Grandmother Love Quotes

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People in the real world always say, when something terrible happens, that the sadness and loss and aching pain of the heart will “lessen as time passes,” but it isn’t true. Sorrow and loss are constant, but if we all had to go through our whole lives carrying them the whole time, we wouldn’t be able to stand it. The sadness would paralyze us. So in the end we just pack it into bags and find somewhere to leave it.
Fredrik Backman (My Grandmother Asked Me to Tell You She's Sorry)
Flustered, she replied, "You're not my - my - grandmother, or something." "You'd talk about this with your grandmother? I can't possibly imagine discussing my dating life with mine. She's a lovely woman, I suppose. If you like them bald and racist.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
The mightiest power of death is not that it can make people die, but that it can make the people you left behind want to stop living.
Fredrik Backman (My Grandmother Asked Me to Tell You She's Sorry)
We want to be loved,’ ” quotes Britt-Marie. “ ‘Failing that, admired; failing that, feared; failing that, hated and despised. At all costs we want to stir up some sort of feeling in others. The soul abhors a vacuum. At all costs it longs for contact.’ 
Fredrik Backman (My Grandmother Asked Me to Tell You She's Sorry)
It's funny about love', Sophia said. 'The more you love someone, the less he likes you back.' 'That's very true,' Grandmother observed. 'And so what do you do?' 'You go on loving,' said Sophia threateningly. 'You love harder and harder.
Tove Jansson (The Summer Book)
When he asked my grandmother if she would mind being poor, she said she would be happy just to have her daughter and himself: 'If you have love, even plain water is sweet.
Jung Chang (Wild Swans: Three Daughters of China)
Her grandmother used to tell her that a pink sky meant someone in the distance had just fallen in love . . . .
Sarah Addison Allen (The Peach Keeper)
I collect church collapses, recreationally. Did you see the recent one in Sicily? Marvelous! The facade fell on sixty-five grandmothers at a special mass. Was that evil? If so, who did it? If he's up there, he just loves it, Officer Starling. Typhoid and swans - it all comes from the same place.
Thomas Harris (The Silence of the Lambs (Hannibal Lecter, #2))
To many, I was myth incarnate, the embodiment of a most superb legend, a fairy tale. Some considered me a monster, a mutation. To my great misfortune, I was once mistaken for an angel. To my mother, I was everything. To my father, nothing at all. To my grandmother, I was a daily reminder of loves long lost. But I knew the truth—deep down, I always did. I was just a girl.
Leslye Walton (The Strange and Beautiful Sorrows of Ava Lavender)
I shall never have a bath again," I said. "Just dont have one too often," my grandmother said. "Once a month is quite enough for a sensible child." It was at times like these that I loved my grandmother more than ever.
Roald Dahl
I love tables. And dancing. Oh, and I love table dancing, although Grandmother always says, "Wait until we're finished eating.
Jarod Kintz (There are Two Typos of People in This World: Those Who Can Edit and Those Who Can't)
It's strange how close love and fear live to each other.
Fredrik Backman (My Grandmother Asked Me to Tell You She's Sorry)
I still loved Granny. It flowed out of my chest. With Granny gone, where would my love go?
Jessica Maria Tuccelli (Glow)
To my mother, I was everything. To my father, nothing at all. To my grandmother, I was a daily reminder of loves long lost.
Leslye Walton (The Strange and Beautiful Sorrows of Ava Lavender)
A fridge will keep your steaks fresh, but keeping a live cow in grandmother’s room will keep the meat fresher. Let this be a lesson in love.
Jarod Kintz (This Book is Not for Sale)
No Hello. No Hi, Pierce. Nice right hook you have there. No It's lovely to see you. Sorry about your counselor being killed last night. Yes, I see your grandmother is a Fury even though I told you none was after you. I guess I was wrong about that. Just Let's go.
Meg Cabot (Abandon (Abandon, #1))
I thought grandmothers had to like you. It’s a law or something.
Mary E. Pearson (The Adoration of Jenna Fox (Jenna Fox Chronicles, #1))
Shall I tell you the secret of true love? her father once asked her. A friend of mine liked to tell me that women love flowers. He had many flirtations, but he never found a wife. Do you know why? Because women may love flowers, but only one woman loves the scent of gardenias in late summer that remind her of her grandmother's porch. Only one woman loves apple blossoms in a blue cup. Only one woman loves wild geraniums. That's Mama! Inej had cried. Yes. Mama loves wild geraniums because no other flower has quite the same color, and she claims that when she snaps the stem and puts a sprig behind her ear, the whole world smells like summer. Many boys will bring you flowers. But someday you'll meet a boy who will learn your favourite flower, your favourite song, your favourite sweet. And even if he is too poor to give you any of them, it won't matter because he will have taken the time to know you as no one else does. Only that boy earns your heart.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
The priest's lesson: beware the Nightlord, for his pleasure is a mortal's doom. My grandmother's lesson: beware love, especially with the wrong man.
N.K. Jemisin (The Hundred Thousand Kingdoms (Inheritance, #1))
When a man touches a woman's body, he is not just touching her body. It goes MUCH DEEPER than that for a woman. He is touching parts of her soul-parts as diverse as how she feels about being a grandmother some day, to what is her favorite ice cream, to how much she loves her pet, and to her opinion of how the current President is governing. The man wants a sexual encounter and love is far from his mind; she desires permanence, commitment, safety, and security.
Jim Anderson (Unmasked: Exposing the Cultural Sexual Assualt)
I went to college. Got a master’s degree. Went to Quantico for training. Been chasing down bad guys.” She gave her grandmother a wry look. “You know, the usual girly stuff.
Kerrelyn Sparks (The Vampire and the Virgin (Love at Stake, #8))
Whever I came into the room, she'd light up, so happy to see me. No one ever in the course of my entire life was ever as happy to see me as she was. Looking back, now, I realize that you only ever need one person who lights up that way when you enter a room. One person is all it takes to give a kid confidence.
