Griffin Quotes

We've searched our database for all the quotes and captions related to Griffin. Here they are! All 100 of them:

Words are easy, like the wind; faithful friends are hard to find.
William Shakespeare (The Passionate Pilgrim (By Shakspere, Marlowe, Barnfield, Griffin, And Other Writers Unknown))
Nice comes from the Latin word for “stupid”,’ said Griffin. ‘We do not want to be nice.
R.F. Kuang (Babel)
Griffin: “Did you just fuck him into submission?” He held his knuckles up to me. “Nice.
S.C. Stephens (Reckless (Thoughtless, #3))
It is one thing to describe an interview with a gorgon or a griffin, a creature who does not exist. It is another thing to discover that the rhinoceros does exist and then take pleasure in the fact that he looks as if he didn't.
G.K. Chesterton (Orthodoxy)
What I really wanted to say was that a monster is not such a terrible thing to be. From the Latin root monstrum, a divine messenger of catastrophe, then adapted by the Old French to mean an animal of myriad origins: centaur, griffin, satyr. To be a monster is to be a hybrid signal, a lighthouse: both shelter and warning at once.
Ocean Vuong (On Earth We're Briefly Gorgeous)
I'm blown away by how happy you make me. Thank you for being there for me when I'm stupid enough to think I'd rather be alone.
Adam Silvera (History Is All You Left Me)
I’ve perfected the art of the fake smile. It’s not so difficult when you are completely numb.
Bethany Griffin (Masque of the Red Death (Masque of the Red Death, #1))
We be light, we be life, we be fire! We sing electric flame, we rumble underground wind, we dance heaven! Come be we and be free!
Kate Griffin (A Madness of Angels (Matthew Swift, #1))
I was raised right — I talk about people behind their backs. It's called manners.
Kathy Griffin
What's the matter with her? [Jasper] asked Griffin. Griffin shook his head. 'Nothing. She's just two personas struggling for dominance in one body.' [Jasper] ... Poor little thing.
Kady Cross (The Girl in the Steel Corset (Steampunk Chronicles, #1))
I want to own you," Griffin whispered into Michael's ear. Michael smiled and for the first time in his life knew exactly what to say and how to say it. "You already do.
Tiffany Reisz (The Angel (The Original Sinners, #2))
To oppose corruption in government is the highest obligation of patriotism.
G. Edward Griffin
He’d never known a girl who was so beautiful and intense at once.
Kass Morgan (The 100 (The 100, #1))
When someone leaves your life, those exits are not made equal. Some are beautiful and poetic and satisfying. Others are abrupt and unfair. But most are just unremarkable, unintentional, clumsy.
Griffin McElroy
And I'm falling in love with you," he whispers. "But I would throw you in the water and watch crocodiles tear you to bits, if I thought that doing so would accomplish my goals. Do. Not. Trust. Anyone. Especially me.
Bethany Griffin (Masque of the Red Death (Masque of the Red Death, #1))
Griffin? You . . . okay?” His face still blank, he looked over at me. His pale eyes were wider than I’d ever seen. “That . . . was . . . the most . . . disgusting thing . . . I’ve ever seen.” My fear vanished. She was okay. I patted his knee and his expression changed. Peace filled his face. “And the most incredible.
S.C. Stephens (Reckless (Thoughtless, #3))
Yeah, I’m having a girl.” She shook her head. “There’s just no way I’d put another Griffin on this earth.
S.C. Stephens (Effortless (Thoughtless, #2))
Bursts of hope make despair harder to live with.
Bethany Griffin (Masque of the Red Death (Masque of the Red Death, #1))
If anyone asks you if you’re taken,” I said, “the answer is yes.” “I think I can live with that,” he promised. “Good,” I said. “Because you don’t want to see me be cross.” “Too late.” “Shut up and dance, Walt.” “Shut up and dance, Walt.” We did—with the music of a psychotic griffin screaming behind us, and the sirens and horns of Brooklyn wailing below. It was quite romantic.
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
Hey, bad girl,” came the deep, sexy voice of The Griffin himself. “Can’t believe the Pope let you out of the Vatican.
Tiffany Reisz (The Angel (The Original Sinners, #2))
I am in the process of nailing Mr. Humphrey Griffin to the wall so thoroughly that future generations will mistake him for a tapestry,...
