Grooming Dog Quotes

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Finally, a bit of luck. Rat bastard,' I hissed down at Montmartre. 'Mangy dog of a scurvy goat.' 'That doesn’t even make sense,' Isabeau murmured. 'Feels good though. Try it.' She narrowed her eyes at the top of Montmartre’s perfectly groomed hair. 'Balding donkey’s ass.' 'Nice.' 'Sniveling flea-bitten rabid monkey droppings.' 'Clearly, you’re a natural.
Alyxandra Harvey (Blood Feud (Drake Chronicles, #2))
Cats are the ultimate narcissists. You can tell this by all the time they spend on personal grooming. Dogs aren't like this. A dog's idea of personal grooming is to roll in a dead fish.
James Gorman
[Fireheart] was interrupted by a screech from Cloudtail. "Fireheart! Fireheart, Brightpaw isn't dead!" Fireheart spun around and raced across the clearing to crouch beside Brightpaw. Her white-and-ginger fur, which, she had always kept so neatly groomed, was spiky with drying blood. On one side of her face the fur was torn away, and there was blood where her eye should have been. One ear had been shredded, and there were huge claw marks scored across her muzzle.
Erin Hunter (A Dangerous Path (Warriors, #5))
From Orient Point The art of living isn't hard to muster: Enjoy the hour, not what it might portend. When someone makes you promises, don't trust her unless they're in the here and now, and just her willing largesse free-handed to a friend. The art of living isn't hard to muster: groom the old dog, her coat gets back its luster; take brisk walks so you're hungry at the end. When someone makes you promises, don't trust her to know she can afford what they will cost her to keep until they're kept. Till then, pretend the art of living isn't hard to muster. Cooking, eating and drinking are a cluster of pleasures. Next time, don't go round the bend when someone makes you promises. Don't trust her past where you'd trust yourself, and don't adjust her words to mean more to you than she'd intend. The art of living isn't hard to muster. You never had her, so you haven't lost her like spare house keys. Whatever she opens, when someone makes you promises, don't. Trust your art; go on living: that's not hard to muster.
Marilyn Hacker
...You can bring a guest to the wedding, but nobody too weird. I get that you're asexual, so, like, it can be a friend or zucchini or...' She trailed off, sounding a bit uncertain. "Yeah. Just. Nobody my parents would hate. They already don't like the groom.' 'Cool. Does my dog count as too weird?
Darcie Little Badger (Elatsoe (Elatsoe, #1))
Yes there were two great groups of dogs wrangling for the bitching-goddess: the group of the flatterers, those who offered her amusement, stories, films, plays: and the other, much less showy, much more savage breed, those who gave her meat, the real substance of money. The well-groomed showy dogs of amusement wrangled and snarled among themselves for the favors of the bitch-goddess. But it was nothing to the silent fight-to-the-death that went on among the indispensables, the bone-bringers.
D.H. Lawrence (Lady Chatterley's Lover)
Where's your dog?" Peter's voice came from within the gushing stream of water. Justin thought he must have misheard. "Pardon?" "Your dog." "Yes?" "Isn't he with you today?" Justin looked at Peter. "Ha bloody ha." Peter stuck his head out of the stream of water, features dripping. He smiled shyly. "I love greyhounds." Justin stared. "My dog is imaginary." "Oh." Peter looked interested. "That's unusual." Justin put his head under the water. When he emerged, Peter was still looking at him. "Less work," Peter offered, cheerily. "If the dog's imaginary, I mean. Not so much grooming, feeding, et cetera.
Meg Rosoff (Just in Case)
I walked her to her door and said good night, while Romeo waited. "I'll see you in the morning," I said, 'when the barking dogs arouse the sleeping tepee village and the smell of roasting coyote is in the air." "My sisters will prepare me," she said. "I shall come to your wickiup in my white doeskin dress and lose my innocence on your buffalo robe." "I will give you little ornaments to put in your hair, black as the crow's wing. I will give you red flannel and a looking-glass so that you may groom yourself." "I'd also like to have a little spending money and a charge account at Wormser's," she said. "Good night, Maiden Who Walks Like a Duck." "Good night, Warrior Who Chickens Out at the Least Sign of Trouble.
Richard Bradford (Red Sky at Morning)
We have been prepping puppies and offering pet sustenance in the Bedale territory since 1982.
alermannpetcare
Although there was nothing to do there, no one to play with, somehow it did not matter, I was happy, and at peace. Billy would be up in her bedroom writing letters—she had so many friends, she was always writing letters—she had so many friends, she was always writing letters—or she would talk to her pekinese dog Ching, which she adored, and which tried to bite her every time she groomed him.
