β
Laters, baby.
β
β
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
β
- "Why don't you like to be touched?"
- "Because I'm fifty shades of fucked-up, Anastasia
β
β
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
β
Sometimes I wonder if there's something wrong with me. Perhaps I've spent too long in the company of my literary romantic heroes, and consequently my ideals and expectations are far too high.
β
β
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
β
Hang on, did you just call me Angel?" I asked.
"If I did?"
"I don't like it."
He grinned. "It stays, Angel.
β
β
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
β
You have to kiss a lot of frogs before you find your prince
β
β
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
β
I am going to have coffee with Christian Grey... and I hate coffee.
β
β
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
β
She'll kill me if she finds you in here. Can you climb trees? Tell me you can climb a tree!"
Patch grinned, "I can fly.
β
β
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
β
We aim to please Miss Steele
β
β
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
β
Never trust a man who can dance.
β
β
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
β
PIPPIN: I didn't think it would end this way.
GANDALF: End? No, the journey doesn't end here. Death is just another path, one that we all must take. The grey rain-curtain of this world rolls back, and all turns to silver glass, and then you see it.
PIPPIN: What? Gandalf? See what?
GANDALF: White shores, and beyond, a far green country under a swift sunrise.
PIPPIN: Well, that isn't so bad.
GANDALF: No. No, it isn't.
β
β
J.R.R. Tolkien (The Lord of the Rings (Middle Earth, #2-4))
β
What is it about elevators?
β
β
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
β
Don't get your panties in such a twist... and give me back mine.
β
β
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
β
I love you more than I think I should.
β
β
Becca Fitzpatrick (Crescendo (Hush, Hush, #2))
β
You're like a grey sky. You're beautiful, even though you don't want to be.
β
β
Jasmine Warga (My Heart and Other Black Holes)
β
I nibbled my lower lip. "If you could see into my past just by touching my back, you'd have a hard time resisting the temptation too."
"I have a hard time keeping my hands off you without that added bonus.
β
β
Becca Fitzpatrick (Crescendo (Hush, Hush, #2))
β
I'd like to bite that lip.
β
β
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
β
Did I really want to stay on this road longer, knowing it was only going to end in devastation?
β
β
Becca Fitzpatrick (Crescendo (Hush, Hush, #2))
β
But if I hadn't fallen, I wouldn't have met you.
β
β
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
β
Why don't you like to be touched" Ana whispered, staring up into soft grey eyes.
"Because I'm fifty shades of fucked-up, Anastasia
β
β
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
β
I've kissed a prince, Mom. I hope it doesn't turn into a frog.
β
β
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
β
Reading is my favourite occupation, when I have leisure for it and books to read.
β
β
Anne BrontΓ« (Agnes Grey)
β
In each of us lie good and bad, light and dark, art and pain, choice and regret, cruelty and sacrifice. Weβre each of us our own chiaroscuro, our own bit of illusion fighting to emerge into something solid, something real. Weβve got to forgive ourselves that. I must remember to forgive myself. Because there is a lot of grey to work with. No one can live in the light all the time.
β
β
Libba Bray
β
End? No, the journey doesn't end here. Death is just another path, one that we all must take. The grey rain-curtain of this world rolls back, and all turns to silver glass, and then you see it.
β
β
Peter Jackson
β
Oh, fuck the paperwork
β
β
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
β
When You Are Old"
WHEN you are old and grey and full of sleep,
And nodding by the fire, take down this book,
And slowly read, and dream of the soft look
Your eyes had once, and of their shadows deep;
How many loved your moments of glad grace,
And loved your beauty with love false or true,
But one man loved the pilgrim soul in you,
And loved the sorrows of your changing face;
And bending down beside the glowing bars,
Murmur, a little sadly, how Love fled
And paced upon the mountains overhead
And hid his face amid a crowd of stars.
β
β
W.B. Yeats
β
Iβm going to grab a cheeseburger,β I told Patch. βWant anything?β
βNothing on the menu.β
I smiled. βWhy, Patch, are you flirting with me?
β
β
Becca Fitzpatrick (Crescendo (Hush, Hush, #2))
β
Angel... I don't think you understand the lengths I would go to if it means keeping you here with me.
β
β
Becca Fitzpatrick (Silence (Hush, Hush, #3))
β
Fine! I'll throw on some clothes. Turn around. I'm in my pj's"
"I'm a guy. That's like asking a kid not to glance at the candy counter.
β
β
Becca Fitzpatrick (Silence (Hush, Hush, #3))
β
The color of truth is grey.
