Green Minded Quotes

We've searched our database for all the quotes and captions related to Green Minded. Here they are! All 100 of them:

Oh, I wouldn't mind, Hazel Grace. It would be a privilege to have my heart broken by you.
John Green (The Fault in Our Stars)
It's been my experience that you can nearly always enjoy things if you make up your mind firmly that you will.
L.M. Montgomery (Anne of Green Gables (Anne of Green Gables, #1))
I saw my life branching out before me like the green fig tree in the story. From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was Ee Gee, the amazing editor, and another fig was Europe and Africa and South America, and another fig was Constantin and Socrates and Attila and a pack of other lovers with queer names and offbeat professions, and another fig was an Olympic lady crew champion, and beyond and above these figs were many more figs I couldn't quite make out. I saw myself sitting in the crotch of this fig tree, starving to death, just because I couldn't make up my mind which of the figs I would choose. I wanted each and every one of them, but choosing one meant losing all the rest, and, as I sat there, unable to decide, the figs began to wrinkle and go black, and, one by one, they plopped to the ground at my feet.
Sylvia Plath (The Bell Jar)
Actually, the problem is that I can’t lose my mind,” I said. “It’s inescapable.
John Green (Turtles All the Way Down)
People usually consider walking on water or in thin air a miracle. But I think the real miracle is not to walk either on water or in thin air, but to walk on earth. Every day we are engaged in a miracle which we don't even recognize: a blue sky, white clouds, green leaves, the black, curious eyes of a child—our own two eyes. All is a miracle.
Thich Nhat Hanh (The Miracle of Mindfulness: An Introduction to the Practice of Meditation)
I do know my own mind,' protested Anne. 'The trouble is, my mind changes and then I have to get acquainted with it all over again.
L.M. Montgomery (Anne of the Island (Anne of Green Gables, #3))
All I'm telling you to do is to be smart about it. Know that if this man isn't looking for a serious relationship, you're not going to change his mind just because you two are going on dates and being intimate. You could be the most perfect woman on the Lord's green earth-you're capable of interesting conversation, you cook a mean breakfast, you hand out backrubs like sandwiches, you're independent (which means, to him, that you're not going to be in his pockets)-but if he's not ready for a serious relationship, he going to treat you like sports fish.
Steve Harvey (Act Like a Lady, Think Like a Man: What Men Really Think About Love, Relationships, Intimacy, and Commitment)
Never waste valuable time, or mental peace of mind, on the affairs of others—that is too high a price to pay.
Robert Greene (The 48 Laws of Power)
Isn't it splendid to think of all the things there are to find out about? It just makes me feel glad to be alive--it's such an interesting world. It wouldn't be half so interesting if we know all about everything, would it? There'd be no scope for imagination then, would there?But am I talking too much? People are always telling me I do. Would you rather I didn't talk? If you say so I'll stop. I can STOP when I make up my mind to it, although it's difficult.
L.M. Montgomery (Anne of Green Gables (Anne of Green Gables, #1))
Adult librarians are like lazy bakers: their patrons want a jelly doughnut, so they give them a jelly doughnut. Children’s librarians are ambitious bakers: 'You like the jelly doughnut? I’ll get you a jelly doughnut. But you should try my cruller, too. My cruller is gonna blow your mind, kid.
John Green
Images flashed through his mind. He saw Nico and his sister on a snowy mountain cliff in Maine, Percy Jackson protecting them from the manticore. Percy's sword gleamed in the dark. He'd been the first demigod Nico had ever seen in action. Later at Camp Half-Blood, Percy took Nico by the arm, promising to keep his sister Bianca safe. Nico believed him. Nico looked into his sea-green eyes and though, How can he possibly fail? This is a real hero.
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
Sweet are the thoughts that savour of content, The quiet mind is richer than a crown...
Robert Greene
His eyes shone when he looked at her, green as spring grass. He has always had green eyes, said the voice in her head. People often marvel at how much alike you are, he and your mother and yourself. His name is Jonathan and he is your brother; he has always protected you. Somewhere in the back of Clary’s mind she saw black eyes and whip marks, but she didn’t know why. He’s your brother. He’s your brother, and he’s always taken care of you.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
The trick is not to mind. Not to mind about it hurting. Not to mind about anything.
Sally Green (Half Bad (The Half Bad Trilogy, #1))
Feelings, whether of compassion or irritation, should be welcomed, recognized, and treated on an absolutely equal basis; because both are ourselves. The tangerine I am eating is me. The mustard greens I am planting are me. I plant with all my heart and mind. I clean this teapot with the kind of attention I would have were I giving the baby Buddha or Jesus a bath. Nothing should be treated more carefully than anything else. In mindfulness, compassion, irritation, mustard green plant, and teapot are all sacred.
Thich Nhat Hanh (The Miracle of Mindfulness: An Introduction to the Practice of Meditation)
Well now, I'd rather have you than a dozen boys, Anne,' said Matthew patting her hand. 'Just mind you that — rather than a dozen boys. Well now, I guess it wasn't a boy that took the Avery scholarship, was it? It was a girl — my girl — my girl that I'm proud of.
L.M. Montgomery (Anne of Green Gables (Anne of Green Gables, #1))
If only it were possible to love without injury – fidelity isn’t enough: I had been faithful to Anne and yet I had injured her. The hurt is in the act of possession: we are too small in mind and body to possess another person without pride or to be possessed without humiliation. In a way I was glad that my wife had struck out at me again – I had forgotten her pain for too long, and this was the only kind of recompense I could give her. Unfortunately the innocent are always involved in any conflict. Always, everywhere, there is some voice crying from a tower.
Graham Greene
Running out the anchor line, the pirates babbled to one another, and in the tangle of their barbaric language, Aspasia listened for one word—Athens. It lit up the darkness in her mind, like the single glint her eyes fixed on above the distant gray-green hills.
Yvonne Korshak (Pericles and Aspasia: A Story of Ancient Greece)
In the future, the great division will be between those who have trained themselves to handle these complexities and those who are overwhelmed by them -- those who can acquire skills and discipline their minds and those who are irrevocably distracted by all the media around them and can never focus enough to learn.
Robert Greene (Mastery)
It was like having a box of chocolates shut in the bedroom drawer. Until the box was empty it occupied the mind too much.
Graham Greene (The Heart of the Matter)
To live in the present moment is a miracle. The miracle is not to walk on water. The miracle is to walk on the green Earth in the present moment, to appreciate the peace and beauty that are available now.
Thich Nhat Hanh (Touching Peace: Practicing the Art of Mindful Living (Being Peace, #2))
Keep your mind too open, and you never know what might walk in.
Simon R. Green (Drinking Midnight Wine)
Hope was an instinct only the reasoning human mind could kill. An animal never knew despair.
Graham Greene (The Power and the Glory)
It's important to remember that we all change each other's minds all the time. Any good story is a mind-altering substance.
Hank Green (A Beautifully Foolish Endeavor (The Carls, #2))
Recognizing a problem may help us to understand and solve a problem. Rather than lying down and selling our sound judgment short, let us appeal to the opulent granary of our memory and explore the green pastures lingering in our mind. ("Prêt-à-penser")
Erik Pevernagie
It's good to leave behind all that is comfortable and known every so often. It opens one's mind to the wide world.
