Graphics Day Quotes

Have you ever been in love? Horrible, isn't it? It makes you so vulnerable. It opens your chest and it opens up your heart and it means that someone can get inside you and mess you up. You build up all these defenses. You build up this whole armor, for years, so nothing can hurt you, then one stupid person, no different from any other stupid person, wanders into your stupid life… You give them a piece of you. They don't ask for it. They do something dumb one day like kiss you, or smile at you, and then your life isn't your own anymore. Love takes hostages. It gets inside you. It eats you out and leaves you crying in the darkness, so a simple phrase like "maybe we should just be friends" or "how very perceptive" turns into a glass splinter working its way into your heart. It hurts. Not just in the imagination. Not just in the mind. It's a soul-hurt, a body-hurt, a real gets-inside-you-and-rips-you-apart pain. Nothing should be able to do that. Especially not love. I hate love.

I've seen so many versions of you. With me. Without me. Artist. Teacher. Graphic designer. But it's all, in the end, just life. We see it macro, like one big story, but when you're in it, it's all just day-to-day, right? And isn't that what you have to make your peace with?

The idea of thinking in a linguistic yet nonphonological mode always intrigued me. I had a friend born of deaf parents; he grew up using American Sign Language, and he told me that he often thought in ASL instead of English. I used to wonder what it was like to have one’s thoughts be manually coded, to reason using an inner pair of hands instead of an inner voice. With Heptapod B, I was experiencing something just as foreign: my thoughts were becoming graphically coded. There were trance-like moments during the day when my thoughts weren’t expressed with my internal voice; instead, I saw semagrams with my mind’s eye, sprouting like frost on a windowpane. As

But I was right and the real world seemed increasingly nonsensical. Why train for years to do a job you bitched about all day? Didn't it make more sense to follow your dreams and maybe do a little good at the same time? I didn't want to be a lawyer or a bank manager or a goddamn burger flipper. We only get one life and I wanted mine to be exciting...

Aru knew because she'd dealt with it every day in school, that flare of not knowing where you belonged. That craving to be seen and go unnoticed at the same time.

The kidney was removed with great skill. We have an image of the kidney taken from that broadcast. Viewers are advised that the following image is quite graphic, and-" "I am getting so sick of looking at this kidney," I said. "It's a farce," Jazza replied. "They act like they're shocked and horrified, and then they show it off twenty times a day." "Have you seen the singing kidney video?" I asked. "Ugh. No." "It's really funny. You should watch it.

between the beginning of time and 2003, humanity generated roughly five exabytes of data, whereas we now produce the same volume of bits every two days.

In one way, at least, our lives really are like movies. The main cast consists of your family and friends. The supporting cast is made up of neighbors, co-workers, teachers, and daily acquaintances. There are also bit players: the supermarket checkout girl with the pretty smile, the friendly bartender at the local watering hole, the guys you work out with at the gym three days a week. And there are thousands of extras --those people who flow through every life like water through a sieve, seen once and never again. The teenager browsing a graphic novel at Barnes & Noble, the one you had to slip past (murmuring "Excuse me") in order to get to the magazines. The woman in the next lane at a stoplight, taking a moment to freshen her lipstick. The mother wiping ice cream off her toddler's face in a roadside restaurant where you stopped for a quick bite. The vendor who sold you a bag of peanuts at a baseball game. But sometimes a person who fits none of these categories comes into your life. This is the joker who pops out of the deck at odd intervals over the years, often during a moment of crisis. In the movies this sort of character is known as the fifth business, or the chase agent. When he turns up in a film, you know he's there because the screenwriter put him there. But who is screenwriting our lives? Fate or coincidence? I want to believe it's the latter. I want that with all my heart and soul.

On the morning of our second day, we were strolling down the Champs-Elysées when a bird shit on his head. ‘Did you know a bird’s shit on your head?’ I asked a block or two later. Instinctively Katz put a hand to his head, looked at it in horror – he was always something of a sissy where excrement was concerned; I once saw him running through Greenwood Park in Des Moines like the figure in Edvard Munch’s ‘The Scream’ just because he had inadvertently probed some dog shit with the tip of his finger – and with only a mumbled ‘Wait here’ walked with ramrod stiffness in the direction of our hotel. When he reappeared twenty minutes later he smelled overpoweringly of Brut aftershave and his hair was plastered down like a third-rate Spanish gigolo’s, but he appeared to have regained his composure. ‘I’m ready now,’ he announced. Almost immediately another bird shit on his head. Only this time it really shit. I don’t want to get too graphic, in case you’re snacking or anything, but if you can imagine a pot of yoghurt upended onto his scalp, I think you’ll get the picture. ‘Gosh, Steve, that was one sick bird,’ I observed helpfully. Katz was literally speechless. Without a word he turned and walked stiffly back to the hotel, ignoring the turning heads of passers-by. He was gone for nearly an hour. When at last he returned, he was wearing a windcheater with the hood up. ‘Just don’t say a word,’ he warned me and strode past. He never really warmed to Paris after that.

Please be forewarned that much of the content of this novella is extremely sexually graphic and at times violent. Read at your own volition and emotional risk.

Our adults haven't been wiped out by a plague so they're still anchored in the past, waiting for the good old days to come back.

The Me Too movement, started by Tarana Burke, made visible the overwhelming number of situations where assault and harassment happen, the way violence is embedded in our day-to-day lives, pointed out countless conversations and gestures we’d been taught to write off as insignificant. Me Too is a tail-end phrase, meant to be tacked on, in addition to. It is inextricable from a greater mass, immune to isolation. By stating those words, you didn’t have to divulge your full story in graphic detail, you just gave a nod, raised your hand. Speaking up didn’t force you to step into a spotlight, only helped you contribute to a glowing, innumerable whole. The Me Too movement offered the relief of finally being given a chance to set the story down, to see what it felt like to walk around, breathe, shake your arms out a little, without it.

The numbers grow as the technology and its accessibility grow. The technology by its very nature encourages more and more passive acquiescence to the graphic depictions. Passivity makes the already credulous consumer more credulous. He comes to the pornography a believer; he goes away from it a missionary.

I’ve seen so many versions of you. With me. Without me. Artist. Teacher. Graphic designer. But it’s all, in the end, just life. We see it macro, like one big story, but when you’re in it, it’s all just day-to-day, right? And isn’t that what you have to make your peace with?

Dear Jeff, I happened to see the Channel 7 TV program "Hooray for Hollywood" tonight with the segment on Blade Runner. (Well, to be honest, I didn't happen to see it; someone tipped me off that Blade Runner was going to be a part of the show, and to be sure to watch.) Jeff, after looking—and especially after listening to Harrison Ford discuss the film—I came to the conclusion that this indeed is not science fiction; it is not fantasy; it is exactly what Harrison said: futurism. The impact of Blade Runner is simply going to be overwhelming, both on the public and on creative people—and, I believe, on science fiction as a field. Since I have been writing and selling science fiction works for thirty years, this is a matter of some importance to me. In all candor I must say that our field has gradually and steadily been deteriorating for the last few years. Nothing that we have done, individually or collectively, matches Blade Runner. This is not escapism; it is super realism, so gritty and detailed and authentic and goddam convincing that, well, after the segment I found my normal present-day "reality" pallid by comparison. What I am saying is that all of you collectively may have created a unique new form of graphic, artistic expression, never before seen. And, I think, Blade Runner is going to revolutionize our conceptions of what science fiction is and, more, can be. Let me sum it up this way. Science fiction has slowly and ineluctably settled into a monotonous death: it has become inbred, derivative, stale. Suddenly you people have come in, some of the greatest talents currently in existence, and now we have a new life, a new start. As for my own role in the Blade Runner project, I can only say that I did not know that a work of mine or a set of ideas of mine could be escalated into such stunning dimensions. My life and creative work are justified and completed by Blade Runner. Thank you...and it is going to be one hell of a commercial success. It will prove invincible. Cordially, Philip K. Dick

She consoled herself with the thought that the pictures were graphic enough to shake people up, stop them being complacent about what was happening, and if that meant the war would end sooner, those two deaths weren't in vain. As she hoped, with less and less confidence each day, that Michael's had not been in vain. Too much waste to bear.

You dropped everything as soon you saw me headed here…and now you won’t give me the time of the day?” “Get out of my way, Catra. I don’t have time for this.” “Then make time.

Every day that we can open our eyes and take a look at the world around us, is another day to be thankful for. It's a chance to remember how far we've come, and to remember how we did it -- by being honest with ourselves about who we are and what we've done. By letting hope back into our lives, and learning to lean on those who care when we're too weak to stand on our own two feet. It hasn't been easy, and it never will be. After all, every day is also a chance to slide back into the darkness. To live in ourselves and our regrets, instead of this moment. To run away from those that would help us and let self-hatred drive us back into isolation, despair, and destruction. So let's make a promise this morning -- that we will spend today with our eyes fixed forward. Step by step, we will do things that help make life better, for ourselves and those around us. Because just as they have forgiven us -- we must also forgive ourselves.

Jessica Stone. The Jessica Stone. My costar. As in, indie film poster child, beloved by the internet for being sexy and cute and funny, sure to snag an Oscar one day Jessica Stone. I think I saw her last movie in theaters fifteen times, and not just because it was based on a graphic novel. Don’t fanboy, I order myself. Don’t fanboy. Gail looks at me, surprised. “But Dare, we were—” I cough. Twice. Gail looks between Jessica Stone and me, widens her eyes, and finally gets it. Her ears go even redder. “Oh. Oh.” She grabs her backpack and makes a hasty retreat. “I…um. I’ll be around if you need me, Dare.” After the door closes, Jessica Stone turns her eyes—which are super, freakishly, ice-water blue—to me. “I didn’t mean to intrude.” My tongue ties into ten hundred knots. She can intrude as much as she wants. I mean, not intrude—like, let me politely be in her presence for the rest of my life—but intruding works too. Into my life. As much as she wants. Is that weird? It’s probably weird. But it’s Jessica Stone. Damn it, man, don’t fanboy.

