Grasshopper Quotes

Patience, grasshopper," said Maia. "Good things come to those who wait." "I always thought that was 'Good things come to those who do the wave,'" said Simon. "No wonder I've been so confused all my life.

May I see you again?" he asked. There was an endearing nervousness in his voice. I smiled. "Sure." "Tomorrow?" he asked. "Patience, grasshopper," I counseled. "You don't want to seem overeager. "Right, that's why I said tomorrow," he said. "I want to see you again tonight. But I'm willing to wait all night and much of tomorrow." I rolled my eyes. "I'm serious," he said. "You don't even know me," I said. I grabbed the book from the center console. "How about I call you when I finish this?" "But you don't even have my phone number," he said. "I strongly suspect you wrote it in this book." He broke out into that goofy smile. "And you say we don't know each other.

Now climb, young grasshopper, so your Kung Fu won't be weak.

Maybe you should just admit that you're crazy about me," he said, leaning in to kiss her again. "And why would you want me to do that?" she asked, still smiling. "Because I'm playing for keeps, my little grasshopper.

If a grasshopper tries to fight a lawnmower, one may admire his courage but not his judgement.

Personally I am very fond of strawberries and cream, but I have found that for some strange reason, fish prefer worms. So when I went fishing, I didn’t think about what I wanted. I thought about what they wanted. I didn't bait the hook with strawberries and cream. Rather, I dangled a worm or grasshopper in front of the fish and said: "Wouldn't you like to have that?" Why not use the same common sense when fishing for people?

My dear young fellow,' the Old-Green-Grasshopper said gently, 'there are a whole lot of things in this world of ours you haven't started wondering about yet.

Jason had to bury his face against her shoulder to keep from laughing out loud. She was just so damn cute. “Stop laughing at me! I’m a threat, damn it!” Jason pressed a gentle kiss to her lips. “No, you’re my sweet little grasshopper.

Patience, grasshopper," I counseled. "You don't want to seem overeager." "Right, that's why I said tomorrow," he said. "I want to see you again tonight. But I'm willing to wait all night and much of tomorrow.

Man, it was so quiet you could hear a grasshopper karate chop a fly.

All good books are about everything, abbreviated.

What would my little grasshopper like?” … She glared over her shoulder at him. “I’m not going to call you Mr Miyagi you know.” “Yes you will, but that’s not important at the moment.

And talking about dark! You think dark is just one color, but it ain't. There're five or six kinds of black. Some silky, some woolly. Some just empty. Some like fingers. And it don't stay still, it moves and changes from one kind of black to another. Saying something is pitch black is like saying something is green. What kind of green? Green like my bottles? Green like a grasshopper? Green like a cucumber, lettuce, or green like the sky is just before it breaks loose to storm? Well, night black is the same way. May as well be a rainbow.

You have two choices, grasshopper. Out-slut Clotile - or go Springer on her ass. I'm down for the assist in both scenarios.

And I am sure that I never read any memorable news in a newspaper. If we read of one man robbed, or murdered, or killed by accident, or one house burned, or one vessel wrecked, or one steamboat blown up, or one cow run over on the Western Railroad, or one mad dog killed, or one lot of grasshoppers in the winter, - we need never read of another. One is enough. If you are acquainted with the principle, what do you care for a myriad instances and applications?

Giddy grasshopper Take care...do not leap and crush These pearls of dewdrop

The white people were as thick and numerous and aimless as grasshoppers, moving always in a hurry but never seeming to get to whatever place it was they were going to.

The Blue Jay's Lullaby— Spiders and sowbugs and beetles and crickets,  Slugs from the roses and ticks from the thickets,   Grasshoppers, snails, and a quail's egg or two—    All to be regurgitated for you. Lullaby, lullaby, swindles and schemes,  Flying's not near as much fun as it seems.

Apparently she was beyond words so she pushed the card into his hands. He looked down. Blinked. Blinked again before stumbling back into a chair. Did he just wet himself? Ah, who cared? He was holding four tickets to the Yankees vs. Red Sox at Yankee Stadium for this Friday and they were without a doubt the best seats in the stadium. His eyes shifted from Haley to the tickets and back again before he made a split second decision and made a run for it. He didn’t make it five feet before his little grasshopper tackled him to the ground and ripped the card from his hands. He spit grass out of his mouth. “Fine. You can come with me I guess,” he said, earning a knee to the ribs.

Can we get back to work now?" Haley asked, sounding innocent, but Zoe didn't miss the woman's lips twitching or the humor sparkling in her eyes. Something told her that this woman truly enjoyed torturing her husband. "For god sake's, my little grasshopper, you love the Yankees more than I do! What the hell is going on?" He turned accusing eyes on Zoe. "How dare you brainwash my wife?" he hissed. "A re you going to leave so that we can get some work done?" Haley demanded, turning her attention to the computer. "No," he said stubbornly, folding his arms over his chest, glaring at them. "Buttercream frosting," Haley said softly, never taking her eyes away from her computer screen. Jason licked his lips as he looked his pregnant wife over hungrily. "Tonight?" he croaked out. "If you're good," Haley said, with a small shrug. "But you have to leave-" "Bye," Jason said quickly, cutting her off and rushing out of the trailer just as fast as he came.