Adriana Trigiani (Don't Sing at the Table: Life Lessons from My Grandmothers)
I know there's no way I can convince you this is not one of their tricks, but I don't care, I am me. My name is Valerie, I don't think I'll live much longer and I wanted to tell someone about my life. This is the only autobiography ill ever write, and god, I'm writing it on toilet paper. I was born in Nottingham in 1985, I don't remember much of those early years, but I do remember the rain. My grandmother owned a farm in Tuttlebrook, and she use to tell me that god was in the rain. I passed my 11th lesson into girl's grammar; it was at school that I met my first girlfriend, her name was Sara. It was her wrists. They were beautiful. I thought we would love each other forever. I remember our teacher telling us that is was an adolescent phase people outgrew. Sara did, I didn't. In 2002 I fell in love with a girl named Christina. That year I came out to my parents. I couldn't have done it without Chris holding my hand. My father wouldn't look at me, he told me to go and never come back. My mother said nothing. But I had only told them the truth, was that so selfish? Our integrity sells for so little, but it is all we really have. It is the very last inch of us, but within that inch, we are free. I'd always known what I wanted to do with my life, and in 2015 I starred in my first film, "The Salt Flats". It was the most important role of my life, not because of my career, but because that was how I met Ruth. The first time we kissed, I knew I never wanted to kiss any other lips but hers again. We moved to a small flat in London together. She grew Scarlet Carsons for me in our window box, and our place always smelled of roses. Those were there best years of my life. But America's war grew worse, and worse. And eventually came to London. After that there were no roses anymore. Not for anyone. I remember how the meaning of words began to change. How unfamiliar words like collateral and rendition became frightening. While things like Norse Fire and The Articles of Allegiance became powerful, I remember how different became dangerous. I still don't understand it, why they hate us so much. They took Ruth while she was out buying food. I've never cried so hard in my life. It wasn't long till they came for me.It seems strange that my life should end in such a terrible place, but for three years, I had roses, and apologized to no one. I shall die here. Every inch of me shall perish. Every inch, but one. An Inch, it is small and it is fragile, but it is the only thing the world worth having. We must never lose it or give it away. We must never let them take it from us. I hope that whoever you are, you escape this place. I hope that the world turns and that things get better. But what I hope most of all is that you understand what I mean when I tell you that even though I do not know you, and even though I may never meet you, laugh with you, cry with you, or kiss you. I love you. With all my heart, I love you. -Valerie
Alan Moore (V for Vendetta)
And I wanted to tell him that even though I'd never been in love, I knew what it was like to be in a feeling, to be not just surrounded by it but also permeated by it, the way my grandmother talked about God being everywhere.
John Green (Turtles All the Way Down)
Daily I walk around my small, picturesque town with a thought bubble over my head: Person Going Through A Divorce. When I look at other people, I automatically form thought bubbles over their heads. Happy Couple With Stroller. Innocent Teenage Girl With Her Whole Life Ahead Of Her. Content Grandmother And Grandfather Visiting Town Where Their Grandchildren Live With Intact Parents. Secure Housewife With Big Diamond. Undamaged Group Of Young Men On Skateboards. Good Man With Baby In BabyBjörn Who Loves His Wife. Dogs Who Never Have To Worry. Young Kids Kissing Publicly. Then every so often I see one like me, one of the shambling gaunt women without makeup, looking older than she is: Divorcing Woman Wondering How The Fuck This Happened.
Suzanne Finnamore (Split: A Memoir of Divorce)
I’ve never cheated on a lover. I’m faithful, always. But the war comes before anyone’s feelings. Every time.” Wow. Battle before love. Without a doubt, he was the most unromantic male she’d ever met. Even more so than her great-grandfather, who had laughingly burned her great-grandmother to death after she’d given birth to Gwen’s grandmother.
Gena Showalter (The Darkest Whisper (Lords of the Underworld, #4))
Our faces will become works of art that our grandchildren will treasure.
Adriana Trigiani (Don't Sing at the Table: Life Lessons from My Grandmothers)
So, if you have a grandma, thank the good Lord above, and give your grandmamma hugs and kisses, for grandmothers are to love.
Lois Wyse
Did she say anything before she died?" he asked. "Yes," the surgeon said. "She said, 'Forgive him'" "Forgive him?" my father asked. "I think she was referring to the drunk driver who killed her." Wow. My grandmother's last act on earth was a call for forgiveness, love and tolerance. She wanted us to forgive Gerald, the dumb-ass Spokane Indian alcoholic who ran her over and killed her. I think My Dad wanted to go find Gerald and beat him to death. I think my mother would have helped him. I think I would have helped him, too. But my grandmother wanted us to forgive her murderer. Even dead, she was a better person than us.
Sherman Alexie (The Absolutely True Diary of a Part-Time Indian)
Blaire, This was my grandmother’s. My father’s mother. She came to visit me before she passed away. I have fond memories of her visits and when she passed on she left this ring to me. In her will I was told to give it to the woman who completes me. She said it was given to her by my grandfather who passed away when my dad was just a baby but that she’d never loved another the way she’d loved him. He was her heart. You are mine. This is your something old. I love you, Rush
Abbi Glines (Forever Too Far (Rosemary Beach, #3; Too Far, #3))
I was beginning to understand. My grandmother's love was cold because she was afraid of things; that was why everything had to be perfect.
Alice Hoffman (Incantation)
I have learned that I will not change the world, Jesus will do that. I can however, change the world for one person. I can change the world for fourteen little girls and for four hundred schoolchildren and for a sick and dying grandmother and for a malnourished, neglected, abused five-year old. And if one persons sees the love of Christ in me, it is worth every minute. In fact, it is worth spending my life for.
Katie Davis (Kisses from Katie)
Grandmotherhood initiated me into a world of play, where all things became fresh, alive, and honest again through my grandchildren's eyes. Mostly, it retaught me love.
Sue Monk Kidd
Why did they have to sacrifice anything?” “It was a symbol,” Grandmother explains. “Of an innocent dying on behalf of someone else—the greatest act of love. A choice to die so someone else doesn’t have to.
Emily Henry (The Love That Split the World)
Emilio appeared with wine before Cal could say anything, and Min beamed at him, grateful for the rescue. "Emilio, my darling. I forgot to mention cake boxes. Two hundred cake boxes." "Already on it," Emilio said. "Nonna said you'd need them. She said to get four-inch-square boxes for three-inch-square cakes." "I'm getting the boxes," Min said, nodding. "Sure. Great. Fine. Your grandmother is an angel and you are my hero. And of course, a genius with food." "And you are my favorite customer." Emilio kissed her cheek and disappeared back into the kitchen. "I love him," she told Cal. "I noticed," Cal said. "Been seeing him behind my back, have you?" "Yes," Min said. "We've been having conversations about cake." "Whoa," Cal said. "For you, that's talking dirty.
Jennifer Crusie (Bet Me)
Granny was the sort of person you brought with you when you went to war, and that was what Elsa loved about her.
Fredrik Backman (My Grandmother Asked Me to Tell You She's Sorry)
A grandmother's love was its own sort of powerful magic
Kerri Maniscalco (Kingdom of the Wicked (Kingdom of the Wicked, #1))
Such was the love of this grandson for his grandmother that two years after the death of his mother, when she herself fell gravely ill, he vowed to her that someday he would try to tell the world her life story. 'But why?' she asked humbly. 'I'm no one, just a girl from the coast' 'But you are everyone, Grandma,' the young Pramoedya told her. 'You are all the people who have ever had to fight to make this life their own.
Pramoedya Ananta Toer (Gadis Pantai)
But in the meantime, you must be content, I say, to be misunderstood for a while. We are all very anxious to be understood, and it is very hard not to be. But there is one thing much more necessary." "What is that, grandmother?" "To understand other people.
