Greenhouse Garden Quotes

We've searched our database for all the quotes and captions related to Greenhouse Garden. Here they are! All 43 of them:

The fellow who tends the greenhouse gardens? Trust me, Lady, you'd let him stake your tomatoes.
Kristin Cashore (Fire (Graceling Realm, #2))
Sorry, old girl," I said to [my bicycle] Gladys in the gray dishwater light of early morning, "but I have to leave you at home." I could see that she was disappointed, even though she managed to put on a brave face. "I need you to stay here as a decoy," I whispered. "When they see you leaning against the greenhouse, they'll think I'm still in bed." Gladys brightened considerably at the thought of a conspiracy. [...] At the corner of the garden, I turned, and mouthed the words, "Don't do anything I wouldn't do," and Gladys signaled that she wouldn't. I was off like a shot.
Alan Bradley (A Red Herring Without Mustard (Flavia de Luce, #3))
Sometimes I felt the whole world was converging on this little room. And as I became more intoxicated and frustrated I'd throw open the bedroom window as the dawn came up, and look across the gardens, lawns, greenhouses, sheds and curtained windows. I wanted my life to begin now, at this instant, just when I was ready for it.
Hanif Kureishi (The Buddha of Suburbia)
thence to the fruit-garden and greenhouses, where he asked her if she liked strawberries. "Yes," said Tess, "when they come.
Thomas Hardy (Tess of the D'Urbervilles)
black women breathe flowers, too. just because we are taught to grow them in the lining of our quiet (our grandmothers secret) does nor mean we do not swelter with wild tenderness. we soft swim. we petal. we scent limbs. love. we just have been too long a garden for sharp and deadly teeth. so we have grown ourselfves into greenhouses.
Nayyirah Waheed (Salt)
Sir, come quick. They've found a body in the canal." I blew out my breath. Saved by the corpse. ...The corpse in question was Nigel Nicabar. The watchers had collected the bodies found in Nigel's house, garden, and canal, and put them in the greenhouse located at the back of the garden. The necromancer's talents weren't with living things, so the greenhouse's tables were pretty much empty - at least of plants. Dead goblins lay under sheets and tarps. I couldn't help feeling that Nigel would have approved. What he wouldn't have approved of was being included among them. Nigel wouldn't have been caught dead surrounded by goblins, yet that's exactly how and where he was. I don't think he would have appreciated the irony.
Lisa Shearin (Magic Lost, Trouble Found (Raine Benares #1))
By this time she had reached the Blenheim estate on the outskirts of River Heights. The broad tree-shadowed lawn was filled with women setting up displays for the annual charity flower show. Nancy had been assigned a spot in the greenhouse behind the mansion. As she set her larkspur arrangement in place, the chairman came up to her. “My, Nancy, your delphinium are gorgeous,” Mrs. Winsor said. “Thank you,” Nancy replied. “I just adore larkspur,” the woman said. “Such a lovely old-fashioned flower. My grandmother had them in her garden. She always had hollyhocks and bluebells, too.
Carolyn Keene (Password to Larkspur Lane (Nancy Drew, #10))
I will pull on my stockings and go quietly past the bedroom doors, and down through the kitchen, out through the garden past the greenhouse into the field. It is still early morning. The mist is on the marshes. The day is stark and stiff as a linen shroud. But it will soften; it will warm. At this hour, this still early hour, I think I am the field, I am the barn, I am the trees; mine are the flocks of birds, and this young hare who leaps, at the last moment when I step almost on him. Mine is the heron that stretches its vast wings lazily; and the cow that creaks as it pushes one foot before another munching; and the wild, swooping swallow; and the faint red in the sky, and the green when the red fades; the silence and the bell; the call of the man fetching cart-horses from the fields - all are mine.
Virginia Woolf
Time to visit greenhouses, pick out plants, make my gardening selections. It is nearly time to spend a small personal fortune on those few chosen plants I wish to set out in my new garden and ignore all summer.
Cheryl Peck (Fat Girls and Lawn Chairs)
In front of us there is an immense garden of words and non-words, a serre, that is, a greenhouse in which are preserved by my care so many things of speech you have given me while leaving me free to cultivate them.