Every child should have mud pies, grasshoppers, water bugs, tadpoles, frogs, mud turtles, elderberries, wild strawberries, acorns, chestnuts, trees to climb. Brooks to wade, water lilies, woodchucks, bats, bees, butterflies, various animals to pet, hayfields, pine-cones, rocks to roll, sand, snakes, huckleberries and hornets; and any child who has been deprived of these has been deprived of the best part of education.

You need to learn patience, you grasshopper

Stupid people should never read books.

I love how, whenever you tell me a story, you go backwards and forwards and tell me everything else that could possibly be happening in every direction, like an explosion. Like a flower blooming.

Sometimes it is perfectly acceptable to decide not to decide, to remain confused and wide-eyed about the next thing that will pop up in the road you build.

Because half a dozen grasshoppers under a fern make the field ring with their importunate chink, whilst thousands of great cattle, reposed beneath the shadow of the British oak, chew the cud and are silent, pray do not imagine that those who make the noise are the only inhabitants of the field.

Do you think I'm queer, Rob?" I asked. "I don't care if you're queer," Robby said. "Queer is just a word. Like orange. I know who you are. There's no one word for that.

History provides a compelling argument that every scientist who tinkers around with unstoppable shit needs a reliable flamethrower.

Always remember present perfect, grasshopper.

My heart started acting like a drunk grasshopper.

Coffee is a girl who never tells a boy no.

We made this stupid rule and this stupid rule. Boys are not allowed to love each other. Then we painted a bison on the wall.

Yes,” Howie said solemnly. “I can teach you how to be more ‘street’”. “For God’s sake…” “Or is it ‘urban’? I can’t remember. Anyway, I can teach you, grasshopper. Or hip-hopper.

We killed this big hairy thing and that big hairy thing. And that was our day. You know what I mean.

You must be crazy, after all, if a bird loves you.

Let me get this straight. The man with the gun says stay in your seat and you take that to mean jump around the room like demented grasshoppers.

I Name you Echthroi. I Name you Meg. I Name you Calvin. I Name you Mr. Jenkins. I Name you Proginoskes. I fill you with Naming. Be! Be, butterfly and behemoth, be galaxy and grasshopper, star and sparrow, you matter, you are, be! Be caterpillar and comet, Be porcupine and planet, sea sand and solar system, sing with us, dance with us, rejoice with us, for the glory of creation, seagulls and seraphim angle worms and angel host, chrysanthemum and cherubim. (O cherubim.) Be! Sing for the glory of the living and the loving the flaming of creation sing with us dance with us be with us. Be!" - Madeleine L'Engle, A Wind in the Door

I give you five minutes to spare your blushes. here is the little bronze key that opens the ebony caskets on the mantle piece in the Louise-Phillipe room. In one of the caskets you will find a scorpion, in the other, a grasshopper, both very cleverly imitated in Japanese bronze: they will say yes or no for you. If you turn the scorpion round, that will mean to me, when I return that you have said yes. The grasshopper will mean no... The grasshopper, be careful of the grass hopper! A grasshopper does not only turn: it hops! It hops! And it hops jolly high!

History does show that boys who dance are far more likely to pass along their genes than boys who don't. Boys who dance are genetic volcanoes.

I wanted so much to step over and pick them up. Several times I tried to move my feet, but they seemed to be nailed to the floor. I knew the pups were mine, all mine, yet I couldn't move. My heart started aching like a drunk grasshopper. I tried to swallow and couldn't. My Adam's apple wouldn't work. One pup started my way. I held my breath. On he came until I felt a scratchy little foot on mine. The other pup followed. A warm puppy tongue caressed my sore foot. I heard the stationmaster say, 'They already know you.' I knelt down and gathered them in my arms. I buried my face between their wiggling bodies and cried.

I used to try to hypnotize myself into a Zen-like state of resignation at the outset. It doesn't work, not for this grasshopper. I have my own process, as they say. I call it the motherfucker process.

Mr. Lemoncello bounced across the stage like a happy grasshopper.

Hazel Grace,” he said, my name new and better in his voice. “It has been a real pleasure to make your acquaintance.” “Ditto, Mr. Waters,” I said. I felt shy looking at him. I could not match the intensity of his waterblue eyes. “May I see you again?” he asked. There was an endearing nervousness in his voice. I smiled. “Sure.” “Tomorrow?” he asked. “Patience, grasshopper,” I counseled. “You don’t want to seem overeager.” “Right, that’s why I said tomorrow,” he said. “I want to see you again tonight. But I’m willing to wait all night and much of tomorrow.” I rolled my eyes. “I’m serious,” he said. “You don’t even know me,” I said. I grabbed the book from the center console. “How about I call you when I finish this?” “But you don’t even have my phone number,” he said. “I strongly suspect you wrote it in the book.” He broke out into that goofy smile. “And you say we don’t know each other.

