Grape Picking Quotes

George unhinged his jaw and coughed up a little plastic bottle filled with chewable vitamins. "You're kidding," I said. "Are those Minotaur-shaped?" Hermes picked up the bottle and rattled it. "The lemon ones, yes. The grape ones are Furies, I think. Or are they hydras? At any rate, these are potent."

But I also hoped that [she] had chosen California because she thought that was her true home, the place where she really belonged, where it was always warm and you could dance in the rain, pick grapes right off the vines, and sleep outside at night under the stars.

We should all do what, in the long run, gives us joy, even if it is only picking grapes or doing laundry.

The works of the roots of the vines, of the trees, must be destroyed to keep up the price, and this is the saddest, bitterest thing of all. Carloads of oranges dumped on the ground. The people came for miles to take the fruit, but this could not be. How would they buy oranges at twenty cents a dozen if they could drive out and pick them up? And men with hoses squirt kerosene on the oranges, and they are angry at the crime, angry at the people who have come to take the fruit. A million people hungry, needing the fruit- and kerosene sprayed over the golden mountains. And the smell of rot fills the country. Burn coffee for fuel in the ships. Burn corn to keep warm, it makes a hot fire. Dump potatoes in the rivers and place guards along the banks to keep the hungry people from fishing them out. Slaughter the pigs and bury them, and let the putrescence drip down into the earth. There is a crime here that goes beyond denunciation. There is a sorrow here that weeping cannot symbolize. There is a failure here that topples all our success. The fertile earth, the straight tree rows, the sturdy trunks, and the ripe fruit. And children dying of pellagra must die because a profit cannot be taken from an orange. And coroners must fill in the certificate- died of malnutrition- because the food must rot, must be forced to rot. The people come with nets to fish for potatoes in the river, and the guards hold them back; they come in rattling cars to get the dumped oranges, but the kerosene is sprayed. And they stand still and watch the potatoes float by, listen to the screaming pigs being killed in a ditch and covered with quick-lime, watch the mountains of oranges slop down to a putrefying ooze; and in the eyes of the people there is the failure; and in the eyes of the hungry there is a growing wrath. In the souls of the people the grapes of wrath are filling and growing heavy, growing heavy for the vintage.

Hesitate in August. Be shy. Let your toes tremble in their sandals. However, pick the grape and eat with confidence.

Then the children went to bed, or at least went upstairs, and the men joined the women for a cigarette on the porch, absently picking ticks engorged like grapes off the sleeping dogs. And when the men kissed the women good night, and their weekend whiskers scratched the women's cheeks, the women did not think shave, they thought stay.

Why don't you go on west to California? There's work there, and it never gets cold. Why, you can reach out anywhere and pick an orange. Why, there's always some kind of crop to work in. Why don't you go there?

There once was a miller with a daughter as lovely as a grape. He told the king that she could spin gold out of common straw. The king summoned the girl and locked her in a room full of straw and told her to spin it into gold or she would die like a criminal. Poor grape with no one to pick. Luscious and round and sleek. Poor thing. To die and never see Brooklyn. (Rumpelstiltskin)

Maybe that was just childhood? You hurry up, pick the opposite path, try to make childhood end. Then, as an adult, you have no idea why you were running away. What, exactly, you needed so desperately to get away from.

Two guys sneak into a farmer's orchard and start eating the fruit. The farmer sees them and comes out with a shotgun. "Since you guys like fruit so much go pick 100 of whatever fruit you want," said the farmer. The first guy decides to pick grapes. When he gets 100 he goes back to the farmer. The farmer says, "Now shove 'em all up your ass." The guy gets all 100 up his ass. He feels really bad, but then he starts to laugh. "Why are you laughing?" asks the farmer. And the guy replies, "My friend is out picking watermelons!

And here's a story you can hardly believe, but it's true, and it's funny and it's beautiful. There was a family of twelve and they were forced off the land. They had no car. They built a trailer out of junk and loaded it with their possessions. They pulled it to the side of 66 and waited. And pretty soon a sedan picked them up. Five of them rode in the sedan and seven on the trailer, and a dog on the trailer. They got to California in two jumps. The man who pulled them fed them. And that's true. But how can such courage be, and such faith in their own species? Very few things would teach such faith. The people in flight from the terror behind - strange things happen to them, some bitterly cruel and some so beautiful that the faith is refired forever.

Bleedin' like a son-of-a-bitch," he said. "Well, I can stop that." He urinated on the ground, picked up a handful of the resulting mud, and plastered it over the wound.

We should all do what, in the long run, gives us joy, even if it is only picking grapes or sorting the laundry.

Come along", said Joad. "Pa'll be glad to see you. He always said you got too long a pecker for a preacher". He picked up his coat roll and tightened it snugly about his shoes and turtle.

My brother's costume is the exception. He looks like an American. In fact, he behaves like one. When he tried to pick up the first kid he knocked down, he smashed into several others, it snowballed, chaos ensued. My brother very much resembled America today in pretty much all things.

Good wines are produced in small quantities. It is a matter of time and attention and picking only the best grapes. Today they get as much as they can out of the ground, and what can you expect? The wine has no taste.

He looks like an American. In fact, he behaves like one. When he tried to pick up the first kid he knocked down, he smashed into several others, it snowballed, chaos ensued. My brother very much resembled America today in pretty much all things.

It is all about praising. Created to praise, his heart is a winepress destined to break, that makes for us an eternal wine. His voice never chokes with dust when words for the sacred come through. All becomes vineyard. All becomes grape, ripening in the southland of his being. Nothing, not even the rot in royal tombs, or the shadow cast by a god, gives the lie to his praising. He is ever the messenger, venturing far through the doors of the dead, bearing a bowl of fresh-picked fruit.

Spend any time in the real Italy, however, and you quickly realize that Italians don’t really pick grapes much anymore, and they certainly don’t stomp them either. They don’t pick tomatoes—or olives—and they don’t shear their sheep. Their tomatoes and olives are picked largely by underpaid Africans and Eastern Europeans, seasonal hires, brought in for that purpose—who are then demonized and complained about for the rest of the year. (Except when blowing motorists in the offseason—as can be readily observed on the outskirts of even the smallest Italian communities these days.)

January? The month is dumb. It is fraudulent. It does not cleanse itself. The hens lay blood-stained eggs. Do not lend your bread to anyone lest it nevermore rise. Do not eat lentils or your hair will fall out. Do not rely on February except when your cat has kittens, throbbing into the snow. Do not use knives and forks unless there is a thaw, like the yawn of a baby. The sun in this month begets a headache like an angel slapping you in the face. Earthquakes mean March. The dragon will move, and the earth will open like a wound. There will be great rain or snow so save some coal for your uncle. The sun of this month cures all. Therefore, old women say: Let the sun of March shine on my daughter, but let the sun of February shine on my daughter-in-law. However, if you go to a party dressed as the anti-Christ you will be frozen to death by morning. During the rainstorms of April the oyster rises from the sea and opens its shell — rain enters it — when it sinks the raindrops become the pearl. So take a picnic, open your body, and give birth to pearls. June and July? These are the months we call Boiling Water. There is sweat on the cat but the grape marries herself to the sun. Hesitate in August. Be shy. Let your toes tremble in their sandals. However, pick the grape and eat with confidence. The grape is the blood of God. Watch out when holding a knife or you will behead St. John the Baptist. Touch the Cross in September, knock on it three times and say aloud the name of the Lord. Put seven bowls of salt on the roof overnight and the next morning the damp one will foretell the month of rain. Do not faint in September or you will wake up in a dead city. If someone dies in October do not sweep the house for three days or the rest of you will go. Also do not step on a boy's head for the devil will enter your ears like music. November? Shave, whether you have hair or not. Hair is not good, nothing is allowed to grow, all is allowed to die. Because nothing grows you may be tempted to count the stars but beware, in November counting the stars gives you boils. Beware of tall people, they will go mad. Don't harm the turtle dove because he is a great shoe that has swallowed Christ's blood. December? On December fourth water spurts out of the mouse. Put herbs in its eyes and boil corn and put the corn away for the night so that the Lord may trample on it and bring you luck. For many days the Lord has been shut up in the oven. After that He is boiled, but He never dies, never dies.