Hélène Cixous (Love Itself: In the Letter Box)
They never knew, about that or why I left. Their own innocence, the reason I couldn’t tell them; perilous innocence, closing them in glass, their articial garden, greenhouse. They didn’t teach us about evil, they didn’t understand about it, how could I describe it to them? They were from another age, prehistoric, when everyone got married and had a family, children growing in the yard like sunowers; remote as Eskimoes or mastodons.
Margaret Atwood (Surfacing)
Then I used to lock myself in my room, or go to the end of the garden, climb on to the ruin of a high stone greenhouse and, dangling my legs from the wall which looked out on the road, would sit for hours, staring and staring, seeing nothing. Near me, over the dusty nettles, white butterflies fluttered lazily. A pert little sparrow would fly down on to a half-broken red brick nearby, and would irritate me with its chirping, ceaselessly turning its whole body with its outspread tail; the crows, still wary, occasionally cawed, sitting high, high on the bare top of a birch -- while the sun and wind played gently in its spreading branches; the bells of the Donskoy monastery would sometimes float across -- tranquil and sad -- and I would sit and gaze and listen, and would be filled with a nameless sensation which had everything in it; sorrow and joy, a premonition of the future, and desire, and fear of life. At the time, I understood none of this, and could not have given a name to any of the feelings which seethed within me; or else I would have called it all by one name – the name of Zinaida.
Ivan Turgenev (First Love)
I love the way the rain melts the colors together, like a chalk drawing on the sidewalk. There is a moment, just after sunset, when the shops turn on their lights and steam starts to fog up the windows of the cafés. In French, this twilight time implies a hint of danger. It's called entre chien et loup, between the dog and the wolf. It was just beginning to get dark as we walked through the small garden of Palais Royal. We watched as carefully dressed children in toggled peacoats and striped woolen mittens finished the same game of improvised soccer we had seen in the Place Sainte Marthe. Behind the Palais Royal the wide avenues around the Louvre gave way to narrow streets, small boutiques, and bistros. It started to drizzle. Gwendal turned a corner, and tucked in between two storefronts, barely wider than a set of double doors, I found myself staring down a corridor of fairy lights. A series of arches stretched into the distance, topped with panes of glass, like a greenhouse, that echoed the plip-plop of the rain. It was as if we'd stepped through the witch's wardrobe, the phantom tollbooth, what have you, into another era. The Passage Vivienne was nineteenth-century Paris's answer to a shopping mall, a small interior street lined with boutiques and tearooms where ladies could browse at their leisure without wetting the bustles of their long dresses or the plumes of their new hats. It was certainly a far cry from the shopping malls of my youth, with their piped-in Muzak and neon food courts. Plaster reliefs of Greek goddesses in diaphanous tunics lined the walls. Three-pronged brass lamps hung from the ceiling on long chains. About halfway down, there was an antique store selling nothing but old kitchenware- ridged ceramic bowls for hot chocolate, burnished copper molds in the shape of fish, and a pewter mold for madeleines, so worn around the edges it might have belonged to Proust himself. At the end of the gallery, underneath a clock held aloft by two busty angels, was a bookstore. There were gold stencils on the glass door. Maison fondée en 1826.
Elizabeth Bard (Lunch in Paris: A Love Story, with Recipes)
What is this food in my head, anyway? Let’s see...it’s green and good for you and so delicious. It’s prepared by angels with love. The minute you bite into it, it’s savory, chewy, nourishing, and whole- some. You feel instantly revitalized. A small, tiny amount, just a few bites, rejuvenates every cell, deepens your breath, clears your mind, heals your wounds, and mends your heart. It’s made from joyous plants that voluntarily separate themselves from their stalks, laying themselves at the feet of the approaching gardener who gathers them. They eagerly offer their vital energies to nourish living spirits. The angels in their chef hats, singing mantras, cook it tenderly to retain all the benefits of the generous plants. It’s barely sweet, barely salty, and contains all the freshness of spring herbs, summer fruit, spreading leaves, and burgeoning seeds. It comes premade in bags or boxes...you just open it up, sit down, and enjoy. It’s a full meal, enough maybe for a whole day, maybe for a week, maybe for your family, maybe for your friends and neighbors. It multiplies like loaves and fishes, in little biodegradable containers that vaporize instantly the moment you finish them, without any greenhouse emissions. Nothing to clean up!
