Grandmother Willow Quotes

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Looking back on that Halloween, I missed the mark. If I’d known then what I know now, the solution would’ve been obvious: I should’ve just gone as Grandmother Willow. She doesn’t have a gender. She’s a tree.
Jacob Tobia (Sissy: A Coming-of-Gender Story)
Traffic was in confusion for several days. For red to mean "stop' was considered impossibly counterrevolutionary. It should of course mean "go." And traffic should not keep to the right, as was the practice, it should be on the left. For a few days we ordered the traffic policemen aside and controlled the traffic ourselves. I was stationed at a street corner telling cyclists to ride on the left. In Chengdu there were not many cars or traffic lights, but at the few big crossroads there was chaos. In the end, the old rules reasserted themselves, owing to Zhou Enlai, who managed to convince the Peking Red Guard leaders. But the youngsters found justifications for this: I was told by a Red Guard in my school that in Britain traffic kept to the left, so ours had to keep to the right to show our anti-imperialist spirit. She did not mention America. As a child I had always shied away from collective activity. Now, at fourteen, I felt even more averse to it. I suppressed this dread because of the constant sense of guilt I had come to feel, through my education, when I was out of step with Mao. I kept telling myself that I must train my thoughts according to the new revolutionary theories and practices. If there was anything I did not understand, I must reform myself and adapt. However, I found myself trying very hard to avoid militant acts such as stopping passersby and cutting their long hair, or narrow trouser legs, or skirts, or breaking their semi-high-heeled shoes. These things had now become signs of bourgeois decadence, according to the Peking Red Guards. My own hair came to the critical attention of my schoolmates. I had to have it cut to the level of my earlobes. Secretly, though much ashamed of myself for being so "petty bourgeois," I shed tears over losing my long plaits. As a young child, my nurse had a way of doing my hair which made it stand up on top of my head like a willow branch. She called it "fireworks shooting up to the sky." Until the early 1960s I wore my hair in two coils, with rings of little silk flowers wound around them. In the mornings, while I hurried through my breakfast, my grandmother or our maid would be doing my hair with loving hands. Of all the colors for the silk flowers, my favorite was pink.
Jung Chang (Wild Swans: Three Daughters of China)
When other girls had tea parties on the playground, I brought out my secondhand Ouija board and attempted to raise the dead. While my classmates gave book reports on The Wind In The Willows or Charlotte’s Web, I did mine on tattered, paperback copies of Stephen King novels that I’d borrowed from my grandmother. Instead of Sweet Valley High, I read books about zombies and vampires. Eventually, my third grade teacher called my mother in to discuss her growing concerns over my behavior, and my mom nodded blithely, but failed to see what the problem was. When Mrs. Johnson handed her my recent book report on Pet Sematary,, my mom wrinkled her forehead with concern and disapproval. "Oh, I see,"she said disappointingly, as she turned to me. "You spelled ‘cemetery’ wrong.” Then I explained that Stephen King had spelled it that way on purpose, and she nodded, saying, “Ah. Well, good enough for me.
Jenny Lawson (Let's Pretend This Never Happened: A Mostly True Memoir)
At childhood’s end, the houses petered out into playing fields, the factory, allotments kept, like mistresses, by kneeling married men, the silent railway line, the hermit’s caravan, till you came at last to the edge of the woods. It was there that I first clapped eyes on the wolf. He stood in a clearing, reading his verse out loud in his wolfy drawl, a paperback in his hairy paw, red wine staining his bearded jaw. What big ears he had! What big eyes he had! What teeth! In the interval, I made quite sure he spotted me, sweet sixteen, never been, babe, waif, and bought me a drink, my first. You might ask why. Here’s why. Poetry. The wolf, I knew, would lead me deep into the woods, away from home, to a dark tangled thorny place lit by the eyes of owls. I crawled in his wake, my stockings ripped to shreds, scraps of red from my blazer snagged on twig and branch, murder clues. I lost both shoes but got there, wolf’s lair, better beware. Lesson one that night, breath of the wolf in my ear, was the love poem. I clung till dawn to his thrashing fur, for what little girl doesn’t dearly love a wolf? Then I slid from between his heavy matted paws and went in search of a living bird – white dove – which flew, straight, from my hands to his hope mouth. One bite, dead. How nice, breakfast in bed, he said, licking his chops. As soon as he slept, I crept to the back of the lair, where a whole wall was crimson, gold, aglow with books. Words, words were truly alive on the tongue, in the head, warm, beating, frantic, winged; music and blood. But then I was young – and it took ten years in the woods to tell that a mushroom stoppers the mouth of a buried corpse, that birds are the uttered thought of trees, that a greying wolf howls the same old song at the moon, year in, year out, season after season, same rhyme, same reason. I took an axe to a willow to see how it wept. I took an axe to a salmon to see how it leapt. I took an axe to the wolf as he slept, one chop, scrotum to throat, and saw the glistening, virgin white of my grandmother’s bones. I filled his old belly with stones. I stitched him up. Out of the forest I come with my flowers, singing, all alone. Little Red-Cap
Carol Ann Duffy (The World's Wife)
