Grandmother Rip Quotes

We've searched our database for all the quotes and captions related to Grandmother Rip. Here they are! All 18 of them:

I ripped all her clothes off. She twisted and turned, slow, so they would slip out from under her. Then she closed her eyes and lay back on the pillow. Her hair was falling over her shoulders in snaky curls. Her eye was all black, and her breasts weren’t drawn up and pointing up at me, but soft, and spread out in two big pink splotches. She looked like the great grandmother of every whore in the world. The devil got his money’s worth that night.
James M. Cain (The Postman Always Rings Twice)
She was not ashamed of the truth before her. She was not afraid. Manon’s grandmother led the attack, her maneuvers the deadliest. It was from her that the first slice of pain appeared. A rip of iron nails through Manon’s shoulder. But Manon swung her sword, again and again, iron on steel ringing out across the icy peaks. No, she was not afraid at all.
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
One day on a ranging we brought down a fine big elk. We were skinning it when the smell of blood drew a shadowcat out of its lair. I drove it off, but not before it shredded my cloak to ribbons. Do you see? Here, here, and here?” He chuckled. “It shredded my arm and back as well, and I bled worse than the elk. My brothers feared I might die before they got me back to Maester Mullin at the Shadow Tower, so they carried me to a wildling village where we knew an old wisewoman did some healing. She was dead, as it happened, but her daughter saw to me. Cleaned my wounds, sewed me up, and fed me porridge and potions until I was strong enough to ride again. And she sewed up the rents in my cloak as well, with some scarlet silk from Asshai that her grandmother had pulled from the wreck of a cog washed up on the Frozen Shore. It was the greatest treasure she had, and her gift to me.” He swept the cloak back over his shoulders. “But at the Shadow Tower, I was given a new wool cloak from stores, black and black, and trimmed with black, to go with my black breeches and black boots, my black doublet and black mail. The new cloak had no frays nor rips nor tears … and most of all, no red. The men of the Night’s Watch dressed in black, Ser Denys Mallister reminded me sternly, as if I had forgotten. My old cloak was fit for burning now, he said. “I left the next morning … for a place where a kiss was not a crime, and a man could wear any cloak he chose.
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
He had showed me some of his damage. And he was ashamed of that. Little did he know, I wasn't someone who could judge. So what if he had anger issues? I had ripping myself open issues. And alcohol issues. And daddy issues. And brother issues. And grandmother issues. I was the Long Island iced tea of damage: everything but iced tea included.
Jessica Gadziala (For a Good Time, Call... (Scars, #1))
Makade-ma'iingan walked slowly toward him out of the gloom. She circled him, her head low, her cerulean eyes lancing into him like arrows. Her voice spoke in his grandmother’s tongue. “Myeengun, you must rise and finish your work, rip out the throats of the whites who oppress and pursue us. The spirit of your grandmother, the spirits of all your people, demand it. I am Otshee monetoo, and I command it.” She lunged, sinking her yellow teeth deep into his chest where he’d pressed the knife. The flash of pain struck him like a sudden bolt from angry clouds. It reached so much beyond his level to endure, that this time he did cry out. His feral howl screaming out into the cold night, rolling through the valley like a keening from the damned.
Phil Truman (Dire Wolf of the Quapaw: a Jubal Smoak Mystery (Jubal Smoak Mysteries Book 1))
My father was a liar and a drunk. My mother left when I was a kid and never looked back. I witnessed a man kill my grandmother and then rip out her throat with his teeth. I was kept in a cage for six weeks. I was forced to cut off my own finger. I’m pretty sure I’m falling in love with a guy
Marissa Meyer (Winter (The Lunar Chronicles, #4))
I walk down the aisle, keeping my head down. Sit across from a very old woman in a windbreaker who at first looks to me a little like my dead grandmother, at least in the face. I’m comforted. There is my grandmother sort of. Wearing the clothes of a slightly insane person. Tattoo on her throat of a spider in a web. Reading a ripped-up medical poster about schizophrenia aloud. SCHIZOPHRENIA: Do You Have the Symptoms?? She reads each symptom on the list, going, “Oh I have that, oh I have that.” Making sounds of delighted surprise. Like it’s a recipe she’s reading and she’s tickled to discover that— “—​she already has all the ingredients in her fridge. No need to go shopping.
