Greek Mythology Love Quotes

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But in a solitary life, there are rare moments when another soul dips near yours, as stars once a year brush the earth. Such a constellation was he to me.
Madeline Miller (Circe)
That is — your friend?" "Philtatos," Achilles replied, sharply. Most beloved.
Madeline Miller (The Song of Achilles)
He showed me his scars, and in return he let me pretend that I had none.
Madeline Miller (Circe)
I have done it," she says. At first I do not understand. But then I see the tomb, and the marks she has made on the stone. A C H I L L E S, it reads. And beside it, P A T R O C L U S. "Go," she says. "He waits for you." In the darkness, two shadows, reaching through the hopeless, heavy dusk. Their hands meet, and light spills in a flood like a hundred golden urns pouring out of the sun.
Madeline Miller (The Song of Achilles)
Do you think we can be friends?” I asked. He stared up at the ceiling. “Probably not, but we can pretend.
Priya Ardis (Ever My Merlin (My Merlin, #3))
We’d read about sirens in English this fall; Greek mythology bullshit about women so beautiful, their voices so enchanting, that men did anything for them. Turned out that mythology crap was real because every time I saw her, I lost my mind.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
Vane grabbed me. “DuLac, let’s chat.” Chat. British-speak for “Stand still while I yell at you.
Priya Ardis (My Merlin Awakening (My Merlin, #2))
Vane’s lips tightened to suppress a smile. “Why so hostile, love?” “You whacked me on the head with a ball!” “You deserved it.
Priya Ardis (My Merlin Awakening (My Merlin, #2))
I caught his hand. “What do you want me to do?” Leaning down, he kissed the pulse beating on my neck just above the damaged skin. “Tomorrow, I need you to die.
Priya Ardis (My Merlin Awakening (My Merlin, #2))
Icarus should have waited for nightfall, the moon would have never let him go.
Nina Mouawad (Blue Sun: A poetry collection)
He’d used the amulet to read my thoughts again. I pictured smacking him in the face.
Priya Ardis (Ever My Merlin (My Merlin, #3))
The Greeks created gods that were in their image; warlike but creative, wise but ferocious, loving but jealous, tender but brutal, compassionate, but vengeful.
Stephen Fry (Mythos: The Greek Myths Retold (Stephen Fry's Great Mythology, #1))
But the queen--too long she has suffered the pain of love, hour by hour nursing the wound with her lifeblood, consumed by the fire buried in her heart. [...] His looks, his words, they pierce her heart and cling-- no peace, no rest for her body, love will give her none.
Virgil (The Aeneid)
You make the rarest canvas, love
Madeline Miller (Galatea)
Why would anyone love a monster?' asked Perseus. 'Who are you to decide who is worthy of love?' said Hermes. 'I mean, I wasn't...' 'And who are you to decide who is a monster?' added the messenger god.
Natalie Haynes (Stone Blind: Medusa's Story)
I love Greek Mythology, wish there was a TV series, like being human or smallville, but with the series based around Percy Jackson and the Olympians, Holla Mayne!
Rick Riordan (The Battle of the Labyrinth (Percy Jackson and the Olympians, #4))
Narcissistic personality disorder is named for Narcissus, from Greek mythology, who fell in love with his own reflection. Freud used the term to describe persons who were self-absorbed, and psychoanalysts have focused on the narcissist's need to bolster his or her self-esteem through grandiose fantasy, exaggerated ambition, exhibitionism, and feelings of entitlement.
Donald W. Black (DSM-5 Guidebook: The Essential Companion to the Diagnostic and Statistical Manual of Mental Disorders)
I had no right to claim him, I knew it. But in a solitary life, there are rare moments when another soul dips near yours, as stars once a year brush the earth. Such a constellation he was to me.
Madeline Miller (Circe)
Rough palms cradled my face while my fingers gripped the pillow on either side of his. Lips, teeth, tongue, mingled together. I ate him up and didn’t let go until I had to come up for air.
Priya Ardis
It is enough to say that the Greeks thought it was Chaos who, with a massive heave, or a great shrug, or hiccup, vomit or cough, began the long chain of creation that has ended with pelicans and penicillin and toadstools and toads, sea-lions, lions, human beings and daffodils and murder and art and love and confusion and death and madness and biscuits.
Stephen Fry (Mythos: The Greek Myths Retold (Stephen Fry's Great Mythology, #1))
I noticed him right away. No, it wasn’t his lean, rugged face. Or the dark waves of shiny hair that hung just a little too long on his forehead. It wasn’t the slim, collarless biker jacket he wore, hugging his lean shoulders. It was the way he stood. The confident way he waited in the cafeteria line to get a slice of pizza. He didn’t saunter. He didn’t amble. He stood at the center, and let the other people buzz around him. His stance was straight and sure.