Daphne du Maurier (Myself When Young)
The side of the van was decorated with a magnetic sign that they could easily exchange before an op. For this particular mission, they’d chosen the sign that read Clean Freaks Laundry Services. Yep, they’d let Tag design the signs. There was also a Master Painting Crew sign, Dig It Deep Plumbers, Little Bro Catering, and Adam’s Dog Grooming Services. But it looked like they were in the laundry business today.
Lexi Blake (You Only Love Twice (Masters and Mercenaries, #8))
Refreshed, delighted, invigorated, I walked along, forgetting all my cares, feeling as if I had wings to my feet, and could go at least forty miles without fatigue, and experiencing a sense of exhilaration to which I had been an entire stranger since the days of early youth. About half–past six, however, the grooms began to come down to air their masters’ horses—first one, and then another, till there were some dozen horses and five or six riders: but that need not trouble me, for they would not come as far as the low rocks which I was now approaching. When I had reached these, and walked over the moist, slippery sea–weed (at the risk of floundering into one of the numerous pools of clear, salt water that lay between them), to a little mossy promontory with the sea splashing round it, I looked back again to see who next was stirring. Still, there were only the early grooms with their horses, and one gentleman with a little dark speck of a dog running before him, and one water–cart coming out of the town to get water for the baths. In another minute or two, the distant bathing machines would begin to move, and then the elderly gentlemen of regular habits and sober quaker ladies would be coming to take their salutary morning walks. But however interesting such a scene might be, I could not wait to witness it, for the sun and the sea so dazzled my eyes in that direction, that I could but afford one glance; and then I turned again to delight myself with the sight and the sound of the sea, dashing against my promontory—with no prodigious force, for the swell was broken by the tangled sea–weed and the unseen rocks beneath; otherwise I should soon have been deluged with spray. But the tide was coming in; the water was rising; the gulfs and lakes were filling; the straits were widening: it was time to seek some safer footing; so I walked, skipped, and stumbled back to the smooth, wide sands, and resolved to proceed to a certain bold projection in the cliffs, and then return.
Anne Brontë (Agnes Grey)
You open your eyes and you know the person lying next to you is your spouse because of your past experiences together. You hear barking outside your door, and you know it’s your dog wanting to go out. There’s a pain in your back, and you remember it’s the same pain you felt yesterday. You associate your outer, familiar world with who you think you are, by remembering yourself in this dimension, this particular time and space. Our Routines: Plugging into Our Past Self What do most of us do each morning after we’ve been plugged into our reality by these sensory reminders of who we are, where we are, and so forth? Well, we remain plugged into this past self by following a highly routine, unconscious set of automatic behaviors. For example, you probably wake up on the same side of the bed, slip into your robe the same way as always, look into the mirror to remember who you are, and shower following an automatic routine. Then you groom yourself to look like everyone expects you to look, and brush your teeth in your usual memorized fashion. You drink coffee out of your favorite mug and eat your customary
Joe Dispenza (Breaking the Habit of Being Yourself: How to Lose Your Mind and Create a New One)
small dachshund tore into his backyard carrying something in his mouth. The dog stopped about ten feet in front of him, and they stared each other down. Too well groomed to be a stray, it probably belonged to his nearest neighbor, a new renter who’d just moved in.
Shelly Alexander (It's In His Touch (Red River Valley, #2))
Her mind must match the properly groomed head in which it was housed. Her movements must be made less frequent, and her conversation less artless. She must write no more poetry nor go for any more long walks unless accompanied by the proper sort of dog to take on long walks. She must learn to be serious about horses. She must learn to laugh when a book or a string quartet was mentioned, and to confess that she was not brainy. She must learn to be long-limbed and clear-eyed and inhibited. The first two qualities she possessed already, and the last she must set to work to acquire at once.
Stella Gibbons (Cold Comfort Farm)
BY THE TIME SHE WAS EIGHT, MACKENSIE ELLIOT HAD BEEN married fourteen times. She’d married each of her three best friends—as both bride and groom—her best friend’s brother (under his protest), two dogs, three cats, and a rabbit. She’d served at countless other weddings as maid of honor, bridesmaid, groomsman, best man, and officiant.
Nora Roberts (Vision in White (Bride Quartet, #1))
Even in the best of times, when we’re not stressed or needy, many of us enjoy petting our dogs as much as any other aspect of dog ownership. This is not a trivial need. Quiet stroking can significantly change your body’s physiology, lowering your heart rate and blood pressure. It releases endogenous opiates, or internal chemicals that calm and soothe us and play a significant role in good health. Lucky for us, most of our dogs adore being touched. Most normal, well-socialized dogs cherish getting belly rubs and head massages and butt scratches. Many dogs like grooming so much that they’re willing to work for it, pawing or barking whenever needed to remind their human not to stop.
