Grandmother Birthday Quotes

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There were the endless birthday nights and New Year's Eves of just you in your bed and no one else. There was the welling up at weddings, the glittery eye-prick, when all the couples would get up to dance. Sometimes it felt like your heart was crazed with cracks like your grandmother's old saucers. Sometimes the sight of a Saturday afternoon couple laughing in a park would splinter it completely.
Nikki Gemmell (The Bride Stripped Bare (Bride Trilogy, #1))
unaccustomed to the ambushes of family life, and perhaps it is just as well that I can offer her little of that life. I would like to give her more. I would like to promise her that she will grow up with a sense of her cousins and of rivers and of her great-grandmother’s teacups, would like to pledge her a picnic on a river with fried chicken and her hair uncombed, would like to give her home for her birthday, but we live differently now and I can promise her nothing like that. I give her a xylophone and a sundress from Madeira, and promise to tell her a funny story.
Joan Didion (Slouching Towards Bethlehem: Essays)
The grandmothers decided on William’s eighth birthday that the time had come for the boy to learn the value of money. With this in mind, they allocated him one dollar a week as pocket money, but insisted that he keep an inventory accounting for every cent he spent. Grandmother Kane presented him with a green leather-bound ledger, at a cost of 95 cents, which she deducted from his first week’s allowance. From then on the grandmothers divided the dollar up every Saturday morning. William could invest 50 cents, spend 20 cents, give 10 cents to charity and keep 20 cents in reserve. At the end of each quarter they would inspect the ledger and his written report on any unusual transactions.
Jeffrey Archer (Kane and Abel (Kane and Abel, #1))
That part of the press release about me asking your father’s permission to marry you was true—well, partly true, anyway. I didn’t ask permission—I knew you wouldn’t like that, it’s sexist. You’re not your father’s property. But I did see him before we left, to tell him I was going to propose to you this weekend, and ask for his blessing.” I was stunned. “Wait . . . is this what you meant when you said before we left that you’d talked to my parents?” “Yes. I spoke to your mother, too, because she played an even bigger role in raising you. I thought it was the right thing to do. How do you think you got out of doing all those events—and birthday Cirque du Soleil with your grandmother—so easily?
Meg Cabot (Royal Wedding (The Princess Diaries, #11))
The few other shoppers were women like herself. Widows, perhaps, but grandmothers surely, out hunting for birthday gifts or bargains to store away for next winter. They shuffled in a daze from bin to bin, and Margaret read in every face some suffering or disappointment, their hopes and dreams marked down, 40 percent off.
Keith Donohue
I don't like to overhear things, because, in my experience, things your parents are keeping quiet about are things you don't want to know. It doesn't feel good to know that your grandparents are getting separated because your grandfather lost his temper and gave your grandmother a slap across the face after fifty-two years of being married with no problems at all. It doesn't feel good to know ahead of time what you'll be getting for Christmas or birthdays so that you have to act surprised even though you're a terrible liar. It doesn't feel good to know that your teacher told your mother at a conference that you're an average student in math and English and that you should be happy with that.
Carol Rifka Brunt (Tell the Wolves I'm Home)
I would like to give her more. I would like to promise her that she will grow up with a sense of her cousins and of rivers and of her great-grandmother’s teacups, would like to pledge her a picnic on a river with fried chicken and her hair uncombed, would like to give her home for her birthday, but we live differently now and I can promise her nothing like that.
Joan Didion (Slouching Towards Bethlehem: Essays)
What we, and others, often fail to realise is the depth and reach of our loss: that not only will we never have children, but we will never create our own family. We will never watch them grow up, never throw children's birthday parties, never take that 'first day at school' photo, never teach them to ride a bike. We'll never see them graduate, never see them possibly get married and have their own children. We'll never get a chance to heal the wounds of our own childhood by doing things differently with our children. We'll never be grandmothers and never give the gift of grandchildren to our parents. We'll never be the mother of our partner's children and hold that precious place in their heart. We'll never stand shoulder-to-shoulder with our siblings and watch our children play together. We'll never be part of the community of mothers, never be considered a 'real' woman. And when we die, there is no one to leave our stuff to, and no one to take our lifetime's learnings into the next generation. If you take the time to think about it all in one go, which is more than most of us are ever likely to do because of the breathtaking amount of pain involved, it's a testament to our strength that we're still standing at all.