Well, if I'm going to get beat up for being queer, at least I'd like to know one time what it feels like to be kissed." "Um. I guess you deserve that. You know. Everyone deserves to not feel alone.

I will feel no guilt on shutting my door to those who didn't listen.

I was going to do something I'd never done, and see things I could not understand and never believed existed. This is history, and it is also the truth.

Am I the only one who knows? I'll bet I am; nobody else really understands Grasshopper but me - they just imagine they do.

Grasshopper was tired. He lay down in a soft place. He knew that in the morning the road would still be there, taking him on and on to wherever he wanted t go.

Albert and I would spend hours and hours looking at them. Cleo had this big magnifying glass on his desk, and we'd find centipedes and grasshoppers and beetles and potato bugs, ants . . . and put them in a jar and look at them. They have the sweetest little faces and the cutest expressions. After we'd looked at them all we wanted to, we'd put them in the yard and let them go on about their business.

Jump. Jump, little grasshopper,” he grumbles. “It’ll be the last time you use your legs.” “What’s that?” I ask. “I said it’ll be the last time you use your legs.” “Odd,” I murmur. He blinks at me and frowns. “What’s … odd?” “You sound like a girl. Did something happen to your balls?” “You little …

They were both so beautiful, and their sound, as we said them to each other above the music, made our chests fill up with something electric and buzzing, like love and magic.

You are unique, and this is a beautiful, beautiful thing, grasshopper.

History does show that nothing means a hell of a lot more than nothing when teenagers talk. In this case, Robby knew it meant that I did not want to talk about it, so he left me alone. Robby Brees was such a good friend.

I’ve learnt to gather simplicity from grasshoppers. I like their naive indecisive minds never knowing exactly when to stop chirping, and I envy their ability to be able to mingle with the green…

I thought you'd be better at this." "Why?" Bridget shrugged. "'Cause your dad's a cop." "Right," Matt said, shifting his body so he wasn't blocking the light. "Why wouldn't he teach me Breaking and Entering 101?" Bridget stifled a yawn. "Might be helpful now." "Patience, grasshopper." Matt inserted a second metal prong into the lock. "I know a few tricks." Bridget heard a soft click, and Matt raised his eyebrows in an unspoken "I told you so" before twisting the handle. The door swung open. "Slick, MacGyver," Bridget whispered, patting him on the head. "Remind me to give you a cookie.

The summer came to life. It burst from gray to fierce blue and gold in the blink of an eye; the air pealed with grasshoppers and lawnmowers, swirled with branches and bees and dandelion seeds, it was soft and sweet as whipped cream, and over the wall the wood was calling us in the loudest of silent voices, it was shaking out all its best treasures to welcome us home. Summer tossed out a fountain of ivy tendrils, caught us straight under the breastbones and tugged; summer, redeemed and unfurling in front of us, a million years long.

And who came up with the animals for these euphemisms, anyway? Why bat shit? Why not cow shit or grasshopper shit? And why don't we give a rat's ass as opposed to a hamster's ass?

I brug you two [gifts] . . . I gots the little here in my pockie.' He dug one hand deep into his pocket and pulled out a handful of nuts and a dead grasshopper. 'Nope. Be the other side.' (Matt)

Everyone on every road that crossed beneath the point of my pen was always going to do the same things over and over and over. I was confused. How could I be in love with a girl and a boy, at the same time? I was trapped forever. You know what I mean.

You could never get everything in a book. Good books are always about everything.

You know, if they ever gave a Nobel Prize for avoiding work, every year some white guy in Iowa would get a million bucks and a trip to Sweden.

The present’s perfect, young grasshopper, because we’re breathing, moving, laughing, crying, and are surprised when we finally meet someone we connect with. Stop living in the past and wasting your present.

Here is what the end of the world looks like: It looks like a child running out into the road, eyes focused only on some destination ahead - the future, which is on the other side - and the child fails to notice the speeding truck that is there, on that same road, in the present. This is what the end of the world looks like. All roads cross here.

There were oil wells everywhere. The soil had been abandoned to dust and lizards, and the backyard of every wind-blistered bungalow in town had thrown over ideas of shade or geraniums in favor of the whiskey promise in the mutter of those green grasshopper pumps...A dozen ravenous steel insects sucked at the shit-caked loam in the mile-square meatfield of empty pens where the beeves, when there were beeves, milled waiting for the knife. (125)

There is something inside all boys that drives us to go away again and again and again.

All we have is the present. The present’s perfect, young grasshopper, because we’re breathing, moving, laughing, crying, and are surprised when we finally meet someone we connect with. Stop living in the past and wasting your present. You need to tell Noah how you feel.