Mona Awad (Bunny)
Scarlet leaned against the regolith wall "My father was a liar and a drunk. My mother left when I was a kid and never looked back. I witnessed a man kill my grandmother and then rip out her throat with his teeth. I was kept in a cage for six weeks. I was forced to cut off my own finger. I'm pretty sure l'm falling in love with a guy who has been genetically modified and mentally programmed to be a predator. So all things considered, I’d say I have a fair amount of scattered pieces myself.
Marissa Meyer (Winter (The Lunar Chronicles, #4))
My mom liked to say that Elsie was part of our family. My parents treated her better than other families who expected their housekeepers to eat separately. Mom bought Elsie birthday and Christmas presents, sent her home with vegetables from our garden, and, most important, treated her with kindness and respect. My grandmother prepared her lunch, instead of the other way around. Yet I didn't realize that Elsie's own family had been ripped apart two decades earlier, when she was working for my grandparents, and that my grandfather was partly to blame.
Kristen Green (Something Must Be Done About Prince Edward County: A Family, a Virginia Town, a Civil Rights Battle)
At childhood’s end, the houses petered out into playing fields, the factory, allotments kept, like mistresses, by kneeling married men, the silent railway line, the hermit’s caravan, till you came at last to the edge of the woods. It was there that I first clapped eyes on the wolf. He stood in a clearing, reading his verse out loud in his wolfy drawl, a paperback in his hairy paw, red wine staining his bearded jaw. What big ears he had! What big eyes he had! What teeth! In the interval, I made quite sure he spotted me, sweet sixteen, never been, babe, waif, and bought me a drink, my first. You might ask why. Here’s why. Poetry. The wolf, I knew, would lead me deep into the woods, away from home, to a dark tangled thorny place lit by the eyes of owls. I crawled in his wake, my stockings ripped to shreds, scraps of red from my blazer snagged on twig and branch, murder clues. I lost both shoes but got there, wolf’s lair, better beware. Lesson one that night, breath of the wolf in my ear, was the love poem. I clung till dawn to his thrashing fur, for what little girl doesn’t dearly love a wolf? Then I slid from between his heavy matted paws and went in search of a living bird – white dove – which flew, straight, from my hands to his hope mouth. One bite, dead. How nice, breakfast in bed, he said, licking his chops. As soon as he slept, I crept to the back of the lair, where a whole wall was crimson, gold, aglow with books. Words, words were truly alive on the tongue, in the head, warm, beating, frantic, winged; music and blood. But then I was young – and it took ten years in the woods to tell that a mushroom stoppers the mouth of a buried corpse, that birds are the uttered thought of trees, that a greying wolf howls the same old song at the moon, year in, year out, season after season, same rhyme, same reason. I took an axe to a willow to see how it wept. I took an axe to a salmon to see how it leapt. I took an axe to the wolf as he slept, one chop, scrotum to throat, and saw the glistening, virgin white of my grandmother’s bones. I filled his old belly with stones. I stitched him up. Out of the forest I come with my flowers, singing, all alone. Little Red-Cap
Carol Ann Duffy (The World's Wife)
Even if these two didn't share the same short dark hair, the same violet eyes, and the same flawless olive skin, I'd know they were related because of their most dominant feature-their habit of staring. "I'm Chloe. This is my friend Emma, who apparently just head-butted your boyfriend Galen. We were in the middle of apologizing." I pinch the bridge of my nose and count to ten-Mississippi, but fifty-Mississippi seems more appropriate. Fifty allows more time to fantasize about ripping one of Chloe's new waves out. "Emma, what's wrong? Your nose isn't bleeding, is it?" She chirps, enjoying herself. Tingles gather at my chin as Galen lifts it with the crook of his finger. "Is your nose bleeding? Let me see," he says. He tilts my head side to side, leans closer to get a good look. And I meet my threshold for embarrassment. Tripping is bad enough. Tripping into someone is much worse. But if that someone has a body that could make sculpted statues jealous-and thinks you've broken your nose on one of his pecs-well, that's when tripping runs a distant second to humane euthanasia. He is clearly surprised when I swat his hand and step away. His girlfriend/relative seems taken aback that I mimic his stance-crossed arms and deep frown. I doubt she has ever met her threshold for embarrassment. "I said I was fine. No blood, no foul." "This is my sister Rayna," he says, as if the conversation steered naturally in that direction. She smiles at me as if forced at knifepoint, the kind of smile that comes purely from manners, like the smile you give your grandmother when she gives you the rotten-cabbage-colored sweater she's been knitting. I think of that sweater now as I return her smile.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