Kristen Britain (Blackveil (Green Rider, #4))
We can love with our minds, but can we love only with our minds? Love extends itself all the time, so that we can love even with our senseless nails: we love even with our clothes, so that a sleeve can feel a sleeve.
Graham Greene (The End of the Affair)
To fall in love with the world isn’t to ignore or overlook suffering, both human or otherwise. For me anyway, to fall in love with the world is to look up at the night sky and feel your mind swim before the beauty and the distance of the stars. It is to hold your children while they cry and watch the sycamore trees leaf out in June. When my breastbone starts to hurt, and my throat tightens and tears well in my eyes, I want to look away from feeling. I want to deflect with irony or anything else that will keep me from feeling directly. We all know how loving ends. But I want to fall in love with the world anyway, to let it crack me open. I want to feel what there is to feel while I am here.
John Green (The Anthropocene Reviewed)
The conventional mind is passive - it consumes information and regurgitates it in familiar forms. The dimensional mind is active, transforming everything it digests into something new and original, creating instead of consuming.
Robert Greene (Mastery)
There is nothing unnatural in this world," he said. "An unnatural thing is a thing that could never happen in nature. I happened. I am natural, and the things I want are natural. The power of your mind, and your beauty, even when you've been drugged in the bottom of a boat for two weeks, covered in grime and your face purple and green - your unnatural beauty is natural. Nature is horrifying.
Kristin Cashore (Fire (Graceling Realm, #2))
The truth is that creative activity is one that involves the entire self - our emotions, our levels of energy, our characters, and our minds.
Robert Greene (Mastery)
I don't mind worriers," I said. "Worrying is the correct worldview. Life is worrisome.
John Green (Turtles All the Way Down)
When a mood of "not belonging" is haunting our mind and tolling the bell for relief or happiness, life may be like a scar on the canvas of our dreams. Now is the time to wake up and slip back to the basics, in the vein of crawling back to mum's lap. ("The grass was greener over there")
Erik Pevernagie
But the humans weren't what made my steps falter as I walked through grass that had turned bright green with summer's touch. It was Dimitri. Always Dimitri. Dimitri, the man I loved. Dimitri, the Strigoi I wanted to save. Dimitri, the monster I'd most likely have to kill. The love we'd shared always burned within me, no matter how often I told myself to move on, no matter how much the world did think I'd move on. He was always with me, always on my mind, always making me question myself.
Richelle Mead (Spirit Bound (Vampire Academy, #5))
Oh well, perhaps when you're my age you'll know the heart is an untrustworthy beast.The mind too, but it doesn't talk about love.
Graham Greene (The Power and the Glory)
This is my doctrine: Give every other human being every right you claim for yourself. Keep your mind open to the influences of nature. Receive new thoughts with hospitality. Let us advance.
Robert G. Ingersoll (The Liberty Of Man, Woman And Child)
A brain was only capable of what it could conceive, and it couldn't conceive what it had never experienced
Graham Greene (Brighton Rock)
still, what could i say? that i didn't just feel depressed - instead, it was like the depression was the core of me, of every part of me, from my mind to my bones? that if he got blue, i got black? that i hated those pills so much, because i knew how much i relied on them to live?
John Green (Will Grayson, Will Grayson)
Images flashed through his mind. He saw Nico and his sister on a snowy cliff in Maine, Percy Jackson protecting them from a manticore. Percy's sword gleamed in the dark. He'd been the first demigod Nico had ever seen in action. Later, at Camp Half-Blood, Percy took Nico by the arm, promising to keep his sister Bianca safe. Nico believed him. Nico looked into his sea-green eyes and thought, How can he possibly fail? This is a real hero. He was Nico's favorite game, Mythomagic, brought to life. Jason saw the moment when Percy returned and told Nico that Bianca was dead. Nico had screamed and called him a liar. He'd felt betrayed, but still... when the skeleton warriors attacked, he couldn't let them harm Percy. Nico had called on the earth to swallow them up, and then he'd run away- terrified of his own powers, and his own emotions.
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
She had never before minded being alone. Now she dreaded it. When she was alone now she felt so dreadfully alone.
L.M. Montgomery (Anne's House of Dreams (Anne of Green Gables, #5))
Most people are perpetually locked in the present. Their decisions are overly influenced by the most immediate event; they easily become emotional and ascribe greater significance to a problem than it should have in reality.
Robert Greene (Mastery)
You'd think solving mysteries would bring you closure, that closing the loop would comfort and quiet your mind. But it never does. The truth always disappoints.
John Green (Turtles All the Way Down)
Where lies the strangling fruit that came from the hand of the sinner I shall bring forth the seeds of the dead to share with the worms that gather in the darkness and surround the world with the power of their lives while from the dimlit halls of other places forms that never were and never could be writhe for the impatience of the few who never saw what could have been. In the black water with the sun shining at midnight, those fruit shall come ripe and in the darkness of that which is golden shall split open to reveal the revelation of the fatal softness in the earth. The shadows of the abyss are like the petals of a monstrous flower that shall blossom within the skull and expand the mind beyond what any man can bear, but whether it decays under the earth or above on green fields, or out to sea or in the very air, all shall come to revelation, and to revel, in the knowledge of the strangling fruit—and the hand of the sinner shall rejoice, for there is no sin in shadow or in light that the seeds of the dead cannot forgive. And there shall be in the planting in the shadows a grace and a mercy from which shall blossom dark flowers, and their teeth shall devour and sustain and herald the passing of an age. That which dies shall still know life in death for all that decays is not forgotten and reanimated it shall walk the world in the bliss of not-knowing. And then there shall be a fire that knows the naming of you, and in the presence of the strangling fruit, its dark flame shall acquire every part of you that remains.
Jeff VanderMeer (Annihilation (Southern Reach, #1))
In my mind, I see a line. And over that line, I see green fields and lovely flowers and beautiful white women with their arms stretched out to me over that line, but I can’t seem to get there no-how. I can't seem to get over that line.
Harriet Tubman
You know how we make a Scotch and water in this home?" "No, sir," Gus said. "We pour Scotch into a glass and then call to mind thoughts of water, and then we mix the actual Scotch with the abstracted idea of water.
John Green (The Fault in Our Stars)
Reclaim your mind and get it out of the hands of the cultural engineers who want to turn you into a half-baked moron consuming all this trash that's being manufactured out of the bones of a dying world.
Terence McKenna (History Ends in Green: Gaia, Psychedelics and the Archaic Revival)
No, Susanna, " he said. "I cannot love you just a little. If that's what you want, you must find a different man." His green eyes were breathtaking in their intensity. His thumb brushed her bottom lip. "Because I can only love you entirely. With everything I am, and everything I ever will be. Body, mind, heart, soul.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
Every day we are engaged in a miracle which we don’t even recognize: a blue sky, white clouds, green leaves, the black, curious eyes of a child—our own two eyes. All is a miracle.
Thich Nhat Hanh (The Miracle of Mindfulness: An Introduction to the Practice of Meditation)
She thought, Two strong-minded women in a man’s world, if they do not quickly become allies, are destined to be incurable rivals.