Priya Ardis (Ever My Merlin (My Merlin, #3))
Nothing shall part us in our love till Thanatos (Death) at his appointed hour removed us from the light of day.
Apollonius of Rhodes
She covered his hand with hers over her abdomen. His was so much bigger than hers and had probably fired guns, rifles, and god knew what else, but right here, right now, his tenderness broke down her will as sure as any grenade.
Lisa Kessler (Legend of Love (Muse Chronicles, #2))
I love you like a man insane.
Amanda Bouchet (Breath of Fire (Kingmaker Chronicles, #2))
In every one of the Greeks' mythology tales, there is this: a man chasing a woman, or a woman chasing a man. There is never a meeting in the middle.
Jesmyn Ward (Salvage the Bones)
Since my trips to Earth, I've only managed to assemble a few basics facts about humans, condensing them in to four, overall points: kids got Reese's, teens got recess, adults got recessions, and seniors got receding.
Tai Odunsi (Cupid's Academy: The Miseducation of Mergatroyd, Love god in Training)
Was this the face that launch'd a thousand ships, And burnt the topless towers of Ilium-- Sweet Helen, make me immortal with a kiss.-- ''[kisses her]'' Her lips suck forth my soul: see, where it flies!-- Come, Helen, come, give me my soul again. Here will I dwell, for heaven is in these lips, And all is dross that is not Helena. I will be Paris, and for love of thee, Instead of Troy, shall Wertenberg be sack'd; And I will combat with weak Menelaus, And wear thy colours on my plumed crest; Yea, I will wound Achilles in the heel, And then return to Helen for a kiss. O, thou art fairer than the evening air Clad in the beauty of a thousand stars; Brighter art thou than flaming Jupiter When he appear'd to hapless Semele; More lovely than the monarch of the sky In wanton Arethusa's azur'd arms; And none but thou shalt be my paramour!
Christopher Marlowe (Dr. Faustus)
According to Greek mythology, humans were orginally created with four arms, four legs and a head with two faces. Fearing their power, Zeus split them in two seperate beings, condeming them to spend their lives in search of their other halves.
Plato
..,No love cannot leave where there is no trust..,~cupid and psyche..,"Greek mythology of Edith Hamilton
Edith Hamilton
Matt was almost completely naked. A tattered loincloth and an ugly chain with a yellow diamond were his only apparel.
Priya Ardis
Aphrodite is about love and beauty. Being loving. Spreading beauty. Good friends. Good times. Good deeds.
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
Brooding, simmering and raging in the ground, deep beneath the earth that once loved him, Ouranos compressed all his fury and divine energy into the very rock itself, hoping that one day some excavating creature somewhere would mine it and try to harness the immortal power that radiated from within. That could never happen, of course. It would be too dangerous. Surely the race had yet to be born that could be so foolish as to attempt to unleash the power of uranium?
Stephen Fry (Mythos: The Greek Myths Retold (Stephen Fry's Great Mythology, #1))
Don’t blame your mother, Tony. I was the one being promiscuous.” Owen said. Evelyn nodded. “And you know how much I love Greek mythology, Son.
Delora Dennis (Same Old Truths (The Reluctant Avenger, #2))
She loved him, in fact; his violence and strength appealed to some deep part of her. He in turn grew to love her, so far as such a violent brute was capable of the emotion. Love and war, Venus and Mars, have always had a strong affinity. No one quite knows why, but plenty of money has been made trying to find an answer.
Stephen Fry (Mythos: The Greek Myths Retold (Stephen Fry's Great Mythology, #1))
Don’t blame your mother, Tony. I was the one being promiscuous.” Owen said. Evelyn nodded. “And you know how much I love Greek mythology, Son.
Delora Dennis (Same Old Truths (The Reluctant Avenger, #2))
But too much love is poison, especially when that love is not returned
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
It is easier to be hated than to face not being loved Easier to be angry than accept sadness
Nikita Gill (Great Goddesses: Life Lessons from Myths and Monsters)
I had loved and lost, and now... Love had found me again, brought me back to life in the land of the dead.
Sarah Diemer (The Dark Wife)
Do you think you might be able to love me someday?" He asked and heard her laugh softly. "I already do." She said and his soul soared. "So this is what the poets write about? This is what they call love?" She asked. "Yes my love." He said softly. "They do not do it justice." She stated and he laughed. "I agree." He told her as he held her, wondering how this could be real.
Jasmine Dubroff
Human beings owe a debt of love to one another because there is no other method of paying the debt of love and care which all of us owe to providence.