K.J. Charles (The Magpie Lord (A Charm of Magpies, #1))
Jasper waited until the man was gone before asking, “You ever get tired of folks puckerin’ up to your backside?” Griffin faced him with mock gravity. “Yes. It is deuced tiring, people doing whatever I wish. Makes my life so very disagreeable.
Kady Cross (The Girl in the Steel Corset (Steampunk Chronicles, #1))
So yes, I say things I regret constantly, and I just can't help it.
Kathy Griffin
I am become death, destroyer of worlds
Kass Morgan
I will not surrender my profession simply because men throughout history have been unduly enamored of their penises!" - Dr. Christine Putnam
Jordan L. Hawk (Widdershins (Whyborne & Griffin, #1))
The wildest hath not such a heart as you. Run when you will, the story shall be changed: Apollo flies, and Daphne holds the chase; The dove pursues the griffin; the mild hind Makes speed to catch the tiger; bootless speed, When cowardice pursues and valour flies.
William Shakespeare (A Midsummer Night's Dream)
Every fool in error can find a passage of scripture to back him up
John Howard Griffin (Black Like Me)
You say my name like a lover, so soft, so sweet. I want to lick the word from your lips, sip the exhaled breath from your mouth. I want to possess you utterly. Right now. Right here.
Elizabeth Hoyt (Notorious Pleasures (Maiden Lane, #2))
Griffin can't be a dad, Kiera. He just can't. He blows pot into puppies faces, Kiera! Can you picture him around a child?
S.C. Stephens (Effortless (Thoughtless, #2))
He glanced up as I entered, and for a moment, looked almost surprised. "Mr. Swift!" "Ta-da!" I exclaimed weakly. "You're still..." "Still not dead. That's me. It's my big party trick, still not being dead, gets them every time.
Kate Griffin (The Midnight Mayor (Matthew Swift, #2))
...Jamison appeared in the doorway with a cooler. "Thank you, Alfred," Griffin said, taking the supplies. "There's a thousand dollars in the cookie jar. Go buy yourself something pretty." "I will purchase a firearm and shoot you with it," Griffin's butler said, bowing elegantly. "Master Griffin." He left the room...
Tiffany Reisz (The Angel (The Original Sinners, #2))
Griffin? You ever heard of knocking?” Griffin sniffed and tucked his chin-length hair behind his ears. “We’re family, dude, I don’t need to knock.” I sighed, not sure if Kellan could argue that point or not—not since Griffin had impregnated my sister. He really was family now. Lord help me.
S.C. Stephens (Reckless (Thoughtless, #3))
They call me the Morning Star. That star by which griffin-riders and travelers navigate the wastes in the dark months of winter. The last star that disappears when daylight returns in the spring.
Pierce Brown (Morning Star (Red Rising Saga, #3))
I love you too, and I don’t want anybody else either." Cupping his cheek, she added, "You’re enough for me." That seemed to make sense to Griffin, and he finally smiled like he was happy. "You’re enough for me too." Grabbing his hand, Anna started backing toward her room. "Good, then come be enough for me right now. I’m horny as hell." Griffin rushed up to her, grabbing her backside. "God, me too," he murmured before their mouths met.
S.C. Stephens (Reckless (Thoughtless, #3))
Everybody! This is my cousin right here, and he just dethroned God's gift to Women - Griffin
S.C. Stephens (Reckless (Thoughtless, #3))
Bellamy leaned back with a sigh and closed his eyes, wondering how long it would take until she stopped being the last person he thought about before he fell asleep. - Bellamy about Clarke
Kass Morgan (The 100 (The 100, #1))
Be wary of those who will let you apologize for who you are.
Rachel Griffin (The Nature of Witches)
Master Griffin, I would marry my own mother for the excuse to stab my eyes out with her brooches than to see anything under your kilt," the man's voice said with an elegant aplomb. "Where would you like your guest's things, sir?
Tiffany Reisz (The Angel (The Original Sinners, #2))
Just because you don't want to see something doesn't mean that it will go away. Do you think inhumanity doesn't exist if you pretend not to see it? Or maybe get too drunk to understand? We've forgotten the things that make life worthwhile.
