Grief At Christmas Quotes

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To lose someone you love is the very worst thing in the world. It creates an invisible hole that you feel you are falling down and will never end. People you love make the world real and solid and when they suddenly go away forever, nothing feels solid any more.
Matt Haig (A Boy Called Christmas (Christmas, #1))
Ever since the Christmas of '53, I have felt that the yuletide is a special hell for those families who have suffered any loss or who must admit to any imperfection; the so-called spirit of giving can be as greedy as receiving--Christmas is our time to be aware of what we lack, of who's not home.
John Irving (A Prayer for Owen Meany)
Grief never ends … But it changes. It’s a passage, not a place to stay. Grief is not a sign of weakness, nor a lack of faith. It is the price of love. —AUTHOR UNKNOWN
Donna VanLiere (The Christmas Light (Christmas Hope #7))
Grief took a terrible toll. It was paid at every birthday, every holiday, each Christmas. It was paid when glimpsing the familiar handwriting, or a hat, or a balled-up sock. Or hearing a creak that could have been, should have been, a footstep. Grief took its toll each morning, each evening, every noon hour as those who were left behind struggled forward.
Louise Penny
But if there were some version of luminol, the stuff they use to find blood at crime scenes, to detect the presence of grief, half the people we pass on the street would light up like Christmas trees. I
Darcey Bell (A Simple Favor)
This room in the heart is a necessary protection and must be guarded like no other. It must be kept hidden from everyone, for without it we have no refuge from grief over love lost, or the terrible ache of unrequited love. It is a room built into every heart by God.
Bobby Underwood (Love at the Library (Christmas Short, #1))
Death to the young is more than that undiscovered country; despite its inevitability, it is a place having reality only in song or in other people's grief.
Maya Angelou (Singin' and Swingin' and Gettin' Merry Like Christmas (Maya Angelou's Autobiography, #3))
If these shadows remain unaltered by the Future, none other of my race," returned the Ghost, "will find him here. What then? If he be like to die, he had better do it, and decrease the surplus population." Scrooge hung his head to hear his own words quoted by the Spirit, and was overcome with penitence and grief. "Man," said the Ghost, "if man you be in heart, not adamant, forbear that wicked cant until you have discovered What the surplus is, and Where it is. Will you decide what men shall live, what men shall die? It may be, that in the sight of Heaven, you are more worthless and less fit to live than millions like this poor man's child. Oh God! to hear the Insect on the leaf pronouncing on the too much life among his hungry brothers in the dust!
Charles Dickens (A Christmas Carol)
Ah, Momma. I had never looked at death before, peered into its yawning chasm for the face of a beloved. For days my mind staggered out of balance. I reeled on a precipice of knowledge that even if I were rich enough to travel all over the world, I would never find Momma. If I were as good as God’s angels and as pure as the Mother of Christ, I could never have Momma’s rough slow hands pat my cheek or braid my hair. Death to the young is more than that undiscovered country; despite its inevitability, it is a place having reality only in song or in other people's grief.
Maya Angelou (Singin' and Swingin' and Gettin' Merry Like Christmas (Maya Angelou's Autobiography, #3))
But if there were some version of luminol, the stuff they use to find blood at crime scenes, to detect the presence of grief, half the people we pass on the street would light up like Christmas trees.
Darcey Bell (A Simple Favor)
Good grief, he’d fallen into his death sleep with a hard-on. Was it possible for a stiff to be that stiff?
Kerrelyn Sparks (All I Want for Christmas is a Vampire (Love at Stake, #5))
Scrooge hung his head to hear his own words quoted by the Spirit, and was overcome with penitence and grief.
Charles Dickens (A Christmas Carol)
Christmas lights, again, piercing like knives. The spirit of that season was never more remote than during those dark December days.
Elaine Pagels (Why Religion?: A Personal Story)
And lastly remember that it is okay to cry.
Richard Kauffman (Grief and the Holidays: Surviving, coping, and living while grieving the loss of a loved one during the Christmas holiday season)
There is no right or wrong way to handle the holidays. You are in complete control of your plans as to what you will do during this time of the year.
Richard Kauffman (Grief and the Holidays: Surviving, coping, and living while grieving the loss of a loved one during the Christmas holiday season)
Grief takes about a year,” Mrs. Kelly once told a young mother who had lost her son. “You have to get through each holiday, each new season. You will cry at Christmas and New Year’s and Mother’s Day and Thanksgiving. You will suffer with the first daffodil, the first falling red leaves, the first snow . . . Each occasion, each new season will rip your heart out; then, when there’s nothing left, you’ll get better.” She was right, and she knew from experience.