Kimber Simpkins (Full: How one woman found yoga, eased her inner hunger, and started loving herself)
I was too awestruck to speak. Vines of bright pink flowers danced over a wrought-iron arbor. I recognized them immediately as the very same variety, bougainvillea, that grew in Greenhouse No. 4 at the New York Botanical Garden. Just beyond, two potted trees stood at attention- a lemon, its shiny yellow globes glistening in the sunlight, and what looked like an orange, studded with the tiniest fruit I'd ever seen. "What is this?" I asked, fascinated. "A kumquat," she said. "Lady Anna used to pick them for the children." She reached out to pluck one of the tiny oranges from the tree. "Here, try for yourself." I held it in my hand, admiring its smooth, shiny skin. I sank my teeth into the flesh of the fruit. Its thin skin disintegrated in my mouth, releasing a burst of sweet and sour that made my eyes shoot open and a smile spread across my face. "Oh, my," I said. "I've never had anything like it." Mrs. Dilloway nodded. "You should try the clementines, then. They're Persian." I walked a few paces further, admiring the potted orchids- at least a hundred specimens, so exquisite they looked like Southern belles in hoop skirts. On the far wall were variegated ferns, bleeding hearts, and a lilac tree I could smell from the other end of the room.
Sarah Jio (The Last Camellia)
What joy it was to lose myself in that garden of flowers, to wander happily from spot to spot, until, coming suddenly upon a beautiful vine, I recognized it by its leaves and blossoms, and knew it was the vine which covered the tumble-down summer-house at the farther end of the garden! Here, also, were trailing clematis, drooping jessamine, and some rare sweet flowers called butterfly lilies, because their fragile petals resemble butterflies' wings. But the roses—they were loveliest of all. Never have I found in the greenhouses of the North such heart-satisfying roses as the climbing roses of my southern home. They used to hang in long festoons from our porch, filling the whole air with their fragrance, untainted by any earthy smell; and in the early morning, washed in the dew, they felt so soft, so pure, I could not help wondering if they did not resemble the asphodels of God's garden.
Helen Keller (The Story of My Life)
She explained, gently. Then I read the letter for myself. D, returning home one night from the theatre, found no Jock in his basket. M told him he was nowhere to be found when she had herself gone upstairs to bed. Intuition made D walk down in darkness through the garden. He found Jock, drowned, lying in the rain-water tank below the greenhouse. He must have chased a cat which had sprung into the bushes above, fallen into the tank, which was full of water, and been unable to climb out. Once again I saw the Cumberland stream, and the little body on its back; this time I had not been there to rescue him. And by a strange, eerie coincidence the old dog, Brutus, had called at home the same day to look for me, and on returning home had been run over and killed. ‘They knew. They both knew,’ I said to Fernande. ‘Knew what?’ she asked. ‘The two dogs. That they would never see me again. It was a sort of sacrifice.
Daphne du Maurier (Myself When Young)
Man/Woman, it has always insisted, does not live by bread alone. The weakness of the church is that it has too often accepted the separation between the material and the spiritual … leaving the material to the economic and political power structure.… The crisis of a city like Detroit provides the church with an extraordinary opportunity to develop and practice a vision of a new economy and a new educational system which meets both the material and spiritual needs of human beings.… Churches are … in an excellent position to develop small enterprises that provide models of how to meet the needs of the community and the city and at the same time teach young people the importance of skills, process and respect for Nature. All over the city churches are surrounded by vacant and unused land. If Detroiters, and especially young Detroiters, could see this land being used by churches for organic gardens to supply produce for local needs or to plant Christmas trees for sale at Yuletide or greenhouses where vegetables are grown year round, the idea of a self-reliant living economy to meet the material and spiritual needs of people could come alive.10
Grace Lee Boggs (Living for Change: An Autobiography)
