“
We parked our bikes on verges so they could graze.
”
”
Roddy Doyle (Paddy Clarke Ha Ha Ha)
“
Michael Pollan likens consumer choices to pulling single threads out of a garment. We pull a thread from the garment when we refuse to purchase eggs or meat from birds who were raised in confinement, whose beaks were clipped so they could never once taste their natural diet of worms and insects. We pull out a thread when we refuse to bring home a hormone-fattened turkey for Thanksgiving dinner. We pull a thread when we refuse to buy meat or dairy products from cows who were never allowed to chew grass, or breathe fresh air, or feel the warm sun on their backs.
The more threads we pull, the more difficult it is for the industry to stay intact. You demand eggs and meat without hormones, and the industry will have to figure out how it can raise farm animals without them. Let the animals graze outside and it slows production. Eventually the whole thing will have to unravel.
If the factory farm does indeed unravel - and it must - then there is hope that we can, gradually, reverse the environmental damage it has caused. Once the animal feed operations have gone and livestock are once again able to graze, there will be a massive reduction in the agricultural chemicals currently used to grow grain for animals. And eventually, the horrendous contamination caused by animal waste can be cleaned up. None of this will be easy.
The hardest part of returning to a truly healthy environment may be changing the current totally unsustainable heavy-meat-eating culture of increasing numbers of people around the world. But we must try. We must make a start, one by one.
”
”
Jane Goodall (Harvest for Hope: A Guide to Mindful Eating)
“
Come friendly bombs and fall on Slough!
It isn't fit for humans now,
There isn't grass to graze a cow.
Swarm over, Death!
”
”
John Betjeman
“
Clear-cutting" was the word for what the Rusties had done to the old forests: felling every tree, killing every living thing, turning entire countries into grazing land. Whole rain forests had been consumed, reduced from millions of interlocking species to a bunch of cows eating grass, a vast web of life traded for cheap hamburgers.
"Look, we're not clear-cutting. All we're doing is pulling out the garbage that the Rusties left behend," David said. "It just takes a little surgery to do it.
”
”
Scott Westerfeld (Uglies (Uglies, #1))
“
Mankind was just so impossibly heavy. There were so many of them and they showed no sign of halting their endless reproduction. Stop, she wanted to cry out, please stop. You cannot all fit on the space between the oceans, you cannot grow enough food on the land beneath the mountains. You cannot graze enough livestock on the grasses around your cities, you cannot build enough homes on the peaks of your hills. You must stop, so that I can rest beneath your ever-increasing weight. She wept fat tears as she heard the cries of newborn children. No more, she said to herself. No more.
”
”
Natalie Haynes (A Thousand Ships)
“
When the wolves are gone there will be too many caribou grazing the grass and the lemmings will starve. Without the lemmings the foxes and birds and weasels will die. Their passing will end smaller lives upon which even man depends, whether he knows it or not, and the top of the world will pass into silence.
”
”
Jean Craighead George (Julie of the Wolves)
“
A Blessing
Just off the highway to Rochester, Minnesota,
Twilight bounds softly forth on the grass.
And the eyes of those two Indian ponies
Darken with kindness.
They have come gladly out of the willows
To welcome my friend and me.
We step over the barbed wire into the pasture
Where they have been grazing all day, alone.
They ripple tensely, they can hardly contain their happiness
That we have come.
They bow shyly as wet swans. They love each other.
There is no loneliness like theirs.
At home once more,
They begin munching the young tufts of spring in the darkness.
I would like to hold the slenderer one in my arms,
For she has walked over to me
And nuzzled my left hand.
She is black and white,
Her mane falls wild on her forehead,
And the light breeze moves me to caress her long ear
That is delicate as the skin over a girl's wrist.
Suddenly I realize
That if I stepped out of my body I would break
Into blossom.
”
”
James Wright (Above the River: The Complete Poems)
“
The technologies which have had the most profound effects on human life are usually simple. A good example of a simple technology with profound historical consequences is hay. Nobody knows who invented hay, the idea of cutting grass in the autumn and storing it in large enough quantities to keep horses and cows alive through the winter. All we know is that the technology of hay was unknown to the Roman Empire but was known to every village of medieval Europe. Like many other crucially important technologies, hay emerged anonymously during the so-called Dark Ages. According to the Hay Theory of History, the invention of hay was the decisive event which moved the center of gravity of urban civilization from the Mediterranean basin to Northern and Western Europe. The Roman Empire did not need hay because in a Mediterranean climate the grass grows well enough in winter for animals to graze. North of the Alps, great cities dependent on horses and oxen for motive power could not exist without hay. So it was hay that allowed populations to grow and civilizations to flourish among the forests of Northern Europe. Hay moved the greatness of Rome to Paris and London, and later to Berlin and Moscow and New York.
”
”
Freeman Dyson (Infinite in All Directions)
“
The fast-food hamburger has been brilliantly engineered to offer a succulent and tasty first bite, a bite that in fact would be impossible to enjoy if the eater could accurately picture the feedlot and slaughterhouse and the workers behind it or knew anything about the 'artificial grill flavor' that made the first bite so convincing. This is a hamburger to hurry through, no question. By comparison, eating a grass-fed burger when you can picture the green pastures in which the animal grazed is a pleasure of another order, not a simple one, to be sure, but one based on knowledge rather than ignorance and gratitude rather than indifference.
To eat slowly, then, also means to eat deliberately, in the original sense of the word: 'from freedom' instead of compulsion.
”
”
Michael Pollan
“
I was about to reach in the basket to take one when a horse that had been grazing nearby suddenly charged at another horse. Kaden grabbed me and pulled me out of its path. We stumbled back, unable to regain our footing, and both tumbled to the ground. He rolled over me in a protective motion, hovering in case the horse came closer, but it was already gone.
The world snapped to silence. The tall grass waved above us, hiding us from view. He gazed down at me, his elbows straddling my sides, his chest brushing mine, his face inches away.
I saw the look in his eyes. My heart pounded against my ribs.
“Are you all right?” His voice was low and husky.
“Yes,” I whispered.
His face hovered closer to mine. I was going to push away, look away, do something, but I didn’t, and before I knew what was happening, the space between us disappeared. His lips were warm and gentle against mine, and his breath thrummed in my ears. Heat raced through me. It was just as I had imagined that night with Pauline back in Terravin so long ago. Before—
I pushed him away.
“Lia—”
I got to my feet, my chest heaving, busying myself with a loose button on my shirt. “Let’s forget that happened, Kaden.”
He had jumped to his feet too. He grabbed my hand so I had to look at him. “You wanted to kiss me.”
I shook my head, denying it, but it was true. I had wanted to kiss him.
”
”
Mary E. Pearson (The Kiss of Deception (The Remnant Chronicles, #1))
“
It was in America that horses first roamed. A million years before the birth of man, they grazed the vast plains of wiry grass and crossed to other continents over bridges of rock soon severed by retreating ice. They first knew man as the hunted knows the hunter, for long before he saw them as a means to killing other beasts, man killed them for their meat.
Paintings on the walls of caves showed how. Lions and bears would turn and fight and that was the moment men speared them. But the horse was a creature of flight not fight and, with a simple deadly logic, the hunter used flight to destroy it. Whole herds were driven hurtling headlong to their deaths from the tops of cliffs. Deposits of their broken bones bore testimony. And though later he came pretending friendship, the alliance with man would ever be but fragile, for the fear he'd struck into their hearts was too deep to be dislodged.
Since that neolithic moment when first a horse was haltered, there were those among men who understood this.
They could see into the creature's soul and soothe the wounds they found there. Often they were seen as witches and perhaps they were. Some wrought their magic with the bleached bones of toads, plucked from moonlit streams. Others, it was said, could with but a glance root the hooves of a working team to the earth they plowed. There were gypsies and showmen, shamans and charlatans. And those who truly had the gift were wont to guard it wisely, for it was said that he who drove the devil out, might also drive him in. The owner of a horse you calmed might shake your hand then dance around the flames while they burned you in the village square.
For secrets uttered softly into pricked and troubles ears, these men were known as Whisperers.
”
”
Nicholas Evans (The Horse Whisperer)
“
Jase had seen me, restless, walking, organizing supplies that were already ordered. Everyone else was asleep on their bedrolls. He came up behind me, his hands circling my waist. "I can't sleep either," he said. His lips grazed my neck, and he whispered, "Tell me a riddle, Kazi." We laid out a blanket on a bed of grass, the stars of Hetisha's Chariot, Eagle's Nest, and Thieves' Gold lighting our way, far from everyone else. I settled in next to him, laying my head in the crook of his shoulder, his arm wrapping around me, pulling me close.
"Listen carefully now, Jase Ballenger. I won't repeat myself."
"I'm a good listener."
I know you are. I've known that since our first night together. That's what makes you dangerous. You make me want to share everything with you. I cleared my throat, signaling I was ready to begin.
"If I were a color, I'd be red as a rose,
I make your blood rush, and tingle your toes,
I taste of honey and spring, and a good bit of trouble,
But I make the birds sing, and all the stars double.
I can be quick, a mere peck, or slow and divine,
And that is probably, the very best kind."
"Hmm..." he said, as if stumped. "Let me think for a minute..." He rolled up on one elbow, looking down at me, the stars dusting his cheekbones. "Honey?" He kissed my forehead. "Spring?" He kissed my chin. "You are a good bit of trouble, Kazi of Brightmist." "I try my best." "I may have to take this one slowly..." His hand traveled leisurely from my waist, across my ribs, to my neck, until he was cupping my cheek. My blood rushed; the stars blurred. "Very slowly...to figure it all out." And then his lips pressed, warm and demanding onto mine, and I hoped it would take him an eternity to solve the riddle.
”
”
Mary E. Pearson (Dance of Thieves (Dance of Thieves, #1))
“
The horse is by Nature a very lazy animal whose idea of heaven is an enormous field of lush grass in which he can graze undisturbed until his belly is full, and after a pleasant doze can start filling himself up all over again.
”
”
Elwyn Hartley Edwards
“
Her skin smelled of candy floss and the soothing scent of lemon grass. The hem of her skirt grazed her ankles and revealed her silver anklets.
”
”
Sudha Nair (Priyamvada & Co. (The Menon Women Book 2))
“
On sunny days, a herd of deer would graze on the grass below him, and the birds would sing above him. He hummed along with their song. Giovanni was at peace.
”
”
T.J. Klune (In the Lives of Puppets)
“
He read the way free-range cows graze, moving to wherever the grass is greenest. That was a thing her husband chose to ignore, because the strangeness of it frightened him. It frightened her as well, which was probably one reason why she knew nothing of Luke’s tutorial on Balkan history. He hadn’t told her because she hadn’t asked.
”
”
Stephen King (The Institute)
“
Maybe the idea of the world as flat isn't a tribal memory or an archetypal memory, but something far older -- a fox memory, a worm memory, a moss memory.
Memory of leaping or crawling or shrugging rootlet by rootlet forward, across the flatness of everything.
To perceive of the earth as round needed something else -- standing up! -- that hadn't yet happened.
What a wild family! Fox and giraffe and wart hog, of course. But these also: bodies like tiny strings, bodies like blades and blossoms! Cord grass, Christmas fern, soldier moss! And here comes grasshopper, all toes and knees and eyes, over the little mountains of the dust.
When I see the black cricket in the woodpile, in autumn, I don't frighten her. And when I see the moss grazing upon the rock, I touch her tenderly,
sweet cousin.