Joad rolled the coat up more tightly. “An old turtle,’’ he said. “Picked him up on the road. An old bulldozer. Thought I’d take ’im to my little brother. Kids like turtles.

Truth is exclusive in every area, in religion, science, farming, and all things else. If you don’t believe it, go pick your grapes from thorns, and your figs from thistles.

Perowne can’t see how poetry - rather occasional work it appears, like grape-picking - can occupy a whole working life…

From the slimy, spittle-drenched, sidewalk, they were picking up bits of orange peel, apple skin, and grape stems, and, they were eating them.  The pits of greengage plums they cracked between their teeth for the kernels inside.  They picked up stray bits of bread the size of peas, apple cores so black and dirty one would not take them to be apple cores, and these things these two men took into their mouths, and chewed them, and swallowed them; and this, between six and seven o’clock in the evening of August 20, year of our Lord 1902, in the heart of the greatest, wealthiest, and most powerful empire the world has ever seen.

When it comes to picking wine and cutting through the marketing smokes, bottom line is: two things really matter. First is how the grapes were farmed, and second is whether or not you like it. The rest is vastly BS.

It became a game that I took to with immense gusto: to see how much I could remember about dandelions themselves, or picking wild grapes with my father and brother, rediscovering the mosquito-breeding ground rain barrel by the side bay window, or searching out the smell of the gold-fuzzed bees that hung around our back porch grape arbor. Bees do have a smell, you know, and if they don't they should, for their feet are dusted with spices from a million flowers.

I became aware of Jews in my early teens, as I started to pick up the signals from the Christian church. Not that I was Christian – I’d been an atheist since I was five. But my father, a Congregational minister, had some sympathy with the idea that the Jews had killed Christ. But any indoctrination was offset by my discovery of the concentration camps, of the Final Solution. Whilst the term 'Holocaust' had yet to enter the vocabulary I was overwhelmed by my realisation of what Germany had perpetrated on Jews. It became a major factor in my movement towards the political left. I’d already read 'The Grapes of Wrath' by John Steinbeck, the Penguin paperback that would change my life. The story of the gas chambers completed the process of radicalisation and would, just three years later, lead me to join the Communist Party.

Knowing that there was such a thing as outdoors bred in us a hunger for property, for ownership. The firm possession of a yard, a porch, a grape arbor. Propertied black people spent all their energies, all their love, on their nests. Like frenzied, desperate birds, they overdecorated everything; fussed and fidgeted over their hard-won homes; canned, jellied, and preserved all summer to fill the cupboards and shelves; they painted, picked, and poked at every corner of their houses. And these houses loomed like hothouse sunflowers among the rows of weeds that were the rented houses.

American farmers were still trying to figure out how to make good wine from native American grapes. The difficulty had to do with the genetics of the grape itself. While the European V. vinifera enjoyed almost ten thousand years of selection by humans, who chose larger, tastier fruit and favored hermaphrodite vines over dioecious vines, very little human selection seems to have taken place in North America. Instead, the birds did it. They selectively picked blue-skinned varieties, an unattractive color for wine, because they could see them better—and they chose small fruit over large because they could eat it in one bite.

Look,” said the man. “It don’t make no sense. This fella wants eight hunderd men. So he prints up five thousand of them things an’ maybe twenty thousan’ people sees ’em. An’ maybe two-three thousan’ folks gets movin’ account a this here han’bill. Folks that’s crazy with worry.” “But it don’t make no sense!” Pa cried. “Not till you see the fella that put out this here bill. You’ll see him, or somebody that’s workin’ for him. You’ll be a-campin’ by a ditch, you an’fifty other famblies. An’ he’ll look in your tent an’ see if you got anything lef’ to eat. An’ if you got nothin’, he says, ‘Wanna job?’ An’ you’ll say, ‘I sure do, mister. I’ll sure thank you for a chance to do some work.’ An’ he’ll say, ‘I can use you.’ An’ you’ll say, ‘When do I start?’ An’ he’ll tell you where to go, an’ what time, an’ then he’ll go on. Maybe he needs two hundred men, so he talks to five hundred, an’ they tell other folks, an’ when you get to the place, they’s a thousand’, men. This here fella says, ‘I’m payin’ twenty cents an hour.’ An’ maybe half the men walk off. But they’s still five hundred that’s so goddamn hungry they’ll work for nothin’ but biscuits. Well, this here fella’s got a contract to pick them peaches or—chop that cotton. You see now? The more fellas he can get, an’ the hungrier, less he’s gonna pay. An’ he’ll get a fella with kids if he can, ’cause—hell, I says I wasn’t gonna fret ya.

Mostly, they were ashamed of us. Our floppy straw hats and threadbare clothes. Our heavy accents. Every sing oh righ? Our cracked, callused palms. Our deeply lined faces black from years of picking peaches and staking grape plants in the sun. They longed for real fathers with briefcases who went to work in a suit and tie and only mowed the grass on Sundays. They wanted different and better mothers who did not look so worn out. Can't you put on a little lipstick? They dreaded rainy days in the country when we came to pick them up after school in our battered old farm trucks. They never invited over friends to our crowded homes in J-town. We live like beggars. They would not be seen with us at the temple on the Emperor's birthday. They would not celebrate the annual Freeing of the Insects with us at the end of summer in the park. They refused to join hands and dance with us in the streets on the Festival of the Autumnal Equinox. They laughed at us whenever we insisted that they bow to us first thing in the morning and with each passing day they seemed to slip further and further from our grasp.

You would not search the woodside gay To pick a springtime flower When all the shuddering country groans Before the North Wind's power. Nor would you seek with greedy hand To pluck your vines in May; The wine god gives his gift of grapes When Autumn's on the way. For God has fixed the season's tasks And each receives its own: No power is free to disarray The order God has shown.

Josh and Rashmi are making out-I can actually see tongue-so I turn to my bread and grapes.How biblical of me. The grapes are smaller than I'm used to, and the skin is slightly textured. Is that dirt? I dip my napkin in water and dab at the tiny purple globes. It helps, but they're still sort of rough. Hmm. St. Clair and Meredith stop talking. I glance up to find them staring at me in matching bemusement. "What?" "Nothing," he says. "Continue your grape bath." "They were dirty." "Have you tried one?" she asks. "No,they've still got these little mud flecks." I hold one up to show them. St. Clair plucks it from my fingers and pops it into his mouth.I'm hypnotized by his lips, his throat, as he swallows. I hesitate. Would I rather have clean food or his good opinion? He picks up another and smiles. "Open up." I open up. The grape brushes my lower lip as he slides it in. It explodes in my mouth, and I'm so startled by the juice that I nearly spit it out. The flavor is intense, more like grape candy than actual fruit. To say I've tasted nothing like it before is an understatement. Meredith and St. Clair laugh. "Wait until you try them as wine," she says. St. Clair twirls a forkful of pasta. "So. How was French class?" The abrupt subject change makes me shudder. "Professeur Gillet is scary. She's all frown lines." I tear off a piece of baguette. The crust crackles, and the inside is light and springy. Oh,man. I shove another hunk into my mouth.