The instant he entered I saw by his face that he had not been successful. Amusement and chagrin seemed to be struggling for the mastery, until the former suddenly carried the day, and he burst into a hearty laugh.

This is really weird, but you know that movie Jurassic Park? They saturated the media with ads that were very graphic with dinosaurs eating humans and all kinds of things. Well, Koko saw them, and several days later one of our caregivers reported her acting very strangely towards her toy dinosaurs and alligators. She was acting as though they were real, and was very frightened of them, and didn't want to touch them. She was using tools to get them away from her. I do believe she had a nightmare about them.

One time I was painting a sign / graphics on a temporary wall over a store front being remodeled in a mall. This was in the old days, before digital graphics, when everything was hand painted. A guy watched me for a while and then asked : "Isn't that just a temporary wall?" "Yes", I replied. And he said: "They're paying you, probably a lot of money, to paint that on a temporary wall?" I said: " You know, this whole mall is temporary ... some day this will all be gone." He got sort of a frightened look on his face and walked awa

You should sit, concentrating inwardly for a while in the Nio-zazen style of Shozan,57 controlling your ch’i. This is not necessarily a matter of lighting an incense stick, fixing a time period, or sitting in the correct Buddhist zazen posture. It is just sitting in your usual fashion, in a proper posture, and enlivening your ch’i. You should train yourself to sit like this for a little while several times a day whenever you have some free time. If you do this, your sinews and bones will be measured and coordinated, your blood will flow without obstruction, your ch’i will have substance, and illnesses will disappear of themselves.

Extremist material of any kind always looks gaudy and cheap, like a bad pizza menu. Not because they can't afford decent computers - these days you can knock up a professional CD cover on a pay-as-you-go mobile - but because anyone who's good at graphic design is likely to be a thoughtful, inquisitive sort by nature. And thoughtful, inquisitive sorts tend to think fascism is a bit shit, to be honest. If the BNP really were the greatest British party, they'd have the greatest British designer working for them - Jonathan Ive, perhaps, the man who designed the iPod. But they don't. They've got someone who tries to stab your eyes out with primary colours.

Most people don’t get (or want) to look at old news footage, but we looked at thirty years of stories relating to motherhood. In the 1970s, with the exception of various welfare reform proposals, there was almost nothing in the network news about motherhood, working mothers, or childcare. And when you go back and watch news footage from 1972, for example, all you see is John Chancellor at NBC in black and white reading the news with no illustrating graphics, or Walter Cronkite sitting in front of a map of the world that one of the Rugrats could have drawn–that’s it. But by the 1980s, the explosion in the number of working mothers, the desperate need for day care, sci-fi level reproductive technologies, the discovery of how widespread child abuse was–all this was newsworthy. At the same time, the network news shows were becoming more flashy and sensationalistic in their efforts to compete with tabloid TV offerings like A Current Affair and America’s Most Wanted. NBC, for example introduced a story about day care centers in 1984 with a beat-up Raggedy Ann doll lying limp next to a chair with the huge words Child Abuse scrawled next to her in what appeared to be Charles Manson’s handwriting. So stories that were titillating, that could be really tarted up, that were about children and sex, or children and violence–well, they just got more coverage than why Senator Rope-a-Dope refused to vote for decent day care. From the McMartin day-care scandal and missing children to Susan Smith and murdering nannies, the barrage of kids-in-jeopardy, ‘innocence corrupted’ stories made mothers feel they had to guard their kids with the same intensity as the secret service guys watching POTUS.

These days, superhero comics think the audience is certainly not nine to 13, it’s nothing to do with them. It’s an audience largely of 30-, 40-, 50-, 60-year old men, usually men. Someone came up with the term graphic novel. These readers latched on to it; they were simply interested in a way that could validate their continued love of Green Lantern or Spider-Man without appearing in some way emotionally subnormal.

blackletter has come to represent a certain reverence and antiquity. There are various forms, such as the French/Flemish Bâtarde, or the German Schwabacher and Fraktur, but the style familiar to most modern-day readers is Textura (colloquially — and inaccurately — called Old English). Yet most Textura typefaces still aren’t very legible to a public accustomed to roman letterforms. Cabazon alleviates that issue by keeping things fairly informal and free of ornamentation.

By day I taught Sahjara, who brought me unceasing small presents ranging from orange flower cakes to bouquets of jolly red berries; by night, I imagined my employer making the sort of inappropriate advances which would have made most governesses flee the estate forthwith, and in graphic detail, complete with bare thighs and calloused fingers and the diagonal notches which rest so sweetly above the hipbones when a gentleman is in training, as I had no doubt whatsoever Mr. Thornfield was.

The graphic photographs of Emmett Till’s brutalized body after it was retrieved three days later, flashed across the screen,” says Baker. “I sprang off the couch and screamed ‘No!’ It was the immediate and universal anguish every mother feels at the sight of such cruelty to a child. My heart was broken wide open, and from that moment, I began reviewing how, decade by decade, I had unconsciously been consuming racism my whole life. I read and wrote and read and wrote. And that was the beginning of my journey.

It was not the father, however, who first discovered that the child had developed into the woman. It seldom is in such cases. That mysterious change is too subtle and too gradual to be measured by dates. Least of all does the maiden herself know it until the tone of a voice or the touch of a hand sets her heart thrilling within her, and she learns, with a mixture of pride and of fear, that a new and a larger nature has awoken within her. There are few who cannot recall that day and remember the one little incident which heralded the dawn of a new life.

I was wondering how Ms. Hetley, who seemed to occupy just about every slot on the New York Times hardback, paperback, and e-book bestseller lists, had managed to wring eight five-hundred-page installments out of the concept of wars between rival gangs of vampires and wizards when it seemed obvious to me that all a wizard would have to do to kick a vampire's ass was pounce on it during the day while it was sleeping. How could anyone take this stuff seriously, I wondered. Hetley's graphic depictions of wizard-on-vampire sex, which was creating a bloodthirsty, mutant race of evil, soulless 'vampards', seemed absurd.

Graphic designer, Ava Dennis, gave a dead-eyed stare to her computer screen and contemplated chucking it out the window of her second-floor apartment. Twenty-seven was the number of rounds of edits she’d done for a personalized Valentine’s Day card. Four was the number of times her client, Kathy, had typed the phrase we want this card to resemble our love in emails to Ava. Zero was the number of Valentine’s Day dates Ava had been on, which was probably the reason for her questionable attitude around this time of year. You see, Ava Dennis was a victim of the Valentine’s Day Curse. Three times, she’d had a serious boyfriend

When President Obama asked to meet with Steve Jobs, the late Apple boss, his first question was ‘how much would it cost to make the iPhone in the United States, instead of overseas?’ Jobs was characteristically blunt, asserting that ‘those jobs are never coming back’. In point of fact, it’s been estimated that making iPhones exclusively in the US would add around $65 to the cost of each phone – not an unaffordable cost, or an unthinkable drop in margin for Apple, if it meant bringing jobs back home.  But American workers aren’t going to be making iPhones anytime soon, because of the need for speed, and scale, in getting the product on to shelves around the world. When Apple assessed the global demand for the iPhone it estimated that it would need almost 9,000 engineers overseeing the production process to meet demand. Their analysts reported that it would take nine months to recruit that many engineers in the US – in China, it took 15 days. It’s these kind of tales that cause US conservative media outlets to graphically describe Asia as ‘eating the lunch’ off the tables of patriotic, if sleep-walking, American citizens. If Apple had chosen to go to India, instead of China, the costs may have been slightly higher, but the supply of suitably qualified engineers would have been just as plentiful. While China may be the world’s biggest manufacturing plant, India is set to lead the way in the industry that poses the biggest threat to western middle-class parents seeking to put their sons or daughters through college: knowledge.

looking for people to design the graphical interface for Apple’s new operating system, Jobs got an email from a young man and invited him in. The applicant was nervous, and the meeting did not go well. Later that day Jobs bumped into him, dejected, sitting in the lobby. The guy asked if he could just show him one of his ideas, so Jobs looked over his shoulder and saw a little demo, using Adobe Director, of a way to fit more icons in the dock at the bottom of a screen. When the guy moved the cursor over the icons crammed into the dock, the cursor mimicked a magnifying glass and made each icon balloon bigger. “I said, ‘My God,’ and hired him on the spot,” Jobs recalled. The feature became a lovable part of Mac OSX, and the designer went on to design such things as inertial scrolling for multi-touch screens (the delightful feature that makes the screen keep gliding for a moment after you’ve finished swiping). Jobs’s experiences at NeXT had matured him, but they had not mellowed him much. He still had no license plate on his Mercedes, and he still parked in the handicapped spaces next to the front door, sometimes straddling two slots. It became a running

AGNES EGGLING: mid- to late 30s; preferably heavyset. Bit player / character actress in the German film industry. GREGOR BAZWALD (BAZ): early to mid-30s. Homosexual who works for the Berlin Institute for Human Sexuality. PAULINKA ERDNUSS: mid-30s, but looks a little younger. Actress in the German film industry; a featured player on her way to becoming a minor star. ANNABELLA GOTCHLING: mid-40s. Communist artist and graphic designer. VEALTNINC HUSZ: mid-40s. Cinematographer. Hungarian exile. Missing an eye, he wears spectacles with one lens blackened. ROSA MALEK: mid- to late 20s. Minor functionary of the KPD (Kommunistische Partei Deutschlands). EMIL TRAUM: mid- to late 20s. Slightly higher-ranking functionary of the KPD. DIE ALTE: a woman, very old but hard to tell how old—somewhere between 70 and dead-for-20-years. White face and rotten teeth. Dressed in a nightgown, once white but now soiled and food-stained. GOTTFRIED SWETTS: ageless; when he looks good he could be 30, when he looks bad he could be 50 (or more). Distinguished, handsome, blond, Aryan. ZILLAH KATZ: contemporary American Jewish woman. 30s. BoHo/East Village New Wave with Anarcho-Punk tendencies.