”
”
Mary Oliver (Winter Hours: Prose, Prose Poems, and Poems)
“
Late in the evening, tired and happy and miles from home, they drew up on a remote common far from habitations, turned the horse loose to graze, and ate their simple supper sitting on the grass by the side of the cart. . . . [The] stars grew fuller and larger all around them, and a yellow moon, appearing suddenly and silently from nowhere in particular, came to keep them company. . . .
”
”
Kenneth Grahame (The Wind in the Willows (1st edition))
“
Old-time ranchers planted cheatgrass because it would green up fast in the spring and provide early forage for grazing cattle,” Oyster says, nodding his head at the world outside.
This first patch of cheatgrass was in southern British Columbia, Canada, in 1889. But fire spreads it. Every year, it dries to gunpowder, and now land that used to burn every ten years, it burns every year. And the cheatgrass recovers fast. Cheatgrass loves fire. But the native plants, the sagebrush and desert phlox, they don’t. And every year it burns, there’s more cheatgrass and less anything else. And the deer and antelope that depended on those other plants are gone now. So are the rabbits. So are the hawks and owls that ate the rabbits. The mice starve, so the snakes that ate the mice starve.
Today, cheatgrass dominates the inland deserts from Canada to Nevada, covering an area over twice the size of the state of Nebraska and spreading by thousands of acres per year.
The big irony is, even cattle hate cheatgrass, Oyster says. So the cows, they eat the rare native bunch grasses. What’s left of them...
“When you think about it from a native plant perspective,” Oyster says, “Johnny Appleseed was a fucking biological terrorist.”
Johnny Appleseed, he says, might as well be handing out smallpox.
”
”
Chuck Palahniuk (Lullaby)
“
Do you think the Goblin King really did it?" asked Cordelia hesitantly. All the sheep knew she was talking about George's death. Mopple quickly pulled up a tuft of grass.
"Or Satan?" added Lane.
"Nonsense," Rameses snorted nervously. "Satan would never do a thing like that."
several of the sheep bleated in agreement. None of them thought Satan capable of such an act. Satan was an elderly donkey who sometimes grazed in the meadow next to theirs, and uttered blood-curdling cries. his voice was truly dreadful, but otherwise he'd always struck them as harmless.
”
”
Leonie Swann (Three Bags Full (Sheep Detective Story, #1))
“
Spring is such a hopeful time on the island, and despite the pall that continues to hover over our nation, I find it impossible to resist. The air is still chilly as a well-digger's ear first thing in the morning, but as the hours pass it hints at the warmth to come in later months. As the days become longer, the rains change. They are less punishing and more promising, bringing out the native grasses and glimpses of green on the trees. Then there are the little families of deer, grazing as if the entire island is a spring buffet, and wild rabbits are hopping everywhere.
”
”
Kim Fay (Love & Saffron)
“
They stood high on top of the hill overlooking the glen, the water rushing by, the sheep grazing on the green grass across the burn, and white clouds passing overhead against the blue sky.
He still had hold of her arm, but then he released her, cupped her face with both hands, and kissed her.
”
”
Terry Spear (Hero of a Highland Wolf (Heart of the Wolf #14; Highland Wolf #4))
“
He had seen the end of an era, the sunset of the pioneer. He had come upon it when already its glory was nearly spent. So in the buffalo times a traveller used to come upon the embers of a hunter's fire on the prairie, after the hunter was up and gone; the coals would be trampled out, but the ground was warm, and the flattened grass where he had slept and where his pony had grazed, told the story.
This was the very end of the road-making West; the men who had put plains and mountains under the iron harness were old; some were poor, and even the successful ones were hunting for a rest and a brief reprieve from death. It was already gone, that age; nothing could ever bring it back. The taste and smell and song of it, the visions those men had seen in the air and followed, - these he had caught in a kind of afterglow in their own faces, - and this would always be his.
”
”
Willa Cather (A Lost Lady)
“
He read the way free-range cows graze, moving to wherever the grass is greenest.
”
”
Stephen King (The Institute)
“
For the Mongols, the lifestyle of the peasant seemed incomprehensible. The Jurched territory was filled with so many people and yet so few animals; this was a stark contrast to Mongolia, where there were normally five to ten animals for each human. To the Mongols, the farmers’ fields were just grasslands, as were the gardens, and the peasants were like grazing animals rather than real humans who ate meat. The Mongols referred to these grass-eating people with the same terminology that they used for cows and goats. The masses of peasants were just so many herds, and when the soldiers went out to round up their people or to drive them away, they did so with the same terminology, precision, and emotion used in rounding up yaks.
”
”
Jack Weatherford (Genghis Khan and the Making of the Modern World)
“
Unmolested and with grass to eat, a tortoise can live eighty years. Their populations have plummeted in the Mojave in recent years, victims of a perfect storm of drought, sprawl development, solar energy projects, off-road vehicle enthusiasts (who crush them under their wheels), poaching, vandals with pistols (who use them for target practice), and, not least, livestock grazing.
”
”
Christopher Ketcham (This Land: How Cowboys, Capitalism, and Corruption are Ruining the American West)
“
The world was their love, and their love the world; and the world was significant, charged with depth beyond depth of mysterious meaning. The proof of God's goodness floated in those clouds, crept in those grazing sheep, shone from every burning bush of incandescent blossom – and, in himself and Joan, walked hand in hand across the grass and was manifest in their happiness. His love, it seemed to him, in that apocalyptic moment, was more than merely his; it was in some mysterious way the equivalent of this wind and sunshine, these white gleams against the green and blue of spring. His feeling for Joan was somehow implicit in the world, had a divine and universal significance. He loved her infinitely, and for that reason was able to love everything in the world as much as he loved her.
”
”
Aldous Huxley (Eyeless in Gaza)
“
[H]is gentle horses graze on fertile grasses and tempt me to ride off in search of answers to what if and what’s out there and why not. Where everything around me hints there is more to offer but tells me time and again … not for me.
”
”
Julie Cantrell (Into the Free (Into the Free, #1))
“
We resumed driving and cut along a dirt road through the prairie. Lush tall grasses spread as far as the eye could see, a rolling green vista that was disturbed only by a few small rusted oil pumps and by cattle grazing here and there.
”
”
David Grann (Killers of the Flower Moon: Adapted for Young Readers: The Osage Murders and the Birth of the FBI)
“
Mankind was just so impossibly heavy. There were so many of them and they showed no sign of halting their endless reproduction. Stop, she wanted to cry out, please stop. You cannot all fit on the space between the oceans, you cannot grow enough food on the land beneath the mountains. You cannot graze enough livestock on the grasses around your cities, you cannot build enough homes on the peaks of your hills. You must stop, so that I can rest beneath your ever-increasing weight.
”
”
Natalie Haynes (A Thousand Ships)
“
Home"
It would take forever to get there
but I would know it anywhere:
My white horse grazing in my blossomy field.
Its soft nostrils. The petals
falling from the trees into the stream.
The festival would be about to begin
in the dusky village in the distance. The doe
frozen at the edge of the grove:
She leaps. She vanishes. My face—
She has taken it. And my name—
(Although the plaintive lark in the tall
grass continues to say and to say it.)
Yes. This is the place.
Where my shining treasure has been waiting.
Where my shadow washes itself in my fountain.
A few graves among the roses. Some moss
on those. An ancient
bell in a steeple down the road
making no sound at all
as the monk pulls and pulls on the rope.
”
”
Laura Kasischke (Space, in Chains)
“
Life is like that little sweetheart. We dream it and we love it in dreaming it. We should not try to live it: otherwise, like that little boy, we will plunge into stupidity, though not at one swoop, for in life everything degenerates by imperceptible nuances. At the end of ten years we no longer recognize our dreams; we deny them, we live, like a cow, for the grass we are grazing on at the moment. And who knows if our wedding with death might not lead to our conscious immortality?
”
”
Marcel Proust (Pleasures and Days)
“
In contrast to almost every major army in history, the Mongols traveled lightly, without a supply train. By waiting until the coldest months to make the desert crossing, men and horses required less water. Dew also formed during this season, thereby stimulating the growth of some grass that provided grazing for horses and attracted game that the men eagerly hunted for their own sustenance. Instead of transporting slow-moving siege engines and heavy equipment with them, the Mongols carried a faster-moving engineer corps that could build whatever was needed on the spot from available materials. When the Mongols came to the first trees after crossing the vast desert, they cut them down and made them into ladders, siege engines, and other instruments for their attack.
”
”
Jack Weatherford (Genghis Khan and the Making of the Modern World)
“
The name itself is trouble. “Slough” means, literally, muddy field. A snake sloughs, or sheds, its dead skin. John Bunyan wrote of the “slough of despond” in Pilgrim’s Progress. In the 1930s, John Betjeman wrote this poem about Slough: Come friendly bombs and fall on Slough! It isn’t fit for humans now, There isn’t grass to graze a cow, Swarm over, Death! Then he got nasty. To this day, the residents of Slough rankle when anyone mentions the poem. The town’s reputation as a showpiece of quiet desperation was cemented when the producers of the TV series The Office decided to set the show in Slough.
”
”
Eric Weiner (The Geography of Bliss: One Grump's Search for the Happiest Places in the World)
“
If dogs had gods, those they worshiped would wag their tails and bark. If sheep had gods, they would follow woolly deities who grazed. As the world is, almost all folk have many things in common, as if the gods who shaped them were using certain parts of a pattern over and over again. The folk striding towards us through the green, green grass might have been the pattern itself, the pattern from whose rearranged pieces the rest of us had been clumsily reassembled. As bronze, which had brought us here, is an alloy of copper and tin, so I saw that sirens were an alloy of these folk and birds, sphinxes of them and birds and lions, satyrs of them and goats, fauns of them and horses. And I saw that we centaurs blended these folk and horses as well, though in different proportions, as one bronze will differ from another depending on how much is copper and how much tin. Is it any wonder, then, that, on seeing this folk, I at once began to wonder if I had any true right to exist?
“Who are you? What is your folk?” I asked him.
“I am Geraint,” he answered. “I am a man.
”
”
Harry Turtledove (Atlantis and Other Places: Stories of Alternate History)
“
Shall we walk? Pericles will stand there until Domesday or he eats every blade of grass at his feet.” The earl handed her down then released the checkrein so the horse could graze for a few minutes. “He takes his victuals seriously,” Anna said. “To any Windham male, victuals are of significant import.” “Good thing I brought a very full hamper, then, isn’t it?
”
”
Grace Burrowes (The Heir (Duke's Obsession, #1; Windham, #1))
“
His head bent over hers; she could feel the rush of his unsettled exhalations. The hairs on his chest were not flat and straight, but softly curling. She wanted to brush her nose and lips across them. He smelled of soap, male skin, clean earth and meadow grass, and every breath of him made her feel warm in places that hadn't been warm in years.
When the placket was finally unfastened, Mr. Ravenel raised his arms and let the shirt settle over his head, wincing as the neat row of stitches at his side was strained. Phoebe reached up to tug at the hem of the garment. Her knuckles inadvertently grazed the dark fleece on his chest, and her stomach did an odd little flip. From the surface of her skin down to the marrow of her bones, her entire body was alive with sensation.
”
”
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
“
I drove on through the piled masses of granite and down through the meadows of coarse grass where cows grazed. The same gaudy slacks and short shorts and peasant handkerchiefs as yesterday, the same light breeze and golden sun and clear blue sky, the same smell of pine needles, the same cool softness of a mountain summer. But yesterday was a hundred years ago, something crystallized in time, like a fly in amber
”
”
Raymond Chandler (The Lady in the Lake (Philip Marlowe, #4))
“
Journey by Train Stretched across counties, countries, the train Rushes faster than memory through the rain. The rise of each hill is a musical phrase. Listen to the rhythm of space, how it lies, How it rolls, how it reaches, what unwinding relays Of wood and meadow where the red cows graze Come back again and again to closed eyes— That garden, that pink farm, that village steeple, And here and there the solitary people Who stand arrested when express trains pass, That stillness of an orchard in deep grass. Yet landscapes flow like this toward a place, A point in time and memory’s own face. So when the clamor stops, we really climb Down to the earth, closing the curve of time, Meeting those we have left, to those we meet Bringing our whole life that has moved so fast, And now is gathered up and here at last, To unroll like a ribbon at their feet.