George MacDonald (The Princess and the Goblin (Princess Irene and Curdie, #1))
Because when you love someone very much, it's difficult to learn to share her with someone else.
Fredrik Backman (My Grandmother Asked Me to Tell You She's Sorry)
I am slowly, painfully discovering that my refuge is not found in my mother, my grandmother, of even the birds of Bear River. My refuge exists in my capacity to love. If I can learn to love death then I can begin to find refuge in change.
Terry Tempest Williams (Refuge: An Unnatural History of Family and Place)
It's possible to love your grandmother for years and years without really knowing anything about her.
Fredrik Backman (My Grandmother Asked Me to Tell You She's Sorry)
Here's what I have to say about being married: someday you will look at him, hating him with every fiber of your being, wishing that he would die the most violent death possible. It will pass." --Hannah Horvath's dying grandmother
Lena Dunham
But a planet can also become dark because of “too strong a desire for security … the greatest evil there is.” Meg resists her father’s analysis. What’s wrong with wanting to be safe? Mr. Murry insists that “lust for security” forces false choices and a panicked search for safety and conformity. This reminded me that my grandmother would get very annoyed when anyone would talk about “the power of love.” Love, she insisted, is not power, which she considered always coercive. To love is to be vulnerable; and it is only in vulnerability and risk—not safety and security—that we overcome darkness.
Madeleine L'Engle (A Wrinkle in Time (Time, #1))
My grandmother always told me that she loved my prayers. She believed my prayers were more powerful, because I prayed in English. Everyone knows that Jesus, who's white, speaks English. The Bible is in English. Yes, the Bible was not written in English, but the Bible came to South Africa in English so to us it's English. Which made my prayers the best prayers because English prayers get answered first. How do we know this? Look at white people. Clearly they're getting through to the right person. Add to that Matthew 19:14. "Suffer little children to come unto me," Jesus said, "for theirs is the kingdom of heaven." So if a child is praying in English? To White Jesus? That's a powerful combination right there.
Trevor Noah (Born a Crime: Stories From a South African Childhood)
A Grandmother thinks of her grandchildren day and night, even when they are not with her.She will always love them more than anyone would understand.
Karen Gibbs (A Gallery of Scrapbook Creations)
I told my kids I just want three words on my tombstone, if I have one. I'll probably be cremated. One is "woman." I'm very comfortable in that role. I've loved being a woman, I've loved being a mother, I've loved being a grandmother. I want three words: Woman, Atheist, Anarchist. That's me.
Madalyn Murray O'Hair
Age isn't stealing from my grandmother; it's slowly unwinding her.
Shaun David Hutchinson (We Are the Ants)
People don’t just happen. We sacrifice former versions of ourselves. We sacrifice the people who dared to raise us. The “I” it seems doesn’t exist until we are able to say, “I am no longer yours.” My grandmother and I, without knowing it, were faithfully following a script that had already been written for us. A woman raises a boy into a man, loving him so intensely that her commitment finally repulses him.
Saeed Jones (How We Fight For Our Lives)
Annabel stared at the door, then turned to Sebastian, feeling quite dazed. "I think my grandmother may have just given me permission to ruin myself." "I'll do all the ruining tonight," he said with a grin. "If you don't mind.
Julia Quinn (Ten Things I Love About You (Bevelstoke, #3))
When she smiles, the lines in her face become epic narratives that trace the stories of generations that no book can replace.
Curtis Tyrone Jones
Grandmothers are a gift not to be taken lightly. So many lose them, before they are old enough to know their magic. I am glad my bones were born with this knowledge. She taught me how to become a good ancestor. At least this - loving her presence, appreciating her wisdom - is something I know how to do well.
Nikita Gill (The Girl and the Goddess: Stories and Poems of Divine Wisdom)
Demonstrate talent, said Grandmother often to me, and you will still be loved by a husband when beauty has faded.
Martine Leavitt (Keturah and Lord Death)
They all broke the rules. They all crossed into forbidden territory. They all tampered with the laws that lay down who should be loved and how. And how much. The laws that make grandmothers grandmothers, uncles uncles, mothers mothers, cousins cousins, jam jam, and jelly jelly. It was a time when uncles became fathers, mothers lovers, and cousins died and had funerals. It was a time when the unthinkable became thinkable and the impossible really happened.
Arundhati Roy
From her thighs, she gives you life And how you treat she who gives you life Shows how much you value the life given to you by the Creator. And from seed to dust There is ONE soul above all others -- That you must always show patience, respect, and trust And this woman is your mother. And when your soul departs your body And your deeds are weighed against the feather There is only one soul who can save yours And this woman is your mother. And when the heart of the universe Asks her hair and mind, Whether you were gentle and kind to her Her heart will be forced to remain silent And her hair will speak freely as a separate entity, Very much like the seaweed in the sea -- It will reveal all that it has heard and seen. This woman whose heart has seen yours, First before anybody else in the world, And whose womb had opened the door For your eyes to experience light and more -- Is your very own MOTHER. So, no matter whether your mother has been cruel, Manipulative, abusive, mentally sick, or simply childish How you treat her is the ultimate test. If she misguides you, forgive her and show her the right way With simple wisdom, gentleness, and kindness. And always remember, That the queen in the Creator's kingdom, Who sits on the throne of all existence, Is exactly the same as in yours. And her name is, THE DIVINE MOTHER.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
My grandmother once told me, “Relationships are work, honey, and they aren’t 50/50. Some days when I get up I only feel like giving 10%, then your granddaddy has to give 90% that day. But there is always 100% love.
Leigh Ann Lunsford (Parker Sibling Series Box Set)
All my dreams of leaving, but beneath them I was afraid to go. I had clung to them, to Rass, yes, even to my grandmother, afraid that if I loosened my fingers an iota, I would find myself once more cold and clean in a forgotten basket.
Katherine Paterson (Jacob Have I Loved)
I reread my grandmother's letter and realized with a deep sense of contentment that I had not had to change at all in order to have every hope for happiness in life. I had not had to learn to sing for company or to behave like Cecily or to stop twirling. I could be myself and be loved deeply. I was, in fact, a lot like Meg, who had always been a racehorse, I just hadn't known it.
Julianne Donaldson (Edenbrooke (Edenbrooke, #1))
We would also have to say goodbye to the joy of watching this next generation soak up the massive quantities of love their grandmother would have given them, and seeing them learn that there was someone in the world who loved them as much as their parents did: a grandmother who was delighted by all their quirks and who thought they were the most amazing creatures on earth.
Will Schwalbe (The End of Your Life Book Club)
My grandmother used to say that there's something truly intimate about sharing food with the people you love." [Stacey] "Intimate? Sharing food? People you love?" Amber raises an eyebrow. "Um, no offense, Stace, but it sounds like Gram was into food kink.