And the endurance is undeniable too. Six hours more or less on the defensive; six hours of alert immobility while the boat drove slowly or floated arrested, according to the caprice of the wind; while the sea, calmed, slept at last; while the clouds passed above his head; while the sky from an immensity lustreless and black, diminished to a sombre and lustrous vault, scintillated with a greater brilliance, faded to the east, paled at the zenith; while the dark shapes blotting the low stars astern got outlines, relief became shoulders, heads, faces, features, — confronted him with dreary stares, had dishevelled hair, torn clothes, blinked red eyelids at the white dawn. “They looked as though they had been knocking about drunk in gutters for a week,” he described graphically; and then he muttered something about the sunrise being of a kind that foretells a calm day. You know that sailor habit of referring to the weather in every connection. And on my side his few mumbled words were enough to make me see the lower limb of the sun clearing the line of the horizon, the tremble of a vast ripple running over all the visible expanse of the sea, as if the waters had shuddered, giving birth to the globe of light, while the last puff of the breeze would stir the air in a sigh of relief.

If anything- learn from me. Try to do the virtuous things I did and not the mistakes I made. Though it is up to you to decide what was great or immoral, it is what you feel and believe is morally right in your mind.' 'Yes, it would be right in saying- I never really establish any thought into what was going to happen to me someday and the others that are part of my surroundings.' 'However, life goes on, and the existence of what was stands for nothing but- a memory of what you can and cannot have. If you are someone like me, but all I ever wanted to have is someone that appreciates me.' 'Everybody around here would say life is free, yet or is it?' 'Like, do I even want it?' 'No- not anymore!' 'The existence of life…! Is what I mean.' 'This belief is what I do not want, to have anymore.' 'There must be a way out of all this misery, suffering, pain, agony, and distress, that I relish in the day today?' 'They say dying, departing, and falling is easy, as well as lasting, and living is difficult, uncertain, ambiguous, and unpredictable.' 'While with a wild carless heart and reduction of insight I am going to find out!' 'I presume life is all about what you want, need, love, desire, respect, and love.' 'Furthermore, existing in life comes down to what you cannot have in it. All I have to say is don't let anyone or anything pin you down and make you less than who you are. Always be who you were meant to be, regardless of what they say… because who in the hell are, they!' 'This is a warning to my story, I will only say this once, this is my life, and others I have loved and lost, and it is graphic at times.' 'Just like looking into a book of Sh-h, of deep dark girlie secrets, photographs in the mind like black and white still frames of the past developed, or like a painting of time last just at the moment- a picture with my words of how I will be remembered, the story will come to be perceived sharply and with much clarity.

You are familiar with The Decline of the West, in which Oswald Spengler takes note of the current decadence of painting, as well as literature and music, and concludes that the end of our cultural epoch has arrived. He is a philosopher, but one descended from the natural sciences. He arranges observations, he records insights and knowledge. He takes a graphic view of history. And if he sees that a line curves downward, he considers the trend a proven fact, so that zero must be reached at a particular time and place. And that moment represents the end, the decline of the West! "But his graphing has no bearing on any of my ideas and plans as architect and politician. I study the reasons why the line curves downward, and I try to remove the causes. But at the same time, I examine the reasons why at an earlier time the line curved upward! And then I set out to restore the conditions of that day, to awake anew the creative wall of that time, and to bring about a new crest in the constantly fluctuating curve of history. "No doubt about it! Our culture has entered on stagnation, it looks like old age. But the reasons for this state do not lie in the fact that it has genuinely passed its manhood, but rather that the upholders of this culture, the Germanic-European peoples, have neglected it and have turned their attention to material tasks, to technology, industry, to hunger for material possessions, to rapacity, and to an economic egocentrism that overwhelms everything else. All their thinking and striving reaches its only climax in account books and in the outward show of the worldly goods they possess. "I am overcome with disgust, a vexing scorn, when I see the way such people live and behave! [ . . . ] But thank God, it is only the top ten thousand who think along these lines. It is true that the whole of the bourgeoisie is already strongly infected and sickly. But bourgeois youth are still healthy and can be shown the way back to nature, to a higher development, to new cultural will, provided only that they do not become enmeshed in the treadmill of meaningless and wholly materialistic contemporary life, only to drown either in the cupidity of business or in the tedium of the middle-class workaday routine or in the corruption of the big city. “If we succeed in replacing the egocentric cupidity of business with a socialist communal wall and a work-affirming responsibility for the common-weal; in abolishing the tedium of middle-class workaday monotony by substituting for it the potential enjoyment of personal liberty, the beauty of nature, the splendor of our own Fatherland and the thousandfold diversity of the rest of the world; and if we put an end to the corruption of omnipresent degeneracy, bred in the warrens of buildings and on the asphalt streets of the cities of millions - then the road is clear to a new life, to a new creative will, to a new flight of the free, healthy spirit and mind. And then, my dear Herr Roselius, your bricks will form themselves into entirely new shapes all by themselves. Temples of life will be built, cathedrals of a higher cult will be raised, and even thousands of years later, the walls will bear witness to the exalted times out of which even more exalted ones were bom!” When Roselius had left Hitler’s room with me, he took my hand and said: “Wagener, I thank you for having made this hour possible. What a man! And how small we feel, concerned as we are with those things that preoccupy us! But now I know' what I have to do! In spite of my sixty years, I have only one goal: to join in the work of helping the young people and the German Volk to find internal and external freedom!

a serious contender for my book of year. I can't believe I only discovered Chris Carter a year ago and I now consider him to be one of my favourite crime authors of all time. For that reason this is a difficult review to write because I really want to show just how fantastic this book is. It's a huge departure from what we are used to from Chris, this book is very different from the books that came before. That said it could not have been more successful in my opinion. After five books of Hunter trying to capture a serial killer it makes sense to shake things up a bit and Chris has done that in best possible way. By allowing us to get inside the head of one of the most evil characters I've ever read about. It is also the first book based on real facts and events from Chris's criminal psychology days and that makes it all the more shocking and fascinating. Chris Carter's imagination knows no bounds and I love it. The scenes, the characters, whatever he comes up with is both original and mind blowing and that has never been more so than with this book. I feel like I can't even mention the plot even just a little bit. This is a book that should be read in the same way that I read it: with my heart in my mouth, my eyes unblinking and in a state of complete obliviousness to the world around me while I was well and truly hooked on this book. This is addictive reading at its absolute best and I was devastated when I turned the very last page. Robert Hunter, after the events of the last few books is looking forward to a much needed break in Hawaii. Before he can escape however his Captain calls him to her office. Arriving, Hunter recognises someone - one of the most senior members of the FBI who needs his help. They have in custody one of the strangest individuals they have ever come across, a man who is more machine than human and who for days has uttered not a single word. Until one morning he utters seven: 'I will only speak to Robert Hunter'. The man is Hunter's roommate and best friend from college, Lucien Folter, and found in the boot of his car are two severed and mutilated heads. Lucien cries innocence and Hunter, a man incredibly difficult to read or surprise is played just as much as the reader is by Lucien. There are a million and one things I want to say but I just can't. You really have to discover how this story unfolds for yourself. In this book we learn so much more about Hunter and get inside his head even further than we have before. There's a chapter that almost brought me to tears such is the talent of Chris to connect the reader with Hunter. This is a character like no other and he is now one of my favourite detectives of all time. We go back in time and learn more about Hunter when he was younger, and also when he was in college with Lucien. Lucien is evil. The scenes depicted in this book are some of the most graphic I've ever read and you know what, I loved it. After five books of some of the scariest and goriest scenes I've ever read I wondered whether Chris could come up with something even worse (in a good way), but trust me, he does. This book is horrifying, terrifying and near impossible to put down until you reach its conclusion. I spent my days like a zombie and my nights practically giving myself paper cuts turning the pages. If when reading this book you think you have an idea of where it will go, prepare to be wrong. I've learnt never to underestimate Chris, keeping readers on their toes he takes them on an absolute rollercoaster of a ride with the twistiest of turns and the biggest of drops you will finish this book reeling. I am on a serious book hangover, what book can I read next that can even compare to this? I have no idea but if you are planning on reading An Evil Mind I cannot reccommend it enough. Not only is this probably my book of the year it is probably the best crime fiction book I have ever read. An exaggeration you might say but my opinion is my own and this real

In the opinion of the A. C. Nielsen Company, the ideal radio research service must: 1. Measure the entertainment value of the program (probably best indicated by the size of the audience, bearing in mind the scope of the broadcasting facilities). 2. Measure the sales effectiveness of the program. 3. Cover the entire radio audience; that is: a. All geographical sections. b. All sizes of cities. c. Farms. d. All income classes. e. All occupations. f. All races. g. All sizes of family. h. Telephone and non-telephone homes, etc., etc. 4. Sample each of the foregoing sections of the audience in its proper portion; that is, there must be scientific, controlled sampling — not wholly random sampling. 5. Cover a sufficiently large sample to give reliable results. 6. Cover all types of programs. 7. Cover all hours of the day. 8. Permit complete analysis of each program; for example: a. Variations in audience size at each instant during the broadcast. b. Average duration of listening. c. Detection of entertainment features or commercials which cause gain or loss of audience. d. Audience turnover from day to day or week to week, etc., etc. 9. Reveal the true popularity and listening areas of each station and each network; that is, furnish an "Audit Bureau of Circulations" for radio. A study was made by A. C. Nielson Company of all possible methods of meeting these specifications. After careful investigation, they decided to use a graphic recording instrument known as the "audimeter" for accurately measuring radio listening. . . . The audimeter is installed in radio receivers in homes.