Patricia Harman (The Midwife of Hope River)
Scrooge hung his head to hear his own words quoted by the Spirit, and was overcome with penitence and grief. "Man," said the Ghost, "if man you be in heart, not adamant, forbear that wicked cant until you have discovered What the surplus is, and Where it is. Will you decide what men shall live, what men shall die? It may be, that in the sight of Heaven, you are more worthless and less fit to live than millions like this poor man's child. Oh God! to hear the Insect on the leaf pronouncing on the too much life among his hungry brothers in the dust!
Charles Dickens (A Christmas Carol)
The announcement of the birth of Christ came as a sunburst of joy to a world where grief and pain are known to all and joy comes rarely and never tarries long.
A.W. Tozer (Finding Christ in Christmas: An Advent Devotional from the Writings of A. W. Tozer)
Grief is the truest evidence of love. And we should always be grateful to have something to love, even if it means that we have to lose it.
Richard Paul Evans (A Christmas Memory)
Clara knew that grief took a terrible toll. It was paid at every birthday, every holiday, each Christmas. It was paid when glimpsing the familiar handwriting, or a hat, or a balled-up sock. Or hearing a creak that could have been, should have been, a footstep. Grief took its toll each morning, each evening, every noon hour as those who were left behind struggled forward.
Louise Penny (The Nature of the Beast (Chief Inspector Armand Gamache #11))
Losing the people she loved was her biggest fear. Yet, she knew at times, she pushed them away. She should have been better to Gabby. But she was too caught up in her own grief at the time.
Codi Hall (Nick and Noel's Christmas Playlist)
Old women beat their heads against the walls, moaning men prostrated themselves: it was the art of sorrow, and those who best mimicked grief were much admired. After the funeral everyone went away, satisfied that they’d done a good job.
Truman Capote (Breakfast at Tiffany's and Three Stories: House of Flowers, A Diamond Guitar, and A Christmas Memory)
Alas," the Spider Queen said softly, "life needs dark leaves in the wreath. There cannot be true joy without sorrow, or real happiness without loss. They come as a pair. It is simply how it must be, if one is to live a full life. Take my own wreath, for example." She pointed at a particularly striking one made up of foliage so dark it was almost purple and black in places, but brightened with spectacular bursts of scarlet poinsettia. "I first saw the poinsettia in Mexico," she said. "The Euphorbia pulcherrima, to give it its botanical name, but it's also known as a 'Christmas star' because of its red pigment, so vibrant and bold. I would not give up my dark leaves if it meant losing the poinsettia," she said.
Alexandra Bell (The Winter Garden)
It began with the Christmas tree lights. They were candy-bright, mouth-size. She wanted to feel the lightness of them on her tongue, the spark on her tastebuds. Without him life was so dark, and all the holiday debris only made it worse. She promised herself she wouldn't bite down.
Kirsty Logan (The Rental Heart and Other Fairytales)
Tragedy can strike without premonition. A natural disaster can arrive when the kids are playing with their Christmas presents. The narrative containers we use to impose structure and morality onto our lives no longer fit. Happy endings do not necessitate good deeds. Pain is immune to virtue.
Kyleigh Leddy (The Perfect Other: A Memoir of My Sister)
The creek was hers now and yet she felt nothing. It had been the longest walk of her life for no one was at the end waiting for her. She slept through winter. Missed Christmas and awoke to a New Year. She felt so lost. Until the first bluebells and ramsons colored the green-brown floor of her world.
Sarah Winman (A Year of Marvellous Ways)
Last Christmas Daphne hadn't been born yet; nor had Fanny. Now here sat Daphne chewing a wad of blue tissue while Franny stirred her fists through Agatha's jigsaw puzzle. They both seemed so accustomed to being here. And Danny and Lucy had completely vanished . Something was wrong with a world where people came and went so easily.
Anne Tyler (Saint Maybe)
He had not been sleeping well over Christmas. Actually, he hadn’t been doing anything well over Christmas – eating, sleeping, exercising, talking, looking after himself, laughing, crying… No, he hadn’t really been crying despite all the pain he felt. It was just tearing him up inside, quietly. It was like his insides were being ripped up by an angered tiger.