They was a brave on a ridge, against the sun. Knowed he stood out. Spread his arms an' stood. Naked as morning, an' against the sun. Maybe he was crazy. I don' know. Stood there, arms spread out; like a cross he looked. Four hunderd yards. An' the men - well, they raised their sights an' they felt the wind with their fingers; an' then they just lay there an' couldn' shoot. Maybe that Injun knowed somepin. Knowed we couldn' shoot. Jes' laid there with the rifles cocked, an' didn' even put 'em to our shoulders. Lookin' at him. Head-band, one feather. Could see it, an' naked as the sun. Long time we laid there an' looked, an' he never moved. An' then the captain got mad. "Shoot, you crazy bastards, shoot!" he yells. An' we jus' laid there. "I'll give you to a five-count, an' then mark you down," the captain says. Well, sir - we put up our rifles slow, an' ever' man hoped somebody'd shoot first. I ain't never been so sad in my life. An' I laid my sights on his belly, 'cause you can't stop a Injun no other place - an' - then. Well, he jest plunked down an' rolled. An' we went up. An' he wasn' big - he'd looked so grand - up there. All tore to pieces an' little. Ever see a cock pheasant, stiff and beautiful, ever' feather drawed an' painted, an' even his eyes drawed in pretty? An' bang! You pick him up - bloody an' twisted, an' you spoiled somepin better'n you; an' eating him don't never make it up to you, 'cause you spoiled somepin in yaself, an' you can never fix it up.

Government Standing next to my old friend I sense that his soldiers have retreated. And mine? They’re resting their guns on their shoulders talking quietly. I’m hungry, one says. Cheeseburger, says another, and they all decide to go and find some dinner. But the next day, negotiating the too narrow aisles of The Health and Harmony Food Store—when I say, Excuse me, to the woman and her cart of organic chicken and green grapes she pulls the cart not quite far back enough for me to pass, and a small mob in me begins picking up the fruit to throw. So many kingdoms, and in each kingdom, so many people: the disinherited son, the corrupt counselor, the courtesan, the fool. And so many gods—arguing among themselves, over toast, through the lunch salad and on into the long hours of the mild spring afternoon—I’m the god. No, I’m the god. No, I’m the god. I can hardly hear myself over their muttering. How can I discipline my army? They’re exhausted and want more money. How can I disarm when my enemy seems so intent?

Two guys sneak into a farmer's orchard and start eating the fruit. The farmer sees them and comes out with a shotgun. "Since you guys like fruit so much go pick 100 of whatever fruit you want," said the farmer. The first guy decides to pick grapes. When he gets 100 he goes back to the farmer. The farmer says, "Now shove 'em all up your ass." The guy gets all 100 up his ass. He feels really bad, but then he starts to laugh. "Why are you laughing?" asks the farmer. And the guy replies, "My friend is out picking watermelons! ♦◊♦◊♦◊♦

I am Ding Yi.” He opened up two folding chairs and motioned for us to sit down, then returned to his chair. He said, “Before you tell me why you’ve come, let me discuss with you a dream I’ve just had.… No, you’ve got to listen. It was a wonderful dream, which you interrupted. In the dream I was sitting here, a knife in my hand, around so long, like for cutting watermelon. Next to me was this tea table. But there wasn’t an ashtray or anything on it. Just two round objects, yea big. Circular, spherical. What do you think they were?” “Watermelon?” “No, no. One was a proton, the other a neutron. A watermelon-sized proton and neutron. I cut the proton open first. Its charge flowed out onto the table, all sticky, with a fresh fragrance. After I cut the proton in half, the quarks inside tumbled out, tinkling. They were about the size of walnuts, in all sorts of colors. They rolled about on the table, and some of them fell onto the floor. I picked up a white one. It was very hard, but with effort, I was able to bite into it. It tasted like a manaizi grape.… And right then, you woke me up.

At the same time that middle- and upper-middle-class mothers were urged to pipe Mozart into their wombs when they're pregnant so their kids would come out perfectly tuned, the government told poor mothers to get the hell out of the house and get to work--no more children's aid for them. Mothers like us--with health care, laptops, and Cuisinarts--are supposed to replicate the immaculate bedrooms we see in Pottery Barn Kids catalogs, with their designer sheets and quilts, one toy and one stuffed animal atop a gleaming white dresser, and a white rug on the floor that has never been exposed to the shavings from hamster cages, Magic Markers accidentally dropped with their caps off, or Welche's grape juice.... we've been encouraged to turn our backs on other mothers who pick their kids' clothes out of other people's trash and sometimes can't buy a can of beans to feed them. How has it come to seem perfectly reasonable--even justified-- that one class of mother is suppoed to sew her baby's diapers out of Egyptian cotton from that portion of the Nile blessed by the god Osiris while another class of mother can't afford a single baby aspirin?

My only grudge against nature was that I could not turn my Lolita inside out and apply voracious lips to her young matrix, her unknown heart, her nacreous liver, the sea-grapes of her lungs, her comely twin kidneys. On especially tropical afternoons, in the sticky closeness of the siesta, I liked the cool feel of armchair leather against my massive nakedness as I held her in my lap. There she would be, a typical kid picking her nose while engrossed in the lighter sections of a newspaper, as indifferent to my ecstasy as if it were something she had sat upon, a shoe, a doll, the handle of a tennis racket, and was too indolent to remove.

Though I was now in ill health and did not go out alone, and though I might never aspire to making love with them, it still gladdened me to know this, as though I were a child who, having been born in prison or a hospital, and having come to believe that the human organism can digest nothing but dry bread and medicines, suddenly learns that peaches, apricots, and grapes are not just pretty things that grow in the countryside, but mouth-watering delicacies on which one may feed. Even though the jailer or the nurse may prevent him from picking such fine fruit, the world seems a better place, and life itself more worth living. Any desire we may feel seems to us a finer thing, and we have an impression of it as a more reliable thing, when we know that external reality is in conformity with it, even if its fulfillment remains out of our personal reach.

Although his intimacy with Stephen Maturin did not allow him to ask questions that might be judged impertinent, it was of such a rare kind that he could ask for money without the least hesitation. "Have you any money, Stephen?" he said, the Marine having vanished in the trees. "How I hope you have. I shall have to borrow the Marine's guinea from you, and a great deal more besides, if his message is what I dearly trust. My half-pay is not due until the month after next, and we are living on credit." "Money, is it?" said Stephen, who had been thinking about lemurs. There were lemurs in Madagascar: might there not be lemurs on Reunion? Lemurs concealed among the forests and the mountains of the interior? "Money? Oh, yes, I have money galore." He felt in his pockets. "The question is, where is it?" He felt again, patted his bosom, and brought out a couple of greasy two pound notes on a country bank. "That is not it," he muttered, going through his pockets again. "Yet I was sure--was it in my other coat? did I perhaps leave it in London?--you are growing old, Maturin--ah, you dog, there you are!" he cried triumphantly, returning to the first pocket and drawing forth a neat roll, tied with tape. "There. I had confused it with my lancet-case. It was Mrs Broad of the Grapes that did it up, finding it in a Bank of England wrapper that I had--that I had neglected. A most ingenious way of carrying money, calculated to deceive the pick-pocket. I hope it will suffice." "How much is it?" asked Jack. "Sixty or seventy pound, I dare say." "But, Stephen, the top note is a fifty, and so is the next. I do not believe you ever counted them." "Well, never mind, never mind," said Stephen testily. "I meant a hundred and sixty. Indeed, I said as much, only you did not attend.

Put yourself in the shoes of others and pick up some literary fiction. Go for books like To Kill a Mockingbird by Harper Lee, The Great Gatsby by F. Scott Fitzgerald, or The Grapes of Wrath by John Steinbeck. Find social blenders that allow you to move beyond your normal social circles. Visit places that voted in the opposite end of the political spectrum from you. If you listen to people’s stories, you may find that you might have made some of the same choices if you had lived their life rather than yours. We are not so very different; we just had different starting points. And while it is easy to stop listening and dismiss people we disagree with as ignorant, as evil, and as the enemy, that will only lead us to misery. But perhaps if we listen we might learn that it is inequality, unfairness, and injustice that are the enemy and that empathy, trust, and cooperation are the way forward.