Patricia B. McConnell (The Other End of the Leash: Why We Do What We Do Around Dogs)
After dinner Miss June and the family came, followed by the butler, the cook, the maids and grooms, the gardener and the kennel-man, and carols were sung for half an hour. Then presents were distributed to all the servants. At last, when goodnights and holiday greetings had been spoken, the dog and the girl were left alone in the glow of the Christmas tree.
Stephen W. Meader (Bat: The Story of a Bull Terrier)
THE MEETING" "Scant rain had fallen and the summer sun Had scorched with waves of heat the ripening corn, That August nightfall, as I crossed the down Work-weary, half in dream. Beside a fence Skirting a penning’s edge, an old man waited Motionless in the mist, with downcast head And clothing weather-worn. I asked his name And why he lingered at so lonely a place. “I was a shepherd here. Two hundred seasons I roamed these windswept downlands with my flock. No fences barred our progress and we’d travel Wherever the bite grew deep. In summer drought I’d climb from flower-banked combe to barrow’d hill-top To find a missing straggler or set snares By wood or turmon-patch. In gales of March I’d crouch nightlong tending my suckling lambs. “I was a ploughman, too. Year upon year I trudged half-doubled, hands clenched to my shafts, Guiding my turning furrow. Overhead, Cloud-patterns built and faded, many a song Of lark and pewit melodied my toil. I durst not pause to heed them, rising at dawn To groom and dress my team: by daylight’s end My boots hung heavy, clodded with chalk and flint. “And then I was a carter. With my skill I built the reeded dew-pond, sliced out hay From the dense-matted rick. At harvest time, My wain piled high with sheaves, I urged the horses Back to the master’s barn with shouts and curses Before the scurrying storm. Through sunlit days On this same slope where you now stand, my friend, I stood till dusk scything the poppied fields. “My cob-built home has crumbled. Hereabouts Few folk remember me: and though you stare Till time’s conclusion you’ll not glimpse me striding The broad, bare down with flock or toiling team. Yet in this landscape still my spirit lingers: Down the long bottom where the tractors rumble, On the steep hanging where wild grasses murmur, In the sparse covert where the dog-fox patters.” My comrade turned aside. From the damp sward Drifted a scent of melilot and thyme; From far across the down a barn owl shouted, Circling the silence of that summer evening: But in an instant, as I stepped towards him Striving to view his face, his contour altered. Before me, in the vaporous gloaming, stood Nothing of flesh, only a post of wood.
John Rawson (From The English Countryside: Tales Of Tragedy: Narrated In Dramatic Traditional Verse)
I feed Volnay, who eats in her unusual way, delicately removing one piece of kibble at a time from her bowl, placing it on the little rug that serves as her dining room, and then eating it before going back in for a second piece of kibble. It takes her the better part of thirty minutes to finish her bowl. I'm sure if she had thumbs, she'd be patting her chin with a linen napkin after every morsel. When she finishes, she hits the water bowl. Silently. No one can figure out how she drinks, she sort of purses her lips and sucks, none of that slurping and splashing that accompany most dogs' drinking. She is a stealth drinker. When she finishes, she heads to her little bed in the corner of the kitchen to groom her fur a bit. Lovely girl.
Stacey Ballis (Out to Lunch)
Whoreson dog,” “whoreson peasant,” “slave,” “you cur,” “rogue,” “rascal,” “dunghill,” “crack-hemp,” and “notorious villain” — these are a few of the epithets with which the plays abound. The Duke of York accosts Thomas Horner, an armorer, as “base dunghill villain and mechanical” (Henry VI., Part 2, Act 2, Sc. 3); Gloucester speaks of the warders of the Tower as “dunghill grooms” (Ib., Part 1, Act 1, Sc. 3), and Hamlet of the grave-digger as an “ass” and “rude knave.” Valentine tells his servant, Speed, that he is born to be hanged (Two Gentlemen of Verona, Act 1, Sc. 1), and Gonzalo pays a like compliment to the boatswain who is doing his best to save the ship in the “Tempest” (Act 1, Sc. 1). This boatswain is not sufficiently impressed by the grandeur of his noble cargo, and for his pains is called a “brawling, blasphemous, uncharitable dog,” a “cur,” a “whoreson, insolent noise-maker,” and a “wide-chapped rascal.