Laurie Faria Stolarz (Silver Is for Secrets (Blue is for Nightmares, #3))
My grandmother and my two aunts were an exhibition in resilience and resourcefulness and black womanhood. They rarely talked about the unfairness of the world with the words that I use now with my social justice friends, words like "intersectionality" and "equality", "oppression", and "discrimination". They didn't discuss those things because they were too busy living it, navigating it, surviving it.
Janet Mock (Redefining Realness: My Path to Womanhood, Identity, Love So Much More)
To the loyal and to the blood-lovers, in the good families and in the fiery dynasties, life is family and family is life. It is the same people who give advice and their vices to live well who turn out to be the ones who give resource and reason to live long.
Criss Jami (Healology)
I’ve been lucky to have been cared for and loved since childhood by a circle of women. Now it’s time for me to create a wider circle, so I can do for my daughters and other women in the household what Grandmother, Miss Zhao, Meiling, and even Poppy have done for
Lisa See (Lady Tan's Circle of Women)
There were the endless birthday nights and New Year's Eves of just you in your bed and no one else. There was the welling up at weddings, the glittery eye-prick, when all the couples would get up to dance. Sometimes it felt like your heart was crazed with cracks like your grandmother's old saucers. Sometimes the sight of a Saturday afternoon couple laughing in a park would splinter it completely.
Nikki Gemmell (The Bride Stripped Bare (Bride Trilogy, #1))
Everything necessary to understand my grandfather lies between two stories: the story of the tiger’s wife, and the story of the deathless man. These stories run like secret rivers through all the other stories of his life – of my grandfather’s days in the army; his great love for my grandmother; the years he spent as a surgeon and a tyrant of the University. One, which I learned after his death, is the story of how my grandfather became a man; the other, which he told to me, is of how he became a child again.
Téa Obreht (The Tiger's Wife)
Everybody is bizarre and disgusting and interesting and fixated on fetishes they wouldn’t admit to their grandmother on pain of vaporization and worthy of love. You are bizarre and disgusting and interesting and fixated on fetishes you wouldn’t admit to your grandmother on pain of vaporization and worthy of love.
Catherynne M. Valente (Space Opera (Space Opera, #1))
The children we bring into the world are small replicas of ourselves and our husbands; the pride and joy of grandfathers and grandmothers. We dream of being mothers, and for most of us that dreams are realised naturally. For this is the Miracle of Life.
Azelene Williams (INFERTILITY Road to Hell and Back)
This is an ode to all of those that have never asked for one. A thank you in words to all of those that do not do what they do so well for the thanking. This is to the mothers. This is to the ones who match our first scream with their loudest scream; who harmonize in our shared pain and joy and terrified wonder when life begins. This is to the mothers. To the ones who stay up late and wake up early and always know the distance between their soft humming song and our tired ears. To the lips that find their way to our foreheads and know, somehow always know, if too much heat is living in our skin. To the hands that spread the jam on the bread and the mesmerizing patient removal of the crust we just cannot stomach. This is to the mothers. To the ones who shout the loudest and fight the hardest and sacrifice the most to keep the smiles glued to our faces and the magic spinning through our days. To the pride they have for us that cannot fit inside after all they have endured. To the leaking of it out their eyes and onto the backs of their hands, to the trails of makeup left behind as they smile through those tears and somehow always manage a laugh. This is to the patience and perseverance and unyielding promise that at any moment they would give up their lives to protect ours. This is to the mothers. To the single mom’s working four jobs to put the cheese in the mac and the apple back into the juice so their children, like birds in a nest, can find food in their mouths and pillows under their heads. To the dreams put on hold and the complete and total rearrangement of all priority. This is to the stay-at-home moms and those that find the energy to go to work every day; to the widows and the happily married. To the young mothers and those that deal with the unexpected announcement of a new arrival far later than they ever anticipated. This is to the mothers. This is to the sack lunches and sleepover parties, to the soccer games and oranges slices at halftime. This is to the hot chocolate after snowy walks and the arguing with the umpire at the little league game. To the frosting ofbirthday cakes and the candles that are always lit on time; to the Easter egg hunts, the slip-n-slides and the iced tea on summer days. This is to the ones that show us the way to finding our own way. To the cutting of the cord, quite literally the first time and even more painfully and metaphorically the second time around. To the mothers who become grandmothers and great-grandmothers and if time is gentle enough, live to see the children of their children have children of their own. To the love. My goodness to the love that never stops and comes from somewhere only mothers have seen and know the secret location of. To the love that grows stronger as their hands grow weaker and the spread of jam becomes slower and the Easter eggs get easier to find and sack lunches no longer need making. This is to the way the tears look falling from the smile lines around their eyes and the mascara that just might always be smeared with the remains of their pride for all they have created. This is to the mothers.
Tyler Knott Gregson
A friend of mine liked to tell me that women love flowers. He had many flirtations, but he never found a wife. Do you know why? Because women may love flowers, but only one woman loves the scent of gardenias in late summer that remind her of her grandmother's porch. Only one woman loves apple blossoms in a blue cup. Only one woman loves wild geraniums.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
You’ll be seeing him tomorrow night, anyway.” “I am?” Hyacinth asked, at precisely the moment Mr. St. Clair said, “She will?” “You’re accompanying me to the Pleinsworth poetry reading,” Lady D told her grandson. “Or have you forgotten?” Hyacinth sat back, enjoying the sight of Gareth St. Clair’s mouth opening and closing in obvious distress. He looked a bit like a fish, she decided. A fish with the features of a Greek god, but still, a fish. “I really…” he said. “That is to say, I can’t—” “You can, and you will be there,” Lady D said. “You promised.” He regarded her with a stern expression. “I cannot imagine—” “Well, if you didn’t promise, you should have done, and if you love me…” Hyacinth coughed to cover her laugh, then tried not to smirk when Mr. St. Clair shot a dirty look in her direction. “When I die,” he said, “surely my epitaph will read, ‘He loved his grandmother when no one else would.’” “And what’s wrong with that?” Lady Danbury asked.
Julia Quinn (It's in His Kiss (Bridgertons, #7))
A life with love is happy. A life for love is foolish. A life of if only is unbearable. In my seventy-eight years, I have had all three. Grandmother would often say, “So it is with sorrow. So it is with happiness. It will pass.” But even in my old age, when I close my eyes, I can still see the distant flicker of a thousand tiny lights.
Ana Johns (The Woman in the White Kimono)
Gran, for the gods' love, it's talk like yours that starts riots!" I said keeping my voice down. "Will you just put a stopper in it?" She looked at me and sighed. "Girl, do you ever take a breath and wonder if folk don't put out bait for you? To see if you'll bite? You'll never get a man if you don't relax." My dear old Gran. It's a wonder her children aren't every one of them as mad as priests, if she mangles their wits as she mangles mine. "Granny, "I told her, "this is dead serious. I can't relax, no more than any Dog. I'm not shopping for a man. That's the last thing I need.