The wind shook some blossoms from the trees, and the heavy lilac blooms, with their clustering stars, moved to and fro in the languid air. A grasshopper began to chirp by the wall, and like a blue thread a long, thin dragonfly floated past on its brown gauze wings. Lord Henry felt as if he could hear Basil Hallward's heart beating, and wondered what was coming.

The Summer Day Who made the world? Who made the swan, and the black bear? Who made the grasshopper? This grasshopper, I mean— the one who has flung herself out of the grass, the one who is eating sugar out of my hand, who is moving her jaws back and forth instead of up and down— who is gazing around with her enormous and complicated eyes. Now she lifts her pale forearms and thoroughly washes her face. Now she snaps her wings open, and floats away. I don't know exactly what a prayer is. I do know how to pay attention, how to fall down into the grass, how to kneel down in the grass, how to be idle and blessed, how to stroll through the fields, which is what I have been doing all day. Tell me, what else should I have done? Doesn't everything die at last, and too soon? Tell me, what is it you plan to do with your one wild and precious life?

The cicadas pierce the air with their searing one-note calls; dust eddies across the roads; from the weedy patches at the verges, grasshoppers whir. The leaves of the maples hang from their branches like limp gloves; on the sidewalk my shadow crackles.

The truth is that we all have ant years and grasshopper years - years in which we are able to prepare and save and years where we need a little extra help. Our true flaw lies not in failing to store up enough resources to cope with the grasshopper years, but in believing that each grasshopper year is an anomaly, visited only on us, due to our unique human failings.

Why were you born when the snow was falling? You should have come to the cuckoo's calling, Or when grapes are green in the cluster, Or, at least, when the lithe swallows muster For their far off flying From the summer dying. Why did you die when the lambs were cropping? You should have died at the apples' dropping, When the grasshopper comes to trouble, And the wheat-fields are sodden stubble, And all winds go sighing For sweet things dying.

It was toffee; they were advertising toffee, a nursemaid told Rezia. Together they spell t...o...f... "K...R..." said the nursemaid, and Septimus heard her say "Kay Arr" close to his ear, deeply, softly, like a mellow organ, but with a roughness in her voice like a grasshopper's, which rasped his spine deliciously and sent running up into his brain waves of sound which, concussing, broke. A marvellous discovery indeed - that the human voice in certain atmospheric conditions (for one must be scientific, above all scientific) can quicken trees into life!

It was warm, and outside the sound of insects in the night was electric. The music sounded better than anything I'd ever heard. I had never been so happy in my life. I played with the little silver medal against my bare chest. I wrote poetry while we sat there like that in the dark and talked about our favorite poems and books and laughed and smoked.

History chews up sexually uncertain boys, and spits us out as recycled, generic greeting cards for lonely old men.

History shows that an examination of the personal collection of titles in any man’s library will provide something of a glimpse into his soul.

I READ SOMEWHERE that human beings are genetically predisposed to record history. We believe it will prevent us from doing stupid things in the future.

We all have a certain knowledge about how the universe works. And when someone comes along and challenges that knowledge, we don’t know how to deal with it. We aren’t hardwired that way. It’s difficult to question everything you’ve ever thought to be true. So, like I said, it’s not your fault. You can believe me or not, but whichever you choose, you’re the one who has to deal with the consequences. So make your decision wisely, grasshopper,

On the day of the hunt I came to know in the slick center of my bones this one thing; all animals kill to survive, and we are animals. The lion kills the baboon, the baboon kills fat grasshoppers. The elephant tears up living trees, dragging their precious roots from the dirt they love....And we, even if we had no meat or even grass to gnaw, still boil our water to kill the invisible creatures that would like to kill us first. And swallow quinine pills. The death of something living is the price of our own survival, and we pay it again and again. We have no choice. It is the one solemn promise every life on earth is born and bound to keep.

He knew by heart every individual clump of bunch grass in the miles of red shaggy prairie that stretched before his cabin. He knew it in all the deceitful loveliness of its early summer, in all the bitter barrenness of its autumn. He had seen it smitten by all the plagues of Egypt. He had seen it parched by drought, and sogged by rain, beaten by hail, and swept by fire, and in the grasshopper years he had seen it eaten as bare and clean as bones that the vultures have left. After the great fires he had seen it stretch for miles and miles, black and smoking as the floor of hell.