Pamela Harju (The Truth about Tomorrow)
I know I’m old school, but I believe that pain can be the most important tool in a person’s life. It forces a person to pay attention to something that needs to be changed. I worry that drugs like sleeping pills mask pain just enough that the real root of the problem gets buried, deeper and deeper. A problem—even something like grief—just doesn’t go away until it’s dealt with.
Suzanne Woods Fisher (A Lancaster County Christmas)
And then she was there, her face pressed to his neck, her arms tight around him. A shudder rocketed through her. Grief, happiness, sorrow. A thousand emotions ripped through him, tearing at his heart and blocking his throat. He froze for a moment, not really believing that she was there, in his arms. For the first time in months, he was holding his wife. And at that moment, nothing else mattered. Not the missing hand. Not the months he’d spent away. He wrapped his arm around her and held her tight. Breathed in the scent of her hair. Savored the feel of her body against his. “I’m sorry,” he whispered. “I’m so sorry.” And when she crawled into the bed with him, he didn’t argue. He held her as best he could and tried not to embarrass himself by crying.
Jessica Scott (I'll Be Home For Christmas (Coming Home, #0.5))
If these shadows remain unaltered by the Future, none other of my race,'' returned the Ghost, "will find him here. What then? If he be like to die, he had better do it, and decrease the surplus population.'' Scrooge hung his head to hear his own words quoted by the Spirit, and was overcome with penitence and grief. "Man,'' said the Ghost, "if man you be in heart, not adamant, forbear that wicked cant until you have discovered What the surplus is, and Where it is. Will you decide what men shall live, what men shall die? It may be, that in the sight of Heaven, you are more worthless and less fit to live than millions like this poor man's child. Oh God! to hear the Insect on the leaf pronouncing on the too much life among his hungry brothers in the dust!
Charles Dickens (A Christmas Carol)
Loftus grew up with a cold father who taught her nothing about love but everything about angles. A mathematician, he showed her the beauty of the triangle's strong tip, the circumference of the circle, the rigorous mission of calculus. Her mother was softer, more dramatic, prone to deep depressions. Loftus tells all this to me with little feeling "I have no feelings about this right now," she says, "but when I'm in the right space I could cry." I somehow don't believe her; she seems so far from real tears, from the original griefs, so immersed in the immersed in the operas of others. Loftus recalls her father asking her out to see a play, and in the car, coming home at night, the moon hanging above them like a stopwatch, tick tick, her father saying to her, "You know, there's something wrong with your mother. She'll never be well again. Her father was right. When Loftus was fourteen, her mother drowned in the family swimming pool. She was found floating face down in the deep end, in the summer. The sun was just coming up, the sky a mess of reds and bruise. Loftus recalls the shock, the siren, an oxygen mask clamped over her mouth as she screamed, "Mother mother mother," hysteria. That is a kind of drowning. "I loved her," Loftus says. "Was it suicide?" I ask. She says, "My father thinks so. Every year when I go home for Christmas, my brothers and I think about it, but we'll never know," she says. Then she says, "It doesn't matter." "What doesn't matter?" I ask. "Whether it was or it wasn't," she says. "It doesn't matter because it's all going to be okay." Then I hear nothing on the line but some static. on the line but some static. "You there?" I say. "Oh I'm here," she says. "Tomorrow I'm going to Chicago, some guy on death row, I'm gonna save him. I gotta go testify. Thank God I have my work," she says. "You've always had your work," I say. "Without it," she says, "Where would I be?
Lauren Slater (Opening Skinner's Box: Great Psychological Experiments of the Twentieth Century)
Let the sky celebrate! Let it pour some rain to wash away the past years' grief. Let the fireworks speak announcing a New Year to break, displaying seasons of different flavours. Oh New Year, can you restore our hopes and spill our fears? I wonder.. What will you bring? Happiness, confusion, or sadness? Let the other years witness.. your joy, your pity, your cruelty, and your niceness. So New Year, I have too many hopes in you. My wishes are infinite, what are you going to do? Don't disappoint me, I suppose you already know. The hope fountain knows no chains, Don't tell me it's all in vain.. Tell me how I can refrain myself from dreaming in my dale. If only there was a chance or even an opportunity in disguise, I wouldn't cease proving and proving my worth all the time, I would use my ship to sail, And you will witness my success.. This is what I promise, And here comes the test.. Let me declare it in that feast.. So New Year, I have too many hopes in you..