Jody Day (Living the Life Unexpected: How to find hope, meaning and a fulfilling future without children)
931.A third grade girl was expelled for a year because her grandmother sent her a birthday cake to school along with a knife to cut it. The teacher used the knife to cut the cake, and then reported the girl to the authorities for having a dangerous weapon.
Scott Matthews (3666 Interesting, Fun And Crazy Facts You Won't Believe Are True - The Knowledge Encyclopedia To Win Trivia (Amazing World Facts Book Book 4))
Once upon a time-which, when you come to think of it, is the only proper way to begin a story-the only way that really smacks of romance and fairyland-all the Harmony members of the Lesley clan assembled at Cloud of Spruce to celebrate Old Grandmother's birthday as usual. Also to name Lorraine's baby.
L.M. Montgomery
I hope you’ll take the next right step today and choose just one way to be kind. Then another. Then another. Then another. Here’s a few ideas to get you started. Write a thank-you note. Extend an invitation. Bring muffins to the office. Offer someone a ride to the airport. Donate blood. Challenge yourself to go a day without saying anything negative. Call your grandmother. Look at the month ahead for birthdays and plan something special for a friend or family member. Send a care package. Send congrats flowers for a friend who reached a new milestone. Make a double batch of soup and bring half to someone who just moved. Wave at kids on a school bus.
Candace Cameron Bure (Kind is the New Classy: The Power of Living Graciously)
According to one of the most-often-told stories in the Land-of-Almost-Awake, it was a small child from Miamas who managed to break the curse on the sea-angel, releasing it from the demons of memory that held it captive. When Granny told Elsa that story for the first time on her sixth birthday, Elsa realized she was no longer a child.
Fredrik Backman (My Grandmother Asked Me to Tell You She's Sorry)
Think of all the love poured into him. Think of the tuitions for Montessori and music lessons. Think of the gasoline expended, the treads worn carting him to football games, basketball tournaments, and Little League. Think of the time spent regulating sleepovers. Think of the surprise birthday parties, the daycare, and the reference checks on babysitters. Think of World Book and Childcraft. Think of checks written for family photos. Think of credit cards charged for vacations. Think of soccer balls, science kits, chemistry sets, racetracks, and model trains. Think of all the embraces, all the private jokes, customs, greetings, names, dreams, all the shared knowledge and capacity of a black family injected into that vessel of flesh and bone. And think of how that vessel was taken, shattered on the concrete, and all its holy contents, all that had gone into him, sent flowing back to the earth. Think of your mother, who had no father. And your grandmother, who was abandoned by her father. And your grandfather, who was left behind by his father. And think of how Prince's daughter was now drafted into those solemn ranks and deprived of her birthright — that vessel which was her father, which brimmed with twenty-five years of love and was the investment of her grandparents and was to be her legacy.
Ta-Nehisi Coates
I began to realize that my pictures of God were old. They were not old in the sense of antique champagne flutes, which are abundant with significance precisely because they are old—when you sip from them you remember your grandmother using them at birthday dinners, or your sister toasting her beloved at their wedding. Rather, they were old like a seventh-grade health textbook from 1963: moderately interesting for what it might say about culture and science in 1963, but generally out of date.
Lauren F. Winner (Wearing God: Clothing, Laughter, Fire, and Other Overlooked Ways of Meeting God)
My mom liked to say that Elsie was part of our family. My parents treated her better than other families who expected their housekeepers to eat separately. Mom bought Elsie birthday and Christmas presents, sent her home with vegetables from our garden, and, most important, treated her with kindness and respect. My grandmother prepared her lunch, instead of the other way around. Yet I didn't realize that Elsie's own family had been ripped apart two decades earlier, when she was working for my grandparents, and that my grandfather was partly to blame.
Kristen Green (Something Must Be Done About Prince Edward County: A Family, a Virginia Town, a Civil Rights Battle)
There was a nook in the house that contained what they called the Turkish Room, which was for intimate conversation. And when my mother had her sixth birthday, her grandmother led her into the Turkish Room. They were both named Inez. And on that day Big Inez gave Little Inez a plantation all her own. Two thousand acres. Then her little sister came running in and said, “Grandmother, can I have a plantation too?” And Big Inez looked down and said, “Child, your name is Alice. You were named for your Yankee grandmother. Go ask your Yankee grandmother for a plantation.
