Grease Monkey Quotes

We've searched our database for all the quotes and captions related to Grease Monkey. Here they are! All 15 of them:

I’m stuck babysitting turtle eggs while a volleyball player slash grease monkey slash aquarium volunteer tries to hit on me.” I’m not hitting on you,” he protested. No?” Believe me, you’d know if I was hitting on you. You wouldn’t be able to stop yourself from succumbing to my charms.
Nicholas Sparks (The Last Song)
I think that your sister is awful. I think it's disgusting-a woman acting like a grease-monkey and posing around like a big executive. It's so unfeminine. Who does she think she is, anyway?
Ayn Rand (Atlas Shrugged)
So do you really expect me to continue to believe that incredibly sucktastic we’re-just-a-bunch-of-grease-monkeys line? Seriously, dude, I could eat a bowl of Alpha-Bits cereal and crap out a better story than that.
Julie Ann-Walker
But imagine if we were the only people left. The last men on earth. I’d be the best golfer in the world right now. You’d be the only priest. And Ghost would be the only Sikh. Imagine that. A four-hundred-year religion terminating in a dope-head grease monkey.” “I thought you liked the bloke.” “I do. But think about it. All the people that made you feel worthless and small down the years. The bullies and bosses. All gone. It’s exhilarating, if you think about it. Freedom from other people’s expectations. We can finally start living for ourselves.
Adam Baker (Outpost (Outpost, #1))
Filling Station Oh, but it is dirty! --this little filling station, oil-soaked, oil-permeated to a disturbing, over-all black translucency. Be careful with that match! Father wears a dirty, oil-soaked monkey suit that cuts him under the arms, and several quick and saucy and greasy sons assist him (it's a family filling station), all quite thoroughly dirty. Do they live in the station? It has a cement porch behind the pumps, and on it a set of crushed and grease- impregnated wickerwork; on the wicker sofa a dirty dog, quite comfy. Some comic books provide the only note of color-- of certain color. They lie upon a big dim doily draping a taboret (part of the set), beside a big hirsute begonia. Why the extraneous plant? Why the taboret? Why, oh why, the doily? (Embroidered in daisy stitch with marguerites, I think, and heavy with gray crochet.) Somebody embroidered the doily. Somebody waters the plant, or oils it, maybe. Somebody arranges the rows of cans so that they softly say: ESSO--SO--SO--SO to high-strung automobiles. Somebody loves us all.
Elizabeth Bishop
Language is power that gets abused all the time, Robin, but we've got real enemies out there somewhere and until they're out of the picture, I won't get knotted up over people who don't get all the words right. It's a waste of energy.
Tim Eldred (Grease Monkey)
You’re a grown-up, these days. You don’t wear a kamikaze pilot’s rising sun headband and a tee-shirt that screams DEBUG THIS! and you don’t spend your weekends competing in extreme programming slams at a windy campsite near Frankfurt, but it’s generally difficult for you to use any machine that doesn’t have at least one compiler installed: In fact, you had to stick Python on your phone before you even opened its address book because not being able to brainwash it left you feeling handicapped, like you were a passenger instead of a pilot. In another age you would have been a railway mechanic or a grease monkey crawling over the spark plugs of a DC-3. This is what you are, and the sad fact is, they can put the code monkey in a suit but they can’t take the code out of the monkey.
Charles Stross (Halting State (Halting State, #1))
But such is the greased pole of Silicon Valley fame and power; anyone can try to ascend, but nothing will arrest your fall.
Antonio García Martínez (Chaos Monkeys: Inside the Silicon Valley Money Machine)
We wanted to give the Go West singer an image for “We Close Our Eyes.” He had a great voice, great presence, but terrible teeth. We said, “You have to get your teeth fixed.” We were brutal. We thought this was the sort of thing despot directors did. He fixed his teeth, we styled him, gave him a grease-monkey look, and it helped enormously.
