Graphics Famous Quotes

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...She wasn't anyone special. She wasn't that brave, that clever or that strong. She was just somebody that felt cramped by the confines of her life. She was just somebody who had to get out. And she did it! She went out past Vega, out past Moulquet and Lambard! She saw places that aren't even there anymore! And do you know what she said? Her most famous quotation? "Anybody could have done it
Alan Moore (The Ballad of Halo Jones)
Clicking on "send" has its limitations as a system of subtle communication. Which is why, of course, people use so many dashes and italics and capitals ("I AM joking!") to compensate. That's why they came up with the emoticon, too—the emoticon being the greatest (or most desperate, depending how you look at it) advance in punctuation since the question mark in the reign of Charlemagne. You will know all about emoticons. Emoticons are the proper name for smileys. And a smiley is, famously, this: :—) Forget the idea of selecting the right words in the right order and channelling the reader's attention by means of artful pointing. Just add the right emoticon to your email and everyone will know what self-expressive effect you thought you kind-of had in mind. Anyone interested in punctuation has a dual reason to feel aggrieved about smileys, because not only are they a paltry substitute for expressing oneself properly; they are also designed by people who evidently thought the punctuation marks on the standard keyboard cried out for an ornamental function. What's this dot-on-top-of-a-dot thing for? What earthly good is it? Well, if you look at it sideways, it could be a pair of eyes. What's this curvy thing for? It's a mouth, look! Hey, I think we're on to something. :—( Now it's sad! ;—) It looks like it's winking! :—r It looks like it's sticking its tongue out! The permutations may be endless: :~/ mixed up! <:—) dunce! :—[ pouting! :—O surprise! Well, that's enough. I've just spotted a third reason to loathe emoticons, which is that when they pass from fashion (and I do hope they already have), future generations will associate punctuation marks with an outmoded and rather primitive graphic pastime and despise them all the more. "Why do they still have all these keys with things like dots and spots and eyes and mouths and things?" they will grumble. "Nobody does smileys any more.
Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
Key traits are a large x-height, strict geometry, and the infamous leaning letters and ligatures that allow extra tight fitting words. These glyphs are often abused, leading Ed Benguiat to famously declare, “The only place Avant Garde looks good is in the words ‘Avant Garde.
Stephen Coles (The Anatomy of Type: A Graphic Guide to 100 Typefaces)
I should know, but I don't, so I have to ask,' said Maggie, 'what's the most famous thing you ever wrote?' 'It was about a funeral for a great French chef.' 'That sounds interesting.' 'All the great chefs in the world are there. It's a beautiful ceremony.' Trout was making this up as he went along. 'Just before the casket is closed, the mourners sprinkle parsley and paprika on the deceased.' So it goes.
Kurt Vonnegut Jr. (Slaughterhouse-Five, or the Children's Crusade: A Graphic Novel Adaptation)
Moore’s Law, the rule of thumb in the technology industry, tells us that processor chips—the small circuit boards that form the backbone of every computing device—double in speed every eighteen months. That means a computer in 2025 will be sixty-four times faster than it is in 2013. Another predictive law, this one of photonics (regarding the transmission of information), tells us that the amount of data coming out of fiber-optic cables, the fastest form of connectivity, doubles roughly every nine months. Even if these laws have natural limits, the promise of exponential growth unleashes possibilities in graphics and virtual reality that will make the online experience as real as real life, or perhaps even better. Imagine having the holodeck from the world of Star Trek, which was a fully immersive virtual-reality environment for those aboard a ship, but this one is able to both project a beach landscape and re-create a famous Elvis Presley performance in front of your eyes. Indeed, the next moments in our technological evolution promise to turn a host of popular science-fiction concepts into science facts: driverless cars, thought-controlled robotic motion, artificial intelligence (AI) and fully integrated augmented reality, which promises a visual overlay of digital information onto our physical environment. Such developments will join with and enhance elements of our natural world. This is our future, and these remarkable things are already beginning to take shape. That is what makes working in the technology industry so exciting today. It’s not just because we have a chance to invent and build amazing new devices or because of the scale of technological and intellectual challenges we will try to conquer; it’s because of what these developments will mean for the world.
Eric Schmidt (The New Digital Age: Reshaping the Future of People, Nations and Business)
Meanwhile, in the Jewish ghetto of Frankfurt-am-Main, Mayer Rothschild (1744–1812) and his sons had begun building the now famous finance house. What made their business unique was that Rothschild sent his five sons to open branches in the five busiest cities in Europe.
Dan Cryan (Introducing Capitalism: A Graphic Guide (Graphic Guides))
From this comes Saussure’s famous pronouncement – the structure of language is purely differential: “Whether we take the signified or the signifier, language has neither ideas nor sounds that existed before the linguistic system, but only conceptual and phonic differences that have issued from the system.” Meaning is no longer simply a correlation of signifier/signified. Everything depends on differences. At the level of linguistic sounds, we can substitute the sound /p/ for the sound /b/ in big. The sounds don’t mean anything in themselves, but we can tell the difference between them. The difference makes possible a different meaning – the concept:
Jeff Collins (Introducing Derrida: A Graphic Guide (Graphic Guides Book 0))
The introduction is formal, solemn, complex and controversial. It stands as a fifth witness to the original Easter events, alongside the accounts in the four gospels, and is thus of extraordinary importance for our present study. Bultmann, famously, criticized Paul for citing witnesses to Jesus’ resurrection, as though he considered it an actual event, instead of being merely a graphic, ‘mythological’ way of referring to the conviction of the early Christians that Jesus’ death had been a good thing, not a bad thing.