Nathaniel Hawthorne (A Wonder Book: Heroes and Monsters of Greek Mythology (Dover Children's Evergreen Classics))
Love is weakness, Icarus, the man had said, grim, 'It is Man’s deadliest weapon, greater than the sword and mightier than the axe—because it can destroy you with a single breath.
Grace Curley (The Light that Binds Us)
Love is not weakness, father: it is strength. Love is what taught my skin to feel and my eyes to see. Love is not a weapon: it is light.
Grace Curley (The Light that Binds Us)
Wild need slipped into his mind as she moaned into his mouth and he fucking loved how greedy she was, but fuck, she was completely wrecking his ability to be easy with her. She was using her power and strength in a way that riled his beast.
Setta Jay (Searing Ecstasy (The Guardians of the Realms, #7))
A freezing cold underground river. A dark cave lit by ghosts. A man too stupid to realize you loved him. This is what you want?" "All of it. Especially the very stupid man.
Molly Ringle (Underworld's Daughter (The Chrysomelia Stories, #2))
Goodness me. You don’t ask for the moon, do you?” “Oh, what a good idea! The moon. Yes, I’d love the moon, please. That will be all. I’ll never ask for anything ever again ever.
Stephen Fry (Mythos: The Greek Myths Retold (Stephen Fry's Great Mythology, #1))
The stars are the one thing that I miss about the earth. They're so constant, steady, bright. I've always loved the stars. You reminded me of them, Persephone," she added quietly.
Sarah Diemer (The Dark Wife)
everybody loves himself more than his neighbor.
Euripides (Medea)
This species, the mute swan, became holy to Apollo. In remembrance of the death of the beloved Phaeton the bird is silent all its life until the very moment of its death, when it sings with terrible melancholy its strange and lovely goodbye, its swan song. In honour of Cygnus the young of all swans are called ‘cygnets’.
Stephen Fry (Mythos: The Greek Myths Retold (Stephen Fry's Great Mythology, #1))
In Poetry class, Professor Sappho teaches us how to compose love ballads. She's a swell teacher and all but I'm not sure I understand her. She's always going on and on about her weekend trips with the other goddesses to the island of Lesbos.
Tai Odunsi (Cupid's Academy: The Miseducation of Mergatroyd, Love god in Training)
Eurydice, forgive the Winds, forgive the Sun, forgive the Moon, forgive the Stars, forgive the Rain, for never loving you as I will.
Michan Bakhuis (Lament to Eurydice)
Tell me your favourite color, Daphne, and I’ll paint the sky with it.
Josephine Angelini (Scions (Starcrossed, #4))
You are like the winged goddess from Greek mythology. As beautiful and soaring like an angel as her". #MilanoVeneziani. #ItalianPassion:
Olga Goa
We can’t just stand here in the rain with our backs to the town,’ said Baucis. ‘I’ll look if you will.’ ‘I love you Philemon, my husband.’ ‘I love you Baucis, my wife.’ They turned and looked down. They were just in time to see the great flood inundating Eumeneia before Philemon was turned into an oak tree and Baucis into a linden. For hundreds of years the two trees stood side by side, symbols of eternal love and humble kindness, their intertwining branches hung with the tokens left by admiring pilgrims.
Stephen Fry (Mythos: The Greek Myths Retold (Stephen Fry's Great Mythology, #1))
Perhaps narcissism is best defined as a need to look on other people as mirrored surfaces who satisfy us only when they reflect back a loving or admiring image of ourselves. When we look into another’s eyes, in other words, we are not looking to see who they are, but how we are reflected in their eyes. By this definition, which of us can honestly disown our share of narcissism?
Stephen Fry (Mythos: The Greek Myths Reimagined (Stephen Fry's Great Mythology, #1))
The Greek gods had personalities like those of humans and struggled with one another for position and power. They did not love humans (although some had favorites) and did not ask to be loved by them. They did not impose codes of behavior. They expected respect and honor but coud act contrary to human needs and desires.
Barry B. Powell (Classical Myth)
Could they remember the first time they felt the sweeping rush of love? Love came to peasants, kings, and even gods. Love made all equal. Love deified, yet love leveled.
Stephen Fry (Heroes: The Greek Myths Reimagined (Stephen Fry's Great Mythology, #2))
He crossed his arms over his chest, "I don't get why you push everyone away." "This isn't the time to talk about this." "Should I set up an office visit?
Lisa Kessler (Legend of Love (Muse Chronicles, #2))
HEDYLOGOS - the spirit of the language of love and terms of endearment, who now, one assumes, looks over Valentines cards, love-letters and romantic fiction.
Stephen Fry (Mythos: The Greek Myths Retold (Stephen Fry's Great Mythology, #1))
There was something beautiful about his scars, something lovely about his fallibility.