Fonda Lee (Jade City (The Green Bone Saga, #1))
You must be the mirror, training your mind to try to see yourself as others see you.
Robert Greene (The 48 Laws of Power)
The problem with all students, he said, is that they inevitably stop somewhere. They hear an idea and they hold on to it until it becomes dead; they want to flatter themselves that they know the truth. But true Zen never stops, never congeals into such truths. That is why everyone must constantly be pushed to the abyss, starting over and feeling their utter worthlessness as a student. Without suffering and doubts, the mind will come to rest on clichés and stay there, until the spirit dies as well. Not even enlightenment is enough. You must continually start over and challenge yourself.
Robert Greene (Mastery)
Not the brightest gem in the jewelry shop, but you've got to admire his single-minded dedication to drug abuse.
John Green (Looking for Alaska)
Eventually, he found the bed too comfortable for his state of mind, so he lay down on his back, his legs sprawled across the carpet. He anagrammed "yrs forever" until he found one he liked: sorry fever. And then he lay there in his fever of sorry and repeated the now memorized note in his head and wanted do cry, but instead he only felt this aching behind his solar plexus. Crying adds something: crying is you, plus tears. But the feeling Colin had was some horrible opposite of crying. It was you, minus something. He kept thinking about one word - forever - and felt the burning ache just beneath his rib cage. It hurt like the worst ass-kicking he'd ever gotten. And he'd gotten plenty.
John Green (An Abundance of Katherines)
I had no doubt that Tiny thought he got depressed, but that was probably because he had nothing to compare it to. Still, what could I say? that I didn't just feel depressed - instead, it was like the depression was the core of me, of every part of me, from my mind to my bones? That if he got blue, I got black? That I hated those pills so much because I knew how much I relied on them to live? No, I couldn't say any of this because when it all comes down to it, nobody wants to hear it. No matter how much they like you or love you, they don't want to hear it.
John Green (Will Grayson, Will Grayson)
Kindness is strength. Good-nature is often mistaken for virtue, and good health sometimes passes for genius. Anger blows out the lamp of the mind. In the examination of a great and important question, every one should be serene, slow-pulsed, and calm. Intelligence is not the foundation of arrogance. Insolence is not logic. Epithets are the arguments of malice.
Robert G. Ingersoll (The Christian Religion: An Enquiry)
The heat of the summer transformed the green grass into long brown straw, only the weeds were green. Claire didn't mind, the weeds had pretty flowers. Unlike Tony's flowers, which had been sentenced to his yard, gardens, or clay pots, these flowers grew free wherever they wanted. Furthermore, weeds were survivors. When all else died, the weeds remained. Yes, Claire liked weeds.
Aleatha Romig (Consequences (Consequences, #1))
I've called in the oracles and they were communing with the Fates. But you know how they are. I'm sure it'll come back as 'When the sky is green,m and the earth turns black, the Daimons will give you lots of flack. To kill the great awful one you seek, you'll have to find something unique.' Or some bullshit like that. I really hate Oracles. If I wanted to play mind games, I'd buy a Rubik's Cube. (Acheron) I don't know, Ash, you're pretty good at that. Sure you don't want to take up an Oracle position? (Kyrian) Picture this, General, my middle finger is extended all the way up, and aimed right at you. Now let me work. I have Daimons to track, Dark-Hunters to antagonize, and women to seduce. (Acheron)
Sherrilyn Kenyon (Night Pleasures (Dark-Hunter #1))
Colors. Would it be green or blue today? Maybe white—my favorite. A dark voice in the back of my mind offered no color at all as an alternative. I smothered that voice. The days of no color were simply too hard to bear. I needed color today.
Julie Hockley (Crow's Row (Crow's Row, #1))
So she became impulsive, scared by her inaction into perpetual action. When the Eagle confronted her with the expulsion, maybe she blurted out Marya's name because it was the first that came to mind, because in that moment she didn't want to get expelled and she couldn't think past that moment. She was scared, sure. But more importantly, maybe she'd been scared of being paralyzed by fear again. ~Miles/Pudge on Alaska, pg 120-121
John Green (Looking for Alaska)
It's because you aren't thinking very clearly tonight." "I know. Being Drunk is weird." "Oh my god. I love you so much. Especially when you say stuff like that." "Like what?" "Nothing. Never mind. Although I'm dying to know why your shoe is green.
Jessica Sorensen (The Coincidence of Callie & Kayden (The Coincidence, #1))
A day of dappled seaborne clouds. The phrase and the day and the scene harmonised in a chord. Words. Was it their colours? He allowed them to glow and fade, hue after hue: sunrise gold, the russet and green of apple orchards, azure of waves, the greyfringed fleece of clouds. No, it was not their colours: it was the poise and balance of the period itself. Did he then love the rhythmic rise and fall of words better than their associations of legend and colour? Or was it that, being as weak of sight as he was shy of mind, he drew less pleasure from the reflection of the glowing sensible world through the prism of a language manycoloured and richly storied than from the contemplation of an inner world of individual emotions mirrored perfectly in a lucid supple periodic prose?
James Joyce (A Portrait of the Artist as a Young Man)
Thank you," I say, pounding his back probably too hard. "That was the best damned passenger-seat driving I've ever seen in my life." He pats my uninjured cheek with his greasy hand. "I did it to save myself, not you," he says. "Believe me when I say that you did not once cross my mind. " I laugh. "Nor you mine," I say.
John Green (Paper Towns)
But you have gone now, all of you that were so beautiful when you were quick with life. Yet not gone, for you are still a living truth inside my mind. So how are you dead, my brothers and sisters, and all of you , when you live with me as surely as I live with myself.
Richard Llewellyn (How Green Was My Valley)
The mind is an incredibly complex machine, Stuart. Nobody fully understands the workings of it. Everyone has their own perception of the lives they lead and the environment in which they live them. For most of us, the perceptions are complimentary, so we accept reality as a collective experience. For instance, who is to say you see the colour of this t-shirt in the same way I do. We both perceive it as green, but whether or not we see the same colour, we can’t say. It doesn’t matter though as long as we all agree. Nevertheless, if a person comes in and says my t-shirt is red and everyone else says it is green then we have to question his or her perception of my t-shirt. There has to be a reason why their perception is different to ours. Of course, in that case, we would suspect colour blindness, a condition in which the receptors in the eye send erroneous signals to the brain. For whatever reason, Stuart, we are all seeing green, but you see red. We need to find out what is causing your brain to do that.
D.S. Smith (Unparalleled)
I liked Augustus Waters. I really, really, really liked him. I liked the way his story ended with someone else. I liked his voice. I liked that he took existentially fraught free throws. I liked that he was a tenured professor in the Department of Slightly Crooked Smiles with a dual appointment in the Department of Having a Voice That Made My Skin Feel More Like Skin. And I liked that he had two names. I've always liked people with two names, because you get to make up your mind what you call them: Gus or Augustus?
John Green (The Fault in Our Stars)
With our limited senses and consciousness, we only glimpse a small portion of reality. Furthermore, everything in the universe is in a state of constant flux. Simple words and thoughts cannot capture this flux or complexity. The only solution for an enlightened person is to let the mind absorb itself in what it experiences, without having to form a judgment on what it all means. The mind must be able to feel doubt and uncertainty for as long as possible. As it remains in this state and probes deeply into the mysteries of the universe, ideas will come that are more dimensional and real than if we had jumped to conclusions and formed judgments early on.