Bethany Griffin (Masque of the Red Death (Masque of the Red Death, #1))
Griffin immediately beaned him in the back of the head with a Hackey Sack. “Dude, grow some balls. You’re an embarrassment to penises everywhere.
S.C. Stephens (Reckless (Thoughtless, #3))
Ish #19 "If your diet soda has zero calories, zero sugar and zero fat, what the hell are you drinking?
Regina Griffin
Pain and beauty, our constant bedfellows
Nick Bantock (Griffin & Sabine (Griffin & Sabine #1))
After Kellan begged me for a final kiss, Griffin murmured, “Your wedding day is Thanksgiving. That’s convenient.” He pointed at Kellan. “You probably won’t forget your anniversary.” He looked over at Anna. “We shoulda done that. I already forgot ours.” Anna smirked at Griffin while Kellan’s lip twitched. “Uh, it won’t always be on Thanksgiving, Griff.” He looked horribly confused. “Huh? Yeah, it will.” “Kellan bit his lip. I could tell he was trying really hard not to laugh, since laughing hurt. “Thanksgiving isn’t on the same day every year. It moves around.” Griffin glared at Kellan. “Don’t even try fucking with me, Kell.” He tapped his finger to his head. “I’m on to you.” I heard Matt and Evan snigger with Justin and Denny. My dad stared at the ceiling as he shook his head. I couldn’t contain my giggle; poor Kellan had to take long, slow exhales so he didn’t laugh with everyone else. “Griff, I’m not . . .
S.C. Stephens (Reckless (Thoughtless, #3))
Finley’s head jerked up. Griffin King. The Duke of Greythorne. She had overheard Lady Alyss discussing him with several of her friends just last week. They said he was handsome, rich beyond understanding and had a nice bottom.
Kady Cross (The Girl in the Steel Corset (Steampunk Chronicles, #1))
Every couple has two stories - the edited one to be shared from the couch and the unabridged version best left alone.
Emily Giffin
Hippogriff, n. An animal (now extinct) which was half horse and half griffin. The griffin was itself a compound creature, half lion and half eagle. The hippogriff was actually, therefore, only one-quarter eagle, which is two dollars and fifty cents in gold. The study of zoology is full of surprises.
Ambrose Bierce (The Devil's Dictionary and Other Works)
You’re not a monster,” I said. But I lied. What I really wanted to say was that a monster is not such a terrible thing to be. From the Latin root monstrum, a divine messenger of catastrophe, then adapted by the Old French to mean an animal of myriad origins: centaur, griffin, satyr. To be a monster is to be a hybrid signal, a lighthouse: both shelter and warning at once.
Ocean Vuong (On Earth We're Briefly Gorgeous)
Some people don't care if they live or they die. Some people want to know what it feels like to fly. They gather their courage and they give it a try And fall under the wheels of time going by.
Patty Griffin
I won't cry. When the guilt is this heavy, you can't. It just settles and stays with you, and it's cold.
Bethany Griffin (Masque of the Red Death (Masque of the Red Death, #1))
Autumn is its own kind of magic; it reminds us of the beauty in letting go.” —A Season for Everything
Rachel Griffin (The Nature of Witches)
Now that that's settled, you're coming with me." "Never in a billion suns. Not even if Zeus showed up as a swan and tried to peck me in your direction. I wouldn't go with you even if my other option was Hades dragging me to the Underworld for an eternal threesome with Persephone.
Amanda Bouchet (A Promise of Fire (Kingmaker Chronicles, #1))
When God closes a door, he throws a sword through your window.
Griffin McElroy
Griffin!” Finley cried. She moved to attack the automaton, but Sam stopped her. “Wait. Griff’s got a plan.” “How do you know?” she demanded. Sam and Jasper both looked at her with bemused expressions. “Griff’s always got a plan,” Jasper informed her, as though it was absolute fact.
Kady Cross (The Girl in the Steel Corset (Steampunk Chronicles, #1))
I conquered a kingdom and found a treasure." His voice turns gravelly, low. "I won't let you go. Not now. Not ever.