Grace Curley (The Light that Binds Us)
You see, I have been content with the darkness. But then you came, with your fire. And you reminded me about the stars, shining in the dark, never wavering.
Sarah Diemer (The Dark Wife)
From stars, he was born, and to stars, he shall return.
Grace Curley (The Light that Binds Us)
It is enough to say that the Greeks thought it was Chaos who, with a massive heave, or a great shrug, or hiccup, vomit or cough, began the long chain of creation that has ended with pelicans and penicillin and toadstools and toads, sea-lions, seals, lions, human beings and daffodils and murder and art and love and confusion and death and madness and biscuits.
Stephen Fry (Mythos: The Greek Myths Retold (Stephen Fry's Great Mythology, #1))
Wild need slipped into his mind as she moaned into his mouth and he fucking loved how greedy she was, but fuck, she was completely wrecking his ability to be easy with her. She was using her power and strength in a way that riled his beast. Mine, she growled into the link as her thighs tightened around his hips.
Setta Jay (Searing Ecstasy (The Guardians of the Realms, #7))
This idea the Greeks had of him is best summed up not by a poet, but by a philosopher, Plato: “Love—Eros—makes his home in men’s hearts, but not in every heart, for where there is hardness he departs. His greatest glory is that he cannot do wrong nor allow it; force never comes near him. For all men serve him of their own free will. And he whom Love touches not walks in darkness.
Edith Hamilton (Mythology)
Like a noose around my neck, The Fates have tied a string to you and me. It tightened around my roots and pulled me from the ground long enough for you to put the pomegranate seeds in my mouth. And I should want to make you bleed dear Hades, but all I keep on thinking is how good the darkness tastes to me. And when Spring has sprung, I’ll use my powers to grow my roses with the sharpest of thorns, and you won’t know what is happening until I make you bleed. Love, Persephone
Cambria Covell
The constellation she's named after tells the story of a princess, who was shackled to a rock as a sacrifice to a sea monster--punishment for her mother Casseopeia, who had bragged to Poseidon about her own beauty. Perseus, flying by, fell in love with Andromeda and saved her. In the sky, she's pictured with her arms outstretched and her hands chained.
Jodi Picoult (My Sister’s Keeper)
You’re the girl that I have been wanting. You’re the girl that I could see myself with forever. And most importantly, you’re the girl that I’ve fallen in love with.
M.S. Watson (Frost (Poseidon's Girls, #2))
And the One will reveal the Bow of the Southern Star and conquer the enemy with courage and fine judgment. The sight of the One is true and the enemy cannot hide. Griffon will fly
Barbara T. Cerny (Shield of the Palidine)
And the One will take the Sword of the Western Sun and triumph over the enemy with boldness and insight. The arm of the One is steady and heads will roll. Snow Giants will battle
Barbara T. Cerny (Shield of the Palidine)
You make me want to be.
Lisa Kessler (Legend of Love (Muse Chronicles, #2))
You're a good man, Hunter.
Lisa Kessler (Legend of Love (Muse Chronicles, #2))
I love surfing, but ---" his gaze wandered over the thin sheet covering her body before he met her eyes again " --- no wave could ever compete with you.
Lisa Kessler (Legend of Love (Muse Chronicles, #2))
If we're not naked soon, I'm going to lose my fucking mind.
Lisa Kessler (Legend of Love (Muse Chronicles, #2))
He pressed his lips to her shoulder, whispering along her soft skin, "I'm right where I want to be.
Lisa Kessler (Legend of Love (Muse Chronicles, #2))
You've already given me better than I've ever had.
Lisa Kessler (Legend of Love (Muse Chronicles, #2))
That kiss..." "You've already given me better than I've ever had.
Lisa Kessler (Legend of Love (Muse Chronicles, #2))
I thought when you finally kissed me, I'd be able to walk away." He shook his head, his voice lowering to a throaty whisper. "I was dead wrong.
Lisa Kessler (Legend of Love (Muse Chronicles, #2))
He shook his head. "Those waves are begging us to ride them. Talking can wait.
Lisa Kessler (Legend of Love (Muse Chronicles, #2))
I'm the king of bad ideas.
Lisa Kessler (Legend of Love (Muse Chronicles, #2))
Man..." He blew out an exasperated breath. "Do you push everyone away this hard, or is it just me?
Lisa Kessler (Legend of Love (Muse Chronicles, #2))
There was a perfect partner for everyone, and the faces and bodies that went along with that perfection were as varied as the individuals who dreamed of them. Everyone was someone else's perfect.
Josephine Angelini (Timeless (Starcrossed, #5))
Hunter walked out of the waves, and without any pretense, he wrapped her in his arms. She looked up at him, her eyes searing his. He bent his head lower, his voice a raspy whisper. "I've never met anyone like you.