β
β
AndrΓ© Gide
β
Are you smirking at me, Mr. Grey?β I ask sweetly. Pompous ass.
β
β
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
β
I want you sore, baby,β he murmurs, and he continues his sweet, leisurely torment, backward, forward. βEvery time you move tomorrow, I want you to be reminded that Iβve been here. Only me. You are mine.
β
β
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
β
Are you gloating inside? That's what this is about, isn't it? Getting me to trust you so you could blow it up in my face!" [...]
"I get that you're angryβ," said Patch.
"I am ripped apart!" I shouted.
β
β
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
β
For a long time,β Nico said, βI had a crush on you. I just wanted you to know.β Percy looked at Nico. Then at Annabeth, as if to check that heβd heard correctly. Then back at Nico.
βYou ββ
βYeah,β Nico said. βYouβre a great person. But Iβm over that. Iβm happy for you guys.β
βYou β¦ so you mean ββ
βRight.β
Annabethβs grey eyes started to sparkle. She gave Nico a sideways smile.
βWait,β Percy said. βSo you mean ββ
βRight,β Nico said again. βBut itβs cool. Weβre cool. I mean, I see now β¦ youβre cute, but youβre not my type.β
βIβm not your type β¦ Wait. So ββ
βSee you around, Percy,β Nico said.
β
β
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
β
Just think how many books I could've sold if Harry had been a bit more creative with his wand." -[On the success of 50 Shades of Grey]
β
β
J.K. Rowling
β
I can't imagine why you're so interested."
He shook his head. "Interested? We're talking about you. I'm fascinated.
β
β
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
β
From: Christian Grey
Subject: My Life's Mission...
Date: September 5, 2011 09:25
To: Anastasia Grey
Is to spoil you, Mrs. Grey.
And keep you safe because I love you.
Christian Grey
Smitten CEO, Grey Enterprises Holdings Inc.
β
β
E.L. James (Fifty Shades Freed (Fifty Shades, #3))
β
There's a very fine line between pleasure and pain. They are two sides of the same coin, one not existing without the other.
β
β
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
β
Sweet Jesus, you're wearing stockings."--Christian Grey
β
β
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
β
Men aren't really complicated, Ana, honey. They are very simple, literal creatures. They usually mean what they say. And we spend hours trying to analyze what they've said - when really it's obvious. If I were you, I'd take him literally. That might help.
β
β
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
β
Why don't you like me ?" "Because you never stay with me.
β
β
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
β
She believed she could, so she did.
β
β
R.S. Grey (Scoring Wilder)
β
No brain at all, some of them [people], only grey fluff that's blown into their heads by mistake, and they don't Think.
β
β
A.A. Milne (The House at Pooh Corner (Winnie-the-Pooh, #2))
β
Of course. Silly me. Such a sad, exciting score, which no doubt you can play? So many accomplishments, Mr. Grey.β
βAnd the greatest one is you, Miss Steele.
β
β
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
β
It's very hard to grow up in a perfect family when you're not perfect.
β
β
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
β
Will you say it?
"Aleksander"
His grin faded and his grey eyes seemed to flicker.
"Again."
"Aleksander
β
β
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
β
Dear God, woman,"said Will. "Are there any questions you don't want to know the answer to?
β
β
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
β
I still want more," I whisper. "I know," he says. "I'll try." I blink up at him, and he reliquishes my hand and pulls at my chin, releasing my trapped lip. "For you, Anastasia, I will try.
β
β
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
β
Needle was Robb and Bran and Rickon, her mother and her father, even Sansa. Needle was Winterfell's grey walls, and the laughter of its people. Needle was the summer snows, Old Nan's stories, the heart tree with its red leaves and scary face, the warm earthy smell of the glass gardens, the sound of the north wind rattling the shutters of her room. Needle was Jon Snow's smile. He used to mess my hair and call me "little sister," she remembered, and suddenly there were tears in her eyes.
β
β
George R.R. Martin (A Feast for Crows (A Song of Ice and Fire, #4))
β
Supposing Iβve said I hate him, or worse still, that I love him, in my sleep.
β
β
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
β
And the ship went out into the High Sea and passed into the West, until at last on a night of rain Frodo smelled a sweet fragrance on the air and heard the sound of singing that came over the water. And then it seemed to him that as in his dream in the house of Bombadil, the grey rain-curtain turned all to silver glass and was rolled back, and he beheld white shores and beyond them a far green country under a swift sunrise.
