house for whatever it is these hippies get up to, and it came crashing through the ceiling.” “Not Bob Dylan,” I say. “Donovan.” “Who?” Mum says.
Alexandra Fuller (Cocktail Hour Under the Tree of Forgetfulness)
I started reading. Was I hallucinating? Had I really once loved this book? And were these truly the views of groovy Berkeley, California, women in the 1970s? Interspersed between paeans to the glory of homemade bread and recipes for cashew gravy were meditations on the nature of women that struck me as so essentialist and retrograde that they might have come from a fundamentalist religious sect. “I would never go on record as saying ‘a woman’s place is in the home,’” wrote one of the authors. “But to my mind the most effective front for social change, the critical point where our efforts will count the most, is not in business or profession … but in the home and community, where the problems start.” In the home, kneading a big batch of cracked wheat bread, was where women—the “nurturant” sex—belonged: “No paycheck comes at the end of the month,” the authors wrote, “and no promotion: the incentive here is much less obvious, and much more worthy of you as a human being.
Jennifer Reese (Make the Bread, Buy the Butter: What You Should and Shouldn't Cook from Scratch -- Over 120 Recipes for the Best Homemade Foods)
Yo, I wonder if I can see our crib from here,” said Jean-Cowphio, peering over the edge. “What’s a crib, dude?” asked Slimoth. “It’s what cool cats like me say instead of ‘house’,” said Jean-Cowphio. “Groovy,” said Slimoth. “I’m gonna start saying crib too.
Dave Villager (Dave the Villager 29: An Unofficial Minecraft Novel (The Legend of Dave the Villager))
Eliminate the word HATE and replace it with LOVE. The words: hate, hatred, hating, haters, hate that, hate this...and so forth. Stop people when they say them. Stop people from expressing any of those words in action. Make the word HATE as old as GROOVY. The word LOVE has been proven to be the most beautiful word. Learn to use it and put it into action - any which way you can.
Suzy Kassem
So now when a fight starts up I don't walk away like I used to, I crowd in and wait for those ghost words to start coming up. I've heard chump and howler and groovy, I've heard fuzz and kike and kraut and coon and square and roughhouse and lightweight and freak show and mama's boy and cancer stick and fairy and party hearty and flyboy and knuckle sandwich, and I grab up these expressions, I trap them in my head and I save them. Because every one has the DNA of a whole life in it, a life where those words fit in and made sense because everyone else was saying them, too.
Jennifer Egan (The Keep)
She kissed him quick but deep with her tongue; bubbling over, she pulled away from his mouth, still in an arm-on-shoulders mutual embrace, said: 'Jack, Jack I watched you on television, I mean really watched you, really saw for the very first time what you were doing. You were magnificent, you were everything I always knew you would be the first day I met you in Berkeley, but better — better than anything I could've imagined—because then I was a girl, and you were a boy, and today you were a man, and I ... Well, maybe at the advanced age of thirty-five I'm leaving adolescence and I'm ready to try loving you the way a woman should love a man.' 'That's ... uh ... groovy,' he said, and now she thrilled even at the way he was preoccupied, the old Berkeley distant-focus preoccupation, thinking through her, above her, warm exciting man-thoughts enveloping her in him were the moments she had always loved him most. 'Groovy, and I dig what you're saying — I mean about us. But the show . . . look, Sara, there are things I've got to tell you. I mean, don't think I'm back in the silly old Baby Bolshevik bag. I suppose it looked that way to a lot of people, and there were moments when I ... but I don't do things without a reason, and there are things going on that—' 'I know, Jack,' she said. 'You don't even have to tell me. It stands out all over you. You're involved in something big, something important, the kind of thing you were always meant to do. Something real like you used to — ' 'It's not what you think, not what anyone thinks,' he muttered, brows furrowed at some hidden contrapuntal train of thought. 'I don't even know the whole story myself. But I feel something, can smell it ... something so big, so ... I'm afraid to even think about it until I —
Norman Spinrad (Bug Jack Barron)
As they went inside a shop they noticed they had attracted a following. ‘They had recognised George as we walked past them in the street, then turned to follow us,’ said Pattie. ‘One minute there were five, then 10, 20, 30 and 40 people behind us. I could hear them saying, “The Beatles are here, the Beatles are in town!”’299 For Harrison the area was far from the hippie utopia he had anticipated. ‘I went there expecting it to be a brilliant place, with groovy gypsy people making works of art and paintings and carvings in little workshops. But it was full of horrible spotty drop-out kids on drugs, and it turned me right off the whole scene. I could only describe it as being like the Bowery: a lot of bums and drop-outs; many of them very young kids who’d dropped acid and come from all over America to this mecca of LSD.
Joe Goodden (Riding So High: The Beatles and Drugs)
Don't mind her," Mel explained. "She's just worried about Finn." Petey tossed her wild hair. "Who says I'm worried?" Mel pressed a palm to her forehead. "Anyone want to adopt a couple of teenagers?" "They're all yours, Sweet Melissa," a man said." "Groovy," said Mel.
Laura Ruby (Bone Gap)