Tamora Pierce (Bloodhound (Beka Cooper, #2))
If you have a son, how will you love him? She is pacing the living room, while the Thanksgiving Day Parade plays behind her, a montage of inflated cartoon bodies, floating slow down 6th Avenue, smiles painted onto their faces. I consider not responding. I consider explaining that I can love him and not trust him. I consider saying that I won’t love him at all. Just to scare her. Instead, I say, If I am ever murdered, like, body found in a ditch, mouth stuffed with dirt, stocking around my neck, identified by my toenails, please don’t go looking for a guilty woman. ("My Grandmother Asks Why I Don't Trust Men")
Olivia Gatwood (Life of the Party)
Good for Christmas-time is the ruddy colour of the cloak in which--the tree making a forest of itself for her to trip through, with her basket--Little Red Riding-Hood comes to me one Christmas Eve to give me information of the cruelty and treachery of that dissembling Wolf who ate her grandmother, without making any impression on his appetite, and then ate her, after making that ferocious joke about his teeth. She was my first love. I felt that if I could have married Little Red Riding-Hood, I should have known perfect bliss. But, it was not to be; and there was nothing for it but to look out the Wolf in the Noah's Ark there, and put him late in the procession on the table, as a monster who was to be degraded.
Charles Dickens (A Christmas Tree)
Girls say to me, very reasonably, 'why isn't it a bunch of girls? Why did you write this about a bunch of boys?' Well, my reply is I was once a little boy - I have been a brother, a father, I am going to be a grandfather. I have never been a sister, or a mother, or a grandmother. That's one answer. Another answer is of course to say that if you - as it were - scaled down human beings, scaled down society, if you land with a group of little boys, they are more ike a scaled-down version of society than a group of little girls would be. Don't ask me why, and this is a terrible thing to say because I'm going to be chased from hell to breakfast by all the women who talk about equality - this is nothing to do with equality at all. I think women are foolish to pretend they are equal to men, they are far superior and always have been. But one thing you can't do with them is take a bunch of them and boil them down, so to speak, into a set of little girls who would then become a kind of image of civilisation, of society. The other thing is - why aren't they little boys AND little girls? Well, if they'd been little boys and little girls, we being who we are, sex would have raised its lovely head, and I didn't want this to be about sex. Sex is too trivial a thing to get in with a story like this, which was about the problem of evil and the problem of how people are to live together in a society, not just as lovers or man and wife.
William Golding
Darling Daddy, This is Rose. So flames went all up the kitchen wall. Saffron called the fire brigade and the police came too to see if it was a trick and the police woman said to Saffron Here You Are Again because of when I got lost having my glasses checked. But I was with Tom whose grandmother is a witch on top of the highest place in town. Love, Rose.
Hilary McKay (Indigo's Star (Casson Family, #2))
And the child, Francie Nolan, was of all the Rommelys and all the Nolans. She had the violent weaknesses and passion for beauty of the shanty Nolans. She was a mosaic of her grandmother Rommely's mysticism, her tale-telling, her great belief in everything and her compassion for the weak ones. She had a lot of her grandfather Rommely's cruel will. She had some of her Aunt Evy's talent for mimicking, some of Ruthie Nolan's possessiveness. She had Aunt Sissy's love for life and her love for children. She had Johnny's sentimentality without his good looks. She had all of Katie's soft ways and only half of the invisible steel of Katie. She was made up of all these good and these bad things. She was made up of more, too. She was the books she read in the library. She was the flower in the brown bowl. Part of her life was made from the tree growing rankly in the yard. She was the bitter quarrels she had with her brother whom she loved dearly. She was Kitie's secret, desparing weeping. She was the shame of her father staggering home drunk. She was all of these things and of something more that did not come from the Rommelys nor the Nolans, the reading, the observing, the living from day to day. It was something that had been born into her and her only- the something different from anyone else in the two families. It was what God or whatever is His equivalent puts into each soul that is given life- the one different thing such as that which makes no two fingerprints on the face of the earth alike.
Betty Smith (A Tree Grows in Brooklyn)
[in reference to turkey bowling] He [Tommy] squinted and picked his target, then took his steps and sent the bird sliding down the aisle. A collective gasp rose from the crew as the fourteen-pound, self-basting, fresh-frozen projectile of wholesome savory goodness plowed into the soap bottles like a freight train into a chorus line of drunken grandmothers.
Christopher Moore (Bloodsucking Fiends (A Love Story, #1))
Well, the thing is, I don't think Indians are nomadic anymore. Most indians anyway.' No, we're not,' I said I'm not nomadic,' Rowdy said. 'Hardly anybody on this rez is nomadic. Except for you. You're the nomadic one.' Whatever.' No. I'm serious. I always knew you were going to leave. I always knew you were going to leave us behind and travel the world. I had this dream about you a few months ago. You were standing on the Great Wall of China. You looked happy. And I was happy for you.' Rowdy didn't cry. But I did. You're an old-time nomad,' Rowdy said. 'You're going to keep moving all over the world in search of food and water and grazing land. That's pretty cool.' I could barely talk. Thank you,' I said. Yeah,' Rowdy said. 'Just make sure you send me postcards, you asshole.' From everywhere,' I said. I would always love Rowdy. And I would always miss him, too. Just as I would always love and miss my grandmother, my big sister, and Eugene. Just as I would always love and miss my reservation and my tribe. I hoped and prayed that they would someday forgive me for leaving them. I hoped and prayed that I would someday forgive myself for leaving them.
Sherman Alexie (The Absolutely True Diary of a Part-Time Indian)
What do you mean, 'Angle of Repose?' she asked me when I dreamed we were talking about Grandmother's life, and I said it was the angle at which a man or woman finally lies down. I suppose it is; and yet ... I thought when I began, and still think, that there was another angle in all those years when she was growing old and older and very old, and Grandfather was matching her year for year, a separate line that did not intersect with hers. They were vertical people, they lived by pride, and it is only by the ocular illusion of perspective that they can be said to have met. But he had not been dead two months when she lay down and died too, and that may indicate that at that absolute vanishing point they did intersect. They had intersected for years, for more than he especially would ever admit.
Wallace Stegner (Angle of Repose)
Nothing Tastes as Good as Skinny Feels Unless you count your grandmother’s cake, hand mixed while she waits for the sound of your breath at the door. Or if you consider the taste of the sea, arms raised while you enter, salt at your lips. Or maybe you’ve forgotten the taste of a lover, your mouth on his skin. I ask—have you ever tasted the cool swill of freedom? The consuming rush of a quiet, radical love.