Amanda Bouchet (A Promise of Fire (Kingmaker Chronicles, #1))
It was pleasant to wake up in Florence, to open the eyes upon a bright bare room, with a floor of red tiles which look clean though they are not; with a painted ceiling whereon pink griffins and blue amorini sport in a forest of yellow violins and bassoons. It was pleasant, too, to fling wide the windows, pinching the fingers in unfamiliar fastenings, to lean out into sunshine with beautiful hills and trees and marble churches opposite, and, close below, Arno, gurgling against the embankment of the road.
E.M. Forster (A Room with a View)
She has to live, Eliott. I owe her a lifetime of apologies.” “Sometimes I think that’s all we owe our parents.
Bethany Griffin (Masque of the Red Death (Masque of the Red Death, #1))
This is my social face,” he said lightly. “Don’t confuse it with the animal beneath.
Elizabeth Hoyt (Notorious Pleasures (Maiden Lane, #2))
You keep us alive, and I'll keep you on two feet. - Bellamy Blake
Kass Morgan (The 100 (The 100, #1))
Bellamy took Clarke’s hand, then leaned in and whispered, “Should we go check on your parents?” She turned to him and tilted her head to the side. “Don’t you think it’s a little early to be meeting my parents?” she teased. “After all, we’ve been dating less than a month.” “A month in Earth time is like, ten years in space time, don’t you think?” Clarke nodded. “You’re right. And I suppose that means that I can’t get mad at you if you decide to call it off after a few months, because that’s really a few decades.” Bellamy wrapped his arm around her waist and drew her close. “I want to spend eons with you, Clarke Griffin.” She rose onto her toes and kissed his cheek. “Glad to hear it, because there’s no going back now. We’re here for good.
Kass Morgan (Homecoming (The 100, #3))
Or maybe the ugliness is in us. That's just the way we are. Underneath the pretense of civilization.
Bethany Griffin (Masque of the Red Death (Masque of the Red Death, #1))
Alfred, I need ice and that vitamin K goop. To the nursery. Stat." "I loathe you, Master Griffin," came a British accent over the intercom. "Thanks, Alfred," Griffin answered and came back to the bed. "Is your butler's name really Alfred?" "No. It's Jamison, I think. Can't remember. I changed it to Alfred years ago. My first crush on a dude was Batman...
Tiffany Reisz (The Angel (The Original Sinners, #2))
Kneel before the king, Griff." I look around for the king. "Me, asshole. I'm the king. Who else would be the king? Wade?" [...] "On this rainy Thursday, I, King Theo of New York City, praise you, Sir Griffin of New York City, for your vast knowledge of fantasy novels I"ll never take the time to read myself. And for having the kind of laugh that I like hearing so much I would punch myself over and over if you found it funny.
Adam Silvera (History Is All You Left Me)
It was a little thing, but on top of the other little things, it broke something in me.
John Howard Griffin (Black Like Me)
My dearest Pudding pie" I read aloud. "Yes, my little turnip?" "Hilarious," I muttered. "If you ever call me anything of the sort again we shall have words.
Jordan L. Hawk (Threshold (Whyborne & Griffin, #2))
There must be quite a few things a hot bath won’t cure, but I don’t know many of them. Whenever I’m sad I’m going to die, or so nervous I can’t sleep, or in love with somebody I won’t be seeing for a week, I slump down just so far and then I say: 'I’ll go take a hot bath.' I meditate in the bath.The water needs to be very hot, so hot you can barely stand putting your foot in it. Then you lower yourself, inch by inch, till the water’s up to your neck. I remember the ceiling over every bathtub I’ve stretched out in. I remember the texture of the ceilings and the cracks and the colors and the damp spots and the light fixtures. I remember the tubs, too: the antique griffin-legged tubs, and the modern coffin-shaped tubs, and the fancy pink marble tubs overlooking indoor lily ponds, and I remember the shapes and sizes of the water taps and the different sorts of soap holders. I never feel so much myself as when I’m in a hot bath.
Sylvia Plath (The Bell Jar)
Suddenly he was in the doorway, looming over her in a determined fashion. Gone was sweet, patient Griffin. This was the Duke of Greythorne, one of the most powerful men in England. “I don’t care that you came to Dandy,” he said, his voice low, but sharp. “If you want to blame yourself for Sam’s injury, then go ahead and be a fool. And I don’t care that you could cosh my head in if you wanted. I came here to get you and if I have to, I’ll toss you over my shoulder like a sack of potatoes and carry you all the way to Mayfair. I’m taking you home where you belong.