Robert Greene (Mastery)
I nodded. I liked Augustus Waters. I really, really, really liked him. I liked the way his story ended with someone else. I liked his voice. I liked that he took existentially fraught free throws. I liked that he was a tenured professor in the Department of Slightly Crooked Smiles with a dual appointment in the Department of Having a Voice That Made My Skin Feel More Like Skin. And I liked that he had two names. I’ve always liked people with two names, because you get to make up your mind what you call them: Gus or Augustus? Me, I was always just Hazel, univalent Hazel.
John Green (The Fault in Our Stars)
Liam cleared his throat again and turned to fully face me. “So, it’s the summer and you’re in Salem, suffering through another boring, hot July, and working part-time at an ice cream parlor. Naturally, you’re completely oblivious to the fact that all of the boys from your high school who visit daily are more interested in you than the thirty-one flavors. You’re focused on school and all your dozens of clubs, because you want to go to a good college and save the world. And just when you think you’re going to die if you have to take another practice SAT, your dad asks if you want to go visit your grandmother in Virginia Beach.” “Yeah?” I leaned my forehead against his chest. “What about you?” “Me?” Liam said, tucking a strand of hair behind my ear. “I’m in Wilmington, suffering through another boring, hot summer, working one last time in Harry’s repair shop before going off to some fancy university—where, I might add, my roommate will be a stuck-up-know-it-all-with-a-heart-of-gold named Charles Carrington Meriwether IV—but he’s not part of this story, not yet.” His fingers curled around my hip, and I could feel him trembling, even as his voice was steady. “To celebrate, Mom decides to take us up to Virginia Beach for a week. We’re only there for a day when I start catching glimpses of this girl with dark hair walking around town, her nose stuck in a book, earbuds in and blasting music. But no matter how hard I try, I never get to talk to her. “Then, as our friend Fate would have it, on our very last day at the beach I spot her. You. I’m in the middle of playing a volleyball game with Harry, but it feels like everyone else disappears. You’re walking toward me, big sunglasses on, wearing this light green dress, and I somehow know that it matches your eyes. And then, because, let’s face it, I’m basically an Olympic god when it comes to sports, I manage to volley the ball right into your face.” “Ouch,” I said with a light laugh. “Sounds painful.” “Well, you can probably guess how I’d react to that situation. I offer to carry you to the lifeguard station, but you look like you want to murder me at just the suggestion. Eventually, thanks to my sparkling charm and wit—and because I’m so pathetic you take pity on me—you let me buy you ice cream. And then you start telling me how you work in an ice cream shop in Salem, and how frustrated you feel that you still have two years before college. And somehow, somehow, I get your e-mail or screen name or maybe, if I’m really lucky, your phone number. Then we talk. I go to college and you go back to Salem, but we talk all the time, about everything, and sometimes we do that stupid thing where we run out of things to say and just stop talking and listen to one another breathing until one of us falls asleep—” “—and Chubs makes fun of you for it,” I added. “Oh, ruthlessly,” he agreed. “And your dad hates me because he thinks I’m corrupting his beautiful, sweet daughter, but still lets me visit from time to time. That’s when you tell me about tutoring a girl named Suzume, who lives a few cities away—” “—but who’s the coolest little girl on the planet,” I manage to squeeze out.
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
The jogger sighed. He pulled out his phone and my eyes got big, because it glowed with a bluish light. When he extended the antenna, two creatures began writhing around it-green snakes, no bigger than earthworms. The jogger didn't seem to notice. He checked his LCD display and cursed. "I've got to take this. Just a sec ..." Then into the phone: "Hello?" He listened. The mini-snakes writhed up and down the antenna right next to his ear. Yeah," the jogger said. "Listen-I know, but... I don't care if he is chained to a rock with vultures pecking at his liver, if he doesn't have a tracking number, we can't locate his package....A gift to humankind, great... You know how many of those we deliver-Oh, never mind. Listen, just refer him to Eris in customer service. I gotta go.
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
You like to imagine yourself in control of your fate, consciously planning the course of your life as best you can. But you are largely unaware of how deeply your emotions dominate you. They make you veer toward ideas that soothe your ego. They make you look for evidence that confirms what you already want to believe. They make you see what you want to see, depending on your mood, and this disconnect from reality is the source of the bad decisions and negative patterns that haunt your life. Rationality is the ability to counteract these emotional effects, to think instead of react, to open your mind to what is really happening, as opposed to what you are feeling. It does not come naturally; it is a power we must cultivate, but in doing so we realize our greatest potential.
Robert Greene (The Laws of Human Nature)
Most people don't have the patience to absorb their minds in the fine points and minutiae that are intrinsically part of their work. They are in a hurry to create effects and make a splash; they think in large brush strokes. Their work inevitably reveals their lack of attention to detail - it doesn't connect deeply with the public, and it feels flimsy.
Robert Greene (Mastery)
I couldn’t help but think about school and everything else ending. I liked standing just outside the couches and watching them—it was a kind of sad I didn’t mind, and so I just listened, letting all the happiness and the sadness of this ending swirl around in me, each sharpening the other. For the longest time, it felt kind of like my chest was cracking open, but not precisely in an unpleasant way.
John Green (Paper Towns)
you must engrave deeply in your mind and never forget: your emotional commitment to what you are doing will be translated into your work. If you go at your work with half a heart, it will show in the lackluster results and in the laggard way in which you reach the end. If you are doing something primarily for money and without a real emotional commitment, it will translate into something that lacks a soul and that has no connection to you. You may not see this, but you can be sure that the public will feel it and that they will receive your work in the same lackluster spirit it was created in. If you are excited and obsessive in the hunt, it will show in the details. If your work comes from a place deep within, its authenticity will be communicated.
Robert Greene (Mastery)
I'm no more modern than ancient, no more French than Chinese, and the idea of a native country, that is to say, the imperative to live on one bit of ground marked red or blue on the map and to hate the other bits in green or black, has always seemed to me narrow-minded, blinkered and profoundly stupid. I am a soul brother to everything that lives, to the giraffe and to the crocodile as much as to man.