”
”
May Sarton (Collected Poems, 1930–1993)
“
Corn is what feeds the steer that becomes the steak. Corn feeds the chicken and the pig, the turkey, and the lamb, the catfish and the tilapia and, increasingly, even the salmon, a carnivore by nature that the fish farmers are reengineering to tolerate corn. The eggs are made of corn. The milk and cheese and yogurt, which once came from dairy cows that grazed on grass, now typically comes from Holsteins that spend their working lives indoors tethered to machines, eating corn.
Head over to the processed foods and you find ever more intricate manifestations of corn. A chicken nugget, for example, piles up corn upon corn: what chicken it contains consists of corn, of course, but so do most of a nugget's other constituents, including the modified corn starch that glues the things together, the corn flour in the batter that coats it, and the corn oil in which it gets fried. Much less obviously, the leavenings and lecithin, the mono-, di-, and triglycerides, the attractive gold coloring, and even the citric acid that keeps the nugget "fresh" can all be derived from corn.
To wash down your chicken nuggets with virtually any soft drink in the supermarket is to have some corn with your corn. Since the 1980s virtually all the sodas and most of the fruit drinks sold in the supermarket have been sweetened with high-fructose corn syrup (HFCS) -- after water, corn sweetener is their principal ingredient. Grab a beer for you beverage instead and you'd still be drinking corn, in the form of alcohol fermented from glucose refined from corn. Read the ingredients on the label of any processed food and, provided you know the chemical names it travels under, corn is what you will find. For modified or unmodified starch, for glucose syrup and maltodextrin, for crystalline fructose and ascorbic acid, for lecithin and dextrose, lactic acid and lysine, for maltose and HFCS, for MSG and polyols, for the caramel color and xanthan gum, read: corn. Corn is in the coffee whitener and Cheez Whiz, the frozen yogurt and TV dinner, the canned fruit and ketchup and candies, the soups and snacks and cake mixes, the frosting and candies, the soups and snacks and cake mixes, the frosting and gravy and frozen waffles, the syrups and hot sauces, the mayonnaise and mustard, the hot dogs and the bologna, the margarine and shortening, the salad dressings and the relishes and even the vitamins. (Yes, it's in the Twinkie, too.)
There are some forty-five thousand items in the average American supermarket and more than a quarter of them now contain corn. This goes for the nonfood items as well: Everything from the toothpaste and cosmetics to the disposable diapers, trash bags, cleansers, charcoal briquettes, matches, and batteries, right down to the shine on the cover of the magazine that catches your eye by the checkout: corn. Even in Produce on a day when there's ostensibly no corn for sale, you'll nevertheless find plenty of corn: in the vegetable wax that gives the cucumbers their sheen, in the pesticide responsible for the produce's perfection, even in the coating on the cardboard it was shipped in. Indeed, the supermarket itself -- the wallboard and joint compound, the linoleum and fiberglass and adhesives out of which the building itself has been built -- is in no small measure a manifestation of corn.
”
”
Michael Pollan (The Omnivore's Dilemma: A Natural History of Four Meals)
“
When a fine old carpet is eaten by mice, the colors and patterns of what's left behind do not change,' wrote my neighbor and friend, the poet Jane Hirschfield, after she visited an old friend suffering from Alzheimer's disease in a nursing home. And so it was with my father. His mind did not melt evenly into undistinguishable lumps, like a dissolving sand castle. It was ravaged selectively, like Tintern Abbey, the Cistercian monastery in northern Wales suppressed in 1531 by King Henry VIII in his split with the Church of Rome. Tintern was turned over to a nobleman, its stained-glass windows smashed, its roof tiles taken up and relaid in village houses. Holy artifacts were sold to passing tourists. Religious statues turned up in nearby gardens. At least one interior wall was dismantled to build a pigsty.
I've seen photographs of the remains that inspired Wordsworth: a Gothic skeleton, soaring and roofless, in a green hilly landscape. Grass grows in the transept. The vanished roof lets in light. The delicate stone tracery of its slim, arched quatrefoil windows opens onto green pastures where black-and-white cows graze. Its shape is beautiful, formal, and mysterious. After he developed dementia, my father was no longer useful to anybody. But in the shelter of his broken walls, my mother learned to balance her checkbook, and my heart melted and opened. Never would I wish upon my father the misery of his final years. But he was sacred in his ruin, and I took from it the shards that still sustain me.
”
”
Katy Butler (Knocking on Heaven's Door: The Path to a Better Way of Death)
“
Does that mean that the grass doesn't constitute a life? That the grassland isn't a life? Out here, the grass and the grassland are the life, the big life. All else is the little life that depends on the big life for survival. Even wolves and humans are little life. Creatures that eat grass are worse than creatures that eat meat. To you, the gazelle is to be pitied. So the grass isn't to be pitied, is that it? The gazelles have four fast-moving legs, and most of the time wolves spit up blood from exhaustion trying to catch them. When the gazelles are thirsty, they run to the river to drink, and when they're cold, they run to a warm spot on the mountain to soak up some sun. But the grass? Grass is the big life, yet it is most fragile, the most miserable life. Its roots are shallow, the soil is thin, and though it lives on the ground, it cannot run away. Anyone can step on it, eat it, chew it, crush it. A urinating horse can burn a large spot in it. And if the grass grows in sand or in the cracks between rocks, it is even shorter, because it cannot grow flowers, which means it cannot spread its seeds. For us Mongols, there's nothing more deserving of pity than the grass. If you want to talk about killing, the the gazelles kill more grass than any mowing machine could. When they graze the land, isn't that killing? Isn't that taking the big life of the grassland? When you kill off the big life of the grassland, all the little lives are doomed. The damage done by the gazelles far outstrips any done by the wolves. The yellow gazelles are the deadliest, for they can end the lives of the people here.
”
”
Jiang Rong (Wolf Totem)
“
[from an entry by her daughter Camille] On the other hand, if cattle remain on pasture right to the end, that kind of beef is called "grass finished." The difference between this and CAFO beef are not just relevant to how kindly you feel about animals: meat and eggs of pastured animals also have a measurably different nutrient composition. A lot of recent research has been published on this subject, which is slowly reaching the public. USDA studies found much lower levels of saturated fats and higher vitamin E, beta-carotene, and omega-3 levels in meat from cattle fattened on pasture grasses (their natural diet), compared with CAFO animals ... Free-range beef also has less danger of bacterial contamination because feeding on grass maintains normal levels of acidity in the animal's stomach. At the risk of making you not want to sit at my table, I should tell you that the high-acid stomachs of grain-fed cattle commonly harbor acid-resistant strains of E. coli that are very dangerous to humans ... Free-range grazing is not just kinder to the animals and the surrounding environment; it produces an entirely different product.
”
”
Barbara Kingsolver (Animal, Vegetable, Miracle: A Year of Food Life)
“
As we crossed the Firth of Forth, our curiosity was attracted by Inch Keith, a small island, which neither of my companions had ever visited, though, lying within their view, it had all their lives solicited their notice. Here, by climbing with some difficulty over shattered crags, we made the first experiment of unfrequented coasts. Inch Keith is nothing more than a rock covered with a thin layer of earth, not wholly bare of grass, and very fertile of thistles. A small herd of cows grazes annually upon it in the summer. It seems never to have afforded to man or beast a permanent habitation. We
”
”
Samuel Johnson (The Major Works of Samuel Johnson)
“
A diet rich in readily available nutrients allows the bones to mineralize properly, particularly during gestation and early development, and gives the teeth immunity to decay throughout the stresses of life. Not surprisingly, he found that the native diets that conferred such good health on healthy, so-called primitive groups were rich in minerals, particularly calcium and phosphorus, necessary for healthy bones and teeth. What is surprising about the work of Weston Price is his discovery that these healthy diets always contained a good source of what he called "fat-soluble activators," nutrients like vitamin A and vitamin D, and another vitamin he discovered called Activator X or the Price Factor. These nutrients are found only in certain animal fats. Foods that provided these nutrients were considered sacred by the healthy groups he studied. These foods included liver and other organ meats from grazing animals; fish eggs; fish liver oils; fish and shellfish; and butter from cows eating rapidly growing green grass from well-mineralized pastures. Price concluded that without a rich supply of these fat-soluble nutrients, the body cannot properly use the minerals in food. These fat-soluble nutrients also nourish the glands and organs to give healthy indigenous peoples plenty of immunity during times of stress.
”
”
Thomas S. Cowan (Fourfold Path To Healing: Working with the Laws of Nutrition, Therapeutics, Movement and Meditation in the Art of Medicine)
“
Well-kept lawns demanded land and a lot of work, particularly in the days before lawnmowers and automatic water sprinklers. In exchange, they produce nothing of value. You can’t even graze animals on them, because they would eat and trample the grass. Poor peasants could not afford wasting precious land or time on lawns. The neat turf at the entrance to chateaux was accordingly a status symbol nobody could fake. It boldly proclaimed to every passerby: ‘I am so rich and powerful, and I have so many acres and serfs, that I can afford this green extravaganza.’ The bigger and neater the lawn, the more powerful the dynasty. If you came to visit a duke and saw that his lawn was in bad shape, you knew he was in trouble.
”
”
Yuval Noah Harari (Homo Deus: A Brief History of Tomorrow)
“
Sun, moon and stars, by day and night,
At God’s commandment give us light;
And when we wake, and while we sleep,
Their watch, like guardian angels, keep.
The bright blue sky above our head,
The soft green earth on which we tread,
The ocean rolling round the land,
Were made by God’s almighty hand.
Sweet flowers that hill and dale adorn,
Fair fruit trees, fields of grass and corn,
The clouds that rise, the showers that fall,
The winds that blow - God sent them all.
The beasts that graze with downward eye,
The birds that perch, and sing, and fly,
The fishes swimming in the sea,
God’s creatures are as well as we.
But us He formed for better things,
As servants of the King of kings,
With lifted hands and open face,
And thankful heart to seek His grace.
Montgomery.
”
”
Charlotte M. Mason (Elementary Geography: Full Illustrations & Study Guides!)
“
PANOTII LOOKS PUT OUT ABOUT BEING LEFT BEHIND AND dogs my steps as I stow his tack under the deep overhang on the south side of the wizard’s hovel. There’s plenty of grass here, water at the lake, and it’s not that cold yet, despite the shift in seasons. If the rains start before we get back, the horses can take shelter under the overhang. I’m not worried about them wandering off. Not one of them has stepped outside of the large makeshift corral of God Bolt pits since we got here.
“You can’t come with us,” I tell him. “It’ll be cold and slippery. And big monsters will want to eat you.” He tosses his head, snorting. “Really big monsters. There might be Dragons. And the Hydra. And I can’t vouch for the friendliness of the Ipotane toward regular horses.” I blow gently into his nose. Panotii chuffs back. “You’ll be safe here, and if anyone tries to steal you, Grandpa Zeus will throw down a thunderbolt. Boom! No more horse thief.”
“Zeus may have better things to do than babysit our horses,” Flynn says, stowing his own equine gear next to mine.