Adam Gopnik (The Moth)
In precisely the same way the pastoral novels of George Sand, which she was giving me for my birthday, were regular lumber-rooms of antique furniture, full of expressions that have fallen out of use and returned as imagery, such as one finds now only in country dialects. And my grandmother had bought them in preference to other books, just as she would have preferred to take a house that had a gothic dovecot, or some other such piece of antiquity as would have a pleasant effect on the mind, filling it with a nostalgic longing for impossible journeys through the realms of time.
Marcel Proust (In Search Of Lost Time (All 7 Volumes) (ShandonPress))
I was very moved by the Gauguin carvings. But then out of nowhere there was Van Gogh. Three self-portraits. I walked up to one; it was protected with glass. I could see my reflection. And I thought: Oh my God.” Less shakes his head, and his eyes widen as he relives the moment. “I look just like Van Gogh.” Javier laughs, his hand to his smile. “Before the ear, I think.” “I thought, I’ve gone crazy,” Less goes on. “But…I’ve already outlived him by over a decade!” Javier tilts his head, a cocker Spaniard. “Arthur, how old are you?” Deep breath. “I’m forty-nine.” Javier moves closer to peer at him; he smells of cigarettes and vanilla, like Less’s grandmother. “How funny. I am also forty-nine.” “No,” Less says, truly bewildered. There is not a line on Javier’s face. “I thought you were midthirties.” “That is a lie. But it is a nice lie. And you do not look close to fifty.” Less smiles. “My birthday is in one week.” “Strange to be almost fifty, no? I feel like I just understood how to be young.” “Yes! It’s like the last day in a foreign country. You finally figure out where to get coffee, and drinks, and a good steak. And then you have to leave. And you won’t ever be back.
Andrew Sean Greer (Less)
The different countries of India can be identified by the way each pronounces this word—from the Punjabi “bhaanchod” to the thin Bambaiyya “pinchud” to the Gujarati “bhenchow” to the Bhopali elaboration “bhen-ka-lowda.” Parsis use it all the time, grandmothers, five-year-olds, casually and without any discernible purpose except as filler: “Here, bhenchod, get me a glass of water.” “Arre, bhenchod, I went to the bhenchod bank today.” As a boy, I would try consciously not to swear all day on the day of my birthday. I would take vows with the Jain kids: We will not use the B-word or the M-word.
Suketu Mehta (Maximum City: Bombay Lost and Found)
coconut sunblock, a five-year-old showing you the spot where his front tooth used to be, a home-cooked meal, when your love kisses that exact spot on your neck, a grandmother’s handwriting, a job well done, the kindness of strangers, the human spirit, an Appaloosa horse, the ritual of your faith, laughing until you pee your pants a little, holiday dessert tables, first birthday parties, a perfect cup of coffee with a view. What’s good will always be good, and one of the most awful, beautiful things about the hard seasons is that unless we experience hardship, we’ll never truly appreciate and remember the good that was always good.
Rachel Hollis (Didn't See That Coming: Putting Life Back Together When Your World Falls Apart)
We had our family patterns and were quite comfortable in them, which made it even more shocking when, just after his eightieth birthday, Papa began bringing up his time as a prisoner of war in Germany. Of course, I had always known that he had served in World War II and been captured, just like I had always know the stories about my grandmother and the build of their house. It's that peculiar type of family memory, where someone has obviously told you but you were too young to remember actually hearing it, so it seems like knowledge that was instilled at birth. Papa never brought it up, and my parents said they hadn't heard him mention it once in the previous fifty years. But suddenly, he was talking.
Jesse Cozean
This kitchen had been the home to my beloved kitchen utensils too. There was the hundred-year-old pestle and mortar that belonged to my late grandmother, a container made of Japanese cypress that I'd used for keeping rice, a Le Creuset enamel pot I'd bought with my first pay cheque, a set of long-serving chopsticks with extra fine tips I'd found in a specialty shop in Kyoto, an Italian paring knife given to me on my twentieth birthday by the owner of an organic-vegetables shop, a comfortable cotton apron, jade gravel I used for making pickled aubergine, and the traditional cast-iron nambu frying pan I'd travelled as far north as Morioka to buy. It was a collection of quality items built to last a lifetime.