β
β
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
β
I was waiting for you," he says softly, his eyes dark gray and luminous.
"That's... that's such a lovely thing to say."
"It's true. I didn't know it at the time." He smiles his shy smile.
"I'm glad you waited."
"You are worth waiting for, Mrs. Grey.
β
β
E.L. James (Fifty Shades Freed (Fifty Shades, #3))
β
I gasp, and I'm Eve in the Garden of Eden, and he's the serpent, and I cannot resist.
β
β
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
β
He inclined his head at my dress. "What's the occasion?"
"Homecoming," I said, twirling. "Like?"
"Last I heard, Homecoming requires a date."
"About that," I hedged. "I'm sort of...going with Scott. We both figure a high-school dance is the last place Hank will be patrolling."
Patch smiled, but it was tight. "I take that back. If Hank wants to shoot Scott, he has my blessing.
β
β
Becca Fitzpatrick (Silence (Hush, Hush, #3))
β
I needed him like I'd never needed anyone.
β
β
Becca Fitzpatrick (Crescendo (Hush, Hush, #2))
β
Quit calling me Grey. It makes me sound like Iβm a boy. Like Dorian Gray.β
βDorian who?β
I sighed. βJust think up something else. Plain old Nora works too, you know.β
βSure thing, Gumdrop.β
I grimaced. βI take that back. Letβs stick with Grey.
β
β
Becca Fitzpatrick (Silence (Hush, Hush, #3))
β
Patch's eyes were slate black, darker than a million secrets stacked on top of each other. He dropped his gaze to the ring in his hand, turning it over slowly.
"Swear you'll never stop loving me," I whispered.
Ever so slightly, he nodded.
β
β
Becca Fitzpatrick (Crescendo (Hush, Hush, #2))
β
My inner goddess is jumping up and down, clapping her hands like a five year old.
β
β
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
β
It's much easier to wear your pain on the outside...
β
β
E.L. James (Fifty Shades Freed (Fifty Shades, #3))
β
Was it harder to die, or harder to be the one who survived?
β
β
Ruta Sepetys (Between Shades of Gray)
β
Raising the ordinary to extraordinary
β
β
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
β
Hmm?' I looked away, flustered automatically using irritation to cover my discomfort up. 'What does 'hmm' have to do with anything? Could you ever use more that five words? All this grunting and minced words make you come across-- primal.'
His smile tipped higher. 'Primal.'
'You're impossible.'
'Me Jev, you Nora.
β
β
Becca Fitzpatrick (Silence (Hush, Hush, #3))
β
I hate fighting with you,β he whispers.
βWell, stop being such an arse.β
He chuckles and the captivating sound reverberates through his chest. He tightens his hold on me. βArse?β
βAss.β
βI prefer arse.β
βYou should. It suits you.
β
β
E.L. James (Fifty Shades Freed (Fifty Shades, #3))
β
FROZEN DREAM
I'll take the dream I had last night
And put it in my freezer,
So someday long and far away
When I'm an old grey geezer,
I'll take it out and thaw it out,
This lovely dream I've frozen,
And boil it up and sit me down
A dip my old cold toes in.
β
β
Shel Silverstein (A Light in the Attic)
β
I prefer to be left alone with my books.
β
β
Alison Weir (Innocent Traitor)
β
He grabs me suddenly and yanks me up against him, one hand at my back holding me to him and the other fisting in my hair.
"You're one challenging woman," He kisses me, forcing my lips apart with his tongue, taking no prisoners.
"It's taking all my self-control not to fuck you on the hood of this car, just to show you that you're mine, and if I want to buy you a fucking car, I'll buy you a fucking car," he growls.
β
β
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
β
This is a man in need. His fear is naked and obvious, but he's lost. . . Somewhere in his darkness.
His eyes wide and bleak and tortured. I can soothe him. Join him briefly in the darkness and bring him into the light.
β
β
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
β
Stories have changed, my dear boy,β the man in the grey suit says, his voice almost imperceptibly sad. βThere are no more battles between good and evil, no monsters to slay, no maidens in need of rescue. Most maidens are perfectly capable of rescuing themselves in my experience, at least the ones worth something, in any case. There are no longer simple tales with quests and beasts and happy endings. The quests lack clarity of goal or path. The beasts take different forms and are difficult to recognize for what they are. And there are never really endings, happy or otherwise. Things keep overlapping and blur, your story is part of your sisterβs story is part of many other stories, and there in no telling where any of them may lead. Good and evil are a great deal more complex than a princess and a dragon, or a wolf and a scarlet-clad little girl. And is not the dragon the hero of his own story? Is not the wolf simply acting as a wolf should act? Though perhaps it is a singular wolf who goes to such lengths as to dress as a grandmother to toy with its prey.