Craig Marks (I Want My MTV: The Uncensored Story of the Music Video Revolution)
Attend a university if you possibly can. There is no content of knowledge that is not pertinent to the work you will want to do. But before you attend a university work at something for a while. Do anything. Get a job in a potato field; or work as a grease-monkey in an auto repair shop. But if you do work in a field do not fail to observe the look and the feel of earth and of all things that you handle — yes, even potatoes! Or, in the auto shop, the smell of oil and grease and burning rubber. Paint of course, but if you have to lay aside painting for a time, continue to draw. Listen well to all conversations and be instructed by them and take all seriousness seriously. Never look down upon anything or anyone as not worthy of notice. In college or out of college, read. And form opinions! Read Sophocles and Euripides and Dante and Proust. Read everything that you can find about art except the reviews. Read the Bible; read Hume; read Pogo. Read all kinds of poetry and know many poets and many artists. Go to and art school, or two, or three, or take art courses at night if necessary. And paint and paint and draw and draw. Know all that you can, both curricular and noncurricular — mathematics and physics and economics, logic and particularly history. Know at least two languages besides your own, but anyway, know French. Look at pictures and more pictures. Look at every kind of visual symbol, every kind of emblem; do not spurn signboards of furniture drawings of this style of art or that style of art. Do not be afraid to like paintings honestly or to dislike them honestly, but if you do dislike them retain an open mind. Do not dismiss any school of art, not the Pre-Raphaelites nor the Hudson River School nor the German Genre painters. Talk and talk and sit at cafés, and listen to everything, to Brahms, to Brubeck, to the Italian hour on the radio. Listen to preachers in small town churches and in big city churches. Listen to politicians in New England town meetings and to rabble-rousers in Alabama. Even draw them. And remember that you are trying to learn to think what you want to think, that you are trying to co-ordinate mind and hand and eye. Go to all sorts of museums and galleries and to the studios of artists. Go to Paris and Madrid and Rome and Ravenna and Padua. Stand alone in Sainte Chapelle, in the Sistine Chapel, in the Church of the Carmine in Florence. Draw and draw and paint and learn to work in many media; try lithography and aquatint and silk-screen. Know all that you can about art, and by all means have opinions. Never be afraid to become embroiled in art of life or politics; never be afraid to learn to draw or paint better than you already do; and never be afraid to undertake any kind of art at all, however exalted or however common, but do it with distinction.
Ben Shahn (The Shape of Content (Charles Eliot Norton Lectures 1956-1957) (The Charles Eliot Norton Lectures))
People thought I was bad, but Kavi didn’t give two fucks who he put a bullet in. That nigga was a loose cannon. Charmaine and her grease monkey ass son better chill before we make room in Tal’s grave for they ass. The Muslims always say may yo’ grave be spacious, and ion know if they ass into Islam, but we can practice the spacious part in a couple of hours.
K. Renee (When It All Falls Down)
On my next book tour the theme was monkeys, and on the latest one it was items men shove inside themselves and later have to go to the emergency room to have extracted. This started when an ER nurse told me about a patient she’d seen earlier in the week who had pushed a dildo too far up his ass. The door had shut behind it, so he’d tried fishing it out with a coat hanger. When that proved the wrong tool for the job, he’d snipped it with wire cutters, then gone after both the dildo and the cut-off hanger with a sturdier, fresh hanger. You hear this from doctors and nurses all the time: their patients shove light bulbs inside themselves, shampoo bottles, pool balls…and they always concoct some incredible story to explain their predicament. “I tripped” is a big one. And, OK, I’m pretty clumsy. I trip all the time, but never have I gotten back on my feet with a pepper grinder up my ass, not even a little bit. I’m pretty sure I could tumble down all the stairs in the Empire State Building—naked, with a greased-up rolling pin in each hand and a box of candles around my neck—and still end up in the lobby with an empty rectum. Another common excuse is “I accidentally sat on it.” Implied is that you were naked at the time and this can of air freshener that just happened to be coated with Vaseline went all the way up inside
David Sedaris (Happy-Go-Lucky)
„You have no idea how badly I want to kiss you, Ana. Would you let me if I tried?
Vari Scott (Grease Monkey (Not Suitable For Work, #1))
„Tell me, honey, why the sudden change of heart about girls… wait?” She inhales sharply, her eyes the same shade as mine, growing wide with excitement. „Is this…? Are you… coming out?” My hands fly to my face, and I rub up and down, exasperated. „Fucking hell, Mom.” „I'm not így, Mom. I like pu – girls, but not enough for a relationship.
Vari Scott (Grease Monkey (Not Suitable For Work, #1))
In the early years of the show, I had earned a reputation as the prankster who planted stink bombs under the audience seats, greased doorknobs and hid crew members’ cars in bushes. I initiated practical jokes, laughter, ribbing and the sarcastic comments that flew around stage like the evil monkeys on The Wizard of Oz. My fellow cast members affectionately named me “Devil Boy.
Kirk Cameron (Still Growing: An Autobiography)