I glance northward toward the Gods’ mountain home and speak loudly. “In that case, I’m announcing right now that I’ll make an Olympian stink if anything happens to my horse.” Flynn looks nervous and moves away from me like he’s expecting a God Bolt to come thundering down.
“She’s not kidding.” Sunlight glints off Griffin’s windblown hair. Thick black stubble darkens his jaw. He flashes me a smile that brings out the slight hook in his nose, and something tightens in my belly.
I turn back to Panotii and scratch under his jaw. “You’re in charge here.” His enormous ears flick my way. “You keep the others in line.” Panotii nods. I swear to the Gods, my horse nods.
Brown Horse raises his head and pins me with a gimlet stare. I roll my eyes. “Fine. You can help. You’re both in charge.” Apparently satisfied, Griffin’s horse goes back to grazing, shearing the grass around him with neat, organized efficiency. Griffin and Brown Horse were made for each other.
Panotii shoves his nose into my shoulder, knocking me back a step. Taking a handful of his chestnut mane, I stretch up on my toes to whisper into one of his donkey ears. “Seriously, you’re in charge. I’ll bet you can even rhyme.”
Carver and Kato chuckle as they walk past. Griffin bands his arms around my waist from behind, surprising me. “I heard that.
”
”
Amanda Bouchet (Breath of Fire (Kingmaker Chronicles, #2))
“
The grass in the meadow is wet and the ground gives a little beneath her feet. The herd of alpacas that have taken up residence in the meadow graze in the far distance. Maggie cuts a path towards the distant stile, watching as a flock of starlings take flight, swooping up from the earth and across the bone-colored sky until they come to settle in the treetops.
Stepping into the woods, Maggie senses the shift in atmosphere; here the air is a little cleaner, the light a little softer, glancing off the smooth, silver-grey trunks and dancing in the green canopy. She breathes the trees' exhalation, takes it in and makes it her own, inhales the moist-earth scent rising up beneath her boots and fills her lungs. The leaves rustle in the breeze, dripping the last of the raindrops in a steady beat.
”
”
Hannah Richell (The Peacock Summer)
“
AFTER BEING IN LOVE, THE NEXT RESPONSIBILITY
Turn me like a waterwheel turning a millstone.
Plenty of water, a Living River.
Keep me in one place and scatter the love.
Leaf-moves in wind, straw drawn toward amber,
all parts of the world are in love,
but they do not tell their secrets. Cows grazing
on a sacramental table, ants whispering in Solomon's ear.
Mountains mumbling an echo. Sky, calm.
If the sun were not in love, he would have no brightness,
the side of the hill no grass on it.
The ocean would come to rest somewhere.
Be a lover as they are, that you come to know
you Beloved. Be faithful that you may know
Faith. The other parts of the universe did not accept
the next responsibility of love as you can.
They were afraid they might make a mistake
with it, the inspired knowing
that springs from being in love
”
”
Jalal ad-Din Muhammad ar-Rumi
“
...from the opposite side of the meadow, dozens of shimmering shapes floated out across the grass, little more than mirages of moonlight. That was when the singing began.
It was a collective voice, but in it existed both male and female- two sides of the same coin, singing to each other in a call and response. I raised a hand to my throat as their music rose and they danced. Ghostly and ethereal, they waltzed across the field, no more than slender slants of moonlight.
'What are they?'
''Will-o'-the-wisps- spirits of air and light,' he said softly. 'Come to celebrate the solstice.'
'They're beautiful.'
His lips grazed my neck as he murmured against my skin. 'Dance with me, Feyre.'
'Really?' I turned and found my face mere inches from him.
He cracked a lazy smile. 'Really.' As though I were nothing but air myself, he pulled me into a sweeping dance.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
She nearly slipped on an icy rock, but he caught her, his shoepacks sure on the frozen ground. He led her up a shaded path to a limestone wall, where they squeezed through an opening like a loophole. On the other side, the earth fell away, and it seemed they stepped into open sky. She gave a little gasp, not of fear, but of awe. He turned to take her in, pressing his back against the cold cliff and drawing her in front of him. She looked down and found the toes of her boots in midair with only her heels on the ledge. But he had one hard arm around her, grounding her. His breath was warm against her cold cheek. “I wanted to show you Cherokee territory, not just tell you about it.” She followed the sweep of his arm south, his finger pointing to distant snow-dusted mountains and a wide opal river. Small puffs of smoke revealed few campfires or cabins. The land lay before them like a disheveled white coverlet, uninhabited and without end, broken by more mountains and wending waterways. The unspoiled beauty of it took her breath. For a moment he relaxed his hold on her. With a cry, she reached for him again, fearing she might fall into nothingness. “Careful,” he murmured, steadying her. “Trust me.” She shut her eyes tight as his arms settled around her, anchoring her to the side of the cliff. Frightened as she was, she felt a tingling from her bare head to her feet. ’Twas altogether bewildering and frightening . . . yet pleasing. Gingerly, as if doing a slow dance, he led her off the ledge onto safe ground, where he released her and turned toward the stallion grazing on a tuft of grass. His smile was tight. “We should return—soon, before your father thinks I took you captive.” Reluctantly she walked behind him, framing every part of him in her mind in those few, unguarded moments before he mounted.
”
”
Laura Frantz (Courting Morrow Little)
“
There was a moment of stillness before something in him seemed to snap. she pounced on her with a sort of tigerish delight, and clamped his mouth over hers. She squeaked in surprise, wriggling in his hold, but his arms clamped around her easily, his muscles as solid as oak. He kissed her possessively, almost roughly at first, gentling by voluptuous degrees. Her body surrendered without giving her brain a chance to object, applying itself eagerly to every available inch of him. The luxurious male heat and hardness of him satisfied a wrenching hunger she hadn't been aware of until now. It also gave her the close-but-not-close-enough feeling she remembered from before. Oh, how confusing this was, this maddening need to crawl inside his clothes, practically inside his skin.
She let her fingertips wander over his cheeks and jaw, the neat shape of his ears, the taut smoothness of his neck. When he offered no objection, she sank her fingers into his thick, vibrant hair and sighed in satisfaction. He searched for her tongue, teased and stroked intimately until her heart pounded in a tumult of longing, and a sweet, empty ache spread all through her. Dimly aware that she was going to lose control, that she was on the verge of swooning, or assaulting him again, she managed to break the kiss and turn her face away with a gasp.
"Don't," she said weakly.
His lips grazed along her jawline, his breath rushing unsteadily against her skin. "Why? Are you still worried about Australian pox?"
Slowly it registered that they were no longer standing. Gabriel was sitting on the ground with his back against the grass-covered mound, and- heaven help her- she was in his lap. She glanced around them in bewilderment. How had this happened?
"No," she said, bewildered and perturbed, "but I just remembered that you said I kissed like a pirate."
Gabriel looked blank for a moment. "Oh, that. That was a compliment."
Pandora scowled. "It would only be a compliment if I had a beard and a peg leg."
Setting his mouth sternly against a faint quiver, Gabriel smoothed her hair tenderly. "Forgive my poor choice of words. What I meant to convey was that I found your enthusiasm charming."
"Did you?" Pandora turned crimson. Dropping her head to his shoulder, she said in a muffled voice, "Because I've worried for the past three days that I did it wrong."
"No, never, darling." Gabriel sat up a little and cradled her more closely to him. Nuzzling her cheek, he whispered, "Isn't it obvious that everything about you gives me pleasure?"
"Even when I plunder and pillage like a Viking?" she asked darkly.
"Pirate. Yes, especially then." His lips moved softly along the rim of her right ear. "My sweet, there are altogether too many respectable ladies in the world. The supply has far exceeded the demand. But there's an appalling shortage of attractive pirates, and you do seem to have a gift for plundering and ravishing. I think we've found you're true calling."
"You're mocking me," Pandora said in resignation, and jumped a little as she felt his teeth gently nip her earlobe.
Smiling, Gabriel took her head between his hands and looked into her eyes. "Your kiss thrilled me beyond imagining," he whispered. "Every night for the rest of my life, I'll dream of the afternoon in the holloway, when I was waylaid by a dark-haired beauty who devastated me with the heat of a thousand troubled stars, and left my soul in cinders. Even when I'm an old man, and my brain has fallen to wrack and ruin, I'll remember the sweet fire of your lips under mine, and I'll say to myself, 'Now, that was a kiss.'"
Silver-tongued devil, Pandora thought, unable to hold back a crooked grin. Only yesterday, she'd heard Gabriel affectionately mock his father, who was fond of expressing himself with elaborate, almost labyrinthine turns of phrase. Clearly the gift had been passed down to his son.
”
”
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
“
There were, to be sure, some grounds for the ranchers’ bitterness toward sheep. It was known that sheep cold be destructive to grass. Their small, sharp hoofs knifed deep into the sod, turning it up and cutting it so thoroughly that years were necessary for a new growth of grass to appear. In grazing also it could be held that they were harmful to the ranges because of their method of cropping down close to the roots and at times even below them. A sheep band allowed to graze too long on one range could utterly destroy it, reduce it to barren uselessness as quickly and completely as could a cloud of locusts swarm down and destroy a tract of grain. Bed grounds also were harmful to the pastures. Herders brought their sheep together at night to protect them from the ravages of roving wolves, coyotes, and bears, and should the band be permitted to occupy the same bed grounds for too long a period, the growth was soon worn off, exposing the bare earth, hopeless for future grass.
”
”
Jack O'Brien (VALIANT - Dog of the Timberline)
“
You’re good at this,” said Ronan.
“What?”
He leaned to touch the baby’s head. “Being a mother.”
“What is that supposed to mean?”
Ronan looked awkward. Then he said glibly, “Nothing, if you don’t like it.” He glanced at Benix, Faris, and the others, but they were discussing thumbscrews and nooses. “It didn’t mean anything. I take it back.”
Kestrel set the baby on the grass next to Faris. “You cannot take it back.”
“Just this once,” he said, echoing her earlier words during the game.
She stood and walked away.
He followed. “Come, Kestrel. I spoke only the truth.”
They had entered the shade of thickly grown laran trees, whose leaves were a bloody color. They would soon fall.
“It’s not that I wouldn’t want to have a child someday,” Kestrel told Ronan.
Visibly relieved, he said, “Good. The empire needs new life.”
It did. She knew this. As the Valorian empire stretched across the continent, it faced the problem of keeping what it had won. The solutions were military prowess and boosting the Valorian population, so the emperor prohibited any activities that unnecessarily endangered Valorian lives--like dueling and the bull-jumping games that used to mark coming-of-age ceremonies. Marriage became mandatory by the age of twenty for anyone who was not a soldier.
“It’s just--” Kestrel tried again: “Ronan, I feel trapped. Between what my father wants and--”
He held up his hands in flat-palmed defense. “I am not trying to trap you. I am your friend.”
“I know. But when you are faced with only two choices--the military or marriage--don’t you wonder if there is a third, or a fourth, or more, even, than that?”
“You have many choices. The law says that in three years you must marry, but not whom. Anyway, there is time.” His should grazed hers in the teasing push of children starting a mock fight. “Time enough for me to convince you of the right choice.”
“Benix, of course.” She laughed.
“Benix.” Ronan made a fist and shook it at the sky. “Benix!” he shouted. “I challenge you to a duel! Where are you, you great oaf?” Ronan stormed from the laran trees with all the flair of a comic actor.
Kestrel smiled, watching him go. Maybe his silly flirtations disguised something real. People’s feelings were hard to know for certain. A conversation with Ronan resembled a Bite and Sting game where Kestrel couldn’t tell if the truth looked like a lie, or a lie like the truth.
If it was true, what then?