Kate Baer (What Kind of Woman)
My grandmother stepped back into the kitchen to get their drinks. I had come to love her more after death than I ever had on Earth. I wish I could say that in that moment in the kitchen she decided to quit drinking, but I now saw that drinking was a part of what made her who she was. If the worst of what she left on Earth was a legacy of inebriated support, it was a good legacy in my book. ~Susie's grandmother, Lynn pgs 315-316
Alice Sebold (The Lovely Bones)
All of us who fight here today do so with someone standing invisible behind us.” Asterin’s gold-flecked black eyes softened a bit. “Yes,” was all Manon’s Second said as her hand drifted to her abdomen. Not in memory of the hateful word branded there, of what had been done to her. In memory of the stillborn witchling who had been thrown by Manon’s grandmother into the fire before Asterin had a chance to hold her. In memory of the hunter whom Asterin had loved, as no Ironteeth ever had loved a man, and had never gone back to, for shame and fear. The hunter who had never stopped waiting for her to return, even when he was an old man. For them, for the family she had lost, Manon knew her Second would fight today. So it might never happen again.
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
Where'd you send her?" "Siberia. Lovely this time of year. A bit remote, I'm afraid. Might take her weeks to find a town and even longer to arrange transportation back to the States." My lips quirked. I didn't feel like laughing, but the image of my half-millenium-old grandmother trudging through snow was kind of funny. "You're sick, you know that?" "What can I day? I thought a cold-hearted bitch like her would feel at home in the tundra.
Jaye Wells (Red-Headed Stepchild (Sabina Kane, #1))
I could have had one life but insteads I had another because of this book my grandmother protected. What a miracle is that? I was taught to love beautiful things. I had a language in which to consider beauty. Later that extended to the opera, to the ballet, to architecture I saw, and even later still I came to realize that what I had seen in the paintings I could see in the fields or a river. I could see it in people. All of that I attribute to this book.
Ann Patchett (Bel Canto)
My heart races and I look away. “Well I care. So, write it down. For nine weekends and eight thousand dollars, what's yours is mine including your friends.” I throw in a little sarcastic eye flutter. “We're going to be so head-over-heels-in-love. I can't wait to see how romantic you are!” “Oh no. I refuse to be your kind of bumper-sticker-romantic. Don't mistake me for Mr. Darcy.” I gasp. “You don't know Hunger Games or Forks, Washington, but you know Mr. Darcy? Start talking.” “Crap! My grandmother's a fan. She's tortured me since birth with Mr. Darcy. Thanks to her DVD collection, I can quote Jane Austen faster than the Elmo song.” I laugh, surprised again. “Prove it.” “Elizabeth, daaarling!” He's launched into a breathless English accent. “I love, love, love you, and I never want to be parted from you from this day forward. Pardon me, whilst I puke…” “No way!” I beam. “Let the contract state that I want the Mr. Darcy accent once a week!” I can't help but laugh again because he's shaking his head and laughing back.
Anne Eliot (Almost)
I thought how little we know about the feelings of old people. Children we understand, their fears and hopes and make-believe. I was a child yesterday. I had not forgotten. But Maxim’s grandmother, sitting there in her shawl with her poor blind eyes, what did she feel, what was she thinking? Did she know that Beatrice was yawning and glancing at her watch? Did she guess that we had come to visit her because we felt it right, it was a duty, so that when she got home afterwards Beatrice would be able to say, “Well, that clears my conscience for three months”? Did she ever think about Manderley? Did she remember sitting at the dining room table, where I sat? Did she too have tea under the chestnut tree? Or was it all forgotten and laid aside, and was there nothing left behind that calm, pale face of hers but little aches and little strange discomforts, a blurred thankfulness when the sun shone, a tremor when the wind blew cold? I wished that I could lay my hands upon her face and take the years away. I wished I could see her young, as she was once, with color in her cheeks and chestnut hair, alert and active as Beatrice by her side, talking as she did about hunting, hounds, and horses. Not sitting there with her eyes closed while the nurse thumped the pillows behind her head. “We’ve got a treat today, you know,” said the nurse, “watercress sandwiches for tea. We love watercress, don’t we?
Daphne du Maurier (Rebecca)
One realizes that even in harmonious families there is this double life: the group life, which is the one we can observe in our neighbour’s household, and, underneath, another – secret and passionate and intense – which is the real life that stamps the faces and gives character to the voices of our friends. Always in his mind each member of these social units is escaping, running away, trying to break the net which circumstances and his own affections have woven about him. One realizes that human relationships are the tragic necessity of human life; that they can never be wholly satisfactory, that every ego is half the time greedily seeking them, and half the time pulling away from them. In those simple relationships of loving husband and wife, affectionate sisters, children and grandmother, there are innumerable shades of sweetness and anguish which make up the pattern of our lives day by day . . .
Willa Cather
I thought about him asking me if I'd ever been in love. It's a weird phrase in English, in love, like it's a sea you drown in or a town you live in. You don't get to be in anything else—in friendship or in anger or in hope. All you can be is in love. And I wanted to tell him that even though I'd never been in love, I knew what it was like to be in a feeling, to be not just surrounded by it but also be permeated by it, the way my grandmother talked about God being everywhere. When my thoughts spiraled, I was in the spiral, and of it. And I wanted to tell him that the idea of being in a feeling gave language to something i couldn't describe before, created a form for it, but I couldn't figure out how to say any of that out loud.
John Green (Turtles All the Way Down)
His blue eyes brightened with a smile. 'I did.' He looked over his shoulder, as if making sure her mom wasn't looking. The he pulled her against him and kissed her. A soft kiss. 'I got you something,' He whispered, his lips breathing words against hers. He reached into his coat pocket and pulled out a ring. A gold ring with a large diamond. A beautiful, teardrop-shaped diamond that looked like an engagement ring. Kylie's breath caught. 'It was my grandmother's ring. In her letter she wrote you should have it. And before you start panicking, let me say that I know maybe we're too young to call it an engagement, That's why I got you this too.' He pulled out a gold chain 'I want you to wear it around your neck. Call it a promise- A promise that when you do slip a ring on that finger...' He ran his hand down to her left hand. 'That it'll be my ring.' Emotion rose in her chest 'You don't have to give me anything for me to give you that promise.
C.C. Hunter (Chosen at Nightfall (Shadow Falls, #5))
It was my mother who tucked him in and told him that there exists a sort of love in the world that only survives as long as no one ever speaks of it, and that was why he would never have to worry because my grandmother was never going to be the kind of mother who held her children in her arms and told them how smart and beautiful and talented they were. She was only going to scold them, make them feel diminutive, make them feel like they were never good enough, make them know this world wouldn't be kind to them. She wasn't going to let someone else be better than her at making her children feel pain or scare them more than she could, and that to her, that was a form of protection. That's how we will be with our own children, my mother was proud to realize. Because we'll learn from our mother who learned from her mother before her and all the mothers before them.