Gustave Flaubert
Fireflies out on a warm summer's night, seeing the urgent, flashing, yellow-white phosphorescence below them, go crazy with desire; moths cast to the winds an enchantment potion that draws the opposite sex, wings beating hurriedly, from kilometers away; peacocks display a devastating corona of blue and green and the peahens are all aflutter; competing pollen grains extrude tiny tubes that race each other down the female flower's orifice to the waiting egg below; luminescent squid present rhapsodic light shows, altering the pattern, brightness and color radiated from their heads, tentacles, and eyeballs; a tapeworm diligently lays a hundred thousand fertilized eggs in a single day; a great whale rumbles through the ocean depths uttering plaintive cries that are understood hundreds of thousands of kilometers away, where another lonely behemoth is attentively listening; bacteria sidle up to one another and merge; cicadas chorus in a collective serenade of love; honeybee couples soar on matrimonial flights from which only one partner returns; male fish spray their spunk over a slimy clutch of eggs laid by God-knows-who; dogs, out cruising, sniff each other's nether parts, seeking erotic stimuli; flowers exude sultry perfumes and decorate their petals with garish ultraviolet advertisements for passing insects, birds, and bats; and men and women sing, dance, dress, adorn, paint, posture, self-mutilate, demand, coerce, dissemble, plead, succumb, and risk their lives. To say that love makes the world go around is to go too far. The Earth spins because it did so as it was formed and there has been nothing to stop it since. But the nearly maniacal devotion to sex and love by most of the plants, animals, and microbes with which we are familiar is a pervasive and striking aspect of life on Earth. It cries out for explanation. What is all this in aid of? What is the torrent of passion and obsession about? Why will organisms go without sleep, without food, gladly put themselves in mortal danger for sex? ... For more than half the history of life on Earth organisms seem to have done perfectly well without it. What good is sex?... Through 4 billion years of natural selection, instructions have been honed and fine-tuned...sequences of As, Cs, Gs, and Ts, manuals written out in the alphabet of life in competition with other similar manuals published by other firms. The organisms become the means through which the instructions flow and copy themselves, by which new instructions are tried out, on which selection operates. 'The hen,' said Samuel Butler, 'is the egg's way of making another egg.' It is on this level that we must understand what sex is for. ... The sockeye salmon exhaust themselves swimming up the mighty Columbia River to spawn, heroically hurdling cataracts, in a single-minded effort that works to propagate their DNA sequences into future generation. The moment their work is done, they fall to pieces. Scales flake off, fins drop, and soon--often within hours of spawning--they are dead and becoming distinctly aromatic. They've served their purpose. Nature is unsentimental. Death is built in.
Carl Sagan (Shadows of Forgotten Ancestors: Earth Before Humans by ANN DRUYAN' 'CARL SAGAN (1992-05-03))
Everything in life can be taken away from you and generally will be at some point. Your wealth vanishes, the latest gadgetry suddenly becomes passé, your allies desert you. But if your mind is armed with the art of war, there is no power that can take that away. In the middle of a crisis, your mind will find its way to the right solution. Having superior strategies at your fingertips will give your maneuvers irresistible force. As Sun-tzu says, “Being unconquerable lies with yourself.
Robert Greene (The 33 Strategies Of War (The Modern Machiavellian Robert Greene Book 1))
Understand: your mind is weaker than your emotions. But you become aware of this weakness only in moments of adversity--precisely the time when you need strength. What best equips you to cope with tthe heat of battle is neither more knowledge nor more intellect. What makes your mind stronger, and more able to control your emotions, is internal discipline and toughness.No one can teach you this skill; you cannot learn it by reading about it. Like any discipline, it can come only through practice, experience, even a little suffering. The first step in building up presence of mind is to see the need for ii -- to want it badly enough to be willing to work for it.
Robert Greene (The 33 Strategies of War)
A JEWELRY STORE NAMED INDIA If you hold this Dazzling emerald Up to the sky, It will shine a billion Beautiful miracles Painted from the tears Of the Most High. Plucked from the lush gardens Of a yellowish-green paradise, Look inside this hypnotic gem And a kaleidoscope of Titillating, Soul-raising Sights and colors Will tease and seduce Your eyes and mind. Tell me, sir. Have you ever heard A peacock sing? Hold your ear To this mystical stone And you will hear Sacred hymns flowing To the vibrations Of the perfumed Wind.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
There was a clearing in the middle of the woods. It tasted of lightning and magic. Of claw and fang. And in the middle of this clearing sat a man who had once been a boy. A boy who I had loved. Then a monster had come to town with murder on his mind and tore a hole in our heads and hearts. The boy chased after the monster with revenge in his bloodred eyes. The monster was gone now. And so was the boy. Because a man had taken his place.
T.J. Klune (Wolfsong (Green Creek, #1))
He had been violently confused by her real presence in the opposite inaccessible corner. For months he had been possessed by the imagination of her. She had been distant and closed away, a princess in a tower, and his imagination’s work had been all to make her present, all of her, to his mind and senses, the quickness of her and the mystery, the whiteness of her, which was part of her extreme magnetism, and the green look of those piercing or occluded eyes. Her presence had been unimaginable, or more strictly, only to be imagined. Yet here she was, and he was engaged in observing the ways in which she resembled, or differed from, the woman he dreamed, or reached for in sleep, or would fight for.
A.S. Byatt
I leave pansies, the symbolic flower of freethought, in memory of the Great Agnostic, Robert Ingersoll, who stood for equality, education, progress, free ideas and free lives, against the superstition and bigotry of religious dogma. We need men like him today more than ever. His writing still inspires us and challenges the 'better angels' of our nature, when people open their hearts and minds to his simple, honest humanity. Thank goodness he was here.
Bruce Springsteen
All of us have access to a higher form of intelligence, one that can allow us to see more of the world, to anticipate trends, to respond with speed and accuracy to any circumstance. This intelligence is cultivated by deply immersing ourselves in a field of study and staying true to our inclinations, no matter how unconventional our approach might seem to other. Through such intense immersion over many years we come to internalize and gain an intuitive feel with the rational processes, we expand our minds to the outer limits of our potential and are able to see into the secret core of life itself. We then come to have powers that approximate the instinctive force and speed of animals, but with the added reach that our human consciousness brings us. This power is what our brains are designed to attain, and we will naturally led to this type of intelligence if we follow our inclinations to their ultimate ends.
Robert Greene (Mastery)
The phrase and the day and the scene harmonized in a chord. Words. Was it their colours? He allowed them to glow and fade, hue after hue: sunrise gold, the russet and green of apple orchards, azure of waves, the greyfringed fleece of clouds. No it was not their colours: it was the poise and balance of the period itself. Did he then love the rhythmic rise and fall of words better than their associations of legend and colour? Or was it that, being as weak of sight as he was shy of mind, he drew less pleasure from the reflection of the glowing sensible world through the prism of a language manycoloured and richly storied than from the contemplation of an inner world of individual emotions mirrored perfectly in a lucid supple periodic prose?
James Joyce (A Portrait of the Artist as a Young Man)
At the end of his life, the great picture book author and illustrator Maurice Sendak said on the NPR show Fresh Air, 'I cry a lot because I miss people. I cry a lot because they die, and I can't stop them. They leave me, and I love them more.' He said, 'I'm finding out as I'm aging that I'm in love with the world.' It has taken me all my life up to now to fall in love with the world, but I've started to feel it the last couple of years. To fall in love with the world isn't to ignore or overlook suffering, both human and otherwise. For me anyway, to fall in love with the world is to look up at the night sky and feel your mind swim before the beauty and the distance of the stars. It is to hold your children while they cry, to watch as the sycamore trees leaf out in June. When my breastbone starts to hurt, and my throat tightens, and tears well in my eyes, I want to look away from the feeling. I want to deflect with irony, or anything else that will keep me from feeling directly. We all know how loving ends. But I want to fall in love with the world anyway, to let it crack me open. I want to feel what there is to feel while I am here.