Lisa Kessler (Legend of Love (Muse Chronicles, #2))
Hades Where we go when he closes my eyes and under what country; some blue darkness, farther from hell; a landscape of absense and root and stone. There are no bodies here, we dream shapeless dreams-- a constant, cloudless storm. Mother, I'll never wake up from him. I have already traveled too far. My mouth is the color of his mouth and his arms are no longer his arms; they're mute as smoke, as my first white dress, and the spear of his name, once ferocious, dissolves on my tongue like sugar, like birdsong, I whisper it: Hades
Cecilia Woloch
Their myths understand that whoever created this baffling world, with its cruelties, wonders, caprices, beauties, madness, and injustice, must themselves have been cruel, wonderful, capricious, beautiful, mad, and unjust. The Greeks created gods that were in their image: warlike but creative, wise but ferocious, loving but jealous, tender but brutal, compassionate but vengeful.
Stephen Fry (Mythos: The Greek Myths Reimagined (Stephen Fry's Great Mythology, #1))
He went crazy over Greek mythology, which is where I got my name. They compromised on it, because my mom loved Shakespeare, and I ended up called Theseus Cassio. Theseus for the slayer of the Minotaur, and Cassio for Othello's doomed lieutenant. I think it sounds straight-up stupid. Theseus Cassio Lowood. Everyone just calls me Cas. I suppose I should be glad--my dad also loved Norse mythology, so I might have wound up being called Thor, which would have been basically unbearable.
Kendare Blake (Anna Dressed in Blood (Anna, #1))
In antiquity, Hekate was loved and revered as the goddess of the dark moon. People looked to her as a guardian against unseen dangers and spiritual foes. All was well until Persephone, the goddess of spring, was kidnapped by Hades and ordered to live in the underworld for three months each year. Persephone was afraid to make the journey down to the land of the dead alone, so year after year Hekate lovingly guided her through the dark passageway and back. Over time Hekate became known as Persephone's attendant. But because Persephone was also the queen of the lower world, who ruled over the dead with her husband, Hades, Hekate's role as a guardian goddess soon became twisted and distorted until she was known as the evil witch goddess who stalked the night, looking for innocent people to bewitch and carry off to the underworld. Today few know the great goddess Hekate. Those who do are blessed with her compassion for a soul lost in the realm of evil. Some are given a key.
Lynne Ewing (Into the Cold Fire (Daughters of the Moon, #2))
Not to waste the spring I threw down everything, And ran into the open world To sing what I could sing... To dance what I could dance! And join with everyone! I wandered with a reckless heart beneath the newborn sun. First stepping through the blushing dawn, I crossed beneath a garden bower, counting every hermit thrush, counting every hour. When morning's light was ripe at last, I stumbled on with reckless feet; and found two nymphs engaged in play, approaching them stirred no retreat. With naked skin, their weaving hands, in form akin to Calliope's maids, shook winter currents from their hair to weave within them vernal braids. I grabbed the first, who seemed the stronger by her soft and dewy leg, and swore blind eyes, Lest I find I, before Diana, a hunted stag. But the nymphs they laughed, and shook their heads. and begged I drop beseeching hands. For one was no goddess, the other no huntress, merely two girls at play in the early day. "Please come to us, with unblinded eyes, and raise your ready lips. We will wash your mouth with watery sighs, weave you springtime with our fingertips." So the nymphs they spoke, we kissed and laid, by noontime's hour, our love was made, Like braided chains of crocus stems, We lay entwined, I laid with them, Our breath, one glassy, tideless sea, Our bodies draping wearily. We slept, I slept so lucidly, with hopes to stay this memory. I woke in dusty afternoon, Alone, the nymphs had left too soon, I searched where perched upon my knees Heard only larks' songs in the trees. "Be you, the larks, my far-flung maids? With lilac feet and branchlike braids... Who sing sweet odes to my elation, in your larking exaltation!" With these, my clumsy, carefree words, The birds they stirred and flew away, "Be I, poor Actaeon," I cried, "Be dead… Before they, like Hippodamia, be gone astray!" Yet these words, too late, remained unheard, By lark, that parting, morning bird. I looked upon its parting flight, and smelled the coming of the night; desirous, I gazed upon its jaunt, as Leander gazes Hellespont. Now the hour was ripe and dark, sensuous memories of sunlight past, I stood alone in garden bowers and asked the value of my hours. Time was spent or time was tossed, Life was loved and life was lost. I kissed the flesh of tender girls, I heard the songs of vernal birds. I gazed upon the blushing light, aware of day before the night. So let me ask and hear a thought: Did I live the spring I’d sought? It's true in joy, I walked along, took part in dance, and sang the song. and never tried to bind an hour to my borrowed garden bower; nor did I once entreat a day to slumber at my feet. Yet days aren't lulled by lyric song, like morning birds they pass along, o'er crests of trees, to none belong; o'er crests of trees of drying dew, their larking flight, my hands, eschew Thus I'll say it once and true… From all that I saw, and everywhere I wandered, I learned that time cannot be spent, It only can be squandered.