Isn’t that momentous? Women! A krewe of women. Turning the tide on men! We are making history here. Yes, this moment! Making history.” The woman had barely taken a breath. She tapped Constance on the arm and picked up her fork to begin her hors d’oeuvre of boudin-stuffed mushrooms. Constance leaned toward the woman as if wishing to speak more directly. In truth, she wanted to see the name on the place card. She had time to make out only the first name: Marianne. “Ah, yes, Marianne,” she said. “It is history, isn’t it? You are so very right.” “It is time that women spoke up for themselves, did for themselves, and we are part of that wave that will surely come to shore when we get the vote. But for now, having our own ball will have to suffice.” The woman turned to her neighbor on the other side. “Indeed.” Constance finished the last bit of mushroom, speaking to the air. Her fork clanged on the plate as the uniformed server whisked it away. It was replaced immediately with a sumptuous, but unpretentious luncheon plate of shrimp and asparagus, with a decorative sprig of green grapes.

He discovered another bell, huge as well, but not plain and bare. Its metal sides were covered in scenes, bas-reliefs spreading their greenish lace over the bronze dress. Its casting mould must have been as complicated as the plate for an etching. From a distance Borluut could make out figures, hazy scenes, but the bell was too high above to make out precisely what they represented. Seized with curiosity, he found a pair of stepladders and climbed up until he was close to them. The bronze was a wild orgy, a drunken, obscene carnival; naked satyrs and women were swirling round the bell, its curve giving movement to their saraband. At intervals couples had tumbled to the ground, piling up, body against body, mouth to mouth, flesh mingling in the fury of desire. The bronze picked out, emphasized the details... The vine of sin with its feverish fancies, clinging, thrusting up, falling back down the sides - and the breasts plundered like bunches of grapes! Here and there, away from the rest, on a curve of the bell far from the stampede of the dance, were lovers silently enjoying their love like a fruit. They looked as if they were each, through the other, discovering their naked flesh, which was not yet ripe for sensual pleasure. The idyllic retreats apart, Sex was everywhere triumphant, howling cynical.

From the slimy sidewalk, they were picking up bits of orange peel, apple skin, and grape stems, and they were eating them. The pips of green gage plums they cracked between their teeth for the kernels inside. They picked up stray crumbs of bread the size of peas, apple cores so black and dirty one would not take them to be apple cores, and these things these two men took into their mouths, and chewed them, and swallowed them; and this, between six and seven o'clock in the evening of August 20, year of our Lord 1902, in the heart of the greatest, wealthiest, and most powerful empire the world has ever seen. These two men talked. They were not fools. They were merely old. And, naturally, their guts a-reek with pavement offal, they talked of bloody revolution. They talked as anarchists, fanatics, and madmen would talk. And who shall blame them? In spite of my three good meals that day, and the snug bed I could occupy if I wished, and my social philosophy, and my evolutionary belief in the slow development and metamorphosis of things-in spite of all this, I say, I felt impelled to talk rot with them or hold my tongue. Poor fools! Not of their sort are revolutions bred. And when they are dead and dust, which will be shortly, other fools will talk bloody revolution as they gather offal from the spittle-drenched sidewalk...

He's right,you know," Edward was saying almost before I'd made it into my room. I had crept through the house unnecessarily. No one was home. "Your assertions have lost a bit of their value these days, Mr. Willing." "You know," he repeated. I tossed my coat onto the bed. The stark black and white of my quilt was broken by a purple stain now, the result of a peaceful interlude with grape juice turning into a gentle wrestling match.The stain was the size of my palm and shaked like, I thought, an alligator. Alex insisted it was a map of Italy. Later, we'd dripped the rest of the juice onto the thick pages of my drawing pad, finding pictures in the splotches like the Rorschach inkblots used in psychology. "Well," he'd said in response to my pagoda, antheater, and Viking, "verdict's in.You're nuts." The pictures were tacked to my wall, unaccustomed spots of color. I'd penciled in our choices. Viking (E), pineapple (A). Lantern (E), cheese (A). Crown (E), birthday cake (A) were over my desk, over Edward. I turned on my computer. It binged cheerfully at me. I had mail. From: abainbr@thewillingschool.org To: fmarino@thewillingschool.org Date: December 15, 3:50 p.m. Subect: Should you choose to accept... Tuesday. I'll pick you up at 10:00 a.m. Ask no questions. Tell no one. -Alex "Ah, subterfuge" came from over the desk. "Shut up, Edward," I said.

a brief history of art Cave paintings. Clay then bronze statues. Then for about 1,400 years, people painted nothing except bold but rudimentary pictures of either the Virgin Mary and Child or the Crucifixion. Some bright spark realised that things in the distance looked smaller and the pictures of the Virgin Mary and the Crucifixion improved hugely. Suddenly everyone was good at hands and facial expression and now the statues were in marble. Fat cherubs started appearing, while elsewhere there was a craze for domestic interiors and women standing by windows doing needlework. Dead pheasants and bunches of grapes and lots of detail. Cherubs disappeared and instead there were fanciful, idealised landscapes, then portraits of aristocrats on horseback, then huge canvasses of battles and shipwrecks. Then it was back to women lying on sofas or getting out of the bath, murkier this time, less detailed then a great many wine bottles and apples, then ballet dancers. Paintings developed a certain splodginess - critical term - so that they barely resembled what they were meant to be. Someone signed a urinal, and it all went mad. Neat squares of primary colour were followed by great blocks of emulsion, then soup cans, then someone picked up a video camera, someone else poured concrete, and the whole thing became hopelessly fractured into a kind of confusing, anything-goes free for all.

A long time ago, I collected the flower petals stained with my first blood; I thought there was something significant about that, there was importance in all the little moments of experience, because when you live forever, the first times matter. The first time you bleed, first time you cry — I don’t remember that — first time you see your wings, because new things defile you, purity chips away. your purity. nestled flowers in your belly, waiting to be picked. do you want innocence back? small and young smiles that make your eyes squint and cheeks flare the feeling of your face dripping down onto the grass, the painted walls you tore down, the roads you chipped away, they’ll eat away at you, the lingering feelings of a warm hand on your waist, the taps of your feet as you dance, the beats of your timbrel.’ ‘and now you are like Gods, sparkling brilliant with jewelry that worships you, and you’re splitting in order to create.’ ‘The tosses of your wet hair, the rushes of chariots speeding past, the holy, holy, holy lord god of hosts, the sweetness of a strawberry, knocks against the window by your head, the little tunes of your pipes, the cuts sliced into your fingers by uptight cacti fruits, the brisk scent of a sea crashing into the rocks, the sweat of wrestling, onions, cumin, parsley in a metal jug, mud clinging to your skin, a friendly mouth on your cheeks and forehead, chimes, chirps of chatter in the bazaar, amen, amen, amen, the plump fish rushing to take the bread you toss, scraping of a carpenter, the hiss of chalk, the wisps of clouds cradling you as you nap, the splashes of water in a hot pool, the picnic in a meadow, the pounding of feet that are chasing you, the velvet of petals rustling you awake, a giant water lily beneath you, the innocent kiss, the sprawl of the universe reflected in your eyes for the first time, the bloody wings that shred out of your back, the apples in orchards, a basket of stained flowers, excited chants of a colosseum audience, the heat of spinning and bouncing to drums and claps, the love braided into your hair, the trickles of a piano, smell of myrrh, the scratches of a spoon in a cup, the coarseness of a carpet, the stringed instruments and trumpets, the serene smile of not knowing, the sleeping angel, the delight of a creator, the amusement of gossip and rumors, the rumbling laughter between shy singing, the tangling of legs, squash, celery, carrot, and chayote, the swirled face paint, the warmth of honey in your tea, the timid face in the mirror, mahogany beams, the embrace of a bed of flowers, the taste of a grape as its fed to you, the lip smacks of an angel as you feed him a raspberry, the first dizziness of alcohol, the cool water and scent of natron and the scratch of the rock you beat your dirty clothes against, the strain of your arms, the columns of an entrance, the high ceilings of a dark cathedral, the boiling surface of bubbling stew, the burn of stained-glass, the little joyous jump you do seeing bread rise, the silky taste of olive oil, the lap of an angel humming as he embroiders a little fox into his tunic, the softness of browned feathers lulling you to sleep, the weight of a dozen blankets and pillows on your small bed, the proud smile on the other side of a window in a newly-finished building, the myrtle trees only you two know about, the palm of god as he fashions you from threads of copper, his praises, his love, his kiss to your hair, your father.