Noha Alaa El-Din (Norina Luciano)
The countdown to the funeral is awful. "Awful." What a limp word for this experience. Queues at the supermarket on Christmas Eve are awful. Banging your elbow on a hard surface is awful. My sliding scale for "awful" has completely changed and I need an enhanced vocabulary to deal with it. You don't realize the flippancy of your generation's attitudes and language until you grasp for the terminology that conveys the impact, and it's not there. It's been shopworn by silly jokes and ironic hyperbole.
Mhairi McFarlane (Just Last Night)
It is only after we have been enabled to say, “Be it unto me according to your Word,” that we can accept the paradoxes of Christianity. Christ comes to live with us, bringing an incredible promise of God’s love, but never are we promised that there will be no pain, no suffering, no death, but rather that these very griefs are the road to love and eternal life. In Advent we prepare for the coming of all Love, that love which will redeem all the brokenness, wrongness, hardnesses of heart which have afflicted us.
Madeleine L'Engle (Miracle on 10th Street: And Other Christmas Writings)
Skye shook her head at Jess, who kept nudging the ball towards her. She was too tired to keep throwing. She needed a rest. Pregnancy, she’d discovered, felt a lot like grief. There was the weight and the heft of it, the way it fatigued you; there was the inability to think clearly or do very much at all. A house opposite the park still had its Christmas decorations up, she noticed, though it was almost the end of January. Skye knew how its owners must feel. She was out of sync too: married and pregnant to one man, but thinking of another. Everything jarred; nothing was the way it was supposed to be.
Kylie Ladd (Into My Arms)
What were you going to make for Christmas dinner?” one of my older children asked in a very reasonable tone. I cleared my throat, but couldn’t speak. There was no real explanation for my behavior. I’d been so intent on getting through this first Christmas without David. I’d found new rituals to replace the old, wrapped gifts, and even made cutout sugar cookies. I’d modified Christmas in order to endure it. What I hadn’t done was plan on or prepare a Christmas meal. Everyone was looking at me expectantly by this point, including my sweet, hungry grandchildren. “I forgot all about Christmas dinner,” I finally admitted. No one batted an eye.
Mary Potter Kenyon (Refined by Fire: A Journey of Grief and Grace)
She wasn’t sure when she realized that she wasn’t alone. She’d heard a louder murmur from the crowd outside, but she hadn’t connected it with the door opening. She looked over her shoulder and saw Tate standing against the back wall. He was wearing one of those Armani suits that looked so splendid on his lithe build, and he had his trenchcoat over one arm. He was leaning back, glaring at the ceremony. Something was different about him, but Cecily couldn’t think what. It wasn’t the vivid bruise high up on his cheek where Matt had hit him. But it was something…Then it dawned on her. His hair was cut short, like her own. He glared at her. Cecily wasn’t going to cower in her seat and let him think she was afraid to face him. Mindful of the solemnity of the occasion, she got up and joined Tate by the door. “So you actually came. Bruises and all,” she whispered with a faintly mocking smile, eyeing the very prominent green-and-yellow patch on his jaw that Matt Holden had put there. He looked down at her from turbulent black eyes. He didn’t reply for a minute while he studied her, taking in the differences in her appearance, too. His eyes narrowed on her short hair. She thought his eyelids flinched, but it might have been the light. His eyes went back to the ceremony. He didn’t say another word. He didn’t really need to. He’d cut his hair. In his culture-the one that part of him still belonged to-cutting the hair was a sign of grief. She could feel the way it was hurting him to know that the people he loved most in the world had lied to him. She wanted to tell him that the pain would ease day by day, that it was better to know the truth than go through life living a lie. She wanted to tell him that having a foot in two cultures wasn’t the end of the world. But he stood there like a painted stone statue, his jaw so tense that the muscles in it were noticeable. He refused to acknowledge her presence at all. “Congratulations on your engagement, by the way,” she said without a trace of bitterness in her tone. “I’m very happy for you.” His eyes met hers evenly. “That isn’t what you told the press,” he said in a cold undertone. “I’m amazed that you’d go to such lengths to get back at me.” “What lengths?” she asked. “Planting that story in the tabloids,” he returned. “I could hate you for that.” The teenage sex slave story, she guessed. She glared back at him. “And I could hate you, for believing I would do something so underhanded,” she returned. He scowled down at her. The anger he felt was almost tangible. She’d sold him out in every way possible and now she’d embarrassed him publicly, again, first by confessing to the media that she’d been his teenage lover-a load of bull if ever there was one. Then she’d compounded it by adding that he was marrying Audrey at Christmas. He wondered how she could be so vindictive. Audrey was sticking to him like glue and she’d told everyone about the wedding. Not that many people hadn’t read it already in the papers. He felt sick all over. He wouldn’t have Audrey at any price. Not that he was about to confess that to Cecily now, after she’d sold him out. He started to speak, but he thought better of it, and turned his angry eyes back toward the couple at the altar. After a minute, Cecily turned and went back to her seat. She didn’t look at him again.