45 Mercy Street In my dream, drilling into the marrow of my entire bone, my real dream, I'm walking up and down Beacon Hill searching for a street sign - namely MERCY STREET. Not there. I try the Back Bay. Not there. Not there. And yet I know the number. 45 Mercy Street. I know the stained-glass window of the foyer, the three flights of the house with its parquet floors. I know the furniture and mother, grandmother, great-grandmother, the servants. I know the cupboard of Spode the boat of ice, solid silver, where the butter sits in neat squares like strange giant's teeth on the big mahogany table. I know it well. Not there. Where did you go? 45 Mercy Street, with great-grandmother kneeling in her whale-bone corset and praying gently but fiercely to the wash basin, at five A.M. at noon dozing in her wiggy rocker, grandfather taking a nap in the pantry, grandmother pushing the bell for the downstairs maid, and Nana rocking Mother with an oversized flower on her forehead to cover the curl of when she was good and when she was... And where she was begat and in a generation the third she will beget, me, with the stranger's seed blooming into the flower called Horrid. I walk in a yellow dress and a white pocketbook stuffed with cigarettes, enough pills, my wallet, my keys, and being twenty-eight, or is it forty-five? I walk. I walk. I hold matches at street signs for it is dark, as dark as the leathery dead and I have lost my green Ford, my house in the suburbs, two little kids sucked up like pollen by the bee in me and a husband who has wiped off his eyes in order not to see my inside out and I am walking and looking and this is no dream just my oily life where the people are alibis and the street is unfindable for an entire lifetime. Pull the shades down - I don't care! Bolt the door, mercy, erase the number, rip down the street sign, what can it matter, what can it matter to this cheapskate who wants to own the past that went out on a dead ship and left me only with paper? Not there. I open my pocketbook, as women do, and fish swim back and forth between the dollars and the lipstick. I pick them out, one by one and throw them at the street signs, and shoot my pocketbook into the Charles River. Next I pull the dream off and slam into the cement wall of the clumsy calendar I live in, my life, and its hauled up notebooks.
Anne Sexton
At the Oasis steakhouse, the destruction began with tin ripping off the roof and windows bulging crazily. A five-year-old girl said calmly to her grandmother, “It’s time to die, isn’t it?
Richard Bedard (In the Shadow of the Tornado: Stories and Adventures From the Heart of Storm Country)
My office is over here—” He stopped. Frowned. Looked about. Had to backtrack to the kitchen in order to find the various parties. Sola’s grandmother had her head in the Sub-Zero refrigerator, rather as if she were a gnome looking for a cool place in the summer. “Madam?” Assail inquired. She shut the door and moved on to the floor-to-ceiling cabinets. “There is nothing here. Nothing. What do you eat?” “Ah . . .” Assail found himself looking at the cousins for aid. “Usually we take our meals in town.” The scoffing sound certainly appeared like the old-lady equivalent of Fuck that. “I need the staples.” She pivoted on her little shiny shoes and put her hands on her hips. “Who is taking me to supermarket.” Not an inquiry. And as she stared up at the three of them, it appeared as though Ehric and his violent killer of a twin were as nonplussed as Assail was. The evening had been planned out to the minute—and a trip to the local Hannaford was not on the list. “You two are too thin,” she announced, flicking her hand in the direction of the twins. “You need to eat.” Assail cleared his throat. “Madam, you have been brought here for your safety.” He was not going to permit Benloise to up the stakes—and so he’d had to lock down potential collateral damage. “Not to be a cook.” “You have already refused the money. I no stay here for free. I earn my keep. That is the way it will be.” Assail exhaled long and slow. Now he knew where Sola got her independent streak. “Well?” she demanded. “I no drive. Who takes me.” “Madam, would you not prefer to rest—” “Your body rest when dead. Who.” “We do have an hour,” Ehric hedged. As Assail glared at the other vampire, the little old lady hitched