N.T. Wright (Resurrection Son of God V3: Christian Origins and the Question of God)
Malcom Chakrey running successful and famous business with company Chakrey.com, and serves his experience truthfully & honestly in Web designing, marketing, graphics and a lot more.
MalcomChakery
Malcom Chakery running successful and famous business with company Chakery.com, and serves his experience truthfully & honestly in Web designing, marketing, graphics and a lot more.
MalcomChakery
His achievements were not come by easily. It was costly in life and in loss of personal freedoms. It was achieved with the full enforcement of the now famous "Dale laws." He moved quickly to punish deserters and law breakers. George Percy related the results in graphic terms. Some "in a moste severe manner [he] cawsed to be executed. Some he appointed to be hanged, some burned, some to be broken upon wheles, others to be staked and some to be shott to deathe; all theis extreme and crewell tortures he used and inflicted upon them to terrefy the reste for attemptinge the like...." These were stern measures that produced results and few of his contemporary associates took issue including John Rolfe, Ralph Hamor, Reverend Alexander Whitaker and even Sir Edwin Sandys. To them, motivated by the spirit of the time, hard conditions required stern handling.
Charles E. Hatch (The First Seventeen Years: Virginia, 1607-1624)
shedding of blood for sacrificial purposes,— the one real and physical, the other sacramental and mystical. The former took place in the bloody sacrifices of the Old Testament, and also in the Crucifixion, when the Precious Blood of our Saviour actually flowed from His veins and was separated from the Body. When we speak of the sacramental shedding of blood (effusio sanguinis sacra-mentalis s. mystica) we mean that Christ offers His Blood for us in so far as it is represented as mystically separated from His Body. This mystic slaying of the Eucharistic Lamb is an imitation and sacramental representation of the physical killing on the Cross. It is in this sense that we must understand the famous saying that the double Consecration is a mystic sword which separates the Blood of Christ from His Body and thereby graphically repre sents His death on the Cross.
Joseph Pohle (The sacraments: A Dogmatic Treatise, Vol. 2)
It was rated lemon,” Kelly Parker said. “What’s lemon?” “It means it’s super graphic,” she informed me. “Like with blow jobs and stuff.” “Oh, yeah. Blow jobs,” I said, and nodded, even though I was confused as shit trying to figure out what body part was supposed to get blown on. “Who writes them?” She shrugged. “I dunno. Fans? They’re like, our age, pretty sure.
Via Bleidner (If You Lived Here You'd Be Famous by Now: True Stories from Calabasas)
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Before seeking refuge in London, Marx and Engels had taken part in a secret society called the “Communism League” which commissioned them to prepare the now famous (Rest assured that we didn’t earn a penny from it…) COMMUNIST MANIFESTO
Rius (Introducing Marx: A Graphic Guide (Graphic Guides))
As NeXT began to struggle, even as Jobs’s star was rising, several employees at NeXT, as well as executives from Compaq and Dell, approached Jobs with an idea: get out of hardware. NeXT’s software was excellent. Its graphical interface and programming tools were more elegant and powerful than Microsoft’s DOS and early Windows. Jobs could offer PC makers an alternative to Microsoft, which they desperately wanted. In return, the PC makers could offer NeXT something it desperately needed: a future. The idea of switching from hardware to software was a classic S-type loonshot. Jobs had risen to fame selling hardware. Bigger, faster, more, every year. The stars of the day—IBM, DEC, Compaq, Dell—sold shiny machines stamped with their famous logos. Everyone knew there was no money to be made in software; the money was in hardware.
Safi Bahcall (Loonshots: How to Nurture the Crazy Ideas That Win Wars, Cure Diseases, and Transform Industries)
Milk and his allies wanted their movement to signify hope. So he approached a friend, the graphic designer Gilbert Baker, who suggested a rainbow instead. “A rainbow fit us,” said the man who became famous as the “gay Betsy Ross.” “It is from nature. It connects us to all the colors—all the colors of sexuality, all the diversity in our community.
Rick Perlstein (Reaganland: America's Right Turn 1976-1980)
But here I come back to Deleuze’s “right to say nothing,” and just because this right is denied to many people doesn’t make it any less of a right or any less important. As far back as 1886, decades before it would finally be guaranteed, workers in the United States pushed for an eight-hour workday: “eight hours of work, eight hours of rest, and eight hours of what we will.” The famous graphic by the Federation of Organized Trades and Labor Unions shows this motto corresponding to three sections of the day: a textile worker at her station, a sleeping person’s feet sticking out of a blanket, and a couple sitting in a boat on a lake, reading a union newspaper. The movement also had its own song: We mean to make things over; we’re tired of toil for naught but bare enough to live on: never an hour for thought. We want to feel the sunshine; we want to smell the flowers; We’re sure that God has willed it, and we mean to have eight hours. We’re summoning our forces from shipyard, shop and mill: Eight hours for work, eight hours for rest, eight hours for what we will!11
Jenny Odell (How to Do Nothing: Resisting the Attention Economy)