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
The sight of the canyon down there as we renegotiated the mountain road made me bite my lip with marvel and sadness.
It's as familiar as an old face in an old photograph as tho I'm gone a million years from all that sun shaded brush on rocks and that heartless blue of the sea washing white on yellow sand, those rills of yellow arroyo running down mighty cliff shoulders, those distant blue meadows, that whole ponderous groaning upheaval so strange to see after the last several days of just looking at little faces and mouths of people -- As tho nature had a Gargantuan leprous face of its own with broad nostrils and huge bags under its eyes and a mouth big enough to swallow five thousand jeepster stationwagons and ten thousand Dave Wains and Cody Pomerays without a sigh of reminiscence or regret -- There it is, every sad contour of my valley, the gaps, the Mien Mo captop mountain again, the dreaming woods below our high shelved road, suddenly indeed the sight of poor Alf again far way grazing in the mid afternoon by the corral fence -- And there's the creek bouncing along as tho nothing had ever happened elsewhere and even in the daytime somehow dark and hungry looking in its deeper tangled grass.
Cody's never seen this country before altho he's an old Californian by now, I can see he's very impressed and even glad he's come out on a little jaunt with the boys and with me and is seeing a grand sight.
”
”
Jack Kerouac (Big Sur)
“
All my life, I'd been accustomed to thinking of life as things that moved: rabbits, dogs, fish, other people. Life that mattered had been life like me, life that breathed and bled, life that ate and slept. I'd been aware of that other layer of life, of the still but living things that supported it all, but I'd thought of it as the lower layer, as the less important stratum of life. Empty prairie was for plowing or grazing; land that was too poor for farming or cattle was wasteland. I'd never lived near a forest like this, but when I'd come to one, I'd understood why it existed. The trees were to be taken for lumber. The land had to be cleared to become useful. The idea that forest or prairie or even wasteland should be left as it was had never occurred to me. What good was land until it was tamed? What good was a piece of earth that did not grow wheat or fruit or grass for cattle? The value of every bit of land I'd ever trodden, I'd reckoned in terms of how it could benefit a man. Now I saw it with the eyes of a forest mage. Here life balanced as it had for hundreds, perhaps thousands of years. Sunlight and water were all that was required for the trees to grow. The trees made the food that fed not only whatever moving creatures might venture through this territory, but also became the food that replenished the soil when their leaves fell to rot back into earth. This working system was as refined and precise as any piece of clockwork ever engineered by man. It worked perfectly.
”
”
Robin Hobb (Renegade's Magic (The Soldier Son Trilogy #3))
“
Sometimes while sitting there staring out the window, I imagined a place in my mind, a white room. A simple space coated in white paint. The white represented responsibility, obligation. It didn’t require what responsibility and obligation required, but it had the same effect. It maintained the person in the room; it kept the person alive and well, along with everything and everyone that person cared for, but nothing the person held dear existed in the room. The person was alone. The person experienced no joy from bearing the weight of responsibility, earned no prize.
I imagined a particular person in the room—a woman, also clothed in white. This woman constantly faced a dilemma. She longed for freedom. She longed to be the bird.
Her open palms grazed the rutted expanse of the wall. She knew that something lay beyond—beyond the white. She could burst out into the world of grass, sky, and lavender, but she knew that if she broke through the barricade, everything she protected would crumble, suffocate, and wither behind her. Her own freedom would last only moments because she, too, couldn’t survive without the white. Earth and water would smother her, and radiant light would slice through her like a blade.
I imagined her pressing with both hands, weighing freedom against existence and all that depended on her, but in the end she lightened her stance and stepped away. She always chose to stay, to fulfill her obligation.
I thought of the woman in the white room—she chose to sacrifice her freedom for the people who relied on her to survive, but how long could she possibly survive without freedom? How long could she last before choosing the alternative?
”
”
Stephanie Carroll (A White Room)
“
He opened an eye and smiled lazily at me. 'That willow's singing always puts me to sleep.'
'The what of what?' I said, propping myself on my elbows to stare at the tree above us.'
Tamlin pointed toward the willow. The branches sighed as they moved in the breeze. 'It sings.'
'I suppose it sings war-camp limericks, too?'
He smiled and half sat up, twisting to look at me. 'You're human,' he said and I rolled my eyes. 'Your senses are still sealed off from everything.'
I made a face. 'Just another of my many shortcomings.' But the word- shortcomings- had somehow stopped finding its mark.
He plucked a strand of grass from my hair. Heat radiated from my face as his fingers grazed my cheek. 'I could make you able to see it,' he said. His fingers lingered at the end of my braid, twirling the curl of hair around. 'See my world- hear it, smell it.' My breathing became shallow as he sat up. 'Taste it.' His eyes flicked to the fading bruise on my neck.
'How?' I asked, heat blooming as he crouched before me.
'Every gift comes with a price.' I frowned, and he grinned. 'A kiss.'
'Absolutely not!' But my blood raced, and I had to clench my hands in the grass to keep from touching him. 'Don't you think it puts me at a disadvantage to not be able to see all this?'
'I'm one of the High Fae- we don't give anything without gaining something from it.'
To my own surprise, I said, 'Fine.'
He blinked, probably expecting me to have fought a little harder. I hid my smile and sat up so that I faced him, our knees touching as we knelt in the grass. I licked my lips, my heart fluttering so quickly it felt as if I had a hummingbird inside my chest.
'Close your eyes,' he said, and I obeyed, my fingers grappling onto the grass. The birds chattered, and the willow branches sighed. The grass crunched as Tamlin rose up on his knees. I braced myself at the brush of his mouth on one of my eyelids, then on the other. He pulled away, and I was left breathless, the kisses still lingering on my skin.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
One day, because I was bored in our usual spot, next to the merry-go-round, Françoise had taken me on an excursion – beyond the frontier guarded at equal intervals by the little bastions of the barley-sugar sellers – into those neighbouring but foreign regions where the faces are unfamiliar, where the goat cart passes; then she had gone back to get her things from her chair, which stood with its back to a clump of laurels; as I waited for her, I was trampling the broad lawn, sparse and shorn, yellowed by the sun, at the far end of which a statue stands above the pool, when, from the path, addressing a little girl with red hair playing with a shuttlecock in front of the basin, another girl, while putting on her cloak and stowing her racket, shouted to her, in a sharp voice: ‘Good-bye, Gilberte, I’m going home, don’t forget we’re coming to your house tonight after dinner.’ That name, Gilberte, passed by close to me, evoking all the more forcefully the existence of the girl it designated in that it did not merely name her as an absent person to whom one is referring, but hailed her directly; thus it passed close by me, in action so to speak, with a power that increased with the curve of its trajectory and the approach of its goal; – transporting along with it, I felt, the knowledge, the notions about the girl to whom it was addressed, that belonged not to me, but to the friend who was calling her, everything that, as she uttered it, she could see again or at least held in her memory, of their daily companionship, of the visits they paid to each other, and all that unknown experience which was even more inaccessible and painful to me because conversely it was so familiar and so tractable to that happy girl who grazed me with it without my being able to penetrate it and hurled it up in the air in a shout; – letting float in the air the delicious emanation it had already, by touching them precisely, released from several invisible points in the life of Mlle Swann, from the evening to come, such as it might be, after dinner, at her house; – forming, in its celestial passage among the children and maids, a little cloud of precious colour, like that which, curling over a lovely garden by Poussin,15 reflects minutely like a cloud in an opera, full of horses and chariots, some manifestation of the life of the gods; – casting finally, on that bald grass, at the spot where it was at once a patch of withered lawn and a moment in the afternoon of the blonde shuttlecock player (who did not stop launching the shuttlecock and catching it again until a governess wearing a blue ostrich feather called her), a marvellous little band the colour of heliotrope as impalpable as a reflection and laid down like a carpet over which I did not tire of walking back and forth with lingering, nostalgic and desecrating steps, while Françoise cried out to me: ‘Come on now, button up your coat and let’s make ourselves scarce’, and I noticed for the first time with irritation that she had a vulgar way of speaking, and alas, no blue feather in her hat.
”
”
Marcel Proust (In Search of Lost Time: Swann's Way)
“
You f**king piss me off with your smugness.” Each and every word forced from the beast's mouth sounded strained, like they were kidney stones being passed. “I so want to kill you, feel the life of you ebb away while I strangle you with my bare hands. Then, once finished, trample your sorry carcass into the dirt, fertilizer for the grass the sheep of your farm will graze upon. Then, as a final insult to you, and only what you deserve in my mind, I would butcher and eat alive the lamb that ate the grass.”
Keallan to Jack (best mates)
”
”
Mark Alders (Unicorn's Peril (Keeper of the Land, #1))
“
Exploitation: early entrants make use of the wealth of opportunity in their environment to multiply. Most fail, not least because they are poorly-connected individuals facing a dangerous world on their own, but some may eventually build a system with potential and connectedness. This is known as the r phase: r has for many years been used as a label for the rate of growth of the population of an ecology (example of phase: young trees).2 2. Conservation: the system persists in its mature form, with the benefit of a complex structure of connections, strong enough now to resist challenges for a long time, but with the weakness that the connections themselves introduce an element of rigidity, slowing down its reactions and reducing its inventiveness. This is the K phase, where the ecology reaches its carrying capacity (example: mature trees).3 In due course, however, the tight connections themselves become a decisive problem, which can only be resolved by . . . The back loop (moving from bottom-right to top-left in the diagram): 3. . . . release: at this point, the cost and complication of maintaining the large scale—providing the resources the system needs, and disposing of its waste—becomes too great. The space and flexibility for local responsiveness had become scarce, the system itself so tightly connected that it locked: a target for predators without and within, against which it found it harder and harder to defend itself. But now the stresses join up, and the system collapses (example: dying trees). This is the omega (Ω) phase, as suggested by Holling and Gunderson, and it is placed by them in its ecological context: The tightly bound accumulation of biomass and nutrients becomes increasingly fragile (overconnected, in systems terms) until it is suddenly released by agents such as forest fires, droughts, insect pests, or intense pulses of grazing.4 4. Reorganisation: the remains of a system after collapse are unpromising material on which to start afresh, and yet they are an opportunity for a different kind of system to enjoy a brief flowering—decomposing the wood of a former forest, recycling the carbon after a fire, restoring the land with forgiving grass, clearing away the assumptions and grandeur of the previous regime. Reorganisation becomes a busy system in its own right (example: rotting trees). This is the alpha (α) phase.5 In this phase, there is a persistent process of disconnecting, with the former subsidiary parts of the system being broken up. But our diagram is drawn on a graph of potential (increasing from bottom to top) and connectedness (increasing from left to right), which allows us to note a curious aspect of this back loop: the defining relationship of the fore loop—where more potential is correlated with more connectedness—is reversed. In the back loop (even) less connectedness goes with more potential. How can this be?
”
”
David Fleming (Surviving the Future: Culture, Carnival and Capital in the Aftermath of the Market Economy)
“
Gravity tends to pull fertility downhill. Hence fertile valleys and infertile hilltops. But wait, many times the most fertile soils are on hilltops. How could that be? Herbivores graze in the fertile valleys and then trudge up to the hilltops to chew their cuds and lounge. Why the hilltop? To watch for those nasty predators. The herbivore-grass, predator-prey relationships are foundational to moving those biomass-stored sunbeams around on the landscape. Without animals, the anti-gravitational movement would be impossible. Without the predator, it wouldn't be incentivized. Truly, this whole ecosystem is fearfully and wonderfully made.