Kady Cross (The Girl in the Steel Corset (Steampunk Chronicles, #1))
She refused to leave your side all bloody night", Sam remarked, with something that sounded like respect. "She's a good friend," Griffin replied. His old friend stared at him in amused disgust. "Griff, I'm your friend and even I wasn't about to sit here and watch you heal." Griffin looked away, annoyed by the sudden heat in his cheeks. "Yes, well, she was a much prettier sight to wake up to than your ugly head." "I'll have you know I've been told my eyes are like a night sky," came the mock-indignant reply.
Kady Cross (The Girl in the Clockwork Collar (Steampunk Chronicles, #2))
If, while writing your novel, it starts "speaking" to you, don't answer back, keep it talking.
David John Griffin
Brushing dirt from his coat, Sam ignored the wild-eyed looks the other three gave him. Surely a house like this had enough staff to clean up a little dirt? “And who is this young man?” the old lady demanded. Sam opened his mouth to reply, but froze when he saw just who the old woman was. “May I present Sam Morgan, Your Highness,” Griffin said. Bloody hell. It was Queen Victoria. They’d just burrowed their way into Buckingham Palace.
Kady Cross (The Girl in the Steel Corset (Steampunk Chronicles, #1))
It's strange how so much life can be lived without speaking
Adele Griffin (Where I Want to Be)
The dam of my eyes broke, and tears flooded the land.
James Sallis (Ghost of a Flea (Lew Griffin, #6))
Griffin had to get to the bottom of these automaton attacks. He couldn’t ignore them just because Finley Jayne posed such an intriguing problem in such a pretty package. And she was pretty—even when off her rocker. In that respect, she was every bit as dangerous as Aunt Cordelia seemed to think. It was a good thing, then, that he enjoyed a little danger now and again.
Kady Cross (The Girl in the Steel Corset (Steampunk Chronicles, #1))
The mind can forget what the body, defined by each breath, subject to the heart beating, does not.
Susan Griffin (A Chorus of Stones: The Private Life of War)
It's the new me," I explained, waving my hands jazz-style in greeting. "Matthew Swift, Midnight fucking Mayor - I've got multicoloured highlighters and everything.
Kate Griffin (The Neon Court (Matthew Swift, #3))
Curiosity may have killed the cat, but paranoia was what tied it up in a sack and buried it in wet concrete.
Kate Griffin (The Midnight Mayor (Matthew Swift, #2))
Realizing you love someone is like noticing you have a sunburn- you don't know exactly when it happened, just that you were too exposed for too long.
Rachel Griffin (The Nature of Witches)
When last I checked, you were a sorcerer, not a Jedi." "You've seen Star Wars?" "Seen it and denounced it." "You've denounced Star Wars?" She looked me straight in the eye and said, "Hollywood should not glorify witches." "I think you've missed the point..." "I also denounce Harry Potter." "Really?" "Yes." "Because..." "...because literature, especially children's literature, should not glorify witches." "Oda, what do you do for fun?" She thought about it, then said, without a jot of humor, "I denounce things.
Kate Griffin (The Midnight Mayor (Matthew Swift, #2))
Foolish man. You cannot turn me into a phantom because you are frightened. You do not dismiss a muse at whim. - Sabine Strohem
Nick Bantock (Griffin & Sabine (Griffin & Sabine #1))
I'm annoyed by those who love mankind but are discourteous to people.
John Howard Griffin (Black Like Me)
I’m here to remember – all that I have been and all that I will never be again.
Anne Griffin (When All Is Said)
Never argue with the surreal; there's no winning against irrationality.
Kate Griffin
He who is less than just is less than man.
John Howard Griffin (Black Like Me)
Oh, poor me, I have to make out with a hot superstar. Women fawn over me wherever I go. I have fucktastic hair and an eight pack. Boo-hoo.” Twisting his lips in a look of contempt, he made an obscene gesture over his privates. I couldn’t help the small smile that crept onto my face. He was rude and crude and said things I didn’t want to hear sometimes, but somehow Griffin was also amusing in a comforting sort of way, and I actually did feel better. Lord, help me.
S.C. Stephens (Reckless (Thoughtless, #3))
Error is better than apathy. Error can be corrected in time to change the outcome. Apathy is seldom corrected until it is too late.