Ito Ogawa (The Restaurant of Love Regained)
Grace adored Amelia. The older woman was a close friend of her grandmother and mother, and a constant in Grace's life. She visited Amelia often. The inn was her second home. As a child she'd always raced up the stairs and raided Amelia's bedroom closet, and Amelia had encouraged her unconventional behavior. Grace had loved dressing up in vintage clothing. Attempting to walk up in a pair of high button shoes. Amelia was the first to recognize Grace's love of costume. Her enjoyment of tea parties. She'd supported Grace's dream of opening her business, Charade, when Grace sought a career. From birthdays to holidays, the costume shop was popular and successful. Grace couldn't have been happier. She admired Amelia now. Her long, braided hair was the same soft gray as her eyes. Years accumulated, but never seemed to touch her. She appeared youthful, ageless, in a sage-green tunic, belted over a paisley gauze skirt in shades of cranberry, green, and gold. Elaborate gold hoops hung at her ears, ones designed with silver beads and tiny gold bells. The thin metal chains on her three-tiered necklace sparkled with lavender rhinestones and reflective mirror discs. Bangles of charms looped her wrist. A thick, hammered-silver bracelet curved near her right elbow. A triple gold ring with three pearls arched from her index finger to her fourth. She sparkled.
Kate Angell (The Cottage on Pumpkin and Vine)
But she had learned about love through books, knew enough of it to recognize its absence in her life. Everywhere she looked, she was blinded by other forms of love, as if God were taunting her. From her bedroom window, she’d watch mothers pushing strollers, or children hanging from their father’s shoulders, or lovers holding hands. At doctors’ offices, she’d flip through magazines to find families smiling wildly, couples embracing, even women photographed alone, their bright faces shining with self-love. When she’d watch soap operas with her grandmother, love was the anchor, the glue that seemingly held the whole world together. And when she flipped through American channels when her grandparents weren’t looking, again love was the center of every show, while she, Deya, was left dangling on her own, longing for something other than her sisters to hold on to. As much as she loved them, it never felt like enough. But what did love even mean? Love was Isra staring dully out the window, refusing to look at her; love was Adam barely home; love was Fareeda’s endless attempts to marry her off, to rid herself of a burden; love was a family who never visited, not even on holidays. And maybe that was her problem. Maybe that’s why she always felt disconnected from her classmates, why she couldn’t see the world the way they did, couldn’t believe in their version of love. It was because they had mothers and fathers who wanted them, because they were coddled in a blanket of familial love, because they had never celebrated a birthday alone. It was because they had cried in someone’s arms after a bad day, had known the comforts of the words “I love you” growing up. It was because they’d been loved in their lives that they believed in love, saw it surely for themselves in their futures, even in places it clearly wasn’t.
Etaf Rum (A Woman Is No Man)
--Birthday Star Atlas-- "Wildest dream, Miss Emily, Then the coldly dawning suspicion— Always at the loss—come day Large black birds overtaking men who sleep in ditches. A whiff of winter in the air. Sovereign blue, Blue that stands for intellectual clarity Over a street deserted except for a far off dog, A police car, a light at the vanishing point For the children to solve on the blackboard today— Blind children at the school you and I know about. Their gray nightgowns creased by the north wind; Their fingernails bitten from time immemorial. We're in a long line outside a dead letter office. We're dustmice under a conjugal bed carved with exotic fishes and monkeys. We're in a slow drifting coalbarge huddled around the television set Which has a wire coat-hanger for an antenna. A quick view (by satellite) of the polar regions Maternally tucked in for the long night. Then some sort of interference—parallel lines Like the ivory-boned needles of your grandmother knitting our fates together. All things ambigious and lovely in their ambiguity, Like the nebulae in my new star atlas— Pale ovals where the ancestral portraits have been taken down. The gods with their goatees and their faint smiles In company of their bombshell spouses, Naked and statuesque as if entering a death camp. They smile, too, stroke the Triton wrapped around the mantle clock When they are not showing the whites of their eyes in theatrical ecstasy. Nostalgias for the theological vaudeville. A false springtime cleverly painted on cardboard For the couple in the last row to sigh over While holding hands which unknown to them Flutter like bird-shaped scissors . . . Emily, the birthday atlas! I kept turning its pages awed And delighted by the size of the unimaginable; The great nowhere, the everlasting nothing— Pure and serene doggedness For the hell of it—and love, Our nightly stroll the color of silence and time.