Little girls are the nicest things that can happen to people. They are born with a bit of angel-shine about them, and though it wears thin sometimes, there is always enough left to lasso your heart—even when they are sitting in the mud, or crying temperamental tears, or parading up the street in Mother’s best clothes. A little girl can be sweeter (and badder) oftener than anyone else in the world. She can jitter around, and stomp, and make funny noises that frazzle your nerves, yet just when you open your mouth, she stands there demure with that special look in her eyes. A girl is Innocence playing in the mud, Beauty standing on its head, and Motherhood dragging a doll by the foot. God borrows from many creatures to make a little girl. He uses the song of a bird, the squeal of a pig, the stubbornness of a mule, the antics of a monkey, the spryness of a grasshopper, the curiosity of a cat, the speed of a gazelle, the slyness of a fox, the softness of a kitten, and to top it all off He adds the mysterious mind of a woman. A little girl likes new shoes, party dresses, small animals, first grade, noisemakers, the girl next door, dolls, make-believe, dancing lessons, ice cream, kitchens, coloring books, make-up, cans of water, going visiting, tea parties, and one boy. She doesn’t care so much for visitors, boys in general, large dogs, hand-me-downs, straight chairs, vegetables, snowsuits, or staying in the front yard. She is loudest when you are thinking, the prettiest when she has provoked you, the busiest at bedtime, the quietest when you want to show her off, and the most flirtatious when she absolutely must not get the best of you again. Who else can cause you more grief, joy, irritation, satisfaction, embarrassment, and genuine delight than this combination of Eve, Salome, and Florence Nightingale. She can muss up your home, your hair, and your dignity—spend your money, your time, and your patience—and just when your temper is ready to crack, her sunshine peeks through and you’ve lost again. Yes, she is a nerve-wracking nuisance, just a noisy bundle of mischief. But when your dreams tumble down and the world is a mess—when it seems you are pretty much of a fool after all—she can make you a king when she climbs on your knee and whispers, "I love you best of all!

There are times the lies get to me, times I weary of battering myself against the obstacles of denial, hatred, fear-induced stupidity, and greed, times I want to curl up and fall into the problem, let it sweep me away as it so obviously sweeps away so many others. I remember a spring day a few years ago, a spring day much like this one, only a little more sun, and warmer. I sat on this same couch and looked out this same window at the same ponderosa pine. I was frightened, and lonely. Frightened of a future that looks dark, and darker with each passing species, and lonely because for every person actively trying to shut down the timber industry, stop abuse, or otherwise bring about a sustainable and sane way of living, there are thousands who are helping along this not-so-slow train to oblivion. I began to cry. The tears stopped soon enough. I realized we are not so outnumbered. We are not outnumbered at all. I looked closely, and saw one blade of wild grass, and another. I saw the sun reflecting bright off the needles of pine trees, and I heard the hum of flies. I saw ants walking single file through the dust, and a spider crawling toward the corner of the ceiling. I knew in that moment, as I've known ever since, that it is no longer possible to be lonely, that every creature on earth is pulling in the direction of life--every grasshopper, every struggling salmon, every unhatched chick, every cell of every blue whale--and it is only our own fear that sets us apart. All humans, too, are struggling to be sane, struggling to live in harmony with our surroundings, but it's really hard to let go. And so we lie, destroy, rape, murder, experiment, and extirpate, all to control this wildly uncontrollable symphony, and failing that, to destroy it.

After the Jews crossed the sea and the desert, they reached the Promised Land. Scouts were sent to look at the land before settling. When the scouts came back, they reported that the people in the land were giants. “We looked at them and they looked at us as if we were grasshoppers,” they said. Sometimes when we make a decision to make a change in our lives, we feel just like those scouts. However, if you pay attention to the words of the Bible, it was not the giants living in the land of Israel who believed that the Jews looked like grasshoppers. It was the Jews’ own perception. When they looked at the giants, they believed they were the grasshoppers.

Resistance outwits the amateur with the oldest trick in the book: It uses his own enthusiasm against him. Resistance gets us to plunge into a project with an overambitious and unrealistic timetable for its completion. It knows we can’t sustain that level of intensity. We will hit the wall. We will crash. The professional, on the other hand, understands delayed gratification. He is the ant, not the grasshopper; the tortoise, not the hare... The professional arms himself with patience, not only to give the stars time to align in his career, but to keep himself from flaming out in each individual work. He knows that any job, whether it's a novel or kitchen remodel, takes twice as long as he thinks and costs twice as much. He accepts that. He recognizes it as reality.

Each such cycle is a unique event; diet, choice, selection, season, weather, digestion, decomposition and regeneration differ each time it happens. Thus, it is the number of such cycles, great and small, that decide the potential for diversity. We should feel ourselves privileged to be part of such eternal renewal. Just by living we have achieved immortality - as grass, grasshoppers, gulls, geese and other people. We are of the diversity we experience in every real sense. If, as physical scientists assure us, we all contain a few molecules of Einstein, and if the atomic particles of our physical body reach to the outermost bounds of the universe, then we are all de facto components of all things. There is nowhere left for us to go if we are already everywhere, and this is, in truth, all we will ever have or need. If we love ourselves at all, we should respect all things equally, and not claim any superiority over what are, in effect, our other parts. Is the hand superior to the eye? The bishop to the goose? The son to the mother?

It's one of these juvenile therapy scams,” he went on, sprinkling a pinch of the Golden Virginia tobacco along the rolling paper. “They advertise help for your troubled teen by staring at the stars and singing ‘Kumbaya’. Instead, it’s a bunch of bearded nutjobs left in charge of some of the craziest kids I’ve ever seen in my life—bulimics, nymphos, cutters trying to saw their wrists with the plastic spoons from lunch. You wouldn’t believe the shit that went on.” He shook his head. “Most of the kids had been so mentally screwed by their parents they needed more than twelve weeks of wilderness. They needed reincarnation. To die and just come back as a grasshopper, as a fucking weed. That’d be preferable to the agony they were in just by being alive.