”
”
Joel Salatin (The Marvelous Pigness of Pigs: Respecting and Caring for All God's Creation)
“
See what I’ve left behind. I’ve come a long Milky Way to find my guardian.” Ali chuckles. “Except I don’t really guard you. I like to let you be free, my Liam. How does it feel now being back home?” I consider him and think about his words. Ali is my guardian but he doesn’t keep me in a locked box. His love protects me and lets me be whoever I am. Free. “This is where I grew up. You. Are my home. And wherever you are, Ali, I’ll be there.” Ali pulls me close and we kiss. A light breeze grazes our skin. We’re surrounded by the rustling sound of the long grass and the lingering scent of sea and sand
”
”
A. Zukowski (Liam for Hire (London Stories, #2))
“
From time to time we see hearthrugs moving over the slopes. With quaintly hunched shoulders and bushy culottes, these are yaks. In their darkly dripping coats they stand out like rocks against the bleached grass where they graze.
”
”
Colin Thubron (To a Mountain in Tibet)
“
Soon after three o'clock on the afternoon of April 22nd 1973, a 35-year-old architect named Robert Maitland was driving down the high-speed exit lane of the Westway interchange in central London. Six hundred yards from the junction with the newly built spur of the M4 motorway, when the Jaguar had already passed the 70 m.p.h. speed limit, a blow-out collapsed the front nearside tyre. The exploding air reflected from the concrete parapet seemed to detonate inside Robert Maitland's skull. During the few seconds before his crash he clutched at the whiplashing spokes of the steering wheel, dazed by the impact of the chromium window pillar against his head. The car veered from side to side across the empty traffic lanes, jerking his hands like a puppet's. The shredding tyre laid a black diagonal stroke across the white marker lines that followed the long curve of the motorway embankment. Out of control, the car burst through the palisade of pinewood trestles that formed a temporary barrier along the edge of the road. Leaving the hard shoulder, the car plunged down the grass slope of the embankment. Thirty yards ahead, it came to a halt against the rusting chassis of an overturned taxi. Barely injured by this violent tangent that had grazed his life, Robert Maitland lay across his steering wheel, his jacket and trousers studded with windshield fragments like a suit of lights.
”
”
J.G. Ballard (Concrete Island)
“
That spring, the skies at last broke open over Maidan Sabz. What came down was not the soft drizzle of years past but a great, great rainfall. Fat rain fell from the sky, and the village rose thirstily to meet it. All day, water drummed upon the roofs of Maidan Sabz and drowned all other sound from the world. Heavy, swollen raindrops rolled from the tips of leaves. The wells filled and the river rose. The hills to the east turned green. Wildflowers bloomed, and for the first time in many years children played on grass and cows grazed. Everyone rejoiced.
”
”
Khaled Hosseini (And the Mountains Echoed)
“
The small town of Kasane stands on the high veld plains of the northern horn of Botswana, a tourist haven shouldering the economy of the small but rich country.
The town is located some one thousand kilometers north-east of the Capital City, Gaborone, with its hard blue skies and river-clear air, Kasane is a piece of paradise in this desert region; a shit-hole for the natives apparently as I was to learn, but still the place is a slice of heaven for tourists coming from outside.
At the center of the small town resides an underrated true wonder of nature. A place called Plateau from which one can observe a pack of lions stalking a herd of Zebras; wildebeests crowded together like bees; a fish eagle splashing against the slow moving river and come out bearing a fighting catfish; herds of elephants and Buffaloes grazing and browsing the green mass of flora that escorts what seems like a coiling dark green phantom.
The entire place below Plateau to the north is a wide array of interconnected channels, caressed on the sides by tall evergreen grass. The true wonder that is the exemplar of the Chobe District.
The gravel to the height of ‘Plateau’ snakes through tall, fat baobab trees rising and falling, offering breathtaking views of the dense ridges, then dipping into creeks filled with clusters of dilapidated shacks and mobile homes with junk cars and abandoned road construction machinery scattered about. It clings to more defined creeks with shallow rapids and water clear enough to drink.
”
”
Thabo Katlholo
“
You like?”
“I--um, yes, he’s wonderful. His left ear isn’t notched like so many of the others. Why is that?”
“The notched ear says a horse is gentled. He is not. If another puts hands upon him, he fights the big fight.”
“Then how can I ride him?”
“You will be his good friend. Come close.”
Loretta stepped back instead. “But he’s wild.”
Tightening his hold on her hand, Hunter tugged her forward. “He is friend to me and no other, eh? He carries me because he wishes it. Now, he will carry you.”
With that explanation, which fell far short of reassuring her, he reclaimed the line and lifted her onto the stallion’s back.
Loretta looked down. “I-I’m not too sure this is a good idea.”
“It is good. You will trust, eh? I have said words to him. He accepts. Lie forward along his neck and whisper your heart into his ear. Run your hands over him. Tighten your legs around him.”
Heart in her throat, Loretta did as he told her. She whispered, “Please, horse, don’t get mad and kill me.” The stallion nickered and sniffed her bare foot, the whites of his eyes rolling. Hunter chuckled. “He smells your fear and asks if there is danger, eh? He should run like the wind? He should stand? He is sure enough nuhr-vus, like the little blue-eyes is nuhr-vus when she thinks I will eat her and pick my teeth with her bones. You will say to him as I say to you--it is well.”
Loretta jerked her foot back, afraid the horse might bite. “He m-may not understand. He’s a Comanche horse, isn’t he?”
“Toquet, it is well. Whisper your heart. The words are in your touch. Be easy and make him easy.”
She ran her hands over the stallion’s sleek coat, her fingers splaying on the powerful muscles in his neck and shoulders. When she began to believe the horse wouldn’t rear, she relaxed. The stallion lowered his head and began to graze. Hunter handed Loretta his line.
“Let him carry you, eh? Whisper to him. Teach him your hands bring no pain--only good things. He will find sweet grass and listen.”
“He’s so beautiful, Hunter.”
“Say this to him.”
Loretta did. The stallion flickered his ears and nickered. While he grazed, she petted him. Just when she began to feel confident, Hunter lifted her off his back. When he took the stallion’s line from her, he captured her hand as well, his long fingers curling warmly around hers.
“He is now your good friend.” He looped his free arm over the stallion’s shoulders. “If you share breath with him often, you can paint yourself and wear leaves on your head, and he will still know you. For always.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
Let him carry you, eh? Whisper to him. Teach him your hands bring no pain--only good things. He will find sweet grass and listen.”
“He’s so beautiful, Hunter.”
“Say this to him.”
Loretta did. The stallion flickered his ears and nickered. While he grazed, she petted him. Just when she began to feel confident, Hunter lifted her off his back. When he took the stallion’s line from her, he captured her hand as well, his long fingers curling warmly around hers.
“He is now your good friend.” He looped his free arm over the stallion’s shoulders. “If you share breath with him often, you can paint yourself and wear leaves on your head, and he will still know you. For always.”
“Well, until I get home, at least.” She swallowed. “I am still going home, aren’t I?”
Something flickered in his eyes--a dangerous something. Loretta’s legs felt as heavy as wet clay, and she watched helplessly while he pressed her palm to his cheek. “You wish to go?”
His jaw felt hard and warm. “I--yes, I wish to go.”
He moved her hand from his cheek to his chest, forcing her palm flat against the vibrant muscle of one breast. His eyes held hers, relentless and piercing. Loretta yearned to move away but knew she had little hope of breaking his hold. She could feel his heart thumping, a steady, sturdy beat in contrast with the uneven flutter of hers.
“You will walk backward in your footsteps and go forward a new way?
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
God designed cattle as animals that graze over stretches of grass, but these industrial operations work on economies of time and scale: confined cattle eat all day, getting fatter in a much shorter space of time, while a single operation can hold far more cattle in a smaller space.17
”
”
Caroline Leaf (Think and Eat Yourself Smart: A Neuroscientific Approach to a Sharper Mind and Healthier Life)
“
The vultures came in shifts, sentinels to the requiem. The topmost ridges were first to welcome the daylight. A falcon swooped through the valley, scattering its benediction. I was mesmerized by the sentry duty of the carrion birds. They watched to see that all was well on earth: that death took its allotted share of animals and in return left provisions. Below, on the steep slopes that chamfered the gorge, the yaks grazed. Lying in the long grasses, cold, calm and watchful, Léo studied every crag through his binoculars. I was less conscientious. Patience has its limits, and I had come to the end of mine when we reached the canyon. I was busy assigning each animal a rung on the social ladder of the kingdom. The snow leopard was the regent; her status reinforced by her invisibility. She reigned, and therefore had no need to show herself. The prowling wolves were knavish princes; the yaks, richer burghers, warmly attired; the lynxes were musketeers; the foxes country squires; the blue sheep and the wild donkeys were the general populace. The raptors represented the priests, hieratic masters of the heavens and of death. These clerics in plumed livery were not against the idea that things might bode ill for us.
”
”
Sylvain Tesson (The Art of Patience: Seeking the Snow Leopard in Tibet)
“
Rather quickly, Officer Gorman had proved he was the sort of man who – as Leaphorn’s grandmother would have said – counted the grass and didn’t see the grazing.
”
”
Tony Hillerman (Skinwalkers (Leaphorn & Chee, #7))
“
Sometimes I almost believe her soul looks out
of the photograph, almost clears the sill
Of the eyes & comes near; though it does not ever
Move, it holds me while I look at it.
But even today, I can’t conceive of a soul
Without seeing a woman’s body. Specifically,
Yours, undoing the straps of an evening dress
In a convertible, & then lying back, your breasts
Holding that hint of dusk mixed with mint
And the emptiness of dusk. Someone put it
Crudely: to fuck is to know. If that is true,
There’s a corollary: the soul is a canary sent
Into the mines. The convertible is white, & parked
Beneath the black trees shading the river,
Mile after mile. Your dress is off by now,
And when you come, both above & below me,
When you vanish into that one cry which means
Your body is no longer quite your own
And when your face looks like a face stricken
From this world, a saint’s face, your eyes closing
On some final city made entirely
Of light, & only to be unmade by light
Again—at that moment I’m still watching
You—half out of reverence & half because
The scene is distant, like a landscape, & has
Nothing to do with me. Beneath the quiet
Of those trees, & that sky, I imagine
I’m simply a miner in a cave; I imagine the soul
Is something lighter than a girl’s ribbon
I witnessed, one afternoon, as it fell—blue,
Tossed, withered somehow, & singular, at
A friend’s wedding—& then into the river
And swirled away. Do I chip away with my hammer?
Do I, sometimes, sing or recite? Even though
I have to know, in such a darkness, all
The words by heart, I sing. And when I come,
My eyes are closed fast. I smile, under
The earth. They loved fast horses. And someone else
Will have to watch them, grazing on short tufts
Of spring grass beside the riverbank,
When we are gone, when we are light, & grass. .
— Larry Levis, from “A Letter,” Winter Stars (University of Pittsburgh Press, 1985)
”
”
Larry Levis (Winter Stars)
“
In the fields, cattle, memories dissolved by so many liquid mornings, noons and nights, had forgotten they dreamed of April grass and, by a clemency reserved for those who live placid in a perpetual now, standing in a green sweetness forgot the cold muck-grazing of February. On
”
”
Niall Williams (This Is Happiness)
“
Clear-cutting” was the word for what the Rusties had done to the old forests: felling every tree, killing every living thing, turning entire countries into grazing land. Whole rain forests had been consumed, reduced from millions of interlocking species to a bunch of cows eating grass, a vast web of life traded for cheap hamburgers.