There is some feeling nowadays that reading is not as necessary as it once was. Radio and especially television have taken over many of the functions once served by print, just as photography has taken over functions once served by painting and other graphic arts. Admittedly, television serves some of these functions extremely well; the visual communication of news events, for example, has enormous impact. The ability of radio to give us information while we are engaged in doing other things—for instance, driving a car—is remarkable, and a great saving of time. But it may be seriously questioned whether the advent of modern communications media has much enhanced our understanding of the world in which we live. Perhaps we know more about the world than we used to, and insofar as knowledge is prerequisite to understanding, that is all to the good. But knowledge is not as much a prerequisite to understanding as is commonly supposed. We do not have to know everything about something in order to understand it; too many facts are often as much of an obstacle to understanding as too few. There is a sense in which we moderns are inundated with facts to the detriment of understanding. One of the reasons for this situation is that the very media we have mentioned are so designed as to make thinking seem unnecessary (though this is only an appearance). The packaging of intellectual positions and views is one of the most active enterprises of some of the best minds of our day. The viewer of television, the listener to radio, the reader of magazines, is presented with a whole complex of elements—all the way from ingenious rhetoric to carefully selected data and statistics—to make it easy for him to “make up his own mind” with the minimum of difficulty and effort. But the packaging is often done so effectively that the viewer, listener, or reader does not make up his own mind at all. Instead, he inserts a packaged opinion into his mind, somewhat like inserting a cassette into a cassette player. He then pushes a button and “plays back” the opinion whenever it seems appropriate to do so. He has performed acceptably without having had to think.

Without any legal limit on working hours or minimum wages, the working day lasted for sixteen hours and the pay sufficed for only the most meagre existence. Trade unions began to form, but they could do little as long as labour was unskilled and each worker immediately replaceable by another.

Banking lived on and developed mainly in Italy by private hands, but its basic idea remained unchanged from the days of the Templars to the arrival of the Rothschilds in the 19th century (see

He consumed TV like the late Roger Ebert must have watched movies. I imagine that, after being a film critic for almost a half century, it was difficult for Ebert to enjoy a movie just for the fun of it. He must have always been analyzing the plotline, character development, and cinematography. Trump was the same way about network news programming. He commented on the sets, the graphics, the wardrobe choices, the lighting, and just about every other visual component of a broadcast.

When the Con- stitution was adopted, the unit of organization was the village community, which produced the greater part of its own necessary commodities and generated its group ideas and opinions by personal contact and discussion directly among its citizens. But to-day, because ideas can be instantaneously transmitted to any distance and to any number of people, this geo- graphical integration has been supplemented by many other kinds of grouping, so that persons having the same ideas and interests may be associated and regimented for common action even though they live thousands of miles apart.

Sir’s lessons on the fall of Winter were graphic. The way he described how Angra planned the attack, as if he knew Winter would fall on that day, how he stationed every soldier he had throughout Winter, moving them in secret until everything exploded in one unavoidable sweep of destruction. There was nowhere to run—Angra blocked off any retreat into Autumn, or the Klaryns, or the northern Feni River. He barricaded us in our own kingdom, and when he broke the locket, when our soldiers had no magic-given strength to help them stand against him, we fell. Only twenty-five of us managed to escape.

The early days of Inner Sanctum gave a generous mix of classics and original stories. Boris Karloff was a regular, appearing in, among others, the Poe classics The Telltale Heart and The Fall of the House of Usher. Peter Lorre was heard in The Horla, by Maupassant, and George Coulouris, Paul Lukas, and Claude Rains were also starred performers. But Karloff propelled it: fueled by his film portrayals of Frankenstein’s monster, he appeared more than 15 times in 1941–42. While the network was under pressure from parents’ groups to curtail graphic violence, Karloff wanted even more gore. His public expected it, he argued.

I knew Laura wasn’t home this morning, so there was no possibility of her hearing the shot and rushing over to help, placing herself in mortal danger. Which she would have gladly done, because that’s who she was in real life, as well as on television; though her popular show was no longer on the air, her legions of fans adored her, and continued to watch her show in syndication. Like Laura, they believed in decency, the hereafter, hope and goodness. Laura’s fans were the quiet majority in America. They were the people networks, and society in general, did not want you to believe existed. They did not keep up with the Kardashians, had no interest in squabbles between little women in any city, abhorred the depths of depravity and graphic violence so endemic it seemed of every crime show being produced, were sickened by the shallow and inconsequential reality television shows, and would no sooner have spent an hour watching Style or E! than they would have planning an evening out with a convicted serial killer — even if television did portray one as being “cool” because he unrealistically helped catch others of his ilk. Sure, that crap got good ratings, but that was because decent people no longer watched much television. In our day, the Love Boat’s calm, happy seas of the ‘70s and ‘80s had become a sleazy, violent, often gender-bending cruise into politically correct waters so liberally tolerant of everything but religious faith, that anyone pointing out the iceberg just ahead in these foul-smelling and morally dark seas was immediately vilified.

The Jew refers to Shavuot as Atzeret (i.e. holding back, refraining) because after the Counting of the Omer, the festival of Passover gets linked to that of the Holdover (i.e. Pentecost). However, Pentecost in Roman Christianity signals the coming of the Holy Spirit 40 days after Easter. To the Jew, the Counting of the Omer, which starts the day after Passover, symbolizes the Exodus and the freedom from 49 gates of his impurities and falling -in the same incarnation- on the 50th gate is irreversible where soul correction becomes impossible. What is astonishing about all this is that all of these details are graphically expressed -according to the ancient Egyptian decanic Calendar- on the circular zodiac of Dendera where the symbol of the Pig anchors the 50th gate which the Pharaonic spirit of the Jew is trying to evade at all costs.

The next day, I hired someone to overhaul my company Web site. I wanted it to look like the portal to a very serious corporation. I needed to impress people. Perception was key. And the guy did a great job. Anyone looking at the flashy graphics and the 3-D logos must have thought they were dealing with a major player. Most of them probably never even looked at my Web site, of course, which was fine with me. All they knew was that Gary Singh delivered, and that’s all they cared about. They had no idea they were dealing with a sixteen-year-old kid because I presented myself as a serious professional. Once again, perception is reality. That’s not a kid on the other end of the line. It’s a guy who delivers on his promises. Before

Mobile phone apps – 2012 Before building a QuickBooks app, I decided to try iPhone and Android apps. This my first experience entering an app store. Unfortunately, the apps failed for many reasons: User base too small: There are millions of mobile phone users, but that does not translate to millions of users for your software. There is a subsection of a user base that matters most. Too many competitors: The app stores were oversaturated. There were over a million apps, literally. There was no way to stand out from the rest. My apps became me-too apps. The Intuit app stores were just getting started at the time and there were far fewer apps. Difficult to gain entry: I tried game development, and good games are expensive to produce. You need a soundtrack and graphic designers. The cost of making an exceptional game is outrageous. There was no way I could afford it. Failed to show value: Since most apps were free, users refused to pay me. I tried in-app purchases, but most users were uninterested. I learned that businesses were a better target because I could show them how to save time. Failed to solve a problem: In my eyes, app stores were the only way to advertise my game. I failed to tap into my potential user base. Businesses have a clear data entry problem that I can fix, but consumers were too difficult to sell to. Technical issues: I submitted one app to the Windows Marketplace, and it failed 15 times. I had to wait for Apple to publish updates to my app weekly. I learned that my next plugin must receive updates in a few hours, instead of a few days. Users simply cannot wait this long for an issue to get fixed. This was the most important lesson that I learned, and it inspired me to make a cloud-based system. Different devices:

The name Erdosain gave to this mood of dreams and disquiet that led him to roam like a sleepwalker through the days was “the anguish zone”. He imagined this zone floating above cities, about two metres in the air, and pictured it graphically like an area of salt flats or deserts that are shown on maps by tiny dots, as dense as herring roe. This anguish zone was the product of mankind’s suffering. It slid from one place to the next like a cloud of poison gas, seeping through walls, passing straight through buildings, without ever losing its flat horizontal shape; a two-dimensional anguish that left an after-taste of tears in throats it sliced like a guillotine.

When I was 18 I gifted my 11-year-old step cousin a copy of Rancid's "...And Out Come the Wolves." Because of this her side of the family blamed me for many things. Caught her smoking at 15? Rancid. Disappeared for a long weekend? The Girl's a Time Bomb. Posed nude for a magazine 3 days after turning 18? They just disowned me. I'm a bad influence it seems. I've been a bad influence for a long time.

In 1970 the Quakers released a slim book entitled “Who Shall Live? Man’s Control over Birth and Death: A Report Prepared for the American Friends Service Committee” which was the result of a decision which the Family Planning Committee of the AFSC reached in December 1966 “to explore the issues involved in abortion.” That meeting in turn flowed from the November 1966 meeting that the AFSC had had with Planned Parenthood, and that meeting resulted from the setback the Quaker and Episcopalian forces for sexual liberation and eugenics in Philadelphia had suffered at the hands of Martin Mullen, when the governor capitulated to his demands and backed away from state-promoted birth control in August of the same year. As a result of their meeting with Planned Parenthood, the Quakers decided to “make a study of the availability of family planning services for medically indigent families in the city and to form an estimate as to the extent of the unmet need for such services. “Who Shall Live” was the fruit of this labor. “Who Shall Live?” is a graphic example of moral theology in the Quaker mode. It begins by announcing that “for 300 years members of the Society of Friends (Quakers) have been seekers after the truth” and concludes by admitting that they have been so far unsuccessful in their efforts. Where once people like Fox and Penn “thought of himself as created only a few thousand years ago,” the enlightened Quakers who wrote birth-control tracts in the 1960s “now know he is part of an evolutionary process that has been going on for billions of years. In that process he has arrived at a stage of knowledge and technology whereby he himself has the power, at least in part, to determine the direction in which he will evolve in the future.” Having decided that their religious forebears were wrong on just about everything because they didn’t understand science, the 1970 Quakers then give some sense of their own grasp of science as it applies to population issues. Looking at the world from outer space in 1968, the Quakers found it “incredible that 3.5 billion people should be living on that small spinning planet.” Taking their cue from Paul Ehrlich’s 1968 book “The Population Bomb” the Quakers concluded quite logically that if the planet cannot sustain 3.5 billion people in 1968, then it certainly couldn’t sustain 6 billion people in the year 2000. Unless drastic population-control measures are introduced immediately, dire consequences will follow. “Lamont C. Cole, who is a Professor of Ecology warns that we may one day find ourselves short of breathable air,” the Quakers announced breathlessly.