β
β
Erin Morgenstern (The Night Circus)
β
Nice costume," he said.
"Ditto. I can tell you put a lot of thought into yours."
Amusement curled his mouth. "If you don't like it, I can take it off.
β
β
Becca Fitzpatrick (Finale (Hush, Hush, #4))
β
He's naked except for those soft ripped jeans, top button casually undone. Jeez, he looks so freaking hot. My subconscious is frantically fanning herself, and my inner goddess is swaying and writhing to some primal carnal rhythm.
β
β
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
β
The old grey donkey, Eeyore stood by himself in a thistly corner of the Forest, his front feet well apart, his head on one side, and thought about things. Sometimes he thought sadly to himself, "Why?" and sometimes he thought, "Wherefore?" and sometimes he thought, "Inasmuch as which?" and sometimes he didn't quite know what he was thinking about.
β
β
A.A. Milne (Winnie-the-Pooh (Winnie-the-Pooh, #1))
β
Of course you know, this means war.
β
β
Joe Adamson (Bugs Bunny: Fifty Years and Only One Grey Hare)
β
Placing my head on my knees, I let the irrational tears fall unrestrained. I am crying over the loss of something I never had. How ridiculous. Mourning something that never was - my dashed hopes, my dashed dreams, and my soured expectations.
β
β
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
β
Every time you strip my sword, I owe you a kiss. How's that sound?" I bit my lip to keep from giggling.
"That sounds really dirty."
Patch waggled his brows. "Look whose mind just rolled into the gutter.
β
β
Becca Fitzpatrick (Finale (Hush, Hush, #4))
β
It is foolish to wish for beauty. Sensible people never either desire it for themselves or care about it in others. If the mind be but well cultivated, and the heart well disposed, no one ever cares for the exterior.
β
β
Anne BrontΓ« (Agnes Grey)
β
Kiss me, k-k-kiss me, infect me with your love, and fill me with your poison, take me, t-t-take me, wanna be your victim, ready for abduction boy, you're a werewolf, your touch is so furry, its supernatural, extra-werewolf-iestrial," Jen sung as loud as she could.
β
β
Quinn Loftis (Blood Rites (The Grey Wolves, #2))
β
Alright then, I guess thatβs settled,β Lilly said, then she turned to Fane, βLay a paw on my little girl and you will be a three legged Lassie, got it?β
Fane winced and then asked, βYou both do realize Iβm a wolf not a dog right?
β
β
Quinn Loftis (Prince of Wolves (The Grey Wolves, #1))
β
Now I am quietly waiting for
the catastrophe of my personality
to seem beautiful again,
and interesting, and modern.
The country is grey and
brown and white in trees,
snows and skies of laughter
always diminishing, less funny
not just darker, not just grey.
It may be the coldest day of
the year, what does he think of
that? I mean, what do I? And if I do,
perhaps I am myself again.
β
β
Frank O'Hara (Meditations in an Emergency)
β
Good evening, Mrs. Grey," Christian says softly. He's standing by the piano, dressed in a tight black T-shirt, and jeans...those jeans- the ones he wore in the playroom. Oh my. They are over washed pale-blue denim, snug, ripped at the knee and hot. He saunters over to me, his feet bare, the top button of the jeans undone, his smoldering eyes never leaving mine. "Good to have you home. I've been waiting for you.
β
β
E.L. James (Fifty Shades Freed (Fifty Shades, #3))
β
I'll understand if you don't want me. But I will be heartbroken. You are all I ever dreamed of and hoped for. You are much, much more. Please know that I didn't think I was mean-minded. But I realize I am. I don't want you to put your arms around me and say it's all right, that you forgive me. I want you to be sure that you do, and my love for you will last as long as I live. I can see no lightness, no humour, no joke to make. I just hope that we will be able to go back to when we had laughter, and the world was coloured, not black and white and grey. I am so sorry for hurting you. I could inflict all kinds of pain on myself, but it would not take back any I gave to you. - David Power
β
β
Maeve Binchy (Echoes)
β
Okay, this is the wisdom. First, time spent on reconnaissanse is never wasted. Second, almost anything can be improved with the addition of bacon. And finally, there is no problem on Earth that can't be ameliorated by a hot bath and a cup of tea.