John Green (The Anthropocene Reviewed)
In my mind, I built stairways. At the end of the stairways, I imagined rooms. These were high, airy places with big windows and a cool breeze moving through. I imagined one room opening brightly onto another room until I'd built a house, a place with hallways and more staircases. I built many houses, one after another, and those gave rise to a city -- a calm, sparkling city near the ocean, a place like Vancouver. I put myself there, and that's where I lived, in the wide-open sky of my mind. I made friends and read books and went running on a footpath in a jewel-green park along the harbour. I ate pancakes drizzled in syrup and took baths and watched sunlight pour through trees. This wasn't longing, and it wasn't insanity. It was relief. It got me through.
Amanda Lindhout (A House in the Sky)
Now we will count to twelve and we will all keep still. For once on the face of the earth let's not speak in any language, let's stop for one second, and not move our arms so much. It would be an exotic moment without rush, without engines, we would all be together in a sudden strangeness. Fishermen in the cold sea would not harm whales and the man gathering salt would look at his hurt hands. Those who prepare green wars, wars with gas, wars with fire, victory with no survivors, would put on clean clothes and walk about with their brothers in the shade, doing nothing. What I want should not be confused with total inactivity. Life is what it is about; I want no truck with death. If we were not so single-minded about keeping our lives moving, and for once could do nothing, perhaps a huge silence might interrupt this sadness of never understanding ourselves and of threatening ourselves with death. Perhaps the earth can teach us as when everything seems dead and later proves to be alive. Now I'll count up to twelve and you keep quiet and I will go.
Pablo Neruda
I want to share something Virginia Woolf wrote: 'English, which can express the thoughts of Hamlet and the tragedy of Lear, has no words for the shiver and the headache...The merest schoolgirl when she falls in love, has Shakespeare or Keats to speak her mind for her; but let a sufferer try to describe a pain in his head to a doctor and language at once runs dry.' And we're such language-based creatures that to some extent we cannot know what we cannot name. And so we assume it isn't real. We refer to it with catch-all terms, like crazy or chronic pain, terms that both ostracize and minimize. The term chronic pain captures nothing of the grinding, constant, ceaseless,inescapable hurt. And the term crazy arrives at us with none of the terror and worry you live with. Nor do either of those terms connote the courage people in such pains exemplify, which is why I'd ask you to frame your mental health around a word other than crazy.
John Green (Turtles All the Way Down)
Her parents, she said, has put a pinball machine inside her head when she was five years old. The red balls told her when she should laugh, the blue ones when she should be silent and keep away from other people; the green balls told her that she should start multiplying by three. Every few days a silver ball would make its way through the pins of the machine. At this point her head turned and she stared at me; I assumed she was checking to see if I was still listening. I was, of course. How could one not? The whole thing was bizarre but riveting. I asked her, What does the silver ball mean? She looked at me intently, and then everything went dead in her eyes. She stared off into space, caught up in some internal world. I never found out what the silver ball meant.
Kay Redfield Jamison (An Unquiet Mind: A Memoir of Moods and Madness)
She stood straight and still, her arms at her side. Her eyebrows had the graceful arch of a raptor's wings in flight. Her green eyes came unafraid to his. The connection was so intense that it threatened to drain his sense of self. He felt that he had always known her, that she had always been a part of him, that her needs were his needs. She held him with her gaze as surely as a grip of iron would, searching his eyes as if searching his soul, seeking an answer to something. I am here to help you, he said in his mind. He meant it more than any thought he had ever had. The intensity of her gaze relaxed, loosening its hold on him. In her eyes he saw something that attracted him more than anything else. Intelligence. He saw it flaring there, burning in her, and through it all he felt an overriding sense of her integrity. Richard felt safe.
Terry Goodkind (Wizard's First Rule (Sword of Truth, #1))
Let us call this quality the Original Mind. This mind looked at the world more directly—not through words and received ideas. It was flexible and receptive to new information. Retaining a memory of this Original Mind, we cannot help but feel nostalgia for the intensity with which we used to experience the world. As the years pass, this intensity inevitably diminishes. We come to see the world through a screen of words and opinions; our prior experiences, layered over the present, color what we see. We no longer look at things as they are, noticing their details, or wonder why they exist. Our minds gradually tighten up. We become defensive about the world we now take for granted, and we become upset if our beliefs or assumptions are attacked.
Robert Greene (Mastery)
The old oak, utterly transformed, draped in a tent of sappy dark green, basked faintly, undulating in the rays of the evening sun. Of the knotted fingers, the gnarled excrecenses, the aged grief and mistrust- nothing was to be seen. Through the rough, century-old bark, where there were no twigs, leaves had burst out so sappy, so young, that is was hard to believe that the aged creature had borne them. "Yes, that is the same tree," thought Prince Andrey, and all at once there came upon him an irrational, spring feeling of joy and renewal. All the best moments of his life rose to his memory at once. Austerlitz, with that lofty sky, and the dead, reproachful face of his wife, and Pierre on the ferry, and the girl, thrilled by the beauty of the night, and that night and that moon- it all rushed at once into his mind.
Leo Tolstoy (War and Peace)
I love you,” he whispered, rubbing his jaw against her temple. “And you love me. I can feel it when you’re in my arms.” He felt her stiffen slightly and draw a shaky breath, but she either couldn’t or wouldn’t speak. She hadn’t thrown the words back in his face, however, so Ian continued talking to her, his hand roving over her back. “I can feel it, Elizabeth, but if you don’t admit it pretty soon, you’re going to drive me out of my mind. I can’t work. I can’t think. I make decisions and then I change my mind. And,” he teased, trying to lighten the mood by using the one topic sure to distract her, “that’s nothing to the money I squander whenever I’m under this sort of violent stress. It wasn’t just the gowns I bought, or the house on Promenade...” Still talking to her, he tipped her chin up, glorying in the gentle passion in her eyes, overlooking the doubt in their green depths. “If you don’t admit it pretty soon,” he teased, “I’ll spend us out of house and home.” Her delicate brows drew together in blank confusion, and Ian grinned, taking her hand from his chest, the emerald betrothal ring he had bought her unnoticed in his fingers. “When I’m under stress,” he emphasized, sliding the magnificent emerald onto her finger, “I buy everything in sight. It took my last ounce of control not to buy one of these in every color.
Judith McNaught (Almost Heaven (Sequels, #3))
This "sir, yes sir" business, which would probably sound like horseshit to any civilian in his right mind, makes sense to Shaftoe and to the officers in a deep and important way. Like a lot of others, Shaftoe had trouble with military etiquette at first. He soaked up quite a bit of it growing up in a military family, but living the life was a different matter. Having now experienced all the phases of military existence except for the terminal ones (violent death, court-martial, retirement), he has come to understand the culture for what it is: a system of etiquette within which it becomes possible for groups of men to live together for years, travel to the ends of the earth, and do all kinds of incredibly weird shit without killing each other or completely losing their minds in the process. The extreme formality with which he addresses these officers carries an important subtext: your problem, sir, is deciding what you want me to do, and my problem, sir, is doing it. My gung-ho posture says that once you give the order I'm not going to bother you with any of the details--and your half of the bargain is you had better stay on your side of the line, sir, and not bother me with any of the chickenshit politics that you have to deal with for a living. The implied responsibility placed upon the officer's shoulders by the subordinate's unhesitating willingness to follow orders is a withering burden to any officer with half a brain, and Shaftoe has more than once seen seasoned noncoms reduce green lieutenants to quivering blobs simply by standing before them and agreeing, cheerfully, to carry out their orders.