Diana Palmer (Paper Rose (Hutton & Co. #2))
Maggie felt an unexpected pang. She had thought beforehand chiefly at her own deliverance from her teasing hair and teasing remarks about it, and something also of the triumph she should have over her mother and her aunts by this very decided course of action; she didn't want her hair to look pretty,–that was out of the question,–she only wanted people to think her a clever little girl, and not to find fault with her. But now, when Tom began to laugh at her, and say she was like an idiot, the affair had quite a new aspect. She looked in the glass, and still Tom laughed and clapped his hands, and Maggie's cheeks began to pale, and her lips to tremble a little. "Oh, Maggie, you'll have to go down to dinner directly," said Tom. "Oh, my!" ...But Maggie, as she stood crying before the glass, felt it impossible that she should go down to dinner and endure the severe eyes and severe words of her aunts, while Tom and Lucy, and Martha, who waited at table, and perhaps her father and her uncles, would laugh at her; for if Tom had laughed at her, of course every one else would; and if she had only let her hair alone, she could have sat with Tom and Lucy, and had the apricot pudding and the custard! What could she do but sob? She sat as helpless and despairing among her black locks as Ajax among the slaughtered sheep. Very trivial, perhaps, this anguish seems to weather-worn mortals who have to think of Christmas bills, dead loves, and broken friendships; but it was not less bitter to Maggie–perhaps it was even more bitter–than what we are fond of calling antithetically the real troubles of mature life. "Ah, my child, you will have real troubles to fret about by and by," is the consolation we have almost all of us had administered to us in our childhood, and have repeated to other children since we have been grown up. We have all of us sobbed so piteously, standing with tiny bare legs above our little socks, when we lost sight of our mother or nurse in some strange place; but we can no longer recall the poignancy of that moment and weep over it, as we do over the remembered sufferings of five or ten years ago. Every one of those keen moments has left its trace, and lives in us still, but such traces have blent themselves irrecoverably with the firmer texture of our youth and manhood; and so it comes that we can look on at the troubles of our children with a smiling disbelief in the reality of their pain. Is there any one who can recover the experience of his childhood, not merely with a memory of what he did and what happened to him, of what he liked and disliked when he was in frock and trousers, but with an intimate penetration, a revived consciousness of what he felt then, when it was so long from one Midsummer to another; what he felt when his school fellows shut him out of their game because he would pitch the ball wrong out of mere wilfulness; or on a rainy day in the holidays, when he didn't know how to amuse himself, and fell from idleness into mischief, from mischief into defiance, and from defiance into sulkiness; or when his mother absolutely refused to let him have a tailed coat that "half," although every other boy of his age had gone into tails already? Surely if we could recall that early bitterness, and the dim guesses, the strangely perspectiveless conception of life, that gave the bitterness its intensity, we should not pooh-pooh the griefs of our children.
George Eliot (The Mill on the Floss)
Ring out, wild bells, to the wild sky, The flying cloud, the frosty light: The year is dying in the night; Ring out, wild bells, and let him die. Ring out the old, ring in the new, Ring, happy bells, across the snow: The year is going, let him go; Ring out the false, ring in the true. Ring out the grief that saps the mind For those that here we see no more; Ring out the feud of rich and poor, Ring in redress to all mankind. Ring out a slowly dying cause, And ancient forms of party strife; Ring in the nobler modes of life, With sweeter manners, purer laws. Ring out the want, the care, the sin, The faithless coldness of the times; Ring out, ring out my mournful rhymes But ring the fuller minstrel in. Ring out false pride in place and blood, The civic slander and the spite; Ring in the love of truth and right, Ring in the common love of good. Ring out old shapes of foul disease; Ring out the narrowing lust of gold; Ring out the thousand wars of old, Ring in the thousand years of peace. Ring in the valiant man and free, The larger heart, the kindlier hand; Ring out the darkness of the land, Ring in the Christ that is to be.
Alfred Tennyson