β
β
Jasper Fforde (Shades of Grey (Shades of Grey, #1))
β
His head turns fractionally toward me, his eyes darkest slate. I bite my lip.
βOh, fuck the paperwork,β he growls. He lunges at me, pushing me against the wall of the elevator. Before I know it, heβs got both of my hands in one of his in a vice-like grip above my head, and heβs pinning me to the wall using his hips. Holy shit. His other hand grabs my ponytail and yanks down, bringing my face up, and his lips are on mine. Itβs only just not painful. I moan into his mouth, giving his tongue an opening. He takes full advantage, his tongue expertly exploring my mouth. I have never been kissed like this.
β
β
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
β
What kind of tea do you want?"
"ThereΒ΄s more than one kind of tea?...What do you have?"
"LetΒ΄s see... Blueberry, Raspberry, Ginseng, Sleepytime, Green Tea, Green Tea with Lemon, Green Tea with Lemon and Honey, Liver Disaster, Ginger with Honey, Ginger Without Honey, Vanilla Almond, White Truffle Coconut, Chamomile, Blueberry Chamomile, Decaf Vanilla Walnut, Constant Comment and Earl Grey."
-"I.. Uh...What are you having?... Did you make some of those up?
β
β
Bryan Lee O'Malley (Scott Pilgrim's Precious Little Life (Scott Pilgrim, #1))
β
I love my job. I love the pay!
~I love it more and more each day.
~I love my boss, he is the best!
~I love his boss and all the rest.
~I love my office and its location. I hate to have to go on vacation.
~I love my furniture, drab and grey, and piles of paper that grow each day!
~I think my job is swell, there's nothing else I love so well.
~I love to work among my peers, I love their leers, and jeers, and sneers.
~I love my computer and its software; I hug it often though it won't care.
~I love each program and every file, I'd love them more if they worked a while.
~I'm happy to be here. I am. I am.
~I'm the happiest slave of the Firm, I am.
~I love this work. I love these chores.
~I love the meetings with deadly bores.
~I love my job - I'll say it again - I even love those friendly men.
~Those friendly men who've come today, in clean white coats to take me away!!!!!
β
β
Dr. Seuss
β
i don't know when love became elusive
what i know, is that no one i know has it
my fathers arms around my mothers neck
fruit too ripe to eat, a door half way open
when your name is a just a hand i can never hold
everything i have ever believed in, becomes magic.
i think of lovers as trees, growing to and
from one another searching for the same light,
my mothers laughter in a dark room,
a photograph greying under my touch,
this is all i know how to do, carry loss around until
i begin to resemble every bad memory,
every terrible fear,
every nightmare anyone has ever had.
i ask did you ever love me?
you say of course, of course so quickly
that you sound like someone else
i ask are you made of steel? are you made of iron?
you cry on the phone, my stomach hurts
i let you leave, i need someone who knows how to stay.
β
β
Warsan Shire
β
Does this mean youβre going to make love to me tonight, Christian?β Holy shit. Did I just say that? His mouth drops open slightly, but he recovers quickly.
βNo, Anastasia it doesnβt. Firstly, I donβt make love. I fuckβ¦ hard. Secondly, thereβs a lot more paperwork to do, and thirdly, you donβt yet know what youβre in for. You could still run for the hills. Come, I want to show you my playroom.β
My mouth drops open. Fuck hard! Holy shit, that sounds so⦠hot. But why are we looking at a playroom? I am mystified.
βYou want to play on your Xbox?β I ask. He laughs, loudly.
βNo, Anastasia, no Xbox, no Playstation. Come.ββ¦ Producing a key from his pocket, he unlocks yet another door and takes a deep breath.
βYou can leave anytime. The helicopter is on stand-by to take you whenever you want to go, you can stay the night and go home in the morning. Itβs fine whatever you decide.β
βJust open the damn door, Christian.β
He opens the door and stands back to let me in. I gaze at him once more. I so want to know whatβs in here. Taking a deep breath I walk in.
And it feels like Iβve time-traveled back to the sixteenth century and the Spanish Inquisition.
Holy fuck.
β
β
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
β
Your stepfather? I'd like to meet him."
Oh no... why?
"I'm not sure that's a good idea."
Christian unlocks the door, his mouth in a grim line.
"Are you ashamed of me?"
"No!" It's my turn to sound exasperated. "Introduce you to my dad as what? 'This is the man who deflowered me and wants to start a BDSM relationship'. You're not wearing running shoes.
β
β
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
β
[Ana] βYouβre a sadist?β
βIβm a Dominant.β His eyes are a scorching gray, intense.