Auxost is more than just a marketing company – we’re a team of passionate individuals dedicated to helping businesses succeed in the online world. The internet and social media are rapidly changing the way we communicate and do business. The period of individuals interacting with visual graphics, text, etc. is reducing each day. Therefore, to get your content to the right audience with optimum visibility is of utmost importance. We knew that businesses needed a way to stand out in the digital landscape. That’s why, we at Auxost make sure to create stand-out creatives that not only stand out but entice the consumer to click or grow brand presence.

And yet, as of this March, with the sudden bombardment of the nonobjective graphics, perhaps I have once again regained contract with the authentic future; for example, the work I'm engaged in now is a sequel to MAN IN THE HIGH CASTLE, at last—I've wanted to do that for 12 years, but never come up with an idea good enough. Based on my experiences from March of this year on, I believe I have indeed, finally, come up with an idea good enough, and am deep into it. I feel that the external creative force which I've discussed throughout this letter, whatever its source, whatever its nature, has inspired me as I have never been inspired before. More important to me than what it is, what it's called, is the quality of its inspiration to me and the effect on my writing. Well, from these experiences over the past three months, I do have a terrific idea, I think the best of my life, and in no way will it be anything you can read about in the present day newspaper. Perhaps what has happened is nothing more or less than a sudden return of the old force of creativity which animated me in years past and novels past, before the tragic years after my wife Nancy became mentally ill and left forever with my little daughter, and I fell into despair and inactivity, and didn't write for three years. Whatever it is, God bless it, and I am grateful for it.

breathless and brainless: flashy graphics, grainy pictures; jingoism and talking airheads. Back in the day, he’d become hardened to air war, drone war, media and online war, information overload filtered to sound bite and gore-shock.

every seven years, Sagmeister closes his graphic design shop, tells his clients he won’t be back for a year, and goes off on a 365-day sabbatical. He uses the time to travel, to live in places he’s never been to, and to experiment with new projects. It sounds risky, I know. But he says the ideas he generates during the year “off” often provide his income for the next seven years.

TRAGIC RACISM HERETOFORE IGNORED Rich and poor have this in common: The Lord is the Maker of them all. Proverbs 22:2 Planned Parenthood’s founder Margaret Sanger was a racial eugenicist, a proponent of the idea that through birth control, abortion, and sterilization of the “unfit” we could create a “cleaner” human race and enable “the cultivation of the better racial elements.” She actually addressed this with the Ku Klux Klan. Yet far from repudiating Sanger, liberal leaders defend her. Hillary Clinton expresses great admiration for her; Barack Obama praises Planned Parenthood and asks God to bless what they do; the New York Times has mentioned Sanger as a replacement for Andrew Jackson on the twenty-dollar bill. When the media went into hysterics trying to ban the Confederate Battle Flag—while simultaneously ignoring the revelations about Planned Parenthood harvesting the organs of aborted babies, and babies born alive, for profit—I posted a graphic of the rebel flag alongside the Planned Parenthood logo with this question: “Which symbol killed 90,000 black babies last year?” Our government—using your tax dollars—is not to be subsidizing abortion. It’s illegal and immoral. Yet, Planned Parenthood receives more than a million tax dollars out of your pocket every single day. It shouldn’t get a penny. Good news: light now shines on this darkness. The abortionists were caught on tape nibbling lunch and sipping wine while nonchalantly pondering where to spend the profits made from bartering the bodies of innocent babies . . . just another day at the office. I know that it sounds unbelievable, like something from a macabre horror movie script—but the exposé must stir you to action, lest a nation, through complacency, accept the most revolting mission of Margaret Sanger. SWEET FREEDOM IN Action Today, don’t just pray for unborn children. Demand that Congress stop funding abortion mills; elect a pro-life president; support pro-life centers that provide resources to give parents a real choice in this debate—knowing that choosing life is ultimately the beautiful choice.

On the Day of Atonement, the Levites performed the central sacrificial rites of the believing community, stewarding annual ceremonies that in graphic detail pictured the evil nature of sin and the bloody nature of divinely provided atonement for sin. The Day of Atonement was a visceral affair, filled with blood and fire and death and, at the pulsing core of it all, the realized hope of forgiveness through repentance. The people could be pure.

In the days leading up to the war with Germany, the British government commissioned a series of posters. The idea was to capture encouraging slogans on paper and distribute them about the country. Capital letters in a distinct typeface were used, and a simple two-color format was selected. The only graphic was the crown of King George VI. The first poster was distributed in September of 1939: YOUR COURAGE YOUR CHEERFULNESS YOUR RESOLUTION WILL BRING US VICTORY Soon thereafter a second poster was produced: FREEDOM IS IN PERIL DEFEND IT WITH ALL YOUR MIGHT These two posters appeared up and down the British countryside. On railroad platforms and in pubs, stores, and restaurants. They were everywhere. A third poster was created yet never distributed. More than 2.5 million copies were printed yet never seen until nearly sixty years later when a bookstore owner in northeast England discovered one in a box of old books he had purchased at an auction. It read: KEEP CALM AND CARRY ON The poster bore the same crown and style of the first two posters. It was never released to the public, however, but was held in reserve for an extreme crisis, such as invasion by Germany. The bookstore owner framed it and hung it on the wall. It became so popular that the bookstore began producing identical images of the original design on coffee mugs, postcards, and posters. Everyone, it seems, appreciated the reminder from another generation to keep calm and carry on.1

Nathan Myrhvold had been a protégé of the celebrated physicist Stephen Hawking before forming a software company in Berkeley, California, with some fellow Princeton University Ph.D’s. What drew Myrhvold, or any physicist, to programming? The outer reaches of science increasingly relied on computers; the days of a genius scribbling formulas on the back of an envelope had almost vanished. Physicists usually saw programming as a means to an end. Myrhvold found that his attachment to software superseded his fascination with physical science. His company gained wide notice when he and his friends wrote a faster, smaller clone of IBM’s TopView graphics program. IBM briefly considered making TopView the software interface—the piece seen by customers—for PCs. Trying to keep pace with IBM, Gates wanted a clone of TopView, so he bought Myrhvold’s company. Since

Spoon smiled and held up a palm. I high-fived him. I clicked the link for student files and then typed in the name: Kent, Ashley. When her photograph came up—the one we’d both taken for student IDs the first day of school—I felt a hand reach into my chest and squeeze my heart. “Man,” Spoon said, “no wonder you want to find her.” If you were creating a graphic dictionary and needed a definition of demure, you would use her expression in this picture. She looked pretty, sure, beautiful even, but what you really felt was that she was quiet and shy and somewhat uncomfortable posing. Something about it—something about her, really—called out to me.

He rose and held out a hand to her, and Jenny hoped it wasn’t the whisky inspiring Elijah’s overture. She gave him her hand and was tugged into an embrace, Elijah’s cheek resting against her hair. “While you sketch your cat, visit the sick with your mother, and seethe with frustrated artistic talent. Let’s hear a curse, Genevieve. Let the drink, the lateness of hour, and the company inspire you, hmm?” No cat came between them, no stays, no layers of proper attire. Held against Elijah’s body, Jenny felt the implacable structure of a large, fit man. His person was as soft and giving as a sculptor’s block of raw marble, but much, much warmer. “The only curse I know is damn—double damn.” “That’s a start, like a few lines on a page. Damn has promise, but it needs embellishment. Bloody double damn?” He spoke near her ear, his breath tickling her neck. “Bloody is vulgar and graphic. Also quite naughty, and daring.” “All the better. Come, let’s be vulgar and graphic on the subject of my sketches for the day.” He

The informer’s death sent a shockwave through the STF. To serve as a warning to any potential informer, Veerappan got Kandavel’s last moments recorded on camera. A few days later, graphic photographs of his brutal end appeared in the Tamil magazine Nakkeeran, along with a screaming headline: ‘Trial in Veerappan’s Court—Death for Betrayal’.