William Shakespeare (Complete Works of William Shakespeare)
As I became older, I was given many masks to wear. I could be a laborer laying railroad tracks across the continent, with long hair in a queue to be pulled by pranksters; a gardener trimming the shrubs while secretly planting a bomb; a saboteur before the day of infamy at Pearl Harbor, signaling the Imperial Fleet; a kamikaze pilot donning his headband somberly, screaming 'Banzai' on my way to my death; a peasant with a broad-brimmed straw hat in a rice paddy on the other side of the world, stooped over to toil in the water; an obedient servant in the parlor, a houseboy too dignified for my own good; a washerman in the basement laundry, removing stains using an ancient secret; a tyrant intent on imposing my despotism on the democratic world, opposed by the free and the brave; a party cadre alongside many others, all of us clad in coordinated Mao jackets; a sniper camouflaged in the trees of the jungle, training my gunsights on G.I. Joe; a child running with a body burning from napalm, captured in an unforgettable photo; an enemy shot in the head or slaughtered by the villageful; one of the grooms in a mass wedding of couples, having met my mate the day before through our cult leader; an orphan in the last airlift out of a collapsed capital, ready to be adopted into the good life; a black belt martial artist breaking cinderblocks with his head, in an advertisement for Ginsu brand knives with the slogan 'but wait--there's more' as the commercial segued to show another free gift; a chef serving up dog stew, a trick on the unsuspecting diner; a bad driver swerving into the next lane, exactly as could be expected; a horny exchange student here for a year, eager to date the blonde cheerleader; a tourist visiting, clicking away with his camera, posing my family in front of the monuments and statues; a ping pong champion, wearing white tube socks pulled up too high and batting the ball with a wicked spin; a violin prodigy impressing the audience at Carnegie Hall, before taking a polite bow; a teen computer scientist, ready to make millions on an initial public offering before the company stock crashes; a gangster in sunglasses and a tight suit, embroiled in a turf war with the Sicilian mob; an urban greengrocer selling lunch by the pound, rudely returning change over the counter to the black patrons; a businessman with a briefcase of cash bribing a congressman, a corrupting influence on the electoral process; a salaryman on my way to work, crammed into the commuter train and loyal to the company; a shady doctor, trained in a foreign tradition with anatomical diagrams of the human body mapping the flow of life energy through a multitude of colored points; a calculus graduate student with thick glasses and a bad haircut, serving as a teaching assistant with an incomprehensible accent, scribbling on the chalkboard; an automobile enthusiast who customizes an imported car with a supercharged engine and Japanese decals in the rear window, cruising the boulevard looking for a drag race; a illegal alien crowded into the cargo hold of a smuggler's ship, defying death only to crowd into a New York City tenement and work as a slave in a sweatshop. My mother and my girl cousins were Madame Butterfly from the mail order bride catalog, dying in their service to the masculinity of the West, and the dragon lady in a kimono, taking vengeance for her sisters. They became the television newscaster, look-alikes with their flawlessly permed hair. Through these indelible images, I grew up. But when I looked in the mirror, I could not believe my own reflection because it was not like what I saw around me. Over the years, the world opened up. It has become a dizzying kaleidoscope of cultural fragments, arranged and rearranged without plan or order.