The children crowded about the women in the houses. What we going to do Ma? Where we going to go? The women said, We don’t know, yet. Go out and play. But don’t go near your father. He might whale you if you go near him. And the women went on with the work, but all the time they watched the men squatting in the dust–perplexed and figuring. The tractors came over the roads and into the fields, great crawlers moving like insects, having the incredible strength of insects. They crawled over the ground, laying the track and rolling on it and picking it up. Diesel tractors, puttering while they stood idle; they thundered when they moved, and then settled down to a droning roar. Snub-nosed monsters, raising the dust and sticking their snouts into it, straight down the country, across the country, through fences, through dooryards, in and out of gullies in straight lines. They did not run on the ground, but on their own roadbeds. They ignored hills and gulches, water courses, fences, houses. The man sitting in the iron seat did not look like a man; gloved, goggled, rubber dust mask over nose and mouth, he was part of the monster, a robot in the seat. The thunder of the cylinders sounded through the country, became one with the air and the earth, so that earth and air muttered in sympathetic vibration. The driver could not control it–straight across country it went, cutting through a dozen farms and straight back. A twitch at the controls could swerve the cat’, but the driver’s hands could not twitch because the monster that built the tractor, the monster that sent that tractor out, had somehow got into the driver’s hands, into his brain and muscle, had goggled him and muzzled him–goggled his mind, muzzled his speech, goggled his perception, muzzled his protest. He could not see the land as it was, he could not smell the power of the earth. He sat in an iron seat and stepped on iron pedals. He could not cheer or beat or curse or encourage the extension of his power, and because of this he could not cheer or whip or curse or encourage himself. He did now know or own or trust or beseech the land. If a seed dropped did not germinate, it was no skin off his ass. If the young thrusting plant withered in drought or drowned in a flood of rain, it was no more to the driver than to the tractor. He loved the land no more than the bank loved the land. He could admire the tractor–its machined surfaces, its surge of power, the roar of its detonating cylinders; but it was not his tractor. Behind the tractor rolled the shining disks, cutting the earth with its blades–not plowing but surgery, pushing the cut earth to the right where the second row of disks cut it and pushed it to the left; slicing blades shining, polished by the cut earth. And behind the disks, the harrows combing with iron teeth so that the little clods broke up and the earth lay smooth. Behind the harrows, the long seeders–twelve curved iron penes erected in the foundry, orgasms set by gear, raping methodically, raping without passion. The driver sat in his iron seat and he was proud of the straight lines he did not will, proud of the tractor he did not own or love, proud of the power he could not control. And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, and had no connection to the bread. The land bore under iron, and under iron gradually died; for it was not love or hated, it had no prayers or curses.

There is no fault that can’t be corrected [in natural wine] with one powder or another; no feature that can’t be engineered from a bottle, box, or bag. Wine too tannic? Fine it with Ovo-Pure (powdered egg whites), isinglass (granulate from fish bladders), gelatin (often derived from cow bones and pigskins), or if it’s a white, strip out pesky proteins that cause haziness with Puri-Bent (bentonite clay, the ingredient in kitty litter). Not tannic enough? Replace $1,000 barrels with a bag of oak chips (small wood nuggets toasted for flavor), “tank planks” (long oak staves), oak dust (what it sounds like), or a few drops of liquid oak tannin (pick between “mocha” and “vanilla”). Or simulate the texture of barrel-aged wines with powdered tannin, then double what you charge. (““Typically, the $8 to $12 bottle can be brought up to $15 to $20 per bottle because it gives you more of a barrel quality. . . . You’re dressing it up,” a sales rep explained.) Wine too thin? Build fullness in the mouth with gum arabic (an ingredient also found in frosting and watercolor paint). Too frothy? Add a few drops of antifoaming agent (food-grade silicone oil). Cut acidity with potassium carbonate (a white salt) or calcium carbonate (chalk). Crank it up again with a bag of tartaric acid (aka cream of tartar). Increase alcohol by mixing the pressed grape must with sugary grape concentrate, or just add sugar. Decrease alcohol with ConeTech’s spinning cone, or Vinovation’s reverse-osmosis machine, or water. Fake an aged Bordeaux with Lesaffre’s yeast and yeast derivative. Boost “fresh butter” and “honey” aromas by ordering the CY3079 designer yeast from a catalog, or go for “cherry-cola” with the Rhône 2226. Or just ask the “Yeast Whisperer,” a man with thick sideburns at the Lallemand stand, for the best yeast to meet your “stylistic goals.” (For a Sauvignon Blanc with citrus aromas, use the Uvaferm SVG. For pear and melon, do Lalvin Ba11. For passion fruit, add Vitilevure Elixir.) Kill off microbes with Velcorin (just be careful, because it’s toxic). And preserve the whole thing with sulfur dioxide. When it’s all over, if you still don’t like the wine, just add a few drops of Mega Purple—thick grape-juice concentrate that’s been called a “magical potion.” It can plump up a wine, make it sweeter on the finish, add richer color, cover up greenness, mask the horsey stink of Brett, and make fruit flavors pop. No one will admit to using it, but it ends up in an estimated 25 million bottles of red each year. “Virtually everyone is using it,” the president of a Monterey County winery confided to Wines and Vines magazine. “In just about every wine up to $20 a bottle anyway, but maybe not as much over that.

The children crowded about the women in the houses. What we going to do Ma? Where we going to go? The women said, We don’t know, yet. Go out and play. But don’t go near your father. He might whale you if you go near him. And the women went on with the work, but all the time they watched the men squatting in the dust–perplexed and figuring. ... The tractors came over the roads and into the fields, great crawlers moving like insects, having the incredible strength of insects. They crawled over the ground, laying the track and rolling on it and picking it up. Diesel tractors, puttering while they stood idle; they thundered when they moved, and then settled down to a droning roar. Snub-nosed monsters, raising the dust and sticking their snouts into it, straight down the country, across the country, through fences, through dooryards, in and out of gullies in straight lines. They did not run on the ground, but on their own roadbeds. They ignored hills and gulches, water courses, fences, houses. The man sitting in the iron seat did not look like a man; gloved, goggled, rubber dust mask over nose and mouth, he was part of the monster, a robot in the seat. The thunder of the cylinders sounded through the country, became one with the air and the earth, so that earth and air muttered in sympathetic vibration. The driver could not control it–straight across country it went, cutting through a dozen farms and straight back. A twitch at the controls could swerve the cat’, but the driver’s hands could not twitch because the monster that built the tractor, the monster that sent that tractor out, had somehow got into the driver’s hands, into his brain and muscle, had goggled him and muzzled him–goggled his mind, muzzled his speech, goggled his perception, muzzled his protest. He could not see the land as it was, he could not smell the power of the earth. He sat in an iron seat and stepped on iron pedals. He could not cheer or beat or curse or encourage the extension of his power, and because of this he could not cheer or whip or curse or encourage himself. He did now know or own or trust or beseech the land. If a seed dropped did not germinate, it was no skin off his ass. If the young thrusting plant withered in drought or drowned in a flood of rain, it was no more to the driver than to the tractor. He loved the land no more than the bank loved the land. He could admire the tractor–its machined surfaces, its surge of power, the roar of its detonating cylinders; but it was not his tractor. Behind the tractor rolled the shining disks, cutting the earth with its blades–not plowing but surgery, pushing the cut earth to the right where the second row of disks cut it and pushed it to the left; slicing blades shining, polished by the cut earth. And behind the disks, the harrows combing with iron teeth so that the little clods broke up and the earth lay smooth. Behind the harrows, the long seeders–twelve curved iron penes erected in the foundry, orgasms set by gear, raping methodically, raping without passion. The driver sat in his iron seat and he was proud of the straight lines he did not will, proud of the tractor he did not own or love, proud of the power he could not control. And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, and had no connection to the bread. The land bore under iron, and under iron gradually died; for it was not love or hated, it had no prayers or curses.