G. Edward Griffin
Hours trickle by, and I wilt. The magic isn't here for me tonight. I can't get away from the heavy feeling of being me. I want to blend in, to be someone besides myself, someone who is part of something secret and subversive and exciting.
Bethany Griffin (Masque of the Red Death (Masque of the Red Death, #1))
God is the light shining in the midst of darkness, not to deny that there is darkness in the world but to reassure us that we do not have to be afraid of the darkness because darkness will always yield to light. As theologian David Griffin puts in, God is all-powerful, His power enables people to deal with events beyond their control and He gives us the strength to do those things because He is with us.
Harold S. Kushner (Overcoming Life's Disappointments)
Stick them in the Blue Room. And no interruptions for the next couple of hours, please. My guest and I will be fucking. Two hours, Nora?” “At least,” she agreed. “Better make it three, Alfred.” Griffin shifted Nora higher on his shoulder and continued up the stairs. “This is going to be a long summer, isn’t it?” she asked. “Eight and a half inches long, if you’ll recall.
Tiffany Reisz (The Angel (The Original Sinners, #2))
Nothing can describe the withering horror of this. You feel lost, sick at heart before such unmasked hatred, not so much because it threatens you as because it shows humans in such an inhuman light. You see a kind of insanity, something so obscene the very obscenity of it (rather than its threat) terrifies you. It was so new I could not take my eyes from the man's face. I felt like saying: "What in God's name are you doing to yourself?
John Howard Griffin (Black Like Me)
Hear me, Daenerys Targaryen. The glass candles are burning. Soon comes the pale mare, and after her the others. Kraken and dark flame, lion and griffin, the sun's son and the mummer's dragon. Trust none of them. Remember the Undying. Beware the perfumed seneschal." "Reznak? Why should I fear him?" Dany rose from the pool. Water trickled down her legs, and gooseflesh covered her arms in the cool night air. "If you have some warning for me, speak plainly. What do you want of me, Quaithe?" Moonlight shown in the woman's eyes. "To show you the way." "I remember the way. I go north to go south, east to go west, back to go forward. And to touch the light I have to pass beneath the shadow." She squeezed the water from her silvery hair. "I am half-sick of riddling. In Qarth I was a beggar, but here I am a queen. I command you-" "Daenerys. Remember the Undying. Remember who you are." "The blood of the dragon." But my dragons are roaring in the darkness. "I remember the Undying. Child of three, they called me. Three mounts they promised me, three fires, and three treasons. One for blood and one for gold and one for . . ." "Your Grace?" Missandei stood in the door of the queen's bedchamber, a lantern in her hand. "Who are you talking to?" Dany glanced back toward the persimmon tree. There was no woman there. No hooded robe, no lacquer mask, no Quaithe. A shadow. A Memory. No one.
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
You know the funny thing about Afghanistan?’ Griffin’s voice was very soft. ‘The British aren’t going to invade with English troops. They’re going to invade with troops from Bengal and Bombay. They’re going to have sepoys fight the Afghans, just like they had sepoys fight and die for them at Irrawaddy, because those Indian troops have the same logic you do, which is that it’s better to be a servant of the Empire, brutal coercion and all, than to resist. Because it’s safe. Because it’s stable, because it lets them survive. And that’s how they win, brother. They pit us against each other. They tear us apart.
R.F. Kuang (Babel)
I'm not very good with anything physical...' she began as they turned down a hallway she had never seen. He flashed her a grin as they walked. 'I find that hard to believe.' She caught the innuendo in his voice and felt a blush creep to her cheeks. 'You know what I mean.
Michelle Zink (A Temptation of Angels)
I have loved you in every manner that my imagination could contrive. I have wanted you so deeply that my body sang with pain and pleasure. You have been my obsession, my passion, my philosophers' stone of fantasy. You are my desire, my longing, my spirit. I love you unconditionally. - Sabine Strohem
Nick Bantock (Sabine's Notebook (Griffin & Sabine #2))
Our capacity for love increases with each person we cross paths with throughout our lives, and with each moment we spend with those people. But, too often we neglect that part of ourselves in favor of others. And by the time we realize just how important it is, we find ourselves with fewer folks around to practice with.