We remembered the delicate fig-shaped island,stranded between the American Empire and peaceful Canada, as it had been years ago, with its welcoming red white-and-blue flag-shaped flower bed,splashing fountains, European casino, and horse paths leading through woods where Indians had bent trees into giant bows. Now grass grew inpatches down to the littered beach where children fished with pop topstied to string. Paint flaked from once-bright gazebos. Drinking fountains rose from mud puddles laid with broken brick stepping stones. Along the road the granite face of the Civil War Hero had been spray-painted black. Mrs. Huntington Perry had donated her prize orchids to the Botanical Garden in the time before the riots, when civic money still ran high, but since her death ion the eroding tax base had forced cutbacks that had laid off one skilled gardener a year, so that plants that had survived transplantation from equatorial regions to bloom again in that false paradise now withered, weeds sprang up amid scrupulous identification tags, and fake sunlight flowed for only a few hours per day. The only thing that remained was the steam vapor, beading the sloping greenhouse windows and filling our nostrils with the moisture and aroma of a rotting world
Jeffrey Eugenides (The Virgin Suicides)
Speaking of debutantes,” Jake continued cautiously when Ian remained silent, “what about the one upstairs? Do you dislike her especially, or just on general principle?” Ian walked over to the table and poured some Scotch into a glass. He took a swallow, shrugged, and said, “Miss Cameron was more inventive than some of her vapid little friends. She accosted me in a garden at a party.” “I can see how bothersome that musta been,” Jake joked, “having someone like her, with a face that men dream about, tryin’ to seduce you, usin’ feminine wiles on you. Did they work?” Slamming the glass down on the table, Ian said curtly, “They worked.” Coldly dismissing Elizabeth from his mind, he opened the deerskin case on the table, removed some papers he needed to review, and sat down in front of the fire. Trying to suppress his avid curiosity, Jake waited a few minutes before asking, “Then what happened?” Already engrossed in reading the documents in his hand, Ian said absently and without looking up, “I asked her to marry me; she sent me a note inviting me to meet her in the greenhouse; I went there; her brother barged in on us and informed me she was a countess, and that she was already betrothed.” The topic thrust from his mind, Ian reached for the quill lying on the small table beside his chair and made a note in the margin of the contract. “And?” Jake demanded avidly. “And what?” “And then what happened-after the brother barged in?” “He took exception to my having contemplated marrying so far above myself and challenged me to a duel,” Ian replied in a preoccupied voice as he made another note on the contract. “So what’s the girl doin’ here now?” Jake asked, scratching his head in bafflement over the doings of the Quality. “Who the hell knows,” Ian murmured irritably. “Based on her behavior with me, my guess is she finally got caught in some sleezy affair or another, and her reputation’s beyond repair.” “What’s that got to do with you?” Ian expelled his breath in a long, irritated sigh and glanced at Jake with an expression that made it clear he was finished answering questions. “I assume,” he bit out, “that her family, recalling my absurd obsession with her two years ago, hoped I’d come up to scratch again and take her off their hands.” “You think it’s got somethin’ to do with the old duke talking about you bein’ his natural grandson and wantin’ to make you his heir?” He waited expectantly, hoping for more information, but Ian ignored him, reading his documents. Left with no other choice and no prospect for further confidences, Jake picked up a candle, gathered up some blankets, and started for the barn. He paused at the door, struck by a sudden thought. “She said she didn’t send you any note about meetin’ her in the greenhouse.” “She’s a liar and an excellent little actress,” Ian said icily, without taking his gaze from the papers. “Tomorrow I’ll think of some way to get her out of here and off my hands.” Something in Ian’s face made him ask, “Why the hurry? You afraid of fallin’ fer her wiles again?” “Hardly.” “Then you must be made of stone,” he teased. “That woman’s so beautiful she’d tempt any man who was alone with her for an hour-includin’ me, and you know I ain’t in the petticoat line at all.” “Don’t let her catch you alone,” Ian replied mildly. “I don’t think I’d mind.” Jake laughed as he left.
Judith McNaught (Almost Heaven (Sequels, #3))
The seeds for the Garden were planted in 1973 by a group of volunteers who saw promise in a stretch of Piedmont Park that housed Atlanta’s greenhouses and a number of gardens.
Anonymous
Suddenly I understood why we feel free even in a tiny garden or greenhouse. Indoors, the thick, insulated walls and HVAC systems remove the gentle fluctuations of temperature, scent, air, and humidity that make being outdoors such a delight.
Ingrid Fetell Lee (Joyful: The Surprising Power of Ordinary Things to Create Extraordinary Happiness)
Thanks to greenhouse transplants, we spent the afternoon harvesting a basket of tender yellow squash and zucchini---the first of the season. Roasted with hand-pressed olive oil, the fresh produce serves as an early supper, dished with homegrown herbs and a piping-hot bowl of fettuccine. For dessert, Mother's peach pie, baked from preserves and balanced with a heaping scoop of vanilla ice cream, all drizzled with a warm, dark loop of honey tapped straight from my father's hives.