βWhat does that mean?β I whisper.
βIt means I want you to willingly surrender yourself to me, in all things.β
I frown at him as I try to assimilate this idea.
βWhy would I do that?β
βTo please me,β he whispers as he cocks his head to one side, and I see a ghost of a smile.
Please him! He wants me to please him! I think my mouth drops open. Please Christian Grey. And I realize, in that moment, that yes, thatβs exactly what I want to do. I want him to be damned delighted with me. Itβs a revelation.
β
β
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
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Ready?"
Despite the grim mood, I smiled and cracked my knuckles.
"Ready to wrestle with my gorgeous boyfriend? Oh, I'd say I'm ready for that."
Amusement softened his eyes.
"I'll try to control where I put my hands, but in the heat of things, who knows what could happen?" I added.
Patch grinned. "Sounds promising.
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Becca Fitzpatrick (Finale (Hush, Hush, #4))
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When I was a little girl, everything in the world fell into either of these two categories: wrong or right. Black or white. Now that I am an adult, I have put childish things aside and now I know that some things fall into wrong and some things fall into right. Some things are categorized as black and some things are categorized as white. But most things in the world aren't either! Most things in the world aren't black, aren't white, aren't wrong, aren't right, but most of everything is just different. And now I know that there's nothing wrong with different, and that we can let things be different, we don't have to try and make them black or white, we can just let them be grey. And when I was a child, I thought that God was the God who only saw black and white. Now that I am no longer a child, I can see, that God is the God who can see the black and the white and the grey, too, and He dances on the grey! Grey is okay.
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C. JoyBell C.
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He sucked some of the rain from my bottom lip, and I felt his mouth smile against mine. He swept my hair aside and kissed me just above the collarbone. He nibbled at my ear, then sank his teeth into my shoulder. I hung my fingertips on his waistband, tugging him closer. Patch buried his face in the curve of my shoulder, his hands flexing over my back. He gave a low groan.
βI love you,β he murmured into my hair. βIβm happier right now than I ever remember being.
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Becca Fitzpatrick (Crescendo (Hush, Hush, #2))
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I admire Tolkien greatly. His books had enormous influence on me. And the trope that he sort of establishedβthe idea of the Dark Lord and his Evil Minionsβin the hands of lesser writers over the years and decades has not served the genre well. It has been beaten to death. The battle of good and evil is a great subject for any book and certainly for a fantasy book, but I think ultimately the battle between good and evil is weighed within the individual human heart and not necessarily between an army of people dressed in white and an army of people dressed in black. When I look at the world, I see that most real living breathing human beings are grey.
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George R.R. Martin
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The Lake Isle of Innisfree
I will arise and go now, and go to Innisfree,
And a small cabin build there, of clay and wattles made;
Nine bean-rows will I have there, a hive for the honey-bee,
And live alone in the bee-loud glade.
And I shall have some peace there, for peace comes dropping slow,
Dropping from the veils of the morning to where the cricket sings;
There midnightβs all a glimmer, and noon a purple glow,
And evening full of the linnetβs wings.
I will arise and go now, for always night and day
I hear lake water lapping with low sounds by the shore;
While I stand on the roadway, or on the pavements grey,
I hear it in the deep heartβs core.
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W.B. Yeats (The Collected Poems of W.B. Yeats)
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So youβll get your kicks by exerting your will over me.β
βItβs about gaining your trust and your respect, so youβll let me exert my will over you. I will gain a great deal of pleasure, joy, even in your submission. The more you submit, the greater my joy β itβs a very simple equation.β
βOkay, and what do I get out of this?β
He shrugs and looks almost apologetic.
βMe,β he says simply.
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E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
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She gets a man who will love her completely and faithfully. She gets a man who will not only save her life, but lay down his own to keep her safe. He will provide for her no matter the cost, he will shelter her against all storms that come their way, he will be the one to bring a smile to her face when no one else can. She gets a friend, a lover, a mate, the only man in this world who can complete her and give her the other half of her soul.
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Quinn Loftis (Blood Rites (The Grey Wolves, #2))
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Sea-fever
I must down to the seas again, to the lonely sea and the sky,
And all I ask is a tall ship and a star to steer her by,
And the wheel's kick and the wind's song and the white sail's shaking,
And a grey mist on the sea's face, and a grey dawn breaking.
I must down to the seas again, for the call of the running tide
Is a wild call and a clear call that may not be denied;
And all I ask is a windy day with the white clouds flying,
And the flung spray and the blown spume, and the sea-gulls crying.