Griffin McElroy
No one, no one really knows loss until it’s someone you love. The deep-down kind of love that holds on to your bones and digs itself right in under your fingernails, as hard to budge as the years of compacted earth. And when it’s gone … it’s as if it’s been ripped from you. Raw and exposed, you stand dripping blood all over the good feckin’ carpet. Half-human, half-dead, one foot already in the grave.
Anne Griffin (When All Is Said)
To do such a thing would be to transcend magic. And I beheld, unclouded by doubt, a magnificent vision of all that invisibility might mean to a man—the mystery, the power, the freedom. Drawbacks I saw none. You have only to think! And I, a shabby, poverty-struck, hemmed-in demonstrator, teaching fools in a provincial college, might suddenly become—this.
H.G. Wells (The Invisible Man)
Michael, this is an order from your mistress. Tell me what you want. Now.” “I want Griffin.” The words came out immediately. She had trained him too well. “I want Griffin so much it hurts. I love him, Nora. I have never felt anything like this before. And it’s absolutely stupid because he’s rich and he’s perfect and amazing and I’m a nobody. I’m a nobody, and I’m in love with someone I can’t be with. He’s so beautiful. I can’t stop looking at him, I can’t stop thinking about him. I dream about him at night. And he’s the first thing I think about when I wake up. And I want to touch him so much. I want to touch his face and that fucking perfect hair of his. And his lips and his chest and his arms— and I think about those arms around me, and it’s humiliating how much I want that. And, God, I want to live in his bed. I want to spend the rest of my life underneath him. I want to feel him on top of me and inside me. And I want submit to him. I want to go down on my knees in front of him. I want to call him sir and wear his collar and kiss his fucking feet if he told me to. And I want to walk down the busiest street in New York with him holding hands so the entire world can see us together and know that I belong to him. I love Griffin, Nora. I’m in love with him. And I can’t be with him. But that’s… that’s it.” Michael turned his head and buried it a little deeper into the cleft of Nora’s neck and shoulder. He wanted to stay there so he wouldn’t have to look her or anyone in the eyes ever again. “You won’t tell him, will you?” “She doesn’t have to.
Tiffany Reisz (The Angel (The Original Sinners, #2))
All the towering materialism which dominates the modern mind rests ultimately upon one assumption; a false assumption. It is supposed that if a thing goes on repeating itself it is probably dead; a piece of clockwork. People feel that if the universe was personal it would vary; if the sun were alive it would dance. This is a fallacy even in relation to known fact. For the variation in human affairs is generally brought into them, not by life, but by death; by the dying down or breaking off of their strength or desire. A man varies his movements because of some slight element of failure or fatigue. He gets into an omnibus because he is tired of walking; or he walks because he is tired of sitting still. But if his life and joy were so gigantic that he never tired of going to Islington, he might go to Islington as regularly as the Thames goes to Sheerness. The very speed and ecstacy of his life would have the stillness of death. The sun rises every morning. I do not rise every morning; but the variation is due not to my activity, but to my inaction. Now, to put the matter in a popular phrase, it might be true that the sun rises regularly because he never gets tired of rising. His routine might be due, not to a lifelessness, but to a rush of life. The thing I mean can be seen, for instance, in children, when they find some game or joke that they specially enjoy. A child kicks his legs rhythmically through excess, not absence, of life. Because children have abounding vitality, because they are in spirit fierce and free, therefore they want things repeated and unchanged. They always say, “Do it again”; and the grown-up person does it again until he is nearly dead. For grown-up people are not strong enough to exult in monotony. But perhaps God is strong enough to exult in monotony. It is possible that God says every morning, “Do it again” to the sun; and every evening, “Do it again” to the moon. It may not be automatic necessity that makes all daisies alike; it may be that God makes every daisy separately, but has never got tired of making them. It may be that He has the eternal appetite of infancy; for we have sinned and grown old, and our Father is younger than we. The repetition in Nature may not be a mere recurrence; it may be a theatrical ENCORE. Heaven may ENCORE the bird who laid an egg. If the human being conceives and brings forth a human child instead of bringing forth a fish, or a bat, or a griffin, the reason may not be that we are fixed in an animal fate without life or purpose. It may be that our little tragedy has touched the gods, that they admire it from their starry galleries, and that at the end of every human drama man is called again and again before the curtain. Repetition may go on for millions of years, by mere choice, and at any instant it may stop. Man may stand on the earth generation after generation, and yet each birth be his positively last appearance.