He produced a wide silver tray with wrought handles that was piled with sliced bread, grapes, apricots, oranges, apples, cheeses, and a goblet of red wine, and put it on the bed. "Wine?" I asked. I wanted a cup of tea. "Your blood needs its elements. Drink at least some of it." He sat on the bed next to me. "You must eat now. You will need your strength." At that moment, the pungent aroma of the cheeses, the sharp citrus of sliced oranges, and the yeasty smell of the bread overrode both my fear and my curiosity. I wanted to dive into the food like a hungry dockworker. With great discipline, I picked up a silver knife and spread soft butter across a slice of the warm bread and then daintily cut a piece of dark cheddar cheese. The food tasted exquisite, and I tried to chew slowly, as he was taking in my every move. We sat in silence for a while as I ate my fill and let the wine relax me.

I bit into the oatmeal. Same levels- now the oats, well dried, but not so well watered, then the raisins, half tasteless, made from parched grapes, picked by thirsty workers, then the baker, rushed. The whole cookie was so rushed, like I had to eat it fast or it would, somehow, eat me.

There were myrtle berries to pick and then to serve gratinéed with a topping of mascarpone. There were blackberries to gather, to make into pastries and sorbets. Chestnuts and walnuts added their sweet richness to pasta sauces and stews. The walnut trees were surrounded with bibs of white netting, to catch any prematurely falling fruit, and whole families climbed the trees to pick or walked down the rows of grapes in the vineyards with baskets on their backs, picking the fruit that would become the local wine.

Ever see a cock pheasant, stiff and beautiful, ever’ feather drawed an’ painted, an’ even his eyes drawed in pretty? An’ bang! You pick him up—bloody an’ twisted, an’ you spoiled somepin better’n you; an’ eatin’ him don’t never make it up to you, ’cause you spoiled somepin in yaself, an’ you can’t never fix it up.

Ever see a cock pheasant, stiff and beautiful, ever' feather drawed an' painted an' even his eyes drawed in pretty? An' bang! You pick him up - bloody an' twisted, an' you spoiled somepin better'n you; an' eatin' him don't ever make it up to you, 'cause you spoiled somepin in yaself, an' you can't never fix it up.

Weil’s sense of essaying was never limited to writing; it was also about honoring the conversations she had before and after her pen touched the page. She consistently tried to learn from those who had lived the concepts. When she studied oppression, she placed herself amidst Parisian factory workers. When she studied labor, she picked grapes in French vineyards. Through a class analysis, Weil’s actions could be understood as patronizing, being that she came from a wealthy family. But when we also consider that she came from a Jewish family and lived in an anti-Semitic society, and that she was a woman living in a patriarchal society, it is our clear-cut diagnoses and categorizations of her life that become troubled. What we are left with is a philosopher who grappled seriously, rigorously, and intelligently with her responsibilities to others in a context of tremendous brutality. When she is understood that way, Simone Weil becomes our teacher in the present.

Well, it may be north, but near Niagara Falls we have a microclimate that lets us produce ice wine, from grapes picked very late when they have shriveled and frozen. They make a wonderful dessert wine. It’s very concentrated, so we sell it in small bottles.

Fifth and finally, m’ijo . . . ” He raised his arm and pointed out the kitchen window. “You know the effort you put in every time you pick strawberries, cherries, cucumbers, onions, green tomatoes, peaches and grapes?” “Yes,” I replied, a little bit puzzled, thinking of the weekends and summers of hard work in the fields. “Well, you put that same effort here!” he said, pointing to my books on the kitchen table. “And when you get a job, you put that same effort into your job. Always, always give more than what is expected of you.

The movement changed them; the highways, the camps along the road, the fear of hunger and the hunger itself, changed them. The children without dinner changed them, the endless moving changed them. They were migrants. And the hostility changed them, welded them, united them—hostility that made the little towns group and arm as though to repel an invader, squads with pick handles, clerks and storekeepers with shotguns, guarding the world against their own people.

Two hundred and fifty thousand people over the road. Fifty thousand old cars––wounded, steaming. Wrecks along the road, abandoned. Well, what happened to them? What happened to the folks in that car? Did they walk? Where are they? Where does the courage come from? Where does the terrible faith come from? And here’s a story you can hardly believe, but it’s true, and it’s funny and it’s beautiful. There was a family of twelve and they were forced off the land. They had no car. They built a trailer out of junk and loaded it with their possessions. They pulled it to the side of 66 and waited. And pretty soon a sedan picked them up. Five of them rode in the sedan and seven on the trailer, and a dog on the trailer. They got to California in two jumps. The man who pulled them fed them. And that’s true. But how can such courage be, and such faith in their own species? Very few things would teach such faith. The people in flight from the terror behind––strange things happen to them, some bitterly cruel and some so beautiful that the faith is refired forever.

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Though not central to the story, good lessons in supply and demand, as well as the sanctity of contract, are apparent in Jesus's parable of the workers in the vineyard (Matthew 20:1–16). A landowner offers a wage to attract workers for a day of urgent work picking grapes. Near the end of the day, he realizes he has to quickly hire more and to get them, he offers for an hour of work what he previously had offered to pay the first workers for the whole day. When one of those who worked all day complained, the landowner answered, "I am not being unfair to you, friend. Didn't you agree to work for a denarius? Take your pay and go. I want to give the one who was hired last the same as I gave you. Don't I have the right to do what I want with my own money? Or are you envious because I am generous?

After picking, grapes were crushed with bare feet. The must, or grape juice, was then poured into giant vats, followed by a process called pigeage, in which naked workers plunged themselves into the frothy liquid. Holding tightly to chains that had been fastened to overhead beams, the workers would then raise and lower themselves over and over again, stirring the must with their entire bodies so as to aerate the mixture and enhance the fermentation.