Charles Simic (Unending Blues)
But ghost stories show us a different concern, hidden under our bluster: we hope that the dead won’t forget us. We hope that we, the living, will not lose the meanings that seem to evaporate when our loved ones die. My own grandmother died, quite unexpectedly, when I was seventeen. I realize that it sounds absurd to say that about somebody who blew out the candles on her eightieth birthday cake in a hospital bed, but it was my first encounter with death, and it was unexpected to me. In my own naïve way, I expected her to get better and come home.
Katherine May (Wintering: The Power of Rest and Retreat in Difficult Times)
Jack must have looked confused, and Sienna leaned closer to him as she explained. Her perfume was sharp and floral, and he took a deep breath, enjoying the fresh fragrance after a day on the road smelling dust and tar. “When we were in high school, Uncle Renzo brought us down here to the pier at Monterey for a birthday dinner, and he spun Georgie a story about his grandmother going to sleep at the table when he was a little boy, and drowning in her chowder.” Jack grinned as Sienna continued the story. “He had her sucked in, hook line and sinker, for the whole night until she started to cry, and then he took pity on her.” Sienna smiled as she looked at Jack. Her long, delicate neck arched gracefully as her head turned slowly from side to side, and Jack got another whiff of her perfume. Her eyes were hooded and Jack sensed she was waiting for something.
Annie Seaton (Brushing Off the Boss (Half Moon Bay #2))
Okay…" There goes nothing. "My grandmother, bless her soul, was batshit crazy. She had these old family relics and heirlooms that have been in our family for multiple generations, and she left it all to me, on the condition that I’m married by my twenty-ninth birthday, which is in two weeks.
RuNyx (The Finisher (Dark Verse, #4))
It's too late, Zee," he reminded her, as though she needed it. "You’ll be twenty-nine in a month, and your grandmother’s fund will be frozen out if you don’t marry me. I was going to propose to you on your birthday. One fuck isn't worth all that.
RuNyx (The Finisher (Dark Verse, #4))
Yes, her grandmother’s fund. Her lovely grandmother had never married and regretted it her entire life, so she'd made sure that her granddaughter wouldn’t make the same mistake and find herself a life partner. She'd left some old family heirlooms with a clause that Zephyr had to be married by her twenty-ninth birthday to access them. Now, Zephyr was pretty non-mercenary, and didn’t care enough for the money to get married. But the family heirlooms had been in her father's line for over five generations, and the sneaky old lady had known her mother would rather get her married at gunpoint than let something so valuable to their heritage go to charity.
RuNyx (The Finisher (Dark Verse, #4))
And it occurred to me then that you would not escape, that there were awful men who’d laid plans for you, and I could not stop them. Prince Jones was the superlative of all my fears. And if he, good Christian, scion of a striving class, patron saint of the twice as good, could be forever bound, who then could not? And the plunder was not just of Prince alone. Think of all the love poured into him. Think of the tuitions for Montessori and music lessons. Think of the gasoline expended, the treads worn carting him to football games, basketball tournaments, and Little League. Think of the time spent regulating sleepovers. Think of the surprise birthday parties, the daycare, and the reference checks on babysitters. Think of World Book and Childcraft. Think of checks written for family photos. Think of credit cards charged for vacations. Think of soccer balls, science kits, chemistry sets, racetracks, and model trains. Think of all the embraces, all the private jokes, customs, greetings, names, dreams, all the shared knowledge and capacity of a black family injected into that vessel of flesh and bone. And think of how that vessel was taken, shattered on the concrete, and all its holy contents, all that had gone into him, sent flowing back to the earth. Think of your mother, who had no father. And your grandmother, who was abandoned by her father. And your grandfather, who was left behind by his father. And think of how Prince’s daughter was now drafted into those solemn ranks and deprived of her birthright—that vessel which was her father, which brimmed with twenty-five years of love and was the investment of her grandparents and was to be her legacy.