G.K. Chesterton (Orthodoxy)
He says that woman speaks with nature. That she hears voices from under the earth. That wind blows in her ears and trees whisper to her. That the dead sing through her mouth and the cries of infants are clear to her. But for him this dialogue is over. He says he is not part of this world, that he was set on this world as a stranger. He sets himself apart from woman and nature. And so it is Goldilocks who goes to the home of the three bears, Little Red Riding Hood who converses with the wolf, Dorothy who befriends a lion, Snow White who talks to the birds, Cinderella with mice as her allies, the Mermaid who is half fish, Thumbelina courted by a mole. (And when we hear in the Navaho chant of the mountain that a grown man sits and smokes with bears and follows directions given to him by squirrels, we are surprised. We had thought only little girls spoke with animals.) We are the bird's eggs. Bird's eggs, flowers, butterflies, rabbits, cows, sheep; we are caterpillars; we are leaves of ivy and sprigs of wallflower. We are women. We rise from the wave. We are gazelle and doe, elephant and whale, lilies and roses and peach, we are air, we are flame, we are oyster and pearl, we are girls. We are woman and nature. And he says he cannot hear us speak. But we hear.
Susan Griffin (Woman and Nature: The Roaring Inside Her)
Offer me?" A shrill note of indignation entered her voice. "Young man, there are three things that make Britain great. The first is our inability at playing sports." How does that make Britain great?" "Despite the certainty of loss, we try anyway with the absolute conviction that this year will be the one, regardless of all evidence to the contrary!" I raised my eyebrows, but that simply meant I could see my blood more clearly, so looked away and said nothing. "The second," she went on, "is the BBC. It may be erratic, tabloid, under-funded and unreliable, but without the World Service, obscure Dickens adaptions, the Today Program and Doctor Who, I honestly believe that the cultural and communal capacity of this country would have declined to the level of the apeman, largely owing to the advent of the mobile phone!" "Oh," I said, feeling that something was expected. "Oh" was enough. "And lastly, we have the NHS!" "This is an NHS service?" I asked incredulously. "I didn't say that, I merely pointed out that the NHS makes Britain great. Now lie still.
Kate Griffin (A Madness of Angels (Matthew Swift, #1))
In the cage is the lion. She paces with her memories. Her body is a record of her past. As she moves back and forth, one may see it all: the lean frame, the muscular legs, the paw enclosing long sharp claws, the astonishing speed of her response. She was born in this garden. She has never in her life stretched those legs. Never darted farther than twenty yards at a time. Only once did she use her claws. Only once did she feel them sink into flesh. And it was her keeper's flesh. Her keeper whom she loves, who feeds her, who would never dream of harming her, who protects her. Who in his mercy forgave her mad attack, saying this was in her nature, to be cruel at a whim, to try to kill what she loves. He had come into her cage as he usually did early in the morning to change her water, always at the same time of day, in the same manner, speaking softly to her, careful to make no sudden movement, keeping his distance, when suddenly she sank down, deep down into herself, the way wild animals do before they spring, and then she had risen on all her strong legs, and swiped him in one long, powerful, graceful movement across the arm. How lucky for her he survived the blow. The keeper and his friends shot her with a gun to make her sleep. Through her half-open lids she knew they made movements around her. They fed her with tubes. They observed her. They wrote comments in notebooks. And finally they rendered a judgment. She was normal. She was a normal wild beast, whose power is dangerous, whose anger can kill, they had said. Be more careful of her, they advised. Allow her less excitement. Perhaps let her exercise more. She understood none of this. She understood only the look of fear in her keeper's eyes. And now she paces. Paces as if she were angry, as if she were on the edge of frenzy. The spectators imagine she is going through the movements of the hunt, or that she is readying her body for survival. But she knows no life outside the garden. She has no notion of anger over what she could have been, or might be. No idea of rebellion. It is only her body that knows of these things, moving her, daily, hourly, back and forth, back and forth, before the bars of her cage.
Susan Griffin (Woman and Nature: The Roaring Inside Her)