Even if you have the wit to look by yourself in a bush away from the other children, there are not many bell crickets in the world. Probably you will find a girl like a grasshopper whom you think is a bell cricket. And finally, to your clouded, wounded heart, even a true bell cricket will seem like a grasshopper. Should that day come, when it seems to you that the world is only full of grasshoppers, I will think it a pity that you have no way to remember tonight’s play of light, when your name was written in green by your beautiful lantern on a girl’s breast.

Maybe the idea of the world as flat isn't a tribal memory or an archetypal memory, but something far older -- a fox memory, a worm memory, a moss memory. Memory of leaping or crawling or shrugging rootlet by rootlet forward, across the flatness of everything. To perceive of the earth as round needed something else -- standing up! -- that hadn't yet happened. What a wild family! Fox and giraffe and wart hog, of course. But these also: bodies like tiny strings, bodies like blades and blossoms! Cord grass, Christmas fern, soldier moss! And here comes grasshopper, all toes and knees and eyes, over the little mountains of the dust. When I see the black cricket in the woodpile, in autumn, I don't frighten her. And when I see the moss grazing upon the rock, I touch her tenderly, sweet cousin.

Mr. Edwards admired the well-built, pleasant house and heartily enjoyed the good dinner. But he said he was going on West with the train when it pulled out. Pa could not persuade him to stay longer. "I'm aiming to go far West in the spring," he said. "This here, country, it's too settled up for me. The politicians are a-swarming in already, and ma'am if'n there's any worse pest than grasshoppers it surely is politicians. Why, they'll tax the lining out'n a man's pockets to keep up these here county-seat towns..." "Feller come along and taxed me last summer. Told me I got to put in every last thing I had. So I put in Tom and Jerry, my horses, at fifty dollars apiece, and my oxen yoke, Buck and Bright, I put in at fifty, and my cow at thirty five. 'Is that all you got?' he says. Well I told him I'd put in five children I reckoned was worth a dollar apiece. 'Is that all?' he says. 'How about your wife?' he says. 'By Mighty!' I says to him. 'She says I don't own her and I don't aim to pay no taxes on her,' I says. And I didn't.

To me, hearing that those girls gave my brother Eric a blow job sounded very nice. History shows that all boys consider blow job to be a nice-sounding set of words. I thought a blow job was putting your face in front of an air conditioner, which is something all nine-year-old boys love to do, even though Eric did not look like he had been cooled off very much.

I sat down in the middle of the garden, where snakes could scarcely approach unseen, and leaned my back against a warm yellow pumpkin. There were some ground-cherry bushes growing along the furrows, full of fruit. I turned back the papery triangular sheaths that protected the berries and ate a few. All about me giant grasshoppers, twice as big as any I had ever seen, were doing acrobatic feats among the dried vines. The gophers scurried up and down the ploughed ground. There in the sheltered draw-bottom the wind did not blow very hard, but I could hear it singing its humming tune up on the level, and I could see the tall grasses wave. The earth was warm under me, and warm as I crumbled it through my fingers. Queer little red bugs came out and moved in slow squadrons around me. Their backs were polished vermilion, with black spots. I kept as still as I could. Nothing happened. I did not expect anything to happen. I was something that lay under the sun and felt it, like the pumpkins, and I did not want to be anything more. I was entirely happy. Perhaps we feel like that when we die and become a part of something entire, whether it is sun and air, or goodness and knowledge. At any rate, that is happiness; to be dissolved into something complete and great. When it comes to one, it comes as naturally as sleep.

Some of the most memorable, and least regrettable, nights of my own youth were spent in coon hunting with farmers. There is no denying that these activities contributed to the economy of farm households, but a further fact is that they were pleasures; they were wilderness pleasures, not greatly different from the pleasures pursued by conservationists and wilderness lovers. As I was always aware, my friends the coon hunters were not motivated just by the wish to tree coons and listen to hounds and listen to each other, all of which were sufficiently attractive; they were coon hunters also because they wanted to be afoot in the woods at night. Most of the farmers I have known, and certainly the most interesting ones, have had the capacity to ramble about outdoors for the mere happiness of it, alert to the doings of the creatures, amused by the sight of a fox catching grasshoppers, or by the puzzle of wild tracks in the snow.

Her hand just above my knee, the palm flat and soft against my jeans and her index finger making slow, lazy circles that crept toward the inside of my thigh, and with one layer between us, God I wanted her. And lying there, amid the tall, still grass and beneath the star-drunk sky, listening to the just-this-side-of-inaudible sound of her rhythmic breathing and the noisy silence of the bullfrogs, the grasshoppers, the distant cars rushing endlessly on 1-65, I thought it might be a fine time to say the Three Little Words. And I steeled myself to say them as I stared up at that starriest night, convinced myself that she felt it, too, that her hand so alive and vivid against my leg was more than playful, and fuck Lara and fuck Jake because I do, Alaska Young, I do love you and what else matters but that and my lips parted to speak and before I could even begin to breathe out the words, she said, "It's not life or death, the labyrinth.