Neal Stephenson (Cryptonomicon)
Possibilities I prefer movies. I prefer cats. I prefer the oaks along the Warta. I prefer Dickens to Dostoyevsky. I prefer myself liking people to myself loving mankind. I prefer keeping a needle and thread on hand, just in case. I prefer the color green. I prefer not to maintain that reason is to blame for everything. I prefer exceptions. I prefer to leave early. I prefer talking to doctors about something else. I prefer the old fine-lined illustrations. I prefer the absurdity of writing poems to the absurdity of not writing poems. I prefer, where love's concerned, nonspecific anniversaries that can be celebrated every day. I prefer moralists who promise me nothing. I prefer cunning kindness to the over-trustful kind. I prefer the earth in civvies. I prefer conquered to conquering countries. I prefer having some reservations. I prefer the hell of chaos to the hell of order. I prefer Grimms' fairy tales to the newspapers' front pages. I prefer leaves without flowers to flowers without leaves. I prefer dogs with uncropped tails. I prefer light eyes, since mine are dark. I prefer desk drawers. I prefer many things that I haven't mentioned here to many things I've also left unsaid. I prefer zeroes on the loose to those lined up behind a cipher. I prefer the time of insects to the time of stars. I prefer to knock on wood. I prefer not to ask how much longer and when. I prefer keeping in mind even the possibility that existence has its own reason for being.
Wisława Szymborska
Winter’s head snapped around, away from Scarlet. Scarlet’s pace slowed, dread pulsing through her as she, too, heard the footsteps. Pounding footsteps, like someone was running at full speed toward them. She reached for the knife Jacin had given her. A man barrelled around the corner, heading straight for the princess. Winter tensed half a second before he reached her. Grabbing Winter’s elbow, he yanked back the red hood. Scarlet gasped. Her knees weakened. The man stared at Winter with a mixture of confusion and disappointment and maybe even anger, all locked up in eyes so vividly green that Scarlet could see them glowing from here. She was the one hallucinating now. She took a stumbling, uncertain step forward. Wanting to run toward him, but terrified it was a trick. Her hand tightened around the knife handle as Wolf, ignoring how Winter was trying to pull away, grabbed her arm and smelled the filthy red sleeve of Scarlet’s hoodie, streaked with dirt and blood. He growled, ready to tear the princess apart. “Where did you get this?” So desperate, so determined, so him. The knife slipped out of Scarlet’s hand. Wolf’s attention snapped to her. “Wolf?” she whispered. His eyes brightened, wild and hopeful. Releasing Winter, he strode forward. His tumultuous eyes scooped over her. Devoured her. When he was in arm’s reach, Scarlet almost collapsed into him, but at the last moment she had the presence of mind to step back. She planted a hand on his chest. Wolf froze, hurt flickering across his face. “I’m sorry,” said Scarlet, her voice teetering with exhaustion. “It’s just…I smell so awful, I can hardly stand to be around myself right now, so I can’t even imagine what it’s like for you with your sense of sm-“ Batting her hand away, Wolf dug his fingers into Scarlet’s hair and crushed his mouth against hers. Her protests died with a muffled gasp. This time, she did collapse, her legs unable to hold her a second longer. Wolf fell with her, dropping his knees to break Scarlet’s fall and cradling her body against his. He was here. He was here.
Marissa Meyer (Winter (The Lunar Chronicles, #4))
This century will be called Darwin's century. He was one of the greatest men who ever touched this globe. He has explained more of the phenomena of life than all of the religious teachers. Write the name of Charles Darwin on the one hand and the name of every theologian who ever lived on the other, and from that name has come more light to the world than from all of those. His doctrine of evolution, his doctrine of the survival of the fittest, his doctrine of the origin of species, has removed in every thinking mind the last vestige of orthodox Christianity. He has not only stated, but he has demonstrated, that the inspired writer knew nothing of this world, nothing of the origin of man, nothing of geology, nothing of astronomy, nothing of nature; that the Bible is a book written by ignorance--at the instigation of fear. Think of the men who replied to him. Only a few years ago there was no person too ignorant to successfully answer Charles Darwin, and the more ignorant he was the more cheerfully he undertook the task. He was held up to the ridicule, the scorn and contempt of the Christian world, and yet when he died, England was proud to put his dust with that of her noblest and her grandest. Charles Darwin conquered the intellectual world, and his doctrines are now accepted facts. His light has broken in on some of the clergy, and the greatest man who to-day occupies the pulpit of one of the orthodox churches, Henry Ward Beecher, is a believer in the theories of Charles Darwin--a man of more genius than all the clergy of that entire church put together. ...The church teaches that man was created perfect, and that for six thousand years he has degenerated. Darwin demonstrated the falsity of this dogma. He shows that man has for thousands of ages steadily advanced; that the Garden of Eden is an ignorant myth; that the doctrine of original sin has no foundation in fact; that the atonement is an absurdity; that the serpent did not tempt, and that man did not 'fall.' Charles Darwin destroyed the foundation of orthodox Christianity. There is nothing left but faith in what we know could not and did not happen. Religion and science are enemies. One is a superstition; the other is a fact. One rests upon the false, the other upon the true. One is the result of fear and faith, the other of investigation and reason.
Robert G. Ingersoll (Lectures of Col. R.G. Ingersoll: Including His Letters On the Chinese God--Is Suicide a Sin?--The Right to One's Life--Etc. Etc. Etc, Volume 2)
If you cannot understand my argument, and declare "It's Greek to me", you are quoting Shakespeare; if you claim to be more sinned against than sinning, you are quoting Shakespeare; if you recall your salad days, you are quoting Shakespeare; if you act more in sorrow than in anger; if your wish is farther to the thought; if your lost property has vanished into thin air, you are quoting Shakespeare; if you have ever refused to budge an inch or suffered from green-eyed jealousy, if you have played fast and loose, if you have been tongue-tied, a tower of strength, hoodwinked or in a pickle, if you have knitted your brows, made a virtue of necessity, insisted on fair play, slept not one wink, stood on ceremony, danced attendance (on your lord and master), laughed yourself into stitches, had short shrift, cold comfort or too much of a good thing, if you have seen better days or lived in a fool's paradise -why, be that as it may, the more fool you , for it is a foregone conclusion that you are (as good luck would have it) quoting Shakespeare; if you think it is early days and clear out bag and baggage, if you think it is high time and that that is the long and short of it, if you believe that the game is up and that truth will out even if it involves your own flesh and blood, if you lie low till the crack of doom because you suspect foul play, if you have your teeth set on edge (at one fell swoop) without rhyme or reason, then - to give the devil his due - if the truth were known (for surely you have a tongue in your head) you are quoting Shakespeare; even if you bid me good riddance and send me packing, if you wish I was dead as a door-nail, if you think I am an eyesore, a laughing stock, the devil incarnate, a stony-hearted villain, bloody-minded or a blinking idiot, then - by Jove! O Lord! Tut tut! For goodness' sake! What the dickens! But me no buts! - it is all one to me, for you are quoting Shakespeare.