her purse up on her forearm and nodded. “So he will take me.” Assail met Sola’s grandmother’s gaze directly and dropped his tone a register just so that the line drawn would be respected. “I pay. Are we clear—you are not to spend a cent.” She opened her mouth as if to argue, but she was headstrong—not foolish. “Then I do the darning.” “Our clothes are in sufficient shape—” Ehric cleared his throat. “Actually, I have a couple of loose buttons. And the Velcro strip on his flak jacket is—” Assail looked over his shoulder and bared his fangs at the idiot—out of eyesight of Sola’s grandmother, of course. Remarshaling his expression, he turned back around and— Knew he’d lost. The grandmother had one of those brows cocked, her dark eyes as steady as any foe’s he’d ever faced. Assail shook his head. “I cannot believe I’m negotiating with you.” “And you agree to terms.” “Madam—” “Then it is settled.” Assail threw up his hands. “Fine. You have forty-five minutes. That is all.” “We be back in thirty.” At that, she turned and headed for the door. In her diminutive wake, the three vampires played ocular Ping-Pong. “Go,” Assail gritted out. “Both of you.” The cousins stalked for the garage door—but they didn’t make it. Sola’s grandmother wheeled around and put her hands on her hips. “Where is your crucifix?” Assail shook himself. “I beg your pardon?” “Are you no Catholic?” My dear sweet woman, we are not human, he thought. “No, I fear not.” Laser-beam eyes locked on him. Ehric. Ehric’s brother. “We change this. It is God’s will.” And out she went, marching through the mudroom, ripping open the door, and disappearing into the garage. As that heavy steel barrier closed automatically, all Assail could do was blink.
J.R. Ward (The King (Black Dagger Brotherhood, #12))
One time, at the club, mamá heard a woman ask my grandmother why she hadn’t had more children. “Ay, mija,” my grandmother said, “if I could have avoided it, I wouldn’t even have had this one.” The two of them burst out laughing. My mother had just gotten out of the pool and was standing there dripping water. It felt, she said, like they’d ripped open her chest and reached in to tear out her heart. My
Pilar Quintana (Abyss)
Maybe appearing on CNN for two minutes will make your grandmother proud, but if the travel and the preparation and the logistics eat up 20 hours of your time so that your writing suffers [and] you will ultimately not be proud of the result, then maybe it’s not worth it. Often I think the paradox is that accepting the requests you receive is at the expense of the quality of the very work—the reason for those requests in the first place—and that’s what you always have to protect.” TF: This is precisely why I have stopped nearly all investing, speaking engagements, and interviews. Maria shared how famed neurologist and writer Oliver Sacks (RIP) used to put a “piece of paper on the wall by his desk that simply said, in all caps, ‘NO!’ with an exclamation point. It was to remind himself to decline invitations that took away from his writing time.
Timothy Ferriss (Tools of Titans: The Tactics, Routines, and Habits of Billionaires, Icons, and World-Class Performers)
He doesn't like his son's choice... Father "Because you could do better!" Albert pointed to me. "Better than that? There's a fucking angel of death in your study and you thought I could do better?" "I didn't have all the information at the time. She wouldn't give you the time of day. I was sick of watching you chasing after her like some lovesick puppy." "Did I ask for your help?" "I am your father! I look after your future! They're an upstart House, and Victoria Tremaine will rip them to shreds when she gets out.: "My grandmother trusted me to hand this matter," I said. "I'm here instead of her as a courtesy to Albert because of our friendship. House Tremaine doesn't suffer fools, Mr Ravenscroft. Don't be one.
Ilona Andrews (Emerald Blaze (Hidden Legacy, #5))
Mae drew closer, bending down to peer at the tiny words written on the ripped scraps of paper. Most of the pieces were no bigger than a Post-it. Smothered chicken. Shrimp and grits. Lamb chops. Fried chicken. Black-eyed peas. Chicken pot pie. Oyster dressing. Corn casserole. Barbecue sauce. Seeing these felt like being reunited with an old friend. The tiny handwriting was unfamiliar, but the dishes jumped out at her like memories. Her dad had talked about some of these. He'd told her about shrimp and grits on those mornings at Skyline Diner. And he'd mentioned oyster dressing and corn casserole once when Mae had asked him what his family ate at Thanksgiving. The barbecue sauce might have been something Althea made a big vat of for their annual Fourth of July event.
Shauna Robinson (The Townsend Family Recipe for Disaster)