Classifieds" WHOEVER’S found out what location compassion (heart’s imagination) can be contacted at these days, is herewith urged to name the place; and sing about it in full voice, and dance like crazy and rejoice beneath the frail birch that appears to be upon the verge of tears. I TEACH silence in all languages through intensive examination of: the starry sky, the Sinanthropus’ jaws, a grasshopper’s hop, an infant’s fingernails, plankton, a snowflake. I RESTORE lost love. Act now! Special offer! You lie on last year’s grass bathed in sunlight to the chin while winds of summers past caress your hair and seem to lead you in a dance. For further details, write: “Dream.” WANTED: someone to mourn the elderly who die alone in old folks’ homes. Applicants, don’t send forms or birth certificates. All papers will be torn, no receipts will be issued at this or later dates. FOR PROMISES made by my spouse, who’s tricked so many with his sweet colors and fragrances and sounds– dogs barking, guitars in the street– into believing that they still might conquer loneliness and fright, I cannot be responsible. Mr. Day’s widow, Mrs. Night.

Remember your Creator in the days of your youth, before the days of trouble come and the years approach when you will say, “I find no pleasure in them”— before the sun and the light and the moon and the stars grow dark, and the clouds return after the rain; when the keepers of the house tremble, and the strong men stoop, when the grinders cease because they are few, and those looking through the windows grow dim; when the doors to the street are closed and the sound of grinding fades; when people rise up at the sound of birds, but all their songs grow faint; when people are afraid of heights and of dangers in the streets; when the almond tree blossoms and the grasshopper drags itself along and desire no longer is stirred. Then people go to their eternal home and mourners go about the streets. Remember him—before the silver cord is severed, and the golden bowl is broken; before the pitcher is shattered at the spring, and the wheel broken at the well, and the dust returns to the ground it came from, and the spirit returns to God who gave it. “Meaningless! Meaningless!” says the Teacher. “Everything is meaningless!

I frowned, staring into the eerie blackness along Route 33 truckers always complained about. It is odd how we rarely encounter true darkness. Somewhere, there is always light; a house, a town, headlights. Not here. Just total and complete darkness. I had been on the night run for months, long enough to get accustomed to total darkness if not entirely comfortable with it. What concerned me was the silence. I'd often had to pull over and take a pee along that godforsaken beltway. There were crickets rubbing their legs together in the cotton and wheat, grasshoppers jumping through the corn stalks, and June bugs flittering above the fields. Occasionally while relieving myself I'd even hear a lone armadillo burrowing. Tonight, however, I heard nothing. Less than nothing. Always there existed a strangeness here the truckers talked about, but tonight something had inexplicably hushed the sounds of night and made it stranger. The silence itself was dead; the kind of silence you get high up in the mountains when it snows, hushing the entire world beneath a white blanket. The blanket along Damnation Road was black, and it felt…unnatural." - NIGHT RUN - Bobby Underwood

When I go to sea, I go as a simple sailor, right before the mast, plumb down into the forecastle, aloft there to the royal mast-head. True, they rather order me about some, and make me jump from spar to spar, like a grasshopper in a May meadow. And at first, this sort of thing is unpleasant enough. It touches one's sense of honor, particularly if you come of an old established family in the land, the van Rensselaers, or Randolphs, or Hardicanutes. And more than all, if just previous to putting your hand into the tar-pot, you have been lording it as a country schoolmaster, making the tallest boys stand in awe of you. The transition is a keen one, I assure you, from the schoolmaster to a sailor, and requires a strong decoction of Seneca and the Stoics to enable you to grin and bear it. But even this wears off in time. What of it, if some old hunks of a sea-captain orders me to get a broom and sweep down the decks? What does that indignity amount to, weighed, I mean, in the scales of the New Testament? Do you think the archangel Gabriel thinks anything the less of me, because I promptly and respectfully obey that old hunks in that particular instance? Who ain't a slave? Tell me that. Well, then, however the old sea-captains may order me about—however they may thump and punch me about, I have the satisfaction of knowing that it is all right; that everybody else is one way or other served in much the same way—either in a physical or metaphysical point of view, that is; and so the universal thump is passed round, and all hands should rub each other's shoulder-blades, and be content.