Julie Cantrell (Perennials)
Kensi Gounden - Ten Vintage Ideas to Spark Innovation in Your Classroom Kensi Gounden says, Vintage innovation happens when we use old ideas and tools to transform the present. Think of it as a mash-up. It’s not a rejection of new tools or new ideas. Instead, it’s a reminder that sometimes the best way to move forward is to look backward. Like all innovation, vintage innovation is disruptive. But it’s disruptive by pulling us out of present tense and into something more timeless. This isn’t meant to be nostalgic. There are certainly horrible things in the past that we don’t want to repeat. However, in the ed tech drive toward collective novelty, we often miss out on the classic and the vintage. According to kensi gounden, here are ten ways you can embrace the vintage in your classroom. Sketch-Noting Commonplace Books Prototyping with Duct Tape and Cardboard Apprenticeships The Natural World Play Socratic Seminars Games and Simulations Experiments Manipulatives A garden is valuable but students can videochat with an expert at a greenhouse. It’s powerful to bring in World War II soldiers to talk face-to-face about their experiences. There’s something amazing about the vintage element of human connection. If you need more help regarding vintage innovation you can contact kensigounden, he will definately help you in acieving your goals. #kensigounden #kensi #gounden #sports #education #vintageinnovation #classroom #student #kenseelen business gounden innovation Kenseelan kensi Kensigounden kensigounden kensi gounden business innovator smartwork sports study tips
Kensi Gounden
Outside there is a greenhouse arrangement tucked away, growing some leafy vegetables in pots. The gardener, Jan, spends all day patiently tending and protecting them, for a salty spray reaches us even up here.
Howard Gray (Lucretia's Batavia Diary)
I want this place to be where everyone gathers. I want team dinners here. I want our friends over. I want our kids to have their friends over. We can breathe out here, Ind. There are no fans or media waiting outside of the building. You should see the stars at night. It’s incredible, and there’s so much room outside. You can have a whole garden or a greenhouse. And I can’t wait to watch you turn this house into a home just like you did with the apartment.
Liz Tomforde (The Right Move (Windy City, #2))
The roof of the apothecary was an enclosed glass greenhouse, filled with flowers and potted plants and fruit trees that had been hung with little glittering lights. The whole place had been transformed into a garden out of an ancient legend. The air was warm and sweet, and by the windows overlooking the expanse of the Avery River stood a small table set for two.
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
We’re all given gifts in life, it’s what we do with them that shows us what we’ve learned.
Lise-Lotte Loomer (Greenhouse Hygge: The House of My Growing Dreams)
Covenant children are like olive plants gathered around the table. This makes parents gardeners. Parents are not given weeds for children who must then be converted into wholesome plants. Rather, they are given the best possible plants to work with. They are to care for and nurture these plants in the greenhouses of home and church until the children are mature, fruit-bearing trees. The
Rich Lusk (Paedofaith: A Primer on the Mystery of Infant Salvation and a Handbook for Covenant Parents)
Instead of canals, a magical four-story central courtyard faces the interior walls. A greenhouse of sorts. The roof is glass and the floor is a sensuous garden filled with freestanding columns, whimsical twelfth-century lion stylobates, and all manner of statuary. A Roman mosaic sits at the center, surrounded by an ever-changing installation of flowers and shrubs. A pair of towering palm trees reach up to the sunlight, climbing beyond the third floor.
Barbara A. Shapiro (The Art Forger)
It was as Frank said: the Sparrow Sisters Nursery had quite a reputation. Sally told Henry about the Nursery that was now a landmark in the town. The plants that grew in tidy rows, the orchids that swayed delicately in the beautiful glass greenhouses, and the herbs and vegetables sown in knot gardens around the land were much in demand. Sorrel had planted a dense little Shakespeare garden as a tribute to her reading habits. The lavender, rosemary, roses and honeysuckle, clematis and pansies, creeping thyme and sage were not for sale in that garden, but Sorrel would re-create versions of it for clients whose big houses on the water needed the stamp of culture, even if their owners had little idea what their lovely gardens meant.