Roman Payne (Rooftop Soliloquy)
Hunter scooped her up into his arms as if she weighed nothing and carried her over to the bed. He laid her down and then moved behind her to spoon her, his arm holding her close to his chest. His lips brushed her ear. "Before you push me away, you have my word that once you're asleep, I'll go in the other room, okay?" ... Without moving, she whispered into the darkness, "What if I don't want you to go?
Lisa Kessler (Legend of Love (Muse Chronicles, #2))
In the novel Fight Club, the character Jack’s apartment is blown up. All of his possessions—“every stick of furniture,” which he pathetically loved—were lost. Later it turns out that Jack blew it up himself. He had multiple personalities, and “Tyler Durden” orchestrated the explosion to shock Jack from the sad stupor he was afraid to do anything about. The result was a journey into an entirely different and rather dark part of his life. In Greek mythology, characters often experience katabasis—or “a going down.” They’re forced to retreat, they experience a depression, or in some cases literally descend into the underworld. When they emerge, it’s with heightened knowledge and understanding. Today, we’d call that hell—and on occasion we all spend some time there. We surround ourselves with bullshit. With distractions. With lies about what makes us happy and what’s important. We become people we shouldn’t become and engage in destructive, awful behaviors. This unhealthy and ego-derived state hardens and becomes almost permanent. Until katabasis forces us to face it. Duris dura franguntur. Hard things are broken by hard things. The bigger the ego the harder the fall. It would be nice if it didn’t have to be that way. If we could nicely be nudged to correct our ways, if a quiet admonishment was what it took to shoo away illusions, if we could manage to circumvent ego on our own. But it is just not so. The Reverend William A. Sutton observed some 120 years ago that “we cannot be humble except by enduring humiliations.” How much better it would be to spare ourselves these experiences, but sometimes it’s the only way the blind can be made to see.
Ryan Holiday (Ego Is the Enemy)
Here was a small corner of the Greek archipelago; sky-blue, caressing waves, islands and rocks, a flowering strip of coastline, a magical panorama in the distance, an inviting sunset — you can’t describe it in words. This is what the peoples of Europe remembered as their cradle; here unfolded the first scenes of mythology, here was their earthly paradise. Here lived beautiful people! They got up and went to sleep happy and innocent; the groves were filled with their joyous songs, their great excess of untapped energies went into love and artless joy. The sun bathed these islands and the sea in its rays, rejoicing in its beautiful children.
Fyodor Dostoevsky (Demons)
Diana was the goddess of the hunt and of all newborn creatures. Women prayed to her for happiness in marriage and childbirth, but her strength was so great that even the warlike Amazons worshipped her. No man was worthy of her love, until powerful Orion won her affection. She was about to marry him, but her twin brother, Apollo, was angered that she had fallen in love. One day, Apollo saw Orion in the sea with only his head above the water. Apollo tricked Diana by challenging her to hit the mark bobbing in the distant sea. Diana shot her arrow with deadly aim. Later, the waves rolled dead Orion to shore. Lamenting her fatal blunder, Diana placed Orion in the starry sky. Every night, she would lift her torch in the dark to see her beloved. Her light gave comfort to all, and soon she became known as a goddess of the moon. It was whispered that if a girl-childwas born in the wilderness, delivered by the great goddess Diana, she would be known for her fierce protection of the innocent.
Lynne Ewing (Night Shade (Daughters of the Moon, #3))
And when we say also that the Word, who is the first-birth of God, was produced without sexual union, and that He, Jesus Christ, our Teacher, was crucified and died, and rose again, and ascended into heaven, we propound nothing different from what you believe regarding those whom you esteem sons of Jupiter. For you know how many sons your esteemed writers ascribed to Jupiter: Mercury, the interpreting word and teacher of all; Aesculapius, who, though he was a great physician, was struck by a thunderbolt, and so ascended to heaven; and Bacchus too, after he had been torn limb from limb; and Hercules, when he had committed himself to the flames to escape his toils; and the sons of Leda, and Dioscuri; and Perseus, son of Danae; and Bellerophon, who, though sprung from mortals, rose to heaven on the horse Pegasus. For what shall I say of Ariadne, and those who, like her, have been declared to be set among the stars? And what of the emperors who die among yourselves, whom you deem worthy of deification, and in whose behalf you produce some one who swears he has seen the burning Caesar rise to heaven from the funeral pyre? And what kind of deeds are recorded of each of these reputed sons of Jupiter, it is needless to tell to those who already know. This only shall be said, that they are written for the advantage and encouragement of youthful scholars; for all reckon it an honourable thing to imitate the gods. But far be such a thought concerning the gods from every well-conditioned soul, as to believe that Jupiter himself, the governor and creator of all things, was both a parricide and the son of a parricide, and that being overcome by the love of base and shameful pleasures, he came in to Ganymede and those many women whom he had violated and that his sons did like actions. But, as we said above, wicked devils perpetrated these things. And we have learned that those only are deified who have lived near to God in holiness and virtue; and we believe that those who live wickedly and do not repent are punished in everlasting fire.