Jenny Zhang (Sour Heart)
Panic always comes to me in the same way. First, I get a knot in the pit of my stomach that turns to nausea, then a fluttery breathlessness that no amount of deep breathing can cure. But what causes my fear is different every day, I never know what will set me off. It could be a kiss from my husband, or the lingering look of sadness in his eyes when he draws back. Sometimes I know he's already grieving for me, missing me even while I'm still here. Worse yet is Marah's quiet acceptance of everything I say. I would give anything for another of our old knock-down drag-out fights. That's one of the first things I'd say to you now, Marah: Those fights were real life. You were struggling to break free of being my daughter but unsure of how to be yourself, while I was afraid to let you go. It's the circle of love. I only wish I'd recognized it then. Your grandmother told me I'd know you were sorry for those years before you did, and she was right. I know you regret some of the things you said to me, as I regret my own words. None of that matters, though. I want you to know that. I love you and I know you love me.
Kristin Hannah (Firefly Lane (Firefly Lane, #1))
There are all sorts of families," Tom's grandmother had remarked, and over the following few weeks Tom became part of the Casson family, as Micheal and Sarah and Derek-from-the-camp had done before him. He immediately discovered that being a member of the family was very different from being a welcome friend. If you were a Casson family member, for example, and Eve drifted in from the shed asking, "Food? Any ideas? Or shall we not bother?" then you either joined in the search of the kitchen cupboards or counted the money in the housekeeping jam jar and calculated how many pizzas you could afford. Also, if you were a family member you took care of Rose, helped with homework (Saffron and Sarah were very strict about homework), unloaded the washing machine, learned to fold up Sarah's wheelchair, hunted for car keys, and kept up the hopeful theory that in the event of a crisis Bill Casson would disengage himself from his artistic life in London and rush home to help.
Hilary McKay (Indigo's Star (Casson Family, #2))
The young man was sincerely but placidly in love. He delighted in the radiant good looks of his betrothed, in her health, her horsemanship, her grace and quickness at games, and the shy interest in books and ideas that she was beginning to develop under his guidance. She was straightforward, loyal, and brave; she had a sense of humour (chiefly proved by her laughing at his jokes); and he suspected, in the depths of her innocently-gazing soul, a glow of feeling that it would be a joy to waken. But when he had gone the brief round of her he returned discouraged by the thought that all this frankness and innocence were only an artificial product. Untrained human nature was not frank and innocent; it was full of the twists and defences of an instinctive guile. And he felt himself oppressed by this creation of factitious purity, so cunningly manufactured by a conspiracy of mothers and aunts and grandmothers and long-dead ancestresses, because it was supposed to be what he wanted, what he had a right to, in order that he might exercise his lordly pleasure in smashing it like an image made of snow.
Edith Wharton (The Age of Innocence)
Imagine this: Instead of waiting in her tower, Rapunzel slices off her long, golden hair with a carving knife, and then uses it to climb down to freedom. Just as she’s about to take the poison apple, Snow White sees the familiar wicked glow in the old lady’s eyes, and slashes the evil queen’s throat with a pair of sewing scissors. Cinderella refuses everything but the glass slippers from her fairy godmother, crushes her stepmother’s windpipe under her heel, and the Prince falls madly in love with the mysterious girl who dons rags and blood-stained slippers. Imagine this: Persephone goes adventuring with weapons hidden under her dress. Persephone climbs into the gaping chasm. Or, Persephone uses her hands to carve a hole down to hell. In none of these versions is Persephone’s body violated unless she asks Hades to hold her down with his horse-whips. Not once does she hold out on eating the pomegranate, instead biting into it eagerly and relishing the juice running down her chin, staining it red. In some of the stories, Hades never appears and Persephone rules the underworld with a crown of her own making. In all of them, it is widely known that the name Persephone means Bringer of Destruction. Imagine this: Red Riding Hood marches from her grandmother’s house with a bloody wolf pelt. Medusa rights the wrongs that have been done to her. Eurydice breaks every muscle in her arms climbing out of the land of the dead. Imagine this: Girls are allowed to think dark thoughts, and be dark things. Imagine this: Instead of the dragon, it’s the princess with claws and fiery breath who smashes her way from the confines of her castle and swallows men whole.
theappleppielifestyle
How long does a mouse live?" "Ah," she said. "I've been waiting for you to ask me that." There was a silence. She sat there smoking away and gazing at the fire. "Well," I said. "How long do we live, us mice?" "I have been reading about mice," she said. "I have been trying to find out everything I can about them." "Go on then, Grandmamma. Why don't you tell me?" "If you really want to know," she said, "I'm afraid a mouse doesn't live for a very long time." "How long?" I asked. "Well, an ordinary mouse only lives for about three years," she said. "But you are not an ordinary mouse. You are a mouse-person, and that is a very different matter." "How different?" I asked. "How long does a mouse-person live, Grandmamma?" "Longer," she said. "Much longer." "A mouse-person will almost certainly live for three times as long as an ordinary mouse," my grandmother said. "About nine years." "Good!" I cried. "That's great! It's the best news I've ever had!" "Why do you say that?" she asked, surprised. "Because I would never want to live longer than you," I said. "I couldn't stand being looked after by anybody else." There was a short silence. She had a way of fondling me behind the ears with the tip of one finger. It felt lovely. "How old are you, Grandmamma?" I asked. "I'm eighty-six," she said. "Will you live another eight or nine years?" "I might," she said. "With a bit of luck." "You've got to," I said. "Because by then I'll be a very old mouse and you'll be a very old grandmother and soon after that we'll both die together." "That would be perfect," she said.
Roald Dahl (The Witches)
I do not consider myself a religious person, because I don't adhere to a particular religion or faith or prescribed beliefs, as did my father, who was a Baptist minister. And I am not an atheist, one who thinks that belief in anything beyond the here and now and the rational is delusion. I love science, but I allow for mystery, things that can never be proven by a rational mind. I am a person who thinks about the nature of the spirit when I write. I think about what can't be known and only imagined. I often sense a spirit or force or meaning beyond myself. I leave it open as to what the spirit is, but I continue to make guesses -- that it could be the universal binding of the emotion of love, or a joyful quality of humanity, or a collective unconscious that turns out to be a unified conscience. The spirit could be all those worshiped by all the religions, even those that deny the validity of others. It could be that we all exist in all ten dimensions of a string-theory universe and are seeding memories in all of them and occupy them simultaneously as memory. Or we exist only as thought and out perception that it is a physical world is a delusion. The nature of spirit could also be my mother and my grandmother and that they really do serve as my muses as I fondly imagine them doing at times. Or maybe the nature of the spirit is a freer imagination. I've often thought that imagination was the conduit to compassion, and compassion is a true spiritual nature. Whatever the spirit might be, I am not basing what I do in this life on any expected reward or punishment in the hereafter or thereafter. It is enough that I feel blessed -- and by whom or what I don't know -- but I receive it with gratitude that I am a writer and my work is to imagine all the possibilities.