I must down to the seas again, to the vagrant gypsy life,
To the gull's way and the whale's way where the wind's like a whetted knife;
And all I ask is a merry yarn from a laughing fellow-rover
And quiet sleep and a sweet dream when the long trick's over.
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John Masefield (Sea Fever: Selected Poems)
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But instead of taking the cue to leave, Patch crossed to Scott in three steps. He flung him around to face the wall. Scott tried to get his bearings, but Patch slammed him against the wall again, disorienting him further. βTouch her,β he said in Scottβs ear, his voice low and threatening, βand itβll be the biggest regret of your life.β
Before leaving, Patch flicked his eyes once in my direction. βHeβs not worth it.β He paused. βAnd neither am I.
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Becca Fitzpatrick (Crescendo (Hush, Hush, #2))
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The word "We" is as lime poured over men, which sets and hardens to stone, and crushes all beneath it, and that which is white and that which is black are lost equally in the grey of it. It is the word by which the depraved steal the virtue of the good, by which the weak steal the might of the strong, by which the fools steal the wisdom of the sages.
What is my joy if all hands, even the unclean, can reach into it? What is my wisdom, if even the fools can dictate to me? What is my freedom, if all creatures, even the botched and impotent, are my masters? What is my life, if I am but to bow, to agree and to obey?
But I am done with this creed of corruption.
I am done with the monster of "We," the word of serfdom, of plunder, of misery, falsehood and shame.
And now I see the face of god, and I raise this god over the earth, this god whom men have sought since men came into being, this god who will grant them joy and peace and pride.
This god, this one word:
"I.
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Ayn Rand (Anthem)
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The wish of death had been palpably hanging over this otherwise idyllic paradise for a good many years.
All business and politics is personal in the Philippines.
If it wasn't for the cheap beer and lovely girls one of us would spend an hour in this dump.
They [Jehovah's Witnesses] get some kind of frequent flyer points for each person who signs on.
I'm not lazy. I'm just motivationally challenged.
I'm not fat. I just have lots of stored energy.
You don't get it do you? What people think of you matters more than the reality. Marilyn.
Despite standing firm at the final hurdle Marilyn was always ready to run the race.
After answering the question the woman bent down behind the stand out of sight of all, and crossed herself.
It is amazing what you can learn in prison. Merely through casual conversation Rick had acquired the fundamentals of embezzlement, fraud and armed hold up.
He wondered at the price of honesty in a grey world whose half tones changed faster than the weather.
The banality of truth somehow always surprises the news media before they tart it up.
You've ridden jeepneys in peak hour. Where else can you feel up a fourteen-year-old schoolgirl without even trying? [Ralph Winton on the Philippines finer points]
Life has no bottom. No matter how bad things are or how far one has sunk things can always get worse.
You could call the Oval Office an information rain shadow.
In the Philippines, a whole layer of criminals exists who consider that it is their right to rob you unhindered. If you thwart their wicked desires, to their way of thinking you have stolen from them and are evil.
There's honest and dishonest corruption in this country.
Don't enjoy it too much for it's what we love that usually kills us.
The good guys don't always win wars but the winners always make sure that they go down in history as the good guys.
The Philippines is like a woman. You love her and hate her at the same time.
I never believed in all my born days that ideas of truth and justice were only pretty words to brighten a much darker and more ubiquitous reality.
The girl was experiencing the first flushes of love while Rick was at least feeling the methadone equivalent.
Although selfishness and greed are more ephemeral than the real values of life their effects on the world often outlive their origins.
Miriam's a meteor job. Somewhere out there in space there must be a meteor with her name on it.
Tsismis or rumours grow in this land like tropical weeds.
Surprises are so common here that nothing is surprising.
A crooked leader who can lead is better than a crooked one who can't.
Although I always followed the politics of Hitler I emulate the drinking habits of Churchill.
It [Australia] is the country that does the least with the most.
Rereading the brief lines that told the story in the manner of Fox News reporting the death of a leftist Rick's dark imagination took hold.
Didn't your mother ever tell you never to trust a man who doesn't drink?
She must have been around twenty years old, was tall for a Filipina and possessed long black hair framing her smooth olive face. This specter of loveliness walked with the assurance of the knowingly beautiful. Her crisp and starched white uniform dazzled in the late-afternoon light and highlighted the natural tan of her skin. Everything about her was in perfect order. In short, she was dressed up like a pox doctorβs clerk. Suddenly, she stopped, turned her head to one side and spat comprehensively into the street. The tiny putrescent puddle contrasted strongly with the studied aplomb of its all-too-recent owner, suggesting all manner of disease and decay.