Ta-Nehisi Coates (Between the World and Me)
These were my grandmother’s last words: “I have wasted my life.” “Thanks a lot,” said my mother, who tended to make everything about her. I said, “What do you mean, Grandma?” I was interested, as I hoped to learn from her mistakes. I may even have gotten pen and paper ready. (Perhaps my mother and I were more alike than we realized.) “Of course you haven’t, Mum,” said Auntie Pat. But my grandmother just sighed and fiddled irritably with the button on the blue brunch coat I’d bought her for her last birthday. She would really have preferred a paler blue but she supposed it would do. Grandma never said another word. She died ten days later. You never know what your last words are going to be, so try to choose them all wisely.
Liane Moriarty (Here One Moment)
Florianna Flamingo’s Flowers is the second book in a series entitled Friends on Pinfeather Street. This book is about a young girl, Florianna, named after her grandmother Flora, a woman who fancies flowers. Like her grandmother, Florianna develops a fascination with blossoms and buds of every size and shape. Grandma Flora presents her granddaughter with a book of flowers for her birthday. Florianna is mesmerized by the pictures of flowers in the book and begins to employ them as a method of bringing good cheer to other people. With her grandmother as a role model, Florianna draws on the enchantment of her flower book to foster kindness. The book helps children learn how they can model positive behavior and take steps toward growth and development. The author/illustrator conveys an endearing story in rhyme that is both enjoyable and educational for children. Featuring pictures, painted by the author/illustrator, this book is a must for children who like to have fun while they learn!
M.S. Gatto (Florianna Flamingo's Flowers: Friends on Pinfeather Series (Friends on Pinfeather Street Book 2))
Stella got a glass of fruit punch and started screaming again — my tooth was bobbing around in her punch alongside the cherries and pineapple chunks. When she took a breath between screams I asked her if I could please have my tooth back. She threw it at me. Luckily it missed. Unluckily, it landed in the mouth of her yawning grandmother who swallowed it. Thankfully, there was nothing left to do but sing “Happy Birthday” and eat the cake. I accidently
Lee M. Winter (What Reggie Did on the Weekend 2: Unfair! (The Reggie Books))
And if he, good Christian, scion of a striving class, patron saint of the twice as good, could be forever bound, who then could not? And the plunder was not just of Prince alone. Think of all the love poured into him. Think of the tuitions for Montessori and music lessons. Think of the gasoline expended, the treads worn carting him to football games, basketball tournaments, and Little League. Think of the time spent regulating sleepovers. Think of the surprise birthday parties, the daycare, and the reference checks on babysitters. Think of World Book and Childcraft. Think of checks written for family photos. Think of credit cards charged for vacations. Think of soccer balls, science kits, chemistry sets, racetracks, and model trains. Think of all the embraces, all the private jokes, customs, greetings, names, dreams, all the shared knowledge and capacity of a black family injected into that vessel of flesh and bone. And think of how that vessel was taken, shattered on the concrete, and all its holy contents, all that had gone into him, sent flowing back to the earth. Think of your mother, who had no father. And your grandmother, who was abandoned by her father. And your grandfather, who was left behind by his father. And think of how Prince’s daughter was now drafted into those solemn ranks and deprived of her birthright—that vessel which was her father, which brimmed with twenty-five years of love and was the investment of her grandparents and was to be her legacy.
Ta-Nehisi Coates (Between the World and Me)
She is an open and trusting child, unprepared for and unaccustomed to the ambushes of family life, and perhaps it is just as well that I can offer her little of that life. I would like to give her more. I would like to promise her that she will grow up with a sense of her cousins and of rivers and of her great-grandmother’s teacups, would like to pledge her a picnic on a river with fried chicken and her hair uncombed, would like to give her home for her birthday, but we live differently now and I can promise her nothing like that.