Ellen Herrick (The Sparrow Sisters)
In Defense of Our Overgrown Garden" Last night the apple trees shook and gave each lettuce a heart Six hard red apples broke through the greenhouse glass and Landed in the middle of those ever-so-slightly green leaves That seem no mix of seeds and soil but of pastels and light and Chalk x’s mark our oaks that are supposed to be cut down I’ve seen the neighbors frown when they look over the fence And see our espalier pear trees bowing out of shape I did like that They looked like candelabras against the wall but what’s the sense In swooning over pruning I said as much to Mrs. Jones and I swear She threw her cane at me and walked off down the street without It has always puzzled me that people coo over bonsai trees when You can squint your eyes and shrink anything without much of A struggle ensued with some starlings and the strawberry nets So after untangling the two I took the nets off and watched birds With red beaks fly by all morning at the window I reread your letter About how the castles you flew over made crenellated shadows on The water in the rainbarrel has overflowed and made a small swamp I think the potatoes might turn out slightly damp don’t worry If there is no fog on the day you come home I will build a bonfire So the smoke will make the cedars look the way you like them To close I’m sorry there won’t be any salad and I love you
Matthea Harvey (Pity the Bathtub Its Forced Embrace of the Human Form)
The best thing about Paris? It’s a city of readers,” our neighbor said. She said that in friends’ homes, books were as important as the furniture. She spent her summers reading in the city’s lush parks, then like the potted palmettos in the Tuileries Garden, sent to the greenhouse at the first sign of frost, she spent winters at the library, curled up near the window with a book in her lap.
Janet Skeslien Charles (The Paris Library)
Day and night, I was free to explore the house-- and I went everywhere that I could, for my key opened almost half the doors. I found a rose garden under a glass dome; the roses formed a labyrinth in which I always got lost, and yet-- according to the cuckoo clock at the door-- I would always stumble out again in exactly twenty-three minutes. I found a greenhouse full of potted ferns and orange trees. The air was thick with the warm, wet smell of earth. Bees hummed through the air; the glass walls were frosted with condensation. I found a round room whose walls were covered in mosaics of naiads and tossing waves, and the air always smelled of salt, and no matter which way I turned, the door was always directly behind me.
Rosamund Hodge (Cruel Beauty)
Whenever she walked home from the library and turned onto Magnolia Street, Kylie had no desire to be anywhere else. In every generation there was someone who stayed, who planted the garden early in the spring, and kept the bees, and switched on the porch light at twilight so the neighbors knew they were welcome to come for cures and elixirs. As it turned out, Kylie was quite good at magic. She took good care of the red Grimoire Franny had left for them, kept under lock and key in the greenhouse. All they had ever known and all they would need to know had been written down in it, and not a single line had been lost. Kylie was in residence on Magnolia Street, and by rights the book belonged to her now.
Alice Hoffman (The Book of Magic (Practical Magic, #2))
The roof of the apothecary was an enclosed glass greenhouse, filled with flowers and potted plants and fruit trees that had been hung with little glittering lights. The whole place had been transformed into a garden out of an ancient legend. The air was warm and sweet, and by the windows overlooking the expanse of the Avery River stood a small table set for two. Chaol surveyed the room, turning in place. “It’s the Fae woman’s garden—from Rena Goldsmith’s song,” he said softly. His golden eyes were bright. She swallowed hard. “I know it’s not much—” “No one has ever done anything like this for me.” He shook his head in awe, looking back at the greenhouse. “No one.
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
Plant transplants outside according to the spacing the fully grown plants will need. Pay attention to the depth of the hole, and ensure that you don’t bury the stem in the soil (except in special cases—see Growing Tip on the following page). Take the temperature of the soil to make sure it is warm enough. (The soil should be at least 60 to 65 degrees F for planting warm-weather vegetables such as tomatoes or peppers.) Before planting any transplants outside, prepare them by hardening them off. GROWING TIP Tomato plants should be planted deep. Strip off all but the top four sets of leaves. Plant the entire rest of the plant below the soil line. Tomato plants will grow roots from the stem, making them stronger and healthier. Hardening off before Planting out Vegetable transplants grown inside a greenhouse (or your house) need to be hardened off (acclimated to the change in temperature and light) before they’re planted outside. Even if you buy plants that were sitting outside at a garden center, it’s a good idea to harden them off before planting. For all you know, the plants were taken from the greenhouse, loaded on a truck, and brought to the garden center on the same day you saw them sitting outside. How to Harden Off Transplants 1. Place plants in a sheltered location such as a porch or patio for the day, and bring them in at night. Do this for three or four days. 2. Next, leave them outside all day in the protected location. Do this for about a week. Don’t forget to water while you’re doing this! 3. Finally, move the plants from the sheltered location (the porch or patio) to a more exposed location (the front sidewalk or driveway). Leave them there for three or four days. 4. Wait for a cloudy day (if possible) and plant your plants in the garden. Planting out on a cloudy day will lower the stress that the plants experience.