Amy Tan
Cinder." Kai pulled one leg onto the bank, turning his body so they were facing each other. He took her hands between his and her heart began to drum unexpectedly. Not because of his touch, and not even because of his low, serious tone, but because it occurred to Cinder all at once that Kai was nervous. Kai was never nervous. "I asked you once," he said, running his thumbs over her knuckles, "if you thought you would ever be willing to wear a crown again. Not as the queen of Luna, but ... as my empress. And you said that you would consider it, someday." She swallowed a breath of cool night air. "And ... this is that day?" His lips twitched, but didn't quite become a smile. "I love you. I want to be with you for the rest of my life. I want to marry you, and, yes, I want you to be my empress." Cinder gaped at him for a long moment before she whispered, "That's a lot of wanting." "You have no idea." She lowered her lashes. "I might have some idea." Kai released one of her hands and she looked up again to see him reaching into his pocket - the same that had held Wolf's and Scarlet's wedding rings before. His fist was closed when he pulled it out and Kai held it toward her, released a slow breath, and opened his fingers to reveal a stunning ring with a large ruby ringed in diamonds. It didn't take long for her retina scanner to measure the ring, and within seconds it was filling her in on far more information than she needed - inane worlds like carats and clarity scrolled past her vision. But it was the ring's history that snagged her attention. It had been his mother's engagement ring once, and his grandmother's before that. Kai took her hand and slipped the ring onto her finger. Metal clinked against metal, and the priceless gem looked as ridiculous against her cyborg plating as the simple gold band had looked on Wolf's enormous, deformed, slightly hairy hand. Cinder pressed her lips together and swallowed, hard, before daring to meet Kai's gaze again. "Cinder," he said, "will you marry me?" Absurd, she thought. The emperor of the Eastern Commonwealth was proposing to her. It was uncanny. It was hysterical. But it was Kai, and somehow, that also made it exactly right. "Yes," she whispered. "I will marry you." Those simple words hung between them for a breath, and then she grinned and kissed him, amazed that her declaration didn't bring the surge of anxiety she would have expected years ago. He drew her into his arms, laughing between kisses, and she suddenly started to laugh too. She felt strangely delirious. They had stood against all adversity to be together, and now they would forge their own path to love. She would be Kai's wife. She would be the Commonwealth's empress. And she had every intention of being blissfully happy for ever, ever after.
Marissa Meyer (Stars Above (The Lunar Chronicles, #4.5))
To My Wife You are like a young white hen. Her feathers ruffle in the wind, her neck curves down to drink, and she rummages in the earth: but, in walking, she has your slow, queenly step, haughty and proud. She is better than the male. She is like the females of all the serene animals who draw near to God. Here, if my eye, if my judgment doesn’t deceive me, among these, you find your equals, and in no other woman. When evening lulls the little hens to sleep, they make sounds that call to mind those mild, sweet voices with which you argue with your pains, and don’t know that your voice has the soft, sad music of the henyard. You are like a pregnant heifer, still free, and without heaviness, merry, in fact; who, if someone strokes her, turns her neck, where a tender pink tinges her flesh. If you meet up with her, and hear her bellow, so mournful is this sound that you tear at the earth to give her a present. In the same way, I offer my gift to you when you are sad. You are like a tall, thin female dog, that always has so much sweetness in her eyes and ferociousness in her heart. At your feet, she seems a saint who burns with an indomitable fervor and in this way looks at you as her God and Lord. When you are at home, or going down the street, to anyone who tries, uninvited, to approach you, she uncovers her shining white teeth. And her love suffers from jealousy. You are like the fearful rabbit. Within her narrow cage, she stands upright to look at you, and extends her long, still ear; she deprives herself of the husks and roots that you bring her, and cowers, seeking the darkest corners. Who might take away this food? Who might take away the fur which she tears from her back to add to the nest where she will give birth? Who would ever make you suffer? You are like the swallow which returns in the spring. But each autumn will depart— you don’t have this art. You have this of the swallow: the light movements; that which, to me, seemed and was old, you proclaim another spring. You are like the provident ant. She whom the grandmother speaks of to the child as they go out in the countryside. And thus I find you in the bumble bee and in all the females of all the serene animals who draw near to God. And in no other woman.
Umberto Saba
He had not stopped looking into her eyes, and she showed no signs of faltering. He gave a deep sigh and recited: "O sweet treasures, discovered to my sorrow." She did not understand. "It is a verse by the grandfather of my great-great-grandmother," he explained. "He wrote three eclogues, two elegies, five songs, and forty sonnets. Most of them for a Portuguese lady of very ordinary charms who was never his, first because he was married, and then because she married another man and died before he did." "Was he a priest too?" "A soldier," he said. Something stirred in the heart of Sierva María, for she wanted to hear the verse again. He repeated it, and this time he continued, in an intense, well-articulated voice, until he had recited the last of the forty sonnets by the cavalier of amours and arms Don Garcilaso de la Vega, killed in his prime by a stone hurled in battle.When he had finished, Cayetano took Sierva María's hand and placed it over his heart. She felt the internal clamor of his suffering. "I am always in this state," he said. And without giving his panic an opportunity, he unburdened himself of the dark truth that did not permit him to live. He confessed that every moment was filled with thoughts of her, that everything he ate and drank tasted of her, that she was his life, always and everywhere, as only God had the right and power to be, and that the supreme joy of his heart would be to die with her. He continued to speak without looking at her, with the same fluidity and passion as when he recited poetry, until it seemed to him that Sierva María was sleeping. But she was awake, her eyes, like those of a startled deer, fixed on him. She almost did not dare to ask: "And now?" "And now nothing," he said. "It is enough for me that you know." He could not go on. Weeping in silence, he slipped his arm beneath her head to serve as a pillow, and she curled up at his side. And so they remained, not sleeping, not talking, until the roosters began to crow and he had to hurry to arrive in time for five-o'clock Mass. Before he left, Sierva María gave him the beautiful necklace of Oddúa: eighteen inches of mother-of-pearl and coral beads. Panic had been replaced by the yearning in his heart. Delaura knew no peace, he carried out his tasks in a haphazard way, he floated until the joyous hour when he escaped the hospital to see Sierva María. He would reach the cell gasping for breath, soaked by the perpetual rains, and she would wait for him with so much longing that only his smile allowed her to breathe again. One night she took the initiative with the verses she had learned after hearing them so often. 'When I stand and contemplate my fate and see the path along which you have led me," she recited. And asked with a certain slyness: "What's the rest of it?" "I reach my end, for artless I surrendered to one who is my undoing and my end," he said. She repeated the lines with the same tenderness, and so they continued until the end of the book, omitting verses, corrupting and twisting the sonnets to suit themselves, toying with them with the skill of masters. They fell asleep exhausted. At five the warder brought in breakfast, to the uproarious crowing of the roosters, and they awoke in alarm. Life stopped for them.
Gabriel García Márquez (Of Love and Other Demons)