Joan Didion (Slouching Towards Bethlehem)
The Eight Myths of Hanukah 1. Hanukah is the Jewish Christmas. False. How many times have I been asked, “Is Hanukah the Jewish Christmas?” Let me set the record straight. Christmas is the Jewish Christmas. Mary and Joseph were Jewish, Jesus was Jewish, and at least one of the Wise Men was Jewish — the one that brought the fur. 2. Hanukah is the holiest of Jewish holidays. False. Hanukah isn’t even a religious holiday. The holiest of Jewish holidays is April 24, Barbra Streisand’s birthday. The second holiest Jewish holiday is December 29, the wedding anniversary of Steve Lawrence and Eydie Gorme. 3. Hanukah is another Jewish holiday where they tried to kill us, they didn’t, so we eat. True. Also known as the Festival of Lights, Hanukah is an eight-day Jewish holiday commemorating the re-dedication of the Holy Temple (the Second Temple) in Jerusalem at the time of the Maccabean Revolt of the second century BCE, which brings us to ... 4. Hanukah commemorates the miracle that one day’s worth of oil lasted eight days in the Holy Temple. True. But, this is hardly a miracle because I witnessed my grandmother doing the same thing with one tea bag. 5. During Hanukah, children get a gift every night for eight days. False. If you grew up in my house, you got a gift the first night, then for seven nights, you heard about how awful it was to grow up during The Great Depression. The ritual of gift giving is actually very American, since Jewish children in this country are totally exposed to Christmas customs. 6. Hanukah is a holiday when Jewish people eat bland, colorless foods that are fried in oil and difficult to digest. True for ALL Jewish holidays. On Hanukah, we eat latkes (potato pancakes) or sufganiot, if you are Sephardic. Sufganiot are similar to jelly donuts. I am part Sephardic, so I like donuts, just not jelly ones. 7. There are many popular songs about Hanukah, and Jewish people know the words to all of them. False. Other than “Dreidel, Dreidel, Dreidel,” there are no other Hanukah songs we can sing, except for “The Hanukah Song,” by Adam Sandler, which brings us to Number 8 ... 8. Steve & Eydie and Barbra Streisand have recorded Hanukah albums. SO NOT TRUE! Would you believe Steve and Eydie have recorded a Christmas album, and Barbra has recorded not one but two Christmas albums?! And all those Christmas songs we hear on the radio are mostly written, and oftentimes performed, by Jews! Oy vay! This brings us back to myth Number 1, proving once again that Christmas is the Jewish Christmas! So, from my Trailer Park to Yours, here is wishing you a very Happy Jewish Christmas and a Merry Hanukah! 261
Milton Stern (The Gay Jew in the Trailer Park)
Shimon turned sixteen on February 5, 1944. Three years earlier he had stood beneath the golden hands - the hands of the Kohanim - that adorned the ark of the Torah at Temple Taharat Hakodesh and chanted his Bible portion in Hebrew. A bar mitzvah boy. His mother and grandmother wept with pride. Did Shimon remember it was his birthday? Did he still believe in God? Occasionally the slaves sang Hebrew songs - songs 'filled with nostalgia, hope, and desire for life.' Did Shimon join in?
David Laskin (The Family: Three Journeys into the Heart of the Twentieth Century)
He’s a lecherous old fart who has way too much time on his hands.” Alex clenched his hands into fists, his arms shaking with emotions he’d rather not feel. “That man is always screwing around with women, even when he was married to grandmother. What’s more, every time I see him, he’s always trying to hook me up because he thinks I need to lose my virginity. I mean, he hired a freaking hooker for my thirteenth birthday! Who does that?!
Brandon Varnell (A Most Unlikely Hero, Vol. 3 (A Most Unlikely Hero, #3))
My grandma used to collect bears. She started collecting little ceramic bears years ago and that collection grew and grew. At every holiday and birthday, people would buy my grandmother more freaking bears. Stuffed bears, bear artwork, bear figurines, bear dishes and even a teddy bear toilet seat cover.
Cassandra Aarssen (Real Life Organizing: Clean and Clutter-Free in 15 Minutes a Day)
On July 16, 1961, my Hamburg grandmother turned seventy. For her birthday she had asked for a trip to Bavaria with my family. No one could have guessed that
Angela Merkel (Freedom: Memoirs 1954 – 2021)
On July 16, 1961, my Hamburg grandmother turned seventy. For her birthday she had asked for a trip to Bavaria with my family. No one could have guessed that this would be our last trip to West Germany together.
Angela Merkel (Freedom: Memoirs 1954 – 2021)