And so her speech differed from her mother’s; but, what is more curious, her mother’s speech was not the same as that of her grandmother, a native of Bailleau-le-Pin, which was so close to Françoise’s village. And yet the dialects differed slightly, like the scenery. Françoise’s mother’s village, scrambling down a steep bank into a ravine, was overgrown with willows. And, miles away from either of them, there was, on the contrary, a small district of France where the people spoke almost precisely the same dialect as at Méséglise. I made this discovery only to feel its drawbacks. In fact, I once came upon Françoise eagerly conversing with a neighbour’s housemaid, who came from this village and spoke its dialect. They could more or less understand one another, I did not understand a word, they knew this but did not however cease (excused, they felt, by the joy of being fellow-countrywomen although born so far apart) to converse in this strange tongue in front of me, like people who do not wish to be understood
Marcel Proust (In Search Of Lost Time (All 7 Volumes) (ShandonPress))
She'd loved birds long before her physical limitations kept her grounded. She'd found a birding diary of her grandmother's in a trunk in the attic when she was Frankie's age, and when she asked her father about it, he dug through boxes on a shelf high above her head, handing down a small pair of binoculars and some field guides. She'd seen her first prothonotary warbler when she was nine, sitting alone on a tupelo stump in the forest, swatting at mosquitoes targeting the pale skin behind her ears. She glanced up from the book she was reading only to be startled by an unexpected flash of yellow. Holding her breath, she fished for the journal she kept in her pocket, focusing on the spot in the willow where he might be. A breeze stirred the branches, and she saw the brilliant yellow head and underparts standing out like petals of a sunflower against the backdrop of leaves; the under tail, a stark white. His beak was long, pointed and black; his shoulders a mossy green, a blend of the citron yellow of his head and the flat slate of his feathers. He had a black dot of an eye, a bead of jet set in a field of sun. Never had there been anything so perfect. When she blinked he disappeared, the only evidence of his presence a gentle sway of the branch. It was a sort of magic, unveiled to her. He had been hers, even if only for a few seconds. With a stub of pencil- 'always a pencil,' her grandmother had written. 'You can write with a pencil even in the rain'- she noted the date and time, the place and the weather. She made a rough sketch, using shorthand for her notes about the bird's coloring, then raced back to the house, raspberry canes and brambles speckling bloody trails across her legs. In the field guide in the top drawer of her desk, she found him again: prothonotary warbler, 'prothonotary' for the clerks in the Roman Catholic Church who wore robes of a bright yellow. It made absolute sense to her that something so beautiful would be associated with God. After that she spent countless days tromping through the woods, toting the drab knapsack filled with packages of partially crushed saltines, the bottles of juice, the bruised apples and half-melted candy bars, her miniature binoculars slung across one shoulder. She taught herself how to be patient, how to master the boredom that often accompanied careful observation. She taught herself how to look for what didn't want to be seen.
Tracy Guzeman (The Gravity of Birds)
Sometimes the right path is not always the easiest.
Grandmother Willow
i am only beginning to realize how fragmented and uncoordinated I am. My left hand does not know what my right hand is doing. My heart tells me to go in one direction, and my mind another, and I do not know which to obey. I am furious with Mother for not being my mother, and I am filled with an aching tenderness I have never known before. There are rough waters below the surface of my consciousness, and strange, submarine winds. The submerged me is more aware of wild tides and undertows than the surface. One deep calls another, because of the noise of the water floods; all the waves and storms are gone over me. And above the surface the brazen sun shines, heat shimmers on the hills, and the long fronds of the golden willow Mother planted ten or more years ago droop in the stillness.
Madeleine L'Engle (The Summer of the Great-Grandmother (Crosswicks Journal, #2))
O spirits, o Great-grandmother, who resides in heaven with our Lord and Savior, I am weary and sore of heart. O Mama, I am willow-twisted and cracked in the roil and storm of this war. The nearer we are to freedom, the farther from peace. Justice smells of life everlasting and copper coins, and her voice is not a song, or a prayer, but a cry.
Alaya Dawn Johnson (Reconstruction: Stories)
You’re his grandmother!” Willow continues. “I thought he’d be safe with you. I thought you were strong. But all you are is an old woman who’s out of her depth.” Well, fuck me. The girl’s got balls.
Nicole Fox (Ravaged Throne (Solovev Bratva, #2))
Miss Caine, are you wearing my clothes?” Cade asked, his voice falsely stern, after recognizing the familiar items. And there was something about seeing her dressed in something of his that sent an unexpected thrill of excitement through his body. The cheeky girl was wearing his things, caressing his horse, and a quick glance at her basket revealed that she had been pilfering the best of his prized roses—ones he had taken the risk of smuggling to the states from his grandmother’s garden back in Yorkshire.
Willow Prescott (Hideaway (Stolen Away, #1))
for Nannie Quantrell placed much trust in the property of young nettles eaten as spring greens to clear the blood, quoting emphatically and rhythmically a rhyme her grandmother had taught her: “If they would eat nettles in March And drink mugwort in May, So many fine young maidens Would not go to the clay.
Sylvia Townsend Warner (Lolly Willowes (Warbler Classics Annotated Edition))
My friend’s grandmother told me once to fall in love with someone who loves you back just a little more.
Willow Winters (Possessive)