Katie Elzer-Peters (Carolinas Fruit & Vegetable Gardening: How to Plant, Grow, and Harvest the Best Edibles)
Hausen himself could not get over the “hostility of the Belgian people.” To discover “how we are hated” was a constant amazement to him. He complained bitterly of the attitude of the D’Eggremont family in whose luxurious château of forty rooms, with green-houses, gardens, and stable for fifty horses, he was billeted for one night. The elderly Count went around “with his fists clenched in his pockets”; the two sons absented themselves from the dinner table; the father came late to dinner and refused to talk or even respond to questions, and continued in this unpleasant attitude in spite of Hausen’s gracious forbearance in ordering his military police not to confiscate the Chinese and Japanese weapons collected by Count D’Eggremont during his diplomatic service in the Orient. It was a most distressing experience.
Barbara W. Tuchman (The Guns of August)
She often watched him while he worked, her head cocked and her brows drawn as if she were seeing him for the first time. “What can I do to make you happy?” she’d ask. If he gave an answer, she would lavishly fulfill his desires. She took him traveling to the best greenhouses in the state, and bought a library full of gardening books. Lucian knew she would have given him more. He didn’t want it. He wanted to reassure her that he appreciated her extravagance, but didn’t require it, that he was satisfied with simple, loving give-and-take. Sometimes, he told her in the simplest words he knew: “I love you, too.” But he knew that she never quite believed him. She worried that he was lying, or that his programming had erased his free will. It was easier for her to believe those things than to accept that someone could love her.
Rachel Swirsky (Eros, Philia, Agape)
Books are piled on the tables, in the corners, and on bookshelves, awaiting January nights like this. There are books of history. of biography, and adventure, books on cookery, books on gardening and one on greenhouse gardening, which we dream over and hope to make use of someday.
Mary Mason Campbell (The New England Butt'ry Shelf Cookbook: Receipts for Very Special Occasions)
He always planted at a new moon and picked when the moon was full. He had a lunar chart in his greenhouse, each day marked in a dozen different inks; brown for potatoes, yellow for parsnips, orange for carrots. Watering too was done to an astrological schedule, as was the pruning and positioning of trees. And the garden thrived on this eccentric treatment, growing strong, luxuriant rows of cabbages and turnips, carrots which were sweet and succulent and mysteriously free of slugs, trees whose branches fairly touched the ground under the weight of apples, pears, plums, cherries. Brightly colored Oriental-looking signs taped to tree branches supposedly kept the birds from eating the fruit. Astrological symbols- painstakingly constructed from pieces of broken pottery and colored glass set into the gravel path- lined the garden beds.
Joanne Harris (Blackberry Wine)
If you can’t find a place for something, maybe it doesn’t belong onsite at all. No matter how useful an item may seem, if you don’t use it, consider letting it go. Open space provides room for new ideas, and someone else may need just that item for a special project. Sometimes surplus stuff represents things you think you want to do with your life but haven’t made the time for. Perhaps it’s time to admit to yourself that you may never actually restore that old Chevy truck, and maybe you’d rather have the driveway for a greenhouse instead.
Heather Flores (Food Not Lawns: How to Turn Your Yard into a Garden and Your Neighborhood into a Community)
She picked a raspberry, stared at it a moment, and then popped it into her mouth. For an instant, it felt smooth and tasteless, and then she squashed it. Sharp sweetness exploded gloriously over her tongue. It was so overwhelmingly raspberry that it felt as if it invaded her skull and displaced every thought--- there was only flavor. Powerful, intoxicating flavor. She'd forgotten what a freshly picked berry tasted like. On Alyssium, the fruit was imported. There wasn't space on the city island for gardens or orchards or berry patches. The emperor had had his greenhouses, filled with delicacies, but a librarian... She hadn't tasted a just-ripened raspberry since her childhood. It tasted like a bite of sunshine. Caz poked her ankle. "Are you poisoned?" "I'm in ecstasy," she corrected. "Huh," Caz said. "You really think this will work?" Kiela opened her eyes and again surveyed the wealth of berries before her, a glorious chaos of ruby-red riches, enough to create many jars of jam. "I think it's perfect.
Sarah Beth Durst (The Spellshop)