Bernard Levin
I appreciate the scientific rigor with which you’ve approached this project, Anna,” said Christopher, who had gotten jam on his sleeve. “Though I don’t think I could manage to collect that many names and also pursue science. Much too time-consuming.” Anna laughed. “How many names would you want to collect, then?” Christopher tilted his head, a brief frown of concentration crossing his face, and did not reply. “I would only want one,” said Thomas. Cordelia thought of the delicate tracery of the compass rose on Thomas’s arm, and wondered if he had any special person in mind. “Too late for me to only have one,” declared Matthew airily. “At least I can hope for several names in a carefully but enthusiastically selected list.” “Nobody’s ever tried to seduce me at all,” Lucie announced in a brooding fashion. “There’s no need to look at me like that, James. I wouldn’t say yes, but I could immortalize the experience in my novel.” “It would be a very short novel, before we got hold of the blackguard and killed him,” said James. There was a chorus of laughter and argument. The afternoon sun was sinking in the sky, its rays catching the jeweled hilts of the knives in Anna’s mantelpiece. They cast shimmering rainbow patterns on the gold-and-green walls. The light illuminated Anna’s shabby-bright flat, making something in Cordelia’s heart ache. It was such a homey place, in a way that her big cold house in Kensington was not. “What about you, Cordelia?” said Lucie. “One,” said Cordelia. “That’s everyone’s dream, isn’t it, really? Instead of many who give you little pieces of themselves—one who gives you everything.” Anna laughed. “Searching for the one is what leads to all the misery in this world,” she said. “Searching for many is what leads to all the fun.
Cassandra Clare (Chain of Gold (The Last Hours, #1))
Stephen had been put to sleep in his usual room, far from children and noise, away in that corner of the house which looked down to the orchard and the bowling-green, and in spite of his long absence it was so familiar to him that when he woke at about three he made his way to the window almost as quickly as if dawn had already broken, opened it and walked out onto the balcony. The moon had set: there was barely a star to be seen. The still air was delightfully fresh with falling dew, and a late nightingale, in an indifferent voice, was uttering a routine jug-jug far down in Jack's plantations; closer at hand and more agreeable by far, nightjars churred in the orchard, two of them, or perhaps three, the sound rising and falling, intertwining so that the source could not be made out for sure. There were few birds that he preferred to nightjars, but it was not they that had brought him out of bed: he stood leaning on the balcony rail and presently Jack Aubrey, in a summer-house by the bowling-green, began again, playing very gently in the darkness, improvising wholly for himself, dreaming away on his violin with a mastery that Stephen had never heard equalled, though they had played together for years and years. Like many other sailors Jack Aubrey had long dreamed of lying in his warm bed all night long; yet although he could now do so with a clear conscience he often rose at unChristian hours, particularly if he were moved by strong emotion, and crept from his bedroom in a watch-coat, to walk about the house or into the stables or to pace the bowling-green. Sometimes he took his fiddle with him. He was in fact a better player than Stephen, and now that he was using his precious Guarnieri rather than a robust sea-going fiddle the difference was still more evident: but the Guarnieri did not account for the whole of it, nor anything like. Jack certainly concealed his excellence when they were playing together, keeping to Stephen's mediocre level: this had become perfectly clear when Stephen's hands were at last recovered from the thumb-screws and other implements applied by French counter-intelligence officers in Minorca; but on reflexion Stephen thought it had been the case much earlier, since quite apart from his delicacy at that period, Jack hated showing away. Now, in the warm night, there was no one to be comforted, kept in countenance, no one could scorn him for virtuosity, and he could let himself go entirely; and as the grave and subtle music wound on and on, Stephen once more contemplated on the apparent contradiction between the big, cheerful, florid sea-officer whom most people liked on sight but who would have never been described as subtle or capable of subtlety by any one of them (except perhaps his surviving opponents in battle) and the intricate, reflective music he was now creating. So utterly unlike his limited vocabulary in words, at times verging upon the inarticulate. 'My hands have now regained the moderate ability they possessed before I was captured,' observed Maturin, 'but his have gone on to a point I never thought he could reach: his hands and his mind. I am amazed. In his own way he is the secret man of the world.
Patrick O'Brian (The Commodore (Aubrey/Maturin, #17))
Hi there, cutie." Ash turned his head to find an extremely attractive college student by his side. With black curly hair, she was dressed in jeans and a tight green top that displayed her curves to perfection. "Hi." "You want to go inside for a drink? It's on me." Ash paused as he saw her past, present, and future simultaneously in his mind. Her name was Tracy Phillips. A political science major, she was going to end up at Harvard Med School and then be one of the leading researchers to help isolate a mutated genome that the human race didn't even know existed yet. The discovery of that genome would save the life of her youngest daughter and cause her daughter to go on to medical school herself. That daughter, with the help and guidance of her mother, would one day lobby for medical reforms that would change the way the medical world and governments treated health care. The two of them would shape generations of doctors and save thousands of lives by allowing people to have groundbreaking medical treatments that they wouldn't have otherwise been able to afford. And right now, all Tracy could think about was how cute his ass was in leather pants, and how much she'd like to peel them off him. In a few seconds, she'd head into the coffee shop and meet a waitress named Gina Torres. Gina's dream was to go to college herself to be a doctor and save the lives of the working poor who couldn't afford health care, but because of family problems she wasn't able to take classes this year. Still Gina would tell Tracy how she planned to go next year on a scholarship. Late tonight, after most of the college students were headed off, the two of them would be chatting about Gina's plans and dreams. And a month from now, Gina would be dead from a freak car accident that Tracy would see on the news. That one tragic event combined with the happenstance meeting tonight would lead Tracy to her destiny. In one instant, she'd realize how shallow her life had been, and she'd seek to change that and be more aware of the people around her and of their needs. Her youngest daughter would be named Gina Tory in honor of the Gina who was currently busy wiping down tables while she imagined a better life for everyone. So in effect, Gina would achieve her dream. By dying she'd save thousands of lives and she'd bring health care to those who couldn't afford it... The human race was an amazing thing. So few people ever realized just how many lives they inadvertently touched. How the right or wrong word spoken casually could empower or destroy another's life. If Ash were to accept Tracy's invitation for coffee, her destiny would be changed and she would end up working as a well-paid bank officer. She'd decide that marriage wasn't for her and go on to live her life with a partner and never have children. Everything would change. All the lives that would have been saved would be lost. And knowing the nuance of every word spoken and every gesture made was the heaviest of all the burdens Ash carried. Smiling gently, he shook his head. "Thanks for asking, but I have to head off. You have a good night." She gave him a hot once-over. "Okay, but if you change your mind, I'll be in here studying for the next few hours." Ash watched as she left him and entered the shop. She set her backpack down at a table and started unpacking her books. Sighing from exhaustion, Gina grabbed a glass of water and made her way over to her... And as he observed them through the painted glass, the two women struck up a conversation and set their destined futures into motion. His heart heavy, he glanced in the direction Cael had vanished and hated the future that awaited his friend. But it was Cael's destiny. His fate... "Imora thea mi savur," Ash whispered under his breath in Atlantean. God save me from love.
Sherrilyn Kenyon (Dark Side of the Moon (Dark-Hunter, #9; Were-Hunter, #3))