19When you reap the harvest in your field and overlook a sheaf in the field, do not turn back to get it; it shall go to the stranger, the fatherless, and the widow—in order that the Lord your God may bless you in all your undertakings. 20When you beat down the fruit of your olive trees, do not go over them again; that shall go to the stranger, the fatherless, and the widow. 21When you gather the grapes of your vineyard, do not pick it over again; that shall go to the stranger, the fatherless, and the widow. 22Always remember that you were a slave in the land of Egypt; therefore do I enjoin you to observe this commandment.

suddenly having five kids cruising around on top of your two is not the most stable thing.) When I get to the Big House I'll find out that the person who usually watches my kids while I work is away picking grapes for the week. This is the first I've heard of it. So, in a last-ditch effort to still get some work done, I'll attempt to put a video on for them. But the TV will be broken. Okay. At this point there's nothing for me to do but find my husband and let him know that I quit, because my job has become impossible. He'll suggest that we find another TV, at which point I'll throw my own self on the floor (metaphorically) and wail that there isn't another TV anywhere. But then my friend Elena will let me know that there is. So Chinua will install the new TV, which has been around since before I was born, while I

Two guys sneak into a farmer's fruit garden and start eating the fruit. The farmer sees them and comes out with a shotgun. "Since you guys like fruit so much go pick 100 of which ever fruit you want," said the farmer.       The first guy decides to pick grapes. When he gets 100 he goes back to the farmer.       The farmer says,"now shove em' all up your ass."       The guy gets all 100 up his ass. He feels really bad, but then e starts to laugh.       "Why you laughing?" asked the farmer.       To which the man replied, "My friend is out picking watermelons!

9Then the chief cupbearer told his dream to Joseph. He said to him, “In my dream, there was a vine in front of me. 10On the vine were three branches. It had barely budded, when out came its blossoms and its clusters ripened into grapes. 11Pharaoh’s cup was in my hand, and I took the grapes, pressed them into Pharaoh’s cup, and placed the cup in Pharaoh’s hand.” 12Joseph said to him, “This is its interpretation: The three branches are three days. 13In three days Pharaoh will pardon you* and restore you to your post; you will place Pharaoh’s cup in his hand, as was your custom formerly when you were his cupbearer. 14But think of me when all is well with you again, and do me the kindness of mentioning me to Pharaoh, so as to free me from this place. 15For in truth, I was kidnapped from the land of the Hebrews; nor have I done anything here that they should have put me in the dungeon.” 16When the chief baker saw how favorably he had interpreted, he said to Joseph, “In my dream, similarly, there were three openwork baskets* on my head. 17In the uppermost basket were all kinds of food for Pharaoh that a baker prepares; and the birds were eating it out of the basket above my head.” 18Joseph answered, “This is its interpretation: The three baskets are three days. 19In three days Pharaoh will lift off your head and impale you upon a pole; and the birds will pick off your flesh.” 20On the third day—his birthday—Pharaoh made a banquet for all his officials, and he singled out* his chief cupbearer and his chief baker from among his officials. 21He restored the chief cupbearer to his cupbearing, and he placed the cup in Pharaoh’s hand; 22but the chief baker he impaled—just as Joseph had interpreted to them. 23Yet the chief cupbearer did not think of Joseph; he forgot him.

I close my eyes and take a deep breath, and like a gentle cloud the wonder of it all settles over me. I slowly stroke the creamish cover of the sofa, then stand up and walk over to the piano and lift the cover, laying all ten fingers down on the slightly yellowed keys. I shut the cover and walk across the faded grape-patterned carpet to the window and test the antique handle that opens and closes it. I switch the floor lamp on and off, then check out all the painting hanging on the walls. Finally I plop back down on the sofa and pick up reading where I left off, focusing on 'The Arabian Nights' for a while.

Eight years ago, Mexicans picked almost all of the crops in this great valley,” Jack said. “They came across the border, moved into these fields, and picked the crops and moved on. February for peas in Nipomo. June for apricots in Santa Clara. Grapes in August in Fresno, and September here for cotton. They came, they picked, and they returned home for the winter. Invisible to the locals at every stage. Until the Crash of ’29 broke the system and made Californians afraid for their jobs. They feared who Americans always fear: the outsider. So the state cracked down on illegal immigrants and called the Mexicans criminals and deported them. By ’31, the majority of them were gone or in hiding. It would have been a catastrophe for the agriculture business, but then…”—

Eight years ago, Mexicans picked almost all of the crops in this great valley,” Jack said. “They came across the border, moved into these fields, and picked the crops and moved on. February for peas in Nipomo. June for apricots in Santa Clara. Grapes in August in Fresno, and September here for cotton. They came, they picked, and they returned home for the winter. Invisible to the locals at every stage. Until the Crash of ’29 broke the system and made Californians afraid for their jobs. They feared who Americans always fear: the outsider. So the state cracked down on illegal immigrants and called the Mexicans criminals and deported them. By ’31, the majority of them were gone or in hiding. It would have been a catastrophe for the agriculture business, but then…”—Jack held out his arms—“the Dust Bowl. The drought. The Great Depression. Millions lost their jobs and their homes. You came west, needing jobs, just wanting to put food on your tables and feed your families. You took the Mexicans’ places in the fields. Now, your people make up ninety percent of the pickers. But you don’t want to be unseen, do you? You came to live here, to put down roots, to be Californians.” “We’re Americans!” someone yelled from the crowd. “We got every right to be here!” “Rights,” Jack said, looking out at them. “They matter in America, don’t they?

He wiped his hand on a piece of gunny sacking and inspected the cut. “Bleedin’ like a son-of-a-bitch,” he said. “Well, I can stop that.” He urinated on the ground, picked up a handful of the resulting mud, and plastered it over the wound. Only for a moment did the blood ooze out, and then it stopped. “Best damn thing in the worl’ to stop bleedin’,” he said.

If you want to come to a compromise over something, you must “cut the pear in two” (couper la poire en deux). Picking one’s brain might be expressed as “squeezing one’s lemon” (presser le citron). If you want to convey a sense of “eh” or “so-so” when asked for an opinion on something, you might say it’s “half fig, half grape” (mi-figue, mi-raisin).

EXCESS CROPS FOR POOR. [Lev. 19:9, 10; 23:22] “ ‘When you reap the harvest of your land, do not reap to the very edges of your field or gather the gleanings of your harvest. Do not go over your vineyard a second time or pick up the grapes that have fallen. Leave them for the poor and the foreigner. I am the LORD your God.

They were migrants. And the hostility changed them, welded them, united them—hostility that made the little towns group and arm as though to repel an invader, squads with pick handles, clerks and storekeepers with shotguns, guarding the world against their own people. In the West there was panic when the migrants multiplied on the highways. Men of property were terrified for their property. Men who had never been hungry saw the eyes of the hungry. Men who had never wanted anything very much saw the flare of want in the eyes of the migrants. And the men of the towns and of the soft suburban country gathered to defend themselves; and they reassured themselves that they were good and the invaders bad, as a man must do before he fights.

The decay spreads over the State, and the sweet smell is a great sorrow on the land. Men who can graft the trees and make the seed fertile and big can find no way to let the hungry people eat their produce. Men who have created new fruits in the world cannot create a system whereby their fruits may be eaten. And the failure hangs over the State like a great sorrow. The works of the roots of the vines, of the trees, must be destroyed to keep up the price, and this is the saddest, bitterest thing of all. Carloads of oranges dumped on the ground. The people came for miles to take the fruit, but this could not be. How would they buy oranges at twenty cents a dozen if they could drive out and pick them up? And men with hoses squirt kerosene on the oranges, and they are angry at the crime, angry at the people who have come to take the fruit. A million people hungry, needing the fruit—and kerosene sprayed over the golden mountains. And the smell of rot fills the country. Burn coffee for fuel in the ships. Burn corn to keep warm, it makes a hot fire. Dump potatoes in the rivers and place guards along the banks to keep the hungry people from fishing them out. Slaughter the pigs and bury them, and let the putrescence drip down into the earth. There is a crime here that goes beyond denunciation. There is a sorrow here that weeping cannot symbolize. There is a failure here that topples all our success. The fertile earth, the straight tree rows, the sturdy trunks, and the ripe fruit. And children dying of pellagra must die because a profit cannot be taken from an orange. And coroners must fill in the certificate—died of malnutrition—because the food must rot, must be forced to rot. The people come with nets to fish for potatoes in the river, and the guards hold them back; they come in rattling cars to get the dumped oranges, but the kerosene is sprayed. And they stand still and watch the potatoes float by, listen to the screaming pigs being killed in a ditch and covered with quick-lime, watch the mountains of oranges slop down to a putrefying ooze; and in the eyes of the people there is the failure; and in the eyes of the hungry there is a growing wrath. In the souls of the people the grapes of wrath are filling and growing heavy, growing heavy for the vintage.