Frank H. Wu (Yellow)
Where is Albert?" "He'll be here momentarily. I asked our housekeeper to fetch him." Christopher blinked. "She's not afraid of him?" "Of Albert? Heavens, no, everyone adores him." The concept of someone, anyone, adoring his belligerent pet was difficult to grasp. Having expected to receive an inventory of all the damage Albert had caused, Christopher gave her a blank look. And then the housekeeper returned with an obedient and well-groomed dog trotting by her side. "Albert?" Christopher said. The dog looked at him, ears twitching. His whiskered face changed, eyes brightening with excitement. Without hesitating, Albert launched forward with a happy yelp. Christopher knelt on the floor, gathering up an armful of joyfully wriggling canine. Albert strained to lick him, and whimpered and dove against him repeatedly. Christopher was overwhelmed by feelings of kinship and relief. Grabbing the warm, compact body close, Christopher murmured his name and petted him roughly, and Albert whined and trembled. "I missed you, Albert. Good boy. There's my boy." Unable to help himself, Christopher pressed his face against the rough fur. He was undone by guilt, humbled by the fact that even though he had abandoned Albert for the summer, the dog showed nothing but eager welcome. "I was away too long," Christopher murmured, looking into the soulful brown eyes. "I won't leave you again." He dragged his gaze up to Beatrix's. "It was a mistake to leave him," he said gruffly. She was smiling at him. "Albert won't hold it against you. To err is human, to forgive, canine." To his disbelief, Christopher felt an answering smile tug at the corners of his lips. He continued to pet the dog, who was fit and sleek. "You've taken good care of him." "He's much better behaved than before," she said. "You can take him anywhere now." Rising to his feet, Christopher looked down at her. "Why did you do it?" he asked softly. "He's very much worth saving. Anyone could see that." The awareness between them became unbearably aware. Christopher's heart worked in hard, uneven beats. How pretty she was in the white dress. She radiated a healthy female physicality that was very different from the fashionable frailty of London women. He wondered what it would be like to bed her, if she would be as direct in her passions as she was in everything else.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
Becoming aware of Albert nosing at his shoulder, Leo turned to pet him. "Is this a dog or a street broom?" "It's Albert," Beatrix replied. The dog promptly collapsed to his side, tail thumping the floor repeatedly. Beatrix smiled. Three months earlier, such a scene would have been unimaginable. Albert would have been so hostile and fearful that she wouldn't have dared to expose him to children. But with patience, love, and discipline- not to mention a great deal of help from Rye- Albert had become a different dog altogether. Gradually he had become accustomed to the constant activity in the household, including the presence of other animals. Now he greeted newness with curiosity rather than fear and aggression. Albert had also gained some much-needed weight, looking sleek and healthy. Beatrix had painstakingly groomed him, stripping and trimming his fur regularly, but leaving the adorable whisks that gave his face a whimsical expression. When Beatrix walked Albert to the village, children gathered around him, and he submitted happily to their petting. He loved to play and fetch. He stole shoes and tried to bury them when no one was looking. He was, in short, a thoroughly normal dog.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
In the middle of a life crisis, there isn’t anything worse than looking at well-groomed, well-heeled people with pedigreed dogs.
Marilyn Simon Rothstein (Lift and Separate)
Just as the globus pallidus fixes various body parts in particular positions, so does the striate body initiate and monitor many stereotyped movements. Cats and dogs and horses and pigs all graze and chew, prick up their ears at a new sound, coordinate various gaits, and so on. Humans also share a wide range of stereotyped movements, similar in their features because they are designed to accomplish the same things for each individual. And further, we have noted that although both dogs and cats do many similar things—sitting, walking, drinking, jumping, grooming, and the like—they each do them in distinctly canine or feline ways. Every species has a way of doing the normal tasks of living, a manner of movement that is peculiar to it. A good mime can represent “cat” or “mouse,” or “horse,” or “ape” with a brief imitation of these animals’ manner of movement just as effectively as he could with an elaborate costume. These too are stereotypes of movement. The striate body seems to control a wide range of such movements—individual movements that have common utility, movements which continually correct our balance, movements which are the synchronized background motions’ that necessarily accompany the use of a limb, or movements which establish such standard communications as sexual arousal, docility, fear, anger, or defensiveness. As with fixed positions, in the human being both the repertoire of stereotyped movements and the stereotyped manner in which all movements are done may markedly display habitual preferences built up by compulsions, training, job requirements, and dispositions. And as with chronic fixations, there is the tendency over long periods of repetition to confuse how I do things with who I am. My most common movements, designed to be controlled by my unconscious mind so that I can freely direct my attention elsewhere, become more than stereotypes; they become straight jackets, and I find myself the prisoner of the very unconscious processes which are supposed to protect and liberate me. Re-establishing for the individual the sense of a wide array of equally possible movements is the real significance behind the work of freeing a person from limited neuromuscular patterns.
Deane Juhan (Job's Body: A Handbook for Bodywork)
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is easy, as Freddie Hunter says, to let the events on Island Home turn us into armchair detectives. To plough doggedly through the newspaper long reads, listen to podcasts with all the glib clichés of true crime reports, and let such cheap little tricks of familiarity prompt us to treat the whole thing as light entertainment. It is perhaps harder to put ourselves in the shoes of Ned Groom’s elderly parents, seventy-nine and eighty-four, driven from their home in Wiltshire to a morgue in Maldon to identify the body of their eldest son after a week in the water, warned in advance
Ellery Lloyd (The Club)
She stared back. The animal suddenly grew very still. Ista stood on tiptoe, grabbed one ear, and whispered toward it, “Behave for Lord Arhys. Or I will make you wish I’d merely ripped your guts out, strangled you with them, and fed you to the gods.” “Dogs,” corrected the nervous groom holding the twitch. “Them, too,” said Ista.
Lois McMaster Bujold (Paladin of Souls (World of the Five Gods, #2))