”
”
Scott Westerfeld (Uglies (Uglies, #1))
“
glass. A broad resembles the a of the German; as all, wall, call. Many words pronounced with a broad were anciently written with au; as sault, mault; and we still say, fault, vault. This was probably the Saxon sound, for it is yet retained in the northern dialects, and in the rustick pronunciation; as maun for man, haund for hand. The short a approaches to the a open, as grass. The long a, if prolonged by e at the end of the word, is always slender, as graze, fame. A forms a diphthong only with i or y, and u or w. Ai or ay, as in plain, wain, gay, clay, has only the sound of the long and slender a, and differs not in the pronunciation from plane, wane. Au or aw has the sound of the German a, as raw, naughty. Ae is sometimes found in Latin words not completely
”
”
Samuel Johnson (A Grammar of the English Tongue)
“
Pause to ponder the metaphysics: an elk running for its life is converted to wolf flesh and wolf bone and wolf nerve whose dedication becomes chasing elk who run for their lives to avoid the fate that is pursing them, a fate built entirely from creatures just like themselves. Predator presages Borg. Overhead the sky livens with playful croaks also made of elk. Later, predator falls, freeing all former elk made wolf, made raven, made bear, to resume a brief stint as grass. Grass's predator, elk, grazes. Grass again becomes elk, and one of Forever's many pinwheels clicks one full turn.
”
”
Carl Safina (Beyond Words: What Animals Think and Feel)
“
If we choose to be superficial and graze we will only gather the tip of the grass, if we choose to be deep we will gather the whole grass.
”
”
K SRIRAM (THE 21 LAWS OF THE FARM: Let the Wisdom of the Farm Change Your Life)
“
The four friends finished their journey home in silence. Eventually the sloping path led them out of the trees and revealed the lower plain. Four thousand Sun Herd pegasi grazed in the green valley, their glossy feathers shimmering as they fanned themselves. Compact foals darted between tufts of grass like hummingbirds, their agile wings short and bright. Captains drilled their platoons in the foothills to the west, and fragrant summer flowers dotted the grassland.
”
”
Jennifer Lynn Alvarez (Starfire (The Guardian Herd #1))
“
harm in allowing them to retain their positions.” “Well, they certainly do fit the roles for caretakers of a haunted castle, but you have yet to truly explain why you bought the place.” Plucking a long piece of grass out of the ground, Bram rolled it between his fingers. “Who doesn’t want to live in a haunted castle?” Lucetta arched a perfect brow his way. “Oh, very well,” he said. “I’ll tell you, but only because I’m not certain I’m quite ready to add nagging to the long list of supposed charms I’ve had to accept about you recently.” “I don’t nag,” Lucetta muttered. “That may well be debatable, but . . . back to my story. You see, the previous owner, Mr. Woodward, had recently suffered some extensive losses in the market, and because of that, he did not have the luxury of taking a financial loss on Ravenwood once rumors spread that it was haunted. However, since his wife refused to step foot inside the castle once she came to the belief it was well and truly haunted, he found himself in a bit of a bind, so . . . I stepped in and bought it from him.” “Good heavens, Mr. Skukman was right. You do enjoy rescuing people,” he heard Lucetta say under her breath before she lifted her head and sent him a smile that showed a great deal of teeth. “It was very nice of you to buy Ravenwood from that man.” Bram shoved aside the peculiar thought that she didn’t actually seem to like the idea that he enjoyed rescuing people, and summoned up a smile of his own. “I had the means to buy Ravenwood, and I love the castle, so helping out Mr. Woodward wasn’t an act of any great consequence.” “I’m certain it was to him.” He turned his attention to the sheep, all of which were back to grazing as Igor slunk around them. Looking back at Lucetta, Bram caught her eye. “Just as I’ve come to discover you don’t care to have people remark on your skills on stage, I don’t particularly care to talk about the assistance I extend to people.” He smiled. “Reverend Gilmore, a dear friend I met about a year ago, once told me that he believes God puts people on certain paths. And when you cross paths with a person who is in need, and you have the solution to that need, well, God expects you to put that solution to use. I don’t know about you, but I’m not one to argue with God.” Lucetta’s
”
”
Jen Turano (Playing the Part (A Class of Their Own, #3))
“
Just as it is hard for us, in our garden, to stop weeding, because there is always another weed there in front of us, it may be hard for her to stop grazing, because there are always a few more shoots of fresh grass just ahead of her.
”
”
Lydia Davis (Can't and Won't)
“
Moses watched over the flocks with loving care. He led the young animals to pasture first, that they might have the tender, juicy grass for their food; the somewhat older animals he led forth next, and allowed them to graze off the herbs suitable for them; and finally came the vigorous ones that had attained their full growth, and to them he gave the hard grass that was left, which the others could not eat, but which afforded good food for them. Then spake God, "He that understandeth how to pasture sheep, providing for each what is good for it, he shall pasture My people.
”
”
Louis Ginzberg (The Legends of the Jews Vol 1-4)
“
Goats. This was once thought to be an antidote for North Korea’s economic ills. The terrain in the northern portion of the peninsula is mountainous and not suitable for farming. There are no green plots of grass for grazing cows, and therefore no source of dairy products or meat. So, in 1996, the North Koreans started a campaign to breed goats. These mountain animals are a good source of milk and meat; moreover, they feed on the shrubs tucked away high in the rocky terrain. The goat-breeding campaign led to a doubling of the goat population almost overnight, and tripled it within two years. This solved a short-term problem, but it had long-term consequences that were more destructive. The goats completely denuded the areas they inhabited, chewing up every single shrub in sight. This then had the effect of removing the last line of the land’s defense against the annual massive rains. The result? Annual monsoons led to deluges of biblical proportions, which wiped out the little remaining arable land and flooded the coal mines that were a source of energy. This only worsened the chronic food and energy shortages.
”
”
Victor Cha (The Impossible State: North Korea, Past and Future)
“
He cast aside the mangled blade of grass and idly reached to capture both my hands in one of his, drawing them forward so that he could see my wrists. “You’re not wearing the bracelet,” he observed. I flushed crimson, pulling ineffectually against his grasp. “I cannot wear it,” I protested. “Faith, I cannot accept it, it would not be seemly. I meant to return it to you.” “I will not have it returned.” He looked seriously offended. “I bought it for you as a present, and I would have you wear it.” “My uncle would doubtless not approve, my lord,” I reminded him gently. Releasing my hands he rose to collect the grazing horse, gathering the trailing reins in his fist. “I care not,” he told me. “What business has your uncle in my affairs?” “None,” I had to admit, “but he takes a great interest in mine, and I would not wish to rouse his ire.” He turned at that, looming tall against the gray stallion, his expression serious. “If Jabez Howard dares to mark you in any way, I will hear of it.” I stood up, too, and faced him squarely. “I am flattered, my lord, but it is none of your concern. I am not your responsibility.” “You are wrong, mistress,” he informed me in a voice as smooth as honey. “You are very much my responsibility. I have made it so.
”
”
Susanna Kearsley (Mariana)
“
At dusk the four of them stopped en route home to sit on the riverbank under a canopy of cottonwood trees. Loretta hugged her bent knees, gazing at the reflection of leaves and fading sunlight on the water, only half-aware of Amy and Swift Antelope’s chatter. Hunter stretched out beside her, head propped on one hand, his eyes never leaving her. She was acutely conscious of his gaze, and when it started to unnerve her, she finally turned to look at him. Banked embers of passion glowed in his eyes.
Smiling, he plucked a blade of grass and feathered it along her arm, reaching up under her loose sleeve. Next he directed his attention to her leg, tracing a circle around the top of her moccasin, grazing the curve of her calf, the back of her thigh beneath her skirt. Loretta’s belly knotted, and delicious shivers coursed down her spine. She felt a blush creeping up her neck.
He was deliberately calling to her mind the things he had done to her last night, something a white man would never dream of doing, not in the company of others. Hunter had grown up running wild on the plains with other children, boys and girls alike, garbed in nothing but a string and cloth. She had been stifled by rules of propriety and layer upon layer of muslin. To him, making love was as natural as eating when one was hungry or drinking to slake one’s thirst. He felt no shame, no shyness, no sense of secrecy. I want, I take. It is a very simple thing. It wasn’t simple, though. Not for her.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
Smiling, he plucked a blade of grass and feathered it along her arm, reaching up under her loose sleeve. Next he directed his attention to her leg, tracing a circle around the top of her moccasin, grazing the curve of her calf, the back of her thigh beneath her skirt. Loretta’s belly knotted, and delicious shivers coursed down her spine. She felt a blush creeping up her neck.
He was deliberately calling to her mind the things he had done to her last night, something a white man would never dream of doing, not in the company of others. Hunter had grown up running wild on the plains with other children, boys and girls alike, garbed in nothing but a string and cloth. She had been stifled by rules of propriety and layer upon layer of muslin. To him, making love was as natural as eating when one was hungry or drinking to slake one’s thirst. He felt no shame, no shyness, no sense of secrecy. I want, I take. It is a very simple thing. It wasn’t simple, though. Not for her.
Hunter grew amused, watching Loretta. When she threw him an accusing glance, he noted that her pupils had flared until her irises were almost black. Crimson rode her cheeks, and a rosy flush colored her slender throat. He wondered if her entire body was pink and wish they were alone so he could find out. Soon. Tonight he would build a fire so she couldn’t hide in shadows, and he would learn every inch of her, slowly.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
In the streets of Cecilia, an illustrious city, I met once a goatherd, driving a tinkling flock along the walls.
"Man blessed by heaven," he asked me, stopping, "can you tell me the name of the city in which we are?"
"May the gods accompany you!" I cried. "How can you fail to recognise the illustrious city of Cecilia?"
"Bear with me," that man answered. "I am a wandering herdsman. Sometimes my goats and I have to pass through cities; but we are unable to distinguish them. Ask me the names of the grazing lands: I know them all, the Meadow between the Cliffs, the Green Slope, the Shadowed Grass. Cities have no name for me: they are places without leaves, separating one pasture from another, and where the goats are frightened at street corners and scatter. The dog and I run to keep the flock together."
"I am the opposite of you," I said. "I recognise only cities and cannot distinguish what is outside them. In uninhabited places each stone and each clump of grass mingles, in my eyes, with every stone and clump.
”
”
Italo Calvino (Invisible Cities)
“
It was an attempt to crush our spirits.
But those first few weeks at the quarry had the opposite effect on us. Despite blistered and bleeding hands, we were invigorated. I much preferred being outside in nature, being able to see grass and trees, to observe birds flitting overhead, to feel the wind blowing in from the sea. It felt good to use all of one's muscles, with the sun on one's back, and there was simple gratification in building up mounds of stone and lime.
Within a few days, we were walking to the quarry, rather than going by truck, and this too was a tonic. During our twenty-minute march to the quarry, we got a better sense of the island, and could see the dense brush and tall trees that covered our home, and smell the eucalyptus blossoms, spot the occasional springbok or kudu grazing in the distance. Although some of the men regarded the march as drudgery, I never did. p404
”
”
Nelson Mandela (Long Walk to Freedom)
“
Corn is what feeds the steer that becomes the steak. Corn feeds the chicken and the pig, the turkey and the lamb, the catfish and the tilapia and, increasingly, even the salmon, a carnivore by nature that the fish farmers are reengineering to tolerate corn. The eggs are made of corn. The milk and cheese and yogurt, which once came from dairy cows that grazed on grass, now typically come from Holsteins that spend their working lives indoors tethered to machines, eating corn.
”
”
Michael Pollan (The Omnivore's Dilemma: A Natural History of Four Meals)
“
To Merveilleuse's surprise she comes across a large ram in a clearing, with gilt horns and a garland of flowers round his neck, reposing on a couch of orange blossom beneath a pavilion of golden cloth. But still, a ram, with his nose like an ink blot, flies on his white lashes, wool the color of curds. Around him a hundred gaily decked sheep graze not on grass but coffee, sherbet, ices, and sweetmeats, whilst partaking in games of basset and lansquenet.