I explained about Helen’s comments. “It could be sour grapes because she wasn’t picked to make the orbs, but then again she might have a genuine concern. In my hometown of Booruby, I either know of or have heard of all the glassmakers.” “We should keep an open mind and see how they do,” Kade said. He pulled me close. “Think the best until proven otherwise?” “Exactly. You should adopt it as your motto.” I liked my way better. Assume danger and be pleasantly surprised when proven wrong.

The landscape had a bucolic feel, a reminder that at the end of the day, despite the pretensions often served with each bottle, everything in this business depends on grapes that must be grown, picked, and crushed.

We should all do what, in the long run, gives us joy, even if it is only picking grapes or sorting the laundry.

It is late, for the harvest is in. Before, we hoped that the full vines would bring a plenitude of fine grapes, but the clusters are slow to ripen and the landlords picked unripe bunches from the branch. We have many grapes now—green and sour.

This is the problem with neither applying oneself nor working up to one’s potential, these moments when you are reduced to a bunch of abstract letters and numbers whose unflattering reflection cannot be charmed or joked aside. On paper, I am an asshole: a National Merit Scholar who barely passed chemistry and had to take three different gym classes senior year because I failed one freshman year and dropped out of the summer-school makeup class. Three summers in a row. I led an insurrection of my classmates and refused to read The Grapes of Wrath, for which I should have been expelled. The schools I daydreamed about going to? You know, the ones with the lawns and the sweaters? They were looking for girls who got As and volunteered at homeless shelters after school; I got mostly Bs and a lot of Cs and spent my afternoons watching Ricki Lake and sleeping until dinner. My acceptance letter from Northern Illinois University, NIU, received two weeks before graduation, basically read, “Our condolences. Here’s where you pick up your books.

It might come as a surprise, but the Bible also addresses the importance of corporate responsibility.  The Old Testament “law of gleaning” speaks loud and clear about this.  Leviticus 19: 9-10 (NIV) summarizes this important social justice law which is also restated in Deuteronomy 24: “‘When you reap the harvest of your land, do not reap to the very edges of your field or gather the gleanings of your harvest.  Do not go over your vineyard a second time or pick up the grapes that have fallen. Leave them for the poor and the foreigner. I am the LORD your God.” This law from God Himself, commanded landowners, business owners in our language today, to leave some of their potential profits for immigrants and the poor. 

Shopping for the essentials of the Eat Clean diet can be tricky. For some people, just the thought of replacing all their “unclean” food scares them. This overwhelming reaction is normal and is typical among those who are still on the adjustment phase of the program. If you find yourself in this stage, you don’t have to fret. Here are some tips to help you get at ease with the process: Take Your Time You don’t have to rush. Take your time in examining each item in your pantry. Bear in mind that it is not necessary to eliminate all the bad foods. You can just eliminate the worst items first, and then gradually get rid of the others in the next few days or weeks. Once you have already discarded some of the worst food items, you may start making your grocery list. Prepare Your Grocery List Preparing your grocery list is the start of this Clean Eating journey. Allow yourself to make necessary adjustments, especially if you personally feel that it is a major transition and you want to tackle it step by step. It’s okay to miss an item or two. The important thing here is to stick to the basic principle of the program. Below are some of the essential items that you should consider when going shopping for this Eat Clean diet: Grains and Protein ·Brown rice ·Millet ·Black beans ·Pinto beans ·Lentils ·Chickpeas ·Raw almonds ·Raw cashews ·Sunflower seeds ·Walnuts ·Almond butter ·Cannellini beans ·Flax seed Vegetables/Herbs ·Kale ·Lettuces ·Onions ·Garlic ·Cilantro ·Parsley ·Tomatoes ·Broccoli ·Potatoes ·Fennel Condiments/Flavoring ·Extra virgin olive oil ·Coconut oil ·Sesame oil ·Black pepper ·Pink Himalayan salt ·Hot sauce ·Turmeric ·Cayenne ·Gomasio ·Cinnamon ·Red pepper flakes ·Maple syrup ·Tamari ·Stevia ·Dijon mustard ·Apple cider vinegar ·Red wine vinegar Fruits ·Lemons ·Avocado ·Apples ·Bananas ·Melon ·Grapes ·Berries Snacks ·Raw chocolate ·Coconut ice cream ·Tortilla chips ·Popcorn ·Pretzels ·Dairy-free cheese shreds ·Frozen fruits for smoothies ·Bagged frozen veggies ·Organic canned soups Beverages ·Coconut water ·Herbal teas ·Almond or hemp milk Pick the Fresh Ones You will know if the fruit or vegetable is fresh through its appearance and texture.

Even the humans knew all about the kings of Obitraes, the land of vampires. After all, vampire rulers had centuries to build their palaces of grand myth, forged from the flames of their bloody acts. In the human nations, they had been whispered of like monsters. In Obitraes, they were talked about like gods. I’d heard all the stories over the years. Vincent, Oraya’s father and former King of the Nightborn, had been the drawn blade, a killer cold as the night itself. Dante, King of the Bloodborn, had been the beast larger than life, more teeth and claws than man. One day, the whispers would make legends of Raihn and Oraya, too, and I looked forward to hearing them. Raoul, King of the House of Shadow, might have dwarfed them all. He was the oldest of the vampire kings, and the one who had managed to cling to power the longest. Like most vampire rulers, he’d plucked his crown off the severed head of his predecessor, his mother, before even bothering to wipe his blade. Two centuries ago, he’d nearly destroyed the House of Blood without a single battle, relying on torture and spies instead of warriors. They said he could pick thoughts from your head like grapes from the vine and crush them just as easily. They said that he could enslave you without a single chain.

She had brown hair, cut in swirls around her face, soft blue eyes, and a bounce in her step. I wondered why she was even here, when she could just be out in society with age on her side. Linda told me her boyfriend was drafted and would be leaving for Vietnam. He didn’t want to get married, so she was giving the baby up for adoption. She seemed sad about that, like she would have married him. I knew she came from the good side of town because she had crisp, clean, fashionable clothes. On sunny days, we liked to hang out in the back yard. Over by the large oak tree were several Adirondack slatted chairs. It was serene out there; nobody from the street could see us because of the height of the brick wall. The yard was dotted with a few stately oak trees and the grass was lumpy, but green. Lilac bushes lined the building and were in full bloom when I arrived. The scent of the lilacs brought a fresh longing for the days when we lived in the city. Mom loved lilacs. When I was little, she would cut a fresh bouquet from the bushes in our back yard and arrange them in a tall drinking glass on the kitchen table. They filled the house with their luscious scent. I’d put my nose right into the blooms and give a good sniff. I marveled at the fluted horn blossoms that dotted each branch. I could never inhale enough of their sweetness. Before we moved out to Glenview and lived in our Chicago bungalow on Fairfield Avenue, we had lilacs and grapes along the fence and lilies of the valley along the back-yard sidewalk that led to the alley. Oh, how I missed that yard in the city! You could pick the grapes right off the vine and pop them into your mouth whenever you had a hankering for some fresh fruit. I thought it was glorious to have a fresh supply offered right from nature. I remembered how they popped and squished making purple stains on the sidewalk when you stepped on them. We also had lavender irises that got full of ants when they were budding. I guessed they were just too sweet. The days at the home stretched like the horizon