Justin Martyr (The First Apology of Justin Martyr, Addressed to the Emperor Antoninus Pius; Prefaced by Some Account of the Writings and Opinions of Justin)
I was adrift on the high seas, but my course was becoming clear. It lay between the scylla of my peers and the swirling, sucking charybdis of my family. Veering toward scylla seemed much the safer route, and after navigating the passage, I soon washed up, a bit stunned, on a new shore. Like Odysseus on the island of the cyclops, I found myself facing a "being of colossal strength and ferocity, to whom the law of man and god meant nothing." In true heroic fashion, I moved toward the thing I feared. Yet while Odysseus schemed desperately to escape Polyphemus's cave, I found that I was quite content to stay here forever.
Alison Bechdel (Fun Home: A Family Tragicomic)
Philemon counselled with old Baucis first; and then discovered to the listening Gods their hearts' desire, ‘We pray you let us have the care of your new temple; and since we have passed so many years in harmony, let us depart this life together— Let the same hour take us both—I would not see the tomb of my dear wife; and let me not be destined to be buried by her hands!’ At once their wishes were fulfilled. So long as life was granted they were known to be the temple's trusted keepers, and when age had enervated them with many years, as they were standing, by some chance, before the sacred steps, and were relating all these things as they had happened, Baucis saw Philemon, her old husband, and he, too, saw Baucis, as their bodies put forth leaves; and while the tops of trees grew over them, above their faces, — they spoke each to each; as long as they could speak they said, ‘Farewell, farewell, my own’—and while they said farewell; new leaves and branches covered both at once.
Ovid (Metamorphoses)
THE STAGE: The stage is empty, and you watch as the figure of Medusa steps into the gas-light. Her body is dressed in a crimson traversed by the golden branches of willow trees, colour and light held into shape by sharp black borders. Lifting languidly her hands, she reaches towards you. Her emerald vipers, in the cohesive movements of unseen mechanisms, weave loops about her head. Music is beginning, and from the shadows off-stage the narrator speaks. “Medusa had a beautiful name and a lovely voice, though no one cared to listen; seeking only the gaze of those famous eyes.” Perseus walks onto the stage, cloaked as though he were the blazing sun. Now what you have to understand is his voice – it is like nothing you could tie down. It feels peaceful to hear it, to see him flow into the song with his fine, clear looks and his finer, clearer voice. Is the head quite forgotten? Not quite but the horror exists alongside the beauty and they flow like twin rivers, and neither is able to wash the other from you.
Tamara Rendell (Mystical Tides)
His gaze, which had been following the circling fruit, flickered to mine. I did not have time to look away before he said, softly but distinctly, “Catch.” A fig leapt from the pattern in a graceful arc towards me. It fell into the cup of my palms, soft and slightly warm. I was aware of the boys cheering. One by one, Achilles caught the remaining fruits, returned them to the table with a performer’s flourish. Except for the last, which he ate, the dark flesh parting to pink seeds under his teeth. The fruit was perfectly ripe, the juice brimming. Without thinking, I brought the one he had thrown me to my lips. Its burst of grainy sweetness filled my mouth; the skin was downy on my tongue. I had loved figs, once.
Madeline Miller (The Song of Achilles)
In summary, the typical educated Roman of this age was orderly, conservative, loyal, sober, reverent, tenacious, severe, practical. He enjoyed discipline, and would have no nonsense about liberty. He obeyed as a training for command. He took it for granted that the government had a right to inquire into his morals as well as his income, and to value him purely according to his services to the state. He distrusted individuality and genius. He had none of the charm, vivacity, and unstable fluency of the Attic Greek. He admired character and will as the Greek admired freedom and intellect; and organization was his forte. He lacked imagination, even to make a mythology of his own. He could with some effort love beauty, but he could seldom create it. He had no use for pure science, and was suspicious of philosophy as a devilish dissolvent of ancient beliefs and ways. He could not, for the life of him, understand Plato, or Archimedes, or Christ. He could only rule the world.