Soon he takes her into a cavern, which is a gate to his underworld kingdom. It has meadows of a thousand different flowers; a broad river of orange-flower water; fountains of Spanish wine and liqueurs. There are entire avenues of trees, stuffed with partridges better larded and dressed than you would get them at the finest Paris restaurants; quails, young rabbits, and ortolans. In certain parts, where the atmosphere appears a little hazy, it rains bisque d'écrevisses, foie gras, and ragout of sweetbreads. His palace is formed by tangled orange trees, jasmines, honeysuckle, and little musk-roses, whose interlaced branches form cabinets, halls, and chambers, all hung with golden gauze and furnished with large mirrors and fine paintings.
”
”
Clare Pollard (The Modern Fairies)
“
The road lay to the south of the River Cavado which ran clear and deep through rich pastureland that had been plundered by the French so that no cattle or sheep grazed the spring grass. The villages had once been prosperous, but were now almost deserted and the few folk who remained were wary.
”
”
Bernard Cornwell (Sharpe's Havoc (Sharpe, #7))
“
Sam had come over from the fireplace to stand beside us. My heart began bucking like a stallion and I looked at Cecelia, then up at Sam, the proud father beaming down at his boy, his face full of love. Everything went dim. For seven years, I’d hunted this man the length and breadth of our Republic, and now I stood up, putting a hand on the table top to steady myself, knocking over my stool in the process.
“Are you poorly?” Sam asked. He nodded at the far side of the room to a sunken bed—likely the very bed where he and Cecelia had conceived this baby boy—and said, “Lie down a minute.”
Well, that was the last feather. I turned and stumbled out the door.
Outside, the autumn sun was blinding. My mare grazed in a patch of grass, and I walked her down and mounted up. I felt old of a sudden, very old. Sam was in the doorway now and he called something to me. I wouldn’t look at him, wouldn’t show my pitiful face. I walked my horse back along the cow path and pushed up to a trot.
Directly, we commenced to burn the breeze, the leaves blurring by. I did not feel betrayed: let me say that right out. Rather, I felt that the hard hand of the Lord had swung down to swat me a final blow. And I deserved it. I’d done everything to beg Him for such a slap—all my lust and foolishness—and for some strange reason, I began to laugh.
Or, it was laughter that came out of me. It didn’t seem to be me who was doing it—certainly, there was nothing amusing. I felt like He had borrowed my mouth, just like He’d borrowed that of Balaam’s ass, that the Lord Himself was laughing, and I thought of my father all those years ago, riding Young Roger through the Kentucky forest to find me and Tom Yarbrough bached up together. The laughter died away, and I began weeping as my father had wept decades before, and now I understood. It hadn’t been out of shame as I’d supposed, but rather, my father had seen this very moment coming for me. He’d known if I pursued my heart’s desire, I’d find myself galloping through a wilderness in an unfamiliar land, an old man without home or family, learning at long last how all things end in judgment.
”
”
Aaron Gwyn (All God's Children)
“
N the middle of the big river, the river that began in the mountains and ended in the sea, was a small island. The river swept round the island, sometimes clawing at its banks, but never going right over it. It was over twenty years since the river had flooded the island, and at that time no one had lived there. But for the last ten years a small hut had stood there, a mud-walled hut with a sloping thatched roof. The hut had been built into a huge rock, so only three of the walls were mud, and the fourth was rock. Goats grazed on the short grass which grew on the island, and on the prickly leaves of thorn bushes. A few hens followed them about. There was a melon patch and a vegetable patch. In the middle of the island stood a peepul tree. It was the only tree there. Even during the Great Flood, when the island had been under water, the tree had stood firm. It was an old tree. A seed had been carried to the island by a strong wind some fifty years back, had found shelter between two rocks, had taken root there, and had sprung up to give shade and shelter to a small family; and Indians love peepul trees, especially during the hot summer months when the heart-shaped leaves catch the least breath of air and flutter eagerly, fanning those who sit beneath.
”
”
Ruskin Bond (Ruskin Bond Collection)
“
While lawn is often an unnecessary element in many gardens, it is actually an important design element to consider for a garden with free-range chickens. Chickens and organically maintained lawns will have a good symbiotic relationship if they are managed well. Chickens graze on the grass blades as a choice food source for greens, which can also be collected and dried for food. Chickens will keep the lawn mowed, so to speak, because they will make the lawn a frequent stop in their daily foraging. Chickens will search out and eat insects in lawns, and leave behind their manure, which is an excellent fertilizer for lawns. The height of your lawn is critical: the blades need to be long enough to photosynthesize in order to be healthy and grow—3 inches is ideal; and chickens prefer a certain height of grass blade—5 to 6 inches is too tall for them to graze, and letting them graze below 2 inches can damage the grass. So for chicken foraging, it is best to keep your lawn about 3 to 4 inches, which may be a bit longer than you are used to cutting it, but the turf will be healthier and withstand the chicken’s grazing better.
”
”
Jessi Bloom (Free-Range Chicken Gardens: How to Create a Beautiful, Chicken-Friendly Yard)
“
Because it was part of old Gondwana and because it is insular and was isolated for tens of millions of years, New Zealand has a quirky evolutionary history. There seems to have been no mammalian stock from which to evolve on the Gondwanan fragment, and so, until the arrival of humans, there were no terrestrial mammals, nor were there any of the curious marsupials of nearby Australia—no wombats or koalas or kangaroos, no rodents or ruminants, no wild cats or dogs. The only mammals that could reach New Zealand were those that could swim (like seals) or fly (like bats), and even then there are questions about how the bats got there. Two of New Zealand’s three bat species are apparently descended from a South American bat, which, it is imagined, must have been blown across the Pacific in a giant prehistoric storm. Among New Zealand’s indigenous plants and animals are a number of curious relics, including a truly enormous conifer and a lizard-like creature that is the world’s only surviving representative of an order so ancient it predates many dinosaurs. But the really odd thing about New Zealand is what happened to the birds. In the absence of predators and competitors, birds evolved to fill all the major ecological niches, becoming the “ecological equivalent of giraffes, kangaroos, sheep, striped possums, long-beaked echidnas and tigers.” Many of these birds were flightless, and some were huge. The largest species of moa—a now extinct flightless giant related to the ostrich, the emu, and the rhea—stood nearly twelve feet tall and weighed more than five hundred pounds. The moa was an herbivore, but there were also predators among these prehistoric birds, including a giant eagle with claws like a panther’s. There were grass-eating parrots and flightless ducks and birds that grazed like sheep in alpine meadows, as well as a little wren-like bird that scampered about the underbrush like a mouse. None of these creatures were seen by the first Europeans to reach New Zealand, for two very simple reasons. The first is that many of them were already extinct. Although known to have survived long enough to coexist with humans, all twelve species of moa, the Haast’s eagle, two species of adzebills, and many others had vanished by the mid-seventeenth century, when Europeans arrived. The second is that, even if there had still been moas lumbering about the woods, the European discoverers of New Zealand would have missed them because they never actually set foot on shore.
”
”
Christina Thompson (Sea People: The Puzzle of Polynesia)
“
After a while they came through a clearing and emerged in a deep cleft of a valley whose high banks were covered in wild flowers and grasses. Blaze gasped; it was enchanting. There was an open pasture planted with mature oaks and beech trees and through the middle a meandering river with sheep grazing on one side, cattle on the other. Occasionally there was a break in the ribbon of green made by a drystone wall, a rambling hedge or a small copse, but otherwise the valley seemed endless.
”
”
Hannah Rothschild (House of Trelawney)
“
I mounted the stairs to my pavilion and sank onto Hlidskjalf, the magic throne from which I can peer into the Nine Worlds. The seat cradled my posterior with its ermine-lined softness. I took a few deep breaths to focus my concentration, then turned to the worlds beyond.
I usually begin with a cursory look-see of my own realm, Asgard, then circle through the remaining eight: Midgard, realm of the humans; the elf kingdom of Alfheim; Vanaheim, the Vanir gods’ domain; Jotunheim, land of the giants; Niflheim, the world of ice, fog, and mist; Helheim, realm of the dishonorable dead; Nidavellir, the gloomy world of the dwarves; and Muspellheim, home of the fire giants.
This time, I didn’t make it past Asgard. Because goats.
Specifically, Thor’s goats, Marvin and Otis. They were on the Bifrost, the radioactive Rainbow Bridge that connects Asgard to Midgard, wearing footy pajamas. But there was no sign of Thor, which was odd. He usually kept Marvin and Otis close. He killed and ate them every day, and they came back to life the next morning.
More disturbing was Heimdall, guardian of the Bifrost. He was hopping around on all fours like a deranged lunatic. “So here’s what I want you guys to do,” he said to Otis and Marvin between hops. “Cavort. Frolic. Frisk about. Okay?”
I parted the clouds. “Heimdall! What the Helheim is going on down there?”
“Oh, hey, Odin!” Heimdall’s helium-squeaky voice set my teeth on edge. He waved his phablet at me. “I’m making a cute baby goat video as my Snapchat story. Cute baby goat videos are huge in Midgard. Huge!” He spread his hands out wide to demonstrate.
“I’m not a baby!” Marvin snapped.
“I’m cute?” Otis wondered.
“Put that phablet away and return to your duties at once!”
According to prophecy, giants will one day storm across the Bifrost, a signal that Ragnarok is upon us. Heimdall’s job is to sound the alarm on his horn, Gjallar—a job he would not be able to perform if he were making Snapchat stories.
“Can I finish my cute baby goat video first?” Heimdall pleaded.
“No.”
“Aw.” He turned to Otis and Marvin. “I guess that’s a wrap, guys.”
“Finally,” Marvin said. “I’m going for a graze.” He hopped off the bridge and plummeted to almost certain death and next-day resurrection. Otis sighed something about the grass being greener on the other side, then jumped after him.
“Heimdall,” I said tightly, “need I remind you what could happen if even one jotun snuck into Asgard?”
Heimdall hung his head. “Apologetic face emoji.”
I sighed. “Yes, all right.
”
”
Rick Riordan (9 From the Nine Worlds)
“
A gomala is a piece of land that doesn’t belong to an individual and isn’t up for sale. It is village land where nothing except green grass is allowed to grow. Nobody can cut the grass or take it home. The land usually has a pond too. The grass is for the animals to graze and the water is free for them to drink.
”
”
Sudha Murty (The Magic of the Lost Temple)
“
Vera’s ideas require a re-thinking of the evidence which has been previously interpreted as showing a dense forest. His view is that the open parkland explains why hazel, pedunculate oak and sessile oak (and other light-demanding species) have been well represented in pollen records for thousands of years, along with that of shade-tolerant species such as limes, elms, ash, common beech and hornbeam. In closed-canopy forests and forest reserves where large gaps are not present, oaks tend gradually to diminish because their seedlings, unlike those of the shade-tolerant trees, cannot grow at the low light levels present in the limited gaps which do form. He also contends that a partial explanation for the very high proportion of tree pollen dating from this period is that grazing may have been so efficient that production of grass pollen per unit area was greatly reduced. Svenning (2002) counters this by pointing out in a review of north-west Europe that in many studies non-tree pollen correlates well with other measures of openness such as beetle, snail and plant macrofossils and concludes that forested conditions were the norm with open vegetation being restricted to floodplains or poor soils (sandy or calcareous) and in the continental interior of north-west Europe.
”
”
Peter A. Thomas