1 I don't believe in omens or fear Forebodings. I flee from neither slander Nor from poison. Death does not exist. Everyone's immortal. Everything is too. No point in fearing death at seventeen, Or seventy. There's only here and now, and light; Neither death, nor darkness, exists. We're all already on the seashore; I'm one of those who'll be hauling in the nets When a shoal of immortality swims by. 2 If you live in a house - the house will not fall. I'll summon any of the centuries, Then enter one and build a house in it. That's why your children and your wives Sit with me at one table, - The same for ancestor and grandson: The future is being accomplished now, If I raise my hand a little, All five beams of light will stay with you. Each day I used my collar bones For shoring up the past, as though with timber, I measured time with geodetic chains And marched across it, as though it were the Urals. 3 I tailored the age to fit me. We walked to the south, raising dust above the steppe; The tall weeds fumed; the grasshopper danced, Touching its antenna to the horse-shoes - and it prophesied, Threatening me with destruction, like a monk. I strapped my fate to the saddle; And even now, in these coming times, I stand up in the stirrups like a child. I'm satisfied with deathlessness, For my blood to flow from age to age. Yet for a corner whose warmth I could rely on I'd willingly have given all my life, Whenever her flying needle Tugged me, like a thread, around the globe.

One day, soon after her disappearance, an attack of abominable nausea forced me to pull up on the ghost of an old mountain road that now accompanied, now traversed a brand new highway, with its population of asters bathing in the detached warmth of a pale-blue afternoon in late summer. After coughing myself inside out I rested a while on a boulder and then thinking the sweet air might do me good, walked a little way toward a low stone parapet on the precipice side of the highway. Small grasshoppers spurted out of the withered roadside weeds. A very light cloud was opening its arms and moving toward a slightly more substantial one belonging to another, more sluggish, heavenlogged system. As I approached the friendly abyss, I grew aware of a melodious unity of sounds rising like vapor from a small mining town that lay at my feet, in a fold of the valley. One could make out the geometry of the streets between blocks of red and gray roofs, and green puffs of trees, and a serpentine stream, and the rich, ore-like glitter of the city dump, and beyond the town, roads crisscrossing the crazy quilt of dark and pale fields, and behind it all, great timbered mountains. But even brighter than those quietly rejoicing colors - for there are colors and shades that seem to enjoy themselves in good company - both brighter and dreamier to the ear than they were to the eye, was that vapory vibration of accumulated sounds that never ceased for a moment, as it rose to the lip of granite where I stood wiping my foul mouth. And soon I realized that all these sounds were of one nature, that no other sounds but these came from the streets of the transparent town, with the women at home and the men away. Reader! What I heard was but the melody of children at play, nothing but that, and so limpid was the air that within this vapor of blended voices, majestic and minute, remote and magically near, frank and divinely enigmatic - one could hear now and then, as if released, an almost articulate spurt of vivid laughter, or the crack of a bat, or the clatter of a toy wagon, but it was all really too far for the eye to distinguish any movement in the lightly etched streets. I stood listening to that musical vibration from my lofty slope, to those flashes of separate cries with a kind of demure murmur for background, and then I knew that the hopelessly poignant thing was not Lolita's absence from my side, but the absence of her voice from that concord.

Seeing a big scratch on Andy's cheek, he tried again. "You win this fight?" he touched the little boy's cheek lightly. Andy's eyes filled with tears. "I fallded down." "Fell," Jordan corrected automatically. "DADDY!! COME HERE!!" JD commanded furiously. He stomped off to behind the sofa. Jordan rolled his eyes and followed. Leaning down, Jordan whispered, "What?" JD had on his 'frog face'. The one he wore when grownups have been bad. Brows wrinkled, mouth all scrunched and frowny, hands on hips, all 33 inches of righteous indignation, he hissed, "He be's just a baby. He dunna talk good yet." Jordan cocked his eyebrow at his son. "I'm a big boy, Daddy. I know this stuff.

hawing, let us ask of the starling (who is a more sociable bird than the lark) what he may think on the brink of the dustbin, whence he picks among the sticks combings of scullion’s hair. What’s life, we ask, leaning on the farmyard gate; Life, Life, Life! cries the bird, as if he had heard, and knew precisely, what we meant by this bothering prying habit of ours of asking questions indoors and out and peeping and picking at daisies as the way is of writers when they don’t know what to say next. Then they come here, says the bird, and ask me what life is; Life, Life, Life! We trudge on then by the moor path, to the high brow of the wine-blue purple-dark hill, and fling ourselves down there, and dream there and see there a grasshopper, carting back to his home in the hollow, a straw. And he says (if sawings like his can be given a name so sacred and tender) Life’s labour, or so we interpret the whirr of his dust-choked gullet. And the ant agrees and the bees, but if we lie here long enough to ask the moths, when they come at evening, stealing among the paler heather bells, they will breathe in our ears such wild nonsense as one hears from telegraph wires in snow storms; tee hee, haw haw. Laughter, Laughter! the moths say. Having asked then of man and of bird and the insects, for fish, men tell us, who have lived in green caves, solitary for years to hear them speak, never, never say, and so perhaps know what life is — having asked them all and grown no wiser, but only older and colder (for did we not pray once in a way to wrap up in a book something so hard, so rare, one could swear it was life’s meaning?) back we must go and say straight out to the reader who waits a-tiptoe to hear what life is — alas, we don’t know.