β
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John Richard Spencer
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In all your Amours you should prefer old Women to young ones. You call this a Paradox, and demand my Reasons. They are these:
1. Because as they have more Knowledge of the World and their Minds are better storβd with Observations, their Conversation is more improving and more lastingly agreable.
2. Because when Women cease to be handsome, they study to be good. To maintain their Influence over Men, they supply the Diminution of Beauty by an Augmentation of Utility. They learn to do a 1000 Services small and great, and are the most tender and useful of all Friends when you are sick. Thus they continue amiable. And hence there is hardly such a thing to be found as an old Woman who is not a good Woman.
3. Because there is no hazard of Children, which irregularly producβd may be attended with much Inconvenience.
4. Because throβ more Experience, they are more prudent and discreet in conducting an Intrigue to prevent Suspicion. The Commerce with them is therefore safer with regard to your Reputation. And with regard to theirs, if the Affair should happen to be known, considerate People might be rather inclinβd to excuse an old Woman who would kindly take care of a young Man, form his Manners by her good Counsels, and prevent his ruining his Health and Fortune among mercenary Prostitutes.
5. Because in every Animal that walks upright, the Deficiency of the Fluids that fill the Muscles appears first in the highest Part: The Face first grows lank and wrinkled; then the Neck; then the Breast and Arms; the lower Parts continuing to the last as plump as ever: So that covering all above with a Basket, and regarding only what is below the Girdle, it is impossible of two Women to know an old from a young one. And as in the dark all Cats are grey, the Pleasure of corporal Enjoyment with an old Woman is at least equal, and frequently superior, every Knack being by Practice capable of Improvement.
6. Because the Sin is less. The debauching a Virgin may be her Ruin, and make her for Life unhappy.
7. Because the Compunction is less. The having made a young Girl miserable may give you frequent bitter Reflections; none of which can attend the making an old Woman happy.
8thly and Lastly They are so grateful!!
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Benjamin Franklin
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The leaves were long, the grass was green,
The hemlock-umbels tall and fair,
And in the glade a light was seen
Of stars in shadow shimmering.
Tinuviel was dancing there
To music of a pipe unseen,
And light of stars was in her hair,
And in her raiment glimmering.
There Beren came from mountains cold,
And lost he wandered under leaves,
And where the Elven-river rolled.
He walked along and sorrowing.
He peered between the hemlock-leaves
And saw in wonder flowers of gold
Upon her mantle and her sleeves,
And her hair like shadow following.
Enchantment healed his weary feet
That over hills were doomed to roam;
And forth he hastened, strong and fleet,
And grasped at moonbeams glistening.
Through woven woods in Elvenhome
She lightly fled on dancing feet,
And left him lonely still to roam
In the silent forest listening.
He heard there oft the flying sound
Of feet as light as linden-leaves,
Or music welling underground,
In hidden hollows quavering.
Now withered lay the hemlock-sheaves,
And one by one with sighing sound
Whispering fell the beechen leaves
In the wintry woodland wavering.
He sought her ever, wandering far
Where leaves of years were thickly strewn,
By light of moon and ray of star
In frosty heavens shivering.
Her mantle glinted in the moon,
As on a hill-top high and far
She danced, and at her feet was strewn
A mist of silver quivering.
When winter passed, she came again,
And her song released the sudden spring,
Like rising lark, and falling rain,
And melting water bubbling.
He saw the elven-flowers spring
About her feet, and healed again
He longed by her to dance and sing
Upon the grass untroubling.
Again she fled, but swift he came.
Tinuviel! Tinuviel!
He called her by her elvish name;
And there she halted listening.
One moment stood she, and a spell
His voice laid on her: Beren came,
And doom fell on Tinuviel
That in his arms lay glistening.
As Beren looked into her eyes
Within the shadows of her hair,
The trembling starlight of the skies
He saw there mirrored shimmering.
Tinuviel the elven-fair,
Immortal maiden elven-wise,
About him cast her shadowy hair
And arms like silver glimmering.
Long was the way that fate them bore,
O'er stony mountains cold and grey,
Through halls of iron and darkling door,
And woods of nightshade morrowless.
The Sundering Seas between them lay,
And yet at last they met once more,
And long ago they passed away
In the forest singing sorrowless.
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J.R.R. Tolkien (The Lord of the Rings (Middle Earth, #2-4))