One spring day, I was away on a business trip; Karen was home with the kids. It was a warm afternoon, and she was sitting with our son Matthew at the computer in my office. The kitchen door that leads to the backyard was open. They were reviewing a homework project when they heard what sounded like fingernails scratching on the hardwood floors in the kitchen followed by a thumping gallop from our cat Sox. An instant later, a squirrel raced into the office with the cat at its heels. In a panic, Karen grabbed Matthew and the cat, and ran out of the office slamming the door behind her. Her plan was to leave the squirrel in my office and let me deal with it when I got home in a few days; the homework could wait. However, 30 minutes and two glasses of Merlot later, Karen saw the flaw in her plan. She wasn’t worried so much about sticking me with the task of removing a hungry, pissed-off squirrel from my office as she was the possibility of the squirrel shredding everything in there before I got home. Or worse, she feared the house would permanently smell of dead squirrel. There was a decent chance her scream gave it a heart attack. Luckily, the window in my office was open that afternoon. The only problem, there was a screen in the window. Karen figured if she could remove the screen, the squirrel, if it were still alive, would find its way back to the great outdoors. My office was on the first floor, so she was able to remove the screen easily from the outside. Standing in the backyard at a safe distance, she watched the open window, but no squirrel appeared. Venetian blinds were down covering the window opening. Karen thought, “If I just reach in and pull the cord on the blinds I can raise them enough for the little rodent to see his escape route.” Taking deep breaths while standing on the third rung of our stepladder, Karen thought through exactly what she had to do: raise the blinds with one hand, pull the cord with the other, lock it in place and get the hell out of there. No problem, the squirrel was no doubt cowering in the corner. Not quite. As soon as she raised the blinds, the squirrel – according to Karen who was the only witness – saw daylight and flew through the air, landing on her head. Its toes were caught in Karen’s hair as it made a desperate attempt to free itself. Karen said, “It was running in place on top of my head.” She fell off the ladder and ran screaming through the backyard with the squirrel stuck to her head. (I’m sure it was only a few seconds, but time stands still when there’s a squirrel on your head.) It eventually freed its claws, jumped off her head and ran away. Sue was the first person Karen called after she calmed down enough to speak. They discussed the situation thoroughly and agreed that shampooing several times with Head and Shoulders, rubbing the tiny scratch marks on her scalp with alcohol and drinking the rest of the bottle of Merlot were the proper steps to prevent rabies. I was her second call. Karen gave me a second-by-second recounting of the event, complete with sound effects and a graphic description of how the squirrel’s toes felt as they dug into her scalp. Then she told me the whole thing was my fault because I wasn’t home to protect the family when it happened. Apparently being away earning a living was not an acceptable excuse. She also said she learned a valuable lesson that day. “Not to leave the back door open?” I guessed. No, the lesson was that all squirrels are evil and out to get her. (She also decided that she doesn’t like “any animal related to squirrels,” whatever that means.)

From the Geschichts-Buch comes a graphic account of those terrible days of suffering. It was stated above that the year 1621 began with much tribulation.... I cannot tell what awful devilish things were perpetrated on many good, pious and honorable sisters ... , yea, on children, both boys and girls. Women with child and mothers on their deathbed as well as virgins were most outrageously attacked. The men were burned with glowing irons and red-hot pans; their feet were held in the fire until their toes were burned off; wounds were cut into which powder was poured and then set afire; ... eyes forced out by inhuman torture; men were hung up by the neck like thieves.... Such things were openly practised by the imperial soldiery who believed themselves to be the best of Christians.... One would suppose that the devil himself would have been more fearful of the might, power, glory and majesty of God than these shameless men. May God lead them to realize it, to whom and to whose righteous judgment we commit everything.28

From the Geschichts-Buch comes a graphic account of those terrible days of suffering. It was stated above that the year 1621 began with much tribulation.... I cannot tell what awful devilish things were perpetrated on many good, pious and honorable sisters ... , yea, on children, both boys and girls. Women with child and mothers on their deathbed as well as virgins were most outrageously attacked. The men were burned with glowing irons and red-hot pans; their feet were held in the fire until their toes were burned off; wounds were cut into which powder was poured and then set afire; ... eyes forced out by inhuman torture; men were hung up by the neck like thieves.... Such things were openly practised by the imperial soldiery who believed themselves to be the best of Christians.... One would suppose that the devil himself would have been more fearful of the might, power, glory and majesty of God than these shameless men. May God lead them to realize it, to whom and to whose righteous judgment we commit everything.

Written by the hermit, Kanda Hakuryushi2 East Musashi, Edo, Toshima District Thirteenth Year of Kyoho (1728) On an auspicious day of the Twelfth Lunar Month

Subscribing to the gender stereotype of the day, Gandhi declared, ‘I do not believe in women working for a living or undertaking commercial enterprises.’ Using graphic imagery he declared, ‘in trying to ride the horse that man rides she brings herself and him down . . .’6 Gandhi’s attempt to channelize women’s participation in the movement along a prescribed course was appreciated by most men who saw no threat to their own interests.

For frictionless publishing, I write the book, finish the chapters and then post it on Kindle with minimal or no editing immediately for 99 cents. At this stage, the book is definitely worth at least 99 cents so I know that anyone who reads it will get a lot of value out of it and will not be disappointed in their investment. But, I don’t aim to publish and sell 99-cent books. I believe my books are much more valuable. So as soon as I know the book is live on Kindle, I work my butt off to make sure to edit out all the typos, add in any graphics or pictures I need, check the formatting, rewrite any sections that are unclear, add in bonus info and content for my readers and voila! What used to take me 2-3 months to edit and complete now takes 2-3 days, sometimes less. Once I’m confident that the book is finished and I’ve uploaded the final copy on Kindle (unless I find more typos or decide to add more later which I can do anytime thanks to the ease of Ebook publishing), I raise the book’s price to my ideal selling price.

game. A Kentucky entrepreneur hooked up a version of Wolfenstein to virtual reality goggles and brought in five hundred dollars a day at the Kentucky State Fair. But players didn’t need virtual reality goggles to feel immersed. In fact, the sense of immersion was so real that many began complaining of motion sickness. Calls were coming in even at the Apogee office saying that people were throwing up while playing the game. Wolfenstein vomit stories became items of fascination online. Theories abounded. Some players thought the game’s animation was so smooth that it tricked the brain into thinking it was moving in a real space. Other gamers thought it had something to do with the “jerkiness” of the graphics, which induced the feeling of seasickness. Some felt it was simply disorienting because there was no acceleration involved; it was like going from zero to sixty at light speed. Gamers even exchanged tips for how to play without losing one’s Doritos.

The story of Jesus’ crucifixion is one of the most graphic depictions of love ever recorded.

useful, or believe to be beautiful." Thus said the godfather of the Arts & Crafts movement, William Morris. Anyone who has ever spent time (hours, days, weeks, months) creating and (more importantly, refining) a graphic or physical form knows how difficult it can be. It takes practice and training, experience, and taste. A poor font, a button slightly off, the wrong material choice, a garish shade of color can ruin a perfectly fine design. Too many products are made as though aesthetic design decisions are items to be ordered off a Chinese menu. The CEO will say, "I'll take that font, that color, and that material." These arbitrary decisions, made without regard to the effect or the whole, can quickly make a product ugly. The real problem with ugly products is that they not only coarsen the world, they are (seemingly) more difficult to use. As Don Norman rightly pointed out, attractive things work better. "We now have evidence that pleasing things work better, are easier to learn, and produce a more harmonious result," he writes. Creating beautiful things, especially for products with seemingly

All purchases made on client’s behalf will be billed to client. In all cases, such prices will reflect a markup of ___%. Charges for sales tax, insurance, storage, and shipping and handling are additional to the price of each purchase. In the event client purchases materials, services, or any items other than those specified by the designer, the designer is not liable for the cost, quality, workmanship, condition, or appearance of such items. Schedule of Payment Hourly Rate: Regular billing periods (bimonthly, monthly) based on hours consumed or periodic approval points. Fee Billing: ___ percent upon project commencement, ___ percent following completion of concept development, ___ percent upon completion of design development, ___ percent upon completion of production, ___ percent upon completion of implementation. Invoices are payable upon receipt. Termination Policy Client and Designer may terminate project based upon mutually agreeable terms to be determined in writing, either prior to signing of this proposal or within the final Client-Designer Contract. Term of Proposal The information contained in this proposal is valid for 30 days. Proposals approved and signed by the Client are binding upon the Designer and Client beginning on the date of Client’s signature. If the information in this Proposal meets with Client’s approval, Client’s signature below authorizes Designer to begin work. Kindly return a signed copy of this Proposal/Agreement to Designer’s office. Designer Signature _____________ Print Designer Name _____________ Date _____________ Client Signature _____________ Print Client Name _____________ Date _____________

Forest Fires: the Fractal Boundary Imagine a plantation of evenly spaced trees on a very hot, dry day. As the temperature soars, the odd leaf or twig ignites, sending a whole tree up in flames. This is an essentially random process – the factors involved are beyond our powers of prediction. But once a tree is in flames, the fire easily spreads to neighbouring trees, and this process can now be modelled with iterative techniques.

From Graphic scene on a Plastic phone, To an Elastic heart of blood not stone Aching heart, emotion fearless, Psyche broken now I’m tearless Takes a while to sleep it out, May I be healed from all this drout If not by time and not by luck, I hope at least I won’t get stuck With this snapshot night and day, I wish to forget this memory.

Well, we left and heard back a few days later that, no, they’d decided they would build their own machine, it was cheaper. They didn’t need to support fancy things like color, sound, and graphics, all the cool things we had. Chuck Peddle, in the garage, had told us he thought it was possible for them to do their own computer in four months. I didn’t see how anyone could, but I guess after he saw the Apple II, it would be a lot easier to design something like what he wanted.

At some point recently, someone at Go-Gurt decided to improve the design of the graphics on the tubes—the logo has shifted and the colors are more vibrant. I’m sure no one at Go-Gurt realized that such a tiny change would one day lead to a seven-year-old boy smashing up a supermarket aisle in a bewildered rage.

isn’t frowning on the new craze. It’s actively promoting sports gambling with corporate partnerships and in-game graphics broadcast on national television, giving viewers live betting odds of the current batter’s chances of hitting a home run in that very moment. There’s simply too much money in play not to be involved. In 2023, fans in America wagered more than one hundred billion dollars on sports, enough money that they could have pooled their cash to buy the Cincinnati Reds a hundred times over or purchase every single Major League Baseball team—and still have billions of dollars left in their pockets.