Will Durant (Caesar and Christ (Story of Civilization, #3))
That is the miracle of Greek mythology—a humanized world, men freed from the paralyzing fear of an omnipotent Unknown. The terrifying incomprehensibilities which were worshiped elsewhere, and the fearsome spirits with which earth, air, and sea swarmed, were banned from Greece. It may seem odd to say that the men who made the myths disliked the irrational and had a love for facts; but it is true, no matter how wildly fantastic some of the stories are. Anyone who reads them with attention discovers that even the most nonsensical take place in a world which is essentially rational and matter-of-fact. Hercules, whose life was one long combat against preposterous monsters, is always said to have had his home in the city of Thebes. The exact spot where Aphrodite was born of the foam could be visited by any ancient tourist; it was just offshore from the island of Cythera. The winged steed Pegasus, after skimming the air all day, went every night to a comfortable stable in Corinth. A
Edith Hamilton (Mythology)
he ancient Greek philosopher Empedocles said that two forces – love and hate – govern the universe. Love fuses things together. Hate splits them apart. In a foundation myth of ancient Egypt, the god Osiris was killed by his brother Set, and his body cut into many pieces and scattered across Egypt. His wife collected all of the dismembered parts together and then, with the help of Anubis, the god of embalming and funerary rites, and Thoth, the god of magic, she restored Osiris’s body to life. This is a creation myth based on fission – the god is torn apart – followed by fusion – the god is reassembled. Dr. Frankenstein, the modern Thoth, the scientific Thoth, fused body parts of dead criminals together then animated the creature. Human society is full of fusion forces that bring people together, and fission forces that break them apart. Fusion forces unite. Fission forces divide. We now live in a Fission Phase, with extreme polarization evident everywhere. There’s no sign of any Fusion Phase coming to the rescue any time soon.
Peter Brennan (Fusions Versus Fissions: Are You a Joiner or a Splitter?)
Adelia began to get cross. Why was it women who were to blame for everything—everything, from the Fall of Man to these blasted hedges? “We are not in a labyrinth, my lord,” she said clearly. “Where are we, then?” “It’s a maze.” “Same difference.” Puffing at the horse: “Get back, you great cow.” “No, it isn’t. A labyrinth has only one path and you merely have to follow it. It’s a symbol of life or, rather, of life and death. Labyrinths twist and turn, but they have a beginning and an end, through darkness into light.” Softening, and hoping that he would, too, she added, “Like Ariadne’s. Rather beautiful, really.” “I don’t want mythology, mistress, beautiful or not, I want to get to that sodding tower. What’s a maze when it’s at home?” “It’s a trick. A trick to confuse. To amaze.” “And I suppose Mistress Clever-boots knows how to get us out?” “I do, actually.” God’s rib, he was sneering at her, sneering. She’d a mind to stay where she was and let him sweat. “Then in the name of Christ, do it.” “Stop bellowing at me,” she yelled at him. “You’re bellowing.” She saw his teeth grit in the pretense of a placatory smile; he always had good teeth. Still did. Between them, he said, “The Bishop of Saint Albans presents his compliments to Mistress Adelia and please to escort him out of this hag’s hole, for the love of God. How will you do it?” “My business.” Be damned if she’d tell him. Women were defenseless enough without revealing their secrets. “I’ll have to take the lead.” She stumped along in front, holding Walt’s mount’s reins in her right hand. In the other was her riding crop, which she trailed with apparent casualness so that it brushed against the hedge on her left. As she went, she chuntered to herself. Lord, how disregarded I am in this damned country. How disregarded all women are. ... Ironically, the lower down the social scale women were, the greater freedom they had; the wives of laborers and craftsmen could work alongside their men—even, sometimes, when they were widowed, take over their husband’s trade. Adelia trudged on. Hag’s hole. Grendel’s mother’s entrails. Why was this dreadful place feminine to the men lost in it? Because it was tunneled? Womb-like? Is this woman’s magic? The great womb? Is that why the Church hates me, hates all women? Because we are the source of all true power? Of life? She supposed that by leading them out of it, she was only confirming that a woman knew its secrets and they did not. Great God, she thought, it isn't a question of hatred. It’s fear. They are frightened of us. And Adelia laughed quietly, sending a suggestion of sound reverberating backward along the tunnel, as if a small pebble was skipping on water, making each man start when it passed him. “What in hell was that?” Walt called back stolidly, “Reckon someone’s laughing at us, master.” “Dear God.
Ariana Franklin (The Serpent's Tale (Mistress of the Art of Death, #2))