The Very Difference Between Game Design & 3D Game Development You Always Want to Know Getting into the gaming industry is a dream for many people. In addition to the fact that this area is always relevant, dynamic, alive and impenetrable for problems inherent in other areas, it will become a real paradise for those who love games. Turning your hobby into work is probably the best thing that can happen in your career. What is Game Designing? A 3D Game Designer is a creative person who dreams up the overall design of a video game. Game design is a large field, drawing from the fields of computer science/programming, creative writing, and graphic design. Game designers take the creative lead in imagining and bringing to life video game worlds. Game designers discuss the following issues: • the target audience; • genre; • main plot; • alternative scenarios; • maps; • levels; • characters; • game process; • user interface; • rules and restrictions; • the primary and secondary goals, etc Without this information, further work on the game is impossible. Once the concept has been chosen, the game designers work closely with the artists and developers to ensure that the overall picture of the game is harmonized and that the implementation is in line with the original ideas. As such, the skills of a game designer are drawn from the fields of computer science and programming, creative writing and graphic design. Game designers take the creative lead in imagining and bringing to life video game stories, characters, gameplay, rules, interfaces, dialogue and environments. A game designer's role on a game development outsourcing team differs from the specialized roles of graphic designers and programmers. Graphic designers and game programmers have specific tasks to accomplish in the division of labor that goes into creating a video game, international students can major in those specific disciplines if desired. The game designer generates ideas and concepts for games. They define the layout and overall functionality of the Game Animation Studio. In short, they are responsible for creating the vision for the game. These geniuses produce innovative ideas for games. Game designers should have a knack for extraordinary and creative vision so that their game may survive in the competitive market. The field of game design is always in need of artists of all types who may be drawn to multiple art forms, original game design and computer animation. The game designer is the artist who uses his/her talents to bring the characters and plot to life. Who is a Game Development? Games developers use their creative talent and skills to create the games that keep us glued to the screen for hours and even days or make us play them by erasing every other thought from our minds. They are responsible for turning the vision into a reality, i.e., they convert the ideas or design into the actual game. Thus, they convert all the layouts and sketches into the actual product. It may involve concept generation, design, build, test and release. While you create a game, it is important to think about the game mechanics, rewards, player engagement and level design. 3D Game development involves bringing these ideas to life. Developers take games from the conceptual phase, through *development*, and into reality. The Game Development Services side of games typically involves the programming, coding, rendering, engineering, and testing of the game (and all of its elements: sound, levels, characters, and other assets, etc.). Here are the following stages of 3D Game Development Service, and the best ways of learning game development (step by step). • High Concept • Pitch • Concept • Game Design Document • Prototype • Production • Design • Level Creation • Programming

Politics may one day be found to be so vulgar as to be described, along with all party and daily journalism, under the heading: ‘Prostitution of the Intel lect’.

The ledger’s double-entry pages and the neat grid of the invoice gave purposeful shape to the story they told. Through their graphic simplicity and economy, invoices and ledgers effaced the personal histories that fueled the slaving economy. Containing only what could fit within the clean lines of their columns and rows, they reduced an enormous system of traffic in human commodities to a concise chronicle of quantitative ‘facts.’ Thus, Mary Poove writes, ‘like the closet, the conventions of double-entry bookkeeping were intended to manage or contain excess.’ Instruments such as these did their work, then, while concealing the messiness of history, erasing from view the politics that underlay the neat account keeping. The slave traders (and much of the modern economic literature on the slave trade) regarded the slave ship’s need for volume as a self-evident ‘fact’ of economic rationalization: the Board of Trade’s reports, the balance pursued in the Royal African Company’s double-entry ledgers, the calculations that determined how many captive bodies a ship could ‘conveniently stow,’ the simple equation by which an agent at the company’s factory at Whydah promised ‘to Complie with delivering in every ten days 100 Negroes.’ But the perceptions of the African captives themselves differed from the slave trader’s economies of scale and rationalized efficiency of production. What appears in the European quantitative account as a seamless expansion in the volume of slave exports—evidence of the natural workings of the market—took the form of violent rifts in the political geography of the Gold Coast. People for whom the Atlantic market had been a distant and hazy presence with little direct consequence for their lives now found themselves swept up in wars and siphoned into a type of captivity without precedent.

Want to be a Freelancer? Do You want to be a Freelancer? If so, first of all - You need to be well-versed in the subject you want to freelance on. If you can be good at a few things, you will get more work as a freelancer. Most of the clients on this platform are foreigners. So to communicate with them you have to master the English language very well. How to Start Freelancing? To start working as a freelancer you need to work step by step from the very beginning. Find a specific task or skill that you want to excel at. Must practice speaking or communication in English. Create your own freelancing account. You have to decide how much money you will take in exchange for the work. Choose the Topic that Suits You - There are many types of jobs that can be done on the freelancing marketplace. Both fairly easy and difficult jobs are available on this platform. Easy jobs include data entry, article writing, and jobs for which a large number of bids are received due to which these jobs have to be rushed and competition is high. Difficult jobs include high-quality expensive jobs like web development, web design, graphics design, and software development. Which have higher remuneration. Now you have to decide what kind of work you will do in freelancing. Everything You Need to Train - The first thing you need to train is patience. Without patience, you can never survive on this platform. There are quite a number of freelancing service providers in our country who provide coaching through various courses. You can complete your training through coaching if you want. You will need a good laptop or computer with an internet connection for regular practice. A minimum of basic computer knowledge is essential for learning the job, along with the ability to speak English. You have to focus hard on the subject you want to master and develop a mindset to stick with it. Incorporate what you have learned and done into your portfolio, gain an understanding of the marketplaces, be disciplined, and work on time. Work to Gain Experience - Your path to freelancing may not be smooth. But it should not stop there. Just as in life, there are various problems, pains, and dangers, so it is in the case of freelancing. At first, you may not get job offers or get results as expected. So don't be impatient, you have to strengthen yourself mentally. Because you are in the first step of gaining your experience. Don't just think of yourself as a freelancer, think of yourself as a student who needs experience, not money. So if you make a mistake at work, try to learn from it. You can Reduce the Unemployment rate by Teaching others to Work - Apart from earning income by teaching others to work, you can reduce the unemployment rate by contributing to the economic development of the country. Day by day the country's job market is deteriorating due to which the number of unemployed is increasing every year. Many youths have lost their whole lives, lost precious time of their lives in the pursuit of government jobs. If you are thinking of making your career permanently as a freelancer then you can train those youngsters and form a team of yours. By doing this you can help create employment for millions of youth and increase your income. Please Visit Our Blogging Website to read more Articles related to Freelancing and Outsourcing, Thank You.

Why Should I Do Freelancing? Guidelines for Beginners Why do we do freelancing? People are doing nothing in the urge of life. Some are working, some are doing business, some are doing advocacy, and some are freelancing. Everyone has one goal behind doing all this, and that is to “make money”. As the days are changing, people's needs are also increasing. Earlier people did not have so many needs so they did not lack happiness. Everyone had their own land, from which crops, vegetables, and fruits were produced and earned a living. Slowly the days started to change, and the use of technology also started to increase, along with it the image and attitude of people started to change. The competitive spirit of who will get more than who, who will be ahead of who started, which continues till now. And that is why people are constantly looking for work, some inside the country and some outside the country. Everyone has almost the same goal, and that is to earn a lot of money, stand on their own feet, take responsibility for their family, build the future of their children, and much more! But does all work make satisfactory money? Of course not. If you are employed then you will get a certain amount of monthly income, if you are doing business then the income will be average with profit-loss-risk, and if you are freelancing then you will be able to control your income. You can earn money as you wish by working as you wish. So let's find out why you should do freelancing:- Why Do Freelancing? What is Freelancing? Freelancing is an independent profession. This profession allows you to work when you want, take vacations when you want, and quit when you want. You will never want to leave this profession though, because once you fall in love with freelancing, you never want to leave. There are many reasons for this. They are easy, self-reliance, freedom from slavery, self-king, having no limitations, etc. All of us have some latent talent. That talent often remains dormant, those of us who spend years waiting for a job can wake up our latent talent and stand on our own feet by expressing it through work. No need to run with a CV to any company or minister for this. Do you like to write? Can you be a content writer, can you draw good design? Can be a designer, do you know good coding? Can be a software engineer. There are also numerous other jobs that you can do through freelancing. You too can touch the door of success by freelancing, all you need is enthusiasm, courage, willpower, morale, self-confidence, and a lot of self-confidence. But these things are not available to buy in the market, so it will not cost you money. What will be spent is 'time' as the saying goes "The time is money and the money is equal to time". To make money you must put in the time. Guidelines for Beginners: As I have said before, if you think that you can suddenly start freelancing and earn lakhs of rupees and become a millionaire within a year, then I would say that bro, freelancing is not for you. Because the greed of money gets you before you can work, you can't go any further. If you are thinking of starting freelancing to utilize your talent then definitely take advice from someone senior to you, take tips from those who are in the sector, explore online, collect video tutorials, and take free courses if available. Still, if there is any problem or confusion which you are not able to solve, then you can visit the freelancing training center called “Bhairab ​​IT Zone”. Here students are trained professionally by experienced freelancers.

Celebrated radio man Walter Winchell worked for a newspaper called the Graphic early in his career. Legend has it he was asked in those days if he worked at a newspaper. He supposedly joked in reply: “Yeah, but don’t tell my mother. She still thinks I’m a piano player in a whorehouse.

I reached for the back of his head and jammed the knife as hard as I could under his ribs. I felt his warm pee dribble down my gown and my legs and into my boots and I almost retched, but his wild eyes were staring into mine as he tried to pull back, but I had his neck, and his hands were trapped down on his wiener, and he was still peeing and we stared and glared and he peed and I tried to twist the knife harder, the pee making me angry and I wanted to kill him faster, and the fucker just stared and wouldn’t die…

Ava’s view of the commercialized day of romance was a little skewed, but she had never ever taken the fun from someone else. As was evident in her big push every year to take on as many freelance Valentine’s Day graphic design jobs as she could. And it wasn’t about the money. It was about keeping busy so she didn’t feel left out while all the other couples around her were preparing for the big, mushy day. But mostly, Ava Dennis wanted to believe

Calling students on the first day of school and praying for them. Sending students photos taken of them at youth group events. (Always get double prints.) Dropping by their workplaces just to say hi. Attending the last quarter, inning, or set of their games. (Although you can drop by earlier, coming at the end affords the opportunity to interact with your students after-ward.) Mailing favorite snacks to arrive on their birthdays. Calling students' parents just to brag on them. (e.g.,“Mrs. Gates, your son Billy is doing some amazing things with computer graphics for our small groups!”) Taping notes of encouragement to the front door during exams or other stressful periods. (Ring the doorbell and disappear.) Actually taping notes of encouragement directly on students. Inviting students over for dinner. Letting a group of (same-sex) students spend the night. Following up a few days after a student shares a prayer request. Using your students as positive illustrations in your message or Bible study. (It's always a good idea to get permission first.) Mailing goofy postcards for no reason. Dropping off brain food (a double cheeseburger) the night before a big test. Asking students—on a one-to-one basis—to pray for you. Remembering students’ names

David Wheeler, a former actor and a graphic artist, was often among the most eloquent of the parents. In our first interview, five years before, he threw down a challenge that I believe should be hand delivered to every home in America. Wheeler said: I would like every parent in this country—that’s a 150 million people—I would like them to look in the mirror. And that’s not a figure of speech, Scott. I mean, literally, find a mirror in your house, and look in it, and look in your eyes and say, ‘This will never happen to me. This will never happen in my school. This will never happen in my community.’ And see if you actually believe that. And if there is a shadow, the slightest shadow, of doubt about what you’ve said, think about what you can do to change that in your house, in your community, in your school, in your country, because we have an obligation to our children to do this for them. It’s going to happen again. It is going to happen again. And every time, it’s somebody else’s school, it’s somebody else’s town. It’s somebody else’s community, until one day, you wake up and it’s not.

Colonel Ludwig Krug, telephoned his commander, General Wilhelm Richter. ‘Herr General,’ he said, ‘the enemy are on top of my bunker. They are demanding my surrender. I have no means of resisting and no contact with my own men. What am I to do?’ There was a long pause down the line. General Richter had received nothing but bad news all day. ‘Herr Oberst,’ he replied, ‘I can no longer give you any orders. You must act on your own judgment. Auf Wiedersehen.

As NeXT began to struggle, even as Jobs’s star was rising, several employees at NeXT, as well as executives from Compaq and Dell, approached Jobs with an idea: get out of hardware. NeXT’s software was excellent. Its graphical interface and programming tools were more elegant and powerful than Microsoft’s DOS and early Windows. Jobs could offer PC makers an alternative to Microsoft, which they desperately wanted. In return, the PC makers could offer NeXT something it desperately needed: a future. The idea of switching from hardware to software was a classic S-type loonshot. Jobs had risen to fame selling hardware. Bigger, faster, more, every year. The stars of the day—IBM, DEC, Compaq, Dell—sold shiny machines stamped with their famous logos. Everyone knew there was no money to be made in software; the money was in hardware.

TOPOPHOBIA The Fear of Situations – Stagefright The average man has a pretty good opinion of himself. Lost in the anonymity of the crowd, protected by the mask he habitually wears against the scrutiny of the outside world, he performs his duties, does his work, fulfills his social obligations, and rests secure in his belief that he is equal to the ordinary emergencies of ordinary life. But take him away from this familiar environment, cut him off from the protective influence of his fellows, set him apart from the crowd, and however agreeable and flattering he may find his momentary distinction, he will miss the familiar devices that adorned his everyday life, the little tricks by which he “got by.” Set on a stage, he is viewed, as it were, naked, and in every gesture he reveals his incompetence. His erstwhile friends gaze at him across an empty space; their expectant air strips him of every studied platitude and leaves him stammering like an idiot. These people, whom he knows so well, are transformed into master-intellects, superior beings to whom he is as the anthropoid ape. Their merciless eyes penetrate to his soul, he feels their scorn as a whip on his back. His naked limbs knock together in terror, his teeth chatter, he feels icy hands clutching at his throat. The fond hopes that lured him to this traitorous pre-eminence desert him, and he babbles incoherencies in place of the golden words that were to win him applause. Back in the days when he was a child and the world was compassed by the walls of his house, he strutted before proud parents, gratifying his need for a stage on which to exhibit himself. Now his old love for personal display brings with it a concentrated fear that is the social punishment for his vanity.

By 1800 BC, the ancient Babylonians had divided the day into hours, the hour into sixty minutes, and the minute into sixty seconds.

By my grandfathers four balls!! NEVER SURRENDER!!!

Advertising your business is imperative in the present age because of cutting edge competition and you cannot expect rapid business growth unless and until a workable advertising strategy is employed. You can choose from a number of available options to market your services to people. Internet marketing is a modern as well as an efficient method to promote your services and products but, the effectiveness of poster printing cannot be denied. With the introduction of new and improved methods of poster printing, the quality of the prints has become considerably better. Today Poster printing, along with other print mediums like: Mug printing, T-Shirt printing, Sign printing & calendar printing, companies offer services to not only print, but also design posters for advertising campaigns. Here are 5 key advantages of Poster Priting: Advantages of Poster Printing 1. Low Costs The creative process of a poster printing involves a copywriter, a graphic designer as well as a printer. You can also hire a poster distributor or simply hang the posters by yourself. It is a simple process that won’t cost too much. However, you need to be mindful of local laws that may prevent posters from being displayed in certain areas. 2. Active Response printing People who view posters actively get engaged with their surroundings. Whether they are standing at a bus stop or lining up at the local nightclub, people are likely to notice posters out of sheer boredom. A clever poster printing must have a call-to-action phrase that propels the viewer to take action as soon as possible. This could be in the form of making a phone call, visiting a shop or navigating to a website. 3. Visibility Poster printing helps you hang multiple posters in one location in order to increase brand visibility. It’s quite normal to see entire rows of the same poster lining the side of a street or subway. When people get bombarded with the poster message, it is ensured that the message is going to sit on their hands long after they have viewed the poster. 4. Strategic location of a street or subway You can hang multiple posters in one location to increase brand visibility. It’s quite normal to see entire rows of the same poster lining the side of a street or subway. The biggest advantage of using poster printing is that, they can be put just about anywhere & seen by almost anyone.

Day by day beneath the opulence of this city Wang Lung lived in the foundations of poverty upon which it was laid.

Someone I deeply love was committed to a hospital mental ward and almost the bigtime cuckoo's nest last year; I went barging out there like some halfassed Sir Lancelot, she eventually got herself out, but when I walked into that place I saw the most graphic evidence of what society can do to people, and just how totalitarian this supposedly free society can get when some administrator arbitrarily decides that you're not quite fit to mingle with the rest of the herd. What I saw in there was a whole bunch of people who as far as I was concerned were not crazy at all. Well, there was one guy who though George Benson was sending him telepathic messages, but then that guy used to get raped by his uncles every day when he was about four years old while his father just sat there and cried. What I'm saying is that what I saw in there was a whole bunch of people who were just frightened literally out of their wits, and with good reason. There are some people who are like dogs who have just been beaten and beaten and beaten until it really seems kind of awesome that there's anything left at all. ¶ Meanwhile the staff treated them with a mixture of contempt, condescension, and bored patience.

The Bauls are without customs, conventions or canons. Their guru is sunya, “emptiness”. There’s no worship in Mosque or Temple or on special holy day. At every step I have my Mecca and Kasi [Banaras]; sacred is every moment. The great Indian poet Rabindranath Tagore said: “Bauls exemplify the one and only religion, the Religion of Man.

I met with Chad Logan a few days after our first get-together. I told him that I would explain my point of view and then let him decide whether he wanted to work with me on strategy. I said: I think you have a lot of ambition, but you don’t have a strategy. I don’t think it would be useful, right now, to work with your managers on strategies for meeting the 20/20 goal. What I would advise is that you first work to discover the very most promising opportunities for the business. Those opportunities may be internal, fixing bottlenecks and constraints in the way people work, or external. To do this, you should probably pull together a small team of people and take a month to do a review of who your buyers are, who you compete with, and what opportunities exist. It’s normally a good idea to look very closely at what is changing in your business, where you might get a jump on the competition. You should open things up so there are as many useful bits of information on the table as possible. If you want, I can help you structure some of this process and, maybe, help you ask some of the right questions. The end result will be a strategy that is aimed at channeling energy into what seem to be one or two of the most attractive opportunities, where it looks like you can make major inroads or breakthroughs. I can’t tell you in advance how large such opportunities are, or where they may be. I can’t tell you in advance how fast revenues will grow. Perhaps you will want to add new services, or cut back on doing certain things that don’t make a profit. Perhaps you will find it more promising to focus on grabbing the graphics work that currently goes in-house, rather than to competitors. But, in the end, you should have a very short list of the most important things for the company to do. Then you will have a basis for moving forward. That is what I would do were I in your shoes. If you continue down the road you are on you will be counting on motivation to move the company forward. I cannot honestly recommend that as a way forward because business competition is not just a battle of strength and wills; it is also a competition over insights and competencies. My judgment is that motivation, by itself, will not give this company enough of an edge to achieve your goals. Chad Logan thanked me and, a week later, retained someone else to help him. The new consultant took Logan and his department managers through an exercise he called “Visioning.” The gist of it was the question “How big do you think this company can be?” In the morning they stretched their aspirations from “bigger” to “very much bigger.” Then, in the afternoon, the facilitator challenged them to an even grander vision: “